#really good beast composition
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Now I’m thinking of Alpha Martha scooping in like “is anybody going to love and cherish that omega” and not waiting for an answer. She uses every Wayne gala to flaunt her Omega and later, pup in Carmine’s face. The only reason she hasn’t killed him yet is that seeing his rage and sad plans to get Thomas back is amusing and if it ever comes down to that Thomas deserves the honors.
Gosh, I’m starting to fall in love with that concept. Just imagine stern browed, lethally beautiful Captain Martha Kane, infamously known for her service in the military.
She reeks of bloodied snow, and sweet pomegranate with a note of petrichor. Of gunpowder, grainy and dark and rich, and of something so alluringly nameless Thomas can’t shake off.
The rumors about her hawk like gaze aren’t just rainwater.
Her look is made of storms and winter and Thomas shivers when he sees her for the first time, walking aimlessly around Gotham’s museum. His mother’s museum.
Carmine’s now, legally.
She stops just besides him, — she’s tiny, for an alpha, and he’s big for an omega, and for a moment, Thomas feels vindicated. So they had anomalies, too. Good. They earned it.
“Beautiful.”
She’s referring to the exhibit they’re admiring together. She has to be. Thomas stays quiet.
“What’s your opinion about it? I’ve visited her hundreds of times and I just can’t understand it. Not correctly, I think.”
He scoffs, but otherwise, the silence continues to expand.
Of course no Alpha understands The Good Omega.
Right above them, exposed almost proudly, imprisoned behind a thin layer of glass with rose gold framing, with delicate ivory marbled in, The Good Omega displays an omega women kneeling by her alpha.
It’s not intricate, or complex in composition. It translates well, and it’s just detailed enough.
Her mouth is sewn shut.
It’s a blood painting.
“She used to be an artist, I believe, “ Martha continues, with just the barest twitch of discomfort in her face, but she doesn’t allow her attention to shift. “I thought maybe you’d have a better perspective about it.”
“I’m not allowed to speak to you. As you well know.”
She pauses for a bit. “I apologize. You have no collar on. Your alpha didn’t pick one yet?”
He hums. “He can collar me when I’m in the ground.”
Oddly enough, that answer satisfies her. Pomegranate blossoms on his tongue.
“It’s freedom,” he continues, not really caring about customs. He already defies them daily. “It means freedom.”
Martha listens, but she huffs, half confused, half incredulous. “That doesn’t look like freedom to me. “
“That’s because you’re used to it,” He grits, turning his own gaze on her. He’s been told he smells horrible when he’s angry. He hopes this tiny, beautiful alpha chokes on it.
“Suffering is the only freedom omegas have. It forces you to look, to awknolege. There’s no exits The freedom of existing, that’s all we got.” He scoffs, not even noticing she’s clingy to every little sound.
“ Enjoy it while you can. Its going in the junkyard next week.”
“The junkyard?” She echoes, almost offended by the idea, but the casual insult. “Who’d throw away something like this, omega? It’s too valuable. “
Omega.
Thomas wants to purr and he rages, almost.
His smile is nasty, and full of teeth, and he’s grown to love how alphas cringe at the sight of it. Not this one, thought. This little beast stares at it like it’s living art.
“The same people you fight for. Thank you for your service, alpha.”
Thomas turns, not bothering to bow, excuse himself, or make a respectful exit. One good thing about being a rich omega is that he follows no rules his alpha doesn’t specify.
Nowhere did Carmine say he wasn’t allowed to ditch gorgeous alphas.
—
“You’re back rather early, Madame,” Alfred greets her with a kiss on one of her brow, soft as anything, his like tea, blueberry and dark chocolate scent hugging her deeply.
He takes a whiff of her, frowns, both in intrigue and concern. “…Why do you smell like unhappy omega?”
“Alfred,” She says, “I want to retire. Would you be a darling and contact my lawyer?”
“Oh, thank heavens. Anything else?”
Martha’s gaze bleeds blue, her thighs buzzing with the sneer of Thomas’ anger still, “Can you ask him if I can legally kidnap a taken omega?”
#IDK HOW THIS TURNED INTO A FULL FICLET BUT ENJOY ^^^^#dc comics#writing#pennywaynes#thomas wayne#martha wayne#alfred pennyworth#a/b/o dynamics#batman#dc#my writing#text#text post#gilded sparrows au
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Cater Diamond - Platinum Jacket (Voice Lines)
Following is my translation of the voice lines for Cater Diamond's platinum jacket card.
Spoilers after the cut.
Summon
♦️: Woah, hard to believe this place's been around for 100 years already. I bet there's tons of cool stuff to check out. Come on, let's go have some fun!
♦️: Lemme get a quick shot of the museum before we head inside. Let's see, I'll tag it #reportingforduty and #museumPR… Kay, and we're good!
Home Lines
♦️: It's the museum's 100th anniversary. That's insane!
♦️: From what I've heard, the country the Queen of Hearts ruled over was super photogenic. Gotta make sure our dorm looks just as good.
♦️: I saw Jamil-kun standing by that painting of the golden scarab over there. He looked pretty freaked out.
♦️: Huh, looks like they don't allow flash photography indoors. Lemme change the settings on my phone real quick before I forget.
♦️: I always thought museums were really stuffy, but today's actually been a lot of fun so far. The building's got a cool vibe to it, so there's def gotta be some cammable spots around here.
♦️: Honestly, I wasn't expecting there'd be a whole lot to talk about when checking out art, but me and Ruggie even chatted about makeup of all things. It was really fun.
♦️: You're curious about my art grades? The teachers tell me all the time I got a good eye for composition and color.
♦️: Check it out, I bought some mini-stickers of the great seven from the gift shop. They were too cute to resist. Maybe I'll put 'em on my guitar case or something.
♦️: You saw a painting where the Thorn Fairy's servants were dancing around a fire? I heard there's, like, a tradition or something like that in Briar Valley. You should ask Malleus-kun about it.
♦️: Jack-kun said he really likes it when the King of the Beasts looks all regal and stuff in artwork. Personally, I like the ones where he's just chilling out.
♦️: How come you keep staring at me like that, huh? Oh-ho, lemme guess. You couldn't resist how cool I looked checking out all the art, could ya? Hah! jk, jk.
♦️: Ta-da! Formal Caycay is on the job. Now come over here and take a selfie with me. Not everyday we get dressed up like this, ya know.
Groovy
♦️: Poor thing, sent adrift to sea like that. But I mean, you reap what you sow.
