Chapter 18…

——————

“But… you forgave me… and you wanna be my friend again…”

“Yeah, but you’re… different.”

Mike scrunches his nose. “I guess—I mean, I know I never bullied you… and I know we were never friends with Troy, and I know you said you missed me… but… I still hurt you... Why did you want to be my friend again?”

——————

——————

tagging my fans :)

@across-thestars @boahey @magentamee @daydreams-in-the-moonlight @greenfiend @rebellius @booksandpaperss @castelobyers @total-serene560 @wheelersboy @sparks-olivarpente @hazmatazz @suzieburself @unrepentant-byler-shipper @quarter-pasteleven @robin-therobber @foodiewithdahoodie

(been tagging folks who have interacted with my updates the most for this story…if you want to be tagged or not tagged, just let me know!)

changes and trends in horror-genre films are linked to the anxieties of the culture in its time and place. Vampires are the manifestation of grappling with sexuality; aliens, of foreign influence. Horror from the Cold War is about apathy and annihilation; classic Japanese horror is characterised by “nature’s revenge”; psychological horror plays with anxieties that absorbed its audience, like pregnancy/abortion, mental illness, femininity. Some horror presses on the bruise of being trapped in a situation with upsetting tasks to complete, especially ones that compromise you as a person - reflecting the horrors and anxieties of capitalism etc etc etc. Cosmic horror is slightly out of fashion because our culture is more comfortable with, even wistful for, “the unknown.” Monster horror now has to be aware of itself, as a contingent of people now live in the freedom and comfort of saying “I would willingly, gladly, even preferentially fuck that monster.” But I don’t know much about films or genres: that ground has been covered by cleverer people.

I don’t actually like horror or movies. What interests me at the moment is how horror of the 2020s has an element of perception and paying attention.

Multiple movies in one year discussed monsters that killed you if you perceived them. There are monsters you can’t look at; monsters that kill you instantly if you get their attention. Monsters where you have to be silent, look down, hold still: pray that they pass over you. M Zombies have changed from a hand-waved virus that covers extras in splashy gore, to insidious spores. A disaster film is called Don’t Look Up, a horror film is called Nope. Even trashy nun horror sets up strange premises of keeping your eyes fixed on something as the devil GETS you.

No idea if this is anything. (I haven’t seen any of these things because, unfortunately, I hate them.) Someone who understands better than me could say something clever here, and I hope they do.

But the thing I’m thinking about is what this will look like to the future, as the Victorian sex vampires and Cold War anxieties look to us. I think they’ll have a little sympathy, but they probably won’t. You poor little prey animals, the kids will say, you were awfully afraid of facing up to things, weren’t you?

trigunned the hades or hadesed the trigun (id in alt)

an untainted innocence

its been one of those weeks... pass the yaoi !!

day 22 and 25 -looks at date- or at least inspired by them

they're hanging out!!!

more unnecessary photos under the cut!

watching the northern lights 💫 got this fantastic commission by @notenotenotenote3 for my fanfic death doesn't dream

How is he supposed to compete with THAT???

me in the last couple days leading up to new rekindled updates:

me after rekindled updates and i see everyone's reactions and tags and theories which makes it all worth doing it over again:

A few days ago I got cast as Dorothy in my local theatre company’s production of The Wizard Of Oz and I just know this means I’m gonna be hyperfixating on @whotfletamothhyperfx’s @sonicwizardofozau 10 times harder! So I decided to draw their AU Tails design + T-Pup

!Defo check their au out if you haven’t already cause ahhh it’s so, so good! The world building, the character designs, the art, the everything!✨!

I think what might actually help the families of trans loved ones is to actually engage with where the trans person is at - especially if the family isn't quite understanding yet. When I came out, I was completely alone in figuring out my manhood. I had peers and I had exposed myself to so many trans people who explored gender, and while it was amazing, it isn't quite the same at times. I grieve quietly, sometimes, about all the missed opportunities that might have just made it easier for my family to have seen how utterly happy I was. It took them a very long time to actually notice that I was happy, especially once I got on testosterone. I'm lucky that they saw that happiness eventually, and slowly accepted it. My manhood is completely detached from their influence, both to my relief and chagrin. It's sad to me that I learned to shave from a kind online stranger, somebody who didn't even have a father and yet, I do. I have a father. I grieve at the loss of a potential shared experience. I grieve about the pain I went through when I was in that stage of transition, especially because it was raw and vulnerable. I grieve that many trans people today are traversing the path I had to, because it's sometimes lonely (even when you do have other forms of support).

