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animehouse-moe · 4 months

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The Witch and The Beast Episode 1: The Witch and The City of Blazing Red

I'll be brutally honest: this is still a Yokohama production. Hamana brings some good work with their helming of the production, but there's still struggles. But in spite of those struggles I can't help but love this episode, and I can't help but want to talk about it. So let's talk about it.

First of all- the negatives. Characters are off model as often as they are on model, the animation is rather sparse and there's some awkward sequences throughout the episode. Some designs end up a little too simple for my tastes due to limitations with animation, and Hamana's storyboards and sense of direction do not mesh very well at all with this episode.

In spite of all of that there's still a mountain of work that I can only describe as incredible within.

For one, the environment art and art direction was superb. I was worried about how flat the colors were in the PVs, but this episode proved they're able to deliver a great deal of range on incredible environments that mesh 2D and 3D almost effortlessly. A Sign of Affection by and far has the best backgrounds in this season, but personally I'd put The Witch and The Beast as a reasonable second place (with Ishura hot on its tail).

The backgrounds in The Witch and The Beast really bring out the most in terms of style and color, really embodying Satake's modus operandi with them: very strong and full color palettes that hinge around a color or combination. It has me incredibly excited to see how they tackle other sequences in this season.

But that's about the only aspect in this episode that deserves its universal praise (aside from the OST, which is great) , the rest tend to come with a caveat. Like Hamana's boards.

I did sort of tear them apart earlier, but I'll come completely clean: there's still some really great layouts in this episode. They're not god tier and they miss out on the potential with symbolism and whatnot, but they're still damn good pieces that help sell the episode to viewers.

And then there's the animation. Hamana's boards don't really give much opportunity to effectively animate, but there's some sequences that really stand out.

Take, for example, Gideau eating. Sure, it might be a simple and short sequence but the fact that it was animated as well it was speaks volumes to the level of work that can appear with this series.

Similarly, there's this clip of a rotoscoped Gideau winding up a punch for Ione. It might be a little awkward, but the idea and execution of the rotoscoped sequence was really cool to see.

And there's a handful of other moments that express the surprisingly ability of Yokohama's animation for this series. Unfortunately we don't get much animation in Gideau's fight, but I'm hoping that we'll see better work done under more creative and involved storyboards we move along with this story.

It's overall a very middle of the road production with this first episode for sure, but I think that the bad parts are rather mild, while the good parts are quite inspiring. So rather than feeling concern or reservation with this adaptation, I oddly enough find myself excitedly waiting to see what Yokohama manages with the next episode!

#the witch and the beast #majo to yajuu #魔女と野獣 #kousuke satake #anime and manga #anime #anime reccs #anime recommendation #anime review

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isekai-crow · 3 months

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The Witch and the Beast / Majo to Yajuu Episode 1

Overall Score So Far: 9/10

WE'VE GOT A HOTTIE LINE UP OF ALL GENDERS!!

Guideau on the left, Ashaf in the middle, and Genderless Hottie on the right :3

HOW ARE THEY ALL SO PRETTY.

Anime, now with more CROW BAIT. This time it's literal!! :D

OF COURSE the Goth With The Coffin on his back can use CROW MAGIC. AHHHHHHH.

Also, Guys. You guys. Fucking TOSHIYUKI MORIKAWA is voicing Ashaf.

THE VOICE OF SEPHIROTH. GRIFFITH FROM BERSERK. DANTE FROM DEVIL MAY CRY. TYKI FROM D. Gray Man. We get THE KING OF THE DARK AND BROODY SEXY MAN VOICE.

And Guideau is voice by Taichi, You - Jousuke from JoJo, Suphia from TenSura, Saya from Dead Mount Death Play, and Dorothy from Princess Principal!! A great rough and tumble voice perfect for Guideau. (1st Epi Spoiler: I can't tell if she's voicing Guideau's true form.)

More Episode 1 Spoilers Below!

I don't really know what I was expecting except for Hot Goth Dude with a Coffin Boyfriend, and a badass punch-em-up beauty with a nasty mouth from the PV on youtube, but that's what I got and more, and I am so very pleased about it.