Duo
♦️: Look good for me, Ruggie-kun!
🍩: Could ya put yer phone away already, Cater-san!
I've summarized this vignette on my Twitter account here.
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I have a question and you might’ve been asked before, but animation, do you have any tips for beginners? Love your content btw 🥰
Even tho my degree is in animation I must be honest…😬 nowadays I very often don’t have the patience for anything more complicated than animatics. So I’m trying to stick to tried and true advice lol…
Probably the biggest tip would be that, yes the beginner exercises may be boring, and not look very cool, but they are essential to getting those skills you need down. The flour sack exercise, the wave principle—doing squash and stretch, and timing studies to really nail the way that movements should “flow” properly. These are absolutely necessary skills to master if you want to make fluid animations.
Planning is also another important, but sometimes overlooked aspect of animation. Some ppl (read:me) wanna just jump straight to animating. But planning in those first simplest stages really helps save you headaches in the later stages, when things are getting more complicated and all over the place. Storyboarding helps you plot your timing, choosing where key shots will go, camera angles, pacing ect.
And speaking of camera angles. STUDY STUDY STUDY cinematography! Something doesn’t have to be animated for it to be applied to animation. Perspective is a massive beast to tackle once you start storyboarding and unless you want boring shots and stagnant compositional framing, you need to learn all the ways you can frame a scene and your characters! Idk if you’re up for watching some horror movies, but those are a great source to pull from, as they tend to always frame, pace and even light their shots in really interesting and dynamic ways!
It’s also great to practice with free programs before you spend money on things like a subscription for photoshop or any other fancy software. Most interfaces are similar enough, that beginning with something free like Rough Animator or Blender can give you some good practice before you commit!
That’s all I can think of right now! And sorry if that wasn’t exactly what you were looking for…if you want me to try to give more specific advice on something just drop me another ask—I’m willing to keep rambling on!
Lastly, just few good videos I have saved!
Good traditional habits for digital animators <- basically Toniko Pantoja’s whole channel is a goldmine of knowledge!
Drawing figures in perspective
Every Frame A Painting is also a great channel for breaking down film/composition/writing—there’s a video for virtually every aspect of cinema
-Chuck Jones -the evolution of an artist
-Akira Kurosawa- composing movement
-Satoshi Kon- editing space and time
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@never-ending-fanfic @lost-in-derry
OKAY BUCKLE UP hahaha you picked some FAVS (with plenty of love/hate implied for some of these)
1. kalluswhumpbridalcarry
Alright I cheated a liittle bit and did some work on this to make it presentable but only because its an animatic hahh; threw the frames into premiere and did a really quick timing pass. And if you're wondering why the perspective feels so good it's very much rotoscoped 😅 (i think from an episode of Leveraged)
2. kzbpoldance
very indulgent one here, inspired by some amazing art of pole-dancing zeb by @ziggy-starbutts! Y'all know the one ;)
3. kzb_bbballroom
Just a screenshot redraw of the ballroom scene from Beauty and the Beast! I think this was initially inspired by a fun kalluzeb post musing about how either Zeb or Kallus could be the Beast character.
4. kalluzeb_onderan2lirasan
OKAY this one. THIS ONE. *screams* I love the idea behind this so much but execution of it was becoming so painful. So the basic idea was to illustrate the overarching journey of kalluzeb, throughout space and time. In their story, both individually and together, there are specific planets that have particular significance to them, whether it was defining the trajectory of their lives and/or influencing everything about the circumstances of their first meeting and then so much after that as well. Onderon, Lasan, Bahryn, Lira San. I wanted to try doing full on story moment illustrations kind of like the ending credits art from Mandalorian S1. This became pretty difficult very quickly because both composition and color are NOT my strengths. So yea I do keep coming back to this but it is very much slow going T_T (and yes the lasan illustration was re-used from zebnightmares lmao)
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Bestiaryposting Results: Kengliwa
So, as it seems everyone made note of, this week's creature was exceptionally easy to guess. (To the point that a couple people did actually go ahead and name it, which I can't be that annoyed about because I don't think anyone missed this one.) I actually thought about not including it -- I cut a few that were particularly obvious like this one, but this entry was just so beautifully written that I didn't want to not post it. Maybe I should have done a separate post like with the dogs... live and learn, I suppose.
Anyway, previous entries and results can be found here: https://maniculum.tumblr.com/bestiaryposting. And the entry everybody is working from is at the link below:
Art below the cut in rough chronological order, as per usual.
@sweetlyfez (link to post here) decided to go a bit Beatrix Potter, and produced some frankly adorable shrew-like critters. (And her own alt-text, thank you.) They're dressed in these nice black coats and bowler hats so they can look like the "black column across the fields" described in the entry. I love everything about this. Also, if you want to see a version of this without the linework, check the link above.
@silverhart-makes-art (link to post here) decided to work off of the assertion that Kengliwas prefer wheat to barley because "barley is food for beasts". Naturally this means the Kengliwa must not itself be a beast, and Silverhart reflects that by medieval definition that excludes pretty much everything but birds and fish. So here we have a very small mouse-bird (the results of this one are all very cute, I have to say). And of course it's a flightless bird, because the entry describes them as walking. I'm really struck by the general composition of this one; the tiny bird clinging to the top of a wheat stalk is so well depicted. The colors are great too.
@cheapsweets (link to post here) followed the same "not a beast" logic as Silverhart, though they also name "serpent" and "worm" as potential non-beast categories. They also picked "bird", because the Kengliwa brings grain back to its nest, and birds have nests, so there you go. I appreciate that they've continued with that connection by having the interior of the Kengliwa burrow lined in a manner reminiscent of birds' nests. (And also that they provided alt-text, thank you.) Speaking of which, check it out, burrowing birds! With a cross-section of their burrow! Delightful. They further speculate that the symbolism attached to this one must be pretty weird given the mixed feelings the author seems to have, so I went and checked...
... there's actually not a lot of symbolism on this one. The highlights are that the divided grain supply represents the division between the Old and New Testaments, and barley represents heresy which is why it is scorned. (Pretty sure lots of people in the Middle Ages ate barley, but I suppose they preferred wheat.) The symbolism is all "things we learn from the good example of this industrious creature", and the entry quotes Proverbs 6:6 -- I'm not copying it here, because even though I'm pretty sure everyone knows what the animal is, the verse in question does name it, and we have a procedure here.
Anyway, as always, I recommend clicking on the link to CheapSweets's post to see their detailed explanation of their design decisions.
