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ew-selfish-art · 7 months

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DpxDc AU: What’s an adoption paper or two between bros?

Danny is starting to realize that since Jazz left the house for university, his parents aren’t really good at well, being his parents. They’re obsessed with his alter ego to the point that they ignore his normal ego, and that uh, hurts his feelings. Like, a lot. Meal times have gotten weirder and more inconsistent, and he’s starting to wonder if they suspect what’s really going on with him.

They’ve started to say “You know you can tell us anything” these days when he sees them outside their lab (which isn’t frequent) but the normal amount of ghost hate speech hasn’t changed. If anything it’s gotten worse. Just like everything else.

Danny joined the whole-ass justice league to fill his spare time after high school and his parents are literally none the wiser. Like, he's a part time high-school senior at 17 and a full time international hero. His parents only comment on the fact that the menace Phantom is costing them a lot in airline tickets as they try and apprehend him all over the world. Hell, they caught Ellie for a second when he was in Morrocco and it got ugly fast. She's a junior member now but mostly spends her time with some doofus that has a magic traveling house.

And really, he's fine with his schedule of going to school, going ghost and making a difference, and then returning to a dramatically silent house. Really.

Then one day his new friend and co-team lead Red Robin makes a brief mention about his own childhood of neglect and Danny makes a joke, "What, no adoption papers for the homies?"

He laughs as he says it but something in his leader's eyes looks sharp, and Kon is sighing in the background something that sounds suspiciously like dear Rao you've done it now.

Next time Danny is on the Watchtower, he's brought into a meeting with Red Robin, Batman and various other JL team leaders.

"Adoption papers are very much for the homies. I've also included the option of emancipation, as you'll see in the green folder, but I am one hundred percent serious about adopting you."

"Red, you're like, 3 months younger than me." Danny deadpans.

"Adoption is for the homies and I'm emancipated. And If i'm reading Batman correctly, you're facing three outcomes right now."

"Three?"

"One: I adopt you and you become my legal dependent. Two: Batman adopts you and I become your legal brother. or Three: You emancipate yourself while allowing us to provide for you while your housing situation is sorted out."

"... Uh. Door one?" Danny is having too many feelings. Why does batman look disappointed? What is Jazz going to say? What on earth???

"Welcome to the Drake Family." Red shakes his hand up and down, the grin on his face feral and the plan towards being emancipated from the Fentons and adopted by his boss is a weird one.

But eventually, a few weeks later, he's had a pretty delicious dinner by his new adoptive grandfather-tler and is watching a movie with Tim and Kon on the couch and he's just so happy and comfortable and warm...

"Will this make Kon my dad if you two get married?" Danny laughs and it's the closest he gets to being disowned.

#Jazz dating Jason seriously in the background and looking at her bf like 'wait why is my brother now your nephew??' and jason has to explain #his family is just like that #tim adopts danny au #adoption is for the homies #dp x dc #dc x dp #dpxdc #dcxdp #dc crossover #dp crossover #long post #dc x dp fic

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confessedlyfannish · 25 days

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Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

#i feel like I'm going to reread this and want to add other stuff #but I also just want to post it and get it out there #fun fact i scribbled a bunch of lines down at 2am bc i didn't want to forget them #im bad at multiple drafts #my writing #dp x dc #dp x dc au #dp x dc prompt #dp x dc crossover #danny phantom #batman #i live to make everybody dramatic #but also i subscribe to a world where clockwork doesn't know how NOT to be dramatic #lol he's a ghost from all of time he doesn't know how to speak to humans and tailor it to the century let alone the decade #and his favorite little girl who calls him clocky loves how he speaks so #he doesn't need to change for nobody #nor feels inclined to #also I feel like as god he's way more inclined to threaten to get what he wants than like...be vulnerable #jazz: let's unpack that #clockwork: we never do #jazz: are you saying that because it's true or because that's what you want to be true?#clockwork: ...#also I cannot take credit for BITCH I MIGHTWING #wish i could #that is cash money right there #shoutout to 11thsense

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too-much-tma-stuff · 1 month

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Finally getting help (prt 9)

Masterpost

“So where’s the brother?” Jason asked as he followed Bruce down the hall.

“He’s in Tim’s lab. It seems like they’ll be able to share it, which is good even with as big as this place is I don’t think we have room for two mad science labs,” Bruce said with dry humour, making Jason laugh in spite of himself.

“Tim must be thrilled to have a buddy huh?” He asked, still chuckling. No one in this family was stupid by any means, he often felt like the dumb one and objectively he knew he was still a fucking genius. But even with all of them being That smart no one could keep up with Tim’s innovative and scientific mind.

“I think he might even learn a few things, which is a frightening concept. Danny asked for microwaves and toasters this morning so he could cannibalize them into anti-possession tech. The way that boy combines science and magic is going to give both me and Constantine ulcers.”

Jason snorted, both at the joke and maybe a bit out of pleasure that someone was going to be giving Bruce a hard time. “Well if you need a babysitter don’t call me. I don’t want to deal with any of that,” he chuckled.

“Oh absolutely not, you would only feed into the chaos,” Bruce said quickly making Jason cackle, because he was right.