I was SO EXCITED ABOUT THE CROWS YOU HAVE NO IDEA. Hottie Mage whips out a spell covered arms and MY BABIES ARE BURSTING FORTH IN A MURDER OF ADORABLE!!! I might have woken up Capybara's deaf elderly neighbors in my excitement.

What I was not expecting was a giant Zom 100 Shark to show up in the middle of the city lmfao.

Zom 100 Zombie shark on the left and Big Buff Giant Shark Dude on the right.

It's just a dude whose turned himself into a shark with magic, who immediately gets dispelled by a witch, and that THIS IS A NORMAL OCCURANCE??? People are like, oh noooo, there's a giant shark, Ione will deal with iiiiit, no worriesssss.

The implications this gives of a mixed soft/hard magic system tho.

I'm really looking forward to learning (or maybe not learning and discovering through negative space) the rules that don't get broken (which is necessary for a magic system), but also hope that they'll be playing hard and fast with what's possible. Cause seriously, wtf is this shark. Delightful, lol.

They mind games played with "Are Witches Bad or Not?" in this episode is fun, because as a viewer going in blind, we could have had some lawful good protagonists or we could have had some chaotic anti-heros, and I would have accepted either outcome. We kind of get both and that's even better!

Trying to include a speech about the morals of getting revenge with Ione as she tries to justify her actions for removing the lock on her grandmother was interesting, but I'm still not sure if her Grandma was the one to cause the fire and people 300 years ago killed her, or if her getting blamed for the fires and then killed just so happened to lock the fire away, but either way...

Along with this I'm not surprised by the coven of would-be witch's nor the attempts by them to claim that witches aren't bad, "you're just like everyone else," when you can tell from the art that the stereotypes in this world hold weight, lol.

However, I don't know WHY I was surprised by said witches getting their hands and feet removed as part of a ritual summoning of hellfire.

How... how is there not blood E V E R Y W H E R E ??!!?? Some heavy duty arteries have been cut, yo. I guess there kind of is but there should be MORE.

Ashaf finally figures out what's going on and gives in to Guideau, letting her go wild, and HELL YES I love it when we get a beast gremlin on a rampage!

Witch Laser Beams! Sure!

I also LOVE when Characters get the shit beat out of them and then Keep. Standing. Up.

The very purposeful listing of the two ways to lift a Witch's spell at the very beginning of the show, True Love's Kiss or A Change of Heart),was such a great Chekhov's Gun that I knew there was probably going to be another (secret) way to deal with it.

Fuck yea, angry kiss!! Let Guideau feast on your soul!!

But the most surprising thing that has me fully on board and ready to rock and roll is Coffin Boyfriend.

What gender is Coffin Boyfriend? We don't know.

However.

Coffin Boyfriend is not a third character like I initially expected.

Coffin Boyfriend is Mother Fucking Guideau Y'all.

Everything makes so much sense now. Ashaf carries coffin boyfriend's true body around in his backpack like it's no big thing.

And Guideau, with all that rage packed into a tiny little body, has to go around kissing witches to switch from her current body back to the original to then proceed to beat the shit out of said witch.

I fucking here for this. I'm so hype.

Hot Bois, Crows, Body/Gender Swaps, Witch and Magic Fuckery. I'm here for it all, y'all.

(I might even go read ahead in the manga for this one cause OH MY GOD MANGA ASHAF IS ALSO VERY GOOD)

This ART STYLE.

But also... Chrollo? Is that you?

Ashaf on the left, Chrollo Lucilfer from Hunter X Hunter on the right.