@theforceisstronginthegirl (link to post here) has drawn some ants in their agenda book. I have to admit, I'm not fully sure whether this was meant to be an entry, but you know, there's a picture (with alt-text and everything!) and it's tagged "kengliwa", so in it goes. Honestly I think the highlight here is that they described the creatures in the picture as "scribbles with jobs" which I think is a fun way to describe bugs generally. Very dynamically drawn scribbles too; they're quite expressive.
@pomrania (link to post here) has drawn a strange and adorable critter. It's giving... lizard-squirrel. Squizard. Particularly delighted by the fact that multiple people decided that such an industrious fellow should be wearing tiny clothing. I think the bag with one (1) grain of wheat in it is a nice touch. You just want to root for this little guy, you know? Also it's worth checking out Pomrania's linked post and associated progress post for some interesting steps in the design process for this one.
@coolest-capybara (link to post here) continues to deliver beautifully stylized art. They note that they considered rodents, but figured medieval authors would not be nearly this positive about rodents stealing grain, so instead they're lizards. Very good lizards, too! I love the patterning on them and the expressions on their faces. The one on the left scorning the barley is particularly delightful. Coolest-capybara also wonders what the original animal is classified under, if not "beast" -- to which I must say, oddly enough, this one is in with the beasts. I think. Right after this entry is the start of the "birds" section, and right before it is are some various mammals. So either this is the end of the beast section or it's, like, a palate-cleanser in between.
@strixcattus (link to post here) has also given their Kengliwa clothing, but for a very specific reason: as others have noted, the Kengliwa scorning barley because it's "food for beasts" implies that the Kengliwa are not beasts. Therefore, in Strixcattus's interpretation, they're people. Which is indeed the only non-"beast" category of animal that nobody else has mentioned, as far as I can figure. They're darling. Love the one on the right that appears to be chewing on a straw like your stereotypical farmer, except of course the straw is a single seed with like a bit of stalk attached. And I know I always say it, but you need to go read the linked post for this one. Maybe it's just because worldbuilding is my jam, but I'd happily read a lengthy TTRPG supplement about how Kengliwa society operates. They're like... medieval Borrowers who farm lichen and domesticate ants. I want to know everything about this.
Anyway, here's the Aberdeen Bestiary version:
That's right, they're scribbles with jobs!
Seriously, it turns out Theforceisstronginthegirl drew basically a dead ringer for the medieval version. Compare the two; the biggest differences are the medium and the fact that the Aberdeen Bestiary includes a nest.
But yes, they're ants. We all know they're ants.
Which should, as CheapSweets alluded to, be classed in with the worms! (Remember, that's a flexible term in the medieval era... especially since this is a Latin text, so it's vermis, like Modern English vermin.) There is a section labelled De vermibus, and these guys aren't in it! It could have really used them, too; I think the Ant entry by itself is the same length as the whole "worm" section.
Anyway. Hopefully next week's will be less obvious... okay, I just checked, it's barely less obvious. But I would put money on nobody guessing the one that posts on the 19th (though that's a pretty short entry, unfortunately).
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Thanks for the tag @phoenixradiant!
OC Interview
I've been seeing people do two characters at once, so I'll do Sepo and Izjik as a pair :)
.
Are you named after anyone?
Izjik: "My name is a common one where I'm from, but I don't think I was named after anyone specific, no."
Sepo: "If I was, my mother croaked before she could tell me."
When was the last time you cried?
Izjik: "I dropped a bag of hammers on my foot at work the other day and spirits, they probably heard be about ten miles over!"
Sepo: "I don't cry."
Izjik: "Yes the fuck you do? Broody bastard. I saw you tearing up when we went and saw that new band. You cried last time you had to deal with the bounty guild because the guild leader makes you so damn angry. I know for a fact you get weepy every time you get so much as three drinks in you."
Sepo: "...no comment. Bitch."
Do you have kids?
Sepo: "You'd fucking think we do looking after Twenari. And she's not even half the trouble Djek is - and he's a grown-ass man."
Izjik: "Cut him some slack, he's like nineteen. But yeah, two kids pretty much. I've even been to a PTA meeting! That makes me certified parental material!"
Do you use sarcasm a lot?
Sepo: "Nooo, never..."
Izjik: "Low hanging fruit, my guy. I'm usually not sarcastic, though - it's not my style."
What is the first thing you notice about people?
Izjik: "If they're going to try to kill and eat me."
Sepo: "Ditto. Then I move on to what makes them annoying."
Izjik: "You're so negative, you know that? My second impression is their hands. You can tell a lot about a person based on their hands."
What is your eye color?
Izjik: "Kind of a blue gray? Slate, Twenari calls it."
Sepo: "Sirens all have eyes of black."
Izjik: "And a good thing to, given how stupid big your pupils are."
Sepo: "The fuck is that supposed to mean?"
Izjik: "If you had blue eyes, you'd look kinda silly is what I mean."
Scary movies or happy endings?
Sepo: "Scary, though it takes a lot to phase me."
Izjik: "Bullshit, you jump every time the camera angle changes. I like scary too, but with happy endings. Things can get bad, yeah, but it's always good to see folks making it out in the end."
Any special talents?
Izjik: "I can do a one-handed pushup!"
Sepo: "That's because one of your hands hardly works."
Izjik: "You're just a hater because you can't do one. That can be your special talent - being a hater."
Sepo: "Yes, fine, let's brush over my musical composition abilities and skills in veterinary medicine. My true special talent is being a hater."
Izjik: "Damn straight."
Where were you born?
Izjik: "The enclave of Edeme’eneha, deep in the N'Diki swamp. I think it was a lovely place to grow up, all in all. I really miss it sometimes."
Sepo: "I was born in a brothel basement in the Ulahdrian capital city of Seluthena, the largest metropolis beneath the waves. I... I also miss it sometimes."
Do you have any pets?
Izjik: "Nah. I never really got the concept of an animal you don't eat."
Sepo: "Landhorse is more of a business partner. She gets me where I need to be, and in exchange, I give her food, shelter, and pet her sweet nose from time to time. She's the best of horses, a gentlewoman among beasts."
What sort of sports do you play?
Izjik: "Does fighting for fun count? There's this bar I like where I can always get into a scrap if I'm looking for one. I think people have started placing bets every time I walk in."
