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#post 1520
tongjingnian · 6 months
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After Sam had a child, he went to Dean's cenotaph to drink with him (although he had been reluctant to give his brother a hunter's funeral for a long time, in the end, he gave in and let him go).
He got drunk at some point and started crying, regretting that he hadn't preserved Dean's body. He wanted to tear up his brother's grave, dig his brother's corpse out, and resurrect it, even though there was nothing in it. He thought about it and then actually started digging but eventually fell asleep because he was so tired and couldn't sleep well the whole time without Dean.
He started dreaming. They were back in their twenties, hunting demons - "just you and me against the world." There were no angels or demons, only the two of them driving the Impala down the street on an endless road trip on the burning asphalt road in the summer.
Then Dean died. Sam couldn't revive him. He woke up in a panic in the bunker and ran to his brother's room to check if he was still in one piece. Dean woke up to the sound of the door opening and asked Sammy what was wrong. Sam said that he dreamed that Dean was dead, then Dean assured him that it was not true and asked Sam to get into his bed and sleep with him. They ended up in the spoon position.
Sam fell asleep peacefully, and when he opened his eyes, it turned out that he had been sleeping, leaning on his brother's grave for a long time. He could still feel the dried tears on his face. But it was more like he had a sweet dream than lost the one he loved so deeply that it hurt because he hadn't been able to sleep deeply for a lifetime. Except for his stiff neck and aching waist from sleeping crookedly, it was all perfect. A year after Dean died, Sam rarely dreamed of his brother, so it was nice to be able to see him again no matter what.
Then he stood up and filled the hole he had dug yesterday with his feet because his hands were bleeding from digging. He didn't want the soil to look dirty from the blood (he's impure, he has to be) when refilling it. He patted Dean's tomb twice, looked at it for a while, then turned around and drove away.
Prompt: I dreamed that my lover was dead and cried to the point of breaking my heart. Then I woke up and found that it was just a dream. I lay on the bed, being patted on the back by my lover to comfort me. I shrank into his arms and held him while crying for a long time. Inexplicably, I felt that his body temperature was getting colder. When I opened my eyes, I realized that I had fallen asleep holding my lover's tombstone.
I'm bored cuz I'm on a trip but it's raining heavily outside, then I recall I wrote this thing yesterday and my friend literally cried over this so I decide to translate it into English and share it with you😉 bear with me if there are grammar errors, already run through grammarly but i doubt it's completely correct
& here's the original version i put on my sms if you wanna know:
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wigglebox · 1 year
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spagetti-noodles · 11 months
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nachos from the 1520s
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this is my brother's art
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twistedchatterbox · 1 year
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New voicemail
summary: sappy boys being mushy over the phone for you. ft.Riddle, Cater, Vil, Idia tags. Female reader, No Spoilers, Fluff, Cheesy Sappy Lovey Dovey Romance, Slice of life, Spice of life, Smitten Vil, Lovesick Riddle, Cater sings for you, anniversary date with idia, copious use of petnames, no beta we overblot like men.
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Wordcount; 1520+ | Masterlist & Taglist
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Riddle has cleared his throat thrice, drank water and mentally rehearsed what he wanted to say for this voicemail; however once he hit record, none of that really mattered. "Hi," he whispered, the nearly overwhelming happiness in was audible, it nearly spoke for him. Thinking about the silliness of it, the dormwarden laughed, giggly at the mishap, it really was unavoidable anyway. Riddle took a breather, sighing in a relieved and relaxed manner, "Hi" he whispered with a wide grin, one you would hear vividly, openly adoring, "I missed you." "I missed you so, so much; I want to spend time with you- If you'd have me, we could study together once the exam subjects are announced, if you want to." Riddle murmured, twirling one of the longer locks of hair framing his face with his idle hand; eyes closed, envisioning it. "And then, we could go on a date." He hummed, would you like a cafe date? Karaoke? The aquariu- Well, maybe not the aquarium. Maybe he could take you out on a walk to the district nearby of the internships he picked out, but that sounded too serious. So, a cafe would suffice for now. He would check Cater's magicam page, namely his older posts to see some of the calmer, more relaxing places he could take you to. "What do you think? Let me know once you see- or i suppose hear- this, my lovely." "bye-bye, I love you." And suddenly, time couldn't pass fast enough. ...He supposes he could write his own written permit to stay over, it's not as if anyone could stop him; you had always been ecstatic to see him use the loopholes of rules to be a good boyfriend, after all.