I love this. I love their vibe. After Apothecary Diaries, this might just end up being my favorite this season. I'll save that judgement for a few more episodes in though.

ep2 ep3 ep4 ep5 ep6 <- these will eventually become links

#the witch and the beast #majo to yajuu #魔女と野獣 #anime winter 2024 #hot anime girl #hot anime boy #chrollo lucilfer #guideau #ashaf

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444lpblue · 10 months

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The Witch and the Beast - First PV Impressions

Director: Takayuki Hamana Character Design: Hiroya Iijima Animation Work: Yokohama Animation Lab

The day has come! The Witch and the Beast trailer popped out of nowhere while I was watching anime, and I had to pause to fully take in the trailer and the staff list. When I first saw Yokohama Animation Lab, I wasn't exactly happy. I have limited experience with their work, and in terms of anime studio years, I would say they're fairly new. They don't really have enough animes for me to fully grasp their style. I've only finished The Genius Prince from them and seen clips of 'The Great Cleric, which genuinely looks kind of awful, if I'm being honest. So, I was extremely anxious as soon as I saw Yokohama Animation Lab as the studio.

But the trailer footage was better than what I personally expected when I saw it. It still had some things that made me feel iffy, but there were also some genuinely good points.

I think the up-close shots look great. The facial structure and expressions match the manga extremely well, and you really feel like you're seeing the characters come to life. A lot of personality shines through in the close-up shots, from Guideau's intensity and craziness to Ashaf's enigmatic smile. The character design took me multiple rewatches to get used to, but I really did end up enjoying it a lot. I also enjoyed the music choice for the trailer.

The trailer was quite short, so we couldn't really judge the animation or talk about most things in depth, and so far I have no major complaints about it. However, I did want to talk about one thing.

I feel like some of the color choices in the trailer felt too faded or toned down, which betrays the complexity and detail of the scenes in the manga. The black and white frames in this shot feels out of place as they don't mesh well with the overall faded-out scene. I understand that they are aiming for a storybook aesthetic, but I believe they should have made these types of scenes denser in color, even vibrant, to create a contrast with the generally grim environment of all the scenes outside of them. The covers for the series serve as a good showcase of this, with vibrant scenes that are highly detailed and beautiful, complemented by dark shading.

On to the specific staff announced, for the character designs we have Hiroya Iijima, who I feel is mostly doing a good job. The faces of the characters seem to look very close to the art style of the manga. I do feel it's lacking a bit of flair that we've seen from his character designs in Afro Samurai, but I think it's still very good. I'm not extremely familiar with Takayuki Hamana and have never watched any anime he's directed, however from what I understand he tends to bring a group of animators with him, like Yuuta Kiso, who appears in a majority of his projects. I also hope he returns here, as he's a very talented animator. Now, back to Hamana. I've checked some of the openings he's done for Sorcerous Stabber Orphen in order to get a sense of his style, but none of them really impressed me all that much. I still can't get a good grasp on his style, and there's nothing indicating that he would do well in Witch and the Beast, in particular.

The most worrying part for me is likely the studio, Yokohama Animation Lab. As I've mentioned before, they haven't done much to show what they're fully capable of, and a lot of their animes currently out are rather subpar. However, this trailer does look better than a lot of the previous PVs I've seen. I am worried about how many animes they're currently working on, though.

The staff/studio worries me slightly; however, the PV, as short as it is, did look mostly positive, so I will be cautious but hopeful for this upcoming adaptation.

#Winter 2024 #winter 2024 anime #the witch and the beast #魔女と野獣 #Majo to Yajuu

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fanghusband · 1 year

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i want her

#the witch and the beast #魔女と野獣 #yk what #vampire

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lunicoded · 4 months

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You care, don't you? About Guideau. I do. I care a great deal. Even more than I care about my own life.

Guideau & Ashaf in The Witch and the Beast (2016 - )

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loveuguideau · 2 months

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This girl can't stop being funny for a sec

#majo to yajuu #the witch and the beast #魔女と野獣 #anime and manga #manga #anime #helga velvette

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tifa-and-rinoa · 7 months

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Fandom: The Witch and the Beast (manga) Couple: Ashraf x Guideau Artist: @se_5eeeee

#the witch and the beast #manga #manga art #ashraf x guideau #satake kousuke #manga edit #beautiful art #anime #ashraf #guideau #art #fan art #majo to yajuu #seinen #mangadaily #fav #blood #魔女と野獣

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celestialmega · 2 years

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Majo to Yajuu, The Witch and the Beast, 魔女と野獣, 魔女与野兽 by satake kousuke.

