you come back to your old life. and realize that everything is the same. but also everything changed.

you came back and your friend is the same. but the people around him changed.

you came back and you fit in. just until you don’t.

but that’s life for you.

life does not wait for you.

life goes on without you.

and now you will struggle to find your way among those familiar yet unfamiliar paths.

you have to have patience. for yourself. for the ones you’ve left behind. for the ones you’ll meet.

but it will get better.

it will.

because it must.

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

"aphobia doesn't exist"

bitch literally not that long ago an aroace youtuber animator was insulted by almost half of its community for being it

What do you like about the Diasomnia boys if I may ask?

I always love hearing about the different reasons people enjoy characters.

I mean, c'mon. he has split custody over Sebek okay

also, Lilia in particular has maybe the best timeskip character development of all time

Do you like sci-fi and indie animation? Check out Monkey Wrench!

bonus, caught in the act:

asking and receiving (bonus below readmore)

[ID: A black and white, digital Trigun comic of Vash and Wolfwood. In the first panel is a close up of Wolfwood's mouth as he says, "Vash". Accompanying it is a close up shot of Vash's eye, widen and cheeks flushed. Wolfwood presses a knee against the open space between Vash's legs and says, "Tell me everything you want from me." Wolfwood's face is equally as flushed. He continues to say, "I'll give it to you. Everything." As he talks, a wide shot shows the both of them in white space. Vash is sitting, leaning a little back with both hands pressed against the surface he's sitting on. Wolfwood is in his white dress shirt, stripped of the blazer. He's still leaning in with one knee in between Vash's spread legs, his right hand touching Vash's lips and his left hand behind his back.

The shot closes in on Vash's mouth and Wolfwood's hand against it, pressing down on the lower lip as he says, "You have to ask though. Go on." His hand moves down to Vash's chin, gently holding it. With a shy and uncertain expression, Vash hesitantly asks, "Um... K... Kiss... Please?" Wolfwood, without wasting a second, leans in and kisses him and indulges by pressing deeper, eliciting a small noise of surprise from Vash.

Wolfwood moves away from Vash first and with a smile, asks, "What else?" Vash tugs on Wolfwood's left sleeve, wordlessly budging Wolfwood to give him his hand that was still behind his back. In the next panel, Vash utters, "Hold me..?" He's holding Wolfwood's left hand with his own while his right hand is reaching for his waist. Wolfwood complies, moving his left hand to Vash's shoulder and his right hand continues to touch Vash's cheek. Wolfwood asks again, "What else?"

More comfortable now, Vash leans in to kiss Wolfwood. Wolfwood catches him immediately, pressing his thumb against Vash's lips to stop him before demanding, "Hey. Ask." Vash looks back in surprise and Wolfwood meets his eye with a quiet, insistent look. They're quiet for a moment before Vash leans in again and curtly requests, "Kiss. Me." Wolfwood says "Good", smiling as he lifts his hand away, and meets Vash's lips. In the next shot, Wolfwood had adjusted his position, sitting on Vash's thigh. The hand that was once on Vash's cheek has moved its way to Vash's nape, pushing away the collar of his jacket with his pinky. His other hand continues to grip on Vash's shoulder. Still kissing, Wolfwood asks again, "What else?"

In the next shot, Vash is starting to turn, moving Wolfwood with him. Vash asks, "Let me on top of you?" Wolfwood says, "Mhm" before asking again, "What else?" The next panel shows a close look of Vash's face. He's looking down, flushed and shy just as he had been at the beginning, but now, more decisive. Vash asks, "Wolfwood... Let me have you..?" A panel of Wolfwood taking Vash's hand into his, pulling it towards his chest. The next panel shows Wolfwood lying down where Vash had laid him. Vash's hand is on Wolfwood's chest, covering the cross of his rosary while Wolfwood's hand lingers against his, loosely pressing Vash's hand in place. He looks up at Vash with a shy smile of his own, flushed cheeks. He says, "All yours."