It's hard to know that I will never have gotten my sense of being from my family. In many ways, it has severed a lot of connection with them because there were so many times that I was begging them to see happiness when they were focused on the idea that I was almost in a state of purgatory - flesh which felt warm but held no familiarity to them. I don't harbor ill-will toward them, I hope I don't leave the impression that I despise them. I understand what they felt, even if I can't conceptualize it myself. However, it's a raw wound in my heart, and I don't want to leave anybody else feeling that way, either.

Run, Stark. You have to live.

Sousou no Frieren E12 - A Real Hero

DIABOLIK LOVERS DAYLIGHT Vol. 7 Mukami Ruki Animate Tokuten Drama CD: “Sleeping Together ★ With Vampire"

Audio

No, not that kind of sleeping together.

...And yet somehow not really the other kind either because despite it's title there is LITTLE TO NO SLEEPING TOGETHER GOING ON AT ALL except at the very end TᴖT TᴖT TᴖT My disappointment is immeasurable and my day is ruined.

Ok ok I'm obviously being overdramatic. Misleading name aside the CD is enjoyable and cute just...not at all in the way I was expecting (that being something akin to the Sleeping Vampire Scenario from Vandead Carnival but, alas, no). But oh well, I got to hear Ruki be all deredere towards the end so it's fine I guess lol

Ideally I'd create an actual translation to go along with this (I might do so sometime in the future, unless someone more competent does it first) but for now I've put a summary of the story under the cut. I ask that you please have mercy on me though, I am not used to writing this kind of stuff and it probably shows >﹏<;

Regardless, I hope you enjoy ( ﾉ^ω^)ﾉ ⋆⁺₊☽⁺₊⋆

[Disclaimer: I always allow my stuff to be used for translation purposes, as long as I am credited. BUT DO NOT REPOST THE AUDIO ON ANY WEBSITE WHATSOEVER. I bought the CD with my own money and as such this audio belongs to me.]

Summary ~*×*☆*+*~

[Please note that there may be mistakes or I might've misinterpreted parts of the CD. I apologize in advance (╥﹏╥)]

The CD starts with Ruki encountering Yui, who is carrying an unusually large package. Curious, Ruki asks her what she's doing, and learns that Kou has tasked her with delivering the package to him (Ruki). Ruki is somewhat perplexed as he doesn't recall requesting anything of the kind. Yui suggests that it might be a surprise gift, but Ruki is skeptical. He wants to ask Kou directly but is reminded that he is currently away on a location shoot. With a resigned sigh, Ruki decides that he has no choice but to open the package in Kou's absence. He asks Yui to hand the package to him, and then invites her to come along to his room to find out what's inside. She eagerly accepts, and they head off together.

In Ruki's room they take a seat (on what I assume to be the sofa) and open the package. Inside, there are various wooden pieces resembling parts of something, along with a letter from Kou. Ruki reads the letter aloud and it's revealed that the package contains a (*drumroll*)... puzzle! And not just any puzzle but a ✨️3D puzzle✨️. In the letter Kou encourages Ruki and Yui to assemble the parts together to discover what they will form. Since he's got spare time on his hands Ruki decides to have a go at it, with Yui joining in.

After a while of working on the puzzle, Ruki asks Yui how her part is coming along. She shows him, and he comments that she's doing better than he anticipated. He helps her out with some difficult pieces before instructing her to continue on her own. Yui asks Ruki if this is his first time putting together a 3D puzzle, and he replies that he's tried some before, but that this particular type is new to him. Yui is eager to learn what it is they are building, and Ruki, not wanting to dampen her anticipation, pretends he still can't quite figure out what the finished thing will be either (awww ♡). Ruki suggests that rather than moving their mouths they should focus on moving their hands as with their current pace the puzzle won't be finished. He reasons that the faster they move the sooner they'll have their curiosity satisfied. Yui agrees to work faster and Ruki promises to do the same.

