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#their roles in the story are completely different
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Skizzekai Community AU
Welcome to the land of Hermiton, a world saturated with magic in the very ground and air itself. In this AU, the hermits are adventurers, rulers of kingdoms, merchants, and more, all in the setting of a medieval-ish fantasy world. As with past community AUs, the contributions of all you headcanoners will be the driving force. But as a framework to build off, here's a summary of the key points in play at the start of our story.
THE MAGIC
Magic flows through everything in this world, with different types of it being most prevalent in different regions. The most dominant type of magic tends to be absorbed by native plants and animals, changing them to fit, so an area saturated in fire magic would be populated by fiery creatures. This includes sapient species- there are no humans in this world, but there is a staggering variety of fantastical races. Most creatures simply channel their magic through inherent traits, like enhanced speed or a breath weapon, but sapient species can additionally shape and direct their own magic for use as spells, learning and growing their skill with practice. Magical crafting and alchemy is also possible, by using the magical properties inherent in everything from a dragon's scales to the smallest of plants.
THE WORLD
Although independent towns and unclaimed land do exist, most of the world is split up into kingdoms, each one with a different magical specialty from the most dominant type of magic within their borders. One example is the kingdom ruled by Joel Smallishbeans, a king recently ascended to semi-godhood from the belief of his people and the application of his own powerful magic. The magic of this kingdom is that of fate and stories, prophecy and lore, and a recent prophecy has been particularly interesting. They say a hero must be summoned from another world, and that they will be needed to defeat a great evil.
THE SKIZZ
And here comes the titular character. Skizz Leman, a completely normal human from Earth, is brand new to this world. He's just been summoned by a man who calls himself a god, told he's the chosen one, and sent out to save the world. He has no idea how to do that.
As for the roles of other Hermits, the magic they might specialize in and the species they may be- that is all up to you! Assuming you've read the guidelines (under the cut), the fate of this AU lies in the hands of the inbox. Happy headcanoning!
Rules and guidelines:
- The end date will be announced later, when the AU feels like it has hit a natural stopping point. A post announcing the end will be made a day in advance of the inbox closing.
- After the AU closes, any remaining asks will still be posted, and discussion on the discord is still encouraged!
- Canonicity of submissions will be taken on a first come, first serve basis. If a later submission contradicts an earlier one, it will be considered an alternate and not part of the "main" AU canon.
- Alternates will be posted with [ALTERNATE] text. They will all still be posted, every idea should be seen, and discussion of alternates is encouraged on their own posts and on the discord.
- Au-related art and writing is strongly encouraged! Please tag hermitcraftheadcanons in your posts if you would like us to see and reblog it.
- Non-AU-related headcanons are still accepted, but will not be posted until all the Skizzekai asks are cleared out.
Thank you all for being understanding and patient about these rules. If you need clarification, feel free to ask.
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syncogon · 22 hours
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[QZGS TL] Butterfly Blue's Reflections, Ten Years Later
T/N: On April 28, 2024, for the tenth anniversary of the completion of The King's Avatar novel, author Butterfly Blue wrote the following Weibo post:
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Translation below:
2014 April 28, to 2024 April 28. Ten years. 😲
It’s a bit of a blur, but yes, it’s been ten years. ⁉️
My editor told me in advance that I should write something to discuss my reflections, but I kept refusing on the grounds that I didn’t have any reflections to share. 🥺🙏 After going back and forth for a while, I suddenly thought, "not having any reflections" was itself something that I could share with everyone. 🤔
How come I don’t have any reflections? Because it’s been ten years. 😞
Ever since that day ten years ago, when I wrote that final period. The story of the world of Glory ended there. 🤗 And ever since that day, my thoughts and feelings on this story, this world, and all these different characters have gradually grown fewer and fewer. 😞👉👈
In 2022, as part of a Qidian event, I wrote another prequel chapter. I followed my ideas and thought patterns from my past prequel chapters to write this new installment. But as I wrote it, it was choppy, it was awkward, it was forced. 😫 The forty-plus-year-old me, regretfully, can no longer write well this story that brought me so much joy and delight during my thirties. 😞😞 This is probably the power of time. In the end, I have no way of maintaining my mood and state from ten years ago. 😞👉👈 When I think about this, I suddenly realize that “time” should be the true protagonist of this reflection, rather than anything else I could share about this work. 🥹 
