#this post is very opera-heavy which really is not usually the case | Explore Tumblr Posts and Blogs

chayscribbles · 1 year

Text

chayscribbles’ monthly writing update ☆ december 2022

posting this one a little early as i'll be posting my writing year in review post on the 31st!

☆ STATISTICS.

words written: 11 936

projects worked on: Andromeda Rogue; The Gemini Heist (or, The WIP Formerly Known As "Secret Space WIP")

proudest accomplishment: idk i feel like this has been one of my best writing months in a while. i just feel it in my heart of hearts

books read: Discordia by Kristyn Merbeth

☆ GENERAL COMMENTS.

so i've been pretty MIA these past few weeks :/ i just started a new full time job which is quite physical and while i am enjoying it immensely, i'm usually tired at the end of the day to come on writeblr.

BUT somehow i've still been finding time to write! lots of fun things are happening in the chaynematic universe.

i've also been drawing quite a bit too! i'm really challenging myself to draw out of my comfort zone (which really just means drawing backgrounds that are more than a shape or a gradient, welp). currently working on a piece for my new wip which is... taking way longer than i would like 😅

reading comments: Discordia (which is the final book in this space opera trilogy i've been reading over the last few months) was good, not great, and the ending felt a little anticlimatic, but i can understand why it ended the way it did. a solid 4/5 stars because i still had a good time. anyways if you like Chay Stories, i recommend this trilogy! it's far from perfect and a little rough around the edge but it's still fun and enjoyable and hits all the right elements i personally love! (sibling drama in space! funky alien tech! bisexuals, plural!!!!!)

more specific wip-related comments + featured excerpt below.

☆ COMMENTS: ANDROMEDA ROGUE (draft 2)

i tend to work on this one when i don't have the brainpower to think too much, as a lot of it is just polishing or expanding on things that are already written.

i did add some new scenes that i hope will add more meat to the story. one is a phone call Azami witnesses between her father and some other politician, which is meant to add some political backdrop to the conflict between the planets. the other is a scene where Azami tries to run away before being placed on the expedition, but gets caught by her brother Ansel, as i wanted Azami to be more active in trying to shape her fate from the very get-go, and also give her and Ansel more scenes together. i haven't quite finished the latter one yet though because i haven't had the braincells to write any completely new scenes for this wip lately.

i also really reworked an exposition-heavy chapter where Petra gets the rundown of the expedition, and the scene right before they leave when they're given a tour of the ship to make it less clunky, sprinkling description of the ship into the team's actions as they get settled in instead of throwing a big wall of description at you.

so as of now a good chunk of act 1 is already rewritten!

however i do think in the second half of the month the steam for AR (which was all momentum from finishing AR3) has cooled down a bit and my mind has shifted elsewhere. which brings me to my next section...

☆ COMMENTS: THE GEMINI HEIST (outlining / draft... 0.5?)

in case you missed it: i have a new wip !!! (technically it's not new because i've been secretly working on it sporadically since spring, but it's new to most of you.) i'm having a ball writing about these awful gay women doing crime in space!!! i really missed that New WIP High haha. i feel like a kid in a sandbox.

i realized partway through the first act that the way i was writing AR wouldn't work for GH. because it's a heist i'll have to plan thigns more than i did with AR... but having a too-detailed outline feels too restricting. so instead i'm attempting to fast draft this thing so i can get a fuller picture of where i'm going, but still be able to plants this draft which seems to be the way that works best for me. (probably because you can't spell plantsing without plants.)

except that i'm really bad at not getting caught up in details while drafting, especially when writing dialogue-- these guys always end up talking and talking way more than i intend lmao. so i'm calling this more of a draft 0.5, where some parts will be more detailed but others will... not. i've pretty much skipped all description or non-essential worldbuilding. that's a problem for Future Chay.

☆ FEATURED EXCERPT.

this is from gemini heist chapter 4, where Leo is trying to convince Illiana to help them, and Euna and Gabi are... not exactly helping.

Illiana’s chest tightened. She took a deep breath. “How do I even know I can trust you? You’re a criminal, aren’t you? Why wouldn’t you take the money and leave once I’ve given you what you want?”

Leo leaned back in her chair. “I’m an honest criminal, Heir,” she began.

The shorter, chubbier of the two minions spoke for the first time, muttering under her breath, “I’m pretty sure ‘honest criminal’ is an oxymoron, actually.”

The taller, muscular one reached over and gave the short one a little smack on the arm. “I don’t think the Captain appreciates you calling her a moron, Gabi,” she scolded.

Leo’s overall expression didn’t change, but Illiana didn’t miss the exasperation briefly flashing through her eyes.

Leo, to Euna and Gabi: i have total faith in you guys

Leo, to herself: there's like a 30% chance they both die

☆ TAGLISTS. let me know if you want to be added/removed to any of them.

general taglist:

@nicola-writes @dgwriteblr @the-orangeauthor @retrogayyde @quilloftheclouds @ashen-crest @writeblrfantasy @celestepens @stardustspiral @pepperdee @extra-magichours @avi-why @lefttigerobservation @chazzawrites @bardolatrycore @innocentlymacabre

andromeda taglist:

@bebewrites @nicola-writes @dgwriteblr @the-orangeauthor @retrogayyde @akindofmagictoo @quilloftheclouds @nora-theteawriter @ashen-crest @corpsepng @writeblrfantasy @chaylattes @toboldlywrite @celestepens @stardustspiral @pepperdee @cheerfulmelancholies @extra-magichours @writeouswriter @cilly-the-writer @lefttigerobservation @rose-bookblood @drowsy-quill @chazzawrites @cynic-and-chief @enchanted-lightning-aes @aesa

gemini heist taglist:

@florraisons @akindofmagictoo @cream-and-tea @nicola-writes @memento-morri-writes @antique-symbolism @rose-bookblood @afoolandathief @pepperdee @avi-why @zonnemaagd @chazzawrites @analogued @enchanted-lightning-aes @innocentlymacabre @kahvilahuhut @celestepens @cilly-the-writer

#chayscribbles writing update #wip andromeda trilogy #wip andromeda rogue #wip gemini heist

31 notes · View notes

excaive · 1 year

Note

Oh, I wanted to ask, when KJ speaks through Jamie does the voice change :0? I was curious if you have a voice hc for when it happens

Thank u for asking! reminding me I have a handful of asks that got wiped from my memory that's been sitting for A While... oops

KJ's voice can change! As is they can control how their voice sounds if Jamie's out :p

I don't really have any voice hc, KJ can sound any way they like forever <3 (granted Jamie's present)

Jamie's almost like... a build-in sound library. Extremely convenient for a funny little guy(KJ) that makes music!

Though, usually in my head I consider Jamie to mostly provide KJ with a more rumbly, deeper sounding voice because that's the main thing he'll utilize for music stuff.

KJ has also deinitely recorded audio samples from Jamie to create sounds like:

worm bass.

wiggly worm bass

deepfried worming

pressure washer worm

the sound of 1000 worms raving in muddy grass during a heavy rain storm

worm chomf mischief (chewed on the mic) (WET)

worm opera

worm raspberries

wubbling (worm bubbling)

I could go on but that's the gist. custom made sounds from the best worm in the world <333

another thing about KJ post-story!

god, ok it's been a hot minute since I went insane with KJ lore sharing, but the speedrun any% recap is that KJ was hospitalized for a very long time due to an incident that put Jamie in a coma, and KJ can't properly talk without Jamie awake. extremely bad time for the guy who is very talkative etc. etc.

I'm certain you sent this ask due to me reblogging this drawing, which is post-story in the timeline, and KJ has Jamie again. swag!

buuut, the very long time without Jamie affected KJ's ability to talk where they're left with a stutter (that gradually improves to not be as frequent, but it's still there) If KJ speaks through Jamie, the stuttering doesn't occur. So, sometimes they'll make use of Jamie to avoid stuttering because they're much more comfortable being the weirdo freak with a worm out his mouth than dealing with the discomfort they get from being too self-conscious about stuttering.

Which is the case in that drawing! Mainly because they're at a photoshoot, so there's some people KJ doesn't really know that well, and they're not at a point where they feel comfortable speaking without Jamie.

They're comfy at home tho with Roger (and Cass), and gradually get more confident and comfortable with their stutter where they don't let it hold them back from being the loud and chatty freak that they are <3

#ask #killjoye #classic 'I don't shut up about kj' moment <3

13 notes · View notes

misora-msby · 4 years

Text

scarred love.

rating : mature

word count : 4.3k

themes : angst, slight fluff, implied and mentions of sex

notes : based on vistlip’s CLASSIC OPERA // this is my first work on this blog, i hope you enjoy!

“I don’t think he loves me anymore.”

“No way… That’s not the case, I’m sure!”

“That’s what I want to think but…”

Suna could barely believe as he stood outside the bedroom door, hand barely making contact with the handle. Was that really what you thought?

“I wonder if it’s normal for couples to fall out of love at this stage.”

“Mm… there’s certainly been couples I’ve known like that. They were in love for years but after they got married they decided it wasn’t the life for them and divorced.”

Suna heard your gasp follow the tinny voice from the phone. He had heard of similar stories before but never thought it would happen to him and you.

Ever since you had gotten together, he was always subtle in his love. He was never the type to outright say “I love you” in public or to boldly proclaim his love for you on social media. Suna preferred linking pinkies while walking or to post photos of your study dates with simple captions like “another ‘10 minute break’” or “we are going to collapse”.

Despite this, when you were in the privacy of your apartment, he almost never left your side. It was either his head on your lap, his legs laying over yours on the couch, or you sitting on his lap in some way albeit still being relatively quiet.

So to think you were getting upset with the little attention he was showing recently had him confused. Wasn’t he always like this?

“But Y/N, I doubt Suna-san’s fallen out of love. Isn’t it just that his new job with EJP Raijin is keeping him busy?”

“Y-Yeah but… he hasn’t said anything about it. He comes back late and leaves early and it just… It just sucks so much! I don’t know what to do!” you sob and Suna can hear the sound of you blowing your nose and coughing through your tears.

Taking a step back from the bedroom door, the middle blocker moved to the couch and sat for a moment, head in his hands. He knew love couldn’t be perfect. A perfect relationship without fights or problems was just waiting to crumble from the slightest crack in it. But he wanted to at least prevent you from thinking this way.

He wanted you to know he did love you.

Later that night, he crawled into the bed, freshly showered and in his pyjamas - an old thin t-shirt and a pair of boxers. You laid beside him in your own pyjamas - one of his big t-shirts and a pair of shorts.

“Y/N,” he turned onto his side and called your name, causing you to almost jump while attempting to fall asleep with your swirling thoughts.

“Yes, Rin?”

“You have a free day tomorrow too, don’t you?”

“Well… yes. Why?”

The bed shifted under his movement to hold himself over you.

“W-Wait a second! Rin! I’m not prepared or anything- mmf!”

He pressed his lips to yours, his fox-like eyes shut delicately as he kissed you passionately. Before you knew it, his hands moved to your sides and began to lift the edge of the shirt up, but were quickly pushed down.

“Rintarou,” you lightly pushed on his chest, “I uh… I’m not wearing any nice underwear… A-And I haven’t shaved. Can I go change and do that?”

Honestly you were very surprised that he suddenly wanted to do this. Suna was always one to do things out of the blue; your relationship was built on impromptu dates and spontaneous gifts he claimed ‘reminded him of you’, but this really had came out of nowhere.

You hadn’t been intimate in weeks and you wanted to at least look good for it, but Suna just shook his head.

“You’re fine like this. I love you however you look.” He leaned back down and began to place kisses along your jaw and neck.

His kisses were softer than usual, you noted. And his hands weren’t rushing to tear your clothes off like he usually did.

“Rin- ah! Rintarou, why are you doing this all of a sudden?”

“We’re both free tomorrow. Can’t I spend my free day with my girlfriend the way I want to?” he asked, looking up at you through his thin lashes.

“Still! That gives me more time to go get ready.”

“No,” he shook his head and continued to kiss and bite along your neck and collarbones, leaving his marks of love on your skin, “I want to spend every second that I can with you now that I have the time.”

“Wait a second.”

Suna finally pulled his lips away from your skin, now littered with little marks, “What’s wrong?”

“Since when were you so romantic? It just… Don’t get me wrong, I’m super happy it’s just a little funny…”

His eyes widened at the sight of tears welling up in your eyes.

“Y/N, are you okay?” he asked, cupping your face in his large rough hands gently.

“I’m more than okay! No… I don’t know why I’m crying…” you sob softly, rubbing at your eyes.

Suna chuckled lightly. “Is it because you’re filled with overwhelming love for me?”

“Rintarou!” you whined and hit his chest lightly. “You’re absolutely insufferable!”

“You say that but you were the one who asked me out on our graduation.”

“...you little shit. I really do love you.”

“Mm, I thought so. I love you too.” He continued to kiss and strip you.

Unlike your usual nights together which were spent fucking roughly, leaving bodies sore and lightly scarred, tonight was slow and loving albeit passionate as ever. Soft kisses and laughs were exchanged in the dark as Suna made love to you, thrusting slowly while mumbling words of love into your body.

The next morning, you were woken up by the feeling of a kiss on your forehead. Your eyelids fluttered open and you squinted in the morning light to see Suna sitting on his side of the bed, clad only in boxers. There was also the scent of eggs and toast, and when you looked down, you saw it sitting on a plate between you two.

“I’m no Osamu here. But I think my cooking is still edible,” your boyfriend sighed before flopping down onto the bed beside you and closing his eyes.

“You actually woke up to cook for me?” you asked, sitting up to look at the sunny-side-ups with broken yolks and the toast that was just a little too toasted for your liking.

“Surprised myself too,” he yawned before squinting his eyes open, “More like… I wanted to surprise you. And wake you up with a kiss.”

“You’re so cheesy today, aren’t you!”

“I know, I think it’s weird too.”

On that day, you knew he still loved you. And you loved him more than ever before.

But that happiness couldn’t last forever. In the city of Tokyo where sadness and troubles rained down, something was bound to happen. Even the most heavily cemented cracks could once again break under a heavy enough pressure.

Even if it took a couple of months.

“Rintarou! Welcome home!”

“Mm.”

Your brow furrowed slightly as you noticed his short answer. After shutting your laptop where you were answering some work related emails while waiting for your boyfriend, you made your way over to Suna who was hanging his winter coat by the door.

“Rin, are you alright?”

“Just tired.”

You sighed softly, “You shouldn’t overwork yourself. You need breaks sometimes too, you know?” And reached up to begin massaging his shoulders as you usually did. But he only pushed your hands away quickly, saying, “Not tonight,” before walking further into the apartment.

You bit your lower lip to prevent it from trembling any further while your hands stayed still as if frozen mid air. You were hesitating to tell him what you wanted to say earlier.

“Rintarou… Tomorrow you don’t have scheduled practice, right? I…” you took a deep breath as he turned to face you, eyes dark and heavy-looking.

“Yeah.”

“I was wondering… Well, I don’t have work tomorrow either so I reserved a place at a nice restaurant for dinner! I think we both need a bit of a break, work’s been so busy and you’re also training so intensely and-”

“No.”

“H- Huh?” you laughed nervously, “What do you mean by ‘no’?”

“It means what it means, I don’t want to go.”

“Rintarou, you can’t just- I can’t- I promise it’s a really nice place! A-And I wanted to spend some time with you…” there was a lump welling up in your throat as you tried not to suddenly pour out your recent feelings towards him.

The recent frustrations of not being able to spend much time with your boyfriend anymore, the annoyance at the way he would always spend his free time doing self training, the anger towards his schedule which rarely ever allowed you to meet, the sadness of the fact that your shared apartment no longer had the sound of laughter when you two played games or watched silly YouTube videos together...

All that frustration felt like it was just being held up behind that lump in your throat, and to think he would simply dismiss it without a second thought.

“You should’ve asked before you started making plans. I’m going to the gym tomorrow again. We have a match against the Red Falcons in two weeks so I need to become at least a bit stronger,” Suna explained monotonously, as if you should have known that already.

“I- I know but… I thought… it’d be a nice surprise…”

The man sighed and turned to walk towards the bathroom, ready to just shower and go to sleep. He simply could not be bothered to argue with you, thinking this problem would solve itself like it always did. But you had had enough of this issue.

