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#so he ends up doing. not so heroic things. goes kinda evil
kraviolis · 1 year
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nintendo hire me i have the best idea for the story of a new zelda game
#krav talks#set in a hyrule where ganon is already like. sealed away like the Main Story already happened#you get details of it from dialogue and journals and stuff#but basically to defeat ganon this new link had to seal him away. in his mind#and so ganon can just fucking Telepathically Talk To Link 24/7#and poor fuckin link man. his zelda died to help him seal this ganon away#but its been DECADES and hes been having to hear ganon in his head#twisting his own thoughts against him#and corrupting this link who is wracked with grief and guilt over zelda dying#so he ends up doing. not so heroic things. goes kinda evil#and being convinced by ganon to find a way to end his reincarnation cycle#but its a fucking TRAP YOU IDIOT#bcus thw ritual hes trying to dowont do what he thinks. its just gonna give ganon full access to his mind/body#and you know who has to fuckin save the world this timw?#ZELDA. HER REINCARNATION THAT WAS BORN AFTER THE LAST ONE DIED LIKE ALMOST 20 YEARS AGO#THAT LINK HAD NO IDEA ABOUT BCUS EVERYONE AND THEIR MOTHERS NAMED ALL THEIR NEW DAUGHTERS ZELDA#IN MEMORY OF THE LOST PRINCESS WHO SAVED THEM FROM GANON#so when zelda first confronts evil link hes like ‘…you are not her. you are just another pretender’#but it slowly dawns on him It Is In Fact THE New Zelda#and he tries to convince her to help him stop the reincarnation cycle so their souls can finally just REST#but ahe refuses bcus she knows thats not what ganon actually wants#:(#and link is using the master sword himself so zelda has to forge her own#with a hilt made from the gold of her previous incarnation’s jewelry bcus she grave robs herself#bcus navi/whoever the fuck her guide is told her to
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ferretwhomst · 6 months
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i have so many thoughts about that last rnm episode and none of them are super coherent- it is like 4am after all. but thought i'd just talk about them before going to bed
(putting them all under the cut because as usual this got uh... Long.)
EVIL MORTY WAS FUCKIN GREAT THIS EP. i have nothing specific to say about him but it was nice to have him just. there. being snarky and sarcastic and annoying. love that guy.
NOT TO MENTION THE BIT OF BACKSTORY WE GOT??? GODDAMN. i know on tumblr we all make a case for traumatized teens who get called fucked up for just... Being Teens..... but i also like when they Are actually that fucked up <3 (<- in evil morty's case he Has His Reasons but STILL. also i do mean this affectionately)
they really had prime say "you're me, except, you know, less." while the mortys were onscreen. damn. that definitely won't go anywhere
the scene with the Diane Orb (???) was so funny. she's trying to kill him and he just stares at her and goes "god, i miss that face" what a sentimental little freak <3 i need to study him
something very !!!!!! about rick calling himself a rascal by the way. "rascal" is like an entire gender identity. something special about it
really like the little alliance between evil morty and morty prime. the Heroic Step and the portal closing on him... me too man i've been there
"IF YOU DIE I'M TAKING YOUR STUFF." space cruiser ai and garage ai should be friends LMFAO. SPINOFF SERIES WHEN!!!!!!1
prime calling c137 "wife guy" was really funny to me for some reason. never gonna get that nickname out of my head and i mean that in the BEST way possible
also "i do miss when it was just us!" literally in agony. they keep dropping hints that c137 and prime were actually associated with each other for at least a short period prior to the incident (unless i'm reading it wrong. idk like i said it's late) and i desperately wish we could see more of their dynamic from BEFORE shit hit the fan
i may have laughed a little too hard at prime's pensive emoji-ass expression during the uncle slow bit
THE MOUTH CHAINSAW MADE ME LOSE MY SHIT HONESTLY. just the sort of fucked up thing prime would do of course but it caught me so off guard
i know everyone expected that prime would hold morty hostage or something (at least judging from the fanart) but honestly? i loved the awkward ass conversation he had with "his" morty. "original grandson! this is super weird, obviously!" like yeah good reminder that all ricks are just. Like That (and by that i mean autistic if that wasn't clear LOOL). prime is a terrifying little bastard and he definitely comes off intimidating in his funny little videos but in a real life unscripted scenario he kinda sucks at improvising and he's so real for that
also SHITTY GRANDPA!!!!!!!!!!
morty trying to shake a clearly battered and bloodied rick awake and the fuckin... laser thing (?) falling away to reveal all his guts lying around was. wow.
"we could be like batman and robin!" "eh. i don't need a robin." GET HIS ASS EVIL MORTY!!! also kinda glad they had prime use the word "sidekick". i know it's supposed to show how little regard he has for mortys but it fits the actual power dynamic between ricks and mortys better than the show insisting that they're Partners when they are Clearly not on equal footing in their relationship. my guy that is a 14 year old boy and his abusive 70 year old grandpa!
"schematic booger-aids" who let this man have a child
god the scene where rick just beat the shit out of prime was so fucking cathartic. the way prime's still spewing insults, laughing horribly in rick's face till the very end. FUCK.
also just. "admit it, you would've been me. i just walked into your garage before you walked into mine! and eventually, you did! YOU LIVED IN MY HOUSE!" i have nothing to say about this, my thoughts are too scattered but know that i'm thinking about it. a lot.
"not exactly an alive amount of blood" have i mentioned how much i love evil morty
FUCKING OBSESSED WITH THE PART AT THE END WHICH DIRECTLY MIRRORED MORTY'S DISSOCIATIVE EPISODE AFTER S1E6. THE SAME SONG TOO. GOD. HARMING ME LIKE THIS!!!!!!
(also side note i actually went back to s1e6 to rewatch that scene at the end, and i think it's funny how much Better the show is at gore now. like. just take one look at the shitty blood spatters on the garage walls in the original scene, and then compare it with any of the gore we've seen for the past couple seasons. it's crazy)
okay i think that's all i have to say for now. um. don't know how i'm supposed to recover from an episode like that but sure
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understandableparadox · 3 months
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Shamlessly posting all my ramblings from twitter on here.
I actully like this show, not enough to break the boycott but enough to pirate it. anyways lets go through the quick list as this show has a range of good points and bad points!
1. Designs. I fucking love monsters, monsters are my Bread, my Butter, My reason for getting up in the morning, yet consistently i found myself disappointed in each of the characters and what they were supposed to be, for instance alastor and vox
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these two are supposed to media manifest, alastor is the Radio demon, yet his apperance is more around overtly edgy homestuck troll with horns i couldnt draw yet and vox is giving pyrocynical avatar. their designs are muddied because the concepts are muddied. alastor is not only the radio demon, he is the "voodoo man", the circus, the entertainer, the deal maker, the shadow weaver, the puppet on strings, and a myriad of other resume stuffers that are not needed. there is more then enough. every layer fights each other for attention, the only thing left on him that even remotly represents the radio is his staff that modulates his voice to have a radio static filter and without it he becomes a normal deer esque demon. i do not thing its good design if i can remove one aspect of a charecter and ruin it. this goes for vox as well, though i give them more of a pass because fuck me, he really do be haveing a Television as a head. but once again if i removed that aspect, what else tells me he is the television demon? his tie has a singal symbol on it, he has kinda robotic hands? but not really because he has the exact same hands as alastor leading me to belive he is wearing fingerless gloves or gloves with color blocked fingers which is a werid additon.this is ontop of the annoynce i feel at knowing that one is a recolor of the other minus the heads.
2. the pace.
the story itself moves either way to fucking quickly, i do belive that it was good to end the story itself on a redemption but we dont get enough of pentious being an actul sinner and evil guy to feel as though he deserves the redemption. show us the worst traits of our guests so that we can see the progress they are makeing through out the season so that when they do finally do something heroic and selfless and make it to heaven, we the viewing audiance can also enjoy that unilateral feeling of satisfaction of seeing our fav be vindicated as a Good Guy. im not trying to woobify pentious, exact oppisate, i want pentious to have agency to be evil and i want him to have agency to be good. we get this Somewhat with angel dust as they start makeing concious decisions to better themselves, to extract themselves from things, as well as make awful fucking choices and do Bad Things because again, these are Sinners And Demons who are reaching for redemption and salvation, I do not think we should have seen heaven at all, the embassy? yes, maybe a court of angels in hell to consider charlies plan? sure, but we should have never seen heaven until a sinner could see it.
i think i just had those two but im Bad At Being Concise... anyways viv is better at writing gay people then she is at lesbians which fascinates me to no end.
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ooops-i-arted · 1 year
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Look, I know only like 5 people including myself care about Cara Dune The Character, but season 3 really missed a chance to give her a good character arc that could mirror a "redemption" arc for Din. (This assumes the show actually goes into that instead of solving it in two episodes.)
Cara may only be a secondary character but she's been one of the more significant ones, and she has had a lowkey character arc + character development each season.
Season 1: Drifter with no purpose/no longer caring finds something to stand for and rekindles her desire to fight the Imperials. She goes from an opponent to a trusted friend for Din. At the end she starts to set down roots on Nevarro.
Season 2: She's been actively helping clean up Nevarro and has found purpose in helping protect its people and continuing to fight Imps. She accepts a role of New Republic Marshal despite previously leaving the New Republic because she felt it "wasn't what she signed up for." She still prioritizes Din over her New Republic duties.
In season 3 we get the see the New Republic up close. Cara would've been the perfect character to see it through. She knew the Rebellion and fought for the same future as Luke, Han, and Leia. We could have seen Coruscant through her eyes, perhaps starting with her being honored for capturing Gideon. At first she sees the good intentions and glitter on top, but slowly the layers are peeled back. Perhaps she sees conflict in what to do about Gideon and is ignored when she says how dangerous he is. Maybe she mentions Nevarro, or the scattered Mandalorians, and is told "the Outer Rim isn't our business" and she questions why they're bothering to patrol it. She gets a medal for her actions but her input isn't valued by those in the Core Worlds. She starts to get disillusioned again - she has been "redeemed" in the eyes of the New Republic, but she sees the same things that caused her to leave ("protecting delegates, suppressing riots" instead of fighting the evil of the Empire and its ideals) creeping back and no one is listening to her try to help her friends back in the Outer Rim by offering the perspective of someone who's been there.
Cara potentially could've faced conflict if the New Republic went so far as to take up a position against the Mandalorians or she was required to go against her friend Din in this season or future ones. Maybe this once again leads to her striking off on her own - but this time she isn't a lone drifter but has a community to return to. Maybe Greef funds her own independent anti-Imperial militia based on Nevarro. Or, Cara becomes an ally working with the Mandalorians with Din vouching for her. This could also mirror an arc of Din learning to walk his own path, on his own terms, as a Mandalorian.
Perhaps Cara could even choose to become a Mandalorian herself, and finally finds peace in belonging in a new community in a way she hasn't experienced since she was on Alderaan with her own people. If the showrunners decide they have to have a romance, this would slot in a LOT more smoothly imo than "Bo and Din are allies using each other and things are tense whoops Bo's character suddenly got half-erased so we can pretend she was always straight heroic and now she and Din are friendsies." (Tbh my first choice is ace Din in canon, but I do like some Caradin and it's because they have a strong friendship.)
Anyway I'm really sad about Cara Dune being written out of the show because I think they could've done some really exciting things with the character. Cara Dune's song was not ready to be ended. Although season 3 in general makes me kinda glad she escaped.
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thequietmanno1 · 4 months
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TheLreads, Vigilantes ch 96, Replies Part 1
1) “And so, what better way to help my headache than start with vigilantes? Last time we backtracked in pretty much everything that happened so far in the story but at least we got to see Koichi again. For five seconds, but hey, that’s progress.”- You know, in my opinion, if you power through a headache by adding more pains to it, eventually you reach a point where the pain just becomes numb background noise and you don’t even notice it anymore. Sometimes, the best way to cure burns is to apply more fire, or I think that’s how the saying goes. 2) “No koichi, don’t stare directly at the nuclear ball of fire! No Koichi no!”- He witnesses the approaching end, the non-existence of things beyond the manga’s story. 3) “oh hey, it’s Rachel and Bam, and they seem to be at the Cat cafe of justice, oh we’re gonna see all the irrelevant people today?”- Gotta catch up with everybody before everything kicks off. 4) “HOLY FUCK IS THAT THE PRESIDENT AND THE MAGICIAN?!
THEY ARE HERE? FOR REAL? IS THAT A TOPHAT ON HER SHIRT?!”- Branding is an important part of Showbiz….and relationships.
5) “dude
please
for the love of god, it has been three years already, everybody and their mom knows that’s not his name. You guys have been interacting with him on a semi-regular basis for the last three years since the cat cafe is on the neighborhood why are you calling him by the wrong name?!?”- At this point, he either thinks it’s an affectionate nickname for Koichi before he went “mainstream”, since he knew him starting out, or there’s an undercurrent of spite motivating him to keep the name going regardless of reality. I bet he’d carve it into Koichi’s tombstone to mark it as he real hero name too.
6) “…
is that it? You called them all here to say “nothing new, we’ll keep you posted”?
Dude, this could’ve been an email for fuck’s sake”- Sometimes you have to deliver bad – or at least neutral- news face-to-face, just to let them know you’re not dismissing their concerns, but there’s simply no good news happening right now. 7) “Alright I feel bad for that joke, you guys definitely called them here so you could give them some sweets to cheer them up after their friend got put in the fridge. I’m sorry, I was feeling evil.”- A few sweets to stave off the bitter taste of feeling useless and unhelpful. 8) “Yeah I suppose that a regular patron which you guys pretty much endorsed for a few years turning into an homicidal villain and blowing up half the city would be kinda bad for business.
Well, at least she didn’t hurt anyone.”- Certainly put Uraraka’s parents in business for a bit though, assuming they could get the contract to work here. 9) “Yeah, but who’s gonna take care of the cats?”- You could always pass then onto Midnight, given how invested she is in Pop’s survival. Plus, Aizawa’s flashback showed she’s already taking care of one, what’s 15 more? 10) “Feeling a tad paranoid Soga? Feeling like some investigator suddenly flipped a switch and decided to send your asses to jail? Or is that just the procedure when you’re Knuckle’s apprentice? 