With that, I immediately become even more saddened. Ten years have passed, I’m no longer young, my hair is gone, my beard occasionally sprouts some white strands, and I can no longer sleep right after eating due to acid reflux…🧎
And The King’s Avatar, after ten years, is still there. There are still people who see it, there are still people who like it. Through the passage of time, this is, to me, the greatest source of comfort. 🫡
Thank you to The King’s Avatar. Thank you to the past, present, and future readers who pick up this work. Thank you to the many staff of all roles who have kept busy for this work. 🙇
I wish that time could stand still. I absolutely do not look forward to another ten years passing by, but that day will inevitably come. 👋
Then, I will wish everyone happy travels on their life journey! I hope this work will be the flowers that decorate your happy journey. 🫂🫂
https://m.weibo.cn/detail/5028124733474872
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'Percy Jackson is just a normal guy in a strange world':Incorrect
'Percy Jackson is a role model for young boys and a female fantasy':Closer but not quite correct
'Percy Jackson is not a gendered character in a meta sense because Percy being a boy has nothing to do with their personality and stories EXCEPT proving themselves as different from other 'male' characters and this is a big reason why they're so easy to read as transfem among the countless ones and so appealing to black women,autistic women and obviously irl trans women and widely beloved by lesbians and aroaces and by making Percy normal,you are fundamentally ruining their character because they were meant to be completely nonconformist just naturally and their rebellious attitude is a result of growing up as a minority in-text by being neurodivergent and poor and fighting against for themself and others like them and this is another fascet of their appeal and why the first take is the most popular one because it comes from hatred of and discomfort towards irl Percys(read:autistic people and feminine trans people)fueled by bigotry so that's the discourse around book!Percy being afrolatino interpretation,the mass harrasment towards Perachel shippers and Rachel fans and both towards Leah for playing Annabeth by white/allistic Pjo fans and the ass kissing towards Luke as the palpable victim of society unlike Percy:CORRECT!!!!!
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essektheylyss · 6 hours
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Spice! 💖 & 💀
💖: What is your biggest unpopular opinion about the series?
UNEDITED LONG-FORM ACTUAL PLAY IS GREAT. I don't think this is actually that unpopular of an opinion but every time I hear people going "well, Critical Role would be better if it was edited down" all I can hear is "we don't need filler episodes, toss 'em!" Sure, it would be better for some people, but it would be worse for others. There are soooo many really crisply edited actual play shows, and I really enjoy some of them! I love an economical story! But what I really want most is variety, and if you try to shove every single instance of a particular genre into one format, you completely lose the variety that different formats bring to storytelling. This is a major problem with TV right now, and frankly it's a problem across most industries given the late-capitalist hellscape of gotta-go-fast (for as low a cost as possible), and having a show that does take five hundred hours to tell a full story is, like, actually miraculous and so very dear to me and anytime someone suggests that that be eliminated I start mentally sharpening knives.
💀: If you had to choose one major character to die, who would you choose?
Okay honestly, I would be fascinated to see what happens if Imogen dies at this point in the story. I think that would be wild. I am very excited to see how they approach a PC death this late in the plot as is, but also Imogen dying at this junction feels like it would cause a massive plot vacuum and given the medium I would love to know how they would handle that.
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talonabraxas · 13 hours
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"Om Gajananaya Namah"
Ganesha Sharanam Mantra Meaning
There are a number of mantras to Ganesha. This video is a variation of one of the more common ones: Ganesha Sharanam, Sharanam Ganesha (2x), Sayisha Sharanam Sharanam Ganesha Sharanam (2x). Meaning: I take refuge (sayisha) in Ganesha. I surrender (sharanam) to Ganesha.
Qualities of Ganesha Ganesha is associated with success, wisdom, learning and writing. Ganesha is a patron of the arts and sciences. In the natural world, elephants are known for high intelligence. In fact, they have the largest brain of any land animal.
Ganesha as a Mentor In addition, elephants are artistic, can use tools and mimic human speech. In keeping with these things, Ganesha is a very curious and intellectual god. Thus, he holds great meaning in Hinduism as the god of intellect and wisdom.
Ganesha as a Spiritual Teacher In contrast with his reputation as the remover of obstacles, Ganesha is occasionally thought to place obstacles in the path of those who need to be checked to establish a stronger foundation before moving further forward.
Role of Ganesha as Guru Obstacles help the student to stay focused on immediate challenges in life. This is sometimes the role of an archetypical guru: to place obstacles along the path of the student to help them gain mastery. Thus, Ganesha meaning can include both help and hindrance.