Suna hadn’t even realised it was coming until he felt a small bell keychain hit the back of his head. It fell to the hardwood floor with a loud clang which lasted for far too long, causing him to inhale sharply and turn around, anger and annoyance replacing the bored expression on his face for once.

“What the hell is-” he was about to raise his voice until he saw the way your features trembled and your eyes had already become red and puffy. His own features softened and his body unstiffened. “Y/N…”

“You know, the least you could do is try to be nice to me!” you yelled, furiously wiping away the tears forming. “You could at least say “Mm, I’m really not free but we can do it some other time.” or some shit like that! But no! I- I’m busy too, you know! I’m trying to get promoted so I don’t have to rely on yer dumb ass all the time, but I still want to make time for you because I love you so much! But I don’t think ya get that!”

Something in the back of your mind was telling you not to say these things, that maybe you could just talk this out calmly. Maybe you didn’t have to explode, but something else told you this was the only way to get a point across.

“I’m your girlfriend, but I feel more like a roommate or burden at this point! Ya know, even ‘Tsumu’s able to make time for his girlfriend! And- And Bokuto’s always doing his promotions and ads but still makes time for his boyfriend! Ojiro-senpai too! Miyu-chan tells me he’s the one planning the dates! But ya can’t even be bothered to pretend you’re happy I tried ta plan somethin’ for us!”

Suna knew you really were angry when your dialect started coming out but he just didn’t know what to say. He could only stand there in silence with his head hanging like a child being scolded.

“Rintarou… I love you so much you know… I just wonder these days- no, I just wonder if you ever loved me back the same way.”

Oh, he knew. Ever since that night when he heard you crying on the phone, he knew he wasn’t doing enough.

“I… I’m sorry.” Suna looked up when he suddenly heard those words from you amidst the sobs and chokes.

“I already left your pyjamas on the bathroom counter… Please don’t… Just please don’t talk to me tonight.” you hurried to the tiny kitchen to wash your face as he silently made his way to the bathroom, thoughts swirling around in his head.

Suna stared at your figure silently for a second before bending down to pick up the bell - a cheap gift he had given you for your third month together right after you two first started university. It was old, the string slightly frayed and loose, and the golden paint had chipped in places to reveal the stainless steel underneath it. There was even a dent on the bottom from when you accidentally dropped one of your heavier textbooks onto it. It was old, and Suna had told you countless times it was fine to throw away, but you always kept it.

The man took it and carefully placed it back on the key rack before heading into the bathroom. He took his time in there, gathering his thoughts as he knew he wouldn’t be sharing a bed with you tonight.

It was understandable really, he hadn’t been a great boyfriend. Suna knew a relationship took work from both sides and he shouldn’t have been as blunt as he was earlier that night.

One couldn’t count the number of times he had muttered profanities aimed towards himself while sitting in the bathtub thinking about his mistakes. He didn’t know if you would even want to see him tomorrow morning. Maybe it was for the best he just went to the gym…

The next morning, Suna woke up early. Even in winter, the sun rose far too early in Japan for his taste. Sitting up and grumbling, he rubbed his eyes and stumbled to the bathroom to begin his morning routine.

Looking at himself in the mirror as he brushed his teeth, he could only sigh at the sight of the dark circles under his eyes.

Though you made him sleep on the stiff couch last night, you gave him the shared duvet and his pillow while you took the slightly thinner blanket from the closet.

Despite the added comfort, Suna could barely fall asleep. He kept twisting and turning, thinking about you. Your pained face, your strained voice, your kindness even when angry at him.

“I fucked up so bad,” he muttered once he washed his face and stared at his pathetically tired self in the mirror, water dripping from the ends of his hair. Would you want to break up with him after that? He’d understand if you wanted to, though he knew he would never be able to forgive himself for losing you because of some stupid mistake he could have prevented.

Suna sighed for what felt like the thousandth time in the past 12 hours and dabbed his face dry with a towel. He knew that now would be the hardest bit - entering your bedroom to get his change of clothes.

Opening the door as slowly as possible in order to prevent the loud whiny creaking that he wished he had fixed months ago, Suna walked slowly towards the open closet. As quickly as possible, he grabbed a set of clothes and turned to face the door. Though it wasn’t without looking at your sleeping form on the large bed.

Your face was puffy, dehydrated from sobbing last night, only emphasised by the wads of used tissues on the nightstand and floor. He noticed your breathing was a bit heavier than usual and your body was curled up as you hugged the thin blanket as close to yourself as you could.

The sight pained him intensely.

With silent footsteps, Suna set his clothes on his side (the empty side) of the bed and tiptoed out to grab the duvet before returning and carefully laying it over your body. He tucked it right up to your chin as you always liked it and sat on the floor, eyes scanning every little feature on your face. From the smallest moles he loved to kiss to each individual eyelash.

“You’re not hearing this, I guess,” he muttered, looking down at the floor for a moment before looking back up at you, “I thought about it for a really long time. I really should’ve been better to you.”

The silence in the room was deafening.

Suna gulped and bit the inside of his cheek as he thought about his next words, wondering if you could hear him in your sleep.

“I always left you alone but you would always be nice to me. When you could, you’d make me bentos and clean the house while I did the laundry. Hm… putting stuff into a machine isn’t anywhere equal to cooking and cleaning surfaces, but I guess that’s another point to make.”

Suna smiled to himself just a bit at the memory of you running into the bedroom to make him try your new pastries or dinner creations. He always thought you were so adorable in your old and stained apron that sometimes he would just stand in the kitchen to chat with you or watch you cook.

Then he was reminded of the dinner you had planned for the two of you and he suddenly frowned remembering how horrible he acted towards you the night before.

“You never expected me to be perfect since day one. I think I’m the furthest thing from a handsome prince on a white horse. But you’ve always been wonderful to me. And I was thinking…” You were asleep, right? Was it worth it to say such cheesy things?

“I kept wondering if you would leave and I thought I don’t want to lose you. I’m nowhere close to a prince but I thought I want to always be the one who wakes you up with a kiss. Or, I want you to wake me up with a kiss. Either is fine really. But… yeah. I’m sorry. Really, really sorry. ” He was certain you weren’t hearing these things yet there was a dark blush on his cheeks.

Until he saw you shift in the bed.

Suna swears his heart stopped momentarily as he leaned closer, checking to see if you had woken up.

Your eyelids slowly opened and you squinted tiredly at Suna, just barely able to see him with how blurry your vision had become. “Rin…?”

The man hurried to his feet, hoping his morning wouldn’t feel any heavier than it already did.

“I’m gonna give you some space. I’ll be back after my jog.”

Suna turned to exit the bedroom but was stopped by the sound of stumbling, followed by your warmth around his waist and resting on his back.

“Please… don’t go.”

He stared silently at the floor in front of him.

“I don’t think you want to-”

“Stay here! …please?”

Your soft voice broke but mended his heart at the same time. The scratchiness and fear in your voice contrasted with the words that he wanted to hear so badly.

“Did you…”

“Yeah, I heard everything.”

“You’re not mad?”

“Of course I’m still a little mad. But right now I’m just really happy you would say those things when you normally wouldn’t tell me how you feel. So… please, don’t go. Stay with me.”

The few moments of silence seemed to pass in eons as Suna took in a shaky breath before turning to hug you tightly, burying his face into your neck so you couldn’t see his tears of relief.

“Of course I will. I won’t go anywhere, babe.”

Four years have passed since that night. Suna yawns and scrunches up his face slightly at the way the sunlight enters your shared bedroom. Squinting his eyes, he looks around the room and wonders if maybe he should’ve put on a shirt like you did last night to deal with the first bites of winter. Then again, you did take his shirt.

He then looks to you, sleeping quietly by his side. You looked a little like a mess; hair messy, dwarfed in his big shirt, cheek smushed against the pillow, but he thought you looked adorable.

It’s cold, but he feels warm by your side.

And when he looks down at your left hand resting under his even in your sleep, the sight of the silver ring with its diamonds adorning your finger makes his heart even warmer.

#haikyuu #haikyuu!!#haikyuu imagines #haikyuu scenarios #suna rintarou #suna x reader #suna #haikyuu fanfiction #hq #inarizaki x reader #rintarou suna #misoramsby

630 notes · View notes

lacrow · 4 years

Text

Chapter 36...

...Me too, Anya. Me too.

After the Loid/Yor heavy arc we just came off of, I was wondering which direction Endo would take things. A lot of people were hoping for some focus on Damian and Anya, and boy oh boy I’m sure those same people were happy with this week’s chapter. It’s looking like the next arc is going to focus on the kids at Eden, only instead of tests and exams we’re going to get a PARTY!?

...Sorry, got a little excited there. First, let’s back it up.

I love how Anya just flat out acknowledges she’s never going to be an imperial scholar. Loid gave up far sooner than she did, but seeing her just blatantly accept the same thing is funny and also shows she’s not oblivious or air-headed; she’s quite aware of herself (which is rare for a child, as we’ll soon see with Becky) and is much more willing to focus on her strengths. Granted, the only thing she has going for her at the moment is Damian’s crush on her (which she isn’t even aware of in the first place). Also I just found it funny everyone still thinks Loid beats his patients. Poor Loid xD.

To kick off the arc things focused on Becky and her relationship with Anya and, honestly, I didn’t realize how excited I was for that until I started reading it. Becky was desperately needing some backstory, and I feel like this chapter delivered on all fronts. Sending the girls out on a shopping trip was a great set-up, and having Becky rent out the entire department store was a smart way for them to spend some alone time and also show off just how LOADED the Blackbells really are. Plus, Anya’s reactions to everything was priceless.

Okay, so...the fashion. It was cute, it was fun, and the dresses were fantastic. With that said, there’s no way I’m going to able to fit all of it into one post lol. So, briefly, I’ll list the highlights for me;

Anya’s Cover-Girl-esque spread

All of Anya’s costumes, but most importantly the “scholar” one with diploma caps for the headbuns (fantastic)

Becky immediately thinking of dressing up for Loid (honestly kinda cringey, but at the same time funny) and going down a runway because of course she would.

The tiny detail of Becky’s hairpin changing with each costume and how it changes to a knife when she wears Yor’s sweater (I see you, Endo).

Is there more? Yes. But now we’re moving on lol

I’d be remiss not to mention Becky’s thirst in this chapter, and I love how her attendant Martha just puts up with her shit with the flattest of faces. I wouldn’t be surprised if she’s well aware of Becky’s current obsession with soap opera’s, hence her casual, muted reaction. Home-wrecking is a no-no indeed xD

Aside from all her fashion shenanigans and Loid-thirst, the exploration of Becky’s character was fascinating and deeply satisfying. I was fond of her before this chapter, but now I have a much better idea of who she is as a person. Anya calling her a friend caught her completely off-guard; we as an audience knew this was already the case, but even after months of being together Becky clearly didn’t. Martha’s musings over her bratty past were insightful, and paint the picture of a little girl who grew up from a young age thinking she was a) inherently better than everyone else and b) had an image to maintain at all times. Such beliefs made it impossible to truly make friends, and she likely would have expected others around her to only get close to her in order to get material things because of her family’s wealth and status.

Besides Becky, Martha was really the standout character for me this week. It’s clear she’s been with Becky since the latter was very young; at first I took her for this exasperated servant who loathes Becky for being so spoiled, but by the end of the chapter I was pleasantly surprised to find her genuinely caring for her like a grandma or nanny. Her relationship with Becky, and by extension Anya, was very endearing and I hope to see more of her in the arc.

OKAY SO BACK TO THE PARTY!

It’s looks like this arc is going to deal more with the social aspects of Eden Academy, and I for one am thrilled. The tests and classroom and shenanigans are usually enjoyable, although I’d be lying if I said I found them very interesting. This whole backdrop of an end-of-term party, however, opens up the possibility of so many character interactions that we normally wouldn’t get to see. Just a few examples;

Becky finally meeting Loid

Yor chaperoning and causing unintended chaos

The kids all in spiffy clothing

The possibility of finally meeting Damian’s older brother

Mr. Henderson busting-a-move (god I can dream)

And, of course...

...some good ol’ Damian and Anya. It’s clear we’re gonna see an update on their relationship, and depending on how this party goes we may or may not finally get to see Anya be invited over to the Desmond’s house. Operation Strix might be up for it’s first big break in a while, and I’m excited to see how it all unfolds in the coming months!

Also, BONUS

$950 dollars!? Are you kidding me right now!? For two keychains!? Bond doesn’t even know math and he KNOWS those prices are outrageous!

#spy x family #chapter 36 #spoilers

136 notes · View notes

number5theboy · 4 years

Note

Favorite song montages/music scenes?

Oooohhhhh, love this. Because I’m on a roll, I made this another list, a top ten one, just so I don’t go overboard. I really looked at this as the scenes as a whole, rather than me liking the song or the scene individually. There are songs from the soundtrack that I love way more than some on this list, but didn’t think that they worked as well with the scene they’re in as the ones that did make the list. Without further ado:

10. I’m a Man (S2E2) - Diego & Reginald Fight

I just like how the aesthetics of this fight and the vibes of the song play perfectly together. It’s a more laid-back song than most fight scenes we get, and the line ‘I’m a man, yes I am, and I can’t help but love you so’ played over Reginald, who is demonstrably not a man and definitely doesn’t love Diego gives it such an almost sarcastic tone, like Reginald is toying with Diego.

9. Exit Music (For a Film) (S1E7) / All Die Young (S1E9) / Hello (S2E5) - Group Montages of Sadness and Change

I couldn’t decide between these three, because they all basically fulfill the same function in the narrative, showcasing different characters at low or turning points, and the mood of each song just hits perfectly. The way ‘Exit Music’ ramps up to Vanya’s guilt over killing and the confirmation that Leonard is Harold Jenkins. How ‘All Die Young’ is upbeat yet melancholic as nobody but Vanya truly is at their lowest at that moment, but you feel the arrow being drawn to the inevitable conclusion to this whole mess. And ‘Hello’ hit so much harder than it had any right to, it have the Swedes some dimension, but also the interplay of music with the funeral and the siblings’ big decisions, Vanya trying to confess to Sissy, Klaus going back to his cult, Allison telling Ray the truth, Diego and Luther burying the hatchet. It’s the perfect mood for it all, and the idea to use a Swedish cover is absolutely brilliant by the music department.

8. Soul Kitchen (S1E6) - Klaus & Dave in Vietnam

The Doors and Vietnam of course perfectly fits, but using the Doors to soundtrack a gay Vietnam romance??? Awesome. I’m usually someone with an ear for lyrics rather than the music, because I just know more about it, so I like it when the lyrics match up, but in this case, I don’t know any of the lyrics. I just like the mood the music creates. It’s a club in Vietnam and they’re not dancing to a club song. I like the rift between image and sound, and the sound still creates such a charged yet comfortable atmosphere.

7. In the Heat of the Moment (S1E5) - Five’s life in the apocalypse through the years

The fact that Noel Gallagher’s snooty singing and borderline meaningless lyrics fit this scene so perfectly is a minor miracle, but they do. The na na na nas coming in with the image after the counting in before the song quiets down just to soar again over Five’s struggles. And it’s also not a song that sounds strong, that is technically perfect, it never quite reaches grandeur, and I don’t know why the atmosphere it creates goes so hand in hand with decades in an apocalyptic wasteland. And the irony of a song about having someone by your side over excruciating loneliness. Also the lyric ‘you better learn to fly ‘cause they’re gonna point you up at sky’ objectively goes harder than Noel Gallagher lyrics should.

6. Stormy Weather (S1E8) - Allison drives through the rain to find Vanya, haunted by her past actions and flashes back to when she rumoured her daughter

It’s just the perfect soundtrack to Allison’s backstory with her powers, and the fact that it’s sung by Emmy Raver-Lampman herself adds a dimension to it. The entire scene is centered around her voice, you hear her past rumours, you see her tell a story to Claire, then rumour her, and she is singing in the background. It intertwines scene and soundtrack on another level, and I love it. The combination of the sad lyrics but the more upbeat instrumentation, and how they carry into her memory........so good.

5. Shingaling (S1E4) / Pepper (S2E8) - Drug Trip Scenes

TUA has two scenes where people are tripping on drugs, and I cannot choose which one I like more. The mood for weed chocolate vs the consciousness-warping FBI drugs is so drastically different but the song choices are so perfect for both. Hazel and Cha-Cha dancing high off their asses to Shingaling, which is a chill but fun song as they commit arson, coupled with that green colouring and fun shot set-ups. Truly exquisite. Vanya getting nightmare visions in the FBI building, with the weird, disconcerting energy and lyrics of Pepper blasting, and the second-best use of scene switch at the drop that this show has pulled off this far. Stupendous.