“Alright,” Bruce murmured to himself when they reached the closed door to the lab, it was almost lost in the banging inside but Jason heard it. Heard Bruce bracing himself for whatever was going to happen when Jason and Danny met.

He opened the door and across the room Jason saw who must be Danny. He was prime adoption bait with his black hair and blue eyes, but he was… absolutely beautiful, slight and elven, gently curved and wired with muscle. Jason froze, and it seemed so did Danny, staring at each other from across the room. Butterflies fluttered in Jason’s stomach, building till they didn’t feel like butterflies but something buzzing, trying to get out. He could hear the growl coming from his chest, not his throat.

Danny’s eyes swirled with green and he vaulted over the work table, abandoning the half finished tech he was working on to lunge at Jason. He collided with Jason with a snarl of his own, Jason growled and flipped Danny over his shoulder, the hall was a closed space so Danny twisted, running into the wall feet first and landing in a crouch. Jason twisted so he didn’t have his back to a wall anymore as Danny lunged at him again and Jason dodged, pushing off the wall to give himself momentum as he threw himself after Danny.

Danny grabbed Jason’s arm and used his momentum to throw him over his hip, following him down to the ground, barely missing as Jason rolled away. He didn’t even think to draw a weapon, that wasn’t what this fight was about, they weren’t actually trying to hurt each other. Even as Jason punched down so hard he cracked the floor he somehow knew Danny would dodge, and wouldn’t get hurt. And Danny did, he got out of the way and lashed out in return, kicking Jason in the chest and sending him flying a few feet back giving Danny time to scramble back to his feet and chase after him.

This give and take carried them down the hall and to the landing by the stairs. Somewhere in the background Jason knew that someone was shouting at them to stop, and to be careful, but he wasn’t listening. He was too focussed on the growl emanating from Danny, and from himself which were starting to smooth out again, to feel less like desperate insects trying to escape and more like a cat’s purr, or some sort of song. They were reaching equilibrium, some sort of harmony.

He didn’t realize how close they were to the stairs until Danny knocked him back again and this time when he stepped back he didn’t land on solid ground. The two of them tumbled down the stairs, rapidly switching who was on top as they fell. Jason could feel himself collecting bruises but he didn’t fucking care.

They came to a halt at the bottom of the stairs with Jason on top, his forearm pressed against Danny’s chest just below his throat. They were both breathing hard, staring at each other with wide blue-green eyes. The growling died down, lowering down into purrs harmonizing with each other as they caught their breath. Jason’s was lower and Danny’s a little higher, it was a hypnotic sound that made Jason feel… peaceful.

Danny moved first, reaching up slowly to touch Jason’s face, but before he could Jason realized what they had done and the position he was in. He had fought with Danny, and he was now pinning an abused teenager to the floor straddling his waist. This looked bad and now that he realized what was happening it Felt worse! He practically shot up off of Danny and was about to bolt before Danny grabbed his hand.

“Wait! Don’t go yet! Let me just, let me get you a specter-deflector so no one can possess you first okay?” Danny asked, sounding oddly desperate and even though Jason wanted to run he nodded.

Danny looked relieved and let go of Jason before suddenly flying up and through the floor above them. Jason blinked at the ceiling above him before looking around him.

Oh dear, Bruce, Tim, Damian, and Jazz were all watching from the landing above. Damian looked like he wanted to kill Jason himself, Bruce looked disappointed, Tim impassive and Jazz looked… Excited? Why did she look happy?

Danny flew back down through the floor before anyone could think of what to say. “Okay! Here’s the specter-deflector,” He said, clicking something that looked like a watch into place around Jason’s wrist. “That’ll protect you, this is a blaster,” he said, handing Jason an odd sci-fi looking gun. “It’ll reload automatically from ambient ectoplasm, it works best against dead and undead but it can hurt humans too. And.. um, this is my number,” He said, blushing furiously as he handed Jason a slip of paper. “Please text me?”

When had Jason’s mouth gotten so dry?! He had to lick his lips before he answered, painfully aware of how hot his cheeks were and that he must be blushing too. He didn’t blush much, not since his death and resurrection, but he was absolutely blushing now, and he was still purring too if more softly now. He didn’t even know that he could purr, not really. “Ya, Yes, I’ll text you,” he promised before he fled the house. He would have to have some of Alfred’s lasagna later, just then he desperately needed to calm down and clear his head.

-----

Jazz was practically vibrating with excitement and as soon as the door had closed behind Jason she couldn’t contain it anymore. She squealed as she vaulted over the railing of the landing and landed in the foyer and sprinting over to Danny. “Danny what the heck! You have a crush?! I haven’t seen you that passionate in ages!” She enthused scooping Danny up under his arms and twirling him around.

“Jaaazz,” Danny complained even as he went kitten limp in her arms letting her hold him at arms length nearly a foot off the floor.

“I didn’t even know you liked boys! Why didn’t you tell me you like boys!?” Jazz demanded, shaking him a little.

“I didn’t really, I mean I always preferred girls. The only guy I ever really had a crush on was Dash and-” He cut off when Jazz made a disgusted face. “Exactly! That was never going to happen and he was an asshole so I didn’t want to talk about it!”