Well, I mean, it’s not like it’s difficult to find you fuckers, standing guard outside the hospital and totally-not-doing-something-illegal.”- Not difficult to find the Trio standing out front, but as they’re technically not the ones the police are hunting, having not been officially recorded committing heroics illegally, they’ve got some leeway with the police arresting them/devoting manpower to hunt them down vs Koichi, who’s a priority target. Therefore, they can serve as an early-warning system for Koichi waiting out of sight nearby to get into action, since he’s the one they’re actually counting on to do the heavy lifting when it comes down to brass tacks. 11) “Oh your dad? And you talked to him? Huh, must not have been something important. now let’s see what Dadichi can impart to us with his infinite wisdom and terrific good looks.”- And this is more of an interaction with Koichi’s own father than Izuku’s exchanged in the entirety of MHA. 12) “Throw it Puto! It’s good to keep him on his toes, you never know when he’s gonna need to jump into action. Throw it and see how fast he can catch it”- Every moment is an opportunity to get more training in there before the big fight. 13) “Yeah that’s exactly what I said puto. But it seems like Koichi hasn’t even noticed he’s turning from the Crawler into the Hoper.”- I have liked Koichi’s slow, gradual improvement in his Quirk handling throughout this series, it’s something I think it does very well, but I do wish we’d had more chapters to see Koichi’s improved movement skills after his fight with Bee Pop. He’s now doing stuff on instinct that he’d have had to seriously think about before, just like Izuku got a better handle on OFA by using it as second nature. 14) “Yeah I can imagine it Puto. I can imagine it… Shame soon Phelps will put an end to it anyway.
Eventually.
Maybe sometime in the next three years.”- Try three minutes. 15) “Oh, nice bat there flamey, good thing that’s definitely not illegal or something.”- Baseball is a national sport in Japan, so bats and such are actually pretty easy to get over there, if anybody wants to head to a batting range to practice their swing. 16) “Good work Puto. We can always count on you.”- Soga’s pulling double-time trying to keep this group half-way competent to handle Nomura’s threat.
17) “That he did, my color me impressed, he actually decided to do his job. And look at that, it’s like keeping the cellphone off didn’t mattered since he knew exactly where y'all were.”- Well, not Koichi specifically. The trio aren’t really work the manpower to hunt down, but Koichi’s elevated himself to above-average with his new Quirk handling, so he gets the arrest warrant. 18) “Soga, did you- Did you came all this way to be arrested? Huh? What are you planning?”- He can’t trust Puto not to blab out where Koichi’s hiding during the talks, so he needs to be there in order to handle the interrogation half-way competently. @thelreads
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sinnabonka · 3 years
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It’s cursed speculation time: worst case scenario
I’m drunk Chuck and this post is my design for the ending. Or, I am Gabe from “Mystery Spot” and i am here to teach you a lesson.
Disclaimer: I believe with my whole heart that nothing from this post is anywhere near what we are getting. It’s me being sarcastic. It’s a joke. I think I’m being hilarious, please don’t take it away from me. None of this should be taken seriously. On the opposite, the solemn goal of this post is to show that you should put all the negativity aside and stop worrying. We are up for a happy end!
You can check my opinion here and here.
About ep 19 here.
Light, camera aaaand action!
Cas is not coming back. He just isn’t. The best season arc ever written in Supernatural? Oh no, you are just seeing things again.
Has been to empty before, bounced back twice? Naaaah, this time it’s different. This time it’s for good. No further explanation, just take my word for it.
Regarding Dean. He is not feeling this way about Cas, he can’t reciprocate and he won’t, this was a strictly brotherly relationship for him all way long. The looks? The jokes? The prayer? The parallels with Cain and his wife, with Sam and Eileen, Charlie and Stevie? The despair every time he loses Cas? He’s just a flirty little drama queen, sweetie, and you are delusional.
Sure, he is brokenhearted by the loss of a friend, but never mentions to either Sam or Jack what has really happened in the bunker. Why? Castiel is gone, that’s enough. No reflection on the matter whatsoever, they won’t ever speak of him again.
Character development who? Dean is still an angry man with his rock music, his car and his daddy issues, with “DON’T DESERVE - DON’T CARE” tattooed on his knuckles.
Cas’ confession goes in vain, as well as his sacrifice. Dean doesn’t get the message.
Dean keeps the jacket on as a reminder how hard he fucked up with the whole kill Bill(y) idea. It’s the coal fueling his anger, you know, the only thing Dean Winchester knows.
There’s also guilt, caused by the idea that, at the end of the day, Dean is the reason Cas is dead. Silly angel puts another brick in the wall of his self-hatred. The wall so high he soon won’t need Falcon 9 to reach Mars.
Forgiveness? Redemption? Learning, discovering new things about himslef for at least the last five years? Uh-huh, thanks, but no thanks.
Jack who? Something definitely went wrong with Billy’s plan of taking Chuck out, but we just pretend it never happened. We need Jack to sacrifice himself somehow, for the only acceptable ending, so he simply goes supernova. Again. But this time doesn’t miss.
What about Ruby? What about “you made it loud”? What about Lucifer attempting to get out? “Last time it took all the archangels to cage me” anyone?
Just sweep it all under the rug and forget it ever happened, for god’s sake, it’s not like every second of the show has to actually mean something.
The issue of Jack dying is also never addressed ever again, it just was meant to end this way. No biggie. His troubled relationship with Dean? Their touching conversations with Cas and Sam? The character’s arc screaming “I’m perceived evil, but I don’t want to be” not finished? Come again?
The show is about family. The Winchester family. And following the logic of never ending brothers’ deathly ping pong, it all ends with one of them dying during the fight. To save the second one, of course.
Which one? Dean always throws scissor, so it’s kinda predestined.
How? Heroically, given his unhelthy and unhelpful tendency to put everyone but himslef first. He didn’t even have to die, we see it clearly later, it’s done just for the sake of the Winchesters early seasons dynamics. Dibs on dying first!
Bobby? Eileen? Charlie? Another twenty humans? Sorry, kinda forgot to write them back into the script after they’ve vanished.
Let’s say they are not dead, just away. That’s a happy thought, right?
Everyone we cared about for years is either dead or gone, monsters are still lurking under the kids’ beds, but at least God is dead. That’s a win!
Fifteen years, a few apocalypses, a handful of deathes - yet no reflection, no regret, no lessons learned. The message from the creators: no matter what’s the journey, you still end up where you begun.
The last Winchester takes Impala, salts and burns the dead, and finally drives back to Stanford, following the dream of finally doing law after the exhausting years of killing, being killed and all the side effects.
And to celebrate the beginning of his normal life, Sam hits a dog, for crying out loud.
Happy end!
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transmalewife · 3 years
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so someone comes up to you and goes listen. there’s this show. it’s about roughly ten dozen white men, and they all have one of the 4 bland british faces. and you can’t even tell them apart by clothing because they’re all wearing the same thing. there’s three women in the entire show but two of them appear once every few episodes for minutes at most and the third’s main character trait is she doesn’t speak. so ok these men they take two boats to do some colonialism.
and you go oh ok i guess its got sailing at least? that could be interesting, but they say no, there isn’t any sailing after the first episode. and you say ok i guess i’m curious how it ends and they go oh they all die. it’s a historical fact. and not in the hopeful and heroic rogue one way, but in a pathetic, ‘you brought this on yourselves’ pointless way.
and you ask if it’s a historical show then and they go no it’s completely made up. well it’s based on a book but the book is bad don’t read it!!!! and you go oh ok i just checked and it’s got two seasons?and they go no the second season is bad too!! don’t watch it!!! it’s got absolutely nothing to do with the first one and you ask why it’s one show and they shrug and go but wait! so there’s this guy right? he looks like an evil magician and he kinda is. evil i mean. that alone makes him the most interesting character because there’s only one other guy who looks exactly like him instead of five so you can actually tell it’s him you’re watching. although there’s one scene they’re in together and you have to rewind 3 times to make sure he isn’t actually a magician and didn’t just teleport up a flight of stairs. oh and he’s gay.
and evil?
yes. although now that you mention it he’s kinda just doing terrible things to survive. like really terrible things. and to survive his way specifically. until the last moment when he suddenly starts to believe his own hype and immediately dies.
oh and did i mention it’s fantasy? because it’s fantasy. and it’s trying to do a respectful portrayal of indigenous people and kinda sorta succeeding in the small things? while also reinforcing harmful stereotypes in the overarching plot.
that sounds objectively awful right? and yet
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drazzilder · 3 years
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A Hellish Encounter
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Art credit goes to @stormcallart
By Drazzilder
You're an escaped test subject from a United States testing facility. You have been on the run for years when one day you meet the man that can change everything.
Chapter 1: Regret
The soft sounds on the morning are suddenly interrupted by the harsh noise from the alarm clock. A large hand tiredly aims for the off button which is found after a few attempts. The man attached to that hand wakes up begrudgingly with some groans and cracking joints. He slowly gets up to get ready for the day, heading toward the bathroom. As he enters, he sees his reflection, but he doesn’t hold on it long. He can’t stand the sight of himself. The man in the mirror may be Endeavor, but Enji doesn’t like what he sees. He should be happy on his 40th birthday but he can’t stop his mind from racing. He hurt his family; his first son died from his own power, his youngest was scarred by his mother, and the rest of his children where mentally neglected and abused by Enji himself. Enji’s wife, Rei, couldn’t handle the stress and guilt from everything and ended up in a mental institution soon after hurting Shoto, but by then it was so bad that she took her own life two years ago.
Enji sees all of this when he looks at himself in the mirror. It affects him so much that looking makes him sick to his stomach. He quickly looks away and gets ready for the day.
Coming into the kitchen, Enji sees Shoto, getting ready for school with the help of the nanny Hina. Fuyumi and Natsuo already left for school. Hina is the fourth nanny they have had in 2 years. She has been there the longest because she knows no one else will stand the family and someone needs to be there for the children. Plus, she is the only one who can actually stand up to Endeavor and is not afraid of him. She knows he would never hurt her.  When Hina looked at Enji, the look on his face made her stop what she was doing.
“Everything ok Mr. Todoroki?”
“I’m fine…” he answered in a gruff tone, letting her know that he didn’t want to talk about it.
“Im off to school dad, are we still training this afternoon?”
“Good, and yes we always train on Wednesdays!” Sounding more annoyed than anything.
They finish up breakfast and getting their things ready for the day. They soon left the house and went to their final destinations. Enji made it to his agency and meet his secretary.
“Sanji, after I’m done with today’s paperwork, where is my patrol going to be today?”
“Sir, you will be taking the northern end of Tokyo”
“Very well. Thank you Sanji”
“Sir?”
“Hmm?”
“Happy Birthday.”
Sanji is the only one to acknowledge the day let alone tell you happy birthday. She has been working for you for years and knows almost everything that has happened. Enji knows he can trust her with anything so of course she would be the only one to wish him a happy birthday. Enji quickly finished up his paperwork, at least quickly as he could. He squinted and moved the papers so he could read everything clearly. “I’m going to need glasses soon” the man thinks to himself but is to stubborn to actually go get them. After this. is done, he takes a quick lunch and heads out for his afternoon patrol of the city. He does a few heroic acts here and there, but overall the day seems to be quite boring. He is kinda glad because all he wants to do is go home and sulk. That is, until Sanji called.
“Sir, there is a bomb threat at Shibuya crossing!”
“Why are you calling me? Just send some of the sidekicks to handle the bomb.”
“Sir, he is asking for you and the whole crossing is being held hostage. The man has a dirty bomb, please!”
“Alright, I’m on my way!” He says as he rushes off a full speed.
As Endeavor arrives, he assesses the situation, and it’s not ideal. There are hundreds of people on the ground face down, the other hero’s and police and in a standoff with the lone assailant in the center. The man is dressed in tailored suit. Everything is fitted perfectly, not even a single strand of hair is out of place. How he managed to hold everyone hostage quickly becomes clear as he is voicing his demands.
“Ah! Endeavor, I was wondering when the number 2 hero would show up. Be careful what you do, as you can see, I am wearing this fetching bomb vest with matching dead man switch! See how it brings out the green in my eyes. Oh, I almost forgot, the rest of my ensemble is filled with anthrax, one of a kind thread thread makes this silky smooth lining. Plus, shoulder pads are coming back into to style this season, so why not make them special! As you can see, if anyone makes any wrong moves, all of these people will suffer because of you!” The man finishes his speech with an evil laugh. Endeavor knows that he can’t do anything which is just making him hotter as his flames grow brighter around his face. The villain takes one quick look at Endeavor. “Better watch your temper” he quips, “we wouldn’t want to get all hot under the col…..” The villain stops.
Everyone looks almost in shock as the villain has stopped completely. He can still move his eyes and blink but he is completely immobile. No one moves because they are afraid what ever is happening will end just as suddenly as it started. That is until one person gets up and starts walking toward the villain.
You are frail looking, very thin, eyes sunken in, bags under your eyes. Wearing tattered clothes with matching long shaggy hair, representing the years you have been on the street. Your eyes are the most startling part of you as your left eye is completely white with no sign of a pupil and the other is black with red glowing iris. You look at Endeavor and just say “Stand back” in a weak voice. You are so tired but you can’t just sit back and let people get hurt. As you walk closer to the villain, his eyes show more and more fear. He now knows it is you holding him still. Once your next to him, you place a hand on the bomb vest and give it all your attention. As this is happening, the other heroes are yelling their concerns for your safety. “Sir, it’s not safe” “You need to step back” “Sir are you alright?!” All of these go over your head as you are concentrating on the task at hand: saving these people.
Suddenly, the bomb vest starts to glow a little, just enough for Endeavor and the other heroes to notice. A flash of light and then darkness again as everyone notices the bomb is gone. Just as fast as the bomb disappeared, a large explosion happened overhead. “Was that the bomb?” “Did he teleport it away?” “What happened?” Hero’s rush to the villain and detain him. Endeavor approaches you because in his gut he knows something is wrong.
