you come back to your old life. and realize that everything is the same. but also everything changed.
you came back and your friend is the same. but the people around him changed.
you came back and you fit in. just until you don’t.
but that’s life for you.
life does not wait for you.
life goes on without you.
and now you will struggle to find your way among those familiar yet unfamiliar paths.
you have to have patience. for yourself. for the ones you’ve left behind. for the ones you’ll meet.
but it will get better.
it will.
because it must.
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One of the most tragic parts of Oliver's story in Saltburn is the way that he started out as just a very lonely, socially awkward person who was, I suspect, genuinely looking forward to Oxford as his chance at a fresh start, a place where he was going to Do Better and Make Friends and Be Normal.
And then the first person to talk to him when he arrives at Oxford - all wide-eyed and dressed up like he's going to an interview instead of starting University - is some random guy who makes fun of his jacket.
And then the only person to talk to him at dinner is some guy who is immediately insistant that he and Oliver are doomed to be friendless loners forever, and Oliver shouldn't even bother trying to make other friends.
(And I think he did try to make other friends - the next thing he does after that first dinner is sit himself down in an empty common room, alone but approachable in a public space, while no one tries to approach him or talk to him.)
And then he discovers that even the professors think he's kind of weird, when his tutorial professor responds with surprise and almost discomfort upon learning that Oliver read the entire summer reading list. Academia was probably one of the few things he could take refuge in and be proud of himself for, if he managed to get a scholarship to Oxford, but now he's at Oxford and even his academic smarts aren't as important as knowing the right people and saying the right things.
Which is a lesson he learns when it turns out the other guy in his tutorial is the same asshole who made fun of his clothes on move-in day, and the professor forgives this guy for being late on Day 1 and takes his side on academic arguements even when this kid hasn't done the reading, because the professor had a crush on said kid's mom back in the day.
We see Oliver get bullied, we see Oliver get treated with awkward dismissiveness, we see Oliver repeatedly told that he'll never be friends with anyone at Oxford but Michael Gavey (by Michael Gavey, who never seems particularly concerned with what Oliver thinks about the matter).
We see that Oliver is unhappy, that he is alone, and that even when he tries to put himself out there in public spaces that he doesn't know how to make himself the kind of person that other people approach or talk to.
Until finally, he takes a more active approach and engineers a "chance meeting" with Felix.
And Felix thinks Oliver is great.
Felix tells Oliver that he's kind; Felix talks to him and touches him and smiles at him without reservation; Felix kisses his bike helmet while telling him he loves him. Felix asks for his name and repeats it over and over like Oliver is a name Felix wants to have in his mouth, and then he even gives Oliver a nickname that same day while riding off to his tutorial on Oliver's bike.
Honestly, it's no wonder Oliver's crush went from intense and maybe a bit creepy to fullblown obsession, when Felix is the first person at Oxford to seem overtly, openly, unreservedly excited and pleased every time Oliver is around.
No wonder he got so desperate to keep that feeling, even as his own happiness around Felix started being consumed by his fear of Felix getting bored of him, his fear of Felix abanding him. He could tell himself that all the stress, all the anxiety, all the lies and compromises to his own selfhood and integrity would be worth it, as long as Felix still looked at him like Oliver Quick was someone worth looking at. As long as Felix still looked at him like he was something special, like he was something good.
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thinking about mulder and scully and how gentle he was with her when she was lying there in the hospital dying. he walked into the room with a wide grin and held her hand and kissed her cheek, and spoke to her in hushed, conspiratorial tones, and everything was life or death but it was so quiet, so unimportant, as he sat by her side and looked at her. mulder looked as happy as he’d ever been, sitting there with her, and it wasn’t because he was; he wasn’t. he knew that she was dying, that they were coming upon the moment when she was no longer going to be with him sooner rather than later, and he was crushed by the weight of it, by the impossibility of it. when he came to see her again and she was sleeping, looking pallid and defeated, he slumped against her bed and cried on his knees in the dark—quiet, body wracking sobs she never knew about, because he never wanted her to know how weak her being weak made him. with the weight of impending death, mulder gave scully the most of life, all that he wished she could’ve received but hadn’t: that coddling, that affection, the beautiful mundaneness of domestic bliss. he listened to her—really listened to her. and he really loved her, loved her like a husband, or a boyfriend, loved her the way a better man would’ve.
and then when scully got better, when the cloud of death evaporated and she appeared before him with color in her cheeks and flirtation on her tongue, he took it back. gone were the days of all that soft love and affection and back was the mulder and scully of old. he sidetracked their team bonding workshop, pointedly ignored the glaring fact that scully agreed he needed to work on his communication, and got them stranded in the depths of the floridian forest. even better, he let her coddle him, let her hold him close to her chest and made her sing him a song as they shivered through the night and watched out for monsters that could kill them, because he couldn’t handle it. the idea of being anything to scully other than what he had been before — a nuisance, a challenge, a partner — terrified him so badly he went into overdrive trying to reinforce those uncomplicated roles again. it wasn’t that he didn’t love her. he did — he loved her to the point of insanity, to the point of self destruction (something she so worried about). he just didn’t know how to love scully when it wasn’t dire. he loved her so much that he could not stand the idea of failing her with anything inadequate and half baked. he was glad to give it to her when it was dire, but when it came to life long devotion, he needed a few more years.
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Ice tears
When the pit rage got worse and Jason was barely able to think he decided to ask Constantine for help. Mainly because B hated when he asked Constantine for help and the wizard was nicer than he seemed at first glance.
