what's the home run au?? pretty please infodump!! /genpos /nf
The HOMERUN au is what I want to call a Salmonid and Inkling swap au, but eventually became so convoluted it’s now it’s own separate thing.
I’m glad this ask exists because I will be using it as a pseudo pinned… until I get that… figured out… ⛩️ thank you! I’ll be splitting the main ideas into parts, (and chances are any unanswered questions will be answered later! I want to explore this au in little lore tidbits, so please be patient with me! But don’t be afraid to ask!)
Idol / Agent lore will be explained in mini comics and posts… :] but as for what the Homerun au actually is…?
I’ll explain everything under the cut!
THE GREAT TURF WAR:
During the Great Turf War— inklings and octolings were at a horrible stand still, resources and morale is low due to the two warring species exhausting themselves. The waterline rises high (WAY higher then canon) wiping out the lands they’re fighting for and reducing the habitable lands into waterlogged territories that are too dangerous and flood-prone for either species to survive… the war ended with Salmonids on the rise, dominating the lands, and nearly wiping out both species thanks to the ocean and the brute strength and resources they had.
Because of this inkling territory is very small— but still succeeded in claiming land, unlike the Octarian, which were forced to retreat to the wastelands— the wastelands are devoid of life, but worse, flooded and horribly weathered.
Relationships between the warring species goes as this: Politically, all of the species are enemies, but at this current state, have no real reasons to continue fighting.
Salmonoids are trying to “mend the relations between Cephalopods and Salmonids”— at least that’s what they’re saying. They make efforts such as propaganda pieces, but their biology(see “anatomy” column) Is far too different from cephalopods to properly live together. They mostly push this effort towards Inklings— half because they are the species that utterly despises them, and the other half as a power play. A few Salmonid Company’s that control the local politics have a few ideas they want to use to control inklings, but it’s no use if they’re not allies.
Octarians still see inklings as the species that drove them out, despite salmonids being the unlikely winner of the war, Inklings are the ones that claimed the only slightly habitable lands, so they are the adversary.
Octarians are still an ally to the salmonids, their industrial mega cities are often seen as “barbaric” or “frightening” to most species, but the Octarian see them as war-strong allies who they desperately need to learn off of. Octarian culture has vastly evolved to accommodate Salmonids— this has changed most Salmonid’s(within the public) understanding of inkling/octoling biology for the better. Having survived off their trade / resources, every Octarian issue becomes a Salmonid issue, and vice versa, these two groups are closely intertwined.
Inklings are enemies with the Salmonids, but due to their loss in the war they were forced to truce— Inklings are the only species that do salmon runs, so they see Salmons at their most aggressive, and in turn are taught to view them as monsters, despite the species affinity towards politics, business, and other relations they’ve made public— they only see them as language-less inkling-murdering monsters. Because of their hatred of salmonids— they yearn to rekindle the relationship with Octarians.
It’s a real “be my ally” love triangle. But truly, Octarians and Salmonids are BUDDIES!
THE MAP
Inklings are doing better, they still construct Inkopolis in this au. Inkopolis is prone to flooding, but it’s still plenty safer and operates much like it does in canon (with the same stores and such!). The city is now equipped with many functions that keep it’s citizens safe from flooding. Flooding is less common in the plaza as opposed to the outskirts of the city. Inkopolis is a staple location, proof of survival and glory, the place every kid said they wanted to move to when they got older.
The Octo-Canyon + Domes still exist here, but the surrounding area is nearly all water, so resources are scarce and its difficult for them to survive on their own. They thrive on trade, and what can only be described as “for-hire agent work” for salmonoids and other wasteland neighboring species. Their technology was forced to rapidly advance to accommodate for this.
The area right to Inkopolis, where Calimari County would lie, are sandy (sort of beach-swamp esque) farm lands. The towns are rural distant areas, perpetually flooded, sort of resembling low tidepools, it’s pretty gorgeous lands . They primarily farm seaweed here, as well as cultivating other sea animals and rice grain.
The area above New Inkadia— in the Wastelands— is similar, farm lands and small villages, but to note: more Salmonids are here, and the inklings here speak Salsegal (the language salmonids speak) and here Salmonids and Cephalopods engage in this reverse salmon run.