“Okay ya I understand- Wait you were making fun of me for having a thing for bad boys when your type is asshole meathead jocks!? Ohhh you’re never going to hear the end of this baby brother!”

“Oh my god No!” Danny groaned, finally squirming out of Jazz’s hold and dropping back to the ground stepping back.

He turned towards the Wayne’s who had made their way down the stairs while the siblings were talking. “Is Jason an asshole?” He demands of Tim, he’s probably the fairest judge in Danny’s estimation.

“Absolutely,” Tim said promptly before realizing what he said and backtracking a little. “But I’m his brother, I'm supposed to say that. Jason’s heart is in the right place, he's a good guy, just kinda violent and a complete jerk,” Tim said.

“Perfect,” Danny said his expression a little dreamy.

“Why on earth would you have a crush on Todd?! You could do so much better!” Damian squawked indignantly, breaking the tension and making everyone besides Bruce laugh, and even he smiled just a little.

“I want to say you did well Bruce, I know it was hard not to break up the fight but so? It was good for them, I hope it won’t be too hard on you if they do end up dating,” Jazz said, patting Bruce’s arm.

He shifted from one foot to the other a little awkwardly but then shook his head. “No it won’t be, I mean it won’t be the first time, Barbra was as good as my daughter and she dated Dick, and Steph and Tim dated. It’s always a little awkward but I’d rather that than a Super,” He said, shooting Tim a look, he cleared his throat and looked away.

“Well good, we’ll see how this works out but really,” she turned back towards Danny. “This could be good! You’ve always been attracted to violent people but I don’t think that your ghost instincts realized that when Val was shooting at you it wasn’t bonding for her the same way it was for you,” she told him, her tone borderline accusatory.

Danny looked down and shifted from side to side, giving a little shrug. “I know, but she was a good girlfriend, when she wasn’t being Red Huntress and I wasn’t being Phantom. When we were just Danny and Val, it was good.”

“Oh Danny,” She sighed and pulled him into a hug. “I know, but he has the same instincts as you, I’m rooting for you Danny.”

“Thanks Jazz,” Danny said softly, hugging her back.

“Welp, I’m heading back to the lab,” Tim said, obviously uncomfortable with the genuine emotions he made a break for it before he could get roped into any hugs.

#danny phantom #dc x dp #fanfiction #dead on main #jason todd #finally getting help au #Danny is pregnant #trans!Danny #vlad is a creep #bruce wayne #jazz fenton #damian wayne #tim drake #multi part fic #long post #unedited #let me know if you find any mistakes

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parallelpie · 3 months

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First off this absolutely cursed AU was inspired by Lemonomelette and a post they made -X Secondly I imagine it all being about bots and cons trying to one up each others factions and not actually helping in any serious way because their too busy with their own faction bs.

Think of two rival car dealerships across the street one upping each other to get business and instead of business with cars its interstellar robot fairys trying to woo sm children to let them grant their inconsequential wishes (which may or may not be worth it) instead of the other guy next door.

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jicklet · 11 months

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(S2 Teaser)

#good omens #good omens spoilers #2 good 2 omens #good omens 2 #goodomensedit #ineffable husbands #v posts things #v watches good omens #i imported it to PS just to slow it down and then well. i was already there #COFFEE SHOP DATE #magician jazz hands aziraphale and his grumpy friend mr crowley #dark turtleneck eh...#good omens s2 #good omens season 2

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deadsetobsessions · 2 months

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Gothic mushroom shaped candles. Danny picked one up, grinning. Sam would have love these on her alters. Very Sam, very Gotham.

It a bit bittersweet, now that he could think of her without being paralyzed by crushing grief. Her and Tucker both. Danny turned, keeping an eye on Tim as he glared into the case of used cameras.

Danny walked over and tried not to feel guilty about practically mooching off of a child. Even if the money he was using was actually the Drakes’.

“Like anything you see?”

Tim shook his head. Danny pondered over what little he knew of photography- all of which he learned from documentaries that were more focused on nature.

“I think there might be a camera store a couple of blocks down. We could get the ones that takes photos of animals, like the really big ones that takes photos of wildlife?”

“I guess. I mean, I don’t need it since we can…” Tim glanced around suspiciously. Danny willed his mouth to not smile at Tim’s antics. “Fly close,” the kid finished in a whisper.

“Okay, but what about when I’m not there?”

Tim hunched up on himself and Danny despaired inwardly. Uh oh, what did he say now?”

“Are you going somewhere?” Tim quietly asked, sounding hurt and upset.

“No,” Danny soothed, patting Tim on the head. I mean, what if I’m busy with stuff but you want to go take pictures without me?”

“You said to go get you whenever I wanna go out to take pictures.”

“Okay, yeah, I- well, we might as well get you a quality camera, right? To take really really good pictures of the… local wildlife. Like… the birds and the bats, and all that.” Danny winked exaggeratedly.

Tim blinked and giggled when he got the joke. “Okay, as long as you’re staying!”

Danny grinned, fangs and all. “Of course.”

