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#the most powerful characters in the world are obsessed with me

crazyforclones · 2 days

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I am so ill over Mario and Peach

Continue reading to listen to me absolutely lose my mind over these goobers

Establishing character:

I just adore Mario and Peach so much. And before I get those funny people always like “oh Mario hates peach,” or “peach never “gives” Mario anything for saving her! He probably only does it to get something from her-“ Ima need yall to shut your trap ok 👹

First of all, Nintendo, especially with Mario characters, had no idea how to characterize their characters in the beginning. Peach changes in almost every single different medium. Take the old Nintendo power (I think) comic called the “super Mario adventures.” in which Peach is a lot more outgoing, strong, sassy, and a literal general.

Not saying this is a bad rendition of peach I actually like it! But I use it as an example of how these characters have changed over the years. And also, often times in games or stories like these where they focus more on the characters than gameplay, we see a more accurate and fleshed out character. Which is why in some other Mario games, characters often say things that might seem rude or out of character but is put there for comedy. (Nintendo obsession with making fun of Luigi in every rpg game is an example 💀). And the same goes for Mario, he’s changed a lot. But I feel in the current renditions of the characters, they have a much more stable idea of their character.

Also another cute picture from the comic-(sorry quality poopy I took it from mine)

This is peach dreaming about marrying Mario btw.

Mario’s character:

From what we see now, Mario is just an average blue collar man in his late twenty’s who is quite short and also plump. Despite this he is still THE most brave, athletic, talented, determined, occasionally hot headed, and an overall idol to the entire mushroom kingdom. He is often labeled as THE Mario. And people also express their surprised when they actually see what he looks like 💀. But the reason I bring this up is Mario is quite literally just some guy. He’s some guy who entered this foreign kingdom, heard there was a Princess in trouble, and as a New York Italien blue collar worker he could’ve easily just went on with his day or ignored these random peoples pleas, but instead, he immediately decides he will travel multiple worlds so he can save this princess and help the kingdom (also cause the game needed a incentive but still-). From the get go mario was ready to help people. He helps them not expecting anything in return, but because he has a good sense of Justice. There’s hundreds of side quests you can do with Mario, sometimes they’re ridiculous. But you know what? Mario will do it. Because he likes helping people. Because he’s a role model. And because he’s just a good guy.

Mario and Peach as a couple:

Most of the time, people who criticize or make fun of their relationship are often doing it as a joke which is fine, but this is for the people who genuinely think Peach is a jerk for not giving Mario “more” for what he does.

People often say “Mario has saved her so many times and all he gets is a kiss on the cheek!”

Now despite the fact Peach doesn’t owe Mario anything just because he saved her, I can see why people might be upset over this. However, like I said before, Mario does things not expecting rewards, but just because it’s the right thing to do and he has a duty.

People forget one dire things when it comes to love like this:

Love can be shown in many different ways

Peach kissing Mario in the cheek wasn’t proof that they were in love or together. I’d argue they weren’t really at all in the beginning. Except maybe a slight crush. A kiss on the cheek is often just a gesture of gratitude. Peach usually kissed anyone who saved her. It’s just her way of saying thank you.

What really shows that Mario and peach love one another is how they interact. The things they say and do. They don’t need to kiss to prove they’re in love, it’s simply implied with how they interact with one another. Whether it’s small gestures like holding one’s hand before a big game, or something such as trusting the other person to give you a boost so you can save your partners rabbid version of themselves from an evil space fish.

Or! It can be something more direct, like peach literally looking Mario in the eyes and saying this:

Or when she is scared but assured herself she will be ok as long as she has Mario!

It’s these little things that speak larger than words. Mario and peach simply have a relationship that is there but doesn’t need to be forced down your throats to convince you that they’re in love. They simply are. And their love is shown in many ways. Love comes in all shapes and sizes, and so does Mario and Peach!

Now have Mario dancing like a middle aged dad snapping his little fingers to make Peach laugh :)

#Mario #super mario #princess peach #Mario and peach #Mario and Princess peach #mareach #super Mario brothers #super Mario adventures #super Mario + rabbids #Mario rant #ramble #super mario rpg #Mario Party #mario kart #mario golf #princess toadstool

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alexanderwales · 3 days

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Pitchposting: a wayward mother's litrpg

[cw: child abandonment, bad mothers]

I came up with this idea while trying to describe a non-standard litrpg that wouldn't sell, and it gripped me enough that I've been thinking about it. Now's the time to set that idea free.

Our protagonist is a woman in her thirties or maybe forties. She's divorced with two children, but she left the children with their father. She's got all kinds of issues, and felt trapped in the marriage and her life, and overwhelmed by taking care of the kids what felt like day in and day out. I don't think the age of her children really matters that much, but they need to be old enough to play videogames.

She gets isekaied into the world of a videogame that her children most loved, the one that they had been talking to her about for years, the source of their obsession. She gets a videogame interface.

Let's start with what I find compelling about the premise: the litRPG isekai stuff is being used to examine a relationship between a mother and her child(ren). We can have some power fantasy, as a treat, but mostly we have this very firm and unique lens through which to look at the world, and we have things that we surely must want to confront, revelations about motherhood and about this specific character, whoever she ends up being. In theory, the thing we're moving toward is a synthesis where we have excised the tension.

So, some questions that pop out to me:

How many children does this woman have? I don't know that it matters all that much, but where you have multiple characters who fulfil the same role, it's almost always better to condense them down. The flip side to this is there's maybe less to explore, and I think there's a different tenor to a single child and what we must assume is true of the character.

Does it have to be a woman? Is there not as much meat on the bone if it's a father who left his children? I think that this could also work, certainly, the reason it was initially a mother instead of a father was that I was trying to pick a protagonist that would lose as much RoyalRoad audience as quickly as possible while still being technically in the litRPG genre. (There are obviously different stereotypes about men and women. I kind of think the central idea of "your mom gets isekaied into that game you were obsessed with and she never really understood" probably hits right for more people, but I don't know.)

What kind of game? Alright, yeah, fair. The main point of the idea is that it's a game the mother is only passingly familiar with. Maybe she went so far as to throw a themed birthday party at one point, but she does not understand it, and maybe over the course of the story, gradually comes to understand (though really, understanding her child(ren) through the game is the main point). I'm thinking some kind of JRPG. Definitely better if it's a game with a story.

Should this game be real? Another interesting question! If the game is a real game, say FF7, then we can assume that the reader knows things, and there can be dramatic irony. If we invent a game, then we have a lot more control over what the game is, and can stay in the mother character's head better as we're in mutual ignorance.

Okay, I think those are all the most salient questions, time to stop workshopping this. I have more ideas than I have time to write novels. Thanks @thewadapan for the idea of pitchposting.

#writing #litrpg #pitchposting

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sarnai4 · 10 hours

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The Real Deal

The Penguins of Madagascar is a great show for many reasons, but I feel like one is very underrated. Despite being a comedy, it has good villains. I have seen series where the comedy becomes a bigger part, so villains are written as playful obstacles or too silly to really be taken seriously. That does not happen here.

Hans is a villain who not only acts as an antagonist for the show, but he also connects to Skipper's past, adding new layers to the already mysterious nature of the Denmark incident. Because of whatever happened, Hans is that type of villain who won't kill the heroes. He even mentions how he didn't want to fry Skipper in a real volcano. He just wants to make him miserable. These villains are so dangerous because death isn't their goal. In a sense, torture is.

Dr. Blowhole is on the other end of this. He makes it very clear that he wants Skipper dead. Between making him even "most importantly" forget how to swim (as he falls into the ocean, mind you), this dolphin has a penguin-seeking middle. He has plans to make the world suffer for his pain and will destroy anyone in his path.

Rat King is a surprisingly fun villain to me. He easily could have just been the dumb jock kind of enemy who's basically an older version of a high school bully. Despite that, he's pretty clever too, shown when he hustled the penguins out of their habitat. He's also way more ruthless than I gave him credit for being. He had a vat of acid somehow and was going to use it to kill them.

Kuchikukan was not a villain I ever expected to see in the series. Evil spirits weren't on my radar, but this is probably the only time I won't complain about their presence. He was so much fun! He mastered the combination of "light-hearted jokester who messes with the mere mortals" and "all-powerful being who can and will destroy the Earth." That's not an easy balance to strike. It's such a great time to watch him go from an almost laughable threat due to his host body, then show how much he can still do. By the time the episode is over, I know why he was able to destroy a world inside of a cheese loaf.

Blue Hen was a nice way to give the penguins a psychological threat. She knew how to come after them where it mattered most. Go after Kowalski's obsession with science and go after Skipper's position as leader. It's a shame that she only was in season 3 because it would have been fun to see what else she did with more time.

Last, but certainly not least, X. Just X because he's been an animal control officer, zookeeper, exterminator, fishmonger, storekeeper, and unemployed. Of them all, he is my favorite. I love this character so much. He's also got something going for him that I feel is unique to him. You can see the downward spiral of X throughout each episode he's in. Gradually, he becomes more and more unhinged. It makes sense that he's one of the only human villains because he's so competent that he doesn't even need to know what the penguins are saying in order to stop them from doing everything they want. He just was the pinnacle of competency to the point of even freaking Skipper out because he kept failing against him in the zookeeper episode. Through it all, we see X go from this super officer of animal control, then more and more, he loses it because of the penguins. He even gets a cameo in an episode where he's just throwing chopsticks of a poster with the penguins on it and is later shown to have bowling pins painted as penguins. I almost feel bad for him since he really did want to just do his job, but there comes a point when you have to relinquish your obsessions and he's an example of why.

The other villains were also fun to me, but these were my favorites. PoM didn't have to try hard with its villains, but they still did and I really appreciate that.

#penguins of madagascar #the penguins of madagascar #Pom #Tpom #pom skipper #pom private #pom kowalski #pom rico

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lightasthesun · 2 years

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to any of you who are bbc merlin as well as sandman fans what do you think about the idea of Arthur and Merlin being placed in the dreaming the same way Cain and Abel were?

And I guess of the possibility of them getting to be at each other's side for as long as Dream will let them.

#I have merely watched the show and know next to nothing about this world #But I just read a fic about Death collecting Arthur and it made me think about merlin and arthur being reunited in the dreaming...#Or the character versions of them ig #The story characters #The once and future king and the most powerful sorcerer to ever walk the earth #Merthur #bbc merlin #Just in theory... Is that how the dreaming works??#the sandman #The dreaming #I'm obsessed with this idea now

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vroomvroomwee · 6 months

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I cannot stress how much of an impact this will have for the aspec community. It shows a character who has quite literally seen almost every inch of the universe, met all kinds of people, has been in all kinds of relationships. And what makes him the happiest is settling down with his best friend. He doesn't need romantic love or a relationship. How incredible is that? To have a show, in this sex obsessed day and age, do that?

When the entire world is telling aspec people our "lifestyle" is wrong or depressing or sad. When everyone is trying to "fix" us or is pitying us. When aroace erasure is so deeply rooted in society that you can scarcely find a fictional pairing where the fandom isn't crying their eyes out because they didn't get together or didn't kiss, as if their relationship is somehow lesser or inferior because of it.

I could go on and on about how earth-shattering it is to have one of the most popular and beloved characters in media choose platonic love. To show how platonic love and friendships are so powerful they even defied physics, probably even deeper and more powerful than romantic ones.

"This is the happiest I've ever been" Me too pal. Me too

#doctor who #doctorwho #doctor who 60th #60th anniversary #doctor who 60th anniversary #ace #aro #asexual #aromantic #asexuality #aromanticism #aroace

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lady-ashfade · 6 months

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Our comfort

Platonic!Yan!Camp Half-Blood x Comfort!Goddess!Reader. (Percy, Annabeth, Grover)

—£ Yes I know I haven’t finish the book but I actually couldn’t wait anymore. So, this is me with little knowledge so bare that in mind.

—£ Warnings: Book/show spoilers, Yandere! Behavior, Being bound to a place, Possessive behavior, Obsessive behavior, Manipulation, Characters fighting for the reader’s attention. Short.

You weren’t a known for too long goddess, much younger then rest of the gods. A teenager like age compared to them. It was strange to have more powerful gods look to you for comfort but you love it. As you are the goddess of comfort.

But, as the other gods started to have many demigods you saw how miserable they could get. You hated the fact they didn’t care for their children so you decided to stay at the camp for half-bloods when the time came.

The campers cling to you. You bring a comfort they never quite felt before. It was like a warm hug, like the ones they wanted from their parents.

You couldn’t leave, and at the beginning you were glad to accept that fate.

Almost always you are found surrounded by demigods and they just relax in your comfort. You are the one they go to with every worry in their mind.

Being close to Aphrodite, her seeing you as a sister and a younger child. Stories of your love for one another are still told today, as she gave ideas to the mortals of how great your relationship was. But in reality there wasn’t much to tell.

So her children have a mentality that they are your favorite and because of their mother, they have some sort of claim to you above the others. But that never works because you love the children equally.

The demigods have less nightmares with you around and watching over them.

Ares children fight often for your affection. They will constantly get into fights with others to show they deserve more time with you. Which you always scold them but it never sticks. They kiss their weapons each time to you, like a sign of good luck. Aries children are one of the worsts ones because they get aggressive at times, even with you. But the golds make them stop by punishing them, mostly their father.

Hermes children are hard to explain really. They aren’t aggressive, but they are mischievous. They take their revenge of stealing things from the other campers, pulling pranks. Or trapping some of them up and go straight to you before they can get there. Luke for instance, is always looking around for you and talking about his day. He’s either laying down next to you, or making you watch him train.

Many games of all houses take place just for you.

AnnaBeth, is constantly by your side when she has free time. She scares off people with a glare behind your back, knowing that she could put plan them. She also trains and makes you watcher her and needs your praise. Maybe, somehow you are her older sister. But, sometimes she just chills by your side not saying anything, she’s like a lost duck at times.

Grover however is actually a lost duck. You comfort him when his past missions fail and he loses kids. You are so nice to him and makes him feel special and brave. When he has to leave he keeps a coin in his pocket with your face on it and prays a lot. He’s not possessive much. He’s willing to take what he can get and is just happy to be there. But maybe if someone comes in when he’s “crying” and having you fuss over him then he’ll be a bit mad but never does anything about it.

When a new camper arrives you devote your time to them because they need it a little more. They come into a world they know nothing of, waiting for the parent they hardly know to claim them. You claim them like your own until the time comes.

So when Percy comes you feel something off with him, like he is special and in need of a lot. He lost his mom, taken from the world he knew.

Percy becomes the most possessive out of all of them.

He feels out of place but you are always there to listen to him. It doesn’t help that you follow him to make sure he’s okay. At the beginning you’re both following each other around.

“It’s okay, Percy.” You brush his hair lightly like his mother used to do. “You’ll get claim, and you’ll have glory.” And he doesn’t care if you say that to everyone because you make him feel special.

Also, you protect the new bloods. So you’ll show up when he gets bullied and just raise one brow and they all back off. Can’t risk making you mad at them.

When Percy gets claimed he’s all alone again, no friends and the campers looking at him funny. Being one of the top threes son isn’t fun or easy. He shares a cabin all to himself.

So he starts to be the worst of them all. Raising his voice when you try and leave him and he manipulates you to stay with him. Can’t you see how alone he is?

He can’t sleep unless he knows your watching over him.

You pick no sides of the war. Your family will figure it out themselves, while you take care of their children.

#disney plus percy jackson #plantonic percy jackson x reader #percy jackson and the olympians x reader #yandere percy jackson #percy jackson x reader #percy jackson #percy jackon and the olympians #platonic #yandere #grover underwood x reader #yandere annabeth chase #annabeth chase x reader #annabeth chase #grover underwood #yandere Grover underwood #yandere greek gods #yandere annabeth chase x reader #I stand peter Johnson

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itgirl-111 · 7 months

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OFFENSIVELY ATTRACTIVE VAUNT

Why do I have to be so offensively attractive? Everything about me from top to toe is perfection. You've never seen a face as pretty and flawless as mine. No cause why do I have to look this hot? I'm fr the hottest girl on the planet. Everything about me from top to toe is pure perfection, my individual features are perfect and flawless but when they come together they are so harmonious? Like everything just fits my face so fucking perfectly like it's meant to be there. Every inch of my face and body is gorgeous and flawless. I am a walking masterpiece, I'm a work of art. Everyone is obsessed with me the first time they see me, I am so drop dead gorgeous that people literally double take and gasp once they lay their eyes on me. I mean, I'm always the center of attention because why wouldn't I be? I high key give off real main character vibes, it's like I straight up walked out of an anime. It's near impossible for someone to look this humanely beautiful but I do because I'm just too damn stunning. I literally take everyone's breath away. I am so offensively attractive, people find it difficult to not look at me, I swear all eyes turn only to me because I'm literally the most beautiful ever. It's only once in a blue moon that you'd get a chance to see a person as attractive as I am, Im once in a lifetime afterall. I get complimented every single day, I hear everyone call me beautiful more than my own name. I am too painfully attractive, it's indescribable. I'm the typa girl who you see once and never forget. I literally got everyone feeling some type of way they never felt before. I am literally so utterly mesmerizing. I got everyone simping for me fr. I'd be literally breathing and everyone would be down bad for me, Literally down bad. I got universal sex appeal, meaning everyone regardless of sexuality is down bad for me . I am so sexy people genuinely cannot get over it and everyday I just get 100x trillion times hotter. I am just sooo damn fine like I've got too pretty of a face and even more powerful vibe. I believe in my supremacy fr. Sometimes it's just so hard to grasp the fact that a person as attractive as I, is living on the same planet as everyone else, everyone is damn lucky to be born in the same generation as I am. It's ridiculous how many simps I have, like damn I really got everyone down bad for me huh. I am the pinnacle of God tier beauty and charisma.

