Mizu's spectacles, and the levels of her disguise
In drafting some more Blue Eye Samurai meta posts, I find myself writing out the comparisons between what Mizu can and cannot hide about herself, and how that affects how she moves through the world.
Like, I get the jokes about Mizu's glasses, if only color contacts had existed back then, etc. etc., and I think (hope) that most viewers don't take the glasses jokes seriously, as in "I don't care about the suspension of disbelief because BES is a cartoon." But I wanted to write these thoughts out anyway without burying them in a text post about something else.
I think the points I'm going to lay out here are viewed very differently by different people, so please feel free to add to this post, reply, or put your thoughts in the tags!
Not only do Mizu's glasses not actually help her that much, there's surely more to Mizu's mixed race appearance than just the color of her eyes.
In my view, this was pointed out in episode 1:
I'm willing to bet most of us were expecting young Taigen to say "blue eyes," not "ROUND eyes."
Obviously this is still about Mizu's eyes, but not even spectacles can hide their shape.
I don't think the show is obligated to point out everything about Mizu's face that isn't quite as Japanese as the people around her expect. Though the creators have said that they specifically designed Mizu - and her clothes - to read both as "white" and as "Japanese," as well as both male and female. I think there's more about Mizu's features that read as "white" than just her eyes.
This is where my own headcanons start entering the picture, but it's my impression that people can just tell that Mizu looks different, whether or not they can put a finger on exactly how.
There's the little girl who looks at Mizu and then hides on the way into Kyoto:
When there's more to your face you'd like to cover up than just your eyes, big hats are a big help!
By the way, most of these examples have to come from the first half of the season, since by the second half, either Mizu is too preoccupied with fighting henchmen, or everyone Mizu is facing knows who she is already, and she therefore has no reason to hide her mixed race identity.
It's worth mentioning that the mere fact that Mizu has to hide multiple aspects of her identity - her mixed race and her sex - results in her having to choose clothes that really, really cover her up, which doesn't win her any favors either:
(Zatoichi reference, anyone?)
If it were as easy as, for example, tying her glasses to her head and wa-lah, nobody would ever know she was half-white - then (1) Mizu would've just done that long ago, and (2) Mizu wouldn't be so on guard and on tenterhooks 100% of the time the way she's depicted in the show, even when her glasses are on.
Her spectacles sure don't help her in the brothel, which is full of observant women who are trying to seduce her, meaning they get good long looks at her:
Mizu never takes her glasses off, but they still send a woman to her who has light eyes, thinking that must be what will interest a blue-eyed man:
No wonder Mizu gets mad after this, lol
So Mizu never takes her spectacles off in the brothel, it's dimly lit inside, and the women can still tell that she has blue eyes. I'm getting the sense that Mizu putting on her spectacles isn't a guarantee that people suddenly can't tell that she looks different.
And yet no one spots that she's female.
Mizu can hide her breasts, can wear her hair in the right style, can hide what's between her legs, can walk and talk and behave like a man - and she's been doing it for almost her entire life, to the point that not only is she very good at it, but the threat of being found out as female is deadly, but isn't presented in the show as omnipresent.
Let me explain.
She threatens Ringo for nearly saying the word "girl" out loud, because while she's constantly ostracized for being mixed race, being a woman traveling without a chaperone, carrying a sword, and disguised as a man will get her killed or flogged or arrested or some combination of these things.
But in addition, it's been drilled into her since she was a child that if she is discovered as female, the combination of her being mixed race and female will identify her as someone extremely specific, someone known to some bad people, and she will be killed:
I think of it as Mizu thinking to herself, "Being found out as mixed race means I'm treated badly. Being found out as mixed race and a woman means I'm dead."
Mizu's hair is cut as a child. But she isn't made to wear a big hat, or cover her eyes somehow, or anything like that. Because hiding her sex is a more successful endeavor than hiding her race.
Ringo finds out she's female by accident, but once Mizu accepts the fact that he won't rat her out, she relaxes pretty early on in the season. Because the threat of being found out as female is mitigated pretty much 99.9%, since Mizu has gotten so good at being a man. And also, because most of the time, people see what they want to see. Even if Mizu's face makes her stand out as "not 100% Japanese," no one in the world of BES looks at Mizu's clothes, her bearing, her sword, hears her voice, and will ever in a million years conclude that she is a woman, because expectations around gender roles in the Edo period were so rigid and so widely enforced.
One detail that proved this to me is after the Four Fangs fight:
Ringo takes off Mizu's clothes so he can stitch her up, then leaves her clothes off even after he's done. He doesn't even throw her cloak over her as a blanket or anything. There's a little a straw (pallet?) as a divider there on the left, but anyone could just peek around it and see Mizu and her chest bindings. (I think it's mostly there as a windbreaker.)