The Wasteland inklings cultivate and raise Zapfish, most are young and unable to power full cities, and so Cephalopods in this zone have (as a result of water damage affecting HOW they retain ink) developed a new type of ink that is able to act as an electrical current— these types of inklings/octolings are known as KRAKENS, and Salmonids occasionally enter these areas and capture this electric ink technology since it’s on their turf, and they can’t use their eggs out of respect, Zapfish are in low supply, and in turn, Inklings collect power eggs.
AC TOKYO is a city built on the idea of mending the relationships and creating a society where all species can thrive! And oddly enough, the city and decor is described as historic… due to all of the designs looking very… human. The reason for this is unknown. (Wink.) (DEEPSEA METRO rests underneath it.)
NEW INKADIA is where splatoon 3’s locations lie! Though under a different name, and a very different appearance, and ALTERNA is a secret project that has created an entirely new society that consists of both Cephalopods and Salmonids… at the expense of changing them.
Alterna is where DEEPCUT appear.
ANATOMY
How salmonids and inklings function is plenty different from canon
Inkling’s skin is incredibly paper-thin fragile, but extremely reliable, it is made up of trillions of individual parts that collapse into a thin membrane that essentially splits all of the insides into even tinier parts when coming into contact with a certain chemical signal that triggers the “transformation reaction”, allowing their skin to collapse into Ink Puddles, and as a result allowing it to reform into the Swim Form. So essentially, when Inklings are in the “puddle form”, they are a super thin nearly invisible sac carrying all of their super small broken apart organs, and reforming is just these broken apart cells very quickly attaching back together to either shape into Kid or Squid.
When a cephalopod gets “splatted”— all that’s happening is that there’s either too much stress, or too many injuries, or there’s a drastic shift in the amount of ink the subject is currently carrying, causing them to Self Destruct, as inklings are safer when the cells are broken apart, it’s harder to damage larger parts of the inkling IF they are broken into tiny parts that cant be broken apart any further.
“RESPAWNERS” aren’t actually “a place for the ghosts of inklings to land to revive”— this is a myth, and plenty easier to explain.
Respawners are attached onto the ground in inky turf grounds, and they cycle through ink at an extremely fast rate. Most turf battles have a very small layer of water or ink on the ground to allow respawner to filter ink— in doing this, the respawner are drinking in a shit tone of ink in order to suck up inkling puddles that carry near invisible flesh sacs thanks to Inkling’s weird skin membrane. And in the respawner, they’re refreshed with new ink and injected with a chemical that shakes them awake, quickly waking up a splatted inkling inside the respawner.
During Salmon Runs, the sight of Inklings who are missing limbs on the battlefield returning the next day to attend a shift with no visible injuries isn’t uncommon. As long as the cells still exist within the membrane, they can be rapidly rebuilt and regenerate.
But, despite all of this, Inkling skin is incredibly weak to water, this membrane that can carry collapsed organs, severed limbs, and gives the signal that allows inklings to transform— can melt and collapse and can permanently damage if coming into contact with too much water. Water against this skin-membrane is similar to water on a tissue, melting into it, and splatting the inkling— but because there is now a tear in the membrane— it affects how the inkling is able to heal, how quickly the inkling can recover, how much ink the inkling can now retain, or if it’s possible to transform after the injury. Membrane Water-Damage scars can vary, but they are all regarded as dangerous if left untreated too long. Since small holes can be treated and taught to heal over, but left in water, can cause these holes to grow too large for the membrane to function as intended.
In fact, even overly HUMID environments can wear on inkling skin overtime; which is a problem for cephalopods and salmonid relations.
Salmonids have gills, but are amphibious, and in the adult (not spawning, spawning Salmons have very different anatomy, I will go into salmonid life cycles below) stage of their growth, they require air to thrive. Hence, needing land, but because they have gills, they require humid environments or close by water in order to keep the gills moist. Or else they could dehydrate and suffocate.
TLDR: inklings+octolings need dry environments so they don’t die from overexposure to humidity/water, Salmonids need wet humid environments so they don’t suffocate to the lack of water.
SALMON RUNS, and the LIFE CYCLE:
During salmon runs, you collect eggs, and in the warehouse, fertile eggs are seperated from infertile eggs, and are shipped back to Salmonid cities.
In salmonid cities, the eggs are sorted, genetically tested, and are given a name— the reason why salmonids have such long names is because the eggs are named by the title of the clans of their origin, and the families then extend the titles via new names or traits.