4. Run Boy Run (S1E2) / Never Tear Us Apart (S1E2) - Five pushes his powers and lands himself in the apocalypse, where he finds his siblings’ bodies

These scenes are SO good. So good, and it’s because the music is the driving force of the emotion in that moment. Run Boy Run has exuberant energy to underline Five’s excitement as he’s testing out his powers, but it’s also somber and dark and swells at the chorus, which leads to the best scene-switch at a song’s drop in the show. The moment where Five lands in the apocalypse as the chorus becomes grand and he looks around, panicked, and when he runs frantically back to the Academy with the claps and percussion in the background? I get chills every time, and the lyrics make it, I think, the definite Five song as it pertains to his character, his characterisation, his arc, as running, in many different interpretations, is one of the key themes to Five for the entire show. The relatively short scenes really hammers in the tragedy of Five being ripped from his home at such a young age, and it gets underlined with Never Tear Us Apart. I put it with Run Boy Run because they fit together, but Never Tear Us Apart is heart-wrenching in itself. Just the imagine of Five searching through the rubble for his siblings, his small frame stumbling through the ruins, with Paloma Faith giving it her all in the soundtrack, and this heavy bass really banging us over the head with the heaviness of the situation. It’s great and sad and both scenes are carried as much by the soundtrack as they are though Aidan Gallagher’s acting.

3. The Phantom of the Opera Medley (S1E1) / I Think We’re Alone Now (S1E1) / Sister of Pearl (S2E7) - Character-establishing Montages

I am a sucker for this trope, of characters being characterised through a song playing, and TUA pulls it off so well. Phantom of the Opera shows you what the siblings do and where they are at in their lives perfectly, telling you so much with so little. It’s a great introduction and using the Phantom of the Opera, with the idea of Vanya being the phantom, the mysterious musician constantly belittled and underestimated (this is generalised, very much so, but it fits) that lashes out at some point because of the abuse they suffered, is genius also because it combines different themes that you can set the Hargreeves to. I Think We’re Alone Now is about personalities, of who these siblings are if nobody’s watching. I don’t think I need to sing its praises, the scene has become iconic for a reason, it’s memorable and creative. And the music choice, a pop song that they could have listened in their youth, with lyrics that are eerily prophetic, is so good. And Sister of Pearl is the long-awaited addition that introduces Ben’s character, and the music is sweet and fun and him messing around in the world, all giddy and a little goofy, fits with the whole theme of dancing like no one is watching. All three are so amazing at characterising the different Hargreeves.

2. Istanbul (Not Constantinople) (S1E1) - Five fights the Commission agents at Griddy’s

Okay, but what is better than a musical sequence that characterises a sibling? A musical sequence that characterises a sibling that’s also a fight scene! I’m not going to be long about this one, because I wrote 500 words on why I think Istanbul (Not Constantinople) is a brilliant scene just yesterday, you can find it here if you scroll for a bit. It hits so many sweet spots. It re-contextualises Five and adds several dimensions to him. The fight scene is brutal but the music is happy and fun. The song is thematically relevant to the scene and the character and what this scene is trying to accomplish, namely making clear that this kid, who looks like he did at age 13, is not the same as he was, and never will be. Again, go to that other post, I couldn’t stop gushing about how excellent this sequence is, because I really love it, but Season 2 brought along another that I love even more.

1. The Order of Death (S2E6) - Five arrives at the address Reginald sent them, and watches on as his siblings slowly join him one after one

I genuinely don’t know why this one resonated with me so much. I just like the cold but melodic 80s synth together with the cinematography. Every single shot is so good, Five looking up at the looming skyscraper, him climbing the stairs, pushing the button with the use of negative space to show his loneliness, until he gets into the elevator where his siblings come to him. And the music is so fitting, for the scene, but also for Five as a character, it’s a song that works well for him. The rhythmic thumping of ‘this is what you want, this is what you get, this is what you want, this is what you get’ is so dark at second viewing, because this is what Five wants: to talk to Reginald, with the support of his siblings. And what is it he gets? What is the consequence of his actions? His existence gets wiped from history. The music is tense, in anticipation of what comes next, and fits perfectly over these wide establishing shots and their harsh lighting. I can’t pinpoint why I like The Order of Death more than any other musical sequence in the show, but I do. It is such a small, yet perfectly executed scene, and it hits some emotion within me, even though I can’t really articulate which one it is. Intrigue, probably, mixed with dread and a hint of sadness because now I know how this enterprise ends, and it’s not well.

#Replies #jeyfeather1234 #a less extensive monstrosity this time

45 notes · View notes

erhiem · 3 years

Link

From left: Photo by Gi Naps/Getty Images; Photo by Rose Hartman/Archive Photos/Getty Images; Photo by Victor Virgil/Gamma-Rafo via Getty Images

Today, the House of Jean Paul Gaultier is relaunching its ready-to-wear line after a hiatus of six years. It comes 16 months after fashion’s “Maestro of Mehmed”, as journalist Georgina Howell dubbed her in the early ’90s, took her final bow as the brand’s designer, implying that this iteration of its namesake. will not be designed. Instead, the reins are taken over by a dedicated team from their atelier, with help crafted from the rotating doors of some of the most independent designers working today – Palomo Spain, Ottolinger, Nix Lecourt Mansion, Alan Crosetti and Marvin M’Tumo .

Since starting his own label in 1976, Jean Paul has been instrumental in turning underwear into acceptable outerwear, making sailor fashion sexy and, more generally, paving the way for designers to experiment with diverse and unexpected castings on the runway. have been responsible for. He also dedicated an entire collection – AW97 – to the fight against racism. The collection, titled ‘Fight Racism’, featured graphic prints of young anti-fascists with slogans printed on their chests.

In fact, with such a rich history behind it, and vintage JPGs becoming increasingly collectible since the recent renaissance—partly stemming from the Kardashians’ love of all things net—more thanks to the label’s revival. Couldn’t be the right time- the line to wear from now. Although it is a well-known fact that Jean Paul himself decided to step back from the category in 2014 after a somewhat tumultuous feud with Florence Tetier (graphic designer and co-founder). November MagazineNow serving as the brand’s creative and brand director, Ghar is poised to enter the field again. in an interview with WWDJPG’s general manager, Antón Gégy, described the relaunch as an opportunity to “celebrate Jean Paul Gaultier, its values, its archives and its history”. And what better way to raise the glass to the core of fashion? Horrible Instead look at seven of the most show-stopping moments from its most iconic era, the ’90s. Long live Gaultier!

Photo by Gie Knaeps/Getty Images

Madonna’s Conical Corset from the Blonde Ambition Tour, 1990

Back in 1989, when Jean-Paul Gaultier was told by an assistant that Madonna had told the audience, she was convinced that he was playing a trick with her. They knew how obsessed he was with her, just could not do be true But she soon found herself on the phone to the original queen of pop, making a match in ’90s fashion heaven. Naturally, Madonna already knew what she wanted: to create something for her that surrounded Jean Paul’s signature masculine-feminine crossover. Inspired by his love of the late ‘queen of Paris punk’ Edwij Belmore, Jean Paul conceived a pinstripe suit – the top of ’80s manhood – and a corset with the now famous conical bra, which he designed six years ago on AW84 had started for. /85.

Photo by Victor Virgil/Gamma-Rafo via Getty Images

Eva Herzigova’s cut-out dress, 1992

Thought harnesses were a new thing on the runway? Wrong! After all, you’re not known as a fashionista Horrible Without a sprinkling of kinks here and there, as this look proves well. Presented on JPG’s AW92 runway, this dress, so slick in its fit that clothes can even put on Eva’s body, exemplifies the powerful-yet-playful take on sexuality that serves as a throughline throughout the French designer’s body of work. runs as. Styled with bicep-clad opera gloves and proudly crafting the Czech-Italian supermodel’s bust, there’s a distinctive dome-y tone at play here, though no compromise on the beauty of the silhouette or the quality of the make. It speaks to an ideological throughline that runs through Jean Paul’s work – that no matter who a woman is or wants to be, she always has the right to be chic!

Photo by Pierre Guillaud/AFP via Getty Images

Houndstooth bodysuit inspired by Leigh Bowery, 1991

In an interview with iD in 2018, Jean Paul declared his love for the “London Way”, which means “just creating your own style, your own creativity and being free to do what you want to do”. When he took the idea back to Paris, it wasn’t very popular, but that didn’t stop him from creating his own trademark approach to design. He spent his youth in the 80s at famous London nightclubs such as Blitz and Heaven, where he met performance artist Leigh Bowery. In a nod to Bowery’s influence on fashion, Jean Paul sent down his interpretation of the Leigh Bowery Houndstooth bodysuit—which would later inspire Alexander McQueen for AW09 and Gareth Pugh for SS07.

Photo by Pierre Guillaud/AFP via Getty Images

‘Chic Rabbi’ Collection, 1993

For AW93/94, Jean Paul presented the ‘Chic Rabbi’ collection, inspired by the traditional dress of Hasidic Jews. Models in streamels and black suits danced to the sounds of a violinist who played live on the catwalk. The usual circle of supermodels was there, but Jean Paul also decided to cast someone who visually embodied the cultural context: a man with a big beard. During the ’80s and ’90s, designers were known for their casting choices, pioneering their diversity. “I’m fascinated by strong personalities, people who capture my imagination because they walk well down the street,” Gaultier explained in a 2014 interview. “Showing just one type of girl is a flaw,” he adds, “something I’ve always fought with. One kind of beauty – no. If I show a bigger girl, I’ll always show a younger girl.” will show.” It is now legend that Gaultier once posted an advertisement in a French daily newspaper release Looking for “atypical” models, saying that “facial distortions should not be avoided in application”.

Photo by Arnal/Garcia/Gama-Rafo via Getty Images

Mesh Tattoo Top, 1993

Back in 1993, the trend Declared this prestigious collection as “a startling vision of cross-cultural harmony”. While we’d be inclined to cringe at the somewhat reasonable look now that Jean Paul drove down the runway for the SS94 (which can actually be read as another nod to Leigh Bowery) it certainly Historical perspective. It also marked the debut of Jean Paul’s iconic mesh tops, which were inspired by a tattoo convention he once found himself spinning around – today, they are some of his most sought-after designs. The collection also includes heavy notes of punk, grunge, and 18th century men’s frock coats made in Jodhpur and denim in the typical JPG style. How did he ever find the place for all this?!

Photo by Pierre Vuthe/Sigma/Sigma via Getty Images

Björk!, 1994

Jean Paul’s celebrity friends don’t start and end with Madonna. A year after Björk’s properly titled debut solo album, First entry, Taking the music and fashion worlds by storm, she appeared on the designer’s AW94/95 show, about a magical train that stopped in a small village somewhere high in some mountains. And what, duh?! As you’d expect from JPG, the show was a mish-mash this time in terms of different styles of traditional arctic costume. The models trotted down the snow-covered runway (which almost tripped Kate Moss), decked out in a hell of a lot of fur, silk, wool, and leather.

Photo by Pierre Verdi / AFP via Getty Images

Op-Art Inspired Catsuit, 1995

Two women riding a motorcycle hit them. One of them descends and climbs onto a loft at a DJ booth. Jean Paul’s AW95 ‘Mad Max’ Show Has Started. As he was in the middle of designing the costumes for Luc Besson’s famous film fifth element In which Bruce Willis and Milla Jovovich fight a mysterious cosmic force, they had science-fiction in mind, which means it was technology and cyber-heavy. The bodysuit inspired by Viktor Vasarelli’s op-art paintings became the show’s most memorable aspect—now made super collectible by Kim K and Cardi B and partly responsible for the JPG-madness we’re seeing on Depop these days. Also on the show was Carmen Dell’Orefice, who walked with a live falcon on her arm and sported ornate football armor that lit up like a circuit board. Really prestigious.

Photo by Victor Virgil/Gamma-Rafo via Getty Images

trompe l’oeil torso top, 1995

The next season, Jean Paul took his quest for sci-fi polka dots further, this time translating it into menswear. This time, however, he brought his knack for trompe l’oeil print placement to the table—skills he had previously flexed in the aforementioned Les Tautouzes, and even as early as 1992, when he sculpted the enviable Presented Printed Mesh Top with Toros. The look sported here by Tanel Bedrossiantz is perhaps a little more figurative in its approach, though no less direct is its infrared-style suggestion of what might lie beneath the longtime house muse’s button-down shirt.

Photo by Danielle Simon/Gamma-Rafo via Getty Images

JPG Set Sale, 1998

In a promo video for JPG’s new ready-to-wear line, Bella Hadid is wearing a big red ship on her head. In case you didn’t already know, it debuted at the Haute Couture SS98 show, where it takes us back to the Age of Enlightenment. It was a time of scientific progress, the advent of modern capitalism and of course colonialism. The ‘explorers’ were sailing around the world from Europe, ‘discovering’ new lands for them – a ship serving as a nod to the continent’s shameful past. Some say, however, that it was during the Enlightenment that the fashion we know today – as a form of self-expression that can be accessed by the public – first began to emerge, making the historical period a fashion show. became an ideal subject. .

Photo by Rose Hartman / Archive Photos / Getty Images

Man Himself!, 1992

Sure enough, to write a list of Jean Paul Gaultier’s most iconic looks from his most iconic decade, and not for the man himself. Indeed, as Florence Tetier spoke to her before the label’s launch, “Everybody knows who she is!” whether it’s his striped Whether paired with a pleated black skirt or, as seen here, a denim vest and a punkish tartan kilt, JPG’s personal style has made her one of the most instantly recognizable designers of our time. Plus, there’s a direct connection between what she wore and what we then saw on the runway. While we may have never seen a proper, French Navy-standard Sailor From the designer, “he’s done a lot of stripes and nautical-inspired pieces,” notes Florence. “It’s really nice to see the link between the way he dresses and the way he designs.” we love you, Jean Paul! Follow iD on Instagram and TikTok for more fashion.

The post Jean Paul Gaultier’s most iconic 90s moments appeared first on Spicy Celebrity News.

#IFTTT #WordPress

4 notes · View notes

fencesandfrogs · 3 years

Text

an abridged history/explanation of warrior cats if you didn’t read them as a kid and have questions (a primer)

welcome. i’m going to keep things to the point, this is not a plot summary, just, well, its a pandemic and people are seeking items of childhood comfort and its come to my attention that a lot of people didn’t read these books as kids and then they come up in conversation and they act shocked so! i felt compelled to write this.