——

At the end of their shopping spree, generously provided and sponsored by the Drake family and their heavy black card, Danny got a phone and Tim got a wild life camera that was a whopping $4,000 but was compact enough to not look absolutely ridiculous.

“It’s heavy!” Tim whined, as he grinned like a loon.

“It’s quality,” Danny plopped the shopping bags on the island in one of the giant kitchens Drake manor had. “I’ll make dinner. You figure out those settings and you can tell me about it when we eat.”

“Okay!” Tim hummed excited, quick fingers and laser focus already aimed at his new device.

Danny picked up his new phone and dialed a number he knew by heart. As it rung, Danny held it up to his ear and began prepping the ingredients. At least

“Hello?” His sister’s cautious voice came through the phone. Danny’s shoulders relaxed.

“Heya, Jazz.” He could see Tim’s ears all but perk up in order to eavesdrop. His mouth quirked up in amusement and Danny turned away. He probably shouldn’t be encouraging that kind of behavior… but it was funny.

“Danny! Are you okay? I- I heard that they chased after you and I was worried sick! Are you safe? Any injuries? Do I need to pick you up?”

“I’m good. Promise. Not bleeding out or dying. It’s actually pretty nice right now,” Danny paused before turning back a little more so he could watch Tim’s reaction peripherally. “Hey, listen, can I adopt a little brother?”

He watched Tim sit up straighter eyed flickering up to him and back down again, a secretly pleased look on his face as he figured out that Danny was in fact talking about him.

“Danny, what the hell?” Jazz huffed, audibly relieved to know that Danny wasn’t on his merry way to becoming a full on ghost. “Who, why, and what kind of trouble did you get into now?”

“Hey, this was me getting out of trouble. Those people don’t even know where I escaped to. Tim helped me out a lot,” Danny said in the tone that meant ‘and there’s more to it but I can’t tell you right now.’

“His name’s Tim?”

“Yeah, you wanna say hi?”

Tim looked terrified as he heard Danny’s side of the conversation. Danny could relate.

“Alright. But you’re explaining everything later, got it?”

“Sure thing, boss.”

Danny turned to Tim, abandoning the peas he was shelling and rinsing off his hand to hold the phone.

“Tim, my sister, Jazz, wants to say hi. Are you cool with that?”

“Uhm! Yeah! Yeah, sure.” Tim, honest to ancients, squeaked. Danny’s enhanced hearing could pick up Jazz’s already melting heart. He taped a button.

“Jazz, you’re on speaker.”

“Hey, Tim. I’m Jazz. Thanks for taking care of my little brother!”

“Uh, hi, Jazz! I’m Timothy Drake! And, uh, you’re welcome! Anytime!”

Tim glanced at Danny for reassurance, relaxing a bit when the halfa threw him a double thumbs up.

Jazz went quiet.

“Jazz, you good?” Danny asked.

“We’re adopting him. Danny, you better make sure knows about everyone. Hi, Tim, I’m Jazz, your new big sister.”

“Uh- I have parents.”

“That can be fixed,” Jazz casually brushed off. Tim looked like a deer in headlights, so Danny took his sister off speaker and went back to cooking. He made sure to smile at Tim.

“Don’t worry, we won’t adopt you if you don’t want to. But it wasn’t a joke, we’re very serious.”

“I’ll think about it?”

Danny shrugged. “Good enough for me.”

“So, where are you?” Jazz asked him, rustling coming through on the phone.

“Gotham.”

“You are so fucking lucky I love you, dumbass. I’ll be there tomorrow at noon.”

“Playing hooky, are you?”

“Fuck off, little brother, before I show Tim your toddler pictures.”

“Thanks, Jazz.”

“Bye, Danny. Don’t get killed again when I’m not there, got it?”

“Sure, sure.”

Danny smiled and returned to his agenda of stuffing as many vegetables into one meal as he can. At least the food isn’t trying to tear out his face.

——

Robin hasn’t heard the eerie giggles around lately, but he’s been practicing his own. It’s weird though, because there’s always a glint of something in the corner of his eyes.

“Robin, muggers.”

“On it, B. Shall we, Batgirl?”

“Let’s go, Boy Wonder.”

#Jazz Fenton #jazz fenton casually suggesting murder #danny phantom #batman #tim drake #dc x dp #dcxdp #bamf danny phantom #Danny phantom and the weird experience of being the youngest and the oldest sibling #squatter! Danny Fenton #danny: well I don’t wanna go home so I’ll just stay here #this was in my drafts for so long lmfao #inspired by that one post where Tim had to have those expensive and giant wildlife cameras #but I think they’d get the compact one #dick Grayson #barbara gordon #Robin #batgirl

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bihet-dragonize · 1 year

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Seeing people choose jazz and call it boring is horrifying...y'all have been listening to smooth jazz for too long you haven't experienced the pure chaos of the good shit. The dissonant chords, "odd" time signatures, syncopations on syncopations...Jazz is so full of life and love and energy oh my god

Edit: I'm making a correction to my opinion on smooth jazz. It's a VERY calming and nice sub-genre and I think paired with vocals or a quiet corner, it can make you feel like you're reaching heaven. I grew up listening to smooth jazz. I even remember the lil radio jingle for the smooth jazz station we'd listen to. Smooth Jazz has the sound of a really peaceful sunrise. The reason I denigrate it is because of how much people view it as True Jazz and either call it boring (what inspired this post) or call regular ass Jazz too noisy.