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Cater leap onto his bed, giddy and giggly, rolling back and forth while occasionally kicking his feet like a schoolgirl. Lightly smushing and slapping his face with both of his own hands to calm down, he sighs, hugging one of his pillows, looking idly around his room. A love song. He had been giddy and sappy because he heard a love song, it sounded so much like the essence of you. He has already begun memorizing the lyrics, so that he could sing it, maybe he'd learn to play it too. it made him so happy. You made him so happy. He loves you- and he sighs, you really ought to start paying rent someday for living in his head all the time, and his heart too. And then he thought, what if he.. sung, for you? Well that suddenly made him anxious, but ecstatic, he was such a nerve wreck. but it was good. and overwhelming. Cater curses the lack of logistics in him. He thinks back to the comment lingering in the back of his mind, he knows why he's even thought of this- "I love it when you sing" you said, cuddling up to his neck, leaning on him, on his bed, sitting on his lap while he sung a simple tune of a song as he was practicing on his guitar. It was his favourite, his sisters hated it. and you loved it. And Cater soaked it up like a sponge, like a golden retriever, if you will; fetching his phone fast, so that he could do this before his dumb insecurities could catch up to him. Sweater weather. "All I am is a man I want the world in my hands I hate the beach But I stand in California with my toes in the sand Use the sleeves of my sweater Let's have an adventure Head in the clouds but my gravity's centered Touch my neck and I'll touch yours You in those little high waisted shorts, oh-" Cater felt the song and your hands crawl up his body like phantom touch as he sung. it was ticklish, making him end the song halfway with a breathless chuckle and a dumb smile, he knew you could hear it in his tone, but he didn't mind at all. He hoped one day, you'd get to grasp how precious you are to him; he loves you, and he loves everything you love too, somehow inlove with the way you do too. The word doesn't make sense anymore, but it really does too. He feels a lot like love with you, yeah, Cater laughed; it really shouldn't make sense, but he's so thankful it does. Looking back at his phone, he records his final piece. "I love you, princess." Sent. ...And maybe, he grinned- "Meet me in my room for the full piece, maybe? I could pick you up~" Sent.
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Vil laid down in bed, normally he wouldn't do so until it was time to sleep, yet he knew he'd cave into something far more off-schedule if he didn't. He laughed, it truly was bizarre; Vil Schoenheit, the renowned actor was missing his girlfriend. That, it was the entire reason. The cause of his simple complicated mood. Well, he knew that if he called you it could get you in trouble; perhaps you were in class, or working on something, he couldn't interrupt you without being a hypocrite. But. Vil eyed his phone on the night stand, maybe he could do something. A playful grin rose on his gorgeous features, mischief, rarely shown in a not overly elegant manner. Vil couldn't give a damn. He reached out and swiped his phone, opening it swiftly and admiring your contacts information. "The love of my life." it made him smile, he was so indecisive about what kind of nickname would fit; he did not want to jinx this by being overly cliche and being soft or off-character, until you so naturally, casually reminded him that for as long as he's off stage, then he's supposed to be off-character. No one besides himself, and you, that's all he really needs. He sighed dreamily, hitting record. "Hi, my beauty, my muse, my dove," Vil chuckled to himself, "My, my my, haa.. I missed your presence so much, if only you knew." He tucked a stray lock of hair behind his ear, closing his eyes, "Lets remedy this once you are available, okay? We could have a spa day, or, if you can, I can ask my management to pick you up so that you can accompany me for the entire day..." "It's been a while since we got to spend the entire day together, side by side" That was a goddamn lie. "Maybe you can make up to me by joining me on a day-long date and night time spa?" You slept in his room and woke up side by side every day already.