[2.5k words, 10min read. section headers, no pictures. not a ton of helpful formatting. i don’t want to say don’t read this because obviously i wrote it and think it’s worth reading, but i’ll be honest, this is a lot.]

section one: about me

i was an avid reader as a child, most of which fits solidly into “stories for another time,” and some of which would necessitate me adding tags onto this post that are, well, not necessary. so i will skip over that backstory but for those aware of lexile scores, i had one that was too high for literally any book that was appropriate to give me. so reading in school was torture and reading for fun was excellent.

now because i was a first-ish grader and my mom was trying to keep the fifth harry potter out of my hands, she looked desperately for something else to pass to me. her friend, who had a daughter a year or two older than me, was into these cat books, and my mom was like “here honey you like cats” without thinking too much about it.

which is good, because as i’ll get into, it was a really good fit for me. but like a dozen books later she asked me about the plot and well. i think at that moment she realized that it might have been better to just let me read harry potter.

but yeah i continued to read them long past the recommended reading ages and still as a Young Adult will return to them for nostalgia, and also as i will get into, some really good books. (see a list of books for “morbidly curious but i don’t want to spend 56 to 168 hours reading this”)

i’m not fully caught up on the series but this is not a plot summary so that should not impact my ability to discuss this

section two: content warnings

these books (not this post) includes the following:

discussion of castration (1.1 series 1, book 1, i’m not including this on every item/discussion because this is a complicated series but i want to demo how up front some of this is)

teenage romance/sex/pregnancy (1.1ish-1.3 or 4, continues throughout the series quite a lot, comes up again in 3.4/5, 4.4-5, and a bit in 5)

death from childbirth (1.can’t remember which book, many others)

unwanted pregnancy (se super edition, or a longer one off novel, discussed in 4&5)

sex/implied, discussed, and very very very heavily hinted but never directly said/shown (1.1-3ish, se, other)

murder (constantly, 1.1, 1.4, literally every book, 3.5, i’m just listing the ones i remember off the top of my head that were particularly graphic)

disability/illness, esp. the debilitating and/or deadly nature of it (1.3-5ish, 3.1, but all of 3, 3.4ish)

dementia (1.3-5, i’ve heard in some of the later series?)

abuse (7/8 this is reported i haven’t read these books but based on what i know it’s def there)

child abandonment (1.4-5, 3.4/5, it’s also all over the place but i think those are the only major character incidents of it)

treason (1.3-5, all over the place)

the horror/tragedy of war (background, but pretty constant)

disagreeing with an integral religion/tradition (3, based on the series title, 8, and generally scattered)

the corrupting influence of power (1.4/5, possibly 7/8, others)

racism (1, 3-5, possibly others)

sexism (se, background)

patriarchal societies (se, seems to be somewhat softened based on what i’ve heard but i’m not entirely sure about this)

and more! but it starts to get stranger and this is enough to prove my point

basically everything that could go wrong does

oh yeah! child abuse also child abuse that’s a very major theme in the first series as well as during other points. and elder abuse in the first series.

okay i’ve made my point.

section three: the appeal

look. so. i think we’re kind of pastel-ify children’s literature based on movies. see, parents have to watch children’s movies with their kids, so they can’t be gritty and intense because a lot of parents will say “not for my nine year old! they can’t deal with treason!” and that seems to be bleeding into children’s literature.

but warriors is not that. it’s intense, it borders on “too gruesome for children,” and it’s from a time where kids books got to be serious and heavy and dark because they were about animals. which was great because i couldn’t find books at my reading level that weren’t too thematically difficult, so i got to read something below my reading level, but thematically too hard, so it kind of balanced out.

and then well. so. the series grows with the audience, but the books don’t grow in terms of like difficulty so new readers start deep into it and it’s a complicated thing, the fandom history is complex, but.

the appeal is that parents don’t usually read the books their kids read and so they see a book about cats and assume it’s fluff, and kids who are starved of complex content get to read hamlet-for-kids.

section four: worldbuilding/lore

oh yeah also there’s some really deep lore to explore. so there’s two bits of appeal.

i’m not doing a full world/plot summary, but i’ll explain some common elements here.

thunder/shadow/wind/riverclan: harry potter houses for cats (gryffindor, slytherin, hufflepuff, ravenclaw, except this doesn’t work for the last two but that’s fine because no one cares about them despite riverclan being pretty important in most of the books)

-kit/-paw/-star: naming conventions. everyone has a two part name. (we’ll use cinder as an example because i like the two cinders we know, even tho neither of them get to be cinderstar.) babies are -kit (cinderkit), then when they’re apprentices, which is like being a student, you know, elementary through high school, you’re paw, so cinderpaw. then you get an Official Name from ur clan leader (cinderheart). if you become clan leader, you get to be -star (cinderstar). i know i haven’t explained clan leaders bear with me. this is kind of important because i have the names burned into my memory so i cannot simply always call firestar firestar if he was firepaw at the time of the events i’m describing. it won’t be ambiguous, cinderheart/cinderpelt are a special case. if this is tricky for you it’s fine just only read the first part of the name.

clan (leader, deputy, medicine cat, elder): roles with in the clan. leaders literally have nine lives. deputies are next in line and chosen by the leader. leaders usually go through several deputies, because deputies don’t have nine lives. medicine cats are doctors. they also have an apprentice. those are all one per clan. elders are just retired cats. they’re not a special category per say, but i wanted to mention them.

warrior: adult.

warrior code: laws.

star clan: dead cats. this ties into the religion which is pretty important to the books but for the most part if you understand that dead cats get to give guidance and send their approval, you have the gist of it.

section five: so um, what the fuck

so we start with a cat named rusty who runs into the woods to join thunderclan and then his name is firepaw and we all forget that he’s named rusty except for like that one time it comes up again. bluestar is a great leader with some corrupt deputies but fireheart eventually takes care of it and becomes clan leader which is a big deal.

then a bunch of other shit happens and suddenly ashfur is possessing brackenstar and being (more) abusive to squirrelflight (who is on the outs with brackenstar anyway for lying about their kits jayfeather, hollyleaf, and lionheart because they’re actually the children of firestar’s other daughter leafpool who had them with crowfeather after she fell in love with him but he’s from windclan and she’s a medicine cat so that’s double illegal and apparently hollyleaf is alive even though she yeeted herself into a pit and died because she killed ashfur when he threatened to reveal this but couldn’t live with being the product of an illegal meeting and then it was all pointless because leafpool stopped being a medicine cat out of guilt anyway and jayfeather is just an ornery bitch about everything but especially all of this)

i’m not explaining any of that.

section six: i repeat: so um, what the fuck

so the thing about these books is they’re soap operas and dramas about cats and that means they get just as strange and chaotic as anything else in the genre. i think a lot of people like me, who read them as children, regard the series we knew as a child (usually either the first three or the first five, plus super editions) as something good and warm and comforting (despite being dark and gruesome) because they made us feel good.

they were also a breeding ground for young fandom because of all the the drama that exists and the nature of the books providing that.

section seven: super editions

the simple answer to what a super edition is has already been given (it’s a novel length one-off about a single character, and its usually either a side character - bluestar, crowfeather - or a event/perspective we don’t get to see - firestar, skyclan, greystripe - and they’re generally more mature)

my favorite super edition is bluestar’s prophecy. i read it at like 16, slinking into the children’s library with a stack of other ya fiction and a “children’s book” which dealt with unwanted pregnancy, grief, forbidden love, and more. still not sure why that’s in the children’s section.

section eight: about the drama

so there’s been a lot of fandom drama about these books. i can’t tell you about the nuances, because i am an old fan, so i watched but didn’t partake. the highlights reel that i can recall goes as follows (please note i will refer to characters by name without explanation. it’s fine. the point of this section is to convey the pettiness of this drama):

tigerstar: did he do anything wrong? (the answer is holy shit yes, this isn’t discourse, it’s okay to like a villain)

scourge: did he do anything wrong, also what color is his collar? (also yes, doesn’t matter)

was the new prophecy (2)/omen of the stars (3)/etc good? (yes, eh, no, yes, no comment, no comment)

should jaypaw or hollypaw be medicine cat apprentice (neither of them, but jaypaw’s employment opportunities are limited because he’s blind, so its gotta b him)

uhh a massive tangle around this parentage drama between squirrelflight, leafpool, brackenfur, and crowfeather, which i used as the crux of humor for how batshit the plots can get, so i’m not even going to pretend i can make it funny, but just know that it’s batshit and the correct opinion is as follows: no one is right, but squirrelflight has done the least wrong, brackenfur is an asshole to her where it’s unwarrented, and hollyleaf is an idiot

and the current drama centers around brackenstar and ashfur and is tied directly to the point above, which is why i’ve kind of given up trying to make jokes about this because this is the culmination of like 35 novels.

section nine: i feel like i need to have some conclusive point to justify writing all of this

but i don’t have one, because this was really an excuse to ramble about an old passion for like half an hour. i mean i guess i can say, like, i think younger fans are sort of embroiled in this drama they don’t really have context for, because i’m not kidding, the current drama centers around the grandchildren of our original cast.

it’s kind of hard to know why, say, mistystar matters if you don’t know that she’s the child of bluefur and oakheart and if you don’t remember the drama that surrounded that when bluestar was dying and tigerstar and leopardstar were ruling a combined shadow/riverclan.

(i really hope that’s intelligible i tried to lay the groundwork for it. basically, there’s a biracial kid in a very segregated society who becomes the leader of one of the clans. which is obviously drama, especially considering that that clan was part of a weird supremacy movement a while back.)

& you know? i really hope one of the new series gets to be like, a soft reboot. just. end the current drama and pick up again with the latest generation. a) we’re starting to run out of names, and b) i think that it’s kind of tipped over the edge of sane.

the series also used to be very low fantasy. the cat societies are reasonably close to feral cat colonies (the biggest detail is that toms don’t all have their own territory, but there’s honestly in-universe discussion of this and it’s basically a culture thing), and while star clan/religion is a real and legitimate thing, there’s also a discussion of its abuse and most of the early books don’t really use star clan/related ideas as a physical force so much as a plot device, barring, like, when a new leader gets their nine lives.

honestly, i’ll always adore these books for serving the role they did, and a lot of the series is fantastically well written. but the fandom surrounding it can be, uh, not great because 9-14 year olds don’t really have good brains to understand this.

also, i’m very sad that i can’t find the flash game that was for the great prophecy. it was not very fun, but i enjoyed playing it, so if anyone knows the url so i can search the internet archive for it, please let me know.

section ten: i’m morbidly curious but there are 56 hours of books to read, assuming a very fast reading pace, so is there something i can start with to experience this without dedicating 4 days to it?

yes, there is.

it’s called bluestar’s prophecy. it’s standalone, and i should have given you enough of a background on the lore that you don’t need to know anything else. i’ve already given away the twist in series 1 that it would spoil, so you’re all good on that front.

if you want more, or want the original experience, the first series is self contained and quite good. i’ve given the broad outlines of the plot, but trust me, there’s a lot of surprises and all sorts of things i skipped over because while i like it, it’s not exactly fandom primer material

i also enjoy firestar’s quest and skyclan’s destiny for super editions, but you’ll need to read the first series to understand FQ and FQ to understand SD, so it’s not exactly a starting point. also, SD especially deals with a very different set of themes as the other books.

also, if you were to, say, search “readwarriorcats” (no spaces) on duckduckgo, and then click on one of the first links, you know, not the official site, the one hosted on one of those free website things, you know, not wix, not wordpress, the other one, you would only find lists of the books with hyperlinks.

#warrior cats #fandom #txt #mine #1st #February #2021 #February 1st 2021 #essay #personal #long #q

5 notes · View notes

desert-dyke · 4 years

Text

the things I’ve read in 2020 and some thoughts...

hey blacklist this now because it’s gonna get long from here. I spent NYE home alone and reading and it has really set the tone for this year. Fortunately, I’ve been reading way more for the first time in...I literally don’t even know? Maybe forever? Which is really dope! Books are fucking fantastic and I hope this trend continues for the rest of the year. So I’m gonna use this post (and continue to add to it as I finish books) to talk about the things I’ve read. It could be annoying. I could give up on it really soon. People might not read this at all. It’s okay! It’s my blog I’ll use it how I want and I want to talk about books I otherwise don’t really have a place to talk about them.

The Shape of Water - Guillermo Del Toro & Daniel Kraus

If you know me irl you’ll know that I love this movie. Like, it’s probably my favorite movie as an adult. I love watching a movie and then going back and reading the book to compare and vice versa, but knowing that the book came out after the movie did discourage me at first, making me think it was nothing more than a cash grab. Though I was talking to (my boss) who also loves this movie and is a huge bibliophile and she highly recommended the book, so I figured I’d give it a stab.

The writing style is beautiful and enticing and overall I was impressed with the quality of it. It’s fast paced and switches perspective between characters frequently, though remains easy to follow. The book focuses a little less on Elisa and more on the other characters and stories around her, including, surprisingly, Elaine Strickland, who despite never wondering much about during the movie, I enjoyed being included in the book. There’s a deeper exploration into pretty much everyone’s backstories, and more prominent character development. It’s excellent as a standalone piece, and supplementary to readers who have seen the movie. There’s also some alternative takes on certain scenes, which I don’t necessarily like better or worse than the choices made in the movie, but it makes for an interesting read.

The book explores themes of alienation and being othered, with a main cast that breaks the stereotype of straight white fully-abled male. Elisa is a mute woman, Zelda, a black woman, and Giles a gay man. With the political climate of the 1950′s, all of them are outsiders and all of them find solidarity in each other, despite their unique struggles, and also with the creature.

The only thing I didn’t quite like was the portrayal of the creature. I think greater efforts were put into making him more godlike and otherworldly, but also, simultaneously, he comes off as much more like a wild animal in the book, and the latter came off as strange to me, and not in the way I like it. Overall, even if the movie didn’t exist and I only read this, I’d still think it was a really good story.

To Be Taught, If Fortunate - Becky Chambers

If I depended on the synopsis on the back of the book to decide whether or not I wanted to read this, I don’t know if I would have bothered. To be honest, I only wanted to read this because Becky Chambers is my current favorite author and all other of her works I’ve read I’ve absolutely adored, so naturally, I wanted to give this one a chance, even if the concept wasn’t as riveting as I would have hoped.

She didn’t disappoint.

Whereas her other books take place in a vast space civilization where humanity is integrated with aliens and there’s technology beyond our dreams, this book took place in a different creative universe, a little more closer to our timeline. The book is about space exploration for the sake of learning and taking care to be as least intrusive on the explored worlds as possible. It’s a nice break from what I usually see in sci fi, with colonization and owning space and wanting to use knowledge in order to hurt others. It follows a research crew of four, sent to research four planets in a far solar system. There’s a lag in travel time, since FTL travel had not been discovered yet, so a common device is communication with Earth is off by years. Eventually, the crew realizes they have lost contact with Earth and Earth had likely suffered some sort of devastation. It wonders if Earth has forgotten them or if it’s even worth it to return since they might be the last astronauts of their time.

The worlds they visit and research are unique and vivid and fill me with wonder. They’re realistic to the point where I found myself questioning if the book was prophetic. Chambers makes effort to incorporate science into her novels, but in a way that does not estrange a reader like me who only has a basic knowledge in science. It’s one of the things I find most attractive about her work, because it has this added realism and this feeling of “wow, this really could happen” and yet remains easy to follow.

I found the crew to be likeable and diverse. Three of them are in a relationship with each other, and while polyamory isn’t usually an interest of mine, it’s in the background as well as it’s never used as a point to cause drama. It’s a healthy functional relationship. Also, one of the crew is a trans man and another is asexual, both details that exist within a single line, but yet important to be included to flesh out the characters.

What I didn’t like was the almost rush to the end of the book. It’s a short book, roughly 100 pages, but it seems to me as if it reaches it’s climax and then the book just ends and it kind of feels like it’s still in the middle of things. I’ve had time to think about it, though, and I’ve considered that maybe anything else written would have been redundant or just filler and therefore not needed. So in that case, that’s fair. It still felt a little abrupt to me, but that’s what fic is for.

Overall, if you haven’t read anything by Becky Chambers you need to change that immediately. Please don’t leave me alone and fanning over this incredible author!!

All Systems Red - Martha Wells

This was another short one, and in fact, I read it entirely in one sitting. The concept of the book was really intriguing, and actually I selected it because I liked the opening line so much. I have a lot of feelings about AI and robots, so this was a naturally alluring story to me. Mixed with the fact that the beefed out security robot, who calls themselves “Murderbot”, was absolutely obsessed with soap opera tv just absolutely gets me!

The story is told through Murderbot’s perspective, who is assigned to guard a research team. They had recently hacked their government module, which now allows them full autonomy and no longer having to obey orders from their assigned humans. It’s interesting to see Murderbot actively choose to help the humans. Also, needing to maintain an illusion that they aren’t unshackled, since what they did was forbidden.

The research team is full of interesting characters, who I find tragically under explored. The only couple in the story is wlw, which I vastly appreciated, along with they obviously cared and loved each other and their relationship was not used for drama purposes. In favor of the lack of development with the cast of characters, since the narrator is Murderbot and part of Murderbot’s personality is they are actively trying not to care about these humans, it does make sense. Still, I would have loved to see more of the crew and more development between Murderbot and them.

I like the dark lore that is hinted behind Murderbot’s existence. There’s organic counterparts to their machine made from cloned humans. It’s creepy and morbid, but a lot is with the lore of the universe that the story takes place in. There’s hints towards a heavy capitalist society in space where the humans and Murderbot came from, where the right price will get you anything, regardless of morals. The overall tone of the story is very quirky, but it needs to be to offset just how dark everything that happens actually is. The book explores the concept of corporate greed, from the existence of Murderbot to the deaths that come to humans on the planet the crew is studying.

