Part 2/25
they love when you wear their clothes
"...Why are you smiling like that?"
They continue smiling at me, shrugging off my question.
Our project finished, but we worked so well together we continued being project partners. Work became much smoother once we got used to each other's strengths and weaknesses. Academic strengths and weaknesses. As a person, they still remained a mystery to me.
"Are you almost done with that part? Oh, actually, here, let's join this one with..." I reached out to get the piece and a simple nice fragrance wafted from my sleeve, "..this one."
They continued working and the conversations of other people working in the computer room also continued. The air conditioning continued to do their job of keeping devices cool. The sweatshirt they lent me continued to provide me warmth and calm my goosebumps.
All the while, they continued to look at me, smiling the way that they do.
The sweatshirt was doing a good job keeping me warm, it might even be a little too warm.
I'll bring my own sweatshirt next time.
part 3/25 to be written.
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A one shot of Mechanic!Eddie x F!reader
Established relationship, Eddie loosing his mind and relentlessly fucking you NASTY into your shared bed all because of how turned on he was by seeing you bent over moving laundry to the dryer in a pair of jeans that hug your ass so nicely🙈💗
stink…. don’t do this to me
18+ — MINORS DNI
————
Those devious, cheeky little shorts of yours will be the death of Eddie, honestly.
Everytime you wear them he ends up balls deep, mumbling promises to knock you up and start a family. He wouldn’t be surprised if one of the few pregnancy scares you’ve had were a product of those fucking shorts.
He’s just getting home from work so he’s tired, but the second he sees you bent over the washer with your ass practically hanging out of your shorts, he’s pumped like a goddamn energizer bunny, so god knows how many rounds he’s fixing to pull out of you tonight (you both lost count at 5).
He’s stepping up behind you with a hum as you toss the clothes in the dryer and shut the lid, pressing his body to yours and nuzzling his face into your neck. His hands coast over your hips and stomach, greedy fingers searching to palm at your tits over the flimsy tank top you have on.
“What’d I tell you about these goddamn shorts, hm?” He nips at your ear, squeezing at your skin when you lean away from him with a grin and a roll of your eyes.
“I didn’t have any clean clothes left, okay?“
Eddie hums, pressing a kiss to your neck as he pushes your hips back against his growing bulge, “Mm, and these just so happened to be the only clean pants?”
“…Maybe.”
Eddie huffs out a laugh, giving your ass a quick tap and causing you to yelp, “Maybe.” He mocks.
You roll your eyes, somehow slipping out from between him and the dryer and Eddie groans as you pick up the laundry basket, “I’m busy, Eddie. The laundry isn’t gonna fold itself.”
As if Eddie believes you’re really that eager to fold laundry.
He’s on you as soon as you dump the clothes onto your shared bed, pressing himself to you once again and ignoring the whine you give him. “I’ll be quick, come on. You can’t wear these and expect me to not hump you like a dog, are you serious?”
“Self control, Eddie. It’s a thing.”
“Fuck off.”
You’re giggling as he reaches forward and pushes the clean laundry out of the way before pressing you face first into the bed.
“Ass up, come on.” He pats your hip, “You wanted to wear these cute little shorts, now put them on display for me.”
Eddie watches as you arch your back out for him, softly swaying your hips in a taunting manner as he palms himself. It’s like Eddie looses his mind, honestly.
He nearly ripped these same shorts one time, but he realized if he did then he wouldn’t get the privilege of seeing you in them again and god is Eddie so glad he thought that through.
His palm comes down on your ass quick and hot, cock stirring in his jeans at the moan that slips from you. He gives your other cheek a slap, squeezing and pulling at the fat skin before he decides he can’t wait any longer and he has to fuck you.
The shorts are off in record time, and Eddie thanks whatever shitty manufacturing company made those as he flings them to the ground. He makes even quicker work of unbuttoning his jeans, growling when you sway your hips and wriggle a hand down to your pussy, teasing yourself in preparation for what’s to come.
Eddie doesn’t even bother taking his jeans completely off, he lets them rest at his thighs as he wraps an adrenaline-shaking hand around his throbbing cock and shuffles forward. “Move your hand.” He sharply orders, placing a hand on your bare hip as he aligns his tip with your entrance. You oblige without question, hands sinking into the sheets to hold as Eddie sinks into you.