There's something about my vibe which is just so uniquely mine, like my vibe and energy is so one of a kind, everyone can feel my vibe even before I walk into the room. I give off an expensive, powerful, hot girl vibe who straight up walked out of an anime I swear lol. My energy is way too magnetic and irresistible, it speaks volumes. My presence is literally out of this world. The way I carry myself, the way I talk, the way I do things, the way I think, the way I look, my energy, my mannerisms, my habits, all of it is way too unique to be replicated. Everyone wanna study me like their favourite subject. It's impossible to mistake me for another one, I stand out and outshine literally everyone with my beauty, charisma, and interesting personality. The fact that it comes to me so naturally and effortlessly? Even better. I've got such amazing wit and humour, I'm so personable that people genuinely love to be around me even though I may seem intimidating at first. I always know how to spark interesting and amazing conversations, I know when to speak and be quiet, I got that perfect balance between loud and quiet confidence. My intelligence and the way I keep learning new things so easily? Even hotter!. I am an ICON. My energy is actually so magnetic, I have that little something, that is just so insanely attractive and captivating that it cannot be described in words, only felt. I truly believe in my own supremacy.

#vaunt #vaunting #vaunts & affirmations #manifestation #manifesting #loassumption #affirmations #affirm #affirmyourlife #affirmdaily #manifestingreality #manifestyourreality #master manifestor #self concept #self concept affirmations #law of assumption #neville goddard

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lisafication · 7 months

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This post is uh, extremely normal I swear

So hello yes I am absolutely On My Bullshit regarding my new favourite game.

That’s right, it’s the cannibal incest game, The Coffin of Andy and Leyley. And I’m here to shove five thousand words of pretentious analysis down your throat because, and I do not exaggerate, I think it is one of, if not the best written game I have ever played. And I have played a lot of games, including Baldur’s Gate 3, Final Fantasy XIV and Undertale, to name a few narrative luminaries to come to mind.

That wordcount is not an exaggeration. My brainworms are extremely powerful and now you can share them with me as I walk you through my insane skyscraper of inference-driven analysis.

Or you can click away. I really wouldn’t blame you, it’s quite a lot.

Content Warnings: …Yes?

(To drop the bit for a moment, The Coffin of Andy and Leyley covers extremely disturbing material and challenges you to examine aspects of living in this world that many have taken for granted all their life, it is not a comfortable game, this will cover similar topics and will often echo the game’s unremitting scepticism on basic principles of society and humanity and you should look after yourself first. My Content Warning is framed as a joke, but it’s also quite real in that the game is designed to make you uncomfortable and there’s no shame in that not being for you.)

This was originally posted on and formatted for Sufficient Velocity, and you can probably more easily read and discuss it with me here.

With that said, let’s dig in. I have had to split this into multiple posts because tumblr will only allow so many images. There will be spoilers for all endings.

She’s excited, are you?

It’s All About Ashley

It really is, isn’t it? I mean, for approximately eighty percent of the total game as currently released and the entirety of Episode 1, you’re in control of Ashley, just as she’s in control of her and Andrew’s relationship for 80% of the game, up until the various ending sequences where it begins to slip. The only other characters who really matter at all in and of themselves are Andrew and her mother — and the former is under her thumb, and she eats the latter. It’s all about Ashley. Even her obsession with Andrew is, ultimately, about Ashley.

But who is Ashley? What is Ashley? Why is Ashley, even? Let’s take a look.

Ashley as presented to us in Episode 1 is very straightforward, so let’s list off the traits we’re given — she is malicious, she is fearless, she lacks empathy, she doesn’t have anything resembling a conscience, she demands Andrew belong to her and her alone, she has him at her beck and call.

In Episode 2, we’re ostensibly shown how she has him at her beck and call— she leverages the threat of reporting Nina’s death over him and had him swear to be with her forever. We’re shown that even as a child she was “just, like that” — but as a child, she hadn’t learnt to live with it yet, to laugh at the farce of it all.

Yeah, exactly like that!

And she does this throughout Episode 1 — The Coffin of Andy and Leyley is a remarkably silly game much of the time, finding moments of absurdity and levity against a backdrop blacker than pitch — and most of the time, your internal narration is coming from Ashley and the jokes will not-infrequently come at her own expense.

She will later get negged by her human sacrifice for her poor ritual circle drawing

Her reaction to being told that her soul is as dark and viscous as tar is “You guess you already knew that” — it’s confirmation to her, not new information. Ashley knows who she is. But who taught her this? There’s layers to this, nothing in this game is as simple and straightforward as it appears at first sight, which is why I’ve been obsessing over it for days.

While it’s common in fiction, the truth of the matter is, most ‘bad people’ really do think they’re good people. But Ashley has never once thought of herself as a good person — or perhaps better put as a person worthy of love — as we learn across Episodes 1 & 2, with our flashbacks to Andy and Leyley and the VERY VERY QUIET!!!

I really wish I had space in this essay to talk about this, but I’d like to touch on these being traits usually more easily forgiven in young boys than young girls at some point.

If she removes all other options, only then can she expect him to like her.

This is something that is echoed in the modern day — her seeming self-assurance is easily shaken and she reaches out to the world — usually Andrew — to affirm and validate her, soothing her insecurities, using any tool she deems necessary. Even when her life is on the line when Andrew has her by the throat at the climax of Episode 1, the only ‘compelling reason’ she can give Andrew to not kill her is her ability to soothe his nightmares. When he tells her there are sleeping pills for that…

Most people would have a bit more to argue for their existence.

While she, unlike Andrew, acknowledges having had friends before the quarantine… you know she’s got a point that they didn’t even bother to answer her calls, that was clearly not something the state was interfering with given Andrew’s calls with his mother and his girlfriend, and given her general demeanour it’s not hard to imagine that… they weren’t ever very close. When we see her and Nina talk in the infamous ‘box scene’, it’s clear that Nina doesn’t like her very much, despite Andrew’s assessment of Nina as being one of Ashley’s friends.

We see further support for her general lack of companionship in her dream sequence in the Burial route — Leyley and Leyley Alone. No matter what you do, you can’t place the pink plushy at the family table, the flowers won’t bloom if you give the Julia and Nina plushies her own as a companion instead of Andrew’s — and if you’re bold enough to go for the ‘incest route’, in the ‘Love’ room you see that no one ever looks happy to be with her in the childlike depictions of her history, nor is she happy in turn, save for when she’s with Andrew. In a bit of heavy-handed metaphor, the player then overwrites all of these tense, upset, hard moments with Andrew, having him fill in for everyone else in life — and happy with her.

Once Upon A Lousy Life…

THE END

And that’s why she needs him to affirm her, because no one else ever has and no one else ever will. It’s even included in their comic beats — when the siblings are getting along well, they’ll often play a game where Andrew dramatically overpraises Ashley while she demands more; it’s a comedic bit but I mean — it really does matter to her!

For the record, she opened a door. She gets a little heart in a speech bubble after this exchange.

We have a great example of this dynamic, that of insecurity and affirmation, in Episode 1, after Andrew has killed for her, butchered for her, his girlfriend broke up with her, he’s seemingly thrown his entire life away for her… she’s still insecure over her relationship with him, she’s uncertain of her control and she needs him to reaffirm it for her.

This is her victory, surely?

Andrew affirms her once, with his usual dead-eyed look.

But she's still not so sure.

He actively reaches out to affirm her again with cheer.

Look how happy she is!

While it’s most obvious and clear cut here, it’s hardly the only case. Let’s look back to the aftermath of Andy and Leyley and the VERY VERY QUIET!!! (I’m not using the other name). Leyley is, after similarly extreme acts — he murdered a girl and hid her body for her — convinced Andy doesn’t like her and she needs this leverage to keep him around, to meet her basic needs for survival. Because that’s what this is — she receives no care of affection elsewhere, so she forces it out of the only source she sees available through the means she sees as necessary.

I really hope we see some of their earlier childhood in Episode 3

What exactly made her like this? Was it just neglect, or something more specific…

She needs this to be the case because otherwise she doesn’t believe he’d stay.

This pattern repeats throughout — Ashley’s insecurities are hit on and she reaches out to Andy to affirm that she is not alone, and she will use any and every tool to exploit her ostensible control over him and force him to be what she needs him to be — and as long as she has that, as long as she is everything to him and it’s not possible for him to leave, she’s happy. As long as she thinks he loves her in her very particular, very peculiar view of love, she’s content, come what may. As long as Andy and Leyley are together, they can take on the world.

Let’s talk about that view of love, because there’s always more layers to unpack here I’m only scratching the surface with this essay — Ashley consistently refers to anyone else Andrew may have befriended or spent time with as a whore, a slut, a bitch — highly gendered insults that bring to mind the idea that he’s cheating in some way. But it’s not even about sex — when Andrew mentions that their parents had friends, she accuses them of cheating on each other in the same way!

There’s a lot to unpack about Ashley’s view of femininity and the role the patriarchy plays in their relationship.

Any kind of emotional engagement, any kind of commitment, any kind of life outside of your significant other is, to Ashley, cheating. Because that’s what she needs from Andrew, a seeming complete and total commitment, secure in her place as the only thing in his life, because she cannot understand anyone picking her if they have a choice.

This insecurity she has in her relationship is what drives her to empower the trinket — he can’t leave her as long as she can protect him with prophetic dreams, after all. She needs every kind of leverage she can get because until she succeeds in being everything to him, in devouring him so completely she has him in her thrall mind, body and soul she can’t be sure of herself — hell, her dream sequence in Burial has you placing Andrew’s signature green plushy, ‘the best thing in the world’ in a cage far away from anything else.

Ultimately, it really is all about Ashley — even her seeming obsession with Andrew ultimately comes back to her own insecurities. If she is everything to ‘the best thing in the world’, some of that ‘best’ must surely reflect on her!

But that’s enough about the more normal, straightforward and understandable sibling.

That was not a joke.

Andrew’s Rank 100 Deception

The greatest trick the Devil ever pulled was convincing the world that he did not exist.

Let me explain.

You might have noticed that in the previous section I often use language such as ‘ostensibly’ or ‘seemingly’ to describe Andy and Leyley’s relationship, and there’s a good reason for that. From the beginning of the game through to its end, Andrew is lying to you, the player, without ever falsely representing or misinforming you about events that occurred.

The common, or obvious ‘initial take’ on Andrew as presented in Episode 1 is fairly straightforward. The game primes you to think this way, it frames things and strings reveals just right so as to make it very easy to overlook the incongruities it introduces in Episode 2. He’s a victim. Plain and simple, Ashley is his abuser and he is her victim and would be fine, a normal albeit kinda depressed guy without her.

It really is not a difficult conclusion to draw

You can go all the way through the game, have him try to accept his mother’s olive branch and enter the Decay route as a method for him to finally actualise his desire to get out from Ashley’s thumb and it makes sense, it’s a reasonable way for the story to go, given his character.

You see him this way because the game primes you in Episode 1 to view their relationship like Andrew does — he’s lying. He’s lying to himself, he’s lying to Ashley and he’s so good at it — Deception Rank 100 — he even lies to you. Without misrepresenting a single event or otherwise misleading you directly, the game gets you to buy into his preferred self-perception. Nina? Ashley. Julia? Ashley. The murders they commit in the course of the game? Ashley, Ashley, Ashley, it’s not his fault he’s not to blame he’s just a doormat at the beck and call of his demonic sister.

But he wants to be there. From the very outset, the very first puzzle, that’s made clear. Does anyone else remember this exchange, from right at the beginning of the game?

Ashley wants to investigate the music!

Andrew disapproves…

…Or does he?!

Like. Listen. Okay. You do not frown when saying ‘Nope’ and then smile when saying that you’ll instead tag along if they do it if your heart is at all in the no. That’s not an objection, that’s using Ashley as his excuse. Especially if you immediately throw her the balcony key that she could not possibly have gotten from you by force (more on Andrew’s ability to use force later).

This is the very first time you control both characters together with Andrew following Ashley instead of off on his own, the first adventure, the first puzzle!

But put a pin in that for now, let’s talk about his initial framing in Episode 2 first. Episode 1 has set us up to, generally speaking, believe the superficial framing of the siblings as portrayed in its promotional art:

The question that we then ask, right at the heart of it is… why is he a doormat? We explore this in his dream sequence in Episode 2, which does make it clear that the boy’s not okay but— it’s real easy, given the priming from Episode 1 to make you think that he’s the one with the originally functional moral compass, to think that that him being fucked up is damage done to him by Nina’s death and being bound to Ashley for his entire life. She corrupted him.

But, well, is that the case?

You're primed to ignore this as manipulation (which it is) but the best manipulation has some truth to it.

Precisely two things spur Andrew to action in the entire game, consistently — they are the fear of consequences and Ashley. And the first incident of that fear, the very first time we’re shown his seeming moral compass as a kid — the first time it’s really hammered home that it’s a fear of consequences rather than any true moral qualms is after Nina’s death. And why does he fear consequences here?

……

The ‘natural’ read that many take away from this sequence, particularly those who have only played Decay, is that Ashley browbeat him into doing this against his will, using emotional blackmail to overwhelm his objections, and then used the event itself to bind him to her forever as her personal doormat.

In a strict sense, this is true. But this doesn’t match up with the details, something the game uses shock to encourage you to overlook. That outburst is before any kind of threat has been made, and absolutely nothing either of them say anything about it being morally bad until Ashley weaponises ‘you’re a bad person’ against Andrew — morality didn’t seem to enter his mind or the equation at all until Ashley brought it up. More than that, his greatest fear and driving motivation even prior to that is, as shown above, being taken away from Ashley.

She, of course, recognises this and uses it against him. But she never needed to, it didn’t change anything about Andrew’s attachment to her, it was there to address her own insecurities.

Just like to touch on how a lot of his affirmations are preceded by him confirming her insecurities.

I adore this phrasing

There’s a second prong to this as well, to the question of ‘who really calls the shots here’ because — Andrew can, at any stage, apply an ‘ultimate veto’ of physical violence. The game is very clear to the player that that is on the table — even when they were children, when Andy swears their blood oath, he briefly considers killing her — and take note of how he ultimately got a ‘winning’ condition out of her by not specifying there wouldn’t be others and she is forced to accept that, there. Even outside of their most serious confrontations, Ashley is portrayed as having to convince, manipulate or otherwise coerce Andrew into going along with her schemes — she really can’t make him do anything, she doesn’t have the supremacy in violence and, to a lesser extent, capability that would allow her to.

Andrew, you are like ten years old.

The truth of the matter is, Ashley can only make Andrew do anything because he lets her. I don’t mean in the sense that I’m saying abuse victims let their abusers emotionally abuse them, I mean in the sense that he is clearly considering his options on the table and choosing to discard those that could stop her, or bring an end to any of this. He needs her.

But it’s true that he hates her, too. He has to hate her, because if he doesn’t hate her, if he isn’t forced to have done this, that means… he’s responsible. And nothing, at the start of the story, is as important to Andrew as avoiding the consequences of his own actions, not even Ashley. By the midpoint, he loves her, he hates her, he can’t live without her, he wants to kill her — by the end… well, that depends if you’re on Decay or Burial, but more on that in a bit.

A great scene to study for this dynamic is the climax of Episode 1, when Andrew grabs Ashley by the throat and considers strangling her to death. She’s pushed him too far with hurtful words and assault, and he’s seemingly had enough.

It’s still framed as a question of risk, of consequences happening to him.

Like, this is not the usual behaviour of someone who’s been pushed past their breaking point.

He tells Ashley that he wants to kill her, because she’s just going to throw another fit and that’s a risk to him. She is… not framed as being able to fight back (she does have a gun here, and more on that in a later essay, maybe). He’s so calculated in how he approaches his use of violence here, which isn’t at all what you’d expect of someone about to commit a crime of passion… but it’s very easy to overlook because of the abuser/victim narrative that the player fits his behaviour into the narrative that the game primes them to accept, brushing incongruities under the carpet.