"Let me know when you're free, my dove; " He blew a kiss, a soft click of his lips, "I love you."
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Idia sighed, drinking down the cup of water, staring at the mirror reflection of himself on the screen of his phone. "The things I do for you" he thought with a softened, pleased smile. Calming, it was accurate to describe the affect you had on him when he thought of you. Sure he flared up into life from the power of anxiety, love, nerves and his traitorous color changing flame hair the second you stepped foot into 6ft of his physical area of existance, but he had come around to relax so much more as your relationship developed. This will be just another milestone, he said, time will pass either way, he told himself, better do it now than miss a limited edition chance. Idia averted his gaze as he pressed the record button, "uh- Hey, hi, " he fake-coughed into his hoodies sleeves, tugging on the strings of said hoodie with his idle hand. "I missed you, so" He shrugged, mentally smacking himself upside down the head for doing something you had no chance to hear. "So i decided to leave a voice message- Come visit me once you can, okay? I'll order your favourites too, if you want. Or we could cook together, I dunno'," Idia glanced back, looking momenterily at your contact picture, it was one he took while you two were out on a date. Outside for your half-year anniversary, a year ago now. That gave him an idea, making him grin. "I know instant noodles aren't always your thing so I'll treat us to something nice," He 'hummed', pretending to ponder. "..I could take us to that ramen place, maybe? I..I-I think it was nice last year." Idia said, stuttering at the last bit, yet carrying on. "Let me know what you think." "I love you." He said, it was only natural, as everything lovely seemed to be when it came to you. Idia fist bumped the air, letting out a happy victory sound; that actually went perfectly?!- He couldn't help but laugh, loudly and absolutely thrilled, ecstatic. He jumps into his bed and screams into his pillow; Idia sighs, relaxing as if he just ran a marathon (his heart sure did, to be fair.) and a closed eye-d smile made its way to his face without any resistance "I love her so much.." You always make him so happy.
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chalkrevelations · 10 months
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There are things I say to my partner in the privacy of our living room when I’m blowing off steam that I would never in my life say to friends or other family members or bosses or work colleagues or fellow community members. I do this not because I’m two-faced but because I’m human. I get frustrated, but I’m also a grownup who realizes that my frustrations and fears in that moment are not the entirety of who I am. I have a right to express them, but I do not have the right to inflict them on the people who would be hurt by them. That’s why those conversations happen in private, in a safe space of trust, where my relationship allows me to show my partner parts of me that aren’t perfect and allows my partner to show me that I don’t have to be perfect in order to deserve to be cared about. I get support through my petty moments until I can be a better person.
This latest attack on Build is a horrifying violation of privacy and trust that leaves me feeling literally nauseated. I once again reiterate that I don’t trust third-hand amateur fan translation to be accurate and contextual, particularly given the provenance of the material, but Build himself is apparently distressed enough by at least some part of the material to make a public apology. So, that being out there, I will say: This was a private matter that should have stayed private, out of respect for everyone involved. Whatever was actually said is nobody’s business except Build’s and now, unfortunately, any named individuals who this was inflicted on and who may have been hurt by it. Which, rest assured, was the intention - to hurt not only Build with this, but also, particularly, Apo and Bible, both of whom Poi has shown her dislike of and ill-will toward in the past. I suspect some people also don’t know how abuse works, and it shows, given that what was purportedly said is a reflection of Poi’s own views back at her.
Whatever the context, I see that purity cancel culture still insists on freezing people in amber in their worst moments - without recognition of any capacity for change or growth - as long as it provides ammunition for a smug, gleeful Particicution. You’re stuck on some unkind things Build supposedly said more than a year ago? Let me tell you what I’ll remember for the rest of my life: The small, broken sound of Build’s voice just a few months ago as he tried to protect Bible and Bible’s career from a sociopath, in a telephone call that he felt he needed to secretly record as evidence of how he was being manipulated and abused.