Having children isn’t a decision that can be made on a whim, since it requires traveling to a salmon run grounds in a race to these lands that allow both parents to officially breed in what’s known as a “HOMERUN,” but unlike IRL salmon, the need to return home is NOT a requirement or a hormonal change, but rather a decision, and the transformation into spawning-forms is a result of the journey.
Most parents have hundreds of eggs, and hundreds of children, but most of the time— in salmonid culture, only those who are considered “high status” are selected to “bring glory to the clan name” and go on these homeruns, most common folk don’t.
Salmonids are in a way socially (a tad culturally) aromantic, in a way, since they don’t have any desire to find a special someone never sprung into existence, especially since relationships initially begin as a concept due to the act of having children, but to salmons, it is viewed as a business decision. So romance is nearly non existent. (Again, socially, not emotionally, but the concept is still very much foreign.)
All salmonids are orphans in some way or another due to the parents dying in the Homerun (it’s extremely rare for a parent to return, if they do, it’s most likely they won’t survive the transformation back into a non-spawning form— which is why those who do survive usually remain in homerun grounds.)
The offspring are given back to the clans of parents of the children, not as eggs, they leave them to develop and once they become “SMALL FRY” they are given to the families.
THE EGG- power eggs, power houses, even infertile eggs are still high wattage batteries.
ALEVINS- you will most likely never see these few, in the wild, they grow up in the water and feed off the power egg.
FRY- they begin to grow lungs and muscle, they start to come onto land and use their fins as hands, if only slightly. They still are stronger swimmers than they are walkers. This is the stage in which they begin to swim home, they aren’t very good learners due to this form expending all energy in strength in order to travel and survive.
AWKWARD TADPOLE PHASE! - their fins grow into hands, and they slowly learn to walk. You see this stage at around four or five years old. This is considered the most important time in thier lives, because as FRY, they were running on instinct more than anything, so this is the time when their brains truly start to develop. Their head fins sort of fray, splitting into a growing head fin and a dorsal fin.
SMOLT- The phase between Tadpole and Nearly fully fledged salmon, their hands begin to fully form, they have more canine teeth that begin to grow in as teenagers. Fingers are webbed! The dorsal fin grows in. Most teenagers are still a tad hunched, but otherwise have no issues standing upright.
MATURE SALMON- Dorsal fin is fully developed, and they stand without a hunch.
In order to have offspring, they HOMERUN, and doing this transforms them back into waterborne species to accommodate for the vast journey. Their arms turn into fins, this change is far too jarring and aggressive for the species to live long after this.
SALMON RUNS ONLY EXIST BECAUSE INKLINGS HAVE DISTURBED THE NATURAL PATH THAT SALMONIDS NEED TO TAKE IN ORDER TO HAVE OFFSPRING. They intend to enter the aggressive phase at the river, before reaching the end mid land, but because inklings occupy this land, they’re forced to remain in these aggressive stages.
The slaughter of the spawning season salmonids is not a part of the cycle that salmonids worship so thoroughly. But, Salmonids were designed to die during this phase, and they never grew to be revolted by this idea— but that is not the reason why.
A Grizzco partner company named SENSHINCORP. that specializes in Cephalopod/Salmonid Trade, Safety, and Relations has taken control of the public’s opinion of the neighboring species.
(it’s a persuasive warning shot that makes every species doubt the opinions they feel they should have. It’s the reason why new paths weren’t created for Homerun Salmonids, POWEREGGS are big buck business, and it’s best you don’t pry.)
Okay, final section:
GRIZZCO. (+SENSHINCORP.)
Grizzco functions the same, a company that thrives on exploiting desperate job hunting inklings, and exploiting a culture that relies on the glory of dying.
But, this time, Mr. Grizz remains in contact with Senshin Corp, a salmon operated company that thrives on the tension between salmonids and cephalopods.
Salmo-San owns Senshin Corp, he’s a friend. He only wishes the best.
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The Issue with "Foefic"
For as long as humans have created things, others have looked at the fruits of their labour and thought, "I can do that better." Drawing inspiration from something you see and think you could improve upon is not wrong, it is how innovation works when it comes to creating tools, art, cooking. However, some people mean it in a malicious way. A way that teeters on jealousy and, if I may, clout-thirsty.