Sepo: "I would go on cross-country camping trips when I was a teen in the Saryimastra Seat. That involved swimming for a few days at least, so I suppose it could be a sport. I found it very relaxing, escaping from all the noise and fuss of the temple. Sometimes Saius would go with me, but usually, I'd go off on my own."
How tall are you?
Izjik: "Tall enough to skin my fist on your teeth, lanky ass!"
Sepo: "You are five foot two. I'm six foot five. I really don't think you are."
What was your favorite subject in school?
Izjik: "I never went, but I liked learning how to set snares during my apprenticeship. It was the only thing I'd sit still for. Looking back, maybe that's why Dzako had me learn so many."
Sepo: "My education was rather... propaganda-filled. Most of the history I enjoyed learning turned out to be false. A lot of the books I read were horribly censored, though I didn't know it at the time. I suppose music. You can twist the words and intentions of music to whatever aims you wish, but the heart of it is always pure."
What is your dream job?
Izjik: "I mean, whatever gets me paid and let's me work outside. I heard Twenari talking once about these people called potion hunters? Apparently, they hunt magical plants and animals for alchemists to use in their work. That sounds like a hell of a lot of fun!"
Sepo: "I've... This is going to sound stupid, but I've always wanted to compose my own songs. In Ulahdris, music was strictly regulated and created by the church. But here on the surface? It's chaos. Any asshole with a kazoo can play whatever he wants. I... Oh, it's all nonsense anyways. I'm fine doing what I need to in order to survive."
Izjik: "You've gotta let yourself live a little, Sepo. I'd love to hear your music!"
Sepo: "Truly? Then... Then perhaps someday, I'll work up the courage."
.
World's most married platonic soulmates, for real. I'll tag @kaylinalexanderbooks @mk-writes-stuff @sleepyowlwrites @corinneglass and anyone else who wants to play :)
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pssst tumblr is rolling out an AI deal and is selling us out, go opt out of the data sharing in settings -> Visibility if you haven't yet!
if AI learns to draw the gock we're doomed
I really appreciate it but I'm also... idk how to say it... but AI will be a part in this day and age if we like it or not. I am 1000% convinced though, that the skill required to draw will NEVER be wasted and will always hold much more value in the long run. There's a fundamental knowledge about anatomy, perspective, color theory, composition, ect... I also hope that the beast will eat itself at one point.
Drawing/painting has been through a LOT of different epochs and always found a way. I actually have the fantasy that maybe traditional art will gain value again, because you can't type in a few words and have an actual drawing on paper lol. But a real artist CAN draw on paper, a canvas, or whatever. Because he has the skill. AI takes 0% skill.
Even if my art isn't perfect, I see it as a craft, and the act alone, the struggle, the overcoming of the struggle... it's a lifestyle. Everything is about art to me. It teaches discipline, also.
From what I have seen, AI can also not do good gore art??? Like... especially with such topics, there is much passion and feeling behind it. AI is mostly plastic pretty, lifeless (at least the ones I have seen so far). I'm talking about an individual artist here, I know the whole topic is scary for professional illustrators in the industry, and I can't really say anything to that, but for now all the ones I follow are still doing pretty good.
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Hiii, greetings from southeast asia! ❤️
i like your blog btw
And i wanna ask you as new fans of Dir, what do you think about all member? Please describe each member and tell me who is ur favorite?
Hello, sorry for the delay! I knew that this question required a thoughtful answer.
Welcome to Dir en grey! They're frickin' awesome.
Hm I'm terrible at describing people. Essentially, none of them are mean or offensive. They are all very considerate individuals. What's special about Dir en grey is that they are not social and they do not profusely share with fans, so whenever they do or that they interact among themselves, we all go gaga because by that point, we're craving for it hahah.
In terms of them individually, hm, I can't say that Toshiya imposes himself, but he is definitely not a passive bassist. He moves very emotionally to the songs and it's super heartwarming to see him smile on stage. Recently, he opened his online fan site and he seems very generous and, again, very thoughtful with what he gives to fans, after all those years of drought.
Die has a kind of mysterious air to him, but he is rather communicative and energetic. For years, apparently he has been sharing daily updates/pictures on his online fan club.
When it comes to Shinya, he's a stoic angel hahah. He really has his signature look and his facial expression remains neutral whenever he plays the drums, but he beats them like a beast. I love his compositions because they're so atypical and varied, you can never get bored of the melodies. I also love his style of humor, which you can see on his YouTube channel.
Kaoru gives the impression of really being serious, but he is quick to kind of fool around too. He is known as the leader but he is clearly super laidback. From what I know, he is rather generous and attentive with fans too, and his art is very cool and gloomy!
Over the years, I've come to love them all quickly enough, but Kyo was definitely my favourite member of Dir en grey from the start. At this point, it might be easier to find words that do not describe Kyo than limit myself to a few words that do describe him. His performance on stage is striking, his lyrics aren't necessarily genius but the way he delivers them, wow. I don't know any other singer who comes up with vocal melodies that are this diverse and so felt. And I've looked, I'm open to discoveries but nothing's a match for his creativity. What else to say without stretching this post on forever... Hm, I've definitely known him to be moody, but he just expects a raw and true response from people like what he gives us, and he can't be bothered to fake. As a last note, I'll make an honorable mention to every "smirky" thing he does, whether on stage or in his various other activities. He is not outright laughing while slapping his leg for example, but once in a while he does shenanigans and you can just imagine a smirk behind it. And if you love Kyo, please give his second band, sukekiyo, a chance! It's amazing and you can witness another side of Kyo!
Even though I gave myself some time to think of a reply, this is in no way perfect or eloquent... Please explore my posts from this year and the past ones and you should notice some traits from each member! Perhaps the compilations are a good starting point?
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How do you draw so quickly, you beast of velocity?
I adore these drawings of yours 💖💖💖 they are just splendid: so simple but filled with good stuff, the angles, composition, ahh! Also so much Trafalgar and Rosinante oh my heart... thank you so much! Wonderful artwork, I'll keep an eye on it!
You asked a very good question, I could really give you very lengthy answer but I'll shorten it down a bit🥺💖. In fact, speed is something I've always been very concerned about. I don't want to only be able to produce a artwork that satisfies me after being fully focused and spending 500+ hours on it (aka the old me).
Moreover, I don't want my art style to lack any flexibility, meaning it can't present interesting angles. In the past, my style might look good from the front, but if I tried to draw from a bird's-eye view, I just couldn't do it.
