yapping about Briar. fellow Briar enjoyers assemble.
okay okay i don’t make it too obvious (or maybe i do, i wouldn’t know) but briar is my personal favorite character. i think about where the stories of all the characters would go and what their arcs would be a lot, but hers in particular is really important to me.
so i wanna talk about it.
first of all, she’s narcoleptic coded, right. we all know that. but her mom on the other hand reads to me, like, an alcoholic mother? and her dad is just willfully ignorant. either way, there’s a huge sense of neglect going on in that family. i mean go figure why briar would be the one doing most of the work raising her brothers. and of course she’s a party girl, because who’s gonna stop her? her parents? see yeah exactly.
so i don’t think it’s unreasonable to say she doesn’t have very strong parental figures in her life, at least not at home. but, and now you have to really hear me out about this one, i think baba yaga could take up a parental role in her life.
i know it isn’t much, but the seeds for her having at least a hint of a connection with baba yaga are there.
in the webisode “Stark Raven Mad”, baba yaga scolds briar for rambling about her party, and then as the commotion picks up she’s still exercising authority over briar in particular.
then there’s thronecoming, wherein, when briar is sulking at the dance, upon noticing the picture on the projector, she asks baba yaga for answers, who provides them.
and then skipping all the way to epic winter, after the girls become a little creeped out by her mannerisms and book it, briar is the one who makes sure to peak back in and give a parting remark.
so i think there’s potential there to be explored. her feeling neglected at home and then finding solace in another adult at school would be neat.
but the fact that it’s baba yaga is important, so just put a pin in that and we’ll circle back to it.
now, i think out of the core four, she was (at least at first) the hardest to actually pin-point what the future of her story could look like. with raven, i think it’s pretty clear her journey is just continuing to combat the prejudices of the world as she fights for change, apple is now pretty much on a path to figuring out her own future as ruler of a kingdom and what that’s going to entail, and maddie is the goofball that’s there to have fun and be supportive along the way.
then there’s briar. and, let me be clear, no, in my mind that girl is not sleeping for 100 years with where things are heading; in the main universe of the story, briar will be free of the sleeping beauty destiny.
but it’s like, if she’s not gonna sleep, what more is there to actually do with her? what direction COULD her life go in? because if she’s no longer fated to sleep 100 years of her life away, then she can’t just party like there’s no tomorrow anymore. she’d need to decide what she actually wants to do with her life.
and i think i have an idea.
i mentioned her narcoleptic coding at the start with intent to bring it up again. see, you might notice that a lot of the fairytale aspects of ever after high can be read as allegories for real-world problems. for example, hunter and ashlynn’s relationship is treated in their world the same way society may look at queer couples or biracial couples. or how raven’s mom being trapped in a mirror is their world equivalent to not paying child support.
with that kind of correlation in mind, i think treating briar’s curse as a condition could open up an interesting opportunity. i think, in their world, curses as a whole could be viewed as a separate branch of medical specialization, with briar spearheading this notion of thought.
we know briar is well-versed in chemythstry already. in the webisode “Briar’s Study Party” she makes note of the fact that she’s been studying forever-after, and she demonstrates enough knowledge in the subject to enthusiastically teach it to her friends, who all end up acing their tests on it as a result.
i think this is something she could potentially make a career out of. i think she could come to the conclusion that she wants to be able to help break curses for people everywhere, and could pursue learning to develop potions and elixirs to do so.
which could happen under baba yaga’s tutelage.
picture this: briar declares her newfound goal, to which baba yaga offers to teach briar all she knows in order to achieve what she’s set her sights on. briar—with an ounce of hesitance—accepts, and baba yaga officially takes her under her wing with the intent of mastering sorcery.
obviously, she wouldn’t lose who she is in this. she’s still gonna be an impulsive, adrenaline junkie who desperately needs a screentime limit on her mirrorphone. but in this process, she’d be rounded out by baba yaga and would in turn mature a bit from the experience. she’d get serious about life, but she wouldn’t let go of who she is at heart.
this could lead to her becoming the resourceful one in the main group. like on adventures, she’d be able to pull out a potion or whip something up (because i’m not going to let raven’s magic make her too o.p. she’s gotta have limitations) as a solution to problems. she could really have a role that proves useful and important to the story.
that’s my ideal pitch for where to take briar’s character.