#manga cap #manga screencap #manga #mangacap #manga art #manga crop #satake kousuke #Majo to Yajuu #The Witch and the Beast #魔女と野獣 #魔女与野兽

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arunavasenpai24 · 1 month

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🐺 The Witch and the Beast #9 | The Witch and the Demon Sword: Final Act 🐺

#the witch and the beast #majo to yajuu #魔女と野獣 #anime and manga #anime

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animehouse-moe · 4 months

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Media I Experienced In 2023 That I'm Thankful For

It feels crazy to process that another year's effectively gone by already. A lot of people will always say "this year was worse than the last" in the context of a lot of things, and I'm usually one to disagree with that sentiment. This year though, it's been tough for entertainment in general. But that's not what I'm here to talk about, I wanted to share some of my favorite experiences from this year, and look back on the wonderful and impactful media that I've been able to read or watch!

Witch And The Beast - Kousuke Satake

Yes, this is the third volume's cover, I know. I just really love the color choices and style for it.

Anyways, this was one of those series that I'd always see and never pick up. It took some severe pestering from a friend for me to finally pick it up, and it was totally worth it.

I would say it's definitely far from bad right from the start, but I'd also say that once you reach around volume 3, Satake really catches their stride and provides some beautiful work in the volumes leading up to their hiatus. If you want a world all about magic that prioritizes form over function, it's impossible to not recommend The Witch and The Beast and its wonderful appeal.

A Home Far Away - Teki Yatsuda

Yes, this is a one-shot manga, but the grip that it had on me after I read it was so intense. You know how you can tell when a one-shot wants to go past that single volume but can't? This is like the exact opposite. The pacing, themes, characters, all of it is so well structured for a single volume run that you end up with aimless frustration that it can't continue.

The themes of various types of trauma and the idea of searching for a savior in someone else are just so strong alongside the systemic failure in caring for and helping minors. It's just so so strong and painful in how it represents a slow slip into helplessness as they claw at each other to try and unearth their freedom.

Also, definitely read their serialized manga The Yakuza's Bias! Totally different vibe that is just full of absurdity and humor.

Pandora - Hagiwara Rei

Pandora was a very healing manga to read. Beautiful watercolor artwork is donned by each page in the various short stories appearing in this work. Though each is a different person in a different situation, the themes of survivor's guilt, loss, and the hope to be found at the bottom of despair are very strong to feel. If people are looking for a heavy but positive and emotional read, this is certainly a great choice.

Okinawa - Susumu Higa

I don't think it's a secret to say that anti-imperialist Japan manga is seen as "few and far between" in English. We have a lot of impactful and important works that haven't been translated or are currently out of print, so Okinawa came along at a really great time to help drive the point home alongside other experiences like Godzilla Minus One (which is on this list, of course).

Anyways, stepping away from the general act of the war, or the (typical) experiences of it post-war, Okinawa is an incredible read for displaying the interaction and relationships between the Okinawan people and the two separate armies that occupied their space. It does a wonderful job of not painting anyone as inherently evil, but showing the sinister nature of war and the aftereffects that it leaves on a people. Very very worthwhile read that I can't recommend enough.

Until I Love Myself - Poppy Pesuyama

It's only two volumes, it's a manga essay, and it deals with LGBTQ+ content among other things. This is something that was essentially destined to be criminally underread and underappreciated.

What Pesuyama does in exposing their difficult experiences and personal trauma is beyond valuable to people that find themselves in similar positions. The idea of sexism distilled into every aspect of society through the patriarchy, and how that's reflected on someone that doesn't feel comfortable in their own body is almost impossibly poignant. The frustration, the distance, the fear, it takes an incredibly personal experience and without losing even an ounce of that value is able to translate it into something that almost any reader can grasp. An incredibly powerful piece from an equally brave author, it's also an invaluable resource and experience for many out there.

Skip and Loafer - Misaki Takamatsu

I'm a big P.A. Works fan. I've got a lot of their art books, I watch a lot of their series, I just think they do a lot of good work. I also had my reservations about them doing the Skip and Loafer anime, but it was wonderful.