At the start of Episode 2, we get to control Andrew for the first time, and the first obvious holes in his cover start to show. Some of this is optional — you only learn that he’s been faking having nightmares in order to share a bed with Ashley if you choose to go back into the motel room and check the bed, for example — but not all of it.

----(See reblogs for the second half)

#the coffin of andy and leyley #tcoaal #andrew graves #ashley graves #spoilers #multipost

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vixeneptune · 2 months

Text

☆ The universe obeys my wishes and commands

☆ I'm spoiled and catered to by the entire world , my happiness is the only thing that matters

☆ time isn't real , everything that I want already exists now

☆ reality is so malleable and easy to manipulate and change

☆ my mind is so powerful I can easily bend reality to my will , I have the power of god inside me

☆ my desires are obsessed with me

☆ my beautiful imagination and inner reality is my true reality and I manifest it easily without lifting a finger

☆I don't have to chase anything , anything I want wants me 10000x times more

☆ my life is like a movie and I'm the main character

☆ stress and doubts don't even exist in my reality, I'm so carefree and unbothered I was put on this earth to experience everything i want

☆ I'm a goddess incarnated as human , but I still have the beauty and the aura of a goddess

☆ I literally get every single thing I set my mind to

☆ I'm a star , ofc I shine. I naturally steal the spotlight. I'm iconic , I'm the moment

☆ I have supernatural magnetism, everyone is magnetically and hypnotically drawn towards me

☆ I embody the true essence of love and beauty and I radiate love and beauty

☆ my beauty and my energy light up the room, I turn heads wherever I go. I'm a natural mogger , always the most attractive in the room

☆ I get what I want, doesn't matter what or when or how. If I want it, i get it.

☆ I have an abundance mindset, an infinite amount of love, money, and beauty within me and all around me. I attract amazing opportunities and possibilities bc im naturally super lucky and abundant

☆ I'm booked and busy, my life is so exciting and eventful I always have amazing things coming up

☆ I'm a natural influencer, I'm the IT girl everyone wanna be like me or be with me

☆ my sexual magnetism is off the charts, people can't help but crave me and fantasize about me. I'm irresistible and magnetic

☆ I have zero resistance, nothing holds me back, nothing can stop or block my powerful energy

☆ I love how everything works out for me on its own its like life is rigged in my favor always and forever

☆ I naturally inspire everyone around me with my powerful beautiful presence

☆ there's something about me so addictive that has people wanting more like they can't get enough of me

☆ I'm so pleasing to look at and be around, people feel so good in my presence. They get excited to see me and talk to me

♡♡♡

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prettyboykatsuki · 1 year

Text

HOW TO BE A DOG. | S. GOJO

⊹ general tags ; fem + afab!reader, reader presents femininely and has some specific character traits (i.e. personality traits, nothing physical), reader is shorter / smaller than gojo but nothing specified, reader is a teacher, gojo carries reader at some point (but he is canonly able to do very insane things physically so)

⊹ content warnings ; dead dove. do not eat, yandere gojo satoru, manipulation, stalking, obsessive behavior, delusional behavior, workplace harassment (not from gojo), victim blaming, canon typical violence, graphic depictions of murder, minor character death, excessive religious imagery, coercion, gaslighting, abuse of power, something akin to stockholm syndrome, graphic depiction of noncon / sexual content, forced intimacy, fingering, hickies / bruises, begging, edging, loss of virginity, size kink, 18+.

all sexual content present in part two.

⊹ wc ; 17.3k / 36.1k

link to extended authors note | ao3 | how to be a dog, by andrew kane.

LINK TO PART TWO

⊹ a/n ; well. its here. i wont ramble too much but i hope you enjoy and if you dont...well don't tell me. thank you to ame for your endless patience. likes and reblogs mean the world. the title is inspired by the poem linked.

⊹ synopsis ; with six eyes to see it becomes clear, you are being watched.

“Of course you must learn to love, to love always and love entirely and to be wounded by nothing so much as the violence of your own love.” - andrew kane, how to be a dog.

⊹ PART ONE : A CHILD BORN IN WINTER MUST NOT LONG FOR SPRING.

There’s a dog living outside of Gojo’s apartment. It’s a collarless, lonely thing. Clever, too.

Though, Gojo doesn’t know much about its life before it started hanging around the area, he gets glances on occasion. It’s not emaciated and it doesn’t look hungry, but it’s roughened up with matted fur and a healed tear in one ear.

More importantly, it doesn’t bother anybody in the neighborhood. Despite its outward appearance and hostility when approached, its aggression won’t go farther than a warning bark or growl. Most of the adults living in the building know better than to try, but some of the kids living upstairs desperately attempt to befriend it. Of course they fail, and Gojo thinks that that poor thing is growing apathetic to the touches of sticky hands.

The whole building is pretty fond of it, surprisingly. Gojo lives in a upend complex in a metropolitan part of Tokyo and the people here can be snobbish. So it comes as a shock that this dog wasn’t shooed away months ago.

Everyones sort of agreed to take care of it. There’s a food and water bowl outside of the security office - and just last week a sign was implemented of Do’s and Don’ts for what food scraps can be left. There’s a donation box to get some proper shots and paperwork - since it looks like the building's doorman has agreed to take it in if everyone chips in for the expenses.

(Gojo suspects this has something to do with those very kids, devastated by the thought of it being gone.)

Warm welcomes from the residents aside, Gojo hasn’t seen it act friendly before. He wonders about that. It seems hesitant to trust anyone and he’s sure there's a good reason. It’s just that it's clever. To be a stray in this area of Tokyo and be so calm is an impressive feat, so he thinks it probably has some grasp of his own situation. If it acted cuter, it could get a warm house and family too. Though the whole aloof and distant thing does the job just fine, Gojo can’t help but wonder what such a clever creature is doing, turning away from living lavishly.

Much like everyone else, Gojo’s contributions have come in the form of food scraps and some donation money to work towards the 5,000 yen goal. On the occasion their paths cross, Gojo sits near it. Sometimes, they share a moment of silence and Gojo talks just to see if it’ll ignore him. It seems like it’s listening. It always makes a grunt of dismissal when Gojo turns to leave and he’s started to count that as a little victory.

Gojo isn’t intrigued by anything as much as that dog. At least not lately. It’s damn near impossible to seriously pique his interest and yet that clever fellow is one of the few things he stops to ponder at.

Today, Gojo is intrigued by the dog that lives on the street of his apartment and the strange woman who’s petting it like some sort of domesticated baby.

He’s very, very intrigued by that.

The rain comes down in heavy sheets. It’s a Wednesday, and he has no classes to teach so he’s home and preparing to run errands. He’s going about his day as usual, basically. When Gojo isn’t swamped with a mission or the reformation of Jujutsu Society - he likes to play the part of the average man.

The plan for today was to take his unused car out of the lot so he could get some dry-cleaning done, go buy a new pair of sunglasses because his old ones are scratched, and go do some shopping. He needs to buy groceries again ( an uncommon occurrence) so that one's on the list too.

He’s dressed down. A black windbreaker is hanging over his shoulders, tight gray shirt and some comfortable jeans. He’s got on his errand shoes, a nice pair of sneakers and his keys are hanging from a loop in his belt. His hair is styled down and he’s got on his glasses instead of his typical mask.

He has a gameplan, a fully fleshed out expectation of how today will go, and it’s derailed by a woman he’s never seen before. He’s drawn to you so naturally it’s baffling.

You’re crouched just in front of the security office. Dressed in a loose skirt and long sleeves, looking down by the local neighborhood stray. For the first few seconds, he just lingers on in utter awe. You’re carrying a comically cute umbrella, clear with flowers and a pink edge. He kind of thinks you look like a peony.

He approaches slowly, quietly.

When he finally gets close enough to really see, he can hardly believe his eyes. That old, menacing mutt is happily getting his chin scratched by you.

“Oh, uhm. Hello?”

The sound of your voice startles him out of his trance. Snapping back to reality, he glances down to where you are and realizes he’s towering over you. In an effort to be polite, he steps back and gives you his most disarming smile.

“Hi. Sorry for the intrusion, I was just,” He glances at the dog who almost looks offended at the interruption “I noticed you were… petting this dog. Guess I was a little surprised.”

“Surprised?”

And your surprise surprises him even more. He blinks slowly.

“Yeah. He’s not aggressive or anything but uh,” Gojo chuckles, concluding you must be a little new “Well, he’s not exactly friendly. I don’t think I’ve ever seen anyone succeed in well…petting him.”

You’re taken aback by this information. Yeah, definitely new.

“Really?” You glance at Gojo before looking back down at it “I just gave him some treats and waited a bit. He’s such a sweetie. Sure you mean this dog?”

Gojo gets a good laugh out of that. Partially at your cluelessness and partially at your disbelief. He nods, smiling a little.

“I’m very sure, actually. He must really like you,” He says, hands in his pockets. He bends down to join you, but he’s still a little bigger than you at that height “I guess I can see why. You’re pretty friendly.”

You peek over at him. You seem a little shy at the compliment. Gojo feels his interest pique a second time today alone. New record.

“Oh, uh. Thank you. I teach kindergarteners so I sort of have to be.”

He hums. Reaching his hand towards the dog, who sniffs and cuddles his palm (something it’s never done before) in order to win your favor more. It really is a clever little thing, just like he’d always suspected.

“I’m a teacher too. A highschool teacher, though. No need for me to be friendly, I guess.”

You laugh at his joke, smile reaching your eyes as you hug your knees to look at him.

“You seem plenty friendly to me.”

He pretends to think about it.

“Maybe you have a gift for making people come out of their shell,” He says with sincerity, relishing in the fact he’s finally getting to pet the dog in any capacity “I think this little guy could probably attest to that.”

“And you have a knack for flattery.” You quip.

The natural chemistry is noticeable enough for it to catch Gojo off-guard. He grins.

“Hey. I’m not all bad. And what's flattery if I’m being honest right?”

“Sounds like something a flirt would say,” You tease, airy. He laughs a little.

“You seem like you’re having fun giving me a hard-time.” He pouts. You giggle.

“A little,”

“Jeez. How rude of you…” He waits, prompting your name. You smile.

You give him your name. You say it soft and easy. He makes sure to return to the favor.

“And yours?”

“Gojo Satoru.”

You live up to your first impression in the time that Gojo gets to know you as his neighbor.

Friendly. The word he’s looking for is friendly.

There’s other words though. Sometimes meek, typically cheery, oftentimes quiet. You’re quite unassuming, and possibly too gentle when compared to everyone else in the general area. You fit in fine, no worries there. And Gojo knows that for certain because he can’t stop himself from watching over you like a hawk.

He doesn’t really understand it himself. Gojo gets along with everyone. He’s always been a people person who likes to talk and likes to get to know strangers. There’s nothing that special about your connection in that way. You live next to him, directly across the hall. You often knock on his door to give him something that you’ve made too much of or ask to borrow some sugar

And it’s not done with any romantic intent. Gojo is good at reading people. He’s never seen someone so blatantly romantically uninterested in him. You’re not even conscious of him as a man, cemented to him by the one time you came to the door dressed in paper-thin PJ’s. He hasn’t recovered from the shock. One of the many times in his life where he was grateful no one could see where he was looking.

He’s had a few months since your first meeting to get an idea of your personality and what things about you he should keep in mind. You noticed that he’s often not in his house, so you’re relatively aware of your surroundings. You’re often up late because your lights are always on well into the evening.

(He finds out later you’re usually making lesson plans or little gift bags or planning birthdays. You really love your job, something he can commend while simultaneously feeling quite jealous about.)

You favor the lovely spring colors like pink and purple because you have so much of it always on you. You dress brightly in general. And you smile, often, and stumble over yourself trying to be nice to the other tenants. The kids in the building adore you. The sheer amount of propositions you’ve received to be someone's full-time nanny could probably keep you employed for another two decades.

And you always put your best into everything, no matter what.

This is probably the aspect Gojo is most fascinated by. It’s not exactly a novel trait. He’s encountered something like it before. One of his most prized students is Maki Zenin. Her whole thing is kicking ass through sheer spite.

But unlike his students or anyone else he knows - you don’t seem to be motivated by spite or anger or frustration. Even when you are angry or upset - you always force yourself into being more understanding. Into being nice, kind, and still giving it your best if you’ve been shorted somehow. He’s tempted to call you a try-hard. It draws on the line of people pleasing sometimes but it doesn’t matter either way. This is a quality in you Gojo likes all the same.

He's always been drawn to people who are earnest. His company favors such things. He cherishes Yuuji for such a reason, and can say something similar for Nanami. It’s a refreshing perspective. He’s not a bitter person, but he’s not an earnest one either. So Gojo likes that you’re so properly, gently sincere.

For the last few months he’s made a real effort to talk to you. So he’s not just the guy next door, but at least an acquaintance and at best a distant friend. On the mornings you both have classes to teach, he walks you to your car and if he wakes up before you - he’ll bring you a cup of coffee or a pastry he knows you enjoy.

You’ll often do Gojo little favors and he’ll return them - joking to each other about being a good neighbor. An inside joke with each other that Gojo is growing increasingly fond of, all together with leftover cups of coffee and glances that linger too long. Some mornings, he takes out your trash when you’re feeling too tired and you’ll do him the favor of getting the stuff out of his clothes that he doesn’t want to dry-clean.

It’s these little exchanges that make up the bulk of your interactions.

He’s even been to your apartment (another reason he’s sure you’re not attracted to him). He went last week to help you cut out little autumn leaves to put on your classroom walls, and you rewarded him with some lemonade.

He’s still thinking about it days later, how you sit on your legs and the way your cardigan hangs off your shoulder. When you’re focused, you leave your mouth open a bit and poke your tongue through your lips. He’s endeared by it.

By you in general.

It’s all boring and mundane, but that’s what makes it. It’s a luxury he rarely affords. Craves, really, which is why he’s starting to go straight home more often than not.

It’s nice that you’re always there. That you’re usually home and when you’re not - Gojo doesn’t have to guess too hard about where you are. It’s so constant. He basks in the feeling of constancy like an expensive silk.

It’s little luxuries like that, he thinks, that make you so special to Gojo without much effort on your behalf. Being up at the top means he is always fascinated by the place closest to the ground.

What’s heaven to a man born there?

In your fourth official month of residence, the neighborhood dog finally gets adopted.

He’s not there for the big reveal. He hears it from you while he’s on a mission, through a text message and a photo. He acquired your number early on, but you’ve only started doing these text exchanges recently. Reason being Gojo’s had an unusual amount of cases that need his attention and you’ve been very aware of his absence.

(The first time you texted Gojo after 3 days on the other side of the country, he was scarily happy. After all, most times when he leaves - people are expecting his return. There’s an assurance that he will return alive, that he has to. It’s not often people worry.

It was another thing he learns about himself through you. Being fussed about is refreshing.)

Currently, he’s all the way down in Nagasaki. He’s been investigating what the local government has described as an “infestation in the water,” leading to poison and all sorts of hallucination. It’s been causing all of the local hospitals to fill up and the news is advising people to distill their water if possible when at home. Make sure to buy bottled, and double check on your children.

In other words, there’s an unidentified curse wreaking havoc in small towns and rural areas at an unusually fast rate and Gojo has been sent to figure out its origin. What’s really weird is the location. He’s in Nagasaki prefecture, specifically in Hasami - a town in the Higashisonogo district. He really didn’t have much time to do research on the area, save for a few quick google searches and probing questions to his student, the well traveled Yuta Okkutsu who is a hair more familiar with the region than he is.

But there wasn’t much for him to find. Hasami is known for the porcelain it produces. The population is a little under 15,000 and the weather is nicer in spring than it is in summer where it gets too humid. It’s considered a small town, though that number is relative in consideration, and currently the local officials are sending off reports about the water supply.

Even when doing deep research using official means, there was nothing that unusual about the place. No major criminal incidents or occult presence or some other thing that would make this occur naturally. Gojo is no stranger to small town violence or bullying and they can often produce the most volatile curses.

But he’s currently on his 3rd day here, where he’s taken up talking with the locals and he can’t find any specific attitude that would foster a special grade.

It had led him to a conclusion, but one he was deliberately avoiding. That someone planted the curse here in Nagasaki, or maybe somewhere else. Which really complicates the whole affair, because then this is an investigation and not just a situation of fate. It also means that this curse was likely harvested somewhere and that Gojo can’t be sure it’ll be easy to get rid of.

Most importantly, all that fanfare means he’ll be home late.

Given how much he’s longing to see you, it’s the thing he’s been dreading most.

It’s weird. He’s never dying to see anyone, with the exception of an old friend long gone. But Gojo has been desperate to see you for the few weeks he’s been away from home.

(He can’t tell if it’s normal to long this much for a person he truthfully doesn’t know that well.)

But, while he’s away from home, the thoughts of you play on loop in his head. Like white noise, static yet constant - there, all the same. As he walks the rainy streets of Hasami, hands in his pockets - he can’t help but wonder when the next time he gets to see you will be

It’s like some sort of miracle (aren’t you always one?) when Gojo hears his phone ring, buzzing against his abdomen.