Origin of Ganesha The symbolic and psychological meaning of Ganesha primarily centers around his role as the lord of new beginnings and the overcomer of obstacles. He is thought to bring good luck. Mantras and prayers to Ganesha are often used at the beginning of an undertaking. Ganesha is an unusual and beloved part of Hindu tradition.
How Ganesha Was Born Tales of Ganesha’s origins differ widely. In some stories, Parvati created him from clay. Another legend says that Parvati created Ganesha from the soap suds in her bath. Another myth claims that Shiva’s laughter created him. In yet another tale, Ganesha simply appeared mysteriously and was found by Shiva and Parvati. Ganesha also has a brother named Kartikeya, the god of war.
Malini, Elephant-Headed Goddess In a simple version of the story, Ganesha was born from Malini. Malini is an elephant-headed goddess. She drank bath water that Parvati had thrown into a river. Subsequently, Ganesha was born. These stories do not necessarily explain Ganesha meaning completely. The longer version of Ganesha’s origins below involves the separation and eventual reunion of Shiva and the goddess Parvati. --Ganesha Meaning & Symbolism
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hey-august · 1 day
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➜ A continuation of this story, based on this wonderful request!
Word count: ~1.3k
Warnings: NSFW, MDNI, buggy x amab!reader 🍆, no use of Y/N, anal sex, briefly fantasizing about other people during sex, loosely implied shanks x buggy
˗ˏˋ ★ ˎˊ˗ ✩ ˗ˏˋ ★ ˎˊ˗ ✩ ˗ˏˋ ★ ˎˊ˗ ✩ ˗ˏˋ ★ ˎˊ˗
Another night, another performance complete. Buggy steps out of his bathroom to empty chambers. The stage was reset in his absence with neatened bedsheets. The only lingering signs of your presence are a fresh glass of water and pain relievers on the bedside table.
That’s how each show ends. You never stayed longer than needed, and Buggy never asked. He ignored your only offer back in the beginning and that wordless decision established the roles you each played during these trysts.
Buggy sits on the edge of his empty bed to accept the small comforts you leave behind. The medicine helps alleviate the soreness spreading through his body and blooming on his skin, but it doesn’t work for the ache that lives deeper inside. A longing that is only abated when you’re pouring yourself into him while his closed eyes chase fantasies.
It’s not long before another act is scheduled and your skills are needed. Your mouth is hot on his skin, leaving a trail of wet kisses and false promises that are full of nostalgia and memories of the sea. His fingers are threaded in your hair, following your journey and afraid to be left behind. Huffs and puffs of pleasure edge into hungry requests for the scene to progress.
“P-please. I need more.”
As your presence recedes, the ache of desire grows. A thread of tension is pulled taut as you line yourself up against Buggy’s body. His ocean-colored eyes flutter open in both anticipation and confirmation. Spit and precum aid your length sliding into the pirate and splitting him open for the first time tonight. 
Unprepared for the confining tightness, you hiss sharply. Buggy watches through half-lidded eyes as you throw your head back. This is different. This isn’t in the script. The improvisation changes everything and pulls him from the immersion. He can’t hear his fantasies in your voice. The fullness isn’t a memory or a desire he’s chasing. It’s you. Just you.
Frowning, Buggy squeezes his eyes shut to force you out and lock himself in. He visits each sensation - the right hand gripping his hip, his leg resting on a shoulder, hot breath wafting across his sweat-coated chest, the jolt from each rough thrust. You say the words from his imagination and from his past, but there’s a divide. A chasm that he’s sinking into.
“Hey, you still with me?”
A voice cuts through the darkness. It’s full of kindness and worry, tones that Buggy hasn’t heard in this bed before. Opening his eyes, Buggy is faced with an expression mirroring those feelings. 
Buggy nods and looks away, embarrassed that you can read him so easily.
“Should we take a quick break?” you offer while running a hand along the leg hoisted over your shoulder and massaging the muscles. His body relaxes under the soothing touch.
Licking his dry lips, Buggy nods again. “Yeah,” he responds hoarsely.
You pull out slowly and lower Buggy’s leg onto the bed before finding a spot in the rumpled sheets. A heat increases in Buggy’s chest, reacting to your thoughtful movements.
You’re always mindful of the person you share this space with and it ignites a hot flame that the pirate struggles with. It makes him uncomfortable. You make him uncomfortable. That’s why he prefers when you’re someone else. It’s easier for him to pretend he’s fucking a fantasy.