You’re so fucking warm and hot and wet, and the moan you let out is sinful enough to make Eddie want to do the unthinkable.
“Oh my god,” You gasp as Eddie presses in to the hilt. You’re mumbling and babbling about how big Eddie is, your pretty cunt squeezing and fluttering around him as he settles. “Yeah? This what you wanted, huh?” Eddie teases as he slowly drags his cock out before pressing in again, balls pressing snug to your clit as you squirm.
You pant, whimpering and failing to answer Eddie, so he leans forward, hips working up a toe curling pace as he talks into your ear, “Baby just wanted a good dicking down, huh?” He hotly whispers.
You whimper loudly, clenching around his cock as you desperately nod into the sheets. “Yes, yes please.” You beg.
Eddie peppers kisses across your neck and shoulder, dragging his teeth across your soft skin as his hips relentlessly pound into you. “You know you just had to ask, baby. Instead you wanna slut yourself out—“ “F-fuck off.” You gasp, drunkenly grinning when you hear Eddie chuckle.
Eddie presses himself back up, calloused hands pressing into your hips to pin you to the mattress before he begins drilling into like it’s the last chance he’ll ever fucking get.
Wet sloshing, skin slapping and needy moans fill out the air and Eddie’s practically bouncing you onto his cock with the help of the bouncy bed and you’re just speechless— grappling back at Eddie with shaky hands as Eddie fucks you into oblivion.
“Gonna cum?” Eddie huffs. You answer with a loud moan and your warm walls clenching around Eddie, and he hums, “Give it to me, baby, come on. Want you on top after so I can see your pretty tits bounce in that lousy excuse of a shirt you’ve got on.”
He strikes a hand down on your ass, watching as the skin ripples beneath his force— and suddenly, you’re cumming and tensing around Eddie so hard that Eddie almost struggles to fuck himself into you.
And Eddie didn’t plan on cumming yet, he wanted to hold off for a while longer, but you feel so fucking good Eddie can’t even think of holding back.
He cums with a loud groan, pressing his weight onto you as he spills himself deep inside of your pulsing cut— and there’s so much that it spills and drips down onto the laundry that Eddie failed to move out of the way.
“Jesus— fuck,” Eddie moans as he pulls out, still cumming in lazy spurts as he fists himself, painting your pretty folds. You’re shaking beneath him, back and thighs quivering with pleasure, and Eddie curses at the sight. He barely lets you come down before palming your ass, cock twitching when you let out a drawn-out moan as he speaks, “Flip over, baby. We’re not leaving this room for a while,” He drawls, “Gotta knock you up, remember?”
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I honestly love the clothing styles of each of the turtles in this show and I love how these styles really incorporate their personalities as well.
Like, obviously Donnie has the best sense of style, yeah? Think that’s something pretty agreed upon here. Everything we see him put together is very meticulously crafted and clean. That goes with his personality because Donnie is a very meticulous person in general, and he knows what he likes very, very well, and knows how to flaunt it in turn. Him commenting on colors he enjoys or disapproving of outfits that the others see no problem with also shows how he just generally has an eye for this kind of thing. He doesn’t just know what looks good on himself, but also what looks good on others - and I think this ties into his love of gift giving too. Donnie also has a flair for making sure that his things have his “mark” on them, and his clothing is no exception. All that he wears and how he wears them screams “Donnie.”
Mikey is really fun because his styles are honestly a pendulum between super simplistic and incredibly out there. And often, you’re going to see a lot of color or patterns to both. And in my opinion I think that all reflects really well on Mikey’s character - he’s got a colorful personality but even more than that he’s incredible sure of who he himself is. Mikey’s style, I feel, is less what looks good as clothes and more what sparks joy in Mikey himself. His bright stickers he wears are a testament of that! He’s comfortable in his own skin and his style reflects this perfectly, whether he goes for a more out-there look or a more toned down one.
Now, for Leo. Okay, I think I’m actually in the minority here I feel because Leo’s style isn’t really that bad? Hear me out- if you actually look at what he wears, try taking out, like, one accessory. Suddenly, that outfit works! He even manages to put together many good outfits in the series, but his “bad” ones are the ones that tend to stand out, alas (just like how his mistakes tend to be big ones oop-) Basically, my personal look at him is not that he’s inept at styling at all, but that he has a “too much” gene. And like everyone else, this sense of style is completely like him, too. Going too far to impress when all he needed to do was slow it down some to think things through. (And funnily enough, a lot of his outfits take random aspects from his brothers too - “nothing without them” huh?)