He’s drawn back into reality when he feels it. In front of a store that sells handmade plates and glasses, he lets it go for a while. Feels it buzz against his pocket while he settles his thoughts. He examines his surroundings, notices the cars, and the mother with her daughter across the street and the gray sky - all before he picks it up. Your name flashes him on screen, and something itches deep in his chest.

The clouds open up. And it’s still raining, but there’s a ray of sunlight cutting through them. For a minute Gojo feels worldly, grinning with damp skin before he slides his thumb across the phone.

You’ve never called him before.

“Hello?” He greets, wondering if it was an accident. Then you come through the other side of the line.

“Hi ~,” You say, clearly doing something in the midst of talking “How’ve you been?”

“I’ve been alright. Very shocked you called me, yanno?”

You laugh quietly.

“Sorry about that. I just wanted to check in. And I wanted to say thank you.”

“I mean… I’ll accept but I feel like I should know what for.” He jokes. Your tone goes sincere, marshmallow soft and twice as sweet.

“You paid the rest of the fees for the dog out of pocket, didn’t you?”

He smiles to himself.

“Ah. Busted. That was supposed to be a secret between me and Mr. Security-Man,”

“He didn’t tell me. I just…guessed. Seems like something you’d do.”

His first instinct is to disagree.

“It’s not like I did it out of the goodness of my heart, okay? It was looking a little sad sleeping during the cold seasons. It was very pitiful. So bad, so sad.”

“Why’d you do it?” You ask, probing but not too deeply “Like… really. It was really nice of you, but it was a couple thousand and that can’t be cheap.”

He relents, head leaning back on the wall behind him.

“The kids, remember?” He murmurs, eyes staring up at the gray clouds “You said they’d be sad if the dog didn’t get adopted soon.”

“The way you’re talking about it makes it seem like you’re doing this for me.”

“And if I was? Would that bother you, hm?”

You wait a minute, hesitating with your words.

“Well…no. I guess not, I just—thank you. I guess I’m just a little… embarrassed about it or whatever.”

“Shy, huh? Cute.”

“Jeez,” You huff. Gojo can practically hear your grinning from the other side; it makes his heart flutter. He wants to go home, to wherever you are “And you always say you’re no flirt.”

“I’m not a flirt. I’m just telling it how it is.”

“Yeah? Well, thanks anyway then. It made them really happy. You should’ve been there to see it. Maybe you can tell them when you get back?”

“Don’t wanna.” He states outright.

“You didn’t even think about it!” You exclaim.

“Mm, because I don’t have to. I definitely don’t want them to know.”

“Why not, though? You’d be their hero, y’know?

Maybe it’s something in the air. The damp weather out closer to the ocean, or the distance between you. There’s a tiny echo in your words, mechanical through the speakers. The word hero leaves a melancholy in his mouth, floating in the back of his throat like liquor refusing to go down. He chuckles.

“Ooo, are you into that kinda thing? Like, super charming knights in shining armor? Or superheroes, maybe?”

You giggle on the other side of the line. If you notice him avoiding answering you, you have the courtesy not to say anything.

“Isn’t everyone? I don’t know. I think if a really good-looking guy saved my life, it’d probably make my heart race a little, yeah. I’d catch feelings over that for sure.”

He takes a deep breath. Everything smells like rain.

“Is that so?” He says, chest blooming with warmth “I’ll keep that in mind.”

Gojo returns from his mission empty-handed.

He was out there for a long time, at least longer than usual when he’s traveling for a mission. He’s not used to hitting so many dead ends. The problem kept growing, but every trail he’d uncovered went cold in about a day. Just before he gave up hope, he was called in by Yagi. Since the issue has spread into other parts of the city, it’s no longer his solo jurisdiction.

More hands on meant more time for Gojo to be teaching. It also meant that he would finally see you after so long. You waited for him outside the day he returned to Tokyo - wearing a cream colored sweater and the prettiest smile Gojo had ever laid eyes on.

Gojo returns from his mission empty-handed but it’s not entirely pointless. Upon returning - he had a somewhat shallow epiphany about the way you make him feel. About the way he’s affected by you, which is arguably more valuable than some lead.

Being away from you for so long is something that makes him so irritable. He’s had some time between then and now to come into terms with it.

Falling back into his routine, it was obvious. Suddenly there was a gap he’d never noticed before that blew wide enough for him to fall through. He actively avoids not seeing you if he can, and ever since your permissive conversation a few weeks ago - it’s harder to notice the way his desires fester.

There’s not much he wants out of his life. So when anything noteworthy pops up, Gojo is always eager to get a hold of it before it’s too late.

He usually soothes that by reminding himself of your position as a civilian, a kindergarten teacher at that. The responsible thing to do is make sure you’re safe. To play the hero from the sidelines and ensure you don’t encounter anything from his line of work. That’s his whole life's work. To create a life like that, and it helps to stay on that path when he believes you’re sheltered from that reality.

That’s why, when you tell Gojo you can see curses, he feels the entire floor collapse from underneath his feet.

He receives such devastating news over a cup of coffee at that.

It’s closing in to Fall slowly and Gojo has decided to take you out to eat as an apology for his disappearance. He intended to give you another half-truth about his job so you wouldn’t lose any sleep over him.

When it happens, it’s less that you tell him, and more that you keep glancing. Just over his shoulder, with this terrified expression that Gojo couldn’t not notice, even if he tried.

You’ve got your hands around a warm drink, in a white, ceramic mug but your gaze keeps diverting to the place behind him. When he looks over to that same place, a curse is there. Small. More insignificant than a bug, but there.

It’s risky to mention it. Because if Gojo is wrong, it’s not something he can brush off. He’d have to come up with something to excuse himself, and he isn’t sure how to lie out of that (even with his natural disposition of being a trickster.) But when you keep looking, his instinct kicks in. There’s no way you aren’t seeing it.

He doesn’t ask you directly. That’d be too incriminating, so he lowers his tone. Watches you briefly as you tremble in fear.

(A small, small part of him is only asking because he doesn’t like how distracted you are from him. Killing the curse seems like it’d relieve that annoyance too.)

“Can you see it…?”

The question makes you jump out of your skin. You reel back, eyes widened before the realization really sets in.

“....It?”

Gojo looks around the cafe for a minute, to make sure no one is listening before he turns around and points to the cursed spirit behind him.

“It,” He says, thumb pointed at the deformed curse moaning in one of the booths.

When it dawns on you that Gojo sees what you see, you cup a hand over your mouth in shock. He can’t describe the way getting that confirmation feels. It raises so many questions about who you are. More than he had before, at least.

No longer are you the innocent, clueless civilian and that changes every interaction he’s had with you since the start. Though it’s not uncommon for people who can see curses to fall through the cracks, he can feel his own curiosity dig into his skin like seeds taking root. He doesn’t think he should be excited, but he is.

He’s excited watching your fearful tremble. He’s never seen you like that.

“Yes,” You say, voice a little shaky this time “I can see… it.”

He takes the spoon out of his latte and cleans it with his mouth. Studying your expression momentarily, he takes a deep breath before standing to his feet. The terror is so subtle, the kind he can only catch because he’s so familiar.. He knows those emotions better than he knows most.

Curses aren’t phobias. Not illusions or ghosts, but tangible madness. Impactful to those who can see it, but nothing to those who can’t. Fear like that, which can’t be shared with anyone, has a specific look when it shows up in someone. Gojo hasn’t felt that fear since he was very, very little. He watches curses with the same bland expression he might watch a horror movie, but he can understand your reaction at least. He knows it like the back of his hand. All the people he’s saved, who could see them too, always wore the same one.

Still, he’s caught off guard. He feels bad that you’re scared. But the proximity between you and him which was once oceans wide has decreased significantly in no time at all. That feels good. Even better than he would’ve imagined.

“Are you scared?” He questions intently, maintaining a sense of neutrality.

You swallow a lump in your throat, eyes glued to the table in front of you.

“Yes,”

Your voice is a hoarse whisper. The corners of his lips twitch upward.

When he’s sure no one is looking, he stands up and walks over to the table behind him. Pretending to look for something so he doesn’t look out of place. It doesn’t take more than a second to destroy it. It’s tiny, something he’d never think of fighting since it’s so harmless. The curse equivalent to a fly.

He gives it a violent death and sees you look on with horror in your expression. He finds himself pleased with that, wiping his hands on his pants before returning. Maybe you recognize his strength when he sits back down. Still, instead of pulling away again, you fold your hands in your lap.

“T-Thank you,”

He grins at you.

“Of course,” He says “Can I ask you something?”

You nod your head and sip your tea.

“Do you know who I am?”

You look confused.

“...Are you a celebrity?”

He laughs hard at that. Hearing that makes him not want to tell you.

“I’m Gojo Satoru,” He reintroduces. You nod slowly “I’m a sorcerer.”

Another lie of omission. The strongest, he should say. He takes a sip of his latte, frowning at the bitterness. Through his mask, he watches as you fiddle with your hands. He stacks the empty creamer cups together before opening two more sugar packets and stirring them.

“A sorcerer…” You look perplexed. Confusion settles into the lines of your face. Sheltered, Gojo concludes. Only parents, who shelter you wouldn’t tell you what a sorcerer was despite your ability to see them “What does that… mean exactly?”

“It means I kill curses for a living” He replies simply.

“I thought you were a high school teacher.”

He smiles.

“Smart cookie. I am, but the school I teach at specializes in cursed technique and sorcery.”

“Oh.”

You look befuddled.

Gojo thinks he might be an opportunist.

“Do you really not know anything about them? It’s rare for people to be able to see them and not know anything about them.”

You shake your head, eyes peering into your drink. He watches how the image reflects in your eyes.

“Uhm. Not really. My parents told me to do my best to stay away from it. We lived in the countryside but I had to move out into the city for work so I kept… running into them. I can’t like… kill them. And I don't always see them.”

“You can’t use cursed techniques?”

“I guess that’s what that is. I don’t think I can, no.”

Vulnerable.

“Hmm. What circumstances,” He says, purposeful in weaving concern in his words.

“Is it that bad…?”

Not really. His job and the job of his peers is to make sure civilians make as little contact with curses as possible. There are more people like you, and because curses feed off of negative emotions - many dangers can be shafted by just not reacting. Even so, it’s customary for people to have some semblance of protection. A weapon if nothing else, for anyone who can see them.

“Do you carry anything with you?”

“Like a weapon? I have mace for when I take the train late at night.”

“Not that kind of weapon,” He says gracefully. He can tell you’re out of your element, and some small and twisted part of him would like to keep you in the fateful dark.

“What other kind would there be?”

“There’s a lot you don’t know,” He half answers. Your frown deepens. He puts his palm over the top of his coffee cup but doesn’t feel any warmth “Aw, don’t be like that. I’m just teasing. You’re always so calm and collected, I was surprised to see how scared you got, you know?”

“Everybody gets scared sometimes.”

“Mm,”

His non-committal response leaves you nervous again. Fidgeting with the edge of your cup or the loose threads in the sleeves of your clothes. What a bundle of nerves you are. Gojo puts all the comfort he can in his voice, dredging up some sense of sincerity.

“Well, since it scares you and I’m such a nice guy, I’ll protect you if you get into any trouble.” He says, snapping his fingers and pointing at you.

That makes you relax. Makes your shoulders droop, a smile gracing your pretty face. Gojo can feel the floor underneath him sinking as you tease him. His eyes trace the curve of your neck. He’s glad you can’t see him or where they look.

“Oh, what? Are you gonna come running every time I need help?”

He smiles.

“I’ll be your personal Superman.” He promises, making a silly expression trying to make you laugh. It feels good when he succeeds, the weight of his words softened by it. If you feel how heavy the comment is, it doesn’t show up on your face.

You snort, taking a sip of your drink and there’s something so kind in your expression that Gojo aches over.

“That right?” You hum, smiling over the edge of your ceramic mug “You’re my hero.”

Since then, Gojo’s kept quite busy.

The last time he saw you at all was at the diner a few weeks prior and little has been different since then. You send more nervous messages than before, but aside from that things are the same.

He’s done a good job, he thinks. Partly of ensuring you, partly of instilling healthy fear. Your eyes always widen like you’re caught off guard by his comments - sometimes washed away with a laugh but other times genuine. Gojo likes to keep you on your toes. A bit of harmless fun and endlessly amusing.

Gojo would be there to protect you just like he promised before, so even scaring you isn’t something he thinks of as bad. It’s not untrue that you should be a little more vigilant, but just telling you to do so is no easy feat.

He would like to be spending time with you today just the same as he has before, but he’s home alone instead. There’s been a brief reprieve between cases so he’s on his own to unwind. There’s nothing he wants to do, so he decides on a movie.

Gojo is the only one of his friends who still has cable TV. According to Shoko it’s a luxury purchase but for him it’s one less choice he has to make when coming home to relax.

It’s an American film on now, some psycho-killer classic that he’s already seen a handful of times with Japanese subtitles.

None of the lights are turned on, so the TV illuminates the room in flashes of color. He grabs a soda from his steel-gray fridge and cracks it open, listening to the soft fizz that comes to a slow halt. Pulling it to his mouth, he travels slowly back to his couch. The leather squeaks under the weight of his body. The weight of his back creates a divet that he can be comfortable in. He rests his head, glancing back again at the screen.

A scream rips through the house, agitating his every nerve. He picks up his remote and turns it down just a tad before watching the movie with a sort of disinterest. Horror movies aren’t his favorite, admittedly. He pretends he scares easily, but the opposite is true. Gojo has seen too much for it to be entertaining, no less scary.

He likes movies based on their creative merit. He’ll watch one on its creative merit.

But to be scared? For frights? Not really. Very little gets his heart pumping hard like that. Sometimes the storytelling is good. Other times there’s something cathartic about the formulaic death. The final girl, the call from inside the house. The dependable and clean ending of tropes. Even if it’s messy or sinister, it’s fantastical. Fictitious and detached.

Gojo enjoys that. For anyone else, it’s probably a twisted way to think about it but to Gojo it only feels natural. He doesn’t examine that detachment very deeply. He’s just aware of it, lingering in the back of his head.

He takes a long sip of his drink. The sickly sweet taste slowly coats his mouth. Fizzy and smooth, it goes down easily. He sits up in his seat, making himself comfortable as he tries to pay attention to the movie. The main girl is hiding in the bathroom, and the killers' steps are echoing through the house. The broken, somber string instruments in the background, fill the white noise with apprehension and terror.

Gojo doesn’t feel a chill down his spine. His eyes are still fixed on the screen though, with slight anticipation of what's next even though he already knows. It’s nearing the end and he’s seen this movie before. She’s not going to make it, and Gojo knows that.

He watches intently in spite of that. The door bursts open and there’s a knife in her chest - and screams. It’s horrific and ugly, blood-spattered and graphic.

He doesn’t flinch until the whole way through.

It’s brief, but the thought passes his mind. Lately, the only thing that Gojo seems to react to is you.

But he doesn’t think about it too deeply. There’s no need to.

The TV goes to commercial and Gojo realizes he’s finished his soda. He stands back up, onto his feet to toss the can and grab another. This time, he grabs some snacks too. Piles them onto a plate, dried meats, and something mildly sweet for after before he returns to his living room. Sitting back down on his couch, he scrolls through his phone for anything interesting but comes up short of any results.

He sits up a little straighter as the next movie plays.

Spending time around curses is a necessary part of the learning experience.

Things you can’t learn in all the lessons and tutoring in the entire world. Even though Jujutsu Tech exists, and even given Gojo’s lineage - when he started working officially, he didn’t know everything. You can’t. No matter to what extent you study, there’s some things that you can only gauge through experience. Going through something over and over, like muscle memory.

Gojo spent a lot of his life wanting it to make sense. Wanting curses and the way they showed up to make sense. This is a lesson in truth, divine truth you can only take up in experience. Curses are human emotions, which means that they are finicky and everywhere. And the dangers of them will always look like the aftermath of destruction.

Sometimes, there’s nothing you can do to prepare for why things happen. It’s why Gojo is always grasping for light where he can find it.

Gojo Satoru stands in an empty parking lot all the way in Osaka. He examines the sight in front of him and can’t find anything he’s learned to prepare for what's next.

Fog has rolled in thick clouds over every inch, limiting his vision. The air tastes of smoke, and the earth underneath him is damp. The wet concrete squeaks under the weight of his shoes as he takes in the surroundings. The parking lot of an animal hospital, in particular - where all the staff were reported to have fallen unconscious. After being rolled out by the proper authorities and after all the animals were moved into a different location - Gojo was left to examine the remnants of the incident.

The reports are similar all across the country. Not the location. but the symptoms. People falling sick and ill. The initial reports of a water-borne illness didn’t progress far past the first city. It’s evolved since then. People get sick, pass out and hallucinate and animals lose all control.