And yet, the burning desire continues to consume him. Even when you take him past the brink of exhaustion, there’s still a part of him that’s unsatisfied. A part of him that’s curious. Afraid, but interested.
Buggy rolls onto his side, facing away from his confusion.
“Do you want to try something different, captain?” Your hesitant voice drifts from the side of the bed. Again, full of a softness that manages to compress Buggy’s chest.
“I don’t know. Maybe.” 
A change could stitch the rift Buggy was falling into. Maybe the issue isn’t that he can't picture someone else, but that he’s chasing the wrong illusion.
A hand reaches over to brush a few strands of hair stuck to the side of Buggy’s sweaty forehead. The unexpected touch is met with a small flinch and a held breath.
“Well…who are you thinking about?”
The answer comes quickly and without thought, carried on the stuck breath that needed release.
“You.”
The bed shifts as you prop yourself up to look at the backside of the man beside you. The one who continues to avoid looking at you.
“Captain, ar-”
“Buggy.” 
Silence hangs heavy in the air. You never referred to him without the title, unless you were bringing a different relationship to life.
Repeating the two syllables of his name pulls a soft sound from the captain. An enticing noise.
Your body wraps around Buggy’s, holding him to his confession. Each twitch and throb of your cock is pressed against his lower back as it cries for how badly you want him. A need that is stroked by his sneaky hand.
“Oh f-fuck,” you whine against his shoulder while bucking into his touch.
The sincerity in your voice is bewitching. It tugs at Buggy - peeling back the veil, plucking at the strings in his chest, and winding up his thread of tension. Following the lure, Buggy shifts against your body and eases himself onto your erection.
His sigh is echoed by yours dancing across his damp skin. You move slowly and intentionally, drawing out more sounds with each agonizing drag. Suckling kisses move along Buggy’s shoulder and up his neck.
“H-harder…” 
A small head tilt grants you more access to his skin. Smooth and unmarked, until your teeth leave small indents and your lips bring bruises. Buggy grinds into you harder with each lingering reminder left on his body. Each one laying claim and burning with honest desire.
“Fuck, I want you so badly,” you pant. Grabbing his hip, you pull his body to meet yours and thrust your feelings deep into Buggy. “Say my name. Please, say m-my name.”
A high-pitched whine is spun into the most wonderful version of your name. Buggy repeats it, letting the taste coat his tongue and pour into him.
Anticipating the impending flood, you pump Buggy’s dick with jerky movements that smear precum all over his lower stomach and your hand.
“Cap- Buggy… Buggy, I want you to come for me. I need you to come for me.” 
Desperation drips from your voice, as it drips from the head of his cock, before exploding with white hot jets.
“I’m coming, fuck- you’re making m-me come,” Buggy grunts while bucking against the sensations on both sides. 
The mess is everywhere. Some clings to his abdomen, some seeps into the bed, and the remainder is coaxed to dribble on your hand. It’s not quite enough, though. Moving your hand up his body, sliding on sweat and cum, you hold him tighter and chase your release. A real release, not one that mimics someone else’s joy.
The sound of your name falling from Buggy’s painted lips fills the room and your head as you empty your balls. Your thrusts grow erratic and sloppy, disrupted by each pulse shooting deep inside Buggy.
Rubbing your face on the back of his shoulder, you press soothing kisses to each mark and murmur soft appreciations and unnecessary apologies.
Your heart beats heavily, the sound of exertion and uncertainty reverberating off of Buggy’s back. The hand wrapped around his body feels the same tempo beating in him. Before you could pull away, Buggy wraps his hand around yours.
“Don’t go,” he whispers.
You don’t answer. For a painful moment, Buggy wonders if you were going to ignore his request, just as he did once before. The sting is eased when you nod against the back of his head and tighten your embrace.
Finally, the persistent longing that had been lodged in Buggy for so long was gone. And in its absence was you. Just you.
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Heyooo I’m looking for some people who would be willing to help me play test my ttrpg tales from the aether!
Tales from the Aether is a rules heavy sword and sorcery ttrpg heavily inspired by a number of open world video games. It focuses on role play and story telling while integrating both into the combat and social mechanics. Its roughly on par with pathfinder for crunchiness but takes a completely different approach to resource management in combat.
We’ll be creating characters and playing in a tournament esk arena to test out both the character creation and player combat system and to help me figure out the monster balancing.