Meanwhile, I see that swathes of KP fandom continue to be complicit in Poi’s campaign of public and dehumanizing abuse of him, which now includes not only borderline revenge porn, but separating him from his friends and isolating him. This is what abuse looks like. It’s happening in front of your eyes. Do you even care? Do you actually, legitimately care about abuse, or is it just a tool for you to use to win petty shipwars and make yourself feel righteous? Because here it is. Take a good look. This is a textbook play. And if you’re participating in reposting those screenshots of private conversations and mocking Build’s relationships and spreading vituperative language about him and acting like he deserves to have his life and career destroyed, you’re enabling an abuser. You are aiding and abetting her, as the very scenario she threatened him with - in order to maintain access to him, to keep him under control and compliant - continues to get spun out. YOU are a bully and a hypocrite and an abuser, helping to prove that the most dangerous time for an abuse victim is when they leave.
But I guess some victims do have to be perfect, huh?
.
(ETA: 7/18/23, 1520 - This post is being linked on Twitter by @cherryluminary with my permission. I'm not over there, but I increasingly feel like it's important to name what's happened, and continues to happen, to Build online as what it is - abuse. Similar to to my last post that breached containment, I'm going to ask people to remember that the behavior of Build's fans reflects on him - however fair that may or may not be - and should remain above reproach. I understand being angry - I'm angry, and at more people than I've discussed publicly, at this point. But if I find out you've been descending anywhere near the level of the ugly little sociopath in my inbox who openly admitted they want Build to kill himself, I'll block you.)
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An introduction to VR multiple units, part 5: Sm6
The Sm6 Allegro. When I started this series about our multiple units, I first thought I would cover the Sm6 in the "operated for others" -series, then thought I would leave it out altogether... but events overtook my plans and now I'm introducing them as VR's own multiple units, although they are not yet in operation as VR trains.
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An Sm6 unit on the Kerava-Lahti line, currently the only bit of high-speed rail in Finland, 2011. Teemu Peltonen, Vaunut.org.
Since the 1990s, two daily return trains had been operated between Helsinki and Saint Petersburg, Russia: the Sibelius, which used VR carriages, and the Repin, which used RŽD carriages. In 2006, the two rail operators decided to replace the locomotive-hauled trains, which took five hours to make the trip, with jointly-owned high-speed trains. For this purpose, a new jointly-owned subsidiary Karelian Trains was established.
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Two Sm6's during pre-service entry test runs at Vainikkala, the border station between Finland and Russia, with the locomotive-hauled St. Petersburg train Sibelius on the right. Lari Nylund, Vaunut.org.
After a round of tenders, Karelian Trains opted for the Pendolino design (already used by VR in the form of the Sm3) from Alstom in 2007, with four units to be delivered in 2010 (there was also an option for two additional units, which was never taken up). Although the exterior design of the new Sm6 units was almost identical to the Sm3, in terms of technology they feature numerous improvements compared to the older class, and were outfitted to operate both on the Russian and Finnish electric systems. Due to the small difference in gauge between the two countries (Russia uses 1520 mm but Finland 1524 mm) the trains were given near-unique gauge of 1522 mm.
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Interior of the Sm6's first-class carriage as delivered. Otto Karikoski, Wikimedia Commons.
Branded Allegro, the new Sm6 units begun operations in December 2010, cutting the travel time between Helsinki and St. Petersburg to 3½ hours. In addition to services offered on Sm3 units, the Sm6 has (or perhaps more accurately had) a space for the border patrol to use, as passport control was done en-route on the train, and a kid's playroom. The original grey-dominated interiors were replaced by new, more colourful blue designs in 2018-2019.
The new interiors were not in use for long before the Covid-19 pandemic caused for passenger train services between Finland and Russia to be suspended in March 2020. The Allegro services were restored in December 2021 (the Helsinki-Moscow sleeper train Tolstoy, however, was not), and ran for less than four months until closed again in March 2022 after Russia's invasion of Ukraine. (VR subsequently stopped freight traffic to Russia too - other Finnish rail operators continue to serve freight to and from Russia, however).
