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feuilletourne-sir20 · 24 hours
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Tournefeuille, couleurs rosées de printemps (2)
Tournefeuille, pinky spring colours (2)
by sir20 for feuilletourne-sir20
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sharonbphotos · 5 months
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We are made of star-stuff.
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sir20 · 3 months
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L'Arbre Blanc, Montpellier by sir20
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myebi · 6 months
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🌧️ based on that one tiktok audio
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thecaywild · 4 months
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Should I keep this dress
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art-appreciation-dog · 5 months
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nostyl · 1 year
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Strange as angels…
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uhhrellys · 4 months
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juicy! 🧃
⇢ for @honestlydarkprincess
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elitadream · 7 months
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🎆 Sing for Absolution: behind the scenes 🎆
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Hello everyone, and welcome to this summary on how the story was visually built! If you happen to come across this post and would like to read (or reread) the collab @drones-of-innocence and I have created together, just click on the title above and it will take you right to it! 🤗
With that said, let's begin! :D
As some of you already know, this was an idea that Drones had for a long time. It was brought up during one of our many conversations a few months ago, in which she briefly described the plot and sent me a condensed version. I- immediately and completely fell in love with the concept, so much so that I couldn't keep still. 😂💘 I practically begged Drones to let me draw a few frames for it, and she happily gave me permission. At first, what I intended to do was make about 3 or 4 thumbnails, like I had done with One Step Closer.
I returned with 22.
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And from there, we both decided "Okay. Yeah. Let's make this official. 🙌💯" LOL
What's interesting here is that, as you can see, some frames didn't make it to the final cut! 🤓 And inversely, new frames were eventually added as the collab progressed. Out of all the sketches that were either abandoned or later deemed superfluous, my personal favorite would probably have to be this shot of Kamek. 😈
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From the rough thumbnails I had presented, Drones helped me select the best and most eloquent ones, and I also changed a few other things along the way. For example, one panel that was entirely redone was frame 3 (where Mario enters Peach's room), because the initial composition didn't allow for the reader to see the setting very clearly, and I felt that the establishing shot needed to be wider.
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Many of the drawings were also ultimately flipped to give the visuals a more coherent direction and better flow, including this one!
I decided pretty early on that the palette should be made of cold hues, seeing as these events happen to take place at night and that a warm overlay wouldn't adequately have conveyed the more ominous and solemn tone of the story in my opinion. 🤔💁‍♀️
Oh! And I almost forgot: using cold colors for the backgrounds and characters was also very convenient because it helped make the magical effects (the fire, the spells, etc- all the bright, warm and/or complementary nuances) really stand out, which resulted in a more interesting and visually striking contrast overall. 😌🎨
As I do with all my illustrations, I started by cleaning the sketches and adding a unifying background filler for all the frames. Then, I selected the colors I wanted to use (a gradient made of a mix of navy blue and purple) and worked on each drawing individually. Even with simple tones, we can observe the sheer difference that shading makes! 👀😉
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There's a visual element that appears in the story and which I had borrowed from Drones before, and that would be Peach's healing magic.^^ ✨ I remember I was fascinated by the idea when I first discovered it in Un Fiore Per Te, which had prompted me to ask her if I could feature it in a piece where the Princess is seen using said power while at Mario's bedside in one of my other tangents. 💞
I kept the effect similar on purpose in Sing for Absolution, so that the slight reference would be easier to catch! 😊
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And last but not least, there's that cheeky little Fire Flower! 🤭🔥
As mentioned in a previous ask, the flower actually signifies a lot in this case as it somewhat embodies the deeply affectionate bond between Mario and Peach, glowing brighter and closing its eyes in happiness when the two are close. 💖
While admittedly not the first drawing I made in which a Fire Flower appears, the one that actually inspired both Drones and I to include this symbolic power-up in the story was one that I made all the way back in February for Valentine's Day. 🥰 The subtle yet direct reference can be spotted twice in the text, linking this piece to the collab and establishing a bit of a chronology as well. I was very honored that Drones added this small detail, and I very much look forward to working on more ideas with her in the future! 😁🤝
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Big thanks once again to all of you dear friends and followers who have commented and given their thoughts on this projects. Drones and I can't thank you guys enough for your interest and enthusiasm!! 😇💗
ALSO ALSO- I have shared here my visual side of the collab's progression, but Drones intends to give her own side of the story's development soon (explaining some of the themes and narrative elements a little more in depth), so make sure to stay tuned and check her blog as well! ^-^ 💫
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borderlinebelle · 5 months
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“dreamfather has spoken.”, a photo set, October 2023
📸 @couchesarepeople2
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feuilletourne-sir20 · 2 months
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Tournefeuille, brouillard et lumières
Tournefeuille, fog and lights
by sir20 for feuilletourne-sir20
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sharonbphotos · 2 months
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On Days When
You feel like a wilting garden, gather yourself, roll up your lawn, bouquet your flowers, embrace your weeds.
You are a wild thing playing at being tame. You are rich with life beneath the surface.
You don't have to show leaf and petal to be living. You are soil and insect and root. [Dean Atta]
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sir20 · 15 days
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Nature reflection by sir20
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lovelyfirebouquet · 8 months
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If you're an artist? I love you.
If you're an author? I love you.
If you crochet or knit? I love you.
If you sew? I love you.
If you're a carpenter? A painter? An architect? A shoemaker?
Create, love, continue bringing beauty in the world and leaving your mark. You are incredible, and I hope pieces of you keep making people happy long after you're gone.
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menorca-sir20 · 1 month
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Amenaza...
by sir20 for menorca-sir20
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