Your commitments will be pretty low with reading the rules/character creation being the biggest time commitment and after that its all combat baby! I estimate - based on my own health and availability - that well be playing once every two ish weeks when everyone is available.
If this would interest you, please leave a comment or send me a message! If ur not interested for what ever reason then pls reblog and share so this post has more reach <3
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On May Day 2017, anarchists participated in lively demonstrations all around the United States, from the heartland to the coasts. In the Northwest, Seattle witnessed a successful block party at the site of a juvenile corrections center, while in Olympia anarchists barricaded train tracks to oppose fracking and clashed with police. Support arrestees here. Yet Portland, Oregon may take the cake for the most creative and combative May Day. Demonstrators not only defended themselves from unprovoked attacks from police who declared the march a riot—they also introduced exciting new innovations into the aesthetic of the black bloc street presence. Here, comrades from Portland explain their goals with the giant spiders they created for May Day, and offer a helpful guide for those who wish to make spiders of their own.
In an effort to bridge the gap between art and activism, giant spiders were assembled off-site and pushed up the street to the demonstration, stocked with water bottles, snacks, earplugs, and other party favors. The idea was to narrow the divide between “us” and “them” that often exists at demonstrations, and it was a complete success. We performed community outreach, engaged in cultural development, boosted morale, provided crucial supplies, and created an amazing photo opportunity in the process.
The concept is multi-dimensional: it works on many different levels. The idea began from frustrations around attendance at local demonstrations. In Portland, where the majority of citizens seem to be white, middle-class, and apolitical on account of these privileges, they don’t show up unless a demonstration concerns their interests specifically. However, Portlanders are fascinated by their own love of art and “wacky” stuff as well as the commodification of protest as “funtertainment.” We decided to embrace this love of the “weird” to test whether a hyper-localized approach to engaging people could succeed.
Our tactical art enabled us to fill a supporting role for other participants in the march, helping challenge narratives that the black bloc is an “othered” or “othering” tactic. Whether this separation is intentional or not, the fact remains that the general public is often hesitant to engage with us. Bearing that in mind—as well the tendency of the Portland Police Department to brutally shut down demonstrations—we stocked our Spiders with fliers, water, LAW (liquid, antacid, water, the eyewash with which street medics treat pepper spray), ear plugs, and snacks. We also included a few other party favors, because anarchy needs revelry!
We intentionally engaged with the folks around us. A lot of people walked up to ask what the spiders meant! It was inspiring to see so much dialogue between folks in everyday garb and folks in black bloc. We explained the ideas behind our actions as anarchists and the creations themselves: the three spiders representing Mutual Aid, Solidarity, and Direct Action.
A word about symbolism. The idea of using the spider as an icon of resistance is that spiders are always there watching, waiting, and keeping the environment free of pesky insects and other parasites that consume resources without supporting their fellow beings. While we may look scary, we’re here with you and for you. We are the spiders, and the insects are the societal ills that we fight against.
The symbolism of the black widow spider is rich with history that guides our work. We want to contribute to that rich history, adding our own interpretations. Mutual Aid, Solidarity, Direct Action are our black widow’s cruses. (Crux? Curse? Cures?)
In regards to developing our own culture, there are many barriers we face in this process. State repression is the biggest threat, of course. The specter of state repression can complicate organizing, planning, and building trust in our communities. Portland has a history of repression and slander, ruining the lives of activists and anarchists; these horror stories reverberate throughout the underground. We can’t allow ourselves to be publicly disparaged and forced into hiding by our adversaries and their culture war, so we create as a political act. Creating is intuitively human: we plan, we build, we think, we conspire, we imagine. It is also an activity in which everyone can engage to some degree while building new skills. It enables us to get to know each other, build trust, and share time and company.
More globally, seizing the Spectacle is a step towards our goals, because it allows us to dictate our own narratives. With the development of Public Relations and Social Engineering, the visage of capitalism has come to define its delusional reality. To paraphrase Guy Debord, lived experiences are now taken in as a collection of representational images. We can tell our own stories and show the general public what these three principles mean in action. We can create our own mythos, speaking out on our own terms, in our own language, with our own symbols. The state and media dictate too much of what we’re allowed to say and how it’s spun—it’s time to spin our own webs to connect and fortify our relationships.
We are building the bridges we need to move forward. The existing connections between art, activism, and anarchism are fiery and well-storied. The new wave of repression under Trump’s regime is still building steam, but it is already proving dangerous. We need to be more careful than ever. Art allows us to demonstrate and show our fangs, and we can use art to empower those around us.