Simply put, it's a modern classic in the slice of life/high school era genre. The characters feel perfectly childish and immature, the direction of the story and its themes are perfectly on the nose. It just has the perfect balance of everything you could hope for. There's not really much to add past that, really. If you like slice of life or high school stuff, you'll love Skip and Loafer. Incredibly refreshing experience.

Heavenly Delusion

I'm a massive fan of the manga, and I was coping insanely hard when I saw that first trailer. I was praying I was in for greatness and wasn't going to get scammed, and Production I.G brought out arguably their best work in the last decade for it.

Mori Hirotaka and the rest of the staff did an absolutely phenomenal work in transforming Heavenly Delusion into an anime. Massive restructures and thematic changes that feel like sheer art within the context of the series. Ishiguro couldn't have done it better himself, and he made that point known on Twitter. Right up there next to Frieren (and even above it depending on the significance of various criteria) for the greatest anime of 2023, and puts itself in contention for one of the best in the 2020s. Absolutely a must watch.

Undead Girl Murder Farce

Mysteries and series that really encourage you to analyze and break them apart are some of my favorites to experience. Include historical context, a penchant for intense showmanship rooted in Japanese culture, and animation and direction that will knock your socks off, and you've got the Dark Horse of the summer season.

Undead Girl Murder Farce had me absolutely hooked from the very first episode, bringing almost SHAFT-like direction and execution that brings out the absolute most in something so fluid. Lapin Track struck gold with this work. Even though they were struggling a little towards the end, they provided and endlessly satisfying and creative experience that had me on the edge of my seat breaking apart every single little frame for meaning and value. An absolute treat for a mystery fan.

Blue Giant

Like many, I discovered Nut (the studio) through Tanya The Evil. Crazy visual effects and ridiculously competent visuals for such a new studio, I was immediately enthralled with their quality.

Not that Blue Giant as a story isn't incredibly good, but that in this context, Nut brought out every last drop of greatness that could have existed in this movie. I'm really struggling to come up with more to say, but it's just so visually stunning that the experience as a whole just feels like a performance on an incredible level. Simply great, I guess I'm forced to say.

The Boy and The Heron

It's Ghibli, it's Miyazaki, need I say more really?

I don't, but I will. I went and saw it twice in theaters so that I could experience both dub and sub for it. Something that people should be 100% experiencing in theaters, and absolutely should be watching multiple times. Miyazaki doesn't tell just one or two stories with this movie, it's so many experiences in his life rolled into one. A love letter to the man behind one of anime's most beloved studios, but also one that leaves lingering feelings of sorrow for some of what Miyazaki instills in it. So yeah, watch it to your heart's content.

Godzilla Minus One

Last, but certainly not least, Godzilla Minus One. I loved it, I knew I'd love it from the moment I laid eyes on the trailer. The idea of Godzilla being presented in North American theaters, to North American viewers, as a direct and destructive of the atomic bomb and its effects on the Japanese population just set something off in me.

North America's view of Godzilla as some sort of anti-hero over the years has weakened the original sentiment that barely existed here in the first place. Minus One sets the record straight in devastating fashion, and adds to the theme in spades. I'd love to explain but I want as many people as possible to experience this without any spoilers, so I'll leave it at being one of the best Godzilla movies bar none.

And that's the list for this year. I think overall it was a "weaker" year, but I'd be more comfortable with calling it a radicalized year. The bad stuff got worse, but the good stuff got better. The best experience of the year were incredibly good because of that, but it overall felt like slimmer pickings than the prior year.

Not that this list couldn't have added any number of entries like Scott Pilgrim, Frieren, Kamonohashi Ron, Bleach TYBW, Gwitch, and so on and so forth. More so that I wanted to keep this list a little more contained. The idea of importance or appreciation begins to lose its value when everything is important or overly appreciated.

Anyways, that's all the past, this post is in the present, and I've got my eyes set on the future with things like the Hokkyoku Department Store movie, Dandadan from Science Saru, Delicious In Dungeon, and plenty, plenty more in 2024!

So with all that said: happy holidays and I hope people have been enjoying having time off and getting to spend some with their families and friends!

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