A panel shows a close up of Vash's tender gaze before he leans down to be closer to Wolfwood. The final shot is a front view of their positions, Vash's face turned away from the viewer; Vash is leaning over Wolfwood who's lying down with his right leg draped over Vash's legs. Wolfwood's left hand holds onto Vash's left arm. With finality, Vash says, "...Mine." End ID]

[ID: A follow up bonus comic in a looser, sketchier style. They're laying comfortably in bed when Vash asks, "What was that earlier?" referecing to the start of the previous comic. Wolfwood glances away and says, "To get you used to it. Asking. And getting what you ask for. Since you're alwasy hesitant about it." Vash's eyes widen, tight lipped. Wolfwood continues, "Knowing you, it'll be a tough habit to break..." When he says this, Vash can't help but laugh, unable to deny it. Wolfwood slowly brings a hand to Vash's cheek and continues to say, "So I'll keep trying -- whatever ways I can... to get it through your thick skull." Vash takes Wolfwood's hand with his, kissing the the palm gently. Wolfwood's eyes soften and holding onto Vash's cheek, he leans in to try for a kiss. Vash says, "Hey..." before stopping Wolfwood's lips with the back of his hand, a smug look on his face, "Ask." Wolfwood's embarrassed and with little irritation, asks, "Really?" Vash smiles, saying, "You're in need of practice too." They pause for a moment, Wolfwood looking contemplatively, before he's leaning in again, asking, "May I please kiss you?" Vash looks him in the eyes and says, "Yes." The comic ends with a "chu", indicating an off-panel kiss. End ID]

No but I gotta talk about Medusa for a minute actually.

It's been. A very long time since I read the PJO books so I don't exactly remember how Uncle Rick presents Medusa in the book. But the way the show introduces her myth? Fascinating. For me as a Greek mythology enthusiast, that is.

The show makes Medusa a victim of Athena. Of course, the show is mainly for kids, so they can't exactly say that, hey, kids, Medusa was Athena's priestess and she was raped by Poseidon, YEP, or protagonist's father, IN Athena's temple, nah, that's neither kid-friendly nor does it endears us to Poseidon. Not that Poseidon is very dear to us viewers/readers at this point, our narrator/protagonist can't stand his own dad.

But still what fascinates me is that even though they twisted the myth to ft the narrative they still managed to evoke Athena's curse as being actually a gift, and Medusa not feeling wretched over her condition but blessed.

Which is not a modern reading of the myth, actually. Saying that Athena couldn't punish Poseidon for his transgression and could only punish Medusa, but did so in a way that would give Medusa weapons to defend herself against whoever and whatever would try to harm her again, is a narrative that exists since Antiquity.

My point is that the re-framing of Medusa's myth, departing from the traditional, non-kid-friendly version while still incorporating both classic and modern elements, is a good frame of reference for the series (book and show)' entire approach to mythology. And I guess I'm saying that mostly for the non-book readers who are discovering this world, many of whom might be Greek mythology fans and might have gone "wait, why is Hades AGAIN presented as the bad guy when he's the chillest, most normal, most stable god in this entire pantheon", because that's a conversation the book fandom has been having (over and over again) for more than a decade.

Anyway, yeah. As a long time book fan and a show appreciative, here's my advice to anyone who knows WAY too much about Greek myths and still want to enjoy the ride without going every five minutes "wait, that's not correct": reframe. Contemporary rewritings, modern audiences and Fantasy genre.

You know one of the things I really liked in c3e95? Orym getting mad. So many times he's pushed his own feelings down in order to complete a goal or be a steadying influence on the rest of the Hells. But this time - due to shock, maybe, or indignation or a sense of betrayal of having one of his own attack him in his sleep, or maybe because Dorian is back and he feels supported just by his presence - he let it all out. He said what he thought and didn't filter it to soften the impact.