The aftermath isn’t very messy so luckily it doesn’t attract too much attention. There’s no bodies, or blood - nothing heinous thereafter. The effects appear later in the people affected, taken over by an unnamed madness that appears to turn their internal experience to ruins. Gojo would’ve preferred the first situation. Violence like that becomes easy to digest with enough exposure.

These kinds of symptoms are always hard to stomach. Civilians get answers that placate them. The truth is that there's something bigger out there at play and they were just so unlucky to bear witness to the terror. With altered memories and the badge of trauma, what they don’t know can’t hurt them.

Gojo knows though, and sometimes he envies their ignorance.

He makes his way into the building. A set of glass doors greets him when he turns the sidewalk, with a blinking sign. Osaka Animal Hospital is written at the top in neon, accompanied by the words 24hr service. Gojo only glances at it briefly before sighing, hands on the bar to push himself through the heavy glass doors. He has to lean some of his weight to get through, and there’s just another set beyond those where he has to do the same.

Then, he’s inside.

The presence of the curse and of cursed energy ignites familiar caution within him. It’s here, in some capacity - or it was recently. The perpetrator is here too. Why that is, Gojo can’t quite understand. It seems a little backwards to linger here after everyones been evacuated and there’s no doubt someone would come to investigate.

All Gojo can think is that maybe they weren’t expecting him. But by now, they must know he’s there too. Gojo’s presence is intentionally oppressive - by nature it must be. Now it’s a waiting game, a quiet one at that.

Hospitals are always echoey and this one is no different. The squeak of his boots bounces off the walls as he takes steps towards the receptionist desk just to see if he’ll find anything.

He leans over it, to stare at the left over records - untouched by the authorities. Everything looks like it was left in a hurry. Strew pens and a corded phone just barely back in place - with computers on a blue idle screen. All the daily documents are still out sitting on the desk with no organization to indicate they’ve been filtered through. No paper clips or post-its telling the next person working about what to do.

Instead of walking behind the counter, he climbs over it with relative ease. Once he’s behind it, he takes better note of his surroundings. He doesn’t find anything completely relevant. There’s painting of animals, and some certifications for bills of health as well - but nothing that warrants his attention. He redirects through the papers in front of him, coming across a stack unexamined. Those answer sheets they give you to fill out so they can assess the situation before meeting you.

They’re split into two piles it looks like, though that could just be some coincidence. Still, he flips through them. Directing his attention to the little comment box with the prompt what are you being seen for?

It’s nothing serious. Normal things an animal owner would be upset or worried about like bowel movements and eating something that shouldn’t have been consumed. A minor injury or a worrisome behavior - but nothing that sticks out. For pages and pages, Gojo flips through the little packets trying to find anything.

It’s not what he sees, but what he doesn’t. A blank packet of papers, with no name for the owner or the pet. Only a description in the prompt box, neat handwriting in a single line.

“Showing signs of anxiety.”

Gojo smiles to himself. Interesting.

He jumps back over onto the other side once he’s seen it. It’s strange. Why would they go to the lengths of premeditating it like that? Whether it’s the curse itself or some third party, it’s an unreasonable thing to do.

“Not like people like this are usually reasonable, but,”

He saves the rest of the thought, sighing. The room has two hallways to go down. Both directions have some lingering cursed energy, but the hallway leading to the overnight area is much stronger. It’s separated by a big metal door, so Gojo braces himself to go through it.

He walks towards it slowly and through the doors even slower. It’s a long, empty hall. The ceilings are low, white fluorescent lights over his head like a falsified halo. They flicker on and off, with the ones at the very end of the hall having fizzled out completely. Gojo can hear, feel, and see everything. He can hear his own breathing and the artificial crackling of electricity. Feel the lingering presence of sickness, the sediments of a curse preparing itself to emerge like a butterfly from a cocoon.

He peeks into the different rooms of the hallway. One half of the hall is kennels, once again empty and left in the same messy state as the front desk. The other half of the rooms look like surgery rooms, with a storage closet tucked into one corner. The hall comes to an abrupt stop at the end, a painted gray wall with nothing to offer at the end.

But when Gojo is half-way through, he hears it. A heart-beat. A human one, slow and steady like it’s not worried at all. Not moving or running, just there. Thump, thump, thump.

Gojo perks his head up as he walks, leaning over to get a look at every room. Empty, empty, empty.

Then, in the very last one is a shadowy figure. The sound of the heartbeat is louder and the feeling of cursed energy is so strong it’s nauseating. Gojo pauses when he peers in, waits for there to be any response to his presence. There’s no way whoevers lurking doesn’t know he’s there, but there’s nothing that makes him react. He frowns.

His hand reaches for the handle of the door with a sigh, the mechanism inside clicking to let Gojo know it’s open. He takes a deep breath before opening it, stepping inside and shutting it behind him.

Even with the room as dark as it, the person inside is clear to his vision. A young girl. Probably no older than 17 with…

He furrows his brow. With a dog, from what it looks like. No ordinary dog, obviously. A curse in the form of a dog, with teeth too sharp for its mouth and fur that looks like a smear of charcoal and nothing like hair at all. It’s on a long leash, the chain wrapped around the young woman's palms.

The dog seems to tense up at the sight of Gojo. The eyes are empty and white - almost transparent. It’s a snarling thing, muzzle over the mouth and clearly on edge. Gojo looks at its owner, the perpetrator in this instance. Who looks calm, black mask tucked over face and long dark hair with bangs cut sharp.

Gojo doesn’t know what to say here. He wasn’t expecting to make contact this easily with a curse and its master. It’s been months now, the authorities chasing after this special grade from city to city. She’s obviously strong, and so is that curse that’s strained against its collar like it’s ready to rip him in half if he moves. Not stronger than him, because no such thing ever happens - but strong enough for him to be cautious.

He doesn’t step forward. He stops by the door and tilts his head. He’s sure she can’t see his eyes, but they make eye contact all the same. None of it makes any sense, but making sense of it isn’t Gojo’s job.

Instead of introducing himself, he opens the conversation with a question.

“Why’re you still here?”

“I knew I was going to get caught soon.”

An answer he couldn’t predict even if he tried. Gojo huffs.

“There was some time between the authorities coming and this investigation. You could have left before then, no?”

“Doesn’t matter. Something would’ve stopped me.”

“What a weird kid. What led you to that?”

There’s a minute where the dog (?) starts barking, but the noise is nothing like a bark. It’s cosmic and strained, and sounds more like a distorted radio than an animal noise. It’s in the shape of an animal but it isn’t one, like it couldn’t complete itself to be one. Gojo winces at the sound, intensified in the closed walls of the room. It’s piercing, and a little annoying.

When she soothes it, it calms down quickly. It’s obedient.

“Uh. A vision. Closer to a premonition. Fate.”

“Fate said you were going to get caught today. Right.”

“Aren’t you a shaman? Shouldn’t be that hard to believe.”

“Point taken. How did you know I was a shaman and not some murderer?”

She gives Gojo a pointed look.

“Look at you. Plus, I can feel that you’re a shaman.”

“Another premonition?” He asks, this time sincerely. She shakes her head.

“No. Your aura.”

Gojo stares ahead.

“...Right, yeah. It doesn’t look like you’re planning on attacking me.”

“I don’t think I’d win. I’ve never met anyone stronger than me.”

“I’m the strongest there is, so I guess not. How did you wanna go about this, then? Famous last words?”

“You go first. I’d rather talk to you than the other officials.”

“Hm. Don’t know if I have any questions, kiddo. My job is catching you, not interrogation. I guess I am a little interested in why.”

This makes her deflate a little. It’s hardly noticeable, but Gojo sees it anyway. The dog seems to react, snarling at her discomfort. He’s starting to understand the connection between them.

She thinks for a minute longer before sighing.

“Well. I guess I should start about why, right? It’s an old story. I came from a small village. I used to walk miles to school everyday and I’d get bullied a lot since my granny was a shaman. It was just us growing up. A nice old house with not a lot of modern anything,”

Gojo crosses his arms, leaning back on the wall and nodding his head. He figures she’ll tell him top to bottom, so he doesn’t give any input.

“My granny died a few years ago. I didn’t have any family so I moved on my own. Even back then, the only other thing I cared about were animals. I started working at a shelter and then I met Senbei.”

The more she talks, the worse he feels. Gojo already knows how this story will end, but he doesn’t interrupt her as she pauses between her sentences. Being 17 and bearing the burdens of loss is something he regards as a nightmare.

“Senbei was my best friend. Most loyal dog ever. And you know, I started my job with high hopes and kept him by my side. I wasn’t always angry. Working in that shelter and watching animals come in trembling every time I fed ‘em made me angry. How cruel and sick people could be.”

Her explanations are jumbled and clumsy. She sounds angry but it’s not that simple, curling in on herself the more she talks. Noticeably, she doesn’t try to justify it. She says it easily, with acceptance that it happened. He thinks that acceptance is harder to bear than delusion. Gojo can’t help but commend her silently.

“I’m sorry you went through that.” Gojo replies.

He’s being sincere.

“Should you be sympathizing with me?”

“Doesn’t matter. I just do.”

Her expression softens. She looks sad, and it’s not like Gojo doesn’t understand. She keeps going though, hands shaking in her lap. Gojo thinks she might’ve been waiting to tell someone.

“I don’t know when I stopped seeing the good in people….I always thought about—about my granny and how no one—no one came to see her. She was always taking care of everyone and no-one—“

“I know, kid,” Gojo says with a sigh “I get it.”

“Then you know,” She pauses, taking a deep breath. There’s frustrated tears pouring down her cheek this time. What a strange, sad thing she is: “That you can’t go back. Even if you forget. It just—it changes you.”

Yeah. Gojo knows something about that, too.

“I was already pretty desperate when Senbei was alive. Just trying to hold on. When he was killed, I lost it. I just fucking— I lost it. I’m sure you understand. You get it right?”

Gojo looks at her confused. She shakes her head, looking down in her lap at the curse in her hands.

“I can tell you're like me. That's why your aura is so tainted and… fucked up and malicious. It should be crystalline blue kinda like spring water—but it’s muddy. Rigid.”

“What are you talking about?”

“The fact you’re hanging on by a thread. You can feel it too, right?“

Gojo remains quiet at her observation. He doesn’t know how to react.

“When you want something so bad, it just— does something to you. Either because it won’t happen or because it needs to take your life to exist. Happened to granny, to me. It’ll happen to you, too.”

“I doubt that,” Gojo says, your face flashing in his mind. He shakes his thoughts away.

“You’re thinking about it too literally. You want something, so you chase it and lose yourself in the process. You’re dead. No longer you, all tangled and in ruins. It’s not too late, but if you keep going—that thread is gonna snap.”

“A premonition?” He says, partially sarcastic. She shakes her head.

“No, a prediction. You don’t have to consider it if you don’t want to. I just thought I’d tell you since you gave me some last minutes with this Senbei.”

Gojo shakes his head.

“I don’t have any reason to be forceful if you comply. Take your time. I don’t have anything better to do.”

Gojo glances at her as she pets it, having resigned herself to silently gazing upon it. He can’t stop himself from thinking about everything she’s said, so he averts his gaze to the ceiling and pretends otherwise.

The silent stretches, a pregnant pause before she speaks one more time. She has a look on her face Gojo can’t read.

“You know, it’s funny. Everyone thinks dogs are loyal to their masters, but that’s because we made them that way. We can’t stand being alone or unloved so we made something that can do both without ever seeing any less of us.”

“You’ve had a lot of time to think about it.” Gojo says, unsure of how to reply. She isn’t expecting anything, but remaining silent fills him with a sense of dread.

“Guess so. You should take some time to think about it too,”

She says to him, petting the curse that whines like it’s been hit in her small hands. Gojo takes a deep breath.

“…Yeah. I’ll do that.”

The case ends anti-climatically.

Gojo finds it funny. The officials came and the young girl was promptly arrested. He never even got a chance to ask her name. He learned through some probing that she only made two asks before being taken.

The first, to keep her curse dog with her, and to send her thanks to the sorcerer who had apprehended her in the first place.

On the news, much later in the week - a news report surfaces. “Danger in the Deep,” giving reasonable and logical explanations for the events that occurred in cities across Japan not even a few weeks ago. New studies show, experts say, here’s a word from your local—a barrage of fancy language to pad the publishing, add depth and realism. The public is none the wiser.

Gojo has to admire the commitment to keeping the peace. The case ends, and the girl gets arrested and put on trial. He doesn’t know if he’ll be seeing her again any time soon, though he’s sure he has the power to intervene.

He’s hesitating to do so. Why stick his neck out for her in a situation like this one? Over other situations, more dire ones at that. She’d make a good ally.

Their last conversation hasn’t left the back of Gojo’s mind. He’s conscious of it, albeit it hasn’t slowed him down. He’s not looking for another assessment of who or what ghosts are haunting him. He’d prefer to put it all behind him now

So life, in some capacity, has returned to its baseline. It’s normal. He has cases but they don’t take him more than three days. He’s able to do his usual chores without anything impeding them. He’s been teaching, no longer forced to make his students fend for themselves.

He’s been seeing you again regularly, too.

He’s getting ready now to do just that. Scheduled to get another coffee together (something of a tradition now) and pick up some conversations. You’ve been busy, though Gojo doesn’t know the details of what.

He wants to know. He’s even tried asking but as soon as he gets close to the subject, you slink into yourself like you’re trying to disappear. Besides, he doesn’t want to intimidate you into telling him.

(Though, it would be so easy to do. You’ve got a record for being a scaredy cat, and as much as it endears him - he is entirely too hung up on the potential for exploitation to admire it kindly. It’d be easy to turn the notches up, pressure you. With how easy going you are, you’d let him do it. Gojo bets you’d cave. He thinks the face you’d make would be entertaining too.

Above all, the offer is tempting.)

In spite of your refusal to discuss the specifics, Gojo does want to cheer you up in whatever capacity he can. So, he’s taking you out for a while and hoping a comfortable environment and the presence of other people will soothe your nerves a little.

He’s getting dressed for it now, rifling through his closet for decent casual attire.

He’s got his hair styled down, a pair of new sunglasses on the table and his clothes folded on his bed before he tries them on. Most of his closet is uniforms, plain black and boring. For now, he’s settled on a black crew neck and blue jeans - ripped at the knees.

He looks over his appearance in the mirror, posing in it. Arms flexed and stretched over his head before putting them out in front of his body.

He takes his time to take part in the ritual. He slips his boxers up over his legs, waist band tight around his torso and clinging to the curves of his thighs. He pulls his jeans up, low at his hips with a belt buckled through the front. Then comes his sweater over his abdomen.

He wants to look nice. Though, he could be deluding himself - lately you seem a little more aware of his appearance. It makes him happy that his good looks haven’t failed him in the instance they matter most.

As he puts on his accessories (in this case a watch and a ring) his phone buzzes atop his dresser. He stops to pick it up, a message from you on the screen. He peers over so his face can be read, then smiles.

(sent 11:15am) Ready ~

He laughs to himself.

(sent 11:16am) Almost ready. Need to look my best for such a tremendous occasion.

(sent 11:16am) For coffee?

(sent 11;17) For coffee with my favorite kindergarten teacher ofc ♡

You send back a simple reply telling him to hurry and come out. Gojo chooses to interpret your embarrassment as a sign. It puts some pep in his step, and he hurries to finish dressing up.

He steps out of his house, locking his door from the outside before shuffling down a single flight of stairs and out into the front entrance of his complex. He notices you waiting at the front gate from where he’s standing.

The neighborhood dog (officially named Pokupan) is asleep by the security office. You’re the same as always. Today's outfit is a dress with long sleeves and colored tights. It suits you. A splash of warmth in an otherwise dreary world, Gojo stands in place as he watches you for an unidentified amount of time. Minutes feel like seconds as you pace back and forth. Your phone must be in your purse because he can’t find it anywhere on you.

He’s delighted when you finally turn your head to look at him. You cup your hand and give him a kind wave which he laughs at and returns enthusiastically. His stride is long, walking towards the gate.

You have to tilt your neck up to look at him (making his chest squeeze unhelpfully) but you smile when you do so.

“Hey,”

“Hello there Miss. Waiting for a special someone?” He jokes. You flush.

“They’re an important friend,”

He tries not to let his smile falter. Friend.

“Then, is it a bother if I ask to take you out?”

This time you falter. Gojo notices it out of the corner of his eye, the briefest brush of nerves that makes it seem like you’re warming up to him after all. It’s gone as quickly as it came but it’s there and Gojo etches it into the back of his eyelids for memory. He smiles at you as you look away, flush

“Not at all,”

He grins, again, even brighter. Then he sticks his arm out for you to loop in. You hesitate again. This time Gojo can’t be sure why.

“I’m just being a gentleman, you know?” He pouts. His frown takes effect as you loop your arms together. He keeps it friendly. Too much pushing and you’ll skitter away right before his eyes. Still, even this much progress feels good. It feels whole and light and good.

It’s a pleasant sort of day.