“How can this man have a teleportation and a body controlling quirk?” He thought as he gets next to you. Suddenly, you cough up some blood and collapse from the effort you put out. Everything was too much for you in the state you were in. Your body could not give anything more. Endeavor catches you and he looks right at you as you try to reach his face while barely being able to say “Help me…” as you pass out completely.
Next Chapter
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I also finished Black Manta #6! I’m tired and also I’d like to re-read the whole series before making a final judgement (esp. since I made some very very embarrassing mistakes re: reading comprehension on my first read) so disclaimer this not Serious Analysis this is me thinking out loud.
I think it had similar issues to Aquaman: The Becoming’s final issue with regards to its pacing. That’s to say, I felt the pacing was too quickly and therefore I had trouble getting invested in the emotional moments. That said, I think Black Manta still managed to pull off some emotionally impactful moments.
The biggest issue I had was with the first half of the issue. That ghost guy with the top hat coming back was completely and utterly unnecessary, and the sequence of saving Gallous’ life in general was unimpactful due to how fast the pacing was. I never felt nervous about whether she was going to die and everyone’s concern didn’t touch me. The threat to her life was introduced and gone too quickly for it to have an impact on me.
Same goes for the revelation of the white haired girl’s (forgot her name, rip me) true identity, subsequent mindless anger, and then getting her shit together again. I do like the revelation that she’s Charybdis, if only because I’m happy to see some ancient Greek monsters other than Medusa get the sympathy treatment, but the revelation could’ve definitely been handled better. Especially her quick stint with mindcontrol (?) that was gone as fast as it appeared. It was just unnecessary.
That said, I did like many other things. I really appreciated where they took Devil Ray’s character; they could’ve easily just made him die at the end, so giving him the ‘implied redemption’ treatment was very nice. It was interesting to see him and Manta interact, and Manta telling him not to become like him was actually very impactful. I really liked that we saw a quick moment of Ray hesitating and not actually destroying Atlantis even before Manta & Co interfered; it really helped to sell his change of heart and makes it feel like Manta’s decision to let him go was well-founded instead of an unnecessary risk.
I like the ending for Charybdis and Gallous as well. Gallous was always fundamentally more heroic than Manta, and her and him going separate ways felt like a very natural end as a result of that. Charybdis getting some company in her search also felt like a good resolution for her. I know it won’t happen, but I’d be very interested in a solo/miniseries about Charybdis’ and Gallous’ search. I think they’re both very interesting and compelling characters who stand on their own quite well.
I enjoyed what this issue did with Manta as well. I feel like this series ended the melancholy/sad ending for its protagonist much better than Aquaman: The Becoming did (sorry for comparing the two series, I read them back to back so I can’t help it). Manta ending up alone felt like a very natural conclusion for this series, considering who he is as a character. Gallous, his closest friend, was far more heroic than him, and her going off on a heroic quest with Charybdis, leaving Manta behind, feels natural. Devil Ray moving on from his quest while Manta stays at the shore feels equally natural. In the end, Manta ends up alone because he’s unable to move on from the past and move away from his selfish greed and need for vengeance to a more heroic (or at least non-evil) future, as emphasized by him deleting his letter to Jackson.
I do think that, with how Manta’s future is being teased both in this series (warning Atlantis about the bombs) and Aquaman: The Becoming (meeting up with Arthur, presumably about Jackson), there’s a chance he might end up in a more anti-hero role at some point, but if that’s where DC wants to take the character, he’s not there yet at the end of this series, so at the end of it all, he’s alone. It works well for his character, imo.
Overall, I think the fast pacing kinda shot the last issue in the foot, but I still enjoyed more things about it than I didn’t.
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You've obviously spoke about the Ghost as a Superman figure within the larger context of Doctor Who but do you think the opposite is possible? A Doctor-like figure within a larger superhero setting?
There's been a couple of attempts, never quite as....jarring as the Ghost but that’s pretty much down to mad scientists and time travel being far more commonplace in superhero settings than overtly super-heroic figures are in Who. To the point the handful of times Who has played with that (Conundrum, Starfall, The Return of Doctor Mysterio) all draw at least some of their story out of the jarring presence of a superhero figure within the narrative. There’s a really nice sequence in Conundrum where the Doctor “explains” the presence of the superpowered figures in a way that reads like he’s as much kidding himself because he would like to think it’s possible as genuinely trying to explain how these people have gained their abilities. Which really feels like a deliberate building on “I wish...I wish I believed in wishing wells” given how Conundrum plays out. There’s obviously the conflation of Captain Britain’s Merlin and Who’s Merlin a couple of times, but that’s really overstated even if only in terms of Britain’s Merlin functionally different beast to the point any doctor connection is largely a minor detail as any attempt at creating a Doctor-like figure. I think then, when it comes to your Doctor-like figure the big thing that would distinguish them from other standard mad scientists and science heroes is the face changing, and basically none of your overtly doctor-influenced characters actually do anything with? Your big one in a standard setting is Professor Gamble in Power Man and Iron Fist #79, who really stands out in terms of being the only doctor-lite comic figure overtly building on Classic Who rather than Cultural Juggernaut David Tennant Doctor Who. Some overlap with Dr. Mysterio’s use of the Ghost in the conflation of the real and fictional but in very different directions; Gamble writing a fictitious account of his own life, dreadlox a fictitious account of the Incinerators. Gamble’s personal Dalek-stand in born of rogue temporal cleaning devices that have decided destroying space and time is the only way to clean everything. Where the overlap falls apart is the fact that Power Man and Iron Fist is arguably a far more flexible book at that point in its history than Who is by the point of Doctor Mysterio. So #79 is less of an out of genre moment so much as just more weird shit happening to Danny and Luke. As far as I know Gamble has popped up here and there since then, and is one of a fairly sizable amount of Who references across Marvel/Marvel UK (Yeah yeah we all know about Death’s Head, W.H.O. and aw that pish) The other big, very very direct and direct to Cultural Juggernaut David Teannant Doctor Who is...weirdly…Qubit in Irredeemable. Which is barely relevant to this question because it’s really not a standard superhero setting beyond the superficial, but bares some comment given it’s arguably the most prominent of recent takes and really hard to ignore how much he’s just David Tennant with a James from Twin Peaks forehead and LEGION hair. Also worth commenting on how fucking strange his entire role in the arse end of Irredeeamble is given the final 20 or so issues largely devolve into “The Tenth Doctor fights Evil Superman.” Given how little that aspect is remarked upon, and how incongruous it is with the broader attempt at presenting an Evil Superman story that gradually pairs back to show that the character’s never really been evil superman because for him to have that “turn” you basically have to have it be the tip of an iceberg that sketches back decades and ultimate reveals the character was never really Superman in any way beyond the iconographic. So the fact that happens while he’s fighting David Tennant is really strange, though I do like so much of that spilling out of the Plutonian forcing Quibit into one of those big, painful NuWho moral decisions, but I really struggle to care about Irredeemable beyond thinking Incorruptible was generally the stronger book towards the end. You’ve also got things like the Allred/Slott Silver Surfer that overtly drew influence from contemporary
Doctor Who, but it’s building on an already distinctive character so it can never really function as a direct one for one. I know, vaguely, that Ben 10 had a Doctor Who figure. But having never watched the show I’m not sure how he appears within the show and tbh I don’t care enough to look into it. I suppose the thing is that Doctor-lite easily slides into a superhero setting without losing too much and without drawing too much attention to the homage while someone like the Ghost is, by basic nature, designed to be at least somewhat strange within the larger normality of the show’s present day. The closest point of comparison I can think of is something like Silver Sentry in TMNT; There’s really nothing in TMNT or Doctor WHo that precludes the existence of “proper” superheroes, nether show is exactly the height of realism but the sudden introduction of basically superman presents a fundamental shift in their respective idiosyncrasies. I imagine people would be tempted to draw a comparison between the Milligan Shade the Changing Man revamp under Vertigo and Who, and given it’s MIlligan I’m sure there was some influence their even if only in terms of an English-coded otherworldly figure who undergoes startling changes across the run, but tbh it’s basically a passing resemblance and kinda overlooks the fact that Shade kinda hilariously preempts a lot of where Who as a franchise goes during the 90s and 2000s. It’s presentation of Shade’s changes as far-more psychologically damaging than classic who’s regeneration compared to some overlap with how NuWho treats the event particularly, but also in terms of the EDAs there’s a fairly notable arc where Shade gives up his heart to cope with a torrent of emotional loss and devastated worlds. Make of that what you will. I still haven’t answered the fucking question have I, right since you’ve asked me you’re going to get my shite, because here’s how I’d do it. There’s only one way really, one word Metalek Because the fucking rule don’t they? Morrison’s first, best Dalek-homage. The Xenoformers from Galaxy X, sentient construction vehicles serving masters that no longer exist. Terraforming the Galaxy one world at a time. Bow before Metalek. So yeah, those guys exist and they’re fucking great. I have...more thoughts than I’d like to admit about the “Metalek Empire” that’s really just self-indulgent pish. But that’s DC comics. So they exist, and they present what’s probably the best approach to a Doctor-alike in a superhero setting. In the same way the Ghost might as well be Superman in a setting where he isn’t the soul focus, you’re Doctor Who figure might as well just be Doctor Who in a setting where, building on the fact the key elements aren’t that notable, they really don’t stand out that much, so what then? Well he’s the mad scientist, but a good mad scientist. Counterpart to all the lunatics and madmen with their metal monsters, who is he? Who’s the grant morrison character fighting the dreaded metalek menace when they aren’t intruding on Superman’s narrative? Who spent decades trapped on earth, leading a reformed STAR Labs into a strange, wonderful new world? It’s Leo Quantum isn’t it. Basically, Leo’s one of those characters like Lan-Shin in Smashes the Klan or John Henry Irons who click perfectly into place with the larger idea of Superman’s social network. And given I’m an egotist, I’m going to do what I like with him building out of that admittedly bullshit old idea he’s future lex back to repent. If the Ghost is a version of Superman who’s world exists in the shadow of the Doctor, Leo would be a version of the Doctor that exists in the Shadow of Superman. He’s not literally Lex, he’s your Kristin Wells/Legion/DC One Million figure, possibly a future Luthor, possibly the first child of the Luthor/Kent families coming together in the far off 42nd century. A temporal adventurer who’s early experiments caused all his potential futures to crash down on top of him, transforming him into a hypertime singularity. His technicolor dreamcoat crafted from fifth world
wondertech, regulating his body to ensure each hypertime strand gets its time in sun while keeping the darker fringes in line….most of the time. Or at least, that’s what I’d do, feel free to discard this as mental bastard bullshit.
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itwoodbeprefect · 3 years
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decided to just compile a bunch of comments about my sga 1x01 rising rewatch into a single post because i don’t actually want to make a hundred posts in a row, so here, under the cut, many rambles:
announcer guy does, in fact, speak english upon a second attempt. well done on not forgetting to not speak german, announcer guy.
“i’m afraid of the thing” elizabeth says, about the drone chair, while standing next to it and looking like she wants to fuck it
rodney in that orange sweater! very orange! very warm!
john is on screen. john’s first words are helicopters he knows how to fly. john KINDA LIKES IT in antarctica. john has barely done anything and i already feel like crying a little bit about this guy who LIKES ANTARCTICA because he just wants to fly
POOR CARSON when he almost kills two people. “ai told ya ai was the wrong pursohn” :(
i really love how john sees the drone coming at the (landed) helicopter and yells “get out!” and they throw open their doors and john JUMPS and then it’s just “ugh.” and he’s belly-down on the floor and still like, almost under the helicopter. an attempt was made, for sure. just not a very succesful one.
the way john looks around like he’s never seen a ceiling before when he enters the base is just. very funny. and then some guy in particular is looking at him because he’s a bit of a weirdo and john looks back and the guy sort of looks him up and down and john looks away as if to check if anybody saw that. hmm.
john’s face of “oops” after he sits down in the chair and it ACTIVATES and carson RUNS OFF to go get literally everyone and john is realizing he MAY have just made a very giant big mistake. PRICELESS
teyla: my people have long believed the wraith will come if we venture into the ancient city. sumner, when the wraith come after he ventures into the ancient city: [surprised pikachu face]
gotta love how john insisting on saving his people is what wakes up the wraith, and saving his people is also what landed john in antarctica in the first place because he tried it in afghanistan once before. which wouldn’t have happened if there hadn’t been an american war in afghanistan in the first place, which there wouldn’t have been if bush hadn’t thrown the us into it, which wouldn’t have happened without 9/11, so... bin laden woke the wraith?
on the other hand john would never have had to go on a rescue mission on his first day in pegasus if sumner hadn’t gone into that city against the wishes of the people that already lived there and had a history dating back thousands of years with the place, so more realistically, the expeditions’ colonizer mentality woke the wraith. and then they just kinda... kept going with that for the rest of the show, because it worked out so well on that first day.
anyway i’m not even there yet - puddlejumper! it jumps puddles!
have to love the moment john realizes the puddlejumper is pretty literally reading his mind and giving him anything he can think of that is within its power (so no turkey sandwiches, but that’s okay). john is already in love with it just based on the fact that IT CAN FLY AND GO FAST (“i kinda like it here”, restored) but then all the ancient technology just seems to know him and love him back and gives him way more than he even thinks to ask for. which, for john, who doesn’t really do well expressing desires? a FLYING SHIP that then READS HIS MIND? starstruck. love at first sight. john&puddlejumper, instant bffs. i bet it would have popped a compartment with some stray bits of wire if he’d asked for a friendship bracelet right then and there. ford sitting there witnessing this doesn’t even know how hard he’s thirdwheeling it in that moment.
now i am at the bit where sumner is taken from the wraith prison to see the actual wraith, and look, obviously they’re evil and feed on humans etc etc, but this particular wraith’s sense of dramatics? unparalleled. she has them bring her victims one by one to a large foggy room with a looong table set with a wonderful dinner and then she LEAVES a DEAD BODY sitting at the head of the table (implied to be the athosian that was taken before sumner?) and drops down from the ceiling while sumner has his back turned for no reason except the spectacle of it all, and dracula himself literally couldn’t have made a better display out of this. it’s maybe scary in the way that it makes clear she’s a cat toying with a helpless mouse before she eats it, but it’s also hilarious in the way that this is absolutely a very bored immortal being who had to stay up while the rest went to sleep and is inventing high school improv plays with her dinner for some diversion. don’t play with your food, wraith queen. you’re scaring your dinner.
life signs detector!!! ford didn’t get to name the puddlejumpers gateships, but that one stuck, no matter how much “we can name it later” john was trying to throw at it!!!