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Second-class carriage in the post-2019 look. VR.
After March 2022, the four Sm6 units languished at VR's Ilmala depot in Helsinki, without maintenance as RŽD refused to make any payments for their share in Karelian Trains (which, although jointly Finnish-Russian owned, was registered in Finland). In March 2023, when Finnish prime minister Sanna Marin visited Kiev, Ukrainian Railroads requested the Sm6 units be handed over to them, but nothing ever came of this. Instead, in December 2023, when Karelian Trains was on the brink of bankruptcy due to RŽD not paying their share of the company's bills, VR bought out Karelian Trains and took over the Sm6 units.
The trains will be given a thorough technical refit, which will include removal of the systems to operate with Russian electrification, and will enter services on routes within Finland in 2025. How they will be branded is unknown, though a VR representative said in an interview they will not be called Allegro. Presumably this will make the Sm6 the first VR rolling stock class to be fully painted in the new livery.
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sonicmalematchup · 1 year
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WE HAVE A WINNER!
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The Guardian of the Master Emerald himself, Congratulations to Knuckles the Echidna for winner the Sonic Male Matchup!
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After 5 rounds, Knuckles won each with:
Round 1: 82.2% against Storm the Albatross
Round 2: 74.8% against Eclipse the Darkling
Round 3: 1% against Shadow the Hedgehog
Round 4: Was declared a tie, but technically had a 1% against Miles 'Tails' Prower
Round 5: 1.9% against Miles 'Tails' Prower and a 17.8% against Sonic the Hedgehog.
 With a total of 1520 votes!
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Once again, congratulations to Knuckles the Echidna!
And with that, this concludes the Sonic Male Matchup!
A huge thank you to everyone who voted or made propaganda posts. Sorry if I missed any and never reposted it.
But this isn’t over yet! Go support @sonicgirlsmackdown, and when there done, Knuckles the Echidna will go up against the victor of their bracket!
But until then, thanks for voting!
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(Now I’m tired, I’ve been watching this for the past hour. I’m going to bed, goodnight everybody.)
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dresshistorynerd · 10 months
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Can you answer this?
So the post reads:
So like ... did french hoods have a chin strap or nah? Because some portraits show the wearer as having one. And some don’t. One wonders if the portraits with the missing straps is evidence of the artist taking creative liberties to create a more streamlined look or if perhaps there was another was to secure the hood to the head? Pins maybe?
There's no hard evidence either way, but it seems to me more probable that there were french hoods without the chin strap.
The modern understanding of french hoods is that it's made up from two separate parts. There's the cap and the hood. The cap is the part that has stiffening (especially in 1540s) while the hood is folded on top of it. The earlier French hoods show the construction clearer as they were not yet as stiff and smoothly folded. This portrait from 1520s shows pretty nicely the cap and the hood.
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Under everything is the white linen cap of which only the edge is showing. On top of it is the red cap made from a fashion fabric and secured clearly with a chin strap. It has very little stiff structure if at all. The black hood is then pinned into the cap and it's edge is turned to reveal the white lining, which creates the iconic (though still understated at this point in time) crescent shape of french hood. Here in this statue from around the same time the folding of the hood is seen even clearer.
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The fold shows a small crescent of the brownish lining. The half-folded strip of fabric along the edge of the hood with the gold trimming is probably what people at the time called billiments. Billiments were either just the gold or jewel trimming along the hood edge or strip of fabric with the trimmings attached to it, that would then be attached probably with pins or baseting stitches to the hood. The fabric billiments made it possible to change the adornments of the hood to change it's look. In this depiction I think it's safe to say that the white cap into which the hood is attached to was very much not secured with chin strap, but with a tape that probably goes around the head under the hood. The cap seems already to have a bit of structuring on it's visible edge.
Here's a portrait with just the cap from around 1520s or 1530s. It's edge clearly is stiffened and probably secured with the stiffening and white tape that goes around the hair and would be hidden by the hood. Because the edge of the cap is stiffened it doesn't need the chin strap to keep it's shape. Possibly, if the weight of the hood would be added here and pinned to the cap, it might need a chin strap to keep it well secured.