Lore Rekindled is a "retelling" of the (unfortunately) Eisner award winning webcomic Lore Olympus. From what I saw on the post introducing it, it is "better drawn and better written." I, like many, have issue with Lore Olympus. The writing is lacking and absolutely not award-worthy, and it even misses the mark as a cheesy harlequin romance. Persephone's characterization has no consistency. The art, while striking and easily recognizable, leaves a lot to be desired, especially when it comes to backgrounds. I don't consider it noteworthy, but it is heavily pushed by Naver's Webtoon, and that is probably why it keeps winning awards. With how low my opinion of Lore Olympus was, I dived into Lore Rekindled hoping to find something with more substance.
I did not find that substance.
LR suffers in different ways than LO. It assumes that you have read or are at least familiar with the major characters of Lore Olympus, which is understandable. The characters are re-written and interact strangely. Many of the characters in LO are meant to come off as "old money," and this shows in their lifestyles, fashion, and way they speak. The characters in LR all appear to have the same voice. If I were to print out a transcript of this comic and read it out loud, they would all be indistinguishable. LR is "better drawn," but what I think they meant is it is less toony. The backgrounds are better most of the time, but the panelling is boring and lacks the dynamicism seen in the original work. The plot is, if I'm being honest, just AU fanfiction (derogatory).
When I also learned that this creator had an original comic, I was very interested to see what it brought to the table. As I understood it, LR was a side project. So you can imagine my surprise when I looked at both the old and the new Project Reaper and it is just objectively a worse comic. The the majority of the cast has same-face syndrome, and seem to live in a cool-tone hell with no furniture most of the time. The concept of how to dress and style characters seems to be locked into what a 15 year old thinks is badass, but that fits for the story. The plot and dialogue reads like something a middle-schooler would make as an RP scenario with friends. The colouring is lazy dodge and burn, which just emphasizes that the author does not care about cultivating a space or atmosphere or world for these characters to live in. They are just toys to mash together to make your angsty super cool comic that you're going to pitch to Dark Horse for REAL, GUYS. And the first comic for this series is written right to left. In the author's defense, they were a teen when they started the original comic.
So how does someone whose average panel looks like the example above come to the conclusion that they can make a better comic? It's simple: Project Reaper is original, but LR has base material you can go off of. Anyone can read a comic and think "I would do THIS for this panel, and I would do THAT for this character introduction." I did it reading both of these comics. But if I were handed only the script for either of these projects, it would not come as easily. Lore Rekindled only looks "better" because it has Rachel's work to build off of. This goes back to what I was saying at the beginning, that the "I could do that but GOOD" view isn't doing you any favours, especially when you aren't doing your own IP well.
I think writing a little hate piece once in a while is good. Draw a hate piece if you really need to (though I would just show it to friends, personally.) Consuming a little media you hate is also good. As a creator, it is important to see and understand why you hate something, what you would change, and what little glimmers of good are in an otherwise pile of garbage. It helps you grow, to realize your tastes, and what not to do in your own work. Critically acclaimed writer Alan Moore agrees! But to have a whole comic with a regular update schedule redrawing something you hate is... It's giving "look at my sonichu comic redraw!" It is loser behavior.
Plenty of people create media out of spite, and I encourage it. I do it too. But the work should be your own. You need to put this energy into your IP. If you keep being a "hater," you'll never guess what you attract. Other haters! And those haters will like you, for now. But one of these days, someone will go through your list of essays and think, "oh, but I don't see any fat people in YOUR work that aren't plus-size model attractive." All it takes is one comment or take that a similarly-minded reader doesn't like and there could be a master list about you!
I am, of course, not saying you can't make derivative works at all. The doujinshi market is full of fan creations, and every art site you go to will be full of fanart. But the difference between LR and these works (generic sexy flavour of the month artists aside,) is that they are made with love. With passion for the original work. I think back to Homestuck AUs because, while I may not have liked them, these creators were doing it out of love for the characters. I follow a few guys on twitter who have been drawing a picture of their anime wife every day for over 10 years. That's love! Then you have more transformative works like Hello from Halo Head, of which some of it's characters are off-brand animal crossing characters. I love that. I think it's neat that the creator loved that little cat twink enough to bring him into their comic in a new form.
I think the point of this post is that you can use spite as a motivator, but it should be for your own creations. We have a limited time on this planet, and even less time where our hands are still able to pick up a pen. Put this towards your passion for the medium, for the stories in your heart. It's rough out there for creators, and it can be hard to find an audience in the ever-churning seas of the internet. But, please, don't put all your effort into "foefiction." That is cringe. And, if you're going to anyways, it'd better actually be good.
PS B^u
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