Not that it’s warm, or even sunny. It’s cold, on the edge of Autumn that dances into Winter. Freezing but bright out, the kind of sky where everything is clear. During the day the sky has no clouds and no stars when it comes to night time.

Nonetheless it’s nice. The cold is the kind that makes you want to cozy into someone for warmth, so Gojo doesn’t mind walking in. The walk itself isn’t very long either. The cafe is near your complex, just about 15 minutes worth of walking. There’s no snow or ice to trip on, and because it’s freezing - you shiver every time you stray too far from the heat of his body so the walking is done exceptionally close together

There are kids and parents walking together on the street alongside you, dogs and their owners, street vendors with hot tea. It’s that kind of day where the cold doesn’t keep anyone indoors, in fact everyone seems to relish in the fact they can run and run and run without overheating. It feels like everything is in sync with each other, comfortable and harmonious in spite of everything else.

After 15 minutes, you’ve arrived at the store front. Not long enough for Gojo, but that’s okay. There’s next time he has to look forward too.

(He tells himself this every time. It’s never enough for him. He can never get enough of listening to you talk. He could probably mimic your cadence without having to try. It’s a sound he doesn’t get sick of―a miracle, another one, because Gojo hates so many sounds―yet there’s one he always looks out for.

There has to be a next time. If he forgets to tell himself as much, he gets so restless he can hardly stand.

The cafe is nice. It’s one of those places that you see on Instagram often with plenty of sweets for Gojo’s taste and plenty of fancy teas for yours. The outside has beige-colored brick and a brown sign decorated with cutesy drawings. You spend a good amount of time crouched beside it, taking a picture or two to later post on your story.

“You have to tag me, okay? It’s your payment for wasting our precious time together,” He jokes.

You stand to your feet and brush off your pants, the material of your coat rustling as you do.

“Yes, yes ― I promise. I’ll have to ask who drew them when we get in there.”

Gojo smiles at your enthusiasm before opening the door for you. Another one of those glass ones with a logo printed on the top half and the metal tinted brown. A little bell chimes above your head as you head in first, and Gojo heads in after you. He has to duck not to his his head on the top of it.

It’s not too crowded at this hour. A handful of people sit among the many tables and booths. Your head is turned to the menu and Gojo trails behind you like a shadow. One to compliment all your light.

It smells delightful inside. Like warm cookies and vanilla and tea. Gojo feels his sweet tooth kick in the minute you two stand in line. The barista is a doe-eyed blonde college student. There’s another employee with long dark hair and thin, narrow eyes. It reminds Gojo a lot of that girl he met a few weeks ago but he tries to put that thought out of his mind.

He sticks his hands in his pockets and eyes the menu. The special item is a yuzu cream cake, the picture of it hanging on the wall like employee of the month. There’s a glass display of all the other items and the menu matches the rest of the decor.

“This was a good choice,” Gojo says, entranced by all the desserts around him. You laugh, turning your head slightly to look at him.

“Are you complimenting yourself right now?”

“Am I wrong?”

“Your sweet tooth is so bad,” You say through giggles “Your poor dentist,”

He gasps in offense.

“I will have you know I keep my pearly whites pristine. Not a single cavity for the record.” He says back, placing emphasis on the last words. You snort a laugh.

“I’ve never had one either,” You repeat back, perhaps mindlessly before saying “There’s a lot we don’t know about each other yet.”

Yet. Yet. Gojo’s subconscious will hold onto that word for too long. It makes his heart beat too loud. He’s relieved that you’re nothing like him. If you were in this very moment, you would hear the thunder raging inside of his ribs.

Instead of saying anything, he scoffs playfully.

“I bet you were such a goody two-shoes that you never ate sweets before bed-time.”

Your eyes widen in surprise followed by embarrassment, where you tuck your chin into your sweater.

“Ugh,” You say, so weakly Gojo can’t stop himself from laughing “What’s wrong with being a goody two shoes, huh?”

Gojo feels almost feline in his self-satistication. “I didn’t say anything was wrong with it, just that you were one.”

Your frown deepens.

“I don’t care for your tone, mister.”

“Are you gonna scold me like one of your students?”

“If it gets you to be nice,” You say firmly, in that Teacher voice that Gojo has caught glimpses of over the last few months. He does a fake salute.

“Yes, ma’am!,” He proclaims, soft enough so only you hear it. You break out into another set of his giggles, melting his cold heart. It’s not the smile so much as it is yours. The line moves up just a little bit. Gojo steps in front of you before you have a chance, his figure shadowing you.

“What do you want?”

“I think I’m gonna get one of those fruit teas and some cake.” You say absentmindedly. He smiles at you playfully.

“Heard,”

Gojo turns to order for you both, laughing through your obvious protests about his paying for you. He’s able to block you from getting in the way as the cashier looks on the both of you bemusedly. When the order is placed, Gojo taps his phone against the reader before moving aside where you stomp your feet and follow him.

“I told you I would get it this time,” You whine. He hums.

“Mm, there’s always next time?”

“You say that every time!”

“So you never know? Maybe it’s next time for sure.”

You seem to realize that this is a fruitless conversation and that he’s not going to relent. With a flush on your face, you cross your arms and pout.

“I’ll get you back one of these times, I swear….Anyway, thank you.” You add the last part quietly. He hums.

“It’s only fair, you know. After all, who else would come here to eat sweets with me?”

You look taken aback but Gojo doesn’t retract his statement. He’s sure there’s someone he could ask. But there’s no one who would agree to it as easily as you have. The environment wouldn’t be so welcoming, either. Someone who would do something like this with Gojo is long lost. It almost feels foreign to him now.

In order to ease the tension, you look up at him warmly.

“Then, I’m glad you asked me.”

There it is again. That warm, sort of fluttery feeling he gets in his chest being around you. He wonders if he’s allowed to be so happy.

The food arrives at the counter, the young woman calling out for Gojo. You and Gojo split the task of carrying the plates, picking a nice booth in the corner with the top covered, You slide in across from him, situating your bag.

You and Gojo go back and forth, setting up everything so it looks nice under the lights. Gojo takes on taking the photos this time, clicking from a few different angles and stopping to show you after each photo.

“I’ll send you the picture later, okay?”

“Don’t forget.”

“I won’t, I won’t. Let’s eat, okay?”

You nod enthusiastically.

You and Gojo eat and chat comfortably for a while.

He’s not sure how much time passes. He wasn’t checking because why would he? He’d like to be with you a bit longer, so he refrains from thinking about it and hopes you do the same. Just a bit more, he tells himself. Until you really, really have to go.

There’s nothing major to catch up on. You tell Gojo about your job, mostly and how you saw some friends from out of town the week before. Winter is coming and you want to do something nice for the holidays. You’re getting along well with your fellow teachers which is good. He was worried about that, but he can’t keep eyes on you at school.

(Not for not having tried. He’s thought about it, but his presence would be too noticeable and he doesn’t trust anyone else to the task)

So it’s relieving. Your only complaint has been that some of the students have the sort of parents you can’t handle. Pushy and involved in a way you can’t ignore but can’t tolerate either. Gojo jokes to take care of them, gesturing to his arm like he’s ready to knock someone's lights out.

That makes you laugh, and following it you have this melancholy look that sends alarms blaring in Gojo’s head. You don’t broach the subject at all afterwards. You talk about everything else you can. The sale on radishes at the market, thinking about getting a car just to have it, maybe visiting your parents sometime soon.

Gojo listens. He doesn’t have much to add. His work is strictly classified to people who aren’t in the field and it’s nothing fun to begin with. He does tell you what he can - usually about some antics his students have gotten into during training. He can at least talk about that.

He tells you about the movies he’s watched, how he went drinking with his co-workers last week, and how he thinks Pokupan is starting to act friendlier to him.

It’s fun because it’s you. Gojo likes feeling like he’s involved with you intimately. He likes hearing you talk. The sound of your voice is such a pleasant contrast to his own. You talk with a kind of joy Gojo could never hope to carry, all gestures and smiles and interjections - trying to make sure your point comes across. How you don’t think the kid sitting in the front is a bad kid, just needs guidance. How the material of your sweater isn’t really cashmere but more of a blend.

Time passes comfortably that way. The drinks and food have been reduced to crumbs and cold drops of tea, glasses emptied and phones abandoned.

But neither of you have made any move to leave, and Gojo is still listening to you talk with a pleased smile on his face. It was a pleasant sort of day, remember?

“So it was fine in the end, but the classroom was such a mess seriously―”

So, it throws Gojo off when you stop speaking so abruptly. How easily the atmosphere melts, and what an unpleasant film it leaves behind.

It feels like an axe hammering on a stop, a sharp and near violent thud that cuts off the end of your sentence. The air becomes tense in the blink of an eye. Gojo can feel it, the sensation of cursed energy. It’s stagnated, little like pebbles at the bottom of a creek. But it’s there, and Gojo can feel it creep over your shoulders like a sixth sense. Like someone skipped a stone over that same water. He senses it in the air like dust in the light.

He sits up straight, focusing his attention on you.

“Hey,” He calls out, softening his voice as much as he can. Trying hard to identify what's wrong exactly “You okay?”

Your hands shake as you lay them flat on the table. You’re almost completely spaced out by now. It all happens in the blink of an eye.

Gojo stares at you, calling to you a second time.

“Hey. Hey, look at me?”

When you finally hear him, you jump in your skin. Your shoulders relax when you realize it’s only Gojo. Normally that would make him happy, but not like this. Your hands are shaking. A nervous fidget in all of your movements that he’s never seen before, like you’ve been shocked with electric wire. He hates it. The taste of your fear (this fear) is different and unfamiliar.

He doesn’t like it.

You turn your head to look at him then avert your eyes again. He can’t follow your gaze as it shifts. It’s too erratic.

“No, uhm. It’s just, uhm.”

“Woah! Hey, Miss. I wasn’t expecting to see you here,”

Everything feels like it slows down as Gojo watches your eyes snap up. Your expression drops again, even lower, and if he listens close enough he can hear the sound of your heart. Your discomfort is tangible. It leaves a metallic taste in Gojo’s mouth as you suddenly curl in yourself, shoulders hunched and peeling skin off your nails.

You don’t even look to Gojo for help. Instead, your words go soft. You become helpless in front of his eyes.

“Oh. Yes, hello.” You bow your head trying to say as little as possible. Gojo stares as you shake like a leaf in the wind. Something ugly curls up inside of him, a knife twisting in his chest.

“Aw, c’mon? What’s with the unfriendly act? Is it ‘cause you’re here with your boyfriend?”

You look up at him panicked. Not because of the comment, but because of his tone. Gojo hears it too. How sinister it is. Like he’s blaming you for it somehow, like you’ve wronged him. The feeling inside of him is so ugly, it’s so wretched. His knuckles turn nearly white from how hard he’s closing his fist. You put your hands up and go to explain yourself anxiously.

It makes Gojo sick. He smiles, turning his head just a little so he can see. He opens his eyes and stares, focusing his vision on remembering every detail of the bastard's face.

“I’m not her boyfriend. We’re neighbors,” He explains, tone as cold as ice but smiling.

Gojo puts pressure in the atmosphere. His natural and suffocating aura returns to him easily. He smiles and remains unnervingly still, waits in quiet for the man to respond. He scratches the back of his head, still indignant.

“Uh. Okay. I guess that’s good. Wouldn’t be appropriate for a teacher to be out on a date like this huh?”

Again. This guy, whoever he is, turns his head like he’s trying to talk down to you. Diverts his perversion and sadism towards you that leaves Gojo wondering what his head would look like against concrete. A bitter, heinous feeling waits inside of him, nesting into his ribs as the sound of every voice in the room comes to be muffled. All Gojo can hear is his heart. How long it's been since he’s heard it.

It’s loud. A cacophony, or a hymn. Divine rage in the sound of his soul leaves has him unsure of how to proceed.

Gojo glances at you. Your eyes are rounded, full of desperation. Pleading.

Gojo hates whoever this is. Gojo wants to save you. He thinks you deserve to be saved.

He stands up. He has enough height on the guy to be intimidating, the guy just barely coming up to his shoulder. Gojo stares down wildly, pulling his glasses to the bridge of his nose to peek briefly over the edge. The bastard stops talking immediately, words coming to a stutter, It’s satisfying.

“Who are you?” He asks.

“Wh-why is that any of your concern? Can’t you see I’m talking to―”

“I didn’t ask about who you were talking to. I asked who you were,”

He hears you from behind him “He’s a parent from my school,”

“Ah, okay. Interesting. Since you’re a parent, we wouldn’t want to make this a confrontation right?” Gojo says, bemused “It’d be a real issue for everyone if it turned out that way,”

Gojo puts a hand on his shoulder, tightening his grip hard enough to hear him gasp. He’s weak, but that’s to be expected.

“So, I suggest you turn around and head home, hm? Since we wouldn’t want it to be a big fuss.”

Gojo can see it now. With a little pressure, he could turn the blade of his shoulder in sawdust and watch him fall to his knees. He’d let out a cry, a sharp pathetic wail like a hit dog. Gojo would make him say sorry to you before he lets up his hand from his skin. He’d do it infront of everyone in the store so they could hold a little fear in their hearts.

He won’t do it. Just for now. If it complicates your work then you wouldn’t be able to support yourself. What would he do if you ended up somewhere far away? Out of his sight, something like this could happen again and Gojo wouldn’t be able to take care of you.

So he doesn’t crush it. He pushes his palms into his shoulder blades and whispers quietly, just so the two of them hear. He pulls away and watches as his face goes pale, a simple stutter leaving his lips. Something about how he’ll see you later and that somethings come up before he turns around and leaves.

Gojo watches as he does. The door chimes again, and the man disappears. The patrons who might’ve glanced turn away again like it was just a simple altercation, which is good. Then finally, Gojo looks at you where you are. Your hands are trembling so hard, a shake of relief in your shoulders as you cover your face. You look like you’re getting ready to cry, so Gojo takes it into his own hands. He cleans up all the food, wipes the table, and even grabs your jacket and bag as you take a minute to collect yourself.

He taps your shoulder lightly afterwards, waiting for you to look up. Once you do he smiles, reaches a hand out to you so you don’t have to think twice.

“About time to get out of here, huh?”

You nod, so slowly. You look so relieved, even as you sniffle. Your hand is so small compared to his. He squeezes it protectively as you slide it into his own, and helps you walk out of the store together.

The air is cold, the same as before, the temperature having warmed just a bit. The bell above the door rings as the two of you finally leave, standing in the street. Unlike before though, there’s something bitter in the air. The sun has hidden itself completely in the clouds and the streets feel emptier, lifeless.

Gojo turns to you with a somber expression, trying to smile. It doesn’t quite reach his eyes.

“Do you want to go somewhere to talk about it, maybe?”

You chew your lower lip then sigh “...Yeah. Probably should, huh?”

You and Gojo decide on a place not too far from where you are. It’s a small park, a good place to end off an otherwise good day.

You have to take the bus to get there, but there’s not many people. Gojo eventually gives you back your things, lets you slide your jacket on and fix your face - but ultimately takes your hand and holds it on the ride there. He brings it to his lap and you don’t pull away even though you seem to fidget the whole time.

The bus finally stops in front of the park. It takes hardly any time, but Gojo finds he’s unable to let go of your hand so he doesn’t. Instead, he holds tight and lets you trail behind. You let him lead you quietly out back in the street. You give your thanks to the driver as the doors close.

He can’t let go of your hand, though he knows now would’ve been a good time to do it. His grip only grows tighter.

“Let's go find somewhere to sit,” He offers. You squeeze his hand this time and don’t look away.

“Okay,”

He tries to keep pace with you this time, instead of walking ahead. Your strides are shorter than his so he’s careful that you don’t fall behind. Your eyes still have that watery look to them but you’re no longer trembling from fear. Just the cold, if anything.

And your heartbeat no longer sounds so hazardous. Gojo is still restless, still fidgety. His thumb is rubbing circles into your skin but it’s not really for you.

You find a bench, eventually - in the middle of the long walk-way just a distance away from a playground. Gojo juts his chin out towards it, before turning over to look at you.

“Let’s go sit,”

You nod as you walk together towards it. You sit first, and Gojo finally lets go of you. He sits besides you. There’s a minute where the whole world is deathly quiet. There should be something calm about it, but it isn’t. You’re no longer terrified, and a distance away. There’s no danger lurking in the dark and there’s no cars passing or children crying.

Everything is calm and silent, but Gojo couldn’t feel more unease if he tried. He thinks he hides it well. But there’s that itch again, in a place behind his ribs he can’t reach into and he finds it hard to breathe.

“So,” He starts, breaking the tension “I’m guessing it’s not a friend,”

The stupid joke makes a smile appear on your lips. It’s small, but Gojo takes some comfort in it anyway. You wipe away your lower lash gently, a wet laugh leaving your mouth.

“No, not a friend. He’s uhm… a parent from my school.”