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Later in 1540s the crescent of the hood becomes larger, it becomes more structured and the points of the cap in the jawline start curving more dramatically. Here's example of that version of the French hood, first one from 1535-40, second from 1544.
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Here the structuring is so sleek, it's very hard see that the crescent is the lining of the hood turned very carefully. Some theories suggest that the lining at this point has become a separate piece from the hood, but if you look really closely, you can see that in the first picture there is a thin line that suggests that the white cap is under the white crescent that's likely still the folded lining. In the second example the cap itself is white, and the lining is red. In these portraits the billiments have also become very stiffened and almost like thin hair band that probably also keeps the folded lining smooth and in shape.
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I go into detail about the construction, because the curving stiff shape of the cap might be the key here. If the earlier cap that had it's points on the jawline straight, could hold the cap alone secured, the newer curved and even stiffer (likely added wire too along the edge) might have been able to keep the hood too secured on it's own (and with the help of the tape that's under the hood). In fact dress historian Samantha Bullat says in her video, where she recreates French hood, that her 1540s French hood probably wouldn't even need the chin strap she added to it. Her video is super great if you want to understand some probable ways of how the hood was constructed (I've learned most of the information here from it).
So in conclusion, there was at least one way to secure the hood without chin strap, but that was with a visible headband, though possibly 1540s more structured French hoods didn't require the chin strap. If I would guess why some of them didn't need the strap, I'd say the hood itself was probably made from a lighter material, maybe lighter lining, and therefore it would have been easier for the strapless cap to hold it's weight. Maybe during summer they had lighter hoods. This is though purely speculation, I haven't read any evidence from that.
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pozartaa · 5 months
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10.12.23 UTRZYMANIE WAGI dzień 284
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Zjedzone: 1520 kcal (limit+/-2100 kcal)
Bez liczenia: 31 migdałów/kasza manna 'Dr.Oetker' Słodka Chwila z truskawkami ok. 200g/batonik 'BERAW!' Energy with pleasure Apple Pie Dark Chocolate Cover 40g
Dziś dniówka na gościnnych występach w zaprzyjaźnionej filii firmy. Niedziela handlowa + zadupie = Idealne połączenia. Prawie zerowy ruch w interesie, a mi za to płacą. Za siedzenie na dupsku przez 12h (no, prawie siedzenie) Good!
Choć wiadomo że poruszać się też trzeba, więc jak to w pracujący dzień te lekko ponad 10K kroków jest zawsze... a chociażby z przestepiwania z nogi na nogę 😉.
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Zanim zapomnę tu są moje obiecane @klepsydracz4su kokardy. Niestety część się zniszczyła bo stwierdziłam, że potrzebują prania i nie wszystkie przetrwały.
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Jest jeszcze jedna - kolor kremowy ale w naprawie. Jak będę miała kiedyś trochę czasu to uszyje sobie sama parę sztuk. Przydał by mi się granat i fiolet.
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Poza tym nic ciekawego. Jutro mam na noc do pracy. S. mnie poinformiwał, że nowy ząb się ratusza... Jesteśmy oboje wku*wieni bo wpakowaliśmy w to dopiero 1500 zł. (Pisałam parę dni temu, że pojechał do Białegostoku ratować swą urodę bo ząb przedni - kiedyś wybity w bójce - więc koniecznie trzeba zrobić) Wygląda na to, że wydatków nie koniec. Małż skutecznie popsuł sobie humor i zabrał się wieczorem za gotowanie gulaszu zupełnie bez weny, choć tak się na to napalił wcześniej.
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Ale w sumie skończył zadowolony, także dziś wyjątkowo "pochwalam się" gulaszem mojego "małża". Nawet zjadłam łyżeczkę i znowu oddajemy honory stronce AniaGotuje 😁. No.... na pewno zębów na nim nie połamie 😑...