Tl;dr: it's perfectly fine to like smooth jazz it has its place but unfortunately it's viewed as a "more refined" jazz because it's (generally speaking) "simpler" in sound.

#kia's post #kia's og posts #this is a pro jazz blog #btw the jingle was 'smOOOTH jAAAZZ cd one oh ONE point niiiiiiine'#i loved singing the jingle as a kid

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kexing · 1 month

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Song Han Gyeom as Seo Do Yoon in Jazz For Two (2024)

aka

#jazz for two #jazz for two the series #song hangyeom #seo do yoon #omega x #korean bl #kbl #mjblr #vlada’s post summed me up

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burlveneer-music · 1 year

Audio

Twoosty Mayonez - Carmin - Polish duo in a “Non-standard-jazz approach combined with the search for strange sounds”

Things don't always go your way, especially when your plans involve space travel. In the case of Captain Harrison Focus's expedition, it started innocently, but no one was prepared for an emergency landing on the mysterious planet Carmin. Only then did the real fight for survival begin. This record tells the story of a dangerous expedition into space that began on February 6, 2023. Twoosty Mayonez consists of Bartosz Wolert (drums) and Dominik Kaniewski (bass guitar and synthesizers). "Carmin" is their debut album, which is released primarily on vinyl by U Know Me Records. Twoosty Mayonez is something your grandfather would listen to with your younger sister. Non-standard-jazz approach combined with the search for strange sounds, resulted in the concept album "Carmin" created by Bartosz Wolert (drums), and Dominik Kaniewski (bass guitar). The trio closes with the 80GN4 robot, which was programmed to play a synthesizer part. Graphic design: Kacper Pieniek

#Twoosty Mayonez #jazz #dub #post-jazz #poland #u know me #2023

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ew-selfish-art · 10 months

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Dp x Dc AU: Jason and Jazz have been dating for a while and... Danny presumes that because he knows about Jason being Red Hood that Jason knows about Phantom.

Danny got a text randomly in the afternoon from Jazz’s boyfriend. Which was inherently a strange experience considering Jason was typically dead asleep in the afternoon from all his ‘evening shifts’ and Jazz was in class. Stranger, the message just asked if Danny would be free to meet up today for a short chat. Jason doesn’t reply to Danny’s response of “Anything for my sister’s BOO <3.”

Normally, Jason would start launching into a rant about Danny’s coffee choice being too like his little brother’s when they met at cafes- right now Jason looks deadly serious.

“Look. I’ll cut to the chase of it all. I want to ask Jazz to marry me and well, your folks are shitty but it feels weird to not ask for permission.”

“...Okay?”

“So do I have permission?” Jason asks, a bit of a glare and Danny can see the RedHood’s famous attitude peeking out with the abundance of anxiety Jason must be feeling.

“I mean, Yeah! She loves you and I know she’s been subliminally messaging you to find your balls and ask her already.” Danny rolls his eyes and laughs. His brother-in-law to be sure was a strange guy, but he liked him all the more because of it.

Jason sighs in relief and his normal literature nerd, easy going and plucky ‘cool guy’ attitude comes back. They start chatting about the ring he bought for her, how they’re probably going to have to do a small wedding with his family members to appease his grandpa figure. Its all very cute and optimistic.

“Love it! She mentioned your grandpa’s rose garden before and that’ll be perfect for human family events before the big ceremony.”

“Big Ceremony?” Jason sounds unsure of where the conversation is going.

“Yeah, you know. Plus now that I’m thinking about it, it’s probably for the best that you asked me, the observants would totally turn this into like, an interdimensional faux pa or something if I don’t give them a heads up.” Danny laughs at the idea of it causing an incident, but he can see Jason straighten his shoulders and his eyes attempt to pierce through him.

“Danny. What the fuck are you talking about?” Jason looks more pissed than he looks concerned, and Danny is just confused.

“Cause... You Know.”

“If you don’t give me a real answer I’m going to-” At least Jason was taking deep breaths.

“Hey man, chill out! I guess Jazz keeps it on the DL but my night shift has-”

“Night shift? You’re an engineer.” Jason cuts him off and the fact sounds accusatory.

“And I’m the Ghost King? You knew this?” Danny relents, he hated saying it out loud cause it sounded lame, but he’s not sure why Jason is so up in arms all of a sudden. Jason looked like he might have an aneurysm and Danny knows his expression is declaring Jason is the biggest Dumbass in the world.

“Danny ...what the fuck are you trying to say to me right now?”

“That you and Jazz have to have a royal wedding in the Infinite Realms or my counsel and advisors will throw an absolute fit.”