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lightprkdraws · 1 year
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FINALLY I drew these three
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sasukeless · 19 days
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mmmmyeah
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bonojour · 8 months
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russell crowe promo interview for gladiator (2000)
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amplexadversary · 8 months
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Matt designing an encounter around using a very much immense-in-comparison-to-the-other-minis Halloween Toad as a D&D Mini is everything I have ever aspired to in wanting to GM.
And the toad didn't make it to the studio. Fuckin' tragedy.
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metallatch · 1 year
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you can be upset about a character’s design
especially if this character is iconic and been around for a long time
but the thing with April’s design in MM is that she has the iconic, recognizable parts of an April O’neil character.
ginger hair, yellow outfit, she’s being a reporter,.
in my opinion, as long as main characteristics are hit, who cares what a character’s skin color or body type is? (unless body type or skin color somehow contradicts the character’s main characteristics. which rarely happens)
she’s a character that is almost required to be in every tmnt story. if she looked exactly the same in every single one, that’d be boring.
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whump-captain · 9 months
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- Day 21 -
Prompt: “Please”
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@crash-bump-bring-the-whump​ i believe u said u wanted to see Ethan begging? here he is begging (◡‿◡)
this is probably longer than it needs to be but i had lots of fun writing the dialogue for once lol
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CN: restraints, broken bone (pre-established), interrogation, strangling, torture, cutting, scalpels, hair grabbing, tape gag, bag over head
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Ethan gasped when the bag was ripped off of his head. The light, though dim, was enough to make him wince after what felt like hours in the dark. He blinked quickly, trying to force the world back into focus.
The first thing he felt clearly was a grip of rope around his arms. His stomach sank. He lurched forward and the chair scraped on the bare floor. Pain shot through his arm, dispelling the haze completely. On instinct, he raised his right hand to shield himself and froze in surprise when he succeeded.
He was only tied to the back of the chair, not the armrests. The rope went around one of his biceps, then behind his back, and then around the other. It wrenched his shoulders back uncomfortably but still, a wave of nauseating relief washed over him. They didn’t tie down his broken arm.
A shadow fell on him and drew his gaze up. Ethan shuddered when Linde gave him a tight-lipped, professional smile.
“Good morning, Ethan,” Linde said. His voice was smooth and amiable but in his eyes was a glint of something cold and dangerous, like frostbite creeping through dying tissue. Circling the chair, he nodded his head towards Ethan’s arm. “I’ve done you a favour, as you can see. I’m hoping we can have a constructive conversation.”
Anger lit up in Ethan’s chest and made his face flush. How dare this man say that to him? After barely letting him speak the last time, after causing him so much pain?
“Me, too,” he hissed.
“Constructive and honest,” Linde added. “Lying only wastes both of our time.”
“Yeah.” Ethan’s voice shook like the rest of him. But behind the cracked lenses of his glasses, his gaze was hard. “But you’re the one who’s lying.”
Linde stopped his pacing. “Excuse me?”
“You don’t really believe I’m a spy. If you did, you’d turn me over to someone, or you’d- you’d kill me.” Ethan barely managed to get those words out. “It doesn’t make sense.”
Linde regarded him, his face unreadable. Ethan fought to keep his breathing even, hating how clear it was that he was afraid. He set his jaw tight and met the other man’s eye defiantly.
Finally, Linde turned. He tapped his fingers together behind his back, falling back into his slow prowl. 
“You’re perceptive,” he said. His small smile almost looked satisfied. “No, I don’t believe you’re a threat. If I did, you’re right, I would eliminate you.” He took a step forward and Ethan flinched. “But I see through you. You think that you’re above the consequences of what you do. You’re arrogant.”
“What?”
“You really thought you could infiltrate one of the most secure places in North America. You thought you could just… Walk in. And lie your way out of it.” Linde sounded almost offended. He lifted his chin slightly. “It’s about the principle of things. If I allowed something this brazen to go unaddressed, what kind of officer would that make me? Hm? If I didn’t find out the truth before turning you in?”
He leaned in close and all air seemed to leave the room. His shadow on Ethan’s face blacked out reality and pulled Ethan back through time, into the memory of agony.
“You’re wrong,” he managed through gritted teeth. “I didn’t infiltrate anything, you brought me here!” His voice rose and then cracked as his throat constricted. “You’re the one who’s arrogant because you refuse to listen to anything I say! I told you the truth, you’re just too stubborn to realise it.”