Really introverted characters can be hard to dig into because they are so self-contained. It helps when the form of story they're in allows the audience to see events from inside their head or hear their thoughts, and so much of Campaign 3 hasn't allowed that (or maybe Liam has just not chosen to take those opportunities for what are no doubt good character reasons). But I want to know what's going on in all of Bell's Hells' heads, including Orym. If a moment of shock or anger is what it takes to get us there at last, so be it.

I know this is just a silly bad quality random screencap of a screencap that I found on facebook lol, BUT it's a succinct enough image to easily describe the concept in a quick/accessible way hopefully :

-

(and of course, feel free to elaborate in tags, etc.! (especially elaborating about other senses as well.. can you "hear" in your mind just as well as you can "see"? taste? etc.) It's an interesting topic to me, as someone who's like a 4.5 at MOST lol. I'm curious what option will be the most common :0c )

Just saw this Jimmy skin for the first time from back when he could still experience joy and whimsy and uh yeah I can't blame anyone for having any parental instincts towards him (looks at myself and my moots and Doc)

not saying to throw shade at the model ( I won't credit them for this exact reason) it's a simple question : is this wig helping the model to tell a story? NO ! it's just there

( this editorial don't even have a concept plus look terrible)

the only reason the wig is there it's cause they consider the afro textured hair a fashion element just like clothes ,bags and shoes . it is what it is

many black models , facing this tremendous amount of concern and apprehension about it... ( wearing wigs or box braids bc hairstylists dont do black hair at fashion shows )

it's fucking 2024 , you got countless black models out there willing to empower others by proudly showing their natural hair

so what is the excuse???

I don't even like when people say " it's a magazine no one cares about magazine nowadays" no baby , it's on internet, Once you post a picture online it is public forever.

One of the biggest things that makes me see Leo as trans is absolutely the size of his carapace in comparison to his brothers’.

And I’m not talking about height! I’m specifically looking at his shell here, because when you compare him to the others, particularly Donnie who is nearly the same height as Leo, it’s very clear that Leo’s carapace is much longer in proportion to the rest of his body.

Like - standing side by side, even though Donnie is shorter his carapace ends noticeably higher up than Leo’s does. And I like this not only because it really helps push the idea that Leo could very likely be trans (or intersex!), but it’s also just a fun design difference between them.

(It also lends way to future scenarios of Donnie eventually getting taller than Leo, but sitting down still has Leo being the taller one haha.)

Every year I’m required to draw this freak

Phil: Doin' a lot of traveling around the New Years. Oh boy, oof. Oh golly, oh gee. But it should be worth it! It should be really good. I'm looking forward to it, Kristin's looking forward to it.

Random Chatter: What about Tallulah and Chayanne?

Phil: I told them already what's going on. I already told them. They already know when I'm getting back and all that stuff, so.

Random Chatter: The cookies though?

Phil: [Shrugs] So? I'm... physically not here? [Laughs] There's more things - there's more important things in life than feeding a virtual egg cookies, I'm sorry to say, dude. [Laughs]

Random Chatter: Get Tubbo to feed eggs cookies.

Phil: [Laughs and mimics the chatter in an annoying voice] "Get this person!" "Get that person!" ALSO IGNORING THOSE PEOPLE ALSO HAVE LIVES! Jesus Christ. That says a lot about what you think of your streamer. Oh my god, dude. Let them have a fcking week off man! Let the Eggs have a week off, you kidding me? They're people, too, they're admins!

Random Chatter: The eggs need to live.

Phil: They do! By having a week off! [Laughs] Leave them alone! Holy fck! Good lord... If I- if- Dude. If anyone in my chat is genuinely like gonna come into stream, and like - be pissed off that different members of QSMP are just not logging in, I'm banning you on the spot, 'cuz that is so fcking toxically online of you. That is SO chronically online of you. You need to take a break, and I'm giving you that break. I'm forcing you to take a break from your PC. Fckin' get up from the - look away from the screen.

"See you tomorrow"

MDZS Disco Elysium AU part 4 [prev parts]