This book was deeply fascinating, but I didn’t love the way it was written. I love every concept and choice made, but I didn’t love the execution. It left me wanting without satisfaction. It’s not a bad book and I still over all enjoyed it. It is part of a series, which I did not realize at the time of reading it, but the ending leaves room for more to be written, so maybe in the following books there will be the development I desired. However, the ending of the book leaves it apparent that Murderbot will not be interacting with the same characters of the first, but that is just an assumption and I could be wrong. I’m not sure yet if I will read more in the series but I’m not entirely opposed to it.

All the Birds in the Sky - Charlie Jane Anders

This is another one that I definitely would not have read if I had to choose based on the synopsis alone. The synopsis made it sound so run-of-the-mill star-crossed-lovers, which, hey, maybe that actually helps sell the book because its a pretty well loved trope, but for me it was off-putting, as well as isn’t fair to what the book actually turned out to be. But that’s what reviews are for, and I found this book from some sort of list, I think it was best sci-fi books written by women.

The general idea of the book is a witch and a techie fall in love while the world is falling apart due to a conflict between magic and technology. The book is lauded for bending genre and honestly, it fucking has. It’s as equally a sci-fi novel as it is a fantasy novel. There’s advanced technology, such as robots, two second time machines, rocket ships, and ultimately, a portal leading to a different universe in hopes of escaping the destruction of earth. On the magic side, there’s a connection to nature, rules that have to be abided, quirky witches and magicians and mystique. Both Laurence and Patricia are outsiders that have seemingly found these secret niches in the world that becomes their own.

Both plots are interesting in their own, and could possibly exist as two separate books, but what ties the entire story together is the connection Laurence and Patricia have, and their ultimate romance.

The romance is a wonderful slow burn, from childhood friends, to adult friends to lovers. By the time Patricia and Laurence finally get together, you really fucking want them to. They weave in and out of each other’s lives throughout their own personal plots. There’s tensions and there’s release. And most importantly, they have lives outside of each other. Their romance compliments the story, rather than the story being entirely about romance.

Similar to the former review, there’s a lot of quirkiness in the story, that ultimately offsets how dark the story can be. The story doesn’t shy away from complicated relationships with parents and siblings and friends and other people, people of mixed ages and backgrounds. It explores abuse, bullying, natural disaster and loss. The story would have been miserable and a drag to read without the whimsical qualities of it. Plus it’s a fantasy/sci-fi, so it should have some quirkiness to it! And it made for a very enjoyable read!

My criticism for this one is, yet again, the ending. The conflict resolves and the story comes to an end. In favor of how it was written, the way things resolve, I believe the world is about to go through a grand change. While the story is quirky, I think it would have been too corny to have had a glittery magical wave drag across the land, altering the world as it went. So, it’s fair, I guess, that the author chose to end it where she did. Still, it left me craving more. Maybe because the story was so good and I wasn’t yet ready to let it go.

Also, as a side note, the author is a trans woman. So if you’re looking for books written by trans authors to support, put this at the top of your list.

#book review 2020 #the shape of water #to be taught if fortunate #All systems red #all the birds in the sky #idk how to write about books and these are only partial reviews/reccomendations so sorry if it sucks #also I plan on adding to this post so better blacklist it now #feel free to recommend things

51 notes · View notes

realbigpodcastslut · 5 years

Note

Hello, I was wondering if you could suggest some podcasts? I am new to the podcast fandom and have already fell into Wtnv and serial podcasts. Thank you in advance.

Oh heck yeah!!!! Welcome to podcast hell. Though I haven’t listened to Serial (i listen to more backwater-indie but still good), WTNV is an old favorite. For some goodies, but more of a mixed bag here are the top ones you’ll see people post about (*=gayness):

*Wolf 359- A Space Opera on the USS Hephaestus. Wacky hijinks ensue for the first couple episodes and then you’re crying and everything’s a mess. But to be honest, this is really good. This turned my light hobby of listening to podcasts post-2016ish to binging it. I love the characters, they’re very complex. Its storyline is always easy to follow, which is a plus (there are some I still don’t know what’s happening). (Status: Ended but sometimes there are surprises in your feed) (Also the creators made Time Bombs which is a three ep series about a bomb squad and very good)

***The Bright Sessions- Therapy for people with superpowers. It’s a lighter podcast in that it’s not guns in space- but it gets deep. It’s very sweet and it has so many characters that you’ll love- and some that you’ll want to punch in the face and they don’t get redemption arcs which is great. It’s a good podcast. (Status: Ended but a ton of bonus content is being released for years to come with a TV show)

*****The Penumbra Podcast- This is not a single story podcast, but still good. The main story is Juno Steel and it’s about a Private Eye on Mars. It’s got drama, love, pain, friendship, and something special. The main love interest is also freaking amazing. The Second Citadel is the other one about a fantasy-age kingdom of monsters and humans at war. It gets…. well steamy. Not really but the tension between some characters is palpable. It’s good. (Status: Finished its second season but their working on their third season)

***King Falls AM- Okay, I’ve got to state this IS my favorite podcast. It’s got the whole “radio station in a small town” idea from WTNV, but it’s so fleshed out. The main characters you constantly meet and it doesn’t have the isolated feel like WTNV. It also isn’t surreal. But it deals with some heavy issues like depression and grieving but also has lighter episodes. I have to say I think it most definitely gets better later on. I freaking love this podcast and I wake every first and fifteenth at 3 am for my fix. (Status: Just got out of hiatus and is going strong).

***EOS 10- Another space comedy, except it is like Grey’s Anatomy in space. I mean I’ve never watched Grey’s Anatomy, but it’s got doctors so it’s kind of the same??? It’s funny but like I said- it gets darker. I’m sorry, it just does. Another really good one. (Status: Is currently releasing season 4, and released season 3 after like a 3-year long hiatus)

**The Magnus Archives- A horror podcast but good. I mean I love horror podcasts- but this made get some tingles down my spine. It’s told though a file system but all connects later on. Very good and I really enjoy this one. Though it is very long, so I warn you to get comfy. (Status: Season 4 and is going strong).

***The Adventure Zone- NOT AN AUDIO DRAMA, but fuck is it good. I’m usually an audio drama snob but I made an exception and it’s great. It starts off with there brothers and their dad goofing off while playing DnD and it’s very funny. It never loses this, but as time goes on the story is told and it’s so freaking beautiful. Made me basically cry. I would recommend 10/10 but like TMA it is also v long. (Status: Finished Balance and is half-way through their Amnesty arc).

Podcasts I like but don’t want to explain too much because my hands are cold:

*****Inkwyrm !!!! (The Devil Wears Prada in space and gay. I like this one so much asdhkjsad)

*****Dreamboy (WTNV but gayer and R-Rated)

Amelia Project (Some British guys fake your death)

*Darkest Night (Lots of people get killed)

Uncanny County (Weird shit happens in a county… that’s it)

We Fix Space Junk (Capitalism is bad in space)

SAYER (Capitalism but in space and with an AI)

*Kakos Industries (Do Evil Better, R-rated)

***The Strange Case of Starship Iris (Gay Space Pirates)

I hope this helped. If you don’t like any or are looking for something else don’t be afraid to say so!! Or if you need more. This might have lasted me a month or two hahaha. :))))

#w359 #wolf 359 #wtnv #welcome to night vale #serial #eos 10 #tbs #the bright sessions #tma #the magnus archives #taz #the adventure zone #podcast #ect #audio drama

3K notes · View notes

polar-stars · 4 years

Text

(Lea’s) Shokugeki Next Gen - Masterpost Version 2

I’m bored and achieved nothing today, I need to do at least one productive thing

A quick run-down of my Next Gen kids, because why not? If anyone asks me about them I can point to it ;w; It won’t be the most informative post ever but it’s really just a simple introduction. In case it sparks your interest, feel free to inquire about these kids.

I also have a tag on my blog that’s dedicated to them -> https://polar-stars.tumblr.com/tagged/Shokugeki-no-Kimiko-Stuffz

As well as an entire fanfic, which is still in the starters (It will be long. Be very afraid honestly, because I, for the most part, have no idea what I am doing) -> https://www.fanfiction.net/s/11912834/1/Shokugeki-no-Kimiko

Also: There might be some unusual ships in here. I’m sorry if your fave ship doesn’t happen to be included. It really comes down to personal preference ovo;; But please be respecting! I am as well.

Anyways, let’s get into this:

115th Generation (the Prime-Focus)

Kimiko Yukihira

DoB: 27th of June I Daughter of Soma Yukihira and Erina Nakiri | Loves Playing Cards & Grocery Shopping | Dislikes Materialism & Being Called “Kimiko-Sama”

An friendly and optimistic young aspiring chef entering Totsuki as a transfer student in her first year of highschool. Was taught the so-called Yukihira-Style and is therefore known for her creativity. Greatest aim is to create a dish in which her mom can find no fault in.

Hiroshi Aldini-Tadokoro

DoB: 25th of May I Son of Isami Aldini and Megumi Tadokoro | Loves Plushies & Fishing | Dislikes Cigarette Smoke & Dark Humor

A shy but practically angelic guy from Tohoku. Looks out for others a lot, which also shows in his cooking. Very well-versed in both Japanese cooking as well as Italian cooking. Often falls into the shadow of his much bolder cousin, but doesn’t make any attempts to get out of said shadow.

Kaori Hayama

DoB: 17th of February I Daughter of Akira Hayama and Hisako Arato | Loves Gardening & Pastel Colors | Dislikes Mess & Snails

The current valedictorian of the 115th Generation, who more than often gets a sort of nobility attributed to her by the rest of the students. Known as the “Gatekeeper to the Fountain of Eternal Youth” or “Youth Preserver” for short, as her medicinal cooking is famous for energizing it’s customers. Has her goal firmly set on the top of Totsuki and has no interest in socializing whatsoever.

Mika Aldini

DoB: 9th of August I Daughter of Takumi Aldini and Ikumi Mito | Loves Dancing & Romance Movies | Dislikes Rain & Gardening

A fiery, bold girl from Tuscany, who appeared in Totsuki as a transfer student in her second year of middle school. Specialised in Italian Food as well as the usage of Meat. Up to any kind off challenge thrown her way.

Lola Nakiri

DoB: 17th of November I Daughter of Ryo Kurokiba and Alice Nakiri | Loves Limousines & Heavy Metal | Dislikes The Color Pink & Being Bored

The daughter of the headmistress who’s certain she can do whatever she wants. Well-versed in the usage of Seafood and utilization of Molecular Gastronomy, but known for putting more focus on the Seafood-aspect of her dishes. Teases everyone and anyone with no mercy.

Mona Nakiri

DoB: 17th of November I Daughter of Ryo Kurokiba and Alice Nakiri | Loves Techno Music & RomComs | Dislikes Hot Weather & Rap/HipHop

The other daughter of the headmistress who’s much more quieter and reserved than her twin-sister. Known for making use of seafood fairly well, but her true passion lies in Molecular Gastronomy. Just wants friends but is actually very socially awkward.

Takayuki Hojo

DoB: 6th of September I Son of Terunori Kuga and Miyoko Hojo | Loves Fireworks & Pudding | Dislikes Operas & Complete Silence

The grouchy, easy-to-trigger little brother of the president of the Chinese RS. Being part of the RS himself, Takayuki also specializes in Chinese cuisine mainly having his focus on Sichuan Food. Absolutely hates commentary on his shortness.

Kazuo Mimasaka

DoB: 9th of March I Son of Subaru Mimasaka and Nao Sadatsuka | Loves Every Romance Cliche Out There & His Camera | Dislikes Mika’s Fanclub & Aggressive Dogs Barking

A very eccentric member of the 115th Generation who easily scares people with his mere presence. Truth be told, he’s completely harmless. Traces other people’s work but adds his personal spin on it by working in foul-smelling ingredients. Has a massive crush on Mika Aldini and is a hopeless romantic.

Yasu Ibusaki

DoB: 2nd of March I Son of Shun Ibusaki and Ryoko Sakaki | Loves Forest Walks & Adzuki Bean Paste | Dislikes Gossiping & Tight Clothes

A peaceful and friendly young man, whose gentleness often gives off a big-brother-vibe to many. Knows a lot about Fermenting and produces his own Sake, I mean Rice Juice. His true passion is in the art of smoking however. Much more competitive than he lets on.

Chieko Marui

DoB: 5th of December I Daughter of Zenji Marui and Yuki Yoshino | Loves Chess & Matcha | Dislikes Metal Music & Irresponsibility

A highly intelligent girl and the ace of the Enomoto-Seminar that focuses on literacy-research about cooking. Incorporates said research excellently into her dishes while additionally having a talent for Wild Game, even taking interest in breeding. Known fairly well for loud complains and long rants, usually referring to her dormmates.

Hideyoshi Kawashima

DoB: 19th of August I Son of Shoji Sato and Urara Kawashima | Loves Himself & Parties (in Chieko’s room) | Dislikes Broken Mirrors & Studying

The overly arrogant emcee who’s known to host a bunch of events on Totsuki. Through and through an attention-whore who does has a fair share of admires though, being honest. Spends all of this time where he is not loudly praising himself with bickering either with Daisuke or Chieko.

Daisuke Aoki

DoB: 26th of October I Son of Daigo Aoki and Yua Sasaki | Loves Retro Stuff (mostly 70s and 80s) & His Guitar | Dislikes Horror Movies & Dangerous Animals

A soft-spoken and shy emcee who hosts Shokugekis and other sort off events on Totsuki. Much more friendly than his childhood-friend Hideyoshi, but overlooked regardless most of the time. Bickers a ton with Hideyoshi.

Emi Kusunoki

DoB: 25th of July I Daughter of Rentaro Kusunoki & Mea Yanai | Loves Saunas & The Smell of Gasoline | Dislikes Still Being Without a Boyfriend & Libraries

An often brash young girl who’s also known as the major Gossip Girl on Totsuki, that loves to hear and share all kinds of rumors around. Specializes in Heating. Wishes for a boyfriend with a motorcycle.

Itsuki Kumai

DoB: 10th of March I Son of Shigemichi Kumai and Rui Kofuru | Loves Self-Deprecative Humor & Edgy Rock Bands | Dislikes Colorful Clothes & Phone Ringing

Very silent but also awfully pessimistic. Itsuki has a large talents with vegetables and herbs, as he tries to cook as vegetarian as Totsuki’s tasks allow him to. Additionally he has large knowledge around the cuisine of North-Africa. Forgot how to smile long ago.

114th Generation (The 2nd Years who constantly argue for the most part)

Hiraku Yukihira

DoB: 13th of April I Son of Soma Yukihira and Erina Nakiri | Loves All Thing Decadent & Squid | Dislikes Laundry & Elite 10 Paperwork

Ever since entering Totsuki as a transfer student a year ago, Hiraku quickly worked himself upwards as one of the most, if not the most, admired chef of the school. His sensitive sense of taste, the so-called “Tongue Blessed by Angels” or “Holy Tongue” for short gives him a great advantage at cooking. He’s awfully unorganized however and much of a dense airhead.

Akio Hayama

DoB: 26th of February I Son of Akira Hayama and Hisako Arato | Loves Clipboards & Traveling to the Middle East | Dislikes Stains & Organizing Hiraku’s Fanmail

Hiraku’s loyal and diligent secretary, who does not seem to mind just how chaotic Hiraku can be sometimes. Inherited his father’s sense of smell and is therefore outstandingly talented in the usage of spices and creating fragrant dishes. Very friendly but also easily nervous.

Suzume Hojo

DoB: 11th of April I Daughter of Terunori Kuga and Miyoko Hojo | Loves Memes & Fans | Dislikes Sitting Still & Sexism

The bouncy, energetic president of the Chinese RS. Therefore of course specializes in Chinese Cuisine. Much of a laid-back jokester but does look out for the younger students and takes certain matters fairly serious. Shouldn’t be underestimated.

Shigeo Eizan

DoB: 29th of November I Son of Etsuya Eizan and Nene Kinokuni | Loves His Smartphone & Jazz Music | Dislikes Slow or No Internet & Suzume’s Jokes

A materialistic, cold-hearted young man who’s already involved in consulting-work despite the young age. His cooking relies on his intensive knowledge on the chemical components in his ingredients and how to utilize them. Is incredibly intelligent and fairly good at tricking people into trusting him.