(god. there’s a ficlet somewhere in there about season 2 john having a moment where he realizes he’s on the hunt for ford using the thing they first discovered together and that ford gave its name.)
getting sidetracked here, but when john and ford find the group of humans caught by the wraith teyla goes “major!” and it makes me think that. well. how are the athosians supposed to know things like “major” and “colonel” are military ranks? what are the chances the pegasus galaxy uses the same designations? (don’t really know how the language thing works here - we’re hopefully not supposed to think they’re all speaking english, are they? i’ve never watched sg1, there’s probably lore about this, i assume. maybe alien titles somehow get perfect translations to earth ones and vice versa.) but i mean, teyla is too smart, she’d have it figured out already even if those words don’t exist in her galaxy, but some athosian somewhere is going to be very confused by this earth tendency to name way too many kids private and lieutenant, and then put all of them into the army. strange, to have your job decided for you at birth like that. earth people are weeeeird.
fjdkl john is like bye, gonna go find colonel sumner all on my own, run if you don’t hear from me in twenty minutes, and ford’s like “you’re the only one who can fly these people out of here” and “i’m saying i should be the one to go, sir” and john, with his savior can’t-leave-anyone-behind-gotta-do-this-personally-or-i-will-literally-die-from-not-almost-dying complex DOES NOT LISTEN to ford’s EXTREMELY ACCURATE objection. which is his right, as ranking officer, but is also a perfect showcase of why john Should Not Ever be in charge of atlantis, and why sam saying he was totally on the shortlist when she takes over command in s4 is funny but frightening if you’re on atlantis and like being alive.
sumner: “we travel through the stargate as peaceful explorers.” FDJKFD. god, that line, from that character, hilarious.
rodney comes to elizabeth full of enthusiasm about all the interesting stuff they’re finding in the city only to find her staring at the empty gate and when she says she should never have let them (the rescue party) go, he sobers up and says awkwardly “for what it’s worth, you made the right decision” and that’s GOOD that’s KIND.
back on the planet with the wraith everyone is running to the jumper while there are wraith darts whizzing through the air and teyla turns back, catches up with ford who was told to cover their six, disarms him (because he was firing at illusions, revealing their position), hands him back his weapon, pulls him in the direction of the puddlejumper, and PUSHES HIM ASIDE when they’re almost scooped up by a wraith dart, and i’m so here for teyla being allowed a moment of heroics that saves specifically ford, guy with a gun, and not a random athosian damsel in distress. teyla is fully on their level. teyla is perhaps above their level. thank you.
that scene at the end of this episode!! in which there’s a sort of party on atlantis and it’s all buzzing and relaxed while the athosians are mingling freely with the expedition members and they’re talking of friendship and ugh. UGH. there’s a better version of sga in an alternate universe where the expedition didn’t decide atlantis was totally theirs, actually, and they cooperate with the people that were already in the galaxy when they came there and learn from sumner’s mistake to actually respect what they have to say and form a single front and teyla takes over as head of the expedition in s4 when there’s a void left by elizabeth’s absence.
final thought that has always haunted me a little: john suddenly becoming the ranking military member on atlantis after sumner’s death is ?? one of those things where i wonder what the sgc was thinking in their personnel assignments. john wasn’t even supposed to BE THERE. if john hadn’t gone and sumner had still died (which was something they should have considered as a possiblitiy! they didn’t know what they were walking into at all! sumner is apparently the type to lead his own missions!), then what exactly would they have done? i don’t know much about how the us military operates but i’ve watched enough mash to have figured out the order of the ranks and it just seems. very odd to me? to take one (1) colonel on this mission and then ZERO lieutenant colonels OR majors (if john hadn’t stumbled his way into it, that is). like, are there any captains on atlantis? (i think there are?) or would ford, a lieutenant, have ended up ranking military member? this is like the surely-they-only-need-a-single-medical-doctor-right thing. WHAT IS THE SGC THINKING.
anyway. this was good. i liked this. i hadn’t rewatched the pilot in a while, and i only just now figured out how much of a while, because there was a bunch in here i didn’t remember. ON TO EPISODE TWO.
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baebeyza · 3 years
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Unpopular Opinion: Optimus Prime isn't a very good person and that he's too glorified. (expect TFA Optimus)
strongly agree | agree | neutral | disagree | strongly disagree
What can I say except that there are many, many Optimus'/Convoy's out there and making a general opinion on them just doesn't work.
But I couldn't think of any Optimus I experienced who wasn't deep down a good person - lets make a roll call shall we? (includes all shows except RB and RBA + Bayverse)
G1 Optimus Prime - Good person, good leader, good father figure. Is forgiving towards wrong-doers without being a pushover. Couldn't think of anything he does that is sketchy
Beast Wars Optimus Primal - He has a harsh personality, hits Rattrap on the back of his head when the Rat talks bullshit and can get feral against his own teammates when they are being assholes like Depth Charge - but all in all, he is still a good leader and a good person. He simply has a more down-to-earth personality and a no-bullshit attitude.
He only ever reacts angrily because his team do stupid and jerkass stuff, but he is never unreasonable.
When he gets angry, you know why and you get why.
Also, he gave Dinobot a chance as a Maximal two times, so he too has a forgiving nature. And his dynamic with Depth Charge shows that he isn't petty either. ("I don't like him much either, but he's still a Maximal.")
He also had a nice moment with Blackarachnia in which he assures her they won't do anything about her coding against her will and that she is safe with them.
Beast Wars II Lio Convoy - The only thing you could call him out for is for refusing the father role when he found out he has a son. It took him half the show to actually call Lio Junior his son, but it made for a nice story! Also, he was willing to make peace with Galvatron in the show, showing his forgiving nature.
Beast Wars Neo Big Convoy - The shy and awkward one! He's a treat who learns to become a good teacher and leader with the help of his students, and he had this moment in which he tried to save Magmatron's life from Unicron. He is a hero with a strong sense of justice who needed to learn about proper teamwork and friendship and it's a really simple and sweet story.
Beast Machines Optimus Primal - This dude is such a trainwreck and I cannot in good conscious say he was always on the right side of things, I admit that.
The way the show treated the Vehicons was a little sketchy, because the Maximals technically became hypocrits, especially when it was about Silverbolt.
Forcing the "techno-organic is the real way to be" unto the non-organic characters feels a little weird, because the show never properly showed us why being without an organic side is supposed to be so bad. (And this matters because the good vs evil conflict isn't properly connected to the techno vs organic plot).
So this Oppy you can make the point that he isn't all that good as he pretends to be in his preachy cult leader role.
RiD01 Optimus Prime/Fire Convoy - Listen, this is the most naive and cute Optimus out there. This dude was willing to let Decepticons into their base just because they were like "We are good now :)" without even checking first.
His dynamic with his jerkass twin Magnus supports that - he doesn't want to fight his brother! The dude fucking pushes him off a cliff and he still tries to reason with him and doesn't fight back at all!
Don't you ever dare call this Prime a bad person, he's precious! xD
Armada Optimus Prime/Convoy - This is the dude who goes fucking feral at the end and shows just how much hatred and anger a Prime can store - but really just towards the end! The rest of the show he's your typical leader who doesn't do anything bad.
And when he made mistakes, he corrected them.
The fact that he always had this hatred and rage that he pushed aside all the time is the most interesting thing about this Prime, but even that doesn't make him a secretely bad person, because he still doesn't do anything bad. He's just an angry boi.
Energon Optimus Prime/Grand Convoy - This is technically the same Prime as Armada, and for once that shows - that anger Prime showed at the end of Armada is still present here and shows up a few times, especially when it's about Unicron.
But just like in Armada, he doesn't do anything bad.
He even tries to save Shockblast, the jerkiest jerk of the entire show, from Unicron's influence! And did just that with Galvatron at the end as well with the full intend to sacrifise himself to save everyone, including the Cons.
Cybertron Optimus Prime/Galaxy Convoy - My favourite Prime of them all - this Prime is just a damn Papa Bear! He will be considerate and loving towards his men, but if you bully his kids, you'll catch his hands bro.
He's bit a stoic dude, but shows compassion and kindness when he needs to.
He doesn't do anything sketchy either, and lets the few remaining Cons be part of the Transformers society in the end, despite their misdeeds before.
TFA Optimus Prime - The one you say is the only good Prime? Guess so, he's a good person as well! He makes mistakes (like insulting his team) but learns and grows from them.
But mate - he isn't a better person than any of the other Prime's I just listed. The only difference between TFA Prime and the other Primes so far is that TFA Prime is a narrative underdog who you are supposed to feel pity for.
All the other Prime's are leaders in a leader role, so just from a narrative standpoint, you don't feel the same sympathy for them as you do for TFA Prime.
But being an underdog doesn't translate to being a better person. The Joker in the Joker movie is also an underdog, but no one says he's a good person and that everything he does in this movie is justified.
TFA Prime just goes through more harsh shit that isn't Megatron and that's it. He isn't being a better hero or person for that.
TFP Optimus Prime - Yeah, I saw the opinion that him being too forgiving towards Megatron in the past is a flaw and that he cares more about this one silver shark more than about the safety of the universe - to which I say: WHEN???
This is a thing Ratchet accuses him off! But I couldn't remember a single scene in this show in which Optimus does, in fact, let Megatron go when he had the chance to kill him!
They always fought to the death when they did and Megatron surviving wasn't because Optimus was too nice. He's not Son Goku peeps.
And I have my issues with TFP Prime and how his characters is written, but being a secretely bad person aint it. He isn't a bad person.
If this is also about Starscream - he has every right to not trust Starscream. No one should trust Starscream! Starscream doesn't exist to be trusted by anyone.
You cannot call Prime a bad person because he elects to not trust the notorious backstabber, who, as Prime himself as pointed out, only does things for his own gain.
Also, he did try to make peace with Starscream after Megatron's "Death", and Starscream refused.
Is it about him destroying the Omega Lock? Nothing wrong with that! He chose to save Earth and all its Humanity over restoring a dead planet! Dead planet stays dead, alive planet stays alive. No one died by his decision to destroy the Omega Lock - but a whole ass planet would have died if he hadn't.
Like bro - I am not a big sucker for TFP Prime, but all these points I see floating around to prove that he is actually a bad person are kinda weird and biased.
Why should he have given Starscream a chance? To get backstabbed and used??? Which we know would have happened because this is fucking Starscream we are talking about??? A dude who doesn't care about Earth in the slightest and was happy about it being destroyed? Who only cares about power and winning this war, which is why he goes back to Megatron???
Should have sacrifised Earth? Would that have made him a true hero???
RiD15 Optimus Prime - This TFP Prime, just sterner, weaker and ready to start beef. But ultimately still a good guy.
Bayverse Optimus Prime - Here you got a Prime who kills his enemies! For anyone saying that TFP Prime is bad for not killing Megatron when he could, do you at least like Bayverse Prime for doing just that? Three times???
Even though he kills all his enemies, I never saw that as him being evil. He just doesn't give second chances. And it was refreshing to see a hero who actually does get rid of his enemies before they can do more shit.
He aint the nicest bot in town, but in the end he still did the heroic thing.
Movie 4 even gave him an arc about losing his faith in humanity and not wanting to help them anymore, but in the end he still does because his Barn Husband Cade convinces him to.
Good man I say, good man!
Prime Wars Optimus Prime - He tried to stop Windblade from making a mistake that would end in war with an emphasis on Windblade herself - saying that war is horrible and he doesn't want her to go through the same thing.
He then decides to help her anyway when he learns what the stakes are, is giving Megatron a second chance, keeps being on friendly footing with the dude and dies in an attempt to destroy the bad guy.
All in all, a good boy!
Cyberverse Optimus Prime - He forbids his soldiers from taking Energon from a foreign planet because the local fauna need it to survive - he constantly tries to do peace talks and doesn't give up on them - He dances in front of his crew to cheer them up - he shows remorse about what happened to Wild Wheel and tries to make things right again - he holds the dead Megatron in his arms and calls him his old friend-
Nothing bad about this home boy!
War for Cybertron Optimus Prime - he fucks up the whole damn time, but he has good intentions! He's a flawed individual who realises what his mistakes are!
Making mistakes, even as grand as his, doesn't make him a bad person!
So, no - I don't agree that Optimus is bad person and I also don't agree that TFA Prime is a better person than any other Prime.
Almost all these Prime's do good things, protect life, try to choose peace over conflict at least once and have a forgiving nature (even Bayverse Optimus, as he forgives humanity) - that all good guy qualities for me!
What more do you want from him to be a good person? Be nice to Starscream off all people???
Also, what do you even consider to be "too glorified"??? The newest media like WFC doesn't even depict him as a good leader because he fucks up so bad.
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davidmann95 · 3 years
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How about those JL storyboards?
In case you haven’t heard, Zack Snyder is putting on display the ‘storyboards’ - i.e. a rough plot summary accompanied by some Jim Lee sketches - for what would have been Justice League 2 and 3, or as this puts it 2 and ‘2A’. You can see them here (I imagine better-quality versions will soon be released), and read a transcript here. This is evidently a very early version: this was apparently pitched prior to the release of BvS and Justice League being rewritten in the wake of it, with numerous plot details that now don’t line up with what we know about the Snyder Cut, plus it outright mentions it builds on the originally planned versions of the Batman and Flash movies. But it’s a broad outline of what was gonna go down, and while I initially thought it was Snyder throwing in the towel, the timing - paired with the ambiguity left by the necessity for changes, including that this doesn’t factor whatever that “massive cliffhanger” at the end of the Cut is - says to me he’s hoping this’ll be a force multiplier behind efforts to will sequel/s into existence. He’s probably right.