So, I tried many different styles, attempting to find the one that suits me best, that I like the most, and also allows me to work quickly. Only after trying out the style I have now and a new drawing process (which is messy line art+color block+grey scale) was I able to create multiple fanarts a day like I do now(!)
I'm super thankful for your likes, and I Absolutely adore Law and everyone around him. I'll definitely create more fanarts in the future 🥹
Sorry, I'm a bit talkative, I might have said a bit too much, but still, thank you for your likes💖💖💖
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stegosaurus mech for dino 8. i actually had a really good composition for this in mind but needed a sketch reference and got hung up on shape cohesion. currently love the way the legs are but just cant make them fit with the rest of everything...for now
the idea of stego plates on a mech being solar panels has probably been done to death, here they fold into slots in the main body when not in use. operates as a glorified beast of burden so the main body doesn’t house much more than a giant battery and the means to recharge it. very hollow in there
#dinovember#dinosaur#stegosaurus#mecha#robot#sketches#my art#dalton.txt#incomplete tags bc im super tired byeee#seabrrd.png
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Hi tamelee ❤️ can you do an analysis/review of Kishimoto's recent popularity poll art? I saw a hashimada shipper comment on how Kishimoto drew Madara and Hashirama on exact opposite sides of each other + his love for symmetry and I was wondering if you noticed anything interesting in the illustration (just general observations, doesn't have to be about shipping 😊)
Hi Nonee, sure 🧡!
Long post - Image heavy:
Well, first my eye was drawn to the brightest part of the drawing. Promptly in the middle, big, foreshortening technique used on Minato's arm leading you to his face secondly where the colors gradually get darker and more saturated. As are the colors surrounding the NinJutsu to make it stand out more. Every line on this drawing illustrates Kishimoto's experience, talent and hard work regarding his knowledge on composition.
Then..
Sakura is holding the same type of axe-weapon she was also holding in an illustration for Chapter 15.
Naruto has a slightly different one on Volume Cover 33 too. (I'm obsessed tbh- LOOK AT THE KURAMA-TEETH ON THE SCROLL)
As you pointed out Madara and Hashirama are on opposites of the illustration, almost as if they're battling each other! But also look at how Kurama's tails embrace them, how that enhances the movement and expression of their battle-intent + the Rasengan twirls!! 😱 AND the weaponry that both come from behind their heads at the same spot. (Omg I love Kishimoto so much.)
(Of course on these sides too!)
Naruto and Sasuke are paralleled on either side of the illustration too! (And so are Kurama and Shukaku 🤭..)
Speaking of Shukaku, Gaara is holding what looks like the "Tea Kettle" he was sealed in. The former Jinchuuriki 'Bunpuku' and the beast were inspired by a Japanese folktale 'Bunbuku Chagama' where the creature in the tale is a raccoon dog, like Shukaku.
I think that's a really nice addition. (Especially since I saw this legendary creature used as a toy by this mini-Hinata look-a-like gremlin in 'Boruto'.. what's up with that anyway..)
I think Kakashi's weapon is kind of like the Kamui Shuriken he used when they fought Kaguya?
Furthermore:
I'm glad Kakashi and Sakumo are together on this.. also, Obito's goggles have made a comeback ;-;🥹! It's funny to me that Kishimoto started to draw Naruto with goggles (a way to cover himself and hide as he did in Chapter 1)
..but then said in a later interview that it was too much work. (I tried a few panels drawing them and I totally get it...) Anyway I digress-
We can also see Shisui wielding a sword/drill that looks like it was designed with his supposed(?) Susanoo in mind. This was seen in Ninja Storm the game.
NOW I'M NOT SURE ABOUT ITACHI'S SWORD... BUT:
It loooooooooks like a masamune sword, but I'm not sure.
I'm no expert on weapons. If anyone recognizes it...
Long-ass Indra's arrow-bow.. in physical form.. legendary!!! So fine 🤌 I also love how Kurama's tail frames him in the background. Orange looks good on you Sasuke.
The way the Rasengan swirl pulls your attention on him (and the characters in general) + the Chakra/energy sparks are all placed so nicely *-*! It really communicates more movement and liveliness into the illustration.
Neji is holding what looks like Chakram/Chalikar weaponry? These are throwing knives used for.. well throwing AND close combat. At least that's what I thought at first but then I was thinking about it more and the Hyuuga's "gentle fist" is based on "Baguazhang". This is a martial art style which uses a lot of rotation style techniques. (Hence.. "eight trigram palm" is real because that's what it literally means.)
There are special Baguazhang Crescent Moon knives/Deer horn knives that look like this:
I think that's what these are, which are perfect for rotation-based combat.
In the same category, Baguazhang in practice used a double-edged sword called 'Jian'. It was known as the "gentleman of weapons" in Chinese Folklore. Early Japanese swords known as 'Ken' or 'Tsurugi' are often based on 'Jian'.
It does seem a bit unusual since most of them don't have a guard like that, but they exist as Changjian, or longsword.
What she has could be a Tsurugi though not sure.
Regardless, it seems pretty heavy for her 😁?
Naruto and Jiraiya both stand very wide, using an open, boisterous body-language that Kishimoto often uses for the both of them in many of his previous art. This over-the-top, theatrical design and visual representation is based on 'Kabuki' which is a traditional form of Japanese theatre, dramatic performance/dance. The umbrella is called a 'wagasa', often used in these plays/ceremonies.
I'm happy these two made it!:
A sword made from the tail of Sasori's puppet, Hiruko? That goes so hard!! It kinda reminds me of Renji's (character from Bleach) sword. I always thought that design was so cool, but this one also has that poison..
Not sure how those clay mask bombs work wrapped around a string, but you gotta admit, they're pretty artful! Perhaps it's like wire binding infused with Chakra.. Or what if, once he has put them on you, your head explodes or something..
Additionally:
I love how Kishimoto just added Guy (and Kurama) because he wanted to but also because having Lee and Guy together on the illustration just seems right.
Shikamaru with Asuma's Chakra blades of course~ (He uses them for his Shadows Imitation Shuriken techniques... but I read he gave them away to Mirai?)
I might be missing many things but..
The more I look at it, the more nods to earlier work I see, tbh I could go on and on. I really appreciate it.
Oh and.. no there is no shipping-intent and hints/clue's at all that's also not what this is made for.
Don't let anyone fool you. Naruto is looking up to the banner he's holding lol. It's a shame that the first thing people look for is things like that and then discard the entire thing when it is made with passion, love and hard work..