“The one who’s been bothering you for all these weeks?” Gojo supplies. You turn your head, eyes widened in surprise. Gojo lets out a breathy laugh.

“You….knew?”

“Not about him specifically, but I could tell something was bothering you,” He admits, and then adds “I always pay attention to my favorite person, you know?”

The addition has you looking away, but Gojo doesn’t mind. You sigh, rubbing your face with your palms before leaning back against the bench with your head hanging off the edge.

“He’s the parent of one of my students. Akio, he’s a good kid. A really well-behaved one but… too well-behaved. Never raises his hand, never complains or says he won’t do something.”

“I’m guessing that sent off an alarm bell, huh?”

You nod softly.

“Yeah. I figure it was something at home, but I’d met his mom prior and she was a real angel. Then, his dad came to visit. The man we met at the store, and I knew right away.”

Gojo feels his jaw clench listening to you talk.

“But still, you know, my job as a teacher is to be as respectful as I can. I always politely declined him when he would make comments and remained professional. Eventually, his mom stopped coming altogether and—I tried, I really—but he…” You trail off, a lump in your throat. He watches as tears form in your eyes, his anger getting more and more tangible. He tries not to express it, putting a hand on your knee “He just… kept pushing. A-and once, he looked like he was gonna get violent. I made a report, you know, to the school. But you know how they are,”

“They never even bothered investigating huh,” Gojo sneers. You laugh a tired sort of laugh.

“Of course not. After that, I just tried to endure it. And I know he hasn’t done anything technically, but it doesn’t really feel like a matter of if but when,” You explain haphazardly. Gojo squeezes where his hand rests.

“I believe you. It’s okay,” He says as soothingly as he possibly can “It’s okay. I’m here,”

There’s a sense of relief that washes over your whole body and before he knows it, you’re breaking down. He feels a lot of emotions all at the same time, watching your little frame as you lose it so easily in front of him. A part of him is so furious he wants to make it everyone's problem. Another part of him is so deeply sad knowing you’ve suffered all on your own.

And the most notable part of him is the sense of protectiveness, burrowing inside of him. A sense of possession. It sinks into him like teeth, seeps into his blood like the venom of an animal so that he bleeds and breathes it. Gojo can’t shake that deep sense of urgency, a nameless and faceless desire that consumes him. He shudders.. He holds it in, all of it. Cups his hands so desperately so that it doesn’t spill over and touch you, the ink of ruining the soft white of your clothes.

In a world that you have made beautiful, desire is ugly. Hideous and infectious, it tears Gojo limb from limb. It makes Gojo feel on edge. Gojo should not desire for any more than what he was. People always die when he does.

But maybe they don’t have to. Maybe, he can protect you. He can keep you safe. He wants to keep you safe. He wants to keep you all to himself.

It’s in an effort to soothe those feelings that his arms find themselves around your form. It’s the first time you’ve hugged in such an intimate way. Where expects you to turn away - you don’t.

Instead you cling, your arms around his jacket and your face in his chest. You cry and weep and sob and you look so small like that. You look like you’ll collapse and Gojo holds you. Says it’s okay, it’s okay, it’s okay as you let it all out. It must feel good to finally let it all out, after everything and he doesn’t intend to stop you.

“I promise I’ll always protect you from now on,” And he says it, and means it. If you feel the weight of his statement, you don’t let it show “It’s okay. You can cry if you need too,”

You cry and cry and cry.

And Gojo thinks the call of heaven is nothing in comparison to the sound.

In the end, Gojo can’t forgive him.

It’s not without effort. He tries to do it at your request, because after all the tears he wants to help. He says he can maybe pull some strings. But that gentle heart you have declines. You don’t want it to become a big deal. You feel a little better knowing he knows. In the end, you don’t want it to affect that brats reputation.

“You know how kids can be,” You say, voice full of concern for everyone but yourself “I don’t want to make school life anymore difficult than his life at home must be,”

So, Gojo tries to listen to you. But days pass, and days turn into weeks. In the end, a month goes by and Gojo is full of terrible and divine anger.

In the end, Gojo won’t forgive him. Gojo can’t let it go. He feels so righteous in it, he starts avoiding his own eyes in the mirror. There’s something inside of them he has no desire to look at. Eyes that tell all, Gojo turns away from their gaze. Gojo is angry for you, and it’s not in his character to do nothing about it.

He decides on less of a whim that it looks. He wonders about alternatives, if there’s anything that can stop this feeling from imploding inside of him but nothing comes.

When he decides that nothing can be done, Gojo goes out of his way to start watching him.

Like any mission, he needs enough background information to map out a plan. He wants to make sure that it has virtually no pushback for you. There’s always a possibility you’ll get caught in the crossfire and that’d be the worst possible outcome. Gojo can protect you from a lot of things, but he’s not as confident about the law.

(Not that he can’t. Just not in the good, right way he’s sure you want him to protect you in. Gojo’s love is divine, not right. There’s nothing in this world Gojo can’t shield you from, because he’s the strongest.)

He also can’t make anything obvious or leave any room for interpretation. If there’s anything that feels off when the reports go live - you’ll stick your nose where it doesn’t belong. He thinks in the instance you find out (about all of it, the premeditation especially) you’d probably tuck your tail and run.

(Gojo would find you. But the chase means there’s some time you’re apart. The thought is almost nauseating.)

He likes that you’re curious about everything. In most instances anyways. But he thinks it’s better to leave you in the dark sometimes. Having you worry about it would ruin the point of this. And sometimes, it’s better not knowing every detail. Honeytraps are more ethical than nets.

He’s doing it for you in the end, like he does most things. And the kid will benefit, maybe even get some sympathy from his classmates for a while about the tragedy that befell his father. Gojo thinks it’s a good plan because no one loses. It’s a lot like killing a curse.

It only takes two weeks to learn virtually everything there is to know. A guy like that doesn’t have much he can hide.

The name of his target, he learns, is Nobu Watanabe. Father to Akio Watanbe and ex-husband to Akiko Watanbe. He’s a recently released felon (let off on good behavior) with a battery and assault with a deadly weapon charge. He’s a college drop-out, and has been working a lot of odd-jobs since he was 16.

His personality is bad, worse is his drinking and smoking habits. He’s often found drunk in the street, and has a track record for single nights spent in a cell. His ex-wife is usually the one bailing him out. Gojo can’t help but feel sorry for her. Somehow, he doubts that he’s good to her. He’s a deadbeat father through and through. He only offers to pick up his kid to harass you. At least from what he can tell.

He isn’t as awful to his kid as everyone else. Gojo doubts that was always the case. Akio isn’t a bad kid, but it’s hard not to notice the way the light in his eyes disappears when his father comes around to pick him up. A head always looking towards the floor, hands tucked in his pockets.

It’s difficult for Gojo to feel any guilt about what he’s doing. After everything, he can’t find it in himself to feel any regret.

His target is currently working at a dock, not too far from the city. He seems to work there most days, working at a bar on the weekends. It’s a big company that handles foreign goods that he does physical labor for. Lifting and moving boxings, checking inventory - it’s not a complicated affair.

If there’s not a major shipment, he still seems to clock in so he’s definitely paid some kind of hourly wage. He smokes often on the job, but works diligently when there is something to do. An easy but physical job, he’s strong. Gojo can understand what intimidates you about him.

Gojo, though, isn’t intimidated by him at all.

He waits a week before he takes action. To shake off anyone or anything that might be trailing him, and to make sure that everything is the same as he observed. That his schedule wasn’t going to change. A week passes, and when Gojo has confirmation - he decides to do what he does best.

Gojo Satoru decides to play God on a Sunday.

Sunday is a day shipments come in and a day he often works alone. The pay is better on Sunday and Nobu is the only one on his shift who takes it. He’s not expected to finish the strenuous work because he’s alone for such a long stretch of time - just to make a dent in it. The people at the next shift are the ones who finish the job.

He starts his day as early as 6am. It’s near winter, so the world is painted in a miraculously melancholy blue. Gojo follows him that morning. He knows the route well enough to trail behind him and not attract any attention. They pass together, turning corners and taking bus rides until Nobu’s finally in at his job.

There, they part briefly. His target goes into the big white building and he goes on top. Gojo has to teleport to the roof because everything is gated with security cameras covering every inch of the property. Following him puts Gojo at risk. So he waits on top of the building, hands in his pocket and pacing until Nobu comes out the otherside to the docks. His jumpsuit put on haphazardly, only half-pulled up to his waist, with a clipboard and pen as a bunch of boxes waiting for him to check them.

After Gojo confirms that he’s alone, he lies in wait. He sits and waits - watching as the clouds pass. Watching the open sea, how it remains unchanging no matter what boats pass through to shore. He looks at his phone every now and again to check the time.

It shouldn’t be too difficult to actually do it.

You know, if Gojo turns his infinity on, there’s nothing in the world that can touch him. He can touch it, but it can’t touch him. There will always be a barrier between his hands and the world. Between him and the known universe, a bridge that started burning the minute Gojo was born into it. If Gojo turns on his infinity, there’s no way to leave traces of him behind.

Did you know? If Gojo turns on his infinity, his fingerprints don’t show up. There’s no DNA to find. Not a trace of him in the world that he hasn’t left purposefully. Even if Gojo chokes him with his hands bare hands - he wouldn’t be touching him. But Gojo can feel it. Feel his pulse, feel his breathing come down slowly.

If there’s such a thing as heaven or hell, Gojo wants to ask God about being homicidal. If it was a flaw of human design or their Lord reflected inside of them.

He lies in wait on top of the roof until 7.

When 7 hits, the world around him is still so dark. No one kills in broad daylight. The heavens are murky, sky full of black clouds like puffs of smoke. It’s freezing cold, a spine-tingling chill making its way up Gojo’s skin and hardening his hands. . Gojo waits for the doors of the garage to creak open. When the sound echoes into the air, a metal screech in the void, Gojo stands to his feet.

He jumps to the ground, landing with a dull thud. He comes out unscathed, a cat on his feet. He dusts off the front of his pants. Nobu hasn’t taken notice of him. Gojo takes a look around them. There’s no cameras in the warehouse. Gojo waits alone in the dark.

Five minutes. It’s five minutes when all of the lights go out.

“What the fuck?” Nobu mumbles, dropping his clipboard on top of a bunch of boxes, running a hand through his hair. Gojo waits in silence, watches as he turns around.

When he finally does, he jumps back in shock. Gojo feels a cold chill run through his body.

“What the fuck? Who the hell are you?” Nobu asks. Gojo grins.

“Ah, you don’t remember? We met a few weeks ago! We had a nice little exchange and everything.” He says, voice going higher by an octave. The man in front of him stares, off put by Gojos’ presence. He stumbles in his thinking, his body tensing up.

“Who the…what the fuck is going on?”

“Hey, don’t be so scared,” Gojo says, then uses his teleport to phase himself closer. Nobu’s eyes widen, shocked. Scared out of his wits, with the story of heartbeat like he’s being hunted. “Tough guy like you has nothing to be scared of, does he?”

“W-w-what…how did you…”

Gojo shakes his head.

“Don’t worry about it, man.” He says, voice calm and smooth and even. He’s surprised by how his emotions feel in his body. Like he’s so angry that he’s not. There’s something inside of him, the white waters that wade, that Gojo can feel. It’s strange “We’ve got about 5 minutes till the lights come back on.”

For a while, they stand at a draw. No one moves. Not him, or Nobu, or the open oceans. It’s quiet for a dock. Even quieter for a dock in Tokyo, and Gojo’s not even using his abilities. He probably won’t need too, other than infinity - there’s not any good reason for him to exert himself any more than he must.

Weeks of planning, weeks of watching, weeks of waiting. Nothing feels like it matters at the moment. He wants it to be over soon-ish.

It’s not that Gojo is particularly sadistic.

It’s just that, everything feels like it’s teetering over this very moment. He thinks it to himself quietly like someone trying to remember where they last left their keys.

Briefly, Gojo thinks “I can’t go back,” after this. In the back of his head he just knows.

He envies this aggravating strangers' ignorance, too.

“What do you want from me?” He says, stuttering - a gasping breath of fear in his lungs that snaps Gojo out of his thoughts. Gojo shrugs.

“Nothing, really. I’m not short on money, you know? I make a good living,” He says, spouting off about nothing as he closes the gap between them. Stepping closer infinitely until Gojo backs him into the garage, into the tall tower of boxers where there’s no cameras and no witnesses “Hm…is there anything you can do to fix this?”

No, Gojo answers mostly to himself, But wouldn’t that be nice?

“P-please, I have—”

“A son right? And an ex-wife, and a dead mom in Saitama. You didn’t think I came here without doing any research, did you? We’re the same in that way you know, I might be a frivolous - but hell if I’m not diligent,”

He looks like he’s going to throw up. Gojo remains indifferent.

“Who are you?” He asks, this time really wondering. With that hoarse voice of curiosity, of defeat.

Gojo hums.

“Good question. Who do you think I am?” Gojo poses and lifts his hands up. He puts them around his neck, pushing hard until his back is against the stack of boxes. It’s dark but Gojo can see everything. He keeps his open, tightening the grip of his hands slowly.

Nobu tries to spit something out but the words get sputtered, muffled by lack of oxygen.

“Do you think I’m a devil? An angel? God? I wonder,” Gojo says, staring. With his mask on, but his eyes opened wide. “Guess I’m kind of like a boogeyman,”

Gojo can feel it. His body underneath his palms, gasping and struggling for air. He can feel his hands try to pry his hands off. He can feel his body slowly start to lose its air, how he deflates like a balloon. Gojo is unmoving, unfazed, unworried. He’s near motionless except the hard grip of his hand on his neck and the pulse that slows gently under his palms.

It takes 5 minutes, maybe less, with all the strength in both his hands. Gojo isn’t counting. He holds on for maybe 2 minutes after that, just to make sure it’s not a fluke. He waits till the heart stops sounding in his ears and until the body is completely limp except for where Gojo is holding him away. He goes out sad. Useless, even.

When Gojo stops, Nobu’s body drops to the floor with a dull thud. He stares at it for a while, then sighs. It’d be nice if he could just leave it there, but he does his due diligence. Picks it up from the ground with relative ease, over his shoulders.

He walks it out towards the dock - the very edge, before tossing it in water and watching it sink. When it disappears from his sight, Gojo is left with his reflection in the deep blue. He meets his eyes for the first time in weeks, and knows he’s seeing exactly what he thought he would.

His anger has settled, just barely. Just enough to be able to see the change in his own vision. With his Six Eyes, Gojo can see that there’s no turning back.

With his mask on, he looks at himself, warped in the vision of the sea. The vision of him—crystalline and white and blue—murky and moving.

Gojo jumps to the roof and turns the light on again. The power comes back.

A dog barks distantly, over and over and over. Gojo watches the sun rise alone.

The following weeks pass without a hitch. Gojo feels like nothing has changed.

(But that’s not true. Everything is different. The same but different)

At the two week mark, winter has set in and Gojo is spending time with you in your apartment together. Currently, you’re cooking dinner (after carefully instructing Gojo to stay put in the living room.) Gojo is sitting watching T.V. He’s helping you grade papers at the coffee table, humming to himself.

It’s about 7 when the news starts to play. A local news channel and a familiar face on the T.V. Gojo is surprised when the breaking news report airs.

“Two weeks ago, a missing persons report was filed for ex-convict Nobu Watanbe. Sources say he was last seen working at a Dock in Tokyo - which experienced a power outage. It’s reported that Nobu seemed to have gone missing at the time, and hasn’t made contact with anyone since then. Could this be the work of a…”

The rest of the report Gojo tunes out. He turns his head slightly to see if you’ve noticed. Your eyes are glued to it., standing and staring silently. You place your spatula on a towel on the counter.

“We got word about a week prior to this,” You say, breaking the silence after some time without Gojo prompting. He looks at you “Akio started coming with his mom again and she gave me the story. It wasn’t unusual for him to up and disappear, but he hadn’t done so since Akio was born,”

“That so?” Gojo says, nonplussed. You nod.

“I feel guilty but,” You trail off, rubbing your arm anxiously “I can’t help but be… relieved. Just a little. I don’t want the guy to be dead or anything, but it,”

Gojo stops you in the middle of your sentence.

“You don’t have anything you need to feel guilty about,” He corrects, voice stern. You give him a sad look but he remains firm in his stance “He was harassing you for weeks. It’s only natural that you feel relieved, you know?”

You’re not entirely content with the response, but you seem to know well enough this isn’t something Gojo will compromise on. You sigh, looking down at the floor.

“Yeah. That’s true I guess, but still. I wonder what happened to him, or if he just decided to run away,”

Gojo pretends to think about it.

“Maybe. Otherwise…guess it was God’s divine punishment,” He says, continuing to grade papers. He doesn’t even look up as he says it. You let out a puff of air through your nose in amusement .

“Yeah,” You say, “Maybe. I should thank him some time,”

Gojo hums.