Jason doesn’t reply so Danny decides to add “You know, ‘cause my title translates to the Family’s royal lineage and if you marry Jazz you’ll become a Prince. I guess you don’t technically have to have a big wedding but if you don’t it’ll just mean shit loads of paperwork and a huge fucking headache on my end. Which I can survive but... I’m sensing that you’re frustrated. Let’s call Jazz.”

“Let’s do that.” Jason sounds like he’s being strangled. Danny thinks it’s a bit dramatic but is excited to help Jazz wedding plan.

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faeriekit · 20 days

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Feet on the Ground

loose phic phight fill for @oldfashionedbattlehymn

warnings for: murder attempt, discussion of child death

********

Danny wakes up in a garbage bag.

It isn’t as gross as it sounds. Danny’s the only thing in there, and it’s not like the lack of air is going to kill him; he could rip his way out, but honestly, going intangible is just as effective and twice as easy.

And, of course, once he’s phased his way out of the dumpster behind the gas station, Danny is very, very grateful that he didn’t even try. Everything else in there is….eeugh. He shivers.

Well. It’s got to be early morning now—it’s dark. There’s no other cars on the highway. Even the gas station itself is closed, and the stars have already lost their spark.

Time to head home.

Danny wakes up behind the gas station. Again.

…Okay?

The first time, Danny had just assumed he’d fallen asleep somewhere weird while flying around the neighborhood, but a second time is a pattern. It’s definitely not his fault this time either, because there’s no way he would have duct taped his arms and legs together or slapped a gag on his mouth.

That’s kind of. Ominous.

Danny frees himself of the garbage bag first— and thank goodness he doesn’t have to breathe— he floats himself out of the bag and the dumpster, which had…thankfully been given a good scrubbing since last time? There’s some other trash, apparently, but nothing sharp enough to cut through his durable, tape-based bonds. It takes some finagling and some eye lasers for Danny to finally get his arms free.

And. Hoo Boy. There’s no more liberating a feeling than peeling tape off your mouth, even if your mouth skin kind of comes off with it and you bleed a little. But it’s fine! It’s green, which means it’ll heal.

Fabulous. Danny zooms off invisibly into the night, more than willing to put the night behind him.

…Okay, the third time is what makes it more than a coincidence.

Danny shucks out of the bruise-tight ropes around his wrists, torso, knees, and legs, spits out his gag, and flies home. He finally has to give into the inevitable, and attempts the last resort:

“Jazz?” he whispers, slowly rocking his sister in her bed. Jazz mumbles in her sleep.

“Jaaaaazzy…” Danny tries again, trying not to look either too spooky or too imposing. Jazz’s reflexes are such that—

The laser she keeps under her pillow goes off. Danny loses a few millimeters of hair, which means that her aim is getting better.

He doesn’t have any trouble seeing in the dark (or, uh, not anymore, anyway), but it’s easy to see Jazz’s sleepy squint as she pulls herself somewhat upright. More like a shrimp with scoliosis, but, well. You know.

“Whuh,” Jazz asks. “...Danny?”

“Hey,” Danny whispers, a ghost at her bedside. Jazz grunts. “Uh. What does it mean when you keep waking up in a trash bag behind the gas station?”

Jazz blinks. Jazz rubs her eyes. Jazz blinks again, looking more sleepy than coherent but at least somewhat aware of her surroundings.

“Garbage bag?” Jazz asks blearily. “You were in a garbage bag?”

“Yeah,” Danny whispers back. “My legs were tied down?”

“...Danny, were you murdered?”

Danny stops.

“Huh?” says Danny.

“So, if you look here,” Tucker points out, finger not quite touching the glass of his CRT monitor, “That’s when Danny gets murdered.”

There is a collective eeew from the assembled viewers— Jazz, Sam, and Danny, all crowded in Tucker’s room.

“Yeah, Tucker agrees. The light from the black-and-white footage flashes in the reflection of his glasses. “Here’s where he’s tossed in…there. And this is when they tossed him in the dumpster.”

There’s no sound on the gas station surveillance footage, but Danny imagines that his body clanged on the way in. What the hell. Danny got murdered behind a gas station, and he didn’t even notice?!

They watch the archived footage of a Ford F-150 driving off the property, and then Danny’s dead body being unceremoniously tossed in a dumpster. It’s kind of surreal. No one had noticed. There was no one to report the crime committed.

“I can’t believe that guy just clocked you over the head, like that,” Sam points out. “It’s just a regular car jack. It shouldn’t have gotten you in the first place.”

The observation isn’t appreciated.

“Be nice! My brother was just murdered,” Jazz scolds. Danny doesn’t think she sounds as offended as she should be. “Either way, it’s certainly an attempted murder, if not a successful one. We have to do something.”

“…Can’t we just call the cops?” Tucker asks, turning away from the computer. “I mean. Look. That’s proof. We have proof right here.”

Sure enough, there is footage. Right there. There’s Danny’s murder, in 240p black and white.

“Where’s the body?” Sam asks dryly, and. Uh. That’s a problem they’ll have to solve.

Everyone looks at everyone else. No one has a good solution.

“…Do we have to do this?” Tucker realizes at the same second as the rest of them.

Jazz looks at Danny. Danny looks at Sam. Sam looks at Tucker.