For Raph, I feel bad for him since pretty much all of his clothes are inevitably going to be ripped, but he makes them work pretty much each time. Like Leo, Raph tends to go more sporty with his looks, but I also noticed that his stuff often goes in that in between of comfy, cool, and cute. His pajama suit in particular comes to mind in terms of “cute” as it’s more something you’d see younger children in rather than older kids, and I think it can be a subtle nod to the fact that for all Raph tries to seem older, he’s still just a kid too.
I could probably go on, but these are just all off the top of my head - I love how the boys’ personality’s come out in so many different ways.
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Let's talk costuming: Avaunt!
So I think we can all agree that Aziraphale looks his most traditionally angelic in the Job minisode, no? In fact, all of the angels' costuming increases in drama for this particular episode. This is, obviously, a very deliberate choice on the part of wardrobe, so let's discuss.
On a technical level, the biggest thing that stands out to me about this fabulous robe is the draping. Oh, the draping. It feels like a classic angel 'fit because on a very fundamental level, it is. A lot of what we think of as angelic draws on Renaissance artists' depictions, with flowing robes, fluffy wings, and glimmering halos. In art from this era, there is a strong attention to detail on the natural flow of fabrics that makes Renaissance sculpture so breathtaking, such as here: (The Ecstasy of St. Teresa, Bernini, 17th century CE)
It's this ability to make solid marble look like fine silk rippling with movement that leaves such a strong impression in my mind when I look at these kinds of works.
In painting, too, there is a similar effect. Something about the material culture of the Renaissance really lent itself to this style, perhaps fueled by the rise in new textile luxuries that occurred in vaguely the same period. This is seen especially strongly for angels, such as in the sculpture above, and in this painting: (The Annunciation to the Virgin, Botticelli, 15th century CE)
There's a stark contrast between the dress of the two figures. The virgin Mary is no less ornamentally or expensively dressed, but her style is rather minimalistic next to the angel's voluminous robing. It paints a very clear impression of angelic dress, and the designers for Good Omens would have been aware, in at least a small way, of the art history precedence for such a thing.
The poof of the sleeves, the tucks down the front, the little belt with the train tucked in, the gathers, the weight of the fabric, everything about this robe is constructed to carefully recreate the rather fantastical imagery of renaissance art. It's not necessarily an easy texture to nail down, given that the artists themselves had no concerns of gravity, comfort, or the way it would look in actual 3d motion, while our brave costumers were dealing with all three as well as a budget, time constraints, and the constant consideration that white fabric just gets dirty so easy.
Here's some of the other angels as well, so you can see how theirs reflect those same dramatic themes.
And then, of course, when costuming a show you have a second question: What does this mean for our character? Or rather, we know how, but WHY did they make him look so traditionally angelic?
Well, thematically, the Job minisode centers around Aziraphale's struggle with being a good angel and Crowley's struggle with being a good demon. Aziraphale is learning how to be an angel that follows along with heaven as far as we can, and he's so terribly torn up about it. He spends a lot of his time fretting about doing what's expected demanded of him, even if perhaps he doesn't believe it to be the right choice. Natural, then, that he should look the part of the perfect angel whilst sorting out these ethereal woes.
Crowley even draws attention to it himself, giggling a bit at the suggestion that Aziraphale, with his fluffy hair and flowing angelic garb, could possibly become a demon. And it is a rather silly mental image; the garment itself would be comically silly in really ANY other context at all. In the same manner, his performance of angelic archetype borders on excessive:
He's trying so desperately hard here to be the angel he wants to and is supposed to be. He's dressed the part, he's using his big scary angel voice, but deep down he's clinging to an identity that doesn't quite fit.
(You'll notice in this shot the distinct difference between his and Crowley's dress on the level of silhouette as well as color. We see this a lot from the two of them, but with the points I made above it felt worth pointing out in this particular scene)
Here at the end, as he's coming to terms with the cracks in his heaven-given identity, his robe is largely in shadow, blurring out its startling whiteness. We do not see him dressed this way again. (He continues to wear white, obviously, but from here on out his style of dress mimics the human trends of the time rather than that classical angelic imagery)
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