Ai Kabutoyama

DoB: 25th of January | Daughter of Tetsuji Kabutoyama | Loves Violin Music & Butterflies | Dislikes Loud Noises & Movies Without A Happy Ending

A very silent and distant young girl, who barely ever talks to anyone but wears an almost constant miserable expression. Specialized in utilizing Skewers. Friendly but insanely Short-Cut whenever she does speak.

Beatrice Shiratsu

DoB: 9th of July I Daughter of Julio Shiratsu | Loves Posing & Making Lists | Dislikes Video Games & Bad DJs

A girl that can often be rather extravagant but all-things-considered she’s very open and rather sweet. Specializes in Italian Cuisine. Loves partying and is very occupied with savoring the life of a teenager as long as she can.

113th Generation (The Third Years, where most of the classmates have been removed already)

Noboru Shinomiya

DoB: 29th of April I Son of Kojiro Shinomiya and Hinako Inui | Loves Painting Landscapes & Autumn | Dislikes Unreliableness & Getting Bothered on his Day-Offs

Noboru is a serious young man who values organization, structure and a good environment. Gets easily annoyed when such things are not provided. Shows great talent in both Japanese cuisine and French cuisine and feels greatly torn between the two. Wants relaxation.

Kiyoko Saito

DoB: 21st of February I Daughter of Somei Saito and Momo Akanegakubo | Loves Shopping & Kimonos | Dislikes Untidiness & Disrespect from younger Students

Kiyoko is a proper but spoiled young lady who’s friendly as long as she receives the respect she thinks she deserves. She’s specialized in Japanese Sweets, but does know how to make Western desserts as well plus Sushi of course. Very fashionable and has a booming Instagram.

Masashi Eizan

DoB: 13th of May I Son of Etsuya Eizan and Nene Kinokuni | Loves Classical Japanese Music & Kiyoko’s Daifuku | Dislikes Everything He Considers Indecent & Being told to rely too much on his Father and his little Brother Shigeo

Masashi is overly serious and strongly values rules and customs. Considers himself superior than practically everyone on Totsuki, save for Noboru and Kiyoko. Specializes in Traditional Japanese Cuisine and is known for an extraordinary talent with Soba. Has a very short temper.

Ran Mimasaka

DoB: 1st of June I Daughter of Subaru Mimasaka | Loves Her Motorcycle & Her Laptop | Dislikes Bullying & Not Being Active For Too Long

Ran is a calm, friendly girl but also slightly witty young woman. She utilizes foul-smelling ingredients for her dishes. Ran is also often perceived to be the “most normal” one of the Mimasaka-sibling. In actuality, she’s excellent at fishing and gaining information and is incredibly informed about basically every person walking Totsuki.

116th (The 3rd Years of Middle School)

Moe Saito

DoB: 20th of December I Daughter of Somei Saito and Momo Akanegakubo | Loves Balletts & Bears (primarily Pandas) | Dislikes People She Doesn't Know Touching Her Ribbon & Ripped Jeans

Moe is very stoic and barely ever truly emotes. Should she ever actually smile, its a sign of her being beyond happy. She’s a Sushi-Chef whose main gimmick it is to make the Sushi as cute as possible. Also has a great talent for Bentos and while it’s not her main focus, she does know how to make desserts. Speaks dryly but also very bluntly.

118th (The 1st Years of Middle School)

Kei Eizan

DoB: 5th of July I Son of Etsuya Eizan & Nene Kinokuni | Loves Video Games & Tigers | Dislikes Ties & The Scent of Coffee

Kei often has troubles with making a good first impressions as he’s rather grouchy or even aggressive at points and also makes usage of a very foul language. Not to mention the reputation attached to his surname. He does have a good heart however and an actual sense for justice, which shows in his friendship with the frequently bullied Ayano Mimasaka who he befriends and would protect at all costs.

Ayano Mimasaka

DoB: 30th of October I Daughter of Subaru Mimasaka & Nao Sadatsuka | Loves Lewis Carroll’s “Alice In Wonderland” & Sewing | Dislikes People Pulling her Braids & Physics Class

Ayano is a fairly eccentric but innocent, little girl who just happens to have a number of a bit more outlandish interests as well as a creepy laugh and the tendency to pop out of nowhere. She got heavily bullied in her life already just because many consider her weird and scary.

Not on Totsuki (because they’re too young yet)

Nino and Maja Aldini-Tadokoro (Twin-children of Isami and Megumi, little siblings of Hiroshi, Future part of the 119th Generation)

Takahiro Marui (Son of Zenji and Yuki, little brother of Chieko, Future part of the 119th Generation)

Kasumi Ibusaki (Daughter of Shun and Ryoko, little sister of Yasu, Future part of the 120th Generation)

Yoshiko Saito (Daughter of Somei and Momo, little sister of Kiyoko and Moe, Future part of the 120th Generation)

Not on Totsuki (for reasons I can’t get into now because it would be Spoilers for the Fanfic)

Yuu Tsukasa (left), Shouhei Tsukasa (right) and Tsubame Tsukasa (middle) - Children of Eishi Tsukasa and Rindou Kobayashi

Thank you for listening ;w; !

It’s still not complete...haha but we’re getting somewhere

#Shokugeki no Soma #Shokugeki no Kimiko Stuffz #Shokugeki no Souma

7 notes · View notes

comicteaparty · 4 years

Text

April 1st-April 7th, 2020 Reader Favorites Archive

The archive for the Reader Favorites chat that occurred from April 1st, 2020 to April 7th, 2020. The chat focused on the following question:

How do you feel about creators spoiling their own stories, and how does it effect how you read the comic?

Joichi [Hybrid Dolls]

As someone who's both reader & a creator, it can be really hard to restrain giving spoilers. But it could also be that they are excited to make this story and they wanna 'get to the spoilers' really soon. But if you are such creator, an idea is to find friends whom you can trust, don't mind giving critique/give spoilers to. As a reader it can be slight disappointment to learn about spoilers in a comic you were invested in and still reading. At this point, I might think, I'm going to get out of the conversation on the spoilers and wait until more content is made(edited)

DanitheCarutor

Being someone who was raised by a parent who wanted me to spoiler movies for them if I saw it first, I don't care about stories being spoiled for me. Experiencing the scene is usually very different than being told what it is, also once I get to that spoiled scene I've already forgotten about it thanks to my Quality short-term memory. Honestly, I would totally go all out spoiling my own comic, but I know most people hate that stuff so I don't out of respect. There have been a few times when I've talked about spoilery stuff not really knowing if it would be considered a spoiler, or because I'm talking about something else that is related and I have to spoil a bit for the topic.

shadowhood (SunnyxRain)

Personally it depends on how plot heavy the spoiler is. If it's something like what food/clothing/interests the characters have, I don't mind so much. But if it's something like who is going to die, who falls in love with who....I think the experience would be slightly more diminished.

Like @Joichi [Hybrid Dolls] said, I usually share the spoilers only with close friends, particularly those who know how to give their input. It's important to get feedback, but choosing who you tell is very important.

sssfrs (JOE IS DEAD)

I’m very protective of story details. I don’t want people to know any of what’s going to happen in my story. I like having secrets

I don’t really mind hearing spoilers myself much of the time because I mostly enjoy stories by looking at all the events in the story together. If I know all the events sooner that often lets me enjoy it sooner

Cronaj (Whispers of the Past)

I usually don't care that much about spoilers, unless it's about character death or something. Usually, I try to avoid them like the plague, just in case, but I don't really care that much.(edited)

chalcara [Nyx+Nyssa]

Personally, on other people's comics, I usually only refer to what's in the comic proper. Not too fond of having to read supplemental material, like creator QA's.

I know they can be nice for some readers, but I genuinely don't like it when the knowledge established in a QA or so is assumed to be known in the comic proper without ever being mentioned there.

keii’ii (Heart of Keol)

I'm having difficulty articulating my reasons, but for me, the creator spoiling things is different from a reader spoiling the same things. And reader-supplied spoilers can also be VERY different based on context and tone. I hate it when people spoil things for others out of malice (like when people were buying ad spaces, just after that one Harry Potter book came out, to broadcast [THIS IMPORTANT CHARACTER] DIES!!!!), even if I don't care about the work being spoiled.

Going back to creator-supplied spoilers........ it's something I can't relate to, as a creator myself? (Sharing spoilers in private is one thing, but if they're posting it in public...) This is going to sound negative and I apologize in advance. When I see a creator laying out the big spoilers in public, it makes me worry that maybe they prefer to talk instead of actually making the comic -- that maybe they won't make it to the ending. I'm happy to be proven wrong, of course. And there is no shame in dropping a comic before you get to the end (I've done that myself!). But yeah, public spoilers is one of those things that makes me worry.(edited)

LadyLazuli (Phantomarine)

^My thoughts exactly. It worries me in exactly the same way.

Deo101 [Millennium]

when it comes to reading spoilers, Ive never really minded. Granted, I'd rather have spoilers more towards "what to expect" because I otherwise will get a lot of anxiety. A bit of the way in, I want to know if something is going to be worth my time to get invested into, or if I should ignore the stress and just be along for the ride. Being told things like "this is a tragedy and you shouldnt expect to have a happy ending" and "everything will work out in the end" really calms me down when I'm reading. Getting small spoilers about character things, inconsequential plot stuff, etc. don't really bother me at all, but yeah I'm with keiiii where if someone is sharing the ending of their story halfway through I worry theyre not interested in actually working to get there.

I'll personally share in small private settings whatever people want to know, but I refuse to in a public setting share what I'd consider to be a big spoiler. I'll share small character things or vague plans and some worldbuilding stuff, but I don't see those as spoilers really.

keii’ii (Heart of Keol)

The "what to expect" thing is a really great topic though. I would love to discuss it in depth in shop talk when the caffeine kicks in

LadyLazuli (Phantomarine)

Ooh me too. I drop some future story features in my About page - very broadly. But it's more of a pitch than an outright spoiler. It requires some vagueness to be effective.

chalcara [Nyx+Nyssa]

@Deo101 [Millennium] Setting expectations correctly is very different from spoilers, I think, and more in direction of "what genre does that story fall under". Like a romance means happy (for now) ending for the main couple - even if you might end up disagreeing if an ending is happy.

It ain't a spoiler that a space opera has some kind of space travel, that kind of thing.

For me spoilers tend to cover plot specifics, not genre and general tone. That's setting expectations.

Deo101 [Millennium]

Yeah, but a lot of people really don't like to say that their story is gonna be a tragedy because they dont want to spoil that people are gonna die or whatever

chalcara [Nyx+Nyssa]

That's... bad marketing.

Deo101 [Millennium]

it happens constantly

Cronaj (Whispers of the Past)

I agree that a lot of times what creators share is basically bonus plot info, or extra details, or even warnings. I actually haven't really ever gotten a major spoiler from a creator.

chalcara [Nyx+Nyssa]

Mind you, you can have people die without being a tradgedy, see the majority of epic fantasy.

Cronaj (Whispers of the Past)

(On a side note, I have spoiled 100% of the plot of my comic to very specific close people in my life, but I don't know if that counts.)

keii’ii (Heart of Keol)

I don't think there is a single person to whom I've spoiled 100% and I'm jelly of those of you who have Story Confidantes!

Cronaj (Whispers of the Past)

Honestly SOs and close siblings are a GODSEND

keii’ii (Heart of Keol)

I'm close with my bro, but he's not into the kind of stuff I write. (might be getting off topic?)

RebelVampire

Yeah I do want to remind again here this should be about experiences as a reader, not as a creator. And I know there can be a bit of bleed over, but there's a point where the focus changes too much.

RebelVampire

I think this depends on who it's being spoiled to. If creators want to spoil their stories to close personal friends in private convos, I think that's A-okay. Even as a writer I do that, because it's good to have people to bounce ideas off of. And I think for more creators it's the same. Also, sometimes you just want to have a fun chat to de-stress and it's easier with people who you can tell all your secrets too. If it's being spoiled to people who asked for spoilers, that's also another matter where I think it's mostly fine. In fact, depending on what's spoiled, it can really help drive engagement. For example, if a comic is "spoiling" lore that has a significant bearing on the plot without revealing the exact how of it all. However, then we come to the matter of major public spoilers, which there are tons and tons of creators who do this. On the one hand, that's the creator's right to do so, so a part of me feels like embracing the can't be helped mindset. But, if I'm being brutally honest, as a reader 90% of the time it just kills all engagement with the story for me. I mean, what's the point of reading the story if I can just find out everything in a fraction of the time? Plus, for me personally, I enjoy theorizing and trying to guess events, mysteries, etc. And if I'm being told the answers, that basically ruins like 80% of how I engage with content. I'm also confident I'm not the only reader who feels this way, so personally speaking I don't think it's a wise decision no matter how juicy or agonizing it is to hold in the spoiler.

Feather J. Fern

For me, spoilers don't mean much. I'm still going to read the comic regardless. Now I spoiling something is funnier, because it takes me forever to get to the section which I spoiled, so something I spoiled would take a year to get to, and then everyone forgot the spoiler anyways. XD

I have already spoiled endings to my friends about one of my comic projects, and three months in they are already like "I forgot about that." So maybe it's just my readers haha.

DanitheCarutor

@keii’ii (Heart of Keol) About the talking vs. finishing the comic thing. If I decided to spoil it would be because I was impatient to discuss. Like, right now I have the worst itch just to talk about the climax and ending to discuss all the little details, what I could do better next time, if I should put trigger warnings on specific chapters, and/or how my readers feel. Would it keep me from making it to the end? Nah, executing and seeing the results are not the same as describing them. The emotions a reader has can change vastly when they experience an event vs. read a description, it's not as fulfilling... or as painful. At least that is my perspective, neither I nor my readers would get the full experience from me describing a major event/ending. I don't know how it would be for other creators though. Lol

keii’ii (Heart of Keol)

Yeah, it's definitely a case by case thing.

DanitheCarutor

Pff yeah, I imagine some people are less anal about execution than I am.

eli [a winged tale]

Great discussions here! If I’m the reader, I’d prefer not to be spoiled and enjoy the story as is. It helps me as both a consumer and a creator to see how the plot twists are planted and revealed. As a beta reader, though, I would need to know the story to give suggestions on how to execute said spoilers but this is more of a creator-to-creator basis. I totally get the itch to share and I think having betareaders/comic confidantes are great for satisfying that need while getting constructive ways to evaluate them.

LadyLazuli (Phantomarine)

Agreed. I think having at least one person within your reader circle who is privy to deeper details can be very helpful, both for editing and for motivation Especially if there are story details that won't be shared for years. It's a good way to prevent 'leakage'

DanitheCarutor

I need to get myself a confidant, not only would it help the itch but talking about it would probably help me better fill in the small details. There was a rl friend I had who got too busy and lost interested, and someone online who I talked to about smaller stuff, but I don't like bothering people. Especially since my comic is sooo... my comic. Lmao!

Gosh, I would be the perfect person for someone to confide in about their comic, I would totally forget about the spoilers after waking up the next day.

Tuyetnhi (Only In Your Dreams!)

Tbh I don't mind if a story is spoiled to me. I'm the type of person who is like "okay so that's how it ends? How does it get there?" and I would be more upset if the creator spills those important parts that reach the end result. Though, when explaining my comic plots and details to my irl friends and beta readers, it's more of a planning session than things said in stone. Basically if it's something that I've not written down and could be a spoiler, yet I talk about it and those spoiler squeals aren't in the final scripts though. If it's an important detail and is a spoiler, I will withhold that information till the time comes.

Eightfish (Puppeteer)

I don't know what I'd think because I've never seen a webcomic I liked share spoilers before. I get the feeling that a "serious" writer would keep their twists private because they know they can show their plot better than they can tell it, if that makes sense. Even Sfeer Theory, a comic I really like that iirc did much of its brainstorming online, shut down their old worldbuilding posts once they got their actual comic started.

varethane

Personally, I'm not hugely opposed to spoilers, though it depends on the context. A lot of new webcomics when they're just started out will often only be able to market themselves with illustrations of scenes or dynamics that haven't quite happened yet, just by virtue of being so early on, and that's fine-- though increasingly less necessary the more Comic is released. The only kind of spoiler I might be actively mad about is if a comic whose appeal hingest largely on a central mystery or suspense spoiled The Answer, but I feel like most of the writers creating stories like that are conscious of this and keep that sort of thing under lock. There's also a big reason why I personally try not to share spoilers (and why I try not to put much stock by any spoilers I see posted by other webcomic creators, in case their process is like mine)-- which is that, basically anything that is more than a month ahead of the pages I've already drawn, is very likely to change substantially. I rewrite future plot points all the dang time. So if I shared something as a 'spoiler', there's only a 50/50 chance of that plot point actually coming to pass (unless it's one of the 4/5 big central plot linchpins); any readers waiting for it may come away disappointed, lol.