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A dziś post późno bo jeszcze chciałam ogarnąć rysunek... A jest to temat taki "z dupy" bo tych dzwonkowych od Armi Zbawienia w Polsce nie ma. Narysowałam więc rysunek poglądowy jak taki podzwaniacz wygląda. To zdecydowanie rysunek do którego najmniej się przyłożyłam.
Dobrej nocy kochani!
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realcatalina · 6 months
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My thoughts on this painting
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I found it on twitter account called Tudor Extra, and they say it has been recently discovered by Dr Emma Cahill Marrón(on twitter as EmmaLCahill) in London.(link is at end of post)
Honestly in closeup it looks in really poor state.
On left are obviously Henry's parents and correctly identified so.
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But i am not so sure about rest of figures being correctly identified. Or rather I am sure they aren't!
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Yes, the figures lined in red are Henry VIII and Catherine of Aragon.
But the orange I lined in orange is supposed to be Margaret Tudor. Henry VIII's sister. Fashion-wise it's possible.
Catherine's gable hood has both veils down, frontlets up. So at earliest it could be somewhere in 2nd half of 1510s, at latest late 1520s. The lack of ends of paste would point to c.1520(however if this was a copy...painters tend to not include them, or not give them justice...) So I am not 100% trusting it.
Margaret left England in 1517(read up on her life, if you want to know more), so in theory she could have been included here. But why is she by Catherine's side? Or rather behind that. Odd isn't it?
Such possition would much better fit Mary I. The sizes can be deceiving here...because in reality Catherine is supposed to be way smaller than Henry...
Hence this figure doesn't necessarily have to be a child(Mary I), but could be. And Mary was wearing same cap in Vyne chapel(where is commonly mistaken for her mother.)
(If there was Margaret, why wouldn't there also be Mary Rose? (Henry's other sister). ...Wouldn't that be even more odd than his daughter being included.)
But...I am really buffled by two figures entirely on right side.
Allegedly on left is Eleanor of Austria and on right her husband Manuel I of Portugal, whom she married in 1518:
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...Nobody thinks it weird? ...Just me?
Well, in my opinion. They are misidentified. Both of them.
The man wears order of golden fleece-but that wasn't limited to just Habsburgs, plenty of foreign royalty were honourary members. Including Manuel of Portugal and Ferdinand II of Aragon.
One would be normally considering if the entire portrait is not done to commemorate Charles V visit to England...with figure beside him being widowed Germaine of Foix(who was there!).
But why would Henry's parents be included in such portrait?...Makes no sense!
Unless...we're looking at dynastic portrait!!!
...Where Henry's parents are on left, Henry, Catherine and their daughter Mary in middle, and Catherine's parents on right!
This could certainly be Ferdinand:
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Ferdinand died in 1516, but Henry's parents were long dead too...
But...what about the woman? You cannot tell firmly the shape of gown and jewelry(mind could easily play tricks upon you.)
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But why would Isabella wear french hood?
...And i considered that perhaps somebody confused portrait of Germaine of Foix or even real Eleanor and Joanna(netherlandish type of frenhc hood) with Isabella...
But then I noticed shape within the french hood's veil...
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And it looks suspiciously like cofia de tranzado... the cap and 'braid', just where they are supposed to be.The headwear is overpainted!
Hence it could be based upon some portrait of Queen Isabella!
Unfortunately this is just card/print from Ancaster Collection, Grimstorpe castle labelled slightly wrong as family of Henry VII(instead of Henry VIII):
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I hope we can all agree. It deserves way more love and attention.
This might be the first Tudor dynastic portrait!
Equivalent of Whitehall Mural or The family portrait from 1542/3.
...And if there is black and white card of it...is it drawing, engraving, printm or photograph? ...It could be out there...
PS: In it...Elizabeth of York is taller than Henry VII. Not that I'd trust the proportions entirely...but it'd be funny if true.
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edmundtudor · 9 months
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Tudor Week 2023, Day 7: Favourite Tudor Mentor/Mentee Relationship.