Anyway thankyou for this ask, this was so fun 🥰
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Happy to be finished with a new game asset pack! These 16x16 vehicles each have multiple animations, source files, and are freely licensed to use and reuse in any way you want. This was a fun project, I hope to get back to it with more updates!
You can also just poke at the composite GIF with your eyeballs. I think the end result with all the little movements looks really good c: Happy to receive feedback on this!
I'd really appreciate shares and support as it would help me create more game assets! Check them out and download for free on itch.io here:
#art#things what i did#digital art#gamedev#animation#game assets#animated#pixel art#2d#vehicles#steel beasts#16x16#artists on tumblr#brazilian artists#creators on tumblr#creative commons
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The Witch and the Beast #1 - The Witch and the City of Blazing Red
Screenplay: Yuuichirou Momose
Storyboard/Episode Direction: Takayuki Hamana
Chief Animation Direction: Hiroya Iijima
Animation Direction: Kei Tsushima, Yuri Hashimoto, Guonian Wang, Kazuharu Tada, Miyoko Shikibu, Asuna Imahashi, Shinya Segawa (Monster AD: Shouya Gotou)
Key Animation: Mana Azumaya, Noa Kawamura, Shigenori Taniguchi, Yoshihito Narimatsu, Yuki Uejou, Hiroyuki Kamura, Mitsuyo Tsuno, Kouichi Hayamizu, Kazunori Ozawa, Shouya Gotou, Yoshiko Nakamura, Studio Maf, Yuka Hayashi, Takuya Nemoto, Maru Animation, Yeong-Nam Ko, Su-Jin Oh
A bit late on this, aren't I? But no matter what, I was going to write about this, and I will write about every episode too – don't worry about it!
If you were in the know how of Yokohama Animation Lab's recent animes, much like me, you were probably very nervous about The Witch and the Beast adaptation. I mean, I made a whole write-up on the outlook, which mostly hinges on director Hamana's consistency in terms of quality and his tendency to bring in specific animators. Well, now that the episode is out, how do I actually feel?
It's… surprisingly very well done. Of course, I'm not saying it's perfect; the biggest issues are likely the limited animation and a bit of off-modelness. But I'm not going to lie, guys. Maybe I am biased because The Witch and the Beast is one of my favorite mangas, but I genuinely had a lot of fun with this debut, and I kind of loved it. It felt like it had the soul of the manga I love despite some production hiccups.
First, let's talk about what you probably felt but haven't been able to confirm. The episode was indeed better than the PV. I got a sense of this as I was watching, and I was really kind of confused about why I didn't feel like the PV looked this good. When I looked back, it was very interesting to see how many differences there were and the improvements that made the shots so much better.
The obvious improvement in the shading of Guideau and Ashaf is apparent, but I also love the addition of the impact gust that they added to Guideau's stomp. Personally, it was something I noticed in the PV as feeling a bit too still. The only effects in the PV were just simple camera shakes, which didn't really sell the impact of her stomp that much at all. Seeing improvements like these from the trailer to the actual episode fills me with a lot of hope for the production. I feel like it shows that, unlike more recent Yokohama productions, they are trying a significant amount more.
If you couldn't already tell from some of the close-ups I've provided in this post, while the on-modelness of some farther away shots can be questioned, the close-ups in this show are absolutely gorgeous. I wasn't super sold on Iijima's character designs initially, but after seeing the improved shading and the various shots they kind of hid from us in the PV, the designs are freaking gorgeous up close. The Witch and the Beast, the manga, has always been a visual spectacle that relied a lot on its art direction, aesthetics, and of course, character designs. While it's nearly impossible for the anime to match it, I think they came very close. The characters' eyes are so pretty; I love the compositing effects they applied to them. It feels like it gives them a lot of depth and kind of like an otherworldly blur, which I think looks great. The features are sharp; they're so pretty. Everyone has their premium eyelash extensions on, and it's just about as aesthetically pleasing to me as the manga. To be honest, it might be my favorite character design for the season.
And since I also briefly mentioned the compositing, I have to apologize to Natsumi Uchida. I specifically pointed her out in my social media rambles as someone who was making me worry a bit. And that mostly stems from her recent effort in The Iceblade Sorcerer Shall Rule the World, which, to be frank, I thought was terrible. The effects looked cheap, just due to how bright and almost neon at times they are. They don't fit in with their environments; it just wasn't pleasant to look at. However, her work in The Witch and the Beast is so much better. While some effects are somewhat questionable, like the smoke and Ashaf's crow appearing when he was saving Guideau, I would definitely say the compositing was a highlight in this episode. It really puts a stamp on the character designs with the beautiful compositing over them. It makes every scene paired with the art direction feel so dense, like everything is just so in-depth.
The art direction in this show is probably its best visual element. It absolutely shines. I mean, if you had to pick something out from this production as a major highlight, it has to be one of the undeniable biggest pros of the show so far. The series is a dark fantasy, but it's not a dull one. A lot of adaptations, I feel, confuse this with each other a bit. A dark fantasy doesn't have to mean dull colors or a realistic design; after all, The Witch and the Beast is all about its aesthetically gothic yet fantasy appearance that is quite grandiose and beautiful in nature, and the art direction covers that perfectly. So huge credit to the art director, Hirotsugu Kakoi and his crew at Kagoshima Ramecahirim.
One of my biggest worries for the anime adaptation, when I first saw the trailer, was actually, believe it or not, kind of its color palette. I genuinely thought they didn't get a full sense of Satake's style. It felt a bit too plain to me when I always imagined the colors in the world in this series to be very solid and strong, while not bright. I think the series functions on its boldness, and the backgrounds are a perfect example of it. The opening, I think, is a great example of this too, just them surrounded by those buildings in the midst of the night feels almost overwhelmingly dense. It really serves as the main appeal in many of the show's shots and ties everything (the compositing, the character designs, and the aesthetic) all together. The buildings and architectures, a mix of 2D and 3D, blend in so perfectly. You can take so many of those shots and make them your wallpaper; honestly, it's so pretty. It's also not just the buildings; the flowers in the room where Guideau and Ione fight were stunning. I also love the visual of the flowers always fluttering up due to impact; it just created such a magical experience for me. It's such a simple addition, but it was great. That, paired with the great soundtrack which goes from almost Persona-like music to soft notes of somberness that build up to the release of a monster, just all goes together so well.
At the beginning of this write-up, I already noted its production issues in terms of sometimes limited animation and a good bit of off-modelness in farther away shots (which I hope they'll fix in the Blu-Ray). There are many instances of very solid animation, which you can just look up on Sakugabooru if you want an example. I'm very impressed by Hamana's ability to manage this level of quality and a very strong self-identity of the show's visuals.