“I don’t think that’s a bad idea,”

#gojo x reader #jjk x reader #manipulation cw #writing tag #dark content cw #yandere cw #noncon cw #murder cw #yandere!gojo #stalking cw #i tried to add the most major tags #lmk if you need more #ok. gn #part two will be out whenever ame has read lol

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i-drop-level-one-loot · 5 months

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You know, it would be interesting for me to read the gloomy Disney characters. By the type that the Reader accidentally enters the Disney world. Or is already in this world. For example, a man! The Evil Queen× reader. Just imagine that the mirror says that the most beautiful is the reader and the man!The evil Queen was interested.. Well, or dark! A man!A Disney princess who believes in love and believes that the reader is his true love and that the reader should belong only to him.

Sorry for the bad English

Don't apologize

You're perf, babes

Yandere!Genderbent!Evil King x GN!Reader x Yandere!Genderbent!Snow White

CW: Death, obsessive behavior

"Magic mirror on the wall, who's the fairest of them all?" The vain king asked his enchanted mirror as he often did whenever his pride was wounded. King Hadewig was the envy of men and women. Cold and beautiful, his features were cut like an ethereal ice sculpture. Intelligent, talented, and ruthless, most everyone either wanted to bed him or be him. However, his power was not guaranteed for long.

Hadewig was King only by responsibility, and not by actual title. His title was, legally, Prince Consort. He married his, now deceased, wife when he was a young bachelor, and she was the only eligible bachelorette of suitable status as a widow. Being so much older than him, it was an "unfortunate", but not "unsurprising" passing of the crown when the Queen died and left her son in Hadewig's care.

The only reason the child wasn't immediately crowned king was because of Hadewig's charm and influence, convincing the court that the young Prince Snow was too irresponsible to rule the country. But it was difficult to continue that lie going, even with Hadewig purposely keeping Snow ignorant of his future kingly duties by treating him as a servant, for now the boy was twenty years of age, and truly should have not only been coronated years ago, but also wed off to the available princess of the neighboring kingdom, a woman as old as Hadewig.

But his potential loss of power wasn't the reason for his low self esteem that day.

"You are, my king. There is one who approaches, but does not yet share with you what makes you fair."

The king slumped in his seat in an uncouth like manner. "Then why does my hunter not look at me like a man?"

King Hadewig's personal hunter, an immensely talented killer that didn't just slaughter animals for the king. And the only person who simply looked at the king. Nothing Hadewig did could change the professional look on (Reader's) face during their meetings. No matter how charismatic he was with his words, how stylish his clothing was, nor the love potions he attempted to spike (Reader's) drinks with, they were seemingly immune to every one of his attempts. In their most recent meeting, the one that left Hadewig depressed, he had offered his hunter a glass of wine, which they turned down, stating that the last drink they had received from the king did not agree with them.

"I can not tell you that, my lord. I only can report what I see, so unless your hunter speaks their secrets out loud while I spy, I am blind to their feelings for you."

Hadewig groaned, upset and broken hearted.

"Show me my hunter, again."

The face in the mirror melted, dissolving into an image of (Reader) leaving the castle. Their strong frame sent shivers down the icy man's spine. His first and only marriage was one of political importance, with no love or warmth between the husband and wife. But in the presence of his Mx. Hunter, the king was set ablaze. The intense feeling of heat was dowsed when he witnessed the bastard he hated most in the world approach his hunter.

At the steps of the castle, Snow had been timidly watching the triumphant hunter from afar, gathering the courage to approach them. He had never known shame, never feeling any sort of embarrassment about the state of his dress, but in the presence of the person who always smelled faintly of iron, he was reduced to two inches tall.

Stepping lightly like a mouse, the short adult snuck up behind (Reader), still debating whether or not he was actually going to announce his presence.

His decision was made for him, however, being noticed by (Reader) almost immediately.

"Good afternoon, your highness." They said, turning sharply on their heel to face him.

The hunter was the only person to address the prince by his royal status.

"Ah- how did you know it was me?" He asked incredulously. A pink blush warmed his entire head, wrapping around the back of his neck and up to the tips of his ears.

"Because I could hear you." (Reader) offered a kind smile to the shy, younger man. They felt sympathy towards him, with the way his cold step father treated him. With what they had done to him.

Snow was impressed by how cool (Reader) was. And a small part of him wished to impress them as well. He tried to straighten out his worn out rags. "What brings you to the castle today?"

"To gift the king a wolf pelt. And also," (Reader) reached into their pouch, pulling out a pressed flower, "to gift you this."

The prince sucked in his gasp, wide eyed and lips pressed tight.

"I apologize for not finding something better for your highness."

"No!" He panicked, grabbing the flower with both hands. "It's beautiful!"

He hadn't received a gift since the passing of his mother.

"Happy Birthday, your highness." (Reader) bowed, then turned swiftly, leaving the young man hyperventilating and sweating.

Only the king and his mirror heard Snow whisper long after (Reader) left: "I love you."

Three days later, and the king was losing his mind over the interaction. Snow was visibly taller, standing straighter as he worked, singing as he cleaned the castle grounds, and it was bothering him.

Hadewig kicked over his chair in frustration. "Magic mirror on the wall, who's the fairest of them all?"

"The one you fear is getting stronger, the confidence has warmed his winter, and people shall notice his spring awakening. The prince now glows more brightly than you, whose anger has etched lines of hatred into his ice like face."

King Hadewig released a scream, losing his control before quickly sharpening back up, running his hands through his messed hair.

He left his study, storming over towards a frightened servant.

"Send for my hunter."

Before (Reader), the king was disheveled, worrying (Reader) something awful.

"I can not stand for this disrespect any longer." His gaze read cold and cruel as it pierced the hunter's. "You understand that you are mine, correct?"

(Reader) thought about the flower and felt a wave of anxiety. "Yes, your highness."

"You understand that you belong to me?"

"Yes, your highness."

He sighed ever so slightly, before retrieving a wooden box from his desk. "I have another assignment for you.

Kill my son."

Nausea threatened to erupt from the seasoned murderer. "My lord?"

"Take him deep into the woods, and bring me back his heart." He held out the box. It was a test, as though (Reader) hadn't proved their loyalty to the mad man enough.

The empty box was heavy in (Reader's) hands.

"As you wish, your highness."

Prince Snow spun in the field of flowers as he searched for the most beautiful flowers for the hunter. It was the best day of his life! His father had given him a colorful outfit that fit him and the hunter had asked him out on a date! Well, they didn't call it a date, but what else could it have been?

He wove a crown for (Reader) while imaging their wedding day, becoming King and Royal Consort and having a real crown placed on their head.

(Reader), however, was weighing their options, not truly paying attention to the prince, and trying to ignore his childlike excitement.

What would the king do, if he was made a fool?

"Oh, hunter!" Snow ran over, holding out the delicate crown. "I made this for you! May I?"

And that was all it took, for (Reader) to spare his life.

They bent down, feeling the weight of the crown on their scalp. It smelled nice. Before Snow could retreat, (Reader) wrapped their arms around his thin waist. They had killed so many people before, but this was only the second time they felt unbearable guilt.

The first was after they took the life of the Queen.

"(Reader)?" Snow stuttered out, feeling weak in their strong arms.

"You must run, your highness." (Reader) whispered into his ear.

"What?"

"The king has ordered me to kill you. So please, run. Far away, into the woods." They released the prince, and it was only then that he noticed the heavy bags under their tired eyes.

"Why? I don't understand-"

"Leave. It won't be long before that witch discovers my lie."

Snow fell to his knees, holding onto the edge of (Reader's) shirt for dear life, falling apart in front of them. "Please, no! Come with me! If he would kill me, what would he do to you for sparing me? Please, run away with me!"

(Reader) bent down to release his fingers from their hem, planting a kiss on his forehead as they did so. "I hope when I meet you again you will have found a name more worthy of such a warm and kind person. For as of this moment, Prince Snow is dead."

Excitement threatened to crack the King's cool demeanor as he observed the bloody heart in his hands. (Reader) was distant, but that didn't matter to Hadewig, for now there was no competition for his hunter's affection. They would soon be his, even if he had to use force to make it so.

"Excellent work, my faithful hunter." He offered a practiced smile, unnerving (Reader) who prayed that the pig heart made a convincing decoy. At least until they could escape and hide out in the mountains, far away from the King's eyes.

(Reader) gave a deep bow. Then they left, calmly getting on their horse, and leaving, not taking a single glance behind them as they sped off, emergency bag already packed on their steed.

Back in Hadewig's room, he caressed the box affectionately, thinking about his lovely hunter. The stress had certainly caused a frown line, just as the mirror said, but he was working at reversing the damage.

"Magic Mirror on the wall, who's the fairest of them all?" He dreamily asked, slightly nervous that the rage had permanently ruined his perfect face.

"Hiding deep within the woods, tending a wounded heart, the fairest in the land hides. Prince Snow still lives."

The king scoffed. "I have his heart right here, mirror."

"No, within that box lies the heart of a pig."

The box fell from Hadewig's hands. "A pig..?" His face scrunched up painfully. "(Reader) would never betray- they belong to me! ME! Guards! Where is my hunter?!"

"The hunter is flying towards the mountains, away from the woods they released the prince into."

Hadewig collapsed at his desk, screaming in agony while pawing at his chest. "No! It's all his fault! Find me that little bastard- I'll kill him myself!"

The seven dwarven women listened to the young man recall his tale of woe, his eyes full of tears but a smile still on his lips. "So, if you please, could I stay here? Just until my love returns for me."

Happy sighed dramatically, blushing and twirling her beard. "That (Reader) is so brave~"

Grumpy smacked the back of her head. "That double crosser may have saved the prince, but that doesn't mean they won't double double cross him!"

Bashful stomped a foot. "It's true love! They would never!"

"Well, they never confessed their feelings," Doc said while cleaning her glasses, "they could have saved Snow out of the goodness of their heart."

Snow smiled, trying to calm the fragments of his heart. "I have to believe, to hope, that (Reader) loves me as I love them. To risk death for me.. but, they said we would meet again. And I trust them."

It was painful, knowing that his father wanted him dead, but what was worse was hearing that (Reader) had put their life in danger for him. Despite all the pain and punishment Snow had endured, he never held it against his step father, but now..

A dark, bitter seed had been planted.

And throughout the night as the household slept, Prince Snow could feel it grow, threatening to burst forth from his chest. The dwarven women were so kind to him. So inviting, and trusting.

He wondered what else they would do for him.

The dark haired man knew that the apple was poison from the moment it was placed in his hands. What kind of elderly man would be this far out away from any sort of town, especially if they were traveling to sell produce? He didn't know who the old man was, but knew that he must have been in cahoots with the king.

"Oh, I don't have any money." Snow said quite sadly, placing his head in his hand.

"For such a lovely young man? Free of charge."

"Are you sure?"

The old man was certainly no real beggar. Nothing made sense. It was cruel, what Snow thought to do, especially if he was wrong, but in case he was right.. Snow whispered to a bird before smiling brightly at the stranger, taking the apple in both hands.

"Of course, please take it!"

Snow bit into the fruit, but did not swallow, hiding the chunk in his hand. After a few seconds of pretending to chew, he collapsed, holding his breath.

The king almost immediately dropped his disguise, snarling. His once similarly raven hair had a stripe of grey.

In a voice barely louder than a huff, he said "It serves you right, you filthy bastard. I would have let you live, if you had simply left my (Reader) alone."

He exhaled. There was no movement from the floor.

"Are you dead yet? Can you still hear me? I hope you can." The king smiled. "I hope you can hear me from beyond the grave as I finally get my happily ever after."

But as he celebrated the dwarves rushed home from work, and a small bird was rallying forces to find the hunter and lead them to Snow's body.

As he monologued to what Hadewig assumed was his son's corpse, the women returned from the mines, righteously horrified and armed with pickaxes.

Hadewig heard a woman shout "Grumpy, don't!" before a pick connected with his lower back, piercing his organs from behind.

The pain was excruciating, sending fire up his body as blood poured out of him. He imagined (Reader's) face, finally smiling for him as they cradled him in their arms, accepting his love. Hadewig wanted that to be the last thing he saw before he died.

Instead, he witnessed Snow, smiling up at him from the floor.

(Reader) arrived just a moment too late, having been closer than they had expected due to how deep into the woods Snow had traveled. They witnessed the sobbing dwarves sitting at the door, too upset to enter their own home where the young prince they tried to rescue lie dead.

The hunter pushed passed them, not wasting a second to grab the young man. He was still warm, but wasn't breathing.

Snow kept his eyes closed as he felt the worst pain he had ever known.

(Reader's) hands slammed into Prince Snow's chest. A rib cracked under their strength, but Snow refused to show it.

Then their lips pressed against his.

His nose was held shut as (Reader) forced air into his throat, trying to get him to wake up. They continued the repetitions a medicine man had taught them while blowing air into his lungs.

"God damnit, Snow, wake up!"

They leaned in, and felt him breath against their mouth. His large brown eyes fluttered open, and his face reddened.

His lips curled into a weak grin. "You came back for me.."

Guilt washed over (Reader), hugging him tightly to their chest. "I'm sorry I left, Prince Snow."

Warm hands ran through (Reader's) hair. "Please.. Call me Theros."

The regret and pain kept (Reader) still, allowing the recently "revived" prince to pull them in for a kiss.

After all that (Reader) put him through, a kiss was the least they could do.

But for the born again man, it was just the beginning.

#sorry it took so long #yandere #yandere x reader #gn reader #genderbent #yandere king #yandere prince #love triangle #strong reader #cw blo0d #cw death

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applepieshy · 1 month

Text

I had an idea to redesign vox because I didn't love that a character obsessed with modernization would wear a top hat and bowtie. then after a brief stint into madness where I read my partner's historic costuming textbook I drew.... all this.

(side note: the idea of vox being a trans man who transitioned AFTER death was super compelling and absolutely inspired by @prince-liest so while this is not direct fanart of their series I wanted to give a shoutout anyway!!!)

okay some TRULY unhinged rambling about historic costume below the cut YOU HAVE BEEN WARNED!

1950s: for this design I very much did not want to go to the typical a-line housewife look, because I feel that is unfitting for vox's character. instead I went for a more business look, but there is still a level of femininity that he would have been expected to perform. i wanted to express his discomfort with that through the pose and expression, though at the time he wouldn't necessarily have a framework for why he hated it

1960s: this one was very fun. i loved the idea of vox beginning to eschew some of the expected feminine presentation, and he no longer wears makeup, jewelry, or hose (though its hard to tell in black & white); however, he's kind of at war with himself in this time period. he's obsessed with seeming perfect and having a respectable image, so he would not go in for the counter-culture movements that were so big in the 60s. he's still kind of riding those coattails though, pushing those boundaries while still not acknowledging his queerness.

1970s: to me, it was very important that the gender hit as he entered the world in color. in my mind the gender euphoria is physically manifested in a wizard of oz situation - he can become who he always has been. anyway, gender aside, I think it was very important to me personally that he wore an ascot. it was for my mental health.

1980s: I wanted the 1980s to be the period where he began to gain some power and notoriety because of the de-regulation of television during this period to allow more ads, mirroring real-world history. I think if the 70s were when vox gained some real confidence, the 80s are when he got an Ego (tm). "business casual" also began to become more acceptable in this time period, and the t-shirt/suit jacket combo was very important for me to include, as to me it epitomizes the commercialism and machismo of the 80s.

1990s: this was actually the decade I was the most nervous to design, and yet I think it turned out the best? the 90s are known for grunge, which I think is NOT vox's style at all. I decided instead to lean hard into the yuppie look, which I know is more associated with the 80s but was definitely still a thing in the 90s. I also allowed a little hip-hop influence in the form of a gold chain from val, which is not something I think vox would ever pick on his own.

2000s: if the 90s were the decade I was worried about and turned out great, the 2000s are the decade I thought I had down SO GOOD and then totally floundered in execution. I still love the bubble-mac inspired head, and I tried to make his clothes as "round" as possible. I also like that this is the time where his saturation got cranked. however, I don't know if I'm in love with the vest and super bright sneakers, because again, looking back on it, he kind of looks like he works at a movie theater or best buy or some shit lol,,,

2010s: I think it's telling that this is by far the closest to his canon design (2014 tumblr lookin ass). I really wanted to pull from that hipster tech bro era, but unfortunately that aesthetic has a veneration for "retro" which again, is not fitting for vox. I still think he would wear the bowtie during this time because, well... he sure does in the show!

2020s: this was fun because I had an excuse to pull from haute couture design rather than street fashion because of the introduction of velvette into his life. I truly do not think velvette would let vox and val walk around in the outfits that they do because it would be an actual embarrassment LMAO. for this, I wanted his decorative "robes" to be evocative of the time he depicted himself as a priest AND of a cape/robe of an emperor. he does think of himself as that bitch, after all.

#vox #trans vox #vox redesign #vox hazbin hotel #hazbin hotel #hazbin fanart #my art

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