115 notes
·
View notes
"A story doesn't need a theme in order to be good" I'm only saying this once but a theme isn't some secret coded message an author weaves into a piece so that your English teacher can talk about Death or Family. A theme is a summary of an idea in the work. If the story is "Susan went grocery shopping and saw a weird bird" then it might have themes like 'birds don't belong in grocery stores' or 'nature is interesting and worth paying attention to' or 'small things can be worth hearing about.' Those could be the themes of the work. It doesn't matter if the author intended them or not, because reading is collaborative and the text gets its meaning from the reader (this is what "death of the author" means).
Every work has themes in it, and not just the ones your teachers made you read in high school. Stories that are bad or clearly not intended to have deep messages still have themes. It is inherent in being a story. All stories have themes, even if those themes are shallow, because stories are sentences connected together for the purpose of expressing ideas, and ideas are all that themes are.
29K notes
·
View notes
I've been thinking a lot lately about how Kabru deprives himself.
Kabru as a character is intertwined with the idea that sometimes we have to sacrifice the needs of the few for the good of the many. He ultimately subverts this first by sabotaging the Canaries and then by letting Laios go, but in practice he's already been living a life of self-sacrifice.
Saving people, and learning the secrets of the dungeons to seal them, are what's important. Not his own comforts. Not his own desires. He forces them down until he doesn't know they're there, until one of them has to come spilling out during the confession in chapter 76.
Specifically, I think it's very significant, in a story about food and all that it entails, that Kabru is rarely shown eating. He's the deuteragonist of Dungeon Meshi, the cooking manga, but while meals are the anchoring points of Laios's journey, given loving focus, for Kabru, they're ... not.
I'm sure he eats during dungeon expeditions, in the routine way that adventurers must when they sit down to camp. But on the surface, you get the idea that Kabru spends most of his time doing his self-assigned dungeon-related tasks: meeting with people, studying them, putting together that evidence board, researching the dungeon, god knows what else. Feeding himself is secondary.
He's introduced during a meal, eating at a restaurant, just to set up the contrast between his party and Laios's. And it's the last normal meal we see him eating until the communal ending feast (if you consider Falin's dragon parts normal).
First, we get this:
Kabru's response here is such a non-answer, it strongly implies to me that he wasn't thinking about it until Rin brought it up. That he might not even be feeling the hunger signals that he logically knew he should.
They sit down to eat, but Kabru is never drawn reaching for food or eating it like the rest of his party. He only drinks.
It's possible this means nothing, that we can just assume he's putting food in his mouth off-panel, but again, this entire manga is about food. Cooking it, eating it, appreciating it, taking pleasure in it, grounding yourself in the necessary routine of it and affirming your right to live by consuming it. It's given such a huge focus.
We don't see him eat again until the harpy egg.
What a significant question for the protagonist to ask his foil in this story about eating! Aren't you hungry? Aren't you, Kabru?
He was revived only minutes ago after a violent encounter. And then he chokes down food that causes him further harm by triggering him, all because he's so determined to stay in Laios's good graces.
In his flashback, we see Milsiril trying to spoon-feed young Kabru cake that we know he doesn't like. He doesn't want to eat: he wants to be training.
Then with Mithrun, we see him eating the least-monstery monster food he can get his hands on, for the sake of survival- walking mushroom, barometz, an egg. The barometz is his first chance to make something like an a real meal, and he actually seems excited about it because he wants to replicate a lamb dish his mother used to make him!
...but he doesn't get to enjoy it like he wanted to.
Then, when all the Canaries are eating field rations ... Kabru still isn't shown eating. He's only shown giving food to Mithrun.
And of course the next time he eats is the bavarois, which for his sake is at least plant based ... but he still has to use a coping mechanism to get through it.
I don't think Kabru does this all on purpose. I think Kui does this all on purpose. Kabru's Post Traumatic Stress Disorder should be understood as informing his character just as much as Laios's autism informs his. It's another way that Kabru and Laios act as foils: where Laios takes pleasure in meals and approaches food with the excitement of discovery, Kabru's experiences with eating are tainted by his trauma. Laios indulges; Kabru denies himself. Laios is shown enjoying food, Kabru is shown struggling with it.
And I can very easily imagine a reason why Kabru might have a subconscious aversion towards eating.
Meals are the privilege of the living.
11K notes
·
View notes