I’ll be discussing spoilers below, but in short: with this Zack Snyder has finally lived up to Alan Moore, in that like Twilight of the Superheroes I wouldn’t believe this was real as opposed to a shockingly on-point parody if not for direct, irrefutable evidence.
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Doing some rapid-fire bullet points for this baby to kick us off:
* Folks who know the subject say a lot of this is a yet further continuation of Snyder doing Arthuriana fanfic with the League reskinned over those major players, and I’ll take their word for it.
* I don’t know whether I love or hate that in Justice League 2 the Justice League are only an extant thing for the first scene, and then it’s Snyder giving everybody their own mini-movies. It’s compressing the entire MCU “loosely interconnected solo stories leading to a single big movie later” strategy into a single movie!
*  Funniest line in the whole thing: "Even Lantern has heard of the Kryptonian, worried that he's under the control of Darkseid. He heard his spirit was unbreakable." Hal what fuckin' Superman movie did YOU watch? Second funniest being “IT WILL GIVE HIM POWER OVER ALL LIVING LIFE”
* 90% of the plot I have nothing to say about, it’s generic stage-setting crap. That to be clear is the ‘shocked it’s Snyder’ element, it feels so crassly commercial in a way I can’t believe is coming from the BvS guy.
* Most of what I have to say is unsurprisingly gonna be about a handful of characters but Cyborg’s happy ending being “he isn’t visibly disabled anymore!” is not great!
* The Goddess of War battle with Superman...never pays off? No clue why it’s there.
* What I’d originally heard was that the Codex in Superman’s blood was the last key to the Anti-Life Equation and that’s why Darkseid was coming to Earth. It’s not like all of this wouldn’t have already been averted by Kal-El’s pod smacking into an asteroid on the way to Earth so it’s not as if this makes it any more Superman’s fault, and it would have at least tied all this back to the beginning of the movies, but I suppose that was either fake or from a later draft.
* I have NO idea how this was reimagined without the ‘love triangle’, it’s the central character thing and the entire climax flows directly out of it!
* Darkseid’s kinda a chump in this, huh
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Anonymous said: So: Does Zack Snyder hate Superman?
Look: the hilarity of this when Cuck Kent has been a go-to Snyder cult insult towards ‘inferior’ takes on Superman for years cannot be understated, yet at the same time I can almost wrap my brain around where Snyder’s coming from with that as the end for his take on the character. He talked in that Variety piece on how his interest in Superman is informed by having adopted children himself, and Deborah Snyder is the stepmother to his kids by previous relationships, so I can see where he’d be coming from, and I can even imagine how he’d see this as ‘rhyming’ in the sense of “the series begins with Kal-El being adopted by Earth, it ends with him adopting a child of Earth!” In the same way as MARTHA, I can envision how he would put these pieces together in his head thematically without registering or caring what the end result would actually look like. In this case, Superman raising the kid of the man who beat the shit out of him who Batman had with Clark’s wife, who earlier told Bruce she was staying with Clark because he ‘needed her’, suggesting if inadvertently that this really honest to god was a “she’s only staying with Superman out of pity, she really loved Batman more” thing.
But Clark is nothing in this. He’s sad and existential because of coming back from the dead I guess, then he’s corrupted, then time’s undone and he woo-rah rallies the collective armies of the world (interesting angle for the ‘anti-military/anti-establishment’ Superman he’s talked up as) as his big heroic moment in the finale, and then he stops being sad because he’s adopting a kid. So his big much-ballyhooed, extremely necessary five-movie character arc towards truly becoming Superman was:
Sad weird kid -> sad weird kid learns he’s an alien, is still weird and sad, maybe he shouldn’t save people because things could go really wrong? -> his dad is so convinced it could go wrong he lets himself die -> ????? -> Clark is saving people anyway -> learns his origin, gets an inspiring speech about being a bridge between worlds and a costume -> becomes superman (not Superman, that’s later) to save the world, albeit a very property-damagey version, rejects his heritage he just learned about and space dad’s bridge idea -> folks hate him being superman and that sucks though at least he’s got a girlfriend now -> things go so wrong he considers not being superman but his ghost dad reminds him shit always goes wrong so he should be good anyway, which sorta feels like it contradicts his previous advice -> immediate renewed goodness is out the window as he’s blackmailed into having to try and kill a dude but the dude happens to coincidentally have some things in common so they don’t kill each other after all -> big monster now but superman keeps supermaning at it because he loves his girlfriend and he dies -> he’s brought back, wears black which apparently means now he likes Krypton again? -> he has work friends now but he’s still sad because he was dead -> evil now! -> wait nevermind time travel -> rallies the troops -> his wife’s having a kid so he’s not sad anymore -> Superman! Who gives way to more Batman.
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Do I think Zack Snyder is lying when he says he likes Superman? No. I think he sincerely finds much of the basic conceits and imagery engaging. But I don’t think he meaningfully gives shit about Clark as a character, just a vessel for Big Iconic Beats he wants to hit. Whereas while for instance he’s critical of Batman as an idea (at least up to a point), he’s much more passionately, directly enamored with him as a presence and personality. So while Superman may be the character whose ostensible myth cycle or arc or however it’s spun might be propelling a lot of events here, it’s a distant appreciation - of course the other guy takes over and subsumes him into his own narrative. Of course Batman is the savior, the past and the future (though if he’s supposed to be Batman’s kid raised by Superman there’s no excuse for him not to be Nightwing), the tragic martyr to our potential. Admittedly the implication here is also that Batman can apparently only REALLY with his whole heart be willing to sacrifice his life to save an innocent, for that matter apparently his great love, once said innocent is a receptacle for his Bat-brood, but he and Clark are both already irredeemable pieces of shit by the end of BvS so it’s not like this even registers by comparison.
Anonymous said: That “plan” Snyder had was utter dogshit. Picture proof that DC & WB hate Superman. Also I love how you’re like Jor-El: Every single idealistic take you had about Snyder, his fandom, and BvS was wrong. Snyder’s an edgy hack, his fanbase just wants to jerk off to their edgy self-insert Batgod as he screams FUCK while mowing people down with machine guns, and the idea that BvS said Superman was better than Bats was completely wrong. You know what comes next SuperMann: Either you die or I do.
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In the final analysis, beyond that mother of god is there sure no conceivable excuse for the treatment of Lois in this? The temptation is to join that anon and say as I originally tweeted that these were “built entirely to disabuse every single redemptive reading of the previous work and any notion of these movies as nuanced, artistic, self-reflective, or meaningful”.
...
...
...yeah, okay, that’s mostly right. Zack Snyder’s vision really was the vision of an edgelord idiot with bad ideas who was never going to build up to anything that would reframe it all as a sensible whole. He’s a sincere edgelord genuinely trying really hard with his bad ideas who put some of them together quite cleverly! But they’re fucking bad and the endgame was never anything more than ramping up into smashing the action figures together as big as he could, the political overtones and moral sketchiness of BvS while trying to say something in that movie reverberated through the grand scheme of his pentalogy in no way beyond giving his boys a big sad pit to rise out of so when they kicked ass later it’d rule harder, and all the gods among men questions and horror and trappings were only that: trappings. Apparently he’s really pleasant and well-meaning in person, but at his core his art as embodied in a couple weeks in his 4-hour R-rated Justice League movie meant to be seen in black-and-white all comes down to that time he yelled at someone on Twitter that he couldn’t appreciate Snyder’s work because it’s for grown-ups. He made half-clever, occasionally exciting shit cape movies for a bunch of corny pseudo-intellectual douchebags, folks latching onto and justifying blockbusters that at least acknowledge how horrifying the world is right now even if the superheroes are basically useless in the face of it if not outright part of the problem until a convenient alien invasion shows up to justify them, and a handful of non-asshole smart people who vibe with it but...well. ‘Suckered’ is a harsh word, and definitely doesn’t apply to all of them re: what they’ve gotten out of it up to this point and would (somehow) get out of this. But it doesn’t apply to none of them, either.
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m4gp13 · 3 years
Text
For those of you who made it through my laughably incoherent ethabaster think piece, here’s some hc’s, you’ve earned them:
- Ethan has sole possession of their one shared brain cell. Alabaster is not allowed to even look at it. This is because they used to have two but Al broke the good one trying to blow up something (probably Percy).
- If Al finds out Ethan left without some form of magical protection i.e. a sigil, a crystal, ground eggshells, he will be pretty much vibrating with nerves until Ethan gets back so he can give him a once-over.
- Alabaster’s from a very witchy family who all worship Hecate for many reasons that differ depending on which estranged relative you ask and they all kinda saw Al as the first coming of witch Christ so he had a lot of expectations at a very young age.
- Ethan knows this and tries to lift as much Titan army business off his shoulders as possible.
- He accidentally lifts too much off to the point where he is drowning in work and is now the one in need of saving. But does he tell anyone that if he looks at one more stack of demands from his mile long list of bosses he’s going to cry for five hours? Of course not don’t be ridiculous.
- Alabaster immediately hated Percy as soon as he heard the guys name but due to the arena stuff and telling Thalia not to k*ll him Ethan actually held a bit of respect for Percy which annoyed Al to no end.
-This was until the not-so-peaceful peace talk in tlo when Percy starts shit talking Nemesis and Ethan just internally goes “actually the witch bitch was right this guy sucks ass”
-However, under no circumstances will Ethan ever tell this to Alabaster; not because he values his pride (he has none) but because he knows the life of a demigod is short and he doesn’t want to spend the rest of his very short one hearing Al rub that one thing in his face for every single second of it.
- And I mean Every. Single. Second.
- So yeah he takes that to the grave and doesn’t even tell anyone in the underworld in case they tell Al when he dies and he doesn’t want to spend the rest of his afterlife with Al being a dumbass. (also yes Ethan got into Elysium, fuck you)
- (Actually I have another idea about where Ethan went post-life but that’s so far from canon it’s more of an AU than a headcanon so we’re gonna leave that out for now)
- Al thought he was the one in charge of the Hecate kids because he was the most powerful and the highest ranking in the army but he was Not. That was Ethan. The Hecate kids thought Ethan was their unofficial adopted baby brother but little did they know he was the mum the whole time.
- Ethan is the only thing standing between them and starving to death. He also does the younger kids hair and gives everyone with long hair super intricate braids that stay out of their faces during “field work”. Al thinks this is more of him trying to take the weight off his shoulders but Ethan knows that if he doesn’t do this shit no one will so he kinda has to. Not that he doesn’t like doing it. being helpful is his love language.
 - Because of their powers over the mist the Hecate kids of the army were notorious pranksters who were usually at war with the Hermes kids (wars usually declared by Al because he rolled a zero on self restraint) but none of them prank Ethan because “nooooo you can’t do him he babey 🥺”
- Ethan has simply decided that what the magic prank wizards don’t know can’t hurt them and just turns to his blind side whenever he sees them sneaking off the ship to get Micky D’s in the middle of the night to stay on their good sides.
- Speaking of the ship, Ethan thinks it’s the dumbest thing in the world that one of their most powerful demigod enemies is the son of a sea god and he actually has a pretty decent relationship with said sea god and their main base of operations aside from mt Othrys is a fucking BOAT. He tells Al all about his worries for the ship and while Al assures him that nothing that bad could happen he always makes sure that the ship always has the least amount of demigods on board at all times just in case.
- It takes all the strength Ethan has not to yell “TOLD YOU SO” at him when the ship blows up.
- Al probably either wears basic white boy clothes or typical witchy stuff (like moons and shit) depending his mood meanwhile Ethan found out about leather and just goes for it.  
- Every grunge/punk/emo/eboy/teachwear bitch aspires to be him and because he aint about all that “gender roles” bs he definitely goes about wearing cool egirl stuff too. Not just slightly feminine shaped jumpers but all the plaid skirts, fishnets and lace trimmed dresses he can steal afford and Al, despite his more basic fashion taste is here for it. You’ve never seen someone more supportive of their pals fits, get you a hypeman like Al. You deserve it. (Ethan is also not afraid to walk around in a full pastel gamer girl fit)
- (Also Al hyping up one Ethans fits in front of a Titan is the reason they were allowed to start wearing army fatigues instead of the whole ancient Greek armour on occasion)
- Ethan appreciates Al’s enthusiasm but he also kinda doesn’t get it. And he definitely doesn't do that “yeah you’re right I DO look good” thing because he just doesn’t know how. He’d always been a little self-conscious about getting a big head but then he found out about Nemesis and hubris and all that fun stuff, looked at his meager pile of self worth and said “ yep, this has to go”
- Al almost starts crying when he finds out and pretty much makes it mission to be such a good hype man that Ethan has no choice but to think of himself as a Pretty Cool Dude via absorbing the hype through diffusion. It kinda starts working but then Ethan [REDACTED] in tlo so we’ll never know what could’ve been.
- To nick a hc from someone ( hi @chromarozee-spam) contrary to his taste in clothes Ethan does ballet (he was a punk AND did ballet, what more can I say?) and while Al tries to support his hobbies he is genuinely afraid both for and of him. “For” because “holy fuck that looks painful are you okay?”. And “of” because “are you sure those are bones inside you because I don’t think bones are supposed do that?!”.
- Ethan tries to assure him that no his spine is not made of rubber, broken bones or otherworldly materials so can he stop bothering him during practice please?
- This does not stop Al from making a million protection wards and constantly asking his deck if Ethan is indeed a Being of this Good Green Earth.
- Eventually his cards pretty much just tell him that he is friends with one bendy heck of a boi and he needs to fucking get over it so he kinda just,, ,,,,, , does.
- Again with the hc thieving (this time from @altorringtons) Al learning to use a two-handed broadsword so he can guard Ethan’s blind side and back in a fight *soft noises* just them trying so hard to keep each other alive because they love each other and they care about each other!
- They also sleep in the same bed whenever they get the chance (fully clothed ya nasties, they’re kids) and they just hug each other soooo tight because they just need to know they’re alright cos they always get pretty banged up in fights against campers or just monsters that are too much like wild animals to recruit. (What? Me? Projecting my desire to be intimately held by the closest person I have to family with their arms wrapped not tight enough to make me uncomfortable but tight enough to make me feel loved? Never! What on earth are you talking about?)