Tucker stares back at them, entirely unenthused with the conclusion they’ve come to.

“…Okay then,” Jazz exhales. “How do you want to do this?”

Sam ends up on top of the gas station, a cell phone in her hand.

Tucker, PDA in hand, sits in Jazz’s passenger seat. The camera feed is ongoing and recording for posterity.

Jazz taps her fingers on the wheel of her car. There isn’t anywhere better to hide than down the road and around the corner, so she does, hoping that they’re on the other end of the road from whoever’s killing her brother every night.

Danny is, of course, wandering through the neighborhood.

Losing her baby brother—on purpose—is the worst thing Jazz can imagine. She feels sick. She wants to throw him into the car and speed away, and break every speed limit law in the county on her way out. She wants to pack him in bubble wrap and ship him expedited to France.

But she does leave her brother alone. She lets Tucker look over the footage as Danny roams around town, just as unaware and unsuspecting as his last few outings.

Tucker sees the man first.

He bolts upright, eyes on his PDA. “Jazz.”

Her head whips around. They watch, silently, as someone approaches Danny’s lone figure on the doorstep outside the gas station.

They can’t hear anything. That’s the scariest part.

“Call,” Jazz demands. Tucker does.

Doubtlessly, on the roof of the gas station, Sam is dialing too.

So. Danny knows this guy.

And. Uh. It’s kind of embarrassing; he’d asked if Danny was okay walking home alone at night a few hours before his dumpster wake-up call, and Danny had said it was fine.

Apparently, no, it wasn’t fine. That being said, Danny hadn’t been expecting a guy in a button-up and khakis to be the guy murdering him on the down low. He kind of looks like the dude who sells you televisions and burner phones at a Wal-Mart.

The guy comes all the way over to where Danny is sitting on the thin concrete step of the gas station. His breath fogs up from the weather and his eyes rake over Danny, up and down; down and up.

“Hey,” he says, looking all the world like any other concerned citizen. Danny’s heart throbs. “It’s cold outside. You need a ride back to town?”

“…No,” says Danny, who doesn’t.

“Your mom okay with you comin’ home late by yourself?” the man asks nervously, hands going to his hair.

Danny thinks about how many times he’s woken up in the dumpster. He thinks about seeing his own body on the camera tape. Prone. Dead.

“You still keep a car jack in your passenger seat?” Danny asks instead.

The man freezes. An attempted murderer he might be, but he’s not exactly an Oscar-winning actor. “What?”

“The car jack,” Danny repeats. He doesn’t know if he’s mad the man keeps targeting him, or whether he’s grateful Danny’s the only one who’s died so far. “It’s got a lot of sharp corners. They hurt, you know.”

The man…carefully laughs the statement off, but he looks. Nervous.

Danny doesn’t really need to confront him; he only has to stall long enough that Tucker or Sam can call the cops, so that they can see this man’s face and get him on the record. But.

There’s a part of Danny…

The man looks so human. Flush with blood. Solid enough to break. Fragile enough to be made broken.

Danny still resents being made dead. This man didn’t kill Danny—not in any way that mattered, but he’s an easy target.

He doesn’t breathe. The man watches a boy sit in the shadows of a building where he’s been dumping bodies, and Danny can taste his fear.

“It hurt a lot,” Danny says, and he isn’t referring to waking up in the bags every couple of mornings in the last few weeks. “It hurt so much. I was screaming.”

The man is silent.

“Do you like to hear the screaming?” Danny asks, suddenly curious. Did he care, if Danny had screamed, or if he had been too unaware to notice he was dying? Would he have cared, if there were others more breakable than Danny that he had hurt?

He doesn’t answer.

“I don’t like it,” Danny confesses. In a horrible way, it’s easy to tell his would-be murderer about his death—unlike Tucker or Sam, who witnessed it, or Jazz, who loves him, this man can’t be affected by Danny’s take on his own death. In fact, if he is hurt by the thought of Danny’s death…good. It’s better if he is. If there is remorse in him. “I don’t like to hear screaming. I screamed for so long, and so loud. It felt like forever.”

The man’s hands curl. He steps back.

Danny can’t help but to frown. If he leaves, the whole point of calling the cops will be for nothing, and he’ll be warier of coming back to where Danny’s body was dropped. “Where are you going?”

The man takes another step back. Danny rockets upright. He’s on his feet in seconds. “Weren’t you here for me?” Danny asks, genuinely confused, arms outstretched. “We’re here. You dumped me here over and over again.”

“Shut up,” the man snaps, startling the both of them with his volume. “He—you’re not real. You’re… Be quiet. I have real things to get done tonight!”

Danny’s dead heart throbs. Is there another dead kid? Did Danny let another kid get killed in Danny’s place? “Do you?”

The man loses his voice.

“We’re already here,” Danny points out. He steps closer—closer to the truck that drove his dead body around town, further from the dumpster where his body had been dropped. The disposal hadn’t been a funeral, but it’s closer than anything Danny’s ever had. “You’re here. I’m here. Aren’t you here for me?”