“Brazen,” Linde repeated. He seemed to savour the word. “I told you, I can see right through you. No matter how well you lie.”
He drifted to the other side of the room, where shadows outlined the shape of a table. Even though the distance between them grew, Ethan’s heart beat even faster now.
“Why do you need me to say anything, then?” he asked. He dug his fingers into the armrest to hide their trembling. “You made up your mind, you’re happy with your story, just turn me in, then. Let me talk to someone above you.”
“Like I said.” Linde ran his hand along the table’s surface and something clinked. “Principle. I don’t just want the truth. I want it from you.” 
The sudden force of his stare made Ethan recoil. Something cold crystallised in the air between them. He recognized the cold in Linde’s eyes and it made a hollow pit open in his stomach.
“Let’s start simple,” the captain said, taking a leisurely step forward. His hands were behind his back again. “How did you get to this island, Ethan?”
“On a boat.” Even the short sentence made Ethan’s breath come heavy. “It’s on the eastern shore, you can check.”
“Good. Now, how did you know where to find this island?”
“I- I followed a radar.” No matter how hard he tried, he couldn’t keep his breathing even. “There was an anomaly registered by a weather station on the mainland and- I followed that. It didn’t lead to the island but the- the area around it. I- I didn’t know it was here. I almost crashed.”
Linde lowered his head and gave a quiet sigh. ”Weather station,” he repeated, almost amused.
“Yes! You can call them, they’ll tell you what time I left, which boat I took out, it’s all on the record.”
“You’re very thorough.”
“And you’re not!” The chair scraped forward with the force of Ethan’s shout. “Because you refuse to do the bare minimum to verify your claims and find-”
Linde seized his throat. The impact strangled Ethan’s words and pushed his head backwards.
“I was honest with you,” Linde said quietly. “Civil. And in return, you don’t just lie to me, you start insulting me.” His grip tightened. “I thought you were a smart man, Ethan, don’t make me change my mind.” 
Ethan couldn’t struggle. The rope held him fast, Linde’s fingers dug into his skin. With every torturous second, his lungs compressed, fighting, until it felt like they were on fire. His mouth moved soundlessly around smothered cries. Burning white danced in his vision, blurring everything into a cacophony of melting colours. A horrible buzz filled his ears - his own rushing blood. He barely heard Linde’s words:
“Let’s move on.”
Ethan strained pointlessly, he couldn’t reach the hand choking him. His fingers clawed at the air. He couldn’t move, he couldn’t run, he couldn’t breathe. 
Linde spoke loud and his voice ripped through the static in Ethan’s head: “You think I’m wasting time, let’s cut straight to the chase. Who sent you here? And choose your answer very carefully because, believe me.” He leaned in closer and squeezed Ethan’s throat, fingers like iron bars. “My patience is running thin.”
Then he released him. Ethan choked on a gasp and immediately convulsed in a coughing fit. Air forced itself back into his body and every breath made his chest feel like it would burst. He couldn’t stop his voice escaping, he wheezed and groaned with every involuntary, fitful exhale. Linde stood motionless, watching him. Waiting. 
“I wasn’t- sent here,” Ethan choked out finally. His throat burned, the pain of the forming bruises enclosed his windpipe and made every word hurt. “I’m not here for- whatever this place is. It’s the truth.” It wasn’t a shout anymore, but a plea. He fought for breath, fought to stay afloat in his own battered body. 
Footsteps made him look up. Linde’s silhouette doubled and swayed before him, turning back towards the table. When he came into focus, he was holding a scalpel.
 “Wait.” Ethan’s voice cracked. “You- you don’t have to-” he stammered. “Please, I don’t know what you want me to say.”
Linde grabbed a fistful of his hair and wrenched his head sideways. “I thought it was simple.” He brought the scalpel close to Ethan’s neck. “I want you to tell me who sent you.”
“I was- I’m- I-” The metal reflected in Ethan’s wide eyes. He was shaking so much his glasses slipped down his nose. “The- Th- The CIA! Fine? The CIA sent me, you don’t have to- Please, don’t do this, I’m-”
“Now you’re just making things up,” Linde said.
He sliced down, across Ethan’s clavicle. The blade parted fabric, skin, and muscle like paper. Ethan screamed, his body twisting with tension. Linde pulled his head back by the hair and cut open his shirt, exposing the deep wound. 