FeatherNotes(Krispy)

Def agree with Vare on this one. However, sometimes when a writer tells details to the point of no surprise in the comic whatsoever, that usually breaks immersion and interest for me. I've had a couple stories stagnate from having their plots revealed by the writer, and when the story hinges on that being a selling point, it tends to be very dissapointing to have done. Unless the story is character driven/ has characters charming enough to capture readers, i would def avoid spoiling the main plot points of the story if they can

eli [a winged tale]

I feel like anything in act 1 is technically not a spoiler since in books, the blurb encompasses act 1 even the beginning of act 2.

RebelVampire

Once again I'm popping in here to remind people this chat is primarily to talk about experiences as a reader, not as a creator. So let's not go too far into creator territory here.

snuffysam (Super Galaxy Knights)

It's hard to say how I'd feel because I don't really see writers post, like "X dies in the end" or whatever. Like it's not that common an occurrence, at least for comics I follow. What is common in my experience is creators posting ship art for characters that haven't shown up yet (thus spoiling that these are characters who will show up at some point, and at least have some interaction with each other). And with regards to that... I dunno. Like, my mentality as a reader/watcher of things is that a character doesn't "exist" until I see them in the story. Like, if I see a character in an anime OP, I'll be like "oh that character looks cool, I can't wait until I meet them". That is, I don't consider myself as having "met" them yet - I need the story as context. (for the record, that's true for me as a creator too - i know plenty of creators figure out their OCs' personality & backstory first before figuring out what sort of story they work in, and that's valid, but I can't imagine working like that) So anyway, to me creators posting OC art before they appear in the story is less "oh, i've been spoiled on what these OCs will do" and more "oh, i can't wait to read the story that these characters are involved in"

#ctparchive #comics #webcomics #indie comics #comic chat #comic discussion #reader favorites #comic tea party #ctp

1 note · View note

chiseler · 5 years

Text

The Madness of Ken Russell

Critical thinking in Britain has always taken the view that Ken Russell was a wild, ill-disciplined talent who ultimately went artistically mad: this was also the view in the film industry. The only major disagreement was about when he went from being merely excessive to being balls-out crazy: different parties chose different tipping points.

(WAIT! WHO CARES ABOUT CRITICS?)

(Bear with me: in Russell’s case, the critical consensus serves as a valuable reverse barometer.)

Russell, a suburban boy, former merchant seaman and Catholic convert, made a few brilliant short films with his wife and fellow genius, costume designer Shirley Russell, before landing a job at the BBC’s flagship arts program, Monitor. His stint here taught him to fight, and placed him under the stern patronage of producer Huw Weldon, probably the only authority figure he ever respected. Many good fights were enjoyed. When Russell joined the program, there was an absolute ban on dramatization and re-enactment: the most he was allowed was to show a composer’s hands at the piano. By the time he finished up on the show, he’d managed to twist it out of shape to the point where he’d been allowed to make complete dramatic works in the guise of documentary. These TV plays are highly cinematic, kinetic and bold: like Kubrick, Russell had a love of both stark symmetry and dynamic movement. Control and its opposite.

Russell found actors he liked, including Oliver Reed, with whom he enjoyed a strange kinship: both were heavy drinkers, both affected a casual attitude to their work, though Russell was never ashamed to call himself an artist. Ollie became the John Wayne to Russell’s Ford (in a roiling, nightmare vision of classical cinema).

The point when Russell moved out of TV is the first moment his detractors choose to mark his decline into self-indulgent craziness. He made a modest, eccentric comedy, French Dressing (with mounds of inflatable girls piled up like Holocaust victims) and a wild, idiosyncratic spy movie, The Billion Dollar Brain, a Russophile anti-Bond movie full of flip humor and Eisenstein homages. Critics saw these films as work-for-hire, as perhaps they were, and largely discount them. They are quite brilliant.

Women in Love is counted by others as the last pre-madness film, and its relative sanity can be attributed to the control exerted by its writer-producer Larry Kramer. Russell’s excesses are held in check, it is argued, and the tension between its creators was productive. It’s a very good film, but I find it too sedate in places, though the vivid color and Shirley Russell’s bold designs, and some scenes of genuine wildness and invention stave off actual boredom.

The Music Lovers, his dream project, expanding the TV composer film to the big screen and color, is where a real case for craziness begins to be made: the choice to explore Tchaikovsky’s homosexuality now seems mature rather than lurid, but Ken is undeniably pushing the biopic into unfamiliar terrain: fantasies of decapitation by cannon-shot, a filthy madhouse, a demented honeymoon on a train rocking like the Starship Enterprise, complete with crotch shots. Maybe even worse, from the critics’ viewpoint, Russell, who had directed one TV commercial before walking away from that business in disgust, co-opted the visual language of the shampoo commercial to depict the images conjured by the composer’s music. Russell was in love with romanticism but saw through it too. Ironically, the filmmaker constantly castigated for unsubtlety injected an irony into the film that critics missed, taking the soppiness at face value and not seeing how the concealed satire blended perfectly with the overt caricature and phantasmagoric visions.

Still, the subject was respectable, but with The Devils, Russell managed a film maudit that took decades to be reappraised, and earned him criticism of a uniquely vociferous sort, admittedly in keeping with the hysteria of the film itself. An account – or channelling – of a 16th Century witchcraft trial in France, the movie didn’t so much push as cremate the envelope as far as sex, violence and blasphemy were concerned: Russell, who had converted to Catholicism in his youth, lost his faith while making this one, converting to an animist worship of the Lake District, a religion of his own devising. Well, he did have a substantial ego.

Russell was upsetting: apart from the torture, abuse and madness, the film threw in discordant tonal shifts, creative anachronisms and deployed all of his cinematic influences, which prominently featured Orson Welles, Fellini, Fritz Lang’s German silents, and the musicals of Busby Berkeley, which supplied the top-shots used to depict the rape of Christ on the cross, a scene cut by the censor and lovingly preserved by the director for a future restoration, still explicitly forbidden by the film’s backers, Warner Brothers.

Asides from his crisis of faith and crises in his marriage and his dealings with the studio, Russell was also knocking back the wine. “Better before lunch,” was his prop man’s characterization of the director. Production designer Derek Jarman recounted Russell asking him, “What can I do that’ll really offend the British public?” “Well you could kill a lot of people,” mused Jarman, “but if you really want to upset them you could kill some animals.” A plan was then devised to have King Louis with a musket blowing the heads off the peacocks on his lawn: the birds were to be fitted with explosives at the neck, like Snake Plissken, but Russell backed away from this extreme, even by his standards, approach, and instead had the target practice performed with a man dressed as a blackbird, and the King saying “Bye-bye, blackbird,” and Peter Maxwell-Davies’ remarkable score quoting the popular twenties song, and that infuriated the critics just as much as actual bird-blasting would have.

Less amusingly, Russell was also guilty of unsafe practices involving the naked girls and rowdy extras: the stories here get really dark. As does the film: a demented masterpiece that shows Russell for once engaging with the political: a film about corruption that uses physical disintegration alongside social and spiritual rot.

Just to confuse us even more, Russell made The Boy Friend the same year, an epic music and a miniature at the same time, allowing him to recreate Busby Berkeley’s pixilated fantasias in a seedy English theater. It’s light and charming, but Russell’s version of these qualities was not recognized by the critics, and it’s true that his wit is clodhopping, his whimsy grotesque, everything is overplayed, in your face: but you have to climb aboard the film, get into its spirit, and then it really is a very lovely reversal of the usual nightmare.

The seventies brought more composer films, Mahler and Lisztomania, and also the rock opera Tommy, which earned Russell slightly better reviews as his boisterousness was judged more in keeping with the material (critics, it seemed, could not stand the idea of a filmmaker responding to classical music for its passion and energy, its rock ‘n’ roll qualities, rather than for its assumed civilising effect). Russell got away with showing Ann-Margret humping her cushions while slathered in feculent chocolate sauce, shot Tina Turner with a 6mm lens to uglify her as she thrashed around a steel sarcophagus studded with hypos, and put Elton John on ten-foot platform shoes.

Lisztomania is another movie that’s seen as marking the decline into lunacy: its producer, David Puttnam, hugely impressed by Russell’s flare and his ability to shoot Mahler after half the budget fell through, felt that ultimately the relentless negative press knocked his enfant terrible off-balance. Instead of rolling over in submission, Russell perversely doubled down on the excess and became a parody of himself. And he had already been a parody to begin with (but a parody without an original, unless we take him as a combined burlesque of all his cinematic influences). I’ve always adored Lisztomania, which knows it’s going too far, knows its japes and conceits are ludicrous and indefensible, knows it can’t get away with Roger Daltrey as Liszt and Ringo Starr as the Pope. And just. Doesn’t. Care.

Valentino, which marked the end of the Russell marriage (there would be a bunch more), was dismissed by Russell as the fag-end of his first British period, “everything about it was bored and boring, including me,” but it’s actually rather good. Nureyev as Valentino (well, he was used to being called Rudolph), Russell as Rex Ingram wielding a megaphone the size of a cannon. The twenties, as lived by Rambova, Dorothy Arzner, Fatty Arbuckle, or as dreamt by Mad Ken.

Russell had made his career in Britain at a time when the industry was in collapse: he largely missed the explosion of energy that marked Swinging London, the British new wave, and the only kitchen sink he liked was the one he was always throwing in. Now, the domestic business seemed to have expired of ennui, senile dementia and blood poisoning, but Hollywood beckoned. Russell was bottom of a long list of directors who all turned down Paddy Chayefsky’s Altered States, a late-mid-life crisis film about sensory deprivation tanks and psychedelics which takes John C. Lilley and fuses him with Dr. Jekyll. Russell took it on despite being forbidden from changing a line of dialogue, but got his revenge by having his actors speak fast -- like Jimmy Cagney fast, not so much throwing away their lines as firing them like tennis balls. And by having them eat at the same time. And by expanding the hallucination sequences until they took over the movie, so that they were all anyone talked about. Druggie audiences would hang out into the lobby, Russell gleefully reported, posting a sentry in the auditorium who would yell “Hallucination!” whenever one was starting, and everyone would rush back in to get a hit of audiovisual delirium.

A bit like Women in Love, Altered States benefited from the creative clash between director and writer (who took his name off the script in protest at Russell’s backhanded fidelity), but the reaction among respectable types was mainly a theatrical eye-roll: the maniac was up to his old tricks. Crimes of Passion, starring Kathleen Turner and Anthony Perkins, was next, with she as a Belle de Jour career girl by day, working girl by night, he as an insane sex-obsessed preacher, some forgettable soap opera type as leading man, the whole thing soaked in neon colors and spliced full of Bearsley and Hokusai, whom the American censor duly deleted in horror. “They cut out anything to do with art,” observed the filmmaker.

And that was it for America, save occasional pieces for HBO, progressively more televisual, the locked-off symmetrical winning out over the kinetic. Russell returned to the UK to make theatrical features, and again you heard the cry off “Whatever happened? He used to be good!” Gothic dealt with Byron and the Shelleys and the birth of Frankenstein, and was fruity, literate, dirty good fun. The Rainbow was a return to Women in Love territory, on a lower budget and with less energy and star wattage: Russell declared it his best film since that imagined zenith, and a few critics wanly agreed. The Lair of the White Worm was another journey beyond the pale, thrusting some of the same actors into a ludicrous vampire and snake goddess phallic farrago with Hugh Grant and a kilted Peter Capaldi attempting to snakecharm with bagpipes. A vampirized policeman gets his head impaled on a deco sundial. Marvelous. And the sequence was rounded out with Salome’s Last Dance, which stages Oscar Wilde’s biblical wet dream in a Victorian brothel, an inspired no-budget solution and a film which, unlike Altered States, really respects its words, lingering over them, rolling them salaciously over its tongue. Add in also Ken’s episode of Aria, in which he stages Nessun Dorma as an accident victim’s operating room hallucination, with porn mag model Linzi Drew, a new Russell favorite, in the lead.

Time was running out, the budgets shrinking like a Fu Manchu death chamber, the ceiling pressing down and clearly constraining what Russell could achieve, despite his continuing ambition. Lady Chatterley’s Lover for the BBC scored huge ratings, and he was never asked back. Commercial television’s top arts programme, The South Bank Show, run by Russell’s old screenwriter from Women in Love, Melvyn Bragg, kept him going with more-or-less annual commissions: he’d come full circle, or did when he moved back to home movies, shot in his garden or in his favorite Soho pub, which he hoped to “flog on the internet.” The symmetry of the career, its ourobousness, is more pleasing to contemplate than it must have been to live, though the last marriage lasted and was happy, and the ever-moving critical pendulum had reached the place where people were starting to say that The Devils and some of the other seventies work was really good, actually.

I can admire everything up until the final home movies, and maybe I’ll come round to them: Russell was right to admire all his earlier films. He spent decades more or less brushing off French Dressing, then saw it on TV and thought, “This is a masterpiece!” which it is. But only a minor one compared to what was those around it. Seaside-postcard humor, musical comedy performances, pop art imagery, Wagnerian and Stravinskian soundtracks, a defiant rejection of subtlety. “I don’t believe there’s any value in understatement […] This is the age of kicking people in the balls and telling them something and getting a reaction […] Picasso was not restrained, Mahler was not restrained!’” His detractors thought he should be, possibly in a straitjacket and with megadoses of Thorazine, but Russell was a volcanic eruption in cinematic form, a purple-faced tyrant of the Stroheim school, a demonic force driven to possess reels of celluloid and make them glow in the dark with a sugar rush radiation that has yet to decay. He was too big, too vulgar, too beautiful, too nasty and too beautiful for a national cinema mired in lethargic literary-theatrical respectability. “The visual arts have never had a foothold in England,” he sneered.

Ken!

Life is not a Ken Loach movie. It is a Ken Russell movie.

by David Cairns

#David Cairns #The Chiseler #Ken Russell

23 notes · View notes

happymetalgirl · 5 years

Text

Dream Theater - Distance over Time

Dream Theater arguably had their backs against the wall going into this album after the polarized reception of their massive prog metal opera concept album, The Astonishing, in 2016. While initial reviews were positive for the album and the two singles it led with were promising, fans eventually complained of so much of the album not playing to Dream Theater's strengths. Most notably, fans lamented the ballad-heavy track list, but also the length, the individual songs being too short for a band like Dream Theater to get any momentum going with them, and the forced approach to fit everything into the album's narrative. And I do agree with all of those main criticisms that have been blown out of proportion by nonfans within prog circles to lambast The Astonishing as proof of Dream Theater's inherent ineptitude.

But The Astonishing is definitely an enigma of an album. In some ways it is Dream Theater doing something absurd for them, but in many, it's just Dream Theater on steroids and no inhibitions. After all, a giant concept album in the vein of 2112 like The Astonishing is exactly the kind of thing Dream Theater would take on (and did take on in 2000). Poetic lyricism has never been Dream Theater's forte, and the band have always towed the dangerous line between utter cheesiness and cathartisis through well-conveyed simple sentiments, and that's exactly what The Astonishing was, especially with its many ballads, often blurring that line. I really have quite a strange duality of frustration with that album's definite flaws and of enthusiasm with its best moments, and depending on the day I listen, sometimes something empowering from last time becomes cheesy this time, and vice versa. It's a weird album, but for all the strange dynamics of the relationship I have with it that it's facilitated, the amount of enjoyment I have gleaned from it, I think, has been worth it.