A choked breath. Danny gets closer. The ectoplasm in his skin is too warm and too cold—but he has no idea what he looks like from the outside. Is he glowing? Is he see-through? Does he just look like any other dead kid: a little too cold, a little too pale?

They’re eye to increasingly shorter eye. Up close, the man just looks like any other guy. Shaved in the face. Wrinkles around his eyes. A nose. A mouth.

Danny’s not afraid of him. His head tilts. “You’ve already killed me three times. What are you going to do now? I’ll just come back again. I won’t even notice. I died. I know what you look like—I know how to find you. It’ll be easy.”

The man’s pupils dilate—

And then there’re hands on Danny’s neck. And. It’s kind of painful, but Danny doesn’t have to breathe. So. He just kind of…pretends to be hurt?

He’s meant to be stalling for time. The cops are coming. All he needs is time.

So Danny makes some somewhat dramatic sounds and kicks out with his feet, because a fight lasts longer than a passive victim. He lands a hit to the man’s stomach, and another to his chest—he doesn’t drop Danny the way Danny might have expected, but Danny isn’t going to run out of air, so this can last forever until the man lets go. Or does something.

“Stop— coming— back,” the man snarls, and suddenly sounds nothing like the dudes who man the tech counter at the Walmart. “I got you— you should be gone!”

Danny is gone. But he’s also here. And he’s also been gone for a very long time, and he’s also getting choked out by a guy in a gas station parking lot. It’s been a rough few hours of waiting for this dude. He might as well make it worth it.

So maybe his body turns a little translucent. Just a little. Just enough to see the streetlight through his skin, probably, and the hazy road behind them.

Getting thrown to the concrete hurts, but, you know, not as badly as getting tossed into a wall by Skulker on a rampage. Danny’s barely going to be bruised after this.

The guy runs to his car, and Danny frowns, scrambling back up, and, wait. Wouldn’t having bruises be better? As evidence? They better not heal too quickly, or else that’ll be it of his physical proof.

“Where are you going?” Danny asks, more perplexed and angry than anything. Isn’t he supposed to try to kill the witness??

But the guy hauls butt into the cab of his truck— and then the lights go on and the tires start spinning, the engine roaring to life.

If Danny wasn’t actively on camera at the moment, it would be easy to fly after the car. As it is, he’s pretty fast, but he’s not quite quick enough on his feet to chase after a pickup truck careening down the highway in the dark.

The man’s gone in a few seconds. Honestly, Danny’s kind of annoyed about the whole thing. It would have been nice for it to work.

Sam climbs down from the roof of the gas station, phone in her hand. “No, I just— he choked out my friend and drove off! Send someone over here already!! You— do you need the license plate again?!”

Danny just looks at her. Sam covers her phone’s mic with a hand: “They’re saying five minutes,” she mouths.

Great.

Danny hunkers down, throat bruising, and Sam sits down beside him. They wait.

By the time the cops pull into the gas station, the guy’s more than out of sight. Sam’s the one who takes the lead on dictating their story. Danny sort of doesn’t realize how out of it he is until someone tries to throw a shock blanket on him. He almost hits the guy square in the face— and Sam’s the one who has to catch his arm.

Uh. Oops.

Jazz and Tucker roll in, hardly pretending to have not been nearby; Jazz wraps her arms around him, and Danny lets her.

Sue him. It’s late. He’s tired.

“...And I can’t believe you weren’t able to get down the road in time to catch a man who choked out my best friend,” Sam snaps, which, aw! Danny’s a best friend. The cop she’s attempting to strip down for parts looks less sympathetic than Danny feels. “You’re barely a ten minute drive up the highway! What were you doing, meandering?”

“No,” the cop grits out, eying Sam like a bug on his shoe. “We were telling the officer down the road what to look out for.”

Apparently, jamming the gas down hard enough to bust your speedometer gets you pulled over at the speed check.

The night is over before Danny knows it. Someone gets him to the station, someone takes photos of his bruises and takes his statement. Someone calls Mom and Dad and then Danny’s in the GAV, half asleep and exhausted beyond belief.

He falls asleep on the couch, Mom’s fingers in his hair.

It’s not like the Amity Park police tell them anything, but Jazz is the one who finds the report on the news.

She records it on the TiVo for him.

“Eustace Miller, from Tennessee,” Sam reads aloud, knee to knee on his couch. Tucker adjusts his glasses. “Looks like he was already on the run.”

“Or as good as,” Tucker agrees quietly. “Looks like they’re pinning a couple of cold cases to him.”

They watch; there’s pictures of him from his hometown, and from the towns he would visit on his joyride across the country. There were pictures of his family. There were pictures of kids Danny would never meet: kids who were already dead, and who had been for months. Years, even.

They’d looked so happy in the photos from when they were alive.

…Danny could relate.

Jazz turns the report off that night, thumb on the power button. And that’s all it takes for Danny to stop waking up in a trash bag.

#phic phight 2024 #tw murder #tw child murder #tw death #I think that covers it???#wait #tw choking #there we go #Danny works out some of his feelings about dying young #danny phantom #phic phight #this is very quickly being edited and posted on lunch break please bear w/ me #faer fic #sam manson #tucker foley #jazz fenton

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