And Taigen is right there, but he doesn't give a shit:
Opinions probably vary hugely on this, but my impression is that because the show doesn't make any kind of deal about Taigen being in the room with Mizu here, my guess is that Mizu isn't in any danger of Taigen thinking she's female. Even when I watched the show for the first time, I assumed that Taigen had seen Mizu out of her clothes here, and that he thought nothing of it.
Eat your heart out, Li Shang (Mulan 1998). I actually do think that this scene is a direct and purposeful side-eye to that movie, lol
There's obviously some nuance to how "severe" being mixed race is compared to how "severe" being a woman is for Mizu:
After all, Swordfather can't bear to listen to Mizu confess to being a woman.
So a Japanese man can go wherever he wants, whenever he wants in BES. A Japanese woman has limited options: marriage, religion, or a brothel. A mixed-race man is an eyesore in this story. A mixed-race woman is a death sentence.
May as well eliminate the female aspect, and do what you can about the mixed-race aspect. Because that's just realistic.
Meaning Mizu can avoid the strictures Edo society places on women. But she can't avoid the repercussions that come with being mixed race. And I truly don't think that it's just because "there's no brown contacts yet."
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This isn't really new or anything but the more I reread random passages the more convinced I am that there's something very unique about the way Jiang Cheng reacts to Wen Ning and it's just so interesting!
I'm convinced it's more than just being angry. It's more than just hating him, or blaming him for Jin Zixuan's death or his sister's life. It's more than being a Wen, and it comes long before so many of those tragedies unfold anyway.
There's a sort of urgent, visceral reaction to Wen Ning's presence that just has this different feeling to it than how he reacts to any of the other characters. Even characters he has strong emotional responses to, it's never with the same panic or recklessness. It's not the same as the whole "vengeful wrath, fathomless hatred, or raving ecstasy" situation he's got going on with Wei Wuxian (sexy as that might be).
When it's Wei Wuxian, it's all "...well, well. So you're back?" and "Haven't you got anything to say to me?" Even when he's not being very nice, even when he's throwing teacups and furious at Wei Wuxian, there's still an edge of calmness in the way he lashes out. He's fucking mad but he's had more than a decade to think about this and he's got things to say and he's trying so hard to get a reaction from Wei Wuxian that he just won't give him.
But he can't tolerate having Wen Ning anywhere near him. Much of the time he instantly lashes out, physically, in ways to create space between them. He's mean to Wen Ning, but he doesn't really have much to say to him; he just wants to get away from him.
It really stuck out to me how instinctive and instantaneous and emotional that reaction is when I was reading this passage from chapter 81 (ExR translation since I've got it on hand in digital text form), when Jin Ling returns Zidian and rushes back into the fray during the Second Siege:
When Jiang Cheng was unaware, he stuffed Zidian's ring back into his hand and sprinted toward the crowd, all the way up to the most dangerous area before the mouth of the cave. Jiang Cheng was about to chase after him when he managed to slice a few corpses, staggering. He felt that Sandu was no lighter than hundreds of pounds. Two female corpses threw themselves at him from both directions.
Jiang Cheng cursed. As he lifted his sword again, another pair of hands tore the two corpses into pieces, "Sect Leader..."
Jiang Cheng lost his temper as soon as he heard the voice. He kicked Wen Ning away and cursed, "Get the fuck away from me!"
Obviously that is not very nice and poor Wen Ning didn't deserve a kick for being legitimately helpful there, but the point is that not only does he lash out - the reaction happens even when he's clearly got higher priorities going on in a chaotic situation. Throughout that entire event he reacts in a somewhat more even-keeled way to almost everything except Wen Ning being in his vicinity.
And it's not just after Wen Ning's death, not just after he became Wei Wuxian's greatest weapon, not just after he was forced to kill Jin Zixuan - it's specifically a pattern established from the moment he woke up in the Supervisory Office without a core:
Before he could say anything, those sun robes reflected against Jiang Cheng's eyes. His pupils suddenly shrunk.
Jiang Cheng kicked Wen Ning, toppling over the bowl of medicine. The black liquid all spilled onto Wen Ning. Wei WuXian wanted to take the bowl of medicine. He pulled up Wen Ning as well, who had been shocked speechless. Jiang Cheng roared at him, "What's wrong with you?!"
At this point he doesn't even know how he was rescued, since he was unconscious for all of that, and thinks they're in a Wen trap and likely going to die (or worse). But there's so many echoes of that interaction again, and again, and again between them.
And combined with Wen Ning's remarks during the scene just before this, where he tells Wei Wuxian about the discipline whip injuries and how Jiang Cheng 'should have other injuries as well', the way the narrative is so deliberately ambiguous on what exactly occurred, it all makes me want to crawl up the walls and gnaw on the light fixtures wailing WHAT DID YOU SEE, WEN NING?! WHAT DID YOU SEE?