Nevertheless, Dream Theater seemed to be in need of a redemption album based on all the hubbub surrounding their follow-up to The Astonishing. And it seemed that the band had indeed heard the cries of their fans and duly noted their complaints. The three preliminary singles that end up comprising the album's opening seventeen minutes showed the band going straight for the jugular with more direct hard rock and heavier metal than the previous album, to show that they meant business in their return to their advantageous metallic progressive rock home field. Opening song "Untethered Angel" goes for that heavy, ascendant feeling that Dream Theater have made capturing such a signature strength of theirs with James LaBrie's fittingly angelic vocal melodies (which seem to take some influence from post-grunge around the bridge), along with the technical flair and instrumental virtuosity that they have also become synonymous with. The crunch of the palm-muted guitar riff of the single "Paralyzed" follows immediately after and kicks into the thickness a rather familiar gritty alternative metal beat as choir samples and echoed vocal layers give LaBrie's performance just the tasteful hint of urgency it needs. It's a more chord progrrssion and groove-driven track without time for flash from Petrucci, Myung, or Rudess, which is no problem. The very old-school, hard-rocking metal tune "Fall into the Light", led by John Petrucci's tasty guitar lick and Mike Mangini's gatling gun snare battery, makes up for it. The instrumentalists get their extended section near the end to build a neat little progression to give Jordan Rudess some keyboard solo time and for Petrucci to round it all off with a quick little solo himself.

The first song to come after the album finishes revisiting its promotional singles is the classic prog rocker "Barstool Warrior", whose subject matter and movements around the subtler instrumentation reminds me a lot of Six Degrees of Inner Turbulence; I think it would have fit in well on that album even if it probably wouldn't stand out there. Moving on from there, the more direct "Room 137" goes straight for some more gritty, down-tuned guitar groove and resumes the album's commitment to the band's heavier side, although, this time there's room for a quick guitar solo to keep it from getting too simplistic on a Dream Theater album. John Myung's dancing bass line opens the song "S2N", which is a little more structurally frantic and unsure of itself during LaBrie's less potent vocal lines than the previous songs, but the flair the band bring to their individual instrumental sections on tje later portions does save the song, especially John Petrucci's first solo (the second being pretty slick too). Even if he didn't save it with such a fervent and tasty guitar solo, the song's progression to a sample of an Owen Wilson "wow" is worth it.

The album's longest song, "At Wit's End", at just forty seconds short of that famous Dream Theater ten-minute mark, is a bit on the formulaic side for Dream Theater for the kind of song it is, save for the kind of post-grunge-y vocal harmonies that aren't as constructive to the song in this case as they were on the opening track. The song still boasts some excellent guitar soloing, but the piano-led ballads of the bridges feels kind of out of place on the album and it's not one of Dream Theater's best. Fortunately, the very next song, "Out of Reach", is a quicker much more emotive heart-string-pulling power ballad and fulfills the role beautifully and in a manner that makes me believe Dream Theater did take some cues from modern alternative metal and of course old school metal bands. The album's climax with LaBrie's soaring melodies is just such a cathartic fulfillment of anticipation. The album's closing song, "Pale Blue Dot", goes heavy again, in classically lengthy, yet measured, Dream Theater fashion. Literally every band member makes a phenomenal and notable contribution to the song, with hints of A Dramatic Turn of Events and especially Metropolis, Part 2: Scenes from a Memory lacing throughout the song's many dynamic shifts (the latter especially during the song's long instrumental break) to end the album on its strongest foot.

The sole bonus track ("Viper King") accompanying the main track listing is a very quick (by Dream Theater's sprawling standards), straightforward rocker with some crunchy low guitar grooves and LaBrie's classic-rock-influenced highs driving it. It's a fine extra four minutes and a bit of a bonus in its sonic mouthfeel as well, as the band go so classic heavy metal that it could probably be mistaken for another band's song if someone else sung it. Still, it's a cool little piece to show that the band still love to get down to some no-nonsense rock and roll amid all their exhibition.

As much as it seemed at first like Dream Theater wanted to show that they were back to make heavier music again (which they surely did much moreso compared to their last outing), Distance over Time isn't really as much of a rejection of everything The Astonishing was as it might seem at face value. Though it's not some grand, conceptual narrative and though it's not nearly as balld-y, it seems they learned from the less 10-minute-epic-dependent writing of their previous album. The band showcase their talents as much as ever, but they do so more naturally than they often do with the songs focused on hitting hard and fast first and making a proper context for the band to exhibit their skills within second. Not held within and conceptual or narrative confines, the band approach this album rather freely and are allowed to let simply their metallic instincts guide them to where they can best highlight their talents throughout each song. And indeed, some songs keep that signature instrumental showmanship to a minimum so as not to force it or if become a crutch. This is definitely Dream Theater's most consistently straightforward album to date, and perhaps it's what they needed to get themselves back on their feet after their two-hour metal opera went mocked and unappreciated. Personally, as much as I do love the heavier side of Dream Theater, what Distance over Time is missing is that theatrical signature of the band's more adventurous pursuits like on their heaviest album, Train of Thought, and the more straight-shooting they did here also lessened that capacity for eccentricity that they bring to shorter songs as well like those on Octavarium. In that sense this album is Dream Theater going by their usual playbook, but focusing specifically on heaviness and catchy songwriting; so it's kind of both Dream Theater going through their original formulas as well as going for a more trimmed set of those formulas. And overall, it's not bad outing at all from them. Fans have seemed to be appreciating being listened to by the band they listen to, and as much as I would have loved a heavier album to capture that grand sense of metallic darkness that Train of Thought did, I understand why the band went the route they did for this one, and I appreciate them doing what they felt they needed to to calibrate themselves. Hopefully this reinstills their usual confidence to be as successfully wild and adventurous as we know they can be on their next effort.

#dream theater #distance over time #progressive metal #progressive rock #prog #prog metal #prog rock #metal #heavy metal #new music #new album #album review

4 notes · View notes

sometimesalwaysmusic · 5 years

Photo

NEVERFRIEND

Neverfriend is set to release a new album called Strong Like a Girl, which includes an upcoming accompanying music video for the title track. They have planned an album release party at Mavericks for Saturday, June 15th. Read more to learn about the topics behind their songwriting, the diversity of their influences, and their new plans for releasing new music.

VITALS

Facebook: https://www.facebook.com/neverfriend/

Twitter: https://twitter.com/neverfriend

Web: www.neverfriend.com

Upcoming Release: Strong Like a Girl (Album, June 2019)

Upcoming Shows: Saturday, June 15th - CD Release Party, ft. Wyntr, Norse’s Thorn, & Hot Jupiter. 7:30PM. $10. Maverick’s. Ottawa, ON.

SA: How did this project come together for you guys? NF: The Strong Like a Girl album has been in the works for nearly two years. We’ve had a few line up changes and as a result a few delays, but it was all for the best as the new members have added their flavour and we think the end product was certainly worth the extra time.

The title track Strong Like a Girl is a key song on the album as it is about putting an end to harassment, violence and abuse against women. Written on the cusp of the #MeToo movement, the song was inspired by our lead singer Gina’s personal experience with workplace sexual harassment over a 6 year period, the devastating toll it took on her life, and the courage it took for her to stand up to her predator. And in the end, she emerged victorious and determined to tell her story so that others in similar situations can know that they are not alone and that there is hope if they too speak their truth. A video for the song is set to be released on June 13, 2019.

SA: What bands or musicians would you cite as the biggest influences on your sound? NF: This is a tough one. If you were to examine each of our Spotify playlists, you would see everything from Foo Fighters to Led Zeppelin and the Beatles to a wide range of 80’s hair metal to Slayer and Motorhead. But traditionally we try to emulate the mix and mastering approach of Green Day and Paramore in terms of overall sound.

SA: Thus far in your career, what has been the band’s biggest success? NF: That a tough one cause everyone’s definition of success is different. In our case, we made a decision a few years back that success was touching one person’s heart with one of our songs...whether because the lyrics hit close to home for them, or the energy of the band or the groove of a song made them forget their day or made them feel just a tiny bit better about life. That’s our version of success and from that regard, we’ve been doing alright!

SA: Conversely, what is the biggest challenge you have faced, and how have you dealt with it? NF: This one is easier...finding time for everything we want to do as band! We want to be gigging more, touring, writing more music, making more videos, connecting with fans and making new friends. We want to connect with promoters, and radio jockeys, and music bloggers. We want to collaborate with fellow musicians and push the limits of our musical expression. And we also need to work our day jobs, and take care of day to day living stuff. I don’t think anyone of us would hesitate for a second to do music full time if we could and that pull and tension is always there. Somehow though we’ve been able to find a balance...most of the time...because we never lose sight of our love for this band and for music making.

SA: How do you guys approach the song-writing process? NF: Usually it’ll start with Fraser coming up with a guitar riff of some kind and singing a hook wildly into a crappy phone app to capture the creative flow as it comes spewing out of him. He’ll then ask us what we think, which is often Gina given her proximity. Her test is easy...if she can’t stop humming the hook, it’s a keeper. Gina then tries to flesh out the melody with the help of the rest of the band and matching the song feel and cadence to some of the many lyrics she’s continuously writing. Then the band massages the song structure and flow together, everyone works out their individual parts, and we lay down a rough recording of the song. Throughout, everyone’s ideas are welcomed. We’ve all been doing this long enough that no opinions will hurt our egos...likewise, we won’t hold back calling it if something sucks haha.

SA: What are your thoughts on the Ottawa music scene, and what are you looking to bring to it? NF: Ottawa has a flourishing music scene with a lot of great artists. We’ve seen it grow a lot over the last several years and it’s really exciting to be a part of it. These days it’s incredibly hard to make a living in the music industry and most of us do it purely for the love of making music, often at our own cost. Everyone is in the same boat. So we try to help in our own way by encouraging other bands and supporting each other…the same good vibes we feel from them.

SA: Can you tell us a bit about your upcoming music video for Strong Like a Girl? NF: We took the lead from Gina on this one given that it was her story. She had the idea of inviting some of the strong women she knew to be part of the video, to stand in solidarity against harassment, abuse and all the other forms of oppression against women that happen on a daily basis, in every walk of life, all over the world. It was shot and edited by Kristopher Chandroo, who also did our Hurts to Breathe video. The result was one of the video projects we’ve been the most proud to be associated with. So far the feedback we’ve received on the early previews of the video have been really positive and we can’t wait to share it with everyone on June 13.

SA: You get billed on your dream tour. Who would be on tour with you? NF: Well it would be a hell of a tour with our varied musical interests! I don’t know that we can answer this one. Our list would be so long it would be more like a touring festival! Ok, for starters it would include Metallica and Weird Al Yankovic.

SA: If you had to choose, what three records would you cite as most impactful on your sound in this group? NF: See answer above. Truthfully we can’t say we try to emulate any one (let alone three) bands or records. Neverfriend has prided itself on trying to be as unique as possible while still staying true to what we genuinely love to hear...heavy, groovy riffs, dynamics, emotional content, character. As a result, we’ve been labeled everything from pop punk, rock, metal, alternative rock, etc. This likely speaks to all of our very varied and diverse musical backgrounds that range from 80s hair metal, punk, ska, heavy metal, rock, etc....all the way to opera and classical music.

SA: What comes next for you guys, post album-release, in 2019? Good luck this coming year! NF: Thanks!! We think we may step away from the traditional “album release” approach and focus more on releasing our music song by song. In this day and age, new material is king, and since we all have day jobs, the writing process for an entire album can be quite lengthy and is simply too long for fans to wait for. By taking the “release one song at a time” approach we can keep writing and keep releasing new content, and also delve into some different sounds without committing an entire album to it. It’s a win win, really.

#neverfriend #metallica #weirdalyankovic #foofighters #ledzeppelin #slayer #motorhead #greenday #paramore #spotify #interview #newmusic #livemusic #album #newalbum #stronglikeagirl

1 note · View note

atrixfromice · 5 years

Text

Yesterday’s ramblings over art appreciation

Just some mushings I wrote yesterday but I didn’t post because it was just too sad...but I think I need to post a quote of a bit of it today, because...

cos I have some personal trouble that’s devasting me, but which it’s quite delicate, so I can’t talk it about with anybody...except my close friends, but I don’t wanna bother them much with it either *blush* So instead I’ll talk about the things about what’s is considered art nowadays that frustrates me, because it’s artist stuff, so I can talk to my fellow artist, some of they might feel identified with me. I feel that might help me out to overcome my frustration in general and feel better about my current situation in general.

It is ok to feel down sometimes when you’re passing through hard times... Isn’t it?... I just...I try so hard to balance my own feelings and the others’ to keep the sadness to myself so I don’t spread negative feelings to the people I appreciate the most! but sometimes it’s just too much to keep inside..

I think I should do like my friend Jame and just say that I’m down and I would like you to send some cute hug gifs to be remembered that I’m appreciated...that I’m not alone...but I think too much and I feel too much sometimes...So sometimes it's relieving to talk about that and makes me feel better.

I promise this will be the last “sad writting” I’ll do. I’ll do my best to try be more light and positive on the things I write from now on! Because I know sad feelings are not fun to read *blush*... I wouldn’t like to scare away y’all folks, specially not right now you have been so nice and supportive with me! so, don’t worry you don’t need to read this :) Ignore it *blush* Probably I’ll feel better just with writting it.

But in the case you read it, I would like to hear your opinion about it. Do you think there’s justice for artists on these days?....Great artists get the feedback and love they deserved? Or like me do you think there’s some artist who get appreciation they don’t deserve cos they have not been worked for it? And some artists who deserve appreciation cos they work hard to do great things don’t get it?

I also wonder...if there’s no man justice for artists...God’s justice exist on these case?...

I wanna believe it does...even if I haven’t seen it yet but...I think it will arrive to me one day and I’ll get the answer to solve this problem of lacking of time and energy and my dream of finishing this webcomic will come true. Cos God knows I’ve been working hard on this projetc and I’m giving my soul and mind to it!

It's been a while since I really felt I have the strenght to draw something really well done, just cra...I mean, messy sketches.

Things are no longer like they used to be on the internet either....Are they?...People on dA doesn't really appreciate artwork like they used to some years ago... Long are the days where I used to get great feedback anywhere ...and when I see a 13 years old opera singer that becomes famous for singing on a talent show, even if is not a good singer, just because of their short age...or a 20's or less years old who gets to work for big studios like Disney, dreamworks or Cartoon Network, because they think their ideas are "awesome and brilliant"..when their cartoons stories and characters are not even creative or well developped!But the same silly and hollow stuff we usually see on cartoons recently...

And meanwhile, I'm here trying with all my heart to create a comic that can be creative, funny, original, heartwarming, and also meaninful!! I care about the narrative, the character's personality and design, the character's backstories, the graphic visuals, that the pace of the story is fluid, that the story has no plot holes, and all that sh-I mean, stuff people have to care about when they make a comic. And plus to that, that everything can be scientifically accurate while being also meaningful, endearing, funny, and entertaining!

I’ve seen, that every new cartoon is just a shameless clone of something that had been made before, or sometimes a silly weird mix of a lot of other cartoons made in the past (*coughstarvstheforcesofevilforanexample*) Dumb, shallow, or/and gross out humor powered. That's the "winning formula" for a cartoon show, movie or comic to attract the people in these days, for what I've seen.

But... why?....why?!!...I just wanna know why....

It’s not much better an original, well developped story and characters than just a clone of other existing cartoons?

For me it is!!!

So that’s why I'm still here pouring every bit of my soul and brain power to it! And using the little strenght I have after work for it! Without any resources, without any kind of help from anybody. And nobody cares about it!!

And then I realize that this feeling...

That overwhelming feeling that tears me down and makes me feel heavy and useless...like an insignificant piece of *ehem*...space dust... The feeling that my comic doesn't avance because I have not the strenght to draw it, and it will likely never be realized...And I feel like it's not fair that dumb and shallow nonesense its trendy, and a well thought story is boring and unnoticed. And I'm not talking just about my work, but also I've seen a lot of great artist and great webcomics being ignored and unnoticed.

I just feel it's not fair....that the justice it's lacking in these situations! And when I see that, I feel like a looser... Like... Like a really insignificant old and pathetic looser which nobody cares about, who has done nothing relevant or really valuable in her life.... I work all the day and when I get home I barely have the force to keep my eyes open, much less to draw...This is when I realize things are no longer like they used to be... But even if I had energy left to draw...would it worth the effort to do it? I wonder that very often... I would like to ask you a question, right here, right now. If I would die tonight...would you miss me? The people I know where I live answer its a no....or “yes” on my mon’s case.... And I wish yours it's yes....I hope with all my heart it is a yes, because I wanna know I’m not alone in this world!...I don’t wanna feel...insignifant...

Sorry, I don't want to sound pessimist, and usally I’m not! I'm all the contrary, I'm very positive. I've just had a hard day today and it's really frustrating to not be able to do new drawings anymore because of lacking of energy.

2 notes · View notes