His direction in this episode, while some people might not like it due to its reminiscent of older styles, is noteworthy. Many of his shots rely on simple zoom-ins and zoom-outs, which I would say was a more common technique around 2008 or so. His way of transitioning is also a lot less focused on smooth transitions than most styles nowadays. For example, in Ghost Hunt, Gungrave, or Library of Bantorra, the flow of the storyboard is much less smooth and flowing than modern ones. Hamana's boards feel much more jumpy, I suppose? There's a larger gap that isn't covered by anything, which seems to have given many reviewers the impression of a slideshow. Personally, I don't mind it too much, as I think he still has some pretty interesting ideas. The transitions to Guideau getting stabbed and then grabbing Ione, I thought were really well done and mesmerizing. All the choices for the fluttering flowers were probably directly from him.
And hey, normally I don't like his openings, but the opening for The Witch and the Beast is badass, and I might write an individual write-up for it this week. However, I would also love to see other storyboarders and episode directors on some episodes to compare, especially for future episodes like for Johan and Phanora. I would love to see somebody like Shinj Itadaki give it a try, who I really hope to see in this series at some point. I think it's very possible due to the fact he's worked with Hamana before, and he's worked with Yokohama Animation Lab before. Much like a lot of the key animators here, he was also on Ancient Magus Bride S2, which, if you guys didn't know for some reason, contains an oddly large amount of staff that Hamana worked with before across the years, and they're also appearing in The Witch and the Beast now.
As you can tell, I really enjoyed the debut, despite its issues. I could ramble about it all day; there are so many things I want to talk about. However, I think it would be best to save that for when we get to future episodes. In this write-up, I've already spent a lot of time discussing more of what I like about the general direction and visual appeal of the series. Hopefully, in future episodes, I will be able to go more in-depth on specific storyboards, direction, and visuals that the upcoming episodes will showcase. I'll see you guys next week for the next episode of The Witch and the Beast.
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hey, i’ve read some of your writing and i really like it. do you have any tips?
aw dude that's really sweet. i'm really self conscious about everything i write so i appreciate hearing that. i'm still learning myself, so my advice is probably gonna be kind of obvious yet nebulous (much like my writing). oh and im not great at following my own advice, but we can ignore that.
first and foremost i'd say try to have fun. get weird with it. don't stress too much about it. it's supposed to be an enjoyable pastime, so write what YOU like, how you like. the "rules" of grammar and composition are helpful, but you're allowed to be a lot more lax with creative writing. i know i am 👀
in my humble opinion, you can never have too many details, even- or especially- oddly specific ones. personal experiences are a great way to inject some minutiae, and i enjoy the insight they provide into the author's perspective, background, thought process, etc.. there are infinite other tools at your disposal too. like the number of times i've found myself browsing ancient, niche forums just to confirm one insignificant bit of information is ridiculous.
don't be afraid to take your story as seriously or unseriously as you want. sometimes i'll be snapped out of focus with the thought of "am i really writing this rn" 😂 but i just try to remind myself that i'm (usually) having fun, i'm not hurting anyone and someone might even enjoy the final product.
for eene, try to listen to the voice acting as much as you watch the animation. and don't be afraid to step outside your comfort zone when writing a character. i'm neither comfortable, nor very good at writing for ed, but i nutted up and gave it a shot recently and yeah it's nuclear level cringe but i suppose it can't get any worse, right? RIGHT???.... i love learning new words, so when i'm writing for edd (and in general) you know i keep that thesaurus tab open. with eddy, there's always room for more irreverence. i'm also one of those people that cannot help but drop almost every g when i write eddy. and it's just as important to get their idiolects down, which can be tricky. BUT that's mostly if your goal is to stay close to the source material, which is definitely not necessary. i'm just not a very creative person 😂
if you're in a rut, skip to another section, or hell even another chapter. the fic i'm working on rn was hatched from a simple premise several months ago, so i started at the end and have been building on that. an unconventional starting point can be really helpful when you're struggling to start at all. because i'm me, it's turned into a nightmare beast that i can't seem to contain, but i still have a general idea of where we're going and we'll get there eventually lmfao. to that point, outlines, bullet points, notes, etc. are all very useful.
take breaks, let her sit for a while. i'll write a whole bunch, leave, come back to review and be like girl what the hell is this. fresh eyes make a big difference! however, don't be like me and get too caught up in the weeds. i make compulsive little tweaks of my shit up to the point and even after i hit post. more often than not, it's more stress than it's worth. i just can't help it 🥴
and then of course, read other people's stuff. i'm not much of a fiction reader but i make exceptions for the sake of my hyper-fixation. it truly does help to see different perspectives and styles of writing. everyone has a unique voice that really comes through in creative writing, which i love. i've gleaned a lot from reading other people's work as well. i frequently come across new and creative ideas for changing up sentence structure, dialogue tags and narration by reading stuff from fellow fans.
aaaaaand yeah idk what else really. like i said, i'm not the best at writing but i think as long as you're getting your ideas across in the way that you want to, you're golden. anyone who makes shitty remarks about someone else's writing can sit and spin honestly.
#thank you again for the kind words#i have not even the slightest clue what i'm doing but we're rolling with it ✌️
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THE EXCITEMENT and joy even just in how Mina says the date...!
The way she says "has been ill, that is why" with such utter relief. And then "I am not afraid to think it or say it, now that I know." - the way she's been so diligently refusing to put words to her fears and how happy she is that she doesn't have to anymore.
The letter by her heart is SO GOOD. The fact that she cried all over it and then tucked it against her heart, god. Mina is so evocative about love.
"Lucy will bring my trunk to London and keep it till I send for it, for it may be that ..." - I guess this means that she won't need it if she is getting married and moving in with him right away? Not really sure.
God, I love how she calls him "my husband." He already is in her heart and mind, and as soon as is physically possible she wants to make sure he is legally too. She is so eager to be reunited with him, and in as permanent a way as possible.
...and then an abrupt tonal shift.
"He is usually respectful to the attendant and at times servile; but to-night, the man tells me, he was quite haughty." honestly, Renfield plays a role so knowingly all the time. I may have to write a separate post about this at some point, maybe later on for spoiler reasons, but. It's very deliberate use of resources/appeal to those with power over him.
by the way, I love every single time Renfield speaks. LOVE his voice.