“That’s the first,” he said. He sank the scalpel into Ethan’s shoulder and dragged it slowly down. Metal scraped against bone. Pain burned through Ethan’s mind, forced a ragged, stuttering howl out of him. His breathless groans almost drowned out Linde’s ice cold voice when he finished:
“And that’s the second lie you’ve told me.” He tilted the scalpel and more blood poured out of the widened cut. “Are you still with me?” He brought his face close to Ethan’s. “Is this a waste of time?”
“Stop,” Ethan gasped. “Please. This is all- a mistake.” His breath hitched, words fragmented into high-pitched, desperate noises of pain. Linde’s eyes shone like a snowstorm.
“I’m losing my patience.”
The next cut was diagonal, crossing over the already damaged skin. Ethan’s scream rose and then faltered, he convulsed in the restraints. The blade tilted again and ran slowly just under the skin, slicing it away from muscle - one side, then the next. Lines of living fire spilled through Ethan’s body, one after the other, emerging with each new stream of thick blood pouring out. He could only sob now, his throat raw and lungs empty. He had no time to breathe between the cuts.
“Tell me.” Linde’s voice was no more than a hiss. “Anything.”
Ethan could barely see. The pain blurred everything into a red haze.
“Please,” he whispered.
The grip on his hair tightened. The added tension made him groan as the scored skin shifted. Then it disappeared and his head lolled forward. The room spun. Footsteps mixed with the pounding of Ethan’s heart in his ears.
Something made a loud scraping noise and then Linde said: “I’ll let you think about it.”
He pressed a strip of tape over Ethan’s mouth. Ethan wheezed desperately, his breath hitching against the barrier. Another cry died in his throat and only made it out as a muffled whimper. 
Then Linde put the bag over his head again. He said: “This can come off when you’re ready for a constructive conversation.”
When the next incision came, Ethan couldn’t even brace for it.
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aquarterasian · 1 year
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honestly most of the complaints about there being a boy cure are about how the fandom will react to it and may i just remind you that precure is made for kids so this is for those little boys that also enjoy watching precure :)
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aph-japan · 1 year
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{J.P.N Fan-Made Horror roleplaying (rpg) Game} Hetalia Fox Tales ~ QUOTES + "PERSONIFICATIONS" vs. "HUMANS" + "DEATH" vs. "Disappearance"
"SO, I was thinking, {to BRING 'Gilbert' back...} - SPAIN
(Note: "Rufus" is a 'secret' spoiler character that shows up mid-game. Jia Long = H.K. {Yes others also Cameo if not have scenes}; others are human charas, other main charas etc.)
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{Netherlands}
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"The 'PERSONIFICATION' does not have to be 'KIKU HONDA' either."
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(I'm coming back to this comment, but continue on...)
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While the "lore" (and handling of H.W.S's) isn't perfect, all I'm saying here IS, if you like pondering the lore of what "personifications" means along with horror r.p.gs involving time-loops and mythological stuff and which basically acts as a (un-official - these are un-related fan-series) parallel to "HetaOni" except somewhat in reverse; (And Yet Not Completely!)
You all will probably be interested in watching "Hetalia Fox Tales", which is now fully and completely 'subbed'!
(And yes, the game itself, from 2k16, is 'completed'!)
Caps by @aph-japan Credit to DinoSlayer235 who Edited + Subbed from C.N. script {DO NOT re-post / claim as your own without Permission} (Please ASK to Use!) {The play-list is linked below - follow to direct link!}
Warning: It is still a HORROR R.P.G. There will be lots of eventual blood-splatters imagery; "Sound" of blood can also be heard often in later parts, notably well within even the first few parts.
Basic {Starting} Summary: The Nations are all visting (or planning to arrive at) {Kiku}'s location; {Not the 'main house', but Kiku's 'hosting'} Kiku seems to have also "invited" them for something. After a night of telling "scary stories", strange events begin happening. They all (+Kiku) tried retiring to their rooms, but... It would appear the "mansion" of ""Kiku""'s contains the "Spirit" that Kiku talked about from within Kiku's "Tale". Moreover, not much later on, "Romano" suddenly appears. He joins the group inside the mansion, after managing to find the way inside. "Antonio", who was trapped outside trying to join them as well, can't immediately get inside the mansion... (It uses graphics + a turn based battle system very similar to HetaOni. {Down to almost exact same 'attack names' in many cases} Thus, it might look a little outdated there; Please remember this is from around 2k16.)
youtube
(Check comments to see if I link to further references!)
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