- Because Al is super stubborn and prideful whenever they have an argument Al can’t really bring himself to say he’s sorry so when he’s ready to apologise he just climbs into bed on Ethan’s blind side and cuddles him because he knows Ethan is super worried about getting attacked on his blind side so it’s like he has a guard or a shield.
- Ethan on the other hand just calls him a Rock Boy in a derogatory way until he gets over himself and apologizes but he really does love the fact that Al knows that about him and accommodates that.
- The thing they fight about most is how “heroic” the titan army is. Kronos’ brainwashing worked on Al like a charm and he fully believes that they are the rebellion and camp is the empire. Ethan on the other hand wasn’t at camp long enough for Kronos or Luke to really do anything but it doesn’t matter because Ethan really doesn’t give a shit if he’s on the “evil side” cos he just wants respect and he’s willing to do what it takes without a second thought of how people see him. If he thinks he’s doing the right thing but on the wrong side he can live with that but Al needs to feel like all of his side is on the moral high ground because that’s what Kronos drilled into his brain.
- Ethan knows that Al delusional when it comes to the non-existent heroics of the army but eventually he just decides to let Al believe the titans lies because that’s easier for him even if it hurts Ethan to see him being manipulated like that.
- Due to Ethan not giving a shit on the humanity of his bosses he gets punished a lot more often and a lot more violently than Al because they know that Ethan already knows they don’t care about him so they don’t have to sugar coat him but Al still believes that they’re heroes and his mindset needs to stay like that to keep him obedient.
- Also because I am  a Cruel Person By Nature I hc Ethan’s mortal family (which usually just consists of his dad) as meeting a not very pg13 end at the hands of a monster who wanted to nible on Ethan a tad which pretty much scarred him for life.
- SO, at the end of the battle of Man Hats Are In when Al looks around and sees that his whole family (that joined the titans) are dead! oh no! How sad! At least he knows someone whose been through the same thing so they understand each other and can help each other through this tough time together right? SIKE!
- so yeah Al learns Ethan d-worded in the worst possible way at the worst possible time and just looses it from grief. Loosing his family was bad enough but finding out he lost the one person he thought he would be able to confide in and heal with immediately after just really rubs salt in the wound.
- When the survivors start re-grouping to find someplace to hide until the gods forget about them Al just wanders off because it’s all he can do to not break down on the spot.
- He’s just wandering in a daze for a while and most people just assume he’s high but he snaps out of it and gets into anger mode when Lamia starts attacking him because he finally has something to do and occupy himself with even though it’s hard not to think about his sibling especially when Lamia keeps talking like they never would have died if she’d been in charge which is why she should totally just kill him and lead their siblings instead.
- His desire to have something to keep his mind off his family and Ethan is the first thing he thinks about when Claymore re-alives and immediately starts talking about doing research (yeah because that’s what you need after a long stressful day of fighting monsters and literally dying).
- Ethan keeps trying to cross the veil and help, even if he just sends Al a pleasant dream to help him sleep but contrary to what you might think from the name, the veil is really hard to cross so Ethan just has to bite his nails and watch his friend suffer.
- It gets easier to watch after Al and Claymore pretty much adopt each other because at least he has someone but they do still get into pretty scary situations.
- When they were both premortem they got paired up for a lot of missions for the titan army and they usually just tried to pretend they were on a fun road trip around America when they could and make fun of mortal shit together.
- At one point they were in a motel and the last people accidentally left behind one of Claymore’s books about death and they found it the funniest thing ever. Between a pair of in which one of their mum’s regularly goes to the underworld and one has been there himself they find mortal ideas of the afterlife to be very amusing.
- Alabaster has decided he would not like to share this with the class (Claymore) thank you very much.
- Also when they’re doing their road tripping Ethan knows all the best places to crash, the cheapest food places and the local gangs don’t bother them because between running away from camp and joining the army he just wandered around a lot.
- Like he’d just hop on a random train, take a nap and figure it out when he wakes up; he made a lot of friends this way too as well as his taste in clothes cos he didn’t have a lot of money so he’d just DIY some second hand punk shit. Al thinks he’s the Gandalf of the demigod world because he just knows everyone who might help them and everywhere they could spend the night. He definitely tells his siblings about Ethan being the closest thing they have to a wandering wizard and they fucking love it.
- Also because Nemesis tends to not have a lot of kids Ethan was the only one of hers in the army and Al felt really bad for him because his sibling were his favourite part about the army so he tried to include Ethan in as much as possible with his siblings.
- As an unexpected result Ethan ended up with a small army of super powered children to sick on the people who keep making jabs about him loosing in the arena battle.
- Al sometimes thinks he’s given him too much power but also he will fuck a bitch up if they make fun of his pals so he sees where his siblings are coming from and yeah those bitches had it coming. He also has a copy of bitchcraft.
- Ethan’s dad was the type to play “Stay With Me” by Miki Matsubara on repeat for hours and Ethan would probably enjoy the song but he’s heard it so often that now it makes his ears bleed and Al sometimes tortures him with for fun until Ethan starts throwing shit.
- To steal another hc from @chromarozee-spam Ethan has a thing for cats and one time Al accidentally gave himself mistform cat-ears and Ethan could not stop touching them. Ethan was just craning his head back uncontrollably grinning so much his face hurt. Al can’t bring himself to be upset because Ethan rarely ever smiles since he joined the army.
- Al saw Ethan crying over one of those video’s where people put their hoodies on backwards and put their cat in the hood so he made a mist cat and bought him a hoodie. Ethan of course started crying again but it was happy tears instead.
- Ethan is fucking tiny while Al is almost a foot taller than him. He wouldn’t mind so much if Al didn’t exhaust every opportunity to rub it in his face so he just starts climbing all over shit (especially tall buildings) half to give Al heart attacks and half so he can be like “Sorry? What was that? I’m so high up I can’t hear you. Can you speak up a little? Maybe get a ladder? Or taller?”
- Also I don’t know why but I hc Al as Texan. Ethan gets told about this “Alabaster C. Torrington” guy who knows latin, incantations and other magical knowledge and expects some fancy British guy so when they meet and Al speaks Ethan gets whiplash so hard he fuckin chokes.
- Al is also very casual and Ethan is pretty professional so when he meets this magic general with a straight back and the first thing that comes out of this assholes mouth is some “Howdy y’all!!” bullshit he just dies on the spot.
- Also because Al is texan he is very sensitive to the cold (I’m about 80% sure that Texas is one of the Warm states) so when he has to do stuff in cold places like the labyrinth or new york (idk about that one to but in every film I’ve seen that’s set in NY it’s raining for about 90% of the time) he complains about being freezing all the time until Ethan helpfully reminds him that he can literally make fire out of nothing, surely he can find a way to warm himself up.
- Ethan is also sensitive to the cold because he’s basically malnourished but he’s been like that for a while and thinks it’s normal so he sucks it up until Al notices he’s always cold. Ethan tells him it’s fine but Al is basically a walking electric blanket so whenever Al cuddles him to keep him warm Ethan can’t help but melt because he’s so fucking warm and soft and have you noticed I crave intimacy?
- Ethan started studying Greek myths vigorously since he found out he was a demigod and when he died he kept an eye and an ear out for Al because even though he wouldn’t be able to do anything it still reassures him to know what’s going on, HOWEVER, he was almost filled with enough malice to rip through the barrier between the living and the dead purely to beat an ass when he hears Al’s little “I don’t bother reading about worthless monsters like you!” jab.
- Ethan is very jumpy and fidgety to the point where Al is genuinely concerned and while Ethan assures Al that nothing’s wrong Al is still suspicious. Ethan probably would have told Al about it if it was because of anything but Kronos but seeing that it mostly is, he doesn’t because Ethan feels like Al will just take Kronos’ word over his and he’ll loose the only person he trusts in the army.
- Al doesn’t find out about it until way after the war when Kronos’ brainwashing starts to come undone because by then his mindset is a lot less biased in the titans favour so he can see things that he just unconsciously ignored before and is able to put two and two together. When he does boy is it a trip.
- Ethan is really bad at talking about feelings and stuff so whenever Al gets upset over something and Ethan has no idea how to talk to him he’ll just get him some rocks. One time Ethan found out about those heart shaped valentine boxes that are normally filled with chocolates but people put crystals in them and that just became his go-to for when Al was especially upset. 
- Al is only slightly better at talking about stuff but he can still get Ethan to open up to him which is good because Ethan isn’t very materialistic so it’s hard to make him feel better by buying him things and because someone needs to get Ethan to express himself in an emotionally healthy way.
- Also because of this they just can’t tell each other they love each other. Like they’ll barely whisper it when the other is asleep because they’re just so bad at talking about feelings. It wasn’t that much of an issue until after the war and Ethan gets k-worded and Al is left alone and sobbing over all the times he never told his loved ones how much they meant to him.
- But because this is a headcanon list; fuck that, Al saved Ethan with some sort of magic bullshit and they talk about how much they love each other all the time now because they can’t stand the thought of one of them dying having never been told how much they are loved.
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ordinaryschmuck · 3 years
Text
What I Thought About the First Season of--
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Salutations random people on the internet who most likely won’t read this! I am an Ordinary Schmuck. I write stories and reviews and draw comics and cartoons.
When I first saw the sneak peek of--
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...I...didn't...think it would be anything all that special. I love animation, and I love superheroes, so it would go without saying that I would love an animated series about superheroes. But the animation looked a little too stiff for my liking, and aside from featuring J.K. Simmons, there wasn't anything grabbing me when it comes to this show.
Then I heard some s**t goes down at the end of episode one. So, letting my curiosity get the better of me, I binged the entire series in a day to see what the fuss was about. And, um...Yeah. Holy s**t.
This is a series that will very much make you uncomfortable in all the right ways. However, it is a gigantic gorefest at times, so if you get queasy after a single drop of blood, DON'T WATCH THIS SHOW! Trust me, you will not be prepared for what this series has to offer.
At the same time, I highly recommend you watch this series before reading this review. I'm going to spoil major plot points and characters so I can appropriately discuss what I think about the season, so trust me when I say you should click away if you haven't watched it yet. It's one of those series that are better to go in as blind as possible. You can call it a cheap way to appeal to shock value, but I call it one of the best reasons why--
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...Is a contender for best-animated series of the decade--That bit with the title card isn't going away anytime soon, is it?
WHAT I LIKE
The Guardians of the Globe vs. The Mauler Twins: This is the best possible way for the series to begin. The first fight scene is bright, colorful, and kinda fun. Thus setting the ultimate expectation subversion in making audiences think that will be the series staple. However, just because it has the energy of a harmless superhero fight, there is a sense of intensity as the Guardians give their all in saving others. Like that moment with Darkwing (Not the duck) as he rescues that woman without hesitation, despite knowing he might die because of it. Or Green Ghost, who just barely rescues all those civilians from that falling debris. It shows that you don't need intense scenes of violence to make a fight scene thrilling to watch.
Diversity Wins: I don't know how diverse the comics are compared to the show, but I'm impressed with how inclusive this series is. So many members of the main cast are people of color, with the main lead being half-Korean. And it's not just different races that the series shines a light on, as we also get the rare, but very much welcomed, animated male gay character. Who's thankfully isn't cliched in ten ways to Sunday...for the most part. It really does seem like writers are starting to grow up and that it's better to be as inclusive as possible instead of pretending certain people don't exist for the sake of "convenience." It might not solve oppression in general, but it certainly makes certain people feel better, even if it is briefly.
Mark Grayson: Mark is a pretty solid super-protagonist if you ask me. Sure, at first, he comes across as whiney...and even more so in later episodes, but he's really an endearing character at times. Mark nails the role of the relatable everyman that's also inspirational with his determination since he never gives up until beaten to the inch of his life. Seriously, while he might not entirely be--
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...I guess that bit with the title card really isn't going away.
Anyways, while he might not entirely be invulnerable in the literal sense, he is very much so in the figurative sense. Mark, in so many ways, refuses to call quits once he finally gets the hang of being a superhero, which is what makes him so inspirational. Plus, it's funny seeing how much of a rookie he can be to the gig at times. Mark is far from a perfect lead but is still charming to a fault, and it's nice seeing him grow more heroic each episode. I hope to see him develop more in future seasons, as he has the potential to be ranked higher up as one of my favorite superheroes (it's hard to compete with Spider-Man and Batman, but he'll make me consider it).
Debbie Grayson: This is almost what I expect a mother and wife of superheroes would be. 
Your son is constantly crash landing in your yard? Tell him to knock it off because he's past his curfew. 
Your husband disappeared into another dimension to fight off invaders? Shrug it off and expect that he'll be late for dinner.
It's a ton of fun to watch, and I adore how supportive she is of Mark, despite how much danger he could be in as a superhero. But, what really endears me with Debbie is her complicated feelings with Omni-Man. There's not a doubt in my mind that she loved him with her whole heart, but she also isn't an idiot. She is quick to pick up how unheroic her husband can be at times, often scolding him for it when necessary. And when she finally starts investigating if he really did kill the Guardians, I love that she instantly comes up with every single plausible excuse she can, despite knowing the truth. Because she believes that she knows who Omni-Man is and refuses any possibility that he might be a supervillain. So when she finds out that there really is no other explanation and hearing him call her a pet (big ouch when that happened), you wanna know what she does? She cries. Not because the man she loved is gone forever, but because the idea of him is. And it's that level of emotional devastation that comes from those complicated emotions that make me think Debbie Grayson is the most complex and endearing character on the show. And I. Will. Stand by that.
Seeing the Guardians of the Globe on their down time: Wow, what a cute collection of scenes that are charming as much as they are heartwarming! A set of scenes that show how human these characters are with their close relationships with friends and family! I sure hope it's not followed up with a brutal emotional gut-punch of a scene that will be even more devastating after thinking back on these! Especially with that bit with Martian Man and the little girl, cause OOO-WEE, would THAT tear me up inside!
Omni Man destroying the Guardians of the Globe:...I'd follow through on my joke here, but holy s**t.