The little laugh in Seward's voice when joking about religious mania, man he sounds super condescending today.
"His attitude was the same towards me" Seward is soooo offended, I think it's part of why he gets so abruptly dismissive and scornful, all 'he'll probably think he's God himself next!'. It's because Renfield, in acting dismissive to him, is placing him on equal level with the attendant. Renfield acting like he's more important than both of them is obviously madness, but acting like Seward himself isn't the most important one in the asylum staff especially is discrediting his status. It also is denying the bond they have. Not that I think Renfield ever considers his relationship with Seward as any kind of special bond, but the doctor sure does. He talks about his pet madman, his friend Renfield, etc.... And by being so dismissive and uninterested here, by treating him just like the attendants, Renfield is essentially denying that outright. He gets a bit upset and lashes out with dismissive talk about Renfield being mad.
I really like the little echo on the asylum voices. Also, once again, the sound quality of the phonograph recordings.
Classic Seward being a dork reciting chemical compositions to his audio diary. "I have thought of Lucy, and I shall not dishonour her by mixing the two" - I wonder if this line is more about him not wanting her linked with his abnormalities (needing to take a sleep aid), or maybe hints at him knowing he's likely to have dreams about her if he goes to sleep while thinking of her. If so, whatever dreams he may have, he seems to think they wouldn't be appropriate/fair to her.
The way he says "errant swarm of bees" is so funny
"He is a selfish old beggar anyhow." coming right after Renfield petitioning Dracula's door. Man, the contrast between Renfield's emotion and wavering voice - and Seward's casual mockery about it - is very striking. Once again I think part of this is Seward being angry about being shut out/embarrassed/having to hunt him down. But it's pretty upsetting how his reaction to Renfield behaving in uncontrollable ways is to dismiss (what he assumes are) his motives, to dehumanize him ("more like a wild beast than a man") and physically restrain him.
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Techno-organic has been a thing in other transformers media, so how do you think some of the autobots and decepticons would deal with this idea coming up and also meeting one?
I don't think I can write a story with that idea, sorry about that. But I think it's indeed interesting to wonder about this subject, which is why I propose to see it with an analysis. So, how would the Autobots and Decepticons react to a Techno-Organic?
First of all, it's true that the term Techno-organic has already appeared in several Transformers media, such as Animated, Beast Wars or G1. I suspect there must be some in other universes, but I don't think I can find them all. I will also assume that the term Techno-organic necessarily refers to a half-organic, half-Transformer being.
Techno-organic is a pretty broad term, because in Animated it mentions Blackairachnia as well as Sari Sumdac. The common point between these two characters is to have both a link between their mechanical side and their more "alive" side. Sari's hair or skin can be seen as organic, for example it's not like Astroboy, who is entirely robotic. Also, she eats human food and not energon. Blackairachnia on her side swings webs, and her rather animal appearance is reminiscent of the organic side. Elita-one having absorbed the abilities of organic beings, it is normal that she ends up taking part of them.
It is therefore not necessarily interesting to wonder about the reaction of the Autobots and Decepticons of Animated, because they have already faced it. Same in Beast Wars, the characters are literally Techno-organic, here again it's animal appearance, but also animal characteristics such as fur, feathers, or shell.
Next, in G1, as Techno-Organics we have our little trio of Insecticons: Bombshell, Shrapnel, and Kickback. We can categorize them as Techno-Organics because they technically did like Beast Wars. These ancient Decepticons woke up on an uncivilized Earth, so without any vehicles. They then chose insects that were for them more adapted to life on this planet. Their organic side allows them here to be able to feed themselves with what they want, and to transform it into energon. They are technically omnivorous. Here too, we know the reaction of the Autobots and Decepticons, surprised at first, then they ended up getting used to it.
Finally, for me in TFP we also have the existence of Techno-organic, the most glaring example being Airachnid, which comes very close to the characteristics of Black Airachnia in Animated. Besides, surely Airachnid wasn't the only one of her kind (not counting the Insecticons of course). But we can also wonder about the Predacons, especially seeing the wings of Predaking, which really do not look robotic, more like the composition of the wings of a bat, it is the only flyer robot that does not fly thanks to the propulsion of a engine.
Of course we don't have Techno-Organics in the half-robot half-human sense, Sari Sumdac being truly unique in that regard. This is only possible with the protoforms in Animated, and so the only possible way to create one in TFP would be for example with the protoforms in the Harbinger. Although, given all the procedure Starscream had to go through to get clones, it's not something that could happen by accident. It would have to be intentional. Afterwards, why do that, that would be a good question…
The Autobots would have no interest in it, the only result would be that they would have injured humans. Because to activate the protoforms in TFP would require DNA and human blood. I forgot how it worked with Starscream, but in any case I am sure of one thing and that is that it would take a lot of blood, more than in a single human. It had cost Starscream a lot of energon, so imagine for a human (all his blood goes through it, and that wouldn't even be enough). Either way, if that were to happen, most of the Autobots would be welcoming. The only one who would be the least would be Ratchet, but because he doesn't really like organics, he has already taken a long time to tolerate the kids.
The Decepticons, on the other hand, abhor humans, seeing a half-mechanical one would grossly disgust most of them, except perhaps Breakdown and Dreadwing, who never showed a real aversion to organics. Soundwave most likely wouldn't care, and the only one really interested would be Shockwave. But well, it's Shockwave. Starscream is already disgusted by Airachnid, so imagined another half-human Techno-organic form this time, same thing for Megatron who doesn't like humans. Airachnid would want to collect it, no doubt. As for Knockout, I think that despite the fact that he is attached to his hygiene, he wouldn't mind. I think it's even one of the Decepticons who is closest to humans, meeting a half-mechanical one would surprise him, but he would not join in the half-general disgust. Either way, they underestimate humans for the most part, they would have no reason to want to create a Techno-Organic.
In any case, for me, in TFP, it's not so much a Techno-organic that would make them react more or less badly, but rather the fact that this Techno-organic is half-alien or not. So half-Transformer, half-human, for example.
That's it for my analysis, I know you weren't expecting that. But I hope you like the analysis anyway. Thank you for your request ^^
#tfp#transformers prime#transformers#maccadam#transformers g1#beast wars#transformers animated#tf animated#tf g1#tf beast wars#techno organics#sari sumdac#decepticons#autobots#bombshell#shrapnel#kick back#airachnid tfp#blackarachnia#predaking tfp#analysis#thanks for your request ^^
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