At a minimum, Jiang Cheng knows that Wen Ning was there at Lotus Pier prior to his capture by the Wen guards, because they'd both seen Wen Ning examining Jiang corpses on the training field before they fled for Meishan.
But everything after that is only implication and subtext and suppositions and speculation, not directly stated in the text. But based on his reaction, you can pry my headcanon from my cold dead hands that that Wen Ning probably witnessed all or much of what happened to Jiang Cheng after he was captured, and Jiang Cheng knows it.
I've also posted before how I think there's an at least nonzero chance that Jiang Cheng was never directly told that Wen Ning wasn't actually there with Wen Chao when they saw him early on, but came later to try to help (because when Wen Ning gives Wei Wuxian that information Jiang Cheng isn't conscious, and nobody tells Jiang Cheng anything. I don't think that headcanon changes much either way, but there is a slight difference, at least emotionally, between 'I helped you while I was there to slaughter your clan and destroy your life' and 'I came when I heard my crazy cousin was slaughtering your clan and tried to help you' and I think it's a juicy thing to add to the pile of misunderstandings they each have of the other's motivations and actions).
Which, if I go with these two ideas together, really drives home what a bespoke and specific nightmare the way the Golden Core reveal played out - not only the substance of the reveal, but the fact it was Wen Ning who revealed it.
He was already furious that they were even there at Lotus Pier, particularly Wen Ning. But the way it all happens it feels like it's not just echoes of the amplified emotions of the confrontation with Lan Wangji & Wei Wuxian in the Ancestral Hall, it's not just Wen Ning being a Wen, or even Jin Zixuan's death, the way the narration calls out. It feels like there are deeper layers to it.
I also feel a bit stupid for not noticing before this probably extremely obvious to literally everyone else who isn't a dumbass like me parallel of Wen Ning getting a gruesome scorching whip mark across his chest at Lotus Pier in the course of saving Wei Wuxian (more or less, sort of - we know as readers Jiang Cheng was intentionally trying not to hurt them with Zidian, but I don't think Wen Ning knew that when he jumped in).
Jiang Cheng looked to find that the uninvited guest was Wen Ning. Immediately, he raged, "Who let you inside Lotus Pier?! How dare you!"
He could manage to tolerate others, but definitely not Wen Ning, the Wen-dog who put his hand through Jin ZiXuan's heart and ended both his sister's happiness and her life. Just a look, and he felt the urge to kill him right there. How dare he step foot on the earth of Lotus Pier—he really was looking for his death!
Because of the two lives and many other reasons, Wen Ning had always felt guilty, and so he'd always been somewhat scared of Jiang Cheng, consciously avoiding him all the time. Right now, however, he blocked Wei WuXian and Lan WangJi as he faced him, taking the hard lash. A gruesome scorch climbed across his chest, but still he didn't flinch.
I don't know that it actually means anything but it's making me FEEL THINGS incoherently at this specific moment, so. Also I find it legitimately sad that Wen Ning has to live with guilt over things that happened when he was controlled by someone else, though the scene before the Ancestral Hall when Jin Ling starts crying on the boat is probably a better example of that. Anyway.
It's just there's so, so many layers to how uniquely horrible it is for Jiang Cheng that he not only finds out about the Golden Core transfer this way, but also that Wen Ning, specifically, directly witnessed this life-shatteringly huge deception and sacrifice too - while Jiang Cheng was unconscious, no less.
And, well, we know how everything got capped off in that scene...
Obviously the shock of the information was going to get a huge reaction no matter what, no matter who or how he found out. Even without the Wen Ning element, it already hits every one of his deepest weaknesses and insecurities and fears.
But to come from the guy who'd witnessed his family being slaughtered, who'd witnessed who-knows-what humiliations heaped on him (who also happens to be the same fucking guy that Wei Wuxian thought it was worth leaving Yunmeng Jiang for, breaking his promise for...), the guy he blames for his sister's tragic fate (whether that blame is misplaced or not), the guy he exhibits a panic response towards even decades later, and goddamn.
There are just so many layers to this perfect little nightmare reveal on so many different levels aren't there?
There's just SO much meaty stuff for these two to dig into post-canon and all we get is an extra with a 'oh yeah sometimes Jiang Cheng yells on night hunts and Wen Ning is there' about it?!
I should probably just shut up and go read some Jiang Cheng and Wen Ning focused fics or something (whether romantic or platonic that's probably an area I really haven't explored enough vs. the amount of sheer interesting hints and material the novel gives to work with! If by some miracle anyone made it to the end of this beast feel free to drop any recs that explore them, especially that 'what did Wen Ning see?!' aspect of the whole situation because that is the current little brain worm haunting me right now).
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