That's really the best way I can describe all of this. It is a brutal, I repeat, BRUTAL scene that will stick with you hours after watching it. Not only that, but it's one of the few instances when I was damn near speechless because I couldn't think of anything else to say other than, "Holy s**t." The only time another superhero property did that was Avengers: Infinity War, except with that, the only difference is that the characters come back. Here, except for The Immortal, the Guardians stay dead! There's no magic amulet or alternate versions from another dimension. No, they die and never come back. Thus setting up how serious the show can be. Because if these superheroes can stay dead, then so can others.
Plus, what makes it more impactful is how throughout the entire fight, there was a glimpse of hope that the Guardians can beat Omni-Man. I heard he got nerfed for the sake of drama, and I approve of that decision. Because if he was really--
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...If he was really unbeatable, then the fight doesn't have weight to it. There wouldn't be a point in rooting for these characters to win when we already know they're going to lose. But, by showing there's a chance that they could win, it becomes all the more intense watching the fight and even more tragic seeing them lose. It is a masterpiece of a battle that proves once and for all: Batman is right. You need contingency plans.
Omni Man: J. Jonah Jameson has become the one thing he hates the most: A masked MENACE...Ok, I know Omni-Man doesn't wear a mask, so the joke doesn't work as well as it could. But it was served to me on a silver platter, damn it! I had to take it!
In all seriousness, though, Omni-Man might give Homelander a run for his money on best evil Superman. Because while Homelander might be terrifying in his own right with his style of evil, Omni-Man takes it a step up a notch with the mystery behind WHY he killed the Guardians of the Globe. We know right away that there's something off with him, but up until that point, we see multiple instances of Omni-Man doing the right thing rather than the wrong. Sure, he might come off as cold when interacting with people, but so does Batman and other great superheroes in comics. That doesn't mean he's evil. So when he does do something so incredibly heinous, we're left with this mystery as to why. Because there has to be a reason for it all, right? Like, maybe mind control or his family was threatened. Something and anything that means he was forced into killing the noblest of people. So when it turns out that his actions were intentional, it is already pretty devastating. But when we find out why he does these things, it paints how truly evil Omni-Man is, given how little respect he has for human life.
Plus, as terrifying as Homelander is, Omni-Man is ten times more of an engaging villain. With Homelander, what you see is what you get: A narcissist with a god complex. For Omni-Man, it's more or less the same thing, but it's something fed to him because of the conditioning from his planet. There is a tiny, molecule-sized part of him that genuinely cares about others. It doesn't change what he does, nor does it mean he deserves forgiveness (far from it), but it hints that maybe he's not evil because of his own ego. It's because of how he's trained to be. And judging by his pained expressions from Mark's words and the single tear he sheds when leaving everything behind, there's a chance that he might be willing to fight back that mentality.
Or he will stay evil, and that he'll return to do worse things in the future. I don't know. I haven't read the comics. But I feel like I don't need to read anything to tell you all that Omni-Man is up there as one of the most intriguing comic book villains of all time, and I can't wait to see what happens with him next.
This show is f**king Violent: I mean, I refer you back to that scene where Omni-Man destroys the Guardians of the Globe. But, unlike other shows that use violence to force that mature rating, I feel as though In--
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...Title card. You were cute the first time, but now your novelty has quickly worn thin.
Anyways, I feel as though this show...uses gore more appropriately. More often than not, death and carnage get treated as a literal joke in adult cartoons because people are sick bastards, I guess. But with...the current series I'm talking about, it all has an impact. No one dies or gets mangled for the sake of shock value or for a laugh. Instead, every instance of this type of violence is to either make a point, set the tone, or prove just how dangerous a specific character is. It makes...the series more mature than most adult cartoons you'll find because it actually brings a worthy discussion for its violence rather than milking it to give the illusion of maturity. And I gotta respect the writers for doing that.
Cecil: This man is basically Nick Fury if he was overpowered but in a good way. There is just something about a man who knows superheroes are needed in the world but also trusts a "hero" like Omni-Man as far as he can throw him. Not only does Cecil have contingency plans for his contingency plans, but the guy also knows to send the right heroes out for the exact missions that require them. Plus, a man is an instant badass when he's stone-faced about a demon saying he'll go somewhere worse than hell and is calm when being face-to-face with an angry Omni-Man.
I don't make the rules. I just abide by them.
The title card gets bloodier with each episode: This is just a really cool gimmick. It proves how intense this show can really be and how the stakes get higher and higher with each installment. Also, I like to think the amount of blood that splashes over the title card reflects how brutal the episode will be, especially with episode eight, 'cause holy hell.
The plot structure: The way the story works is very similar to how a comic book series handles its overarching narrative. Even though the writers begin a new arc that continues for a handful of issues, the overall main plot still develops in the background of the current adventure the hero goes through. That's basically how--
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>Intense inhale<
>Calm exhale<
That's basically how THIS SHOW operates. Each episode can be seen as its own story that's given a ton of room to develop with its forty-five-minute runtime (which blew my f**king mind when I started binging it). Despite that, there's still a great sense of continuity. Everything involving Omni-Man and the mystery behind his murder of the Guardians gets fleshed out throughout the season, even when it takes the background of Mark's escapades. It really does feel like sitting down and taking the time to read an entire volume of comics, which I like to believe is the intention. After all, what's the point of making a series about superheroes if you don't make it feel like a comic book at least once?
Dark Blood: I desire a series based on this character alone. I know it's probably just Hellboy, but I want it. 
The idea of a demon solving murder crimes to work off his debt in Hell is too much of a remarkable concept to strictly be a c-plot in one series. Give Dark Blood a spin-off, damn it!
The Realistic Portrayal of a Superhero world: Unlike certain superhero properties--*cough* DC *cough*--it's--
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>Huff<
>Puff<
>HUFF<
>PUFF<
>HUFF<
It's. This. F**KING. SHOW! That really does an excellent job at portraying how much it would suck to live in a world of superheroes. Sure, you got the cool battles and awe-inspiring heroes with incredible powers, but do you know what else you get? Hundreds upon thousands of people dying from the very threats those heroes fight against. Not to mention all the realistic physics that come from people like Mark trying to save others. Just look at how mangled that old woman looked when he attempted to help her. It, uh...It sure did not look great. Don't get me wrong, I love superheroes and the worlds they live in. But when watching a show like...this one, it really makes me appreciate how I don't live in those worlds with them.
It’s Still Funny: This is something I appreciate the most. When most superhero shows go for the realistic approach, they go with the doom and gloom route, making everything so melodramatic about how serious the world is. But here's the thing: Superheroes are f**king stupid.
Don't tell me they're not because they are. Superheroes have cornball hero names, bright costumes, and logos on their foreheads, chests, belts, and what-have-you. Taking a superhero too seriously is the worst mistake you could make, which is why I love the Marvel Cinematic Universe. Say what you want about Marvel having "too many jokes," but at least they know it's for the best to laugh at themselves and embrace the weirdness. It's something similar with...you know what. Because while the series tells a serious and realistic story about superheroes, it's still a story about superheroes. So it tells some jokes and some pretty funny ones at that. Because while it's essential to include some drama in a story such as the one in...you know what, it's just as important to never forget to have some fun.
“Earth is not yours to conquer.”: Such a great line that gains an even greater meaning once we fully know who Omni-Man is. The main creditor for how effective it is goes to J.K. Simmons for making the line sound explicit yet implicit at the same time.
Allen the Alien: ...It is an absolute crime that this character only has about six minutes of screentime. Allen is such a bro, partially because of Seth Rogan's performance, that I would honestly be upset if he doesn't show up more often in later seasons. Seriously, bring him back for more.
The Mauler Twins: Thankfully, these characters get as much attention as they deserve. The banter between the Mauler Twins is always entertaining, often being the comedic highlights at times. On top of being funny, they also work as efficient villains who can come across as threatening at times.
But what I love most of all about these two is the explanation behind the cloning process. The reasoning of why neither character remembers which one is the cone is a brilliant idea that I'm surprised no one else did in the past (to my knowledge). It also provides some excellent fruit for thought in wondering if it really is better to live your life not knowing if you're a clone or not. The whole thing is great to watch, and it makes me really glad for their inclusion...too bad they had to be forced into a story that makes a character look like a reckless superhero and an inconsiderate jackass to his friend. Seriously, what was up with that?
“That Actually Hurt”: This just might be my favorite episode of the first season. Machine Head is both equally hilarious and devious, Titan might just be my favorite character due to how intriguing his allegiances and motivations are, that final fight was the perfect amount of brutal, and we get the biggest hint of the man Omni-Man really is. Having him simply watching Mark instead of flying in to help him actually shocked me the first time seeing it. It's not until we learn what a Viltrumite really is that it becomes clear as to why. He doesn't care about saving his son but instead seeing Mark reach the same potential Omni-Man did during that smash fest the planet went through to reach perfection. And something tells me he felt more disappointment than sadness after seeing his son get nearly killed by Tony the Tiger (I know he has an actual name...but this is funnier to me). It's such a solid moment with great implications that just so happens to exist in an even greater episode.
Eve deciding to just help people for the heck of it: I actually love this idea more for the potential it has rather than what actually happens so far. Because the main reason why heroes don't fly around and solve every little minute problem people have is that they need to learn how to act without help. If you suddenly make food appear out of thin air or stopping forest fires, you're doing good, but there's also potential harm that comes from it. I think back to that episode of The Powerpuff Girls, where the townspeople are so idiotic and complacent with having their heroes solve every problem that they really can't think or act for themselves. A similar thing can happen with Eve if she's not careful. Even worse, if she keeps trying to end famine for farmers, because she might get into a Supergirl situation with people building a cult around her. And, you know, that's not going to be fun.
But again, that's just the potential that this presents. We--Or the people who haven't read the comics--don't know if Eve will actually face this issue. Regardless, we still get some solid moments that proves just how much Eve is a true hero in this series as she has no other motive to help people other than she just wants to. And I actually think that's pretty cool.
The Immortal’s rematch: I gotta hand it to the guy. Not a second after being brought back to life, and The Immortal's already flying off to get revenge on the bastard who killed his closest friends in the world. Or, globe, I guess.
I respect that, to be honest.
(As a bonus, The Immortal causing Omni-Man's eyes to become bloodshot adds to how evil he'll be in the last episode)
Mark trying to snap his dad out of mind-control: Oh, I felt that.
I'm pretty sure we all felt that.
Ow...Big ow.
The Train Scene: ...This is the most horrific thing I have seen in entertainment. Seriously, while Omni-Man annihilating the Guardians left me speechless, this is another level. Because him using Mark's body to kill a train full of people ramming into them, leaving Mark all the more helpless to stop it, makes a scene that is so...so hard for me to describe how effectively f**ked up it is. It's one of those moments where just by seeing it, you know why it's awful in all the right ways. And I will never forget the look of shock and horror on my face when it reflected onto my laptop's screen after the scene briefly cut to black soon after the carnage. Because if that doesn't explain how unmerciful this moment is, I don't know what will.
Saving Mark after the fight: I really love this because as it flashes between still images of people carrying Mark away after his brutal fight with Omni-Man, it really feels like you're reading a comic from panel to panel. It’s pretty neat. I won’t lie.
WHAT I DISLIKE
The Animation isn’t that great: Now, in terms of action, the animation is fantastic. You feel the impact of each attack, there are some creative uses of powers, and the gore is better implemented because it's all animated. As for everything else...yeah, it kinda sucks. Movements are a little stiff at times, the CGI backgrounds could use a bit more polish, and don't get me started on the CGI crowds of people. I understand the shortcuts that need to be taken to make everything else more effective, but man, this series needed a little more time in the oven before being shown to everyone. It's never too bad, but it can be pretty distracting at times.
Amber: F**k Amber. Just f**k her. Everything people tell you that is wrong with her is one-hundred percent on point. She is easily one of the worst love interests, and to me, it has everything to do with the fact that she knows Mark is--
...That she knows Mark is--
...
...
...ThatsheknowsMarkisInvinci--
--BECAUSE IT INVALIDATES ANY POINT SHE HAS, GOSH DANGIT! I don't give a single S**T if she's upset that he's late all the time! If Amber was always unaware of it, then I would understand. But having her know means that she thinks her issues are more important than Mark, oh, I don't know, SAVING THE PLANET! I mean, the girl helps feed the homeless! You would think she would understand.
But fine. Maybe Amber's just upset that Mark's lying to her. Sure. That's understandable...BUT WHAT THE F**K IS UP WITH HER BLOWING UP IN HIS FACE FOR NOT HELPING ANYBODY AT THE COLLEGE WHEN SHE KNOWS HE'S HELPING EVERYBODY!? Even if it's her giving Mark one last chance to tell her the truth (which is a mile of a stretch, and you know it), did she really expect him to reveal his secret with tons of people watching? That is a crazy expectation that no one should live up to!
Amber is quite possibly the worst thing about this show. She was fine at first, and her chemistry with Mark was on point, but MAN, did she get worse later on.
And if I see one mother f**ker calling me a racist because I don't like this character who just so happens to be black...I'm going to be upset, not gonna lie. Because that is a cheap shot to dismiss any criticism, especially since her race has NOTHING to do with why people hate her...Or, at least, most people.
Edit (5/27/2021): Disregard the above. The long and short is that I don’t like Amber. She just doesn’t sit right with me for the reasons that her anger towards Mark just never felt entertaining to me in comparision to everything else. But saying her thoughts and arguements are invalid is not cool, and I’m sorry to both any readers who are black or especially female who would be upset by this.
Rex-splode: I understand the point behind Rex. He's a character who we're supposed to hate, so it becomes so much more satisfying seeing others s**t on him. But those characters are hard to get right if you’re not careful. Make them too irritating, then any suffering they go through will seem too little. Make them not annoying enough, and their punishments can be too harsh. Rex fits into the "too irritating" category. It's satisfying to see Monster Girl wreck his s**t after he started commenting how ineffective she might be, but with what he pulled with Dupli-Kate, I feel as though he might deserve worse. Although I will admit Rex gets slightly better in later episodes, showing at least a smidgen of character development. But I don't think it's enough to make his a**holeness worth it. Still, I hope he at least becomes above decent in the next few seasons, which is way more than what I can say for Amber.
(Seriously, writers, if she just disappears without an ounce of an explanation in the season premiere, I won't question it. You have my word.)