Constantine strangely had the answer. It turns out that the Lazarus Pits had an history with something called "The Infinite Realms", and the water was the remains of one of the "Ancients" (Jason had no idea what that title meant) who died trying to stop the first King and bled in the confines of the world of the living.
As interesting as the story was, Jason had no idea how it helped with his problem, and he told the hellbazer so. John just rolled his eyes and gave a summary "You are possessed by the rage of that ghost, the only way to calm it down is to get the king's tears, the only thing he wanted, although that's a bit suicidal mate"
And well, now that he had forced Constantine to take him to the King (after making the portal, the British fled, coward) standing in front of the castle, Jason prepared his weapons, he probably should have thought it better since the king could be a powerful, interdimensional entity that could kill him with a snap of his fingers. But it was too late for that.
With a sigh he entered the throne room and saw a rather cute boy, with a crown and a dazzling smile, waving at him excitedly and asking a thousand questions a minute. Damn, was that the king? He was so friendly and— fuck, Jason had to make him cry, he was screwed.
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DP x DC 50's High School AU... Or is it?
Just imagine if you will, a very aesthetic 1950's high school setting. The Waynes live in the idyllic little town of Amity Park, going to Casper High, and living their lives.
Dick is the oldest son, off to college but still stopping by to visit, all letterman jacket and smiles. Jason, the bad boy greaser is trying to finish up his senior year of high school, a little late, but spending time in Juvie put his life on hold. He's trying his best, spending time working on his motorcycle and hanging with his study buddy, Jazz Fenton. Tim enjoying high school life with his family, studying hard and enjoying photography club. Gee, Tim's life sure is perfect
or is it?
Tim can't shake the feeling that something is wrong. Sometimes, he remembers something else. He has memories of his life here, and they must be real, his family is here, Jason, Bruce, Alfred, and even Dick when he's back from the Teen Titans college. Wait... Dick wasn't in college, was he? Wasn't he a cop in Blood Haven? Was he the local cop? That's right, Dick is the local cop, all sunshine and feeding his eternal sweet tooth with donuts. How could he forget that? He loved his family! Sure, there had been some rough spots, like when Jason died went to juvie, but they were together now, a real family.
But sometimes Tim has dreams, of another time, of another place. But they can't be true, can they? YES! No, That made no sense. Thinking about it made his head hurt.
Then there was the matter of the boy in his class, Danny Fenton. He kept catching him staring. Danny would just look at him funny. Sometimes he would say weird things. Tim would write him off as just an oddball, but sometimes what he said reminded him of his dreams.
Tim wasn't sure what it was, but something was up. He was going to find out what it was, and maybe, just maybe, Danny Fenton was the first step to solving this mystery
or
Tim wished for a more idyllic life and to get along with his brothers while on a mission in Amity Park. One reality warping genie ghost later and now they're stuck in something like a 1950's sitcom with altered memories.
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people are saying he « led her on » because he did. the fact that he kissed her in the first episode set the tone for the rest of the season and if you can’t perceive the flirting I’m sorry but how?? he didn’t make anything clear he sent the craziest mixed signals in the world. there’s nothing revolutionary about claiming that Martha was being pushy toward someone who was clearly not interested it’s 1) weird to claim in what it suggests about her 2) factually not true.
I wasn’t gonna respond to this at first because the top half of this ask is pretty much just individual interpretation and I don’t really care about it. Like, no, to me, the Doctor doesn’t seem especially flirty towards Martha. He’s just sort of Like That. That’s his damage, you know, Mr. I need to traumadump on anyone who tolerates being around me for more than five minutes. Mr. If I don’t develop an intensely codependent emotional bond with the companion I have currently I’ll die. It doesn’t read to me as him trying to lead her on because that bit’s honest, and he does it with damn near every companion he’s ever had.
And if nothing else, because we do see Ten when he tries to flirt intentionally and he’s a fuckin dork about it. Kind of guy who looked up romance in the dictionary and took notes. Kinda guy who draws diagrams to maximize kissing potential. It would have been obvious even to me (<- romance-blind as all fuck) if he was flirting with Martha on purpose because he’s not smooth at all; he flirts like he’s gotten lines in a play and he’s super excited to be the main star.
But anyway, as I was saying, that’s just how I see it. And if you see it different, no skin off my back, I just disagree.
But I take umbrage with you putting words in my mouth. I never said Martha was pushy towards him. Because yeah, she’s not. If I implied that she was, then it was a result of poor phrasing on my part. Martha’s not at fault for what she feels, for wanting there to come something of it. No more at fault than the Doctor is for not returning those feelings. It’s a bit weird that you’re assuming that I think one of them has to be the bad guy here when that was the opposite of what I was saying. My point was: When it comes to their romantic subtext of their relationship, it’s weird to pretend like either of them are to blame for them not being in a relationship at the end of s3, and even weirder to assert that as part of why Martha supposedly wouldn’t like the Doctor afterwards when they’re. friends. they continue to be friends into s4.
Martha’s not pushy. She has a crush on her friend. It happens. He doesn’t return it. This also happens. Both of these facts are pushed to the extreme because he’s a time-traveling alien with poor emotional skills and she’s put herself in the position of needing to help him from minute one of meeting each other. That’s why it’s fun to watch, because the Doctor is both so open and so unavailable in turns, because Martha’s feelings for him grow and change as she knows more about her Doctor until she decides to step back.
I don’t know, man. You seem to be coming at this as if one of them has to be The Problem™️. I don’t think either of them is, not so definitively. I think boiling their relationship down to that is reductive and an insult to the way they both grow over s3, to Martha’s choice to continue to be his friend while also establishing her own boundaries, to the fact that the Doctor is able to let her go without immediately trying to kill himself afterwards when she’s not there to catch him.
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