They pick up the pace and eventually the puzzle is done. The assembled pieces have formed a small foreign castle, and Ruki reveals that he suspected as much from the start. He surmises that Kou must have remembered their expressed desire to visit such a castle after seeing one by chance on one of his TV shows. Ruki acknowledges Kou's attempt to make the two of them happy in his own way. He praises Yui for doing a great job despite not knowing what they were actually assembling, noting that the part she made fits perfectly into the castle.

However, there is no response from Yui, causing a puzzled (ahaha) Ruki to remark on her lack of reaction to something she had been so excited about. Turning his head to the side to look at her, Ruki discovers that she's fallen asleep with her head resting on his shoulder. He comments on the privilege of such a sleeping position but acknowledges that it's understandable she'd fall asleep since it's past their usual bedtime. She had seemed so engrossed in their work that he didn't notice her drifting off.

Ruki carries Yui to his bed and gently places her there, saying that she should have just told him that she was tired. He realizes that she likely made an effort to stay awake until the end, though she ultimately fell asleep. Deciding that it would be a good time for him to go to sleep as well, he tidies up and hides the little castle under the table, so that he'll be able to see Yui's reaction to it in the morning.

Returning to the bed, Ruki asks Yui to scoot over to make room for him, but she's sleeping too soundly to hear. He lies down next to her and (in true Mukami Ruki fashion) begins observing Yui's sleeping face. He notes how relaxed her expression is and wonders if it's because she's tired out from using her brain (lmao rude). Ruki then ponders what kind of face Yui will make when she wakes up—will she feel guilty for falling asleep before the puzzle was finished, or will she be surprised and embarrassed to find him laying next to her? Regardless of what her reaction will be, Ruki knows that it'll be enjoyable to witness. But he's certain she'll be happy once she sees the completed puzzle and admits to himself that he really wants to see that expression on her face. He's aware that it's out of character for him, and thinks that he might even have trouble falling asleep from the excitement (asdfsdjfj this is too fucking cute I can't)

Ruki decides that he should thank Kou for the useful gift by making him his favorite food for dinner tomorrow. The mention of dinner causes Yui to stir (what a relatable Queen), and Ruki teases her for being greedy. He assures the still-sleeping girl that she doesn't need to worry; he'll make her favorite dish as well as a reward for her hard work on the puzzle.

The CD ends with Ruki saying how he looks forward to seeing Yui's reaction the following day.

Fin ~*×*☽*+*~

- _(´ω`_)⌒)_

Heartbroken reminder that Egwene is 17 when she gets taken by the Seanchan, spends two months in captivity being tortured, used as a weapon and dehumanized. When she gets back to the Tower, she immediately passes a test that's not at all traumatic, nearly gets killed by a Grey Man and is sent on a secret mission to hunt murderers completely unsupervised. During this period of wandering, lacking direction, she naturally gets angrier and erratic, but Nyn and Elayne mostly treat it as childish rebellion against Nyn's authority, with Elayne slapping Egwene because she was mean to Nyn. When the girls eventually get captured because they are not equipped at all to hunt the Black Ajah, Egwene becomes so terrified of being taken again that she keeps on resisting the sisters long past it is sensible, earning a brutal beating from the sisters who throw her back into a cell, beaten to a pulp, with no hope for help this time.

Clearly, Egwene has no PTSD whatsoever.

yknow all this time i let you guys gaslight me into thinking the whole "sasuke has loved naruto all along" thing was a huge dramatic reveal at the end of the manga but

its not...? its established in VOTE1, and specifically upon this realization (reciprocated feelings) is when this happens

the headband was requested by naruto to show that they are equals, and the sharingan develops when you suffer the pain of feeling that you were too weak to protect someone you love deeply, and subconsciously wish for that strength to prevent it from happening again

naruto couldve also gone for the disabling shot here, but he didnt. he specifically went for the shot that was established as his test to prove he was strong enough. why does that matter? well the issue at hand here isnt fighting for justice for the clan like people claim, but it was actually "the pain of losing those you love" and whether pain makes you stronger.

this also means the fight isnt about trying to get naruto to stop chasing, its about naruto proving his mettle because thats what is desired of him. tell me, if youre trying to run away from someone, why would you stay to try to wake them up once youve disabled them? why would you cry and collapse in heartbreak at the realization that they werent strong enough?

so the manga is truly about naruto proving he is worthy enough to be with the "heroine" through: showing he is strong enough to survive whatever is thrown at him, and that love is the better choice...naruto is a manga about courtship (i'll follow this up at some point)