Edit: I no longer agree with what I crossed out, but I won’t delete it either. I want people to know the mistake I made so I can prove that I changed in the future.
Robot cloning himself to be with Monster Girl: ...Nope! 
Nope!
Changed my mind.
I am NOT touching that.
I will touch a lot of things, but I will not touch--That came out wrong.
Please forget you read anything.
Thank you, and goodnight.
Let’s move on
Transitioning to the title card: Here it is! The nitpickiest of all nitpicks! But, seeing how it happens in every episode, meaning that the writers have no choice but to commit to it, means it's one of those things that viewers are forced to get used to. And boy, is the transition to the title card hard to get used to! Oh, you thought it was annoying how it kept happening in this review? Well...fair enough. But trust me when I say it's much more aggravating in the show.
The funny thing is, I had no problem the first time it happened. It was a cute way to introduce the character as well as the title of the series. But having that be the basis for transitioning to the title card every time was a gimmick that got old real quick. Especially since every time that a character says the word--
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--it always feels forced. What's even more annoying is that sometimes it interrupts characters as they're saying invin--
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LIKE! F**KING! THAT! Because interrupting someone before they say something is one thing, but doing so as they're saying it shows a sense of bad timing. Not even that, because this is something that I feel like could have been the easiest to change in the series by having someone go, "Hey, maybe we should edit out this single second."
It's laziness that doesn't happen often, but it still grinds my gears a bit. Plus, is there really no other smoother transition the writers could come up with? Did they really believe this is the best way to do it?
Think, writers! THINK!
It's fine to have a gimmick, but this is one that really shouldn't have any follow-through on.
-------------
That's about all the issues I have with the show. It's far from perfect, but still, an A- is pretty impressive work. The stuff that this series does right not only outnumbers the mistakes but also heavily outweighs them. Besides, no show in the history of creativity has ever been perfect in its first season. There are always dents that need to get buffed out and improve upon for the subsequent seasons to come. Only then can a series truly be Invincible from all criticism.
...
...Oh, sure. 
SURE!
NOW it lets me say it!
GOSH, DANGIT, I HATE THAT TITLE CARD!
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murdereraisuha · 3 years
Text
Actually, Jamil is Snow White
Now that I have your attention with my batshit theory, let me explain it along with my other predictions for the future events of chapter 5 in a 2,500+ word mess of an essay.
  The past chapters have all correlated to the plot of the original Disney movie in some way. So how does chapter 5 correlate with Snow White? For the movie's story, it starts with Snow White living with her stepmother, who is vain, self-centered, and afraid that one day Snow White will surpass her beauty. The Queen makes efforts to suppress Snow White's beauty by making her a scullery maid, but Snow White does eventually surpass her. This causes the Queen to order her Huntsman to kill Snow White, but the Huntsman can't bring himself to do it and he presents the queen with a decoy heart instead.
  What's interesting about TWST is that Neige has already surpassed Vil at the very beginning. Furthermore, rather than focus solely on his own beauty and beat down potential rivals, Vil attempts to nurture the beauty of the rest of his dorm and the VDC team. So how in the world do we correlate the events of the chapter to the original movie? Well, we know from previous chapters that the person twisted from a character might not be the one to actually take that character's role in the story. Though Farena exists, the one Leona tries to sabotage is Malleus. Though Rielle exists, the one Azul makes a special deal with is Yuu. Even though Neige has played a bigger part in the story so far compared to Farena and Rielle, he still might not actually be the Snow White of this story. So who are our possible candidates here?
  As the person meant to rival Neige's cute appeal, Epel is the first one to pop into mind. Perhaps the NRC team's performance during the VDC goes well enough that Epel suddenly gets tons of popularity. The internet latches onto him, so much so that, at least temporarily, he ends up surpassing both Vil and Neige in Mira's beauty calculation. However, this wouldn't make sense. The Queen is supposed to hate and sabotage the Snow White, and Vil has no reason to do that to Epel after spending so much effort helping him with the express goal of having him beat out Neige. So who else?
  While browsing Pixiv one night, I came across a funny comic (it was long ago enough that I don't remember how to find it again, unfortunately) where Azul actually did livestream Jamil's evil monologue in chapter 4. Rather than becoming a big scandal though, it actually becomes famous because of how good-looking Jamil is, so much so that Vil finds out about it because Jamil's name is the one Mira tells him when Vil does a beauty check. Vil proceeds to change his plans for the VDC by dumping Epel and choosing Jamil as the sole main vocal so that Jamil is his "poison apple" against Neige instead.
  With the recent update, Vil's plan for the VDC is officially finalized, so that comic is firmly in AU territory. However, what if something similar happens? The NRC team's performance goes amazing. However, it is not Vil or Epel that gain attention, but Jamil, the 3rd main vocalist. Against Vil and everyone else's expectations and plans, the internet goes wild over this mysterious pretty boy, boosting Jamil into the position of most beautiful.  Even Neige had to spend some amount of time getting gigs and whatever to attain his fame, but Jamil has done basically nothing outside the VDC and now he's suddenly the best... How would Vil feel about that?
  With the whole trend of the previous overblot causing the next, this theory of Jamil = Snow White makes sense. Though they could always make it so it's Neige and Epel doing the stuff and then at the end Jamil delivers a speech or something that gives the final push to overblot, it would be a lot more interesting (and funny) for Jamil to be thrust into the spotlight earlier on and be a main reason for Vil's overblot.
  However, all of this assumes that the beginning of Snow White correlates with the beginning of chapter 5. Let's consider that the beginning of chapter 5 actually correlates with the situation later in the movie when the Queen is plotting to get Snow White with the poison apple. In this situation, Neige would actually be the Snow White of the story. However, unless we pull some funky timeline stuff, the theory I've seen of Rook betraying Vil wouldn't happen then, since we're already past that point in the movie. So what is next? In the movie, Snow White bites the apple and falls asleep. The dwarfs return to their cottage and chase the Queen, who eventually falls to her death when a lightning bolt destroys the precipice she's cornered on. (Fun fact from Wikipedia, her scream while falling was reused for Sleeping Beauty when Maleficent gets stabbed by the Sword of Truth). Anyway, the dwarfs proceed to put Snow White in the glass coffin until a year later when the prince kisses her and takes her to his castle.
  Welp, look here, we have the dwarves in TWST, so they could definitely fulfill the try to hurt Vil part here. But what would lead them to do that? Assuming that as RSA students they are heroic, they would hurt Vil if they felt that he had hurt Neige. Vil's plan for the VDC competition seems to just be performing like normal and hoping that their hard work and effort will shine through and win them the competition, so either something has to happen that causes a last-minute change to that plan or some sort of misunderstanding (Vil getting canceled) happens. How would a misunderstanding happen? It could originate from fans angry that Neige didn't win, but Vil has plenty of his own fans to counter that and make an even-sided battle. Some new falling out between Vil and Epel could occur, resulting in either Epel himself going and hurting Vil's reputation or someone else (the media or Neige) seeing Epel distraught and believing that Vil is abusing him in some way. If it's Neige that could be interesting since it'd kinda be a situation where Epel is Snow White and Neige is his Huntsman. Neige x Epel new otp??? haha anyway, there's also the possibility that the RSA students are not heroic, and the dwarves go and make rumors about Vil themselves as an underhanded strategy to give Neige the victory.
  All this talk is making me forget about my boy Jamil though. How would he fit in here? Again, from the previous overblots, we know that Jamil will likely oppose Vil in some way. We have also established that this chapter 5's start = the Queen's poison apple plan's start, so Neige is the Snow White. The remaining roles for Jamil are the dwarves (unlikely since we have actual dwarves), the huntsman (unlikely since timeline and also Rook exists), and finally, the prince. Jamil x Neige new otp??? lmao anyway, What would this role mean for his involvement in the story? Well, the prince only shows up at the end to wake up Snow White, so that would make this a situation like I mentioned before with Jamil just showing up to do a speech or something that pushes Vil over the edge. Boring, what else could we do?
  Well, what about the original fairy tale of Snow White? In there, the dwarves don't kill the Queen. Instead, she lives until the day of Snow White and the prince's wedding, where the prince makes her dance in red-hot slippers until she dies as punishment for trying to kill Snow White. Why would Jamil give enough of a shit about Neige to go against Vil like that though? Well, y'know what fuck it let's squeeze someone else into the role of Snow White. Kalim certainly has the hair color for it. Since Kalim is just one of the backup vocals and hasn't had much going on aside from his personal character development this chapter idk what Vil could possibly do to him. Perhaps something pertaining to his family's wealth and fame? Whatever it is, some sort of threat to Kalim would be enough motivation for Jamil to do something to Vil. Interaction between Kalim and Jamil would also serve to finish up whatever development is going on between them. Seriously bro I know Jamil was probably just stalking Kalim in that one episode to make sure he's safe but that scene is really haunting me WHAT DOES IT MEAN?
  Whatever, let's keep this circus rolling with some Rook discussion! Again, we got the theory that Rook will betray Vil like the Huntsman betrayed the Queen. To discuss this idea, we gotta discuss Rook's motivations first. In episode 5-27, quoting from the translation on the wiki by Kanade Musings, Rook claims that "being a mere spectator to beautiful people and beautiful things provide [him] with such happiness" and he is "here to offer what help [he] can to help save beauty." However, he points out that "Vil does not need [Rook] to save him;" instead, what Rook wants "to protect is not Vil himself, but rather the 'beauty' he possesses." The chapter ends with Rook saying that the others would understand what he's saying if they encountered a "beauty that is blinding" and would "bring light to [their] lives."
  So, with this information, would Rook betray Vil and why would he betray Vil? Well, there's the possibility that RSA's performance wows him and he switches to protecting Neige's beauty. However, this doesn't feel right to me. Neige is very famous. His first appearance was in a commercial that Cater got even when not specifically trying to find stuff on Neige. I would seriously doubt that Rook has not already done research into Neige and observed what beauty he has. If Rook doesn't already find Neige extraordinarily beautiful, I doubt that a single dance performance could transform his opinion of him. However, what if that was compounded by some loss of Vil's beauty? However, would Rook allow that to happen? He expressly said he wishes to protect Vil's beauty. If Vil lost beauty, would Rook really abandon him, or would he work to bring Vil back to his senses and restore his beauty?
  Now, going back to the idea of Rook doing a betrayal, we already established way back at the beginning of this monstrosity (if you made it this far please take a hydration break or something alright? take care of yourself I love you) that Neige is not necessarily the Snow White of the story. So, we have the possibility of Rook turning against Vil on Epel's behalf, which... doesn't seem right. Idk it might be because I still just can't envision a scenario with Rook outright betraying Vil. Again, Rook has spent a bunch of time observing Epel and watching him grow. What could Epel possibly do that could mega boost his beauty in Rook's eyes? He's spent time observing Jamil too, though not as much as he observes some other people. Like, Rook is a hunter, extremely skilled at assessing targets and figuring out what makes them tick. For his opinion of someone to seriously change, it would require equally exceptional deception or change on the target's part. Seriously, why would he betray Vil?
  Okay, how about we consider what exactly Rook finds beautiful. As we know from the auditions (ボーテ!100点!), Rook was able to find beauty in every person's performance, no matter how clumsy or unskilled they were. So, we get the sense that at the very least, Rook considers things beautiful that most people wouldn't consider beautiful. Then, what makes Vil beautiful to him? We know Vil is beautiful by normal person standards, but Rook doesn't go by normal person standards. Does Rook feel drawn to his determination? His power? Something we don't know about yet? I don't think we know for sure, so we don't know what it would take for Vil to lose beauty in Rook's eyes.
  Well, there's a part of Rook that hasn't really come up in the main story yet: his fascination with the nonhuman students. This just brings up more questions. Since Vil is human... as far as we know... Rook's behavior towards him is motivated by something different than that which motivates his hunts, even if that something different is just a different way of being beautiful. ARGHH I DON'T KNOWWWWW we're going into his voice lines
  Alright, ceremonial robes home tap 3 (from twstarchives): "There is beauty that some are just born with, but the beauty you work hard to achieve holds immeasurable power. Isn't that right?" Okay now we're getting somewhere, he appreciates hard work! Oh yeah didn't Vil say some stuff cause he felt defeated by Neige being better even though Vil put in all this hard work? The development of that sort of attitude would probably constitute a loss of beauty. Hard work would therefore also make someone beautiful in Rook's eyes.
  So, who works hard? Yep, Jamil we're bringing you in again. Remember, a change is needed to drive the plot and prompt a change in Rook. Haven't we had a major change in Jamil's attitude already? Starting with having to funnel all his hard work into Kalim and keeping himself under Kalim, after chapter 4 Jamil is now channeling his work into himself and finally showing off his true talents. Given that Rook can't possibly stalk everyone in NRC in-depth, he likely doesn't have a complete idea of Jamil's capabilities especially given how Jamil was specifically trying to stay under the radar. This may give Jamil the possibility to surprise Rook with his full power, potentially shifting Rook's opinion enough to give him a significant appreciation of Jamil's beauty.
 With all this information, I think I can try and build a rough simulation of events. So, the VDC teams do their performances and wow the crowd. In the meantime while the judges are deciding who wins, some shit goes down: Vil gets canceled or something, Jamil gains popularity, idk something with Neige & the dwarves. Vil's mental health takes a turn for the worst and he resorts to underhandedness. He enlists Rook for some plot against Jamil or Neige. However, Kalim gets caught in the crossfire. Inspired by Jamil's beauty and efforts to help Kalim, Rook ends up going against the plan and Vil. Vil overblots, blah blah backstory, then the judges release the results of the competition, and the winding down/aftermath/party time is the 2nd day of the festival whatever when the gang can go see all the other booths and stuff.
  Even after all this I sincerely doubt my final prediction here will come to pass but y'know, all about the journey not the destination. Honestly, I thought of the title of this post when I was only partway through like "Haha isn't this theory about Jamil being Snow White so out there" but nope that's actually a foundation of my ideas now. What am I doing???   Anyway, hope you enjoyed reading this mess. Please feel free to message me or something if this rant gave you any ideas that you wanna share.
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