Margaret Pole (1473-1541) and Mary I (1516-1558). Margaret and Mary were first cousins, twice removed, although Margaret is better known as Mary’s governess during her time as de facto Princess of Wales.
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[Margaret] would never have done, or approved of, any act that would have been prejudicial to the interests of Princess Mary or her mother. - Margaret Pole, Countess of Salisbury 1473 - 1541; Hazel Pierce.
Although Margaret's appointment as Mary's governess promised to be a successful arrangement, her association with the princess was not constant. Although she was to play an important and significant role in Mary's life, this did not really begin until much later, as her first appointment of governess was of limited duration. In post by May 1520, she lost the office again by 24 July 1521 and did not regain her position until 1525, but this second appointment would last for eight years until she was dismissed again in 1533. - Margaret Pole, Countess of Salisbury 1473-1541; Hazel Pierce.
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Having been treated with deference herself as a young princess of the House of York, she was able to identify with Mary and help her cope with her position. - Margaret Pole, Countess of Salisbury 1473 - 1541; Hazel Pierce.
On returning from her chamber [Mary] said to the Duke [of Norfolk] that since the King her father was so pleased, she would not disobey him, begging him to intercede with the King for the recompense of her servants, that they might have at least a year's wages. She then asked what company she should bring. The Duke said it was not necessary to bring much, for she would find plenty where she was going; and so she parted with a very small suite. Her [governess], daughter of the late duke of Clarence, and near kinswoman to the King, a lady of virtue and honor, if there be one in England, has offered to follow and serve her at her own expense, with an honorable train. But it was out of the question that this would be accepted. - Eustace Chapuys to Charles V; 16 Dec 1533.
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I did not wish to dispute with him on the subject [of Mary being cared for by her mother], but asked that he would at least put the Princess under the care of her old [governess], the countess of Salisbury, whom she regarded as her second mother. - Eustace Chapuys to Charles V; 25 Feb 1534.
[At her execution, Margaret] spoke, commending her soul to God and asking those present to pray for the king, queen, Prince Edward and Princess Mary. Her devotion to Mary had not diminished during their years of separation and the sufferings Margaret had undergone partly on her behalf. Of all the royal family, it was to Mary that she wished to be especially commended, sending her blessing and begging for hers in return. - Margaret Pole, Countess of Salisbury 1473 - 1541; Hazel Pierce.
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wigglebox · 2 years
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okay so i have an idea for a very long story. i figured out how i wanted it to end, so let me know what y’all think. 
--
i’m thinking it can be just one part but to really flesh it out, it should probably be four parts [like four separate books]: the beginning, which establishes everything, the first middle part which will probably be shorter but it’ll establish the world after the events of the first part, the second middle part which starts to ramp up the stakes more for the main characters, and then the final part which is where all the events of the previous three parts come together and we get some emotional beats from the characters and badda bing badda boom. 
but the think i’m going to have running through all the parts, starting with the later bits of the first part, is a romance. this is when i need y’alls help. 
Jacob and Nashua meet in the first part. They’re our protagonists. They’re kind of like, not friends, but allies. They come from opposite sides of a war fought between the people and its rulers [Jacob is on the side of the people and Nashua is a prince/commander of some troops and loyal to the crown] but once they meet, Nashua especially starts to question his own role in things. 
But in the first part, the only relationship that’s growing is friendship. I’m thinking this can be like, a slow burn enemies to friends to lovers kind of deal. it’s going to take a lot to write it but oh well. 
So the first book will have Nashua seemingly sacrificing himself for another character’s wellbeing. I’m not going to make that the end of the first book though because I don’t want to end on that cliffhanger lol, but I am thinking it can be the second to last ‘part’ of this book. It’ll take another couple of chapters to realize he’s still okay, which is good! And then i’ll have the first book end with Jacob and Nashua still parting ways but the war is over and Jacob is unsatisfied because he lost people he loved but Nashua basically tells him that this is just the new normal, and that they have to make sacrifices for freedom, etc etc. 
The second book will be a little shorter I think because it’s really just going to exist to establish a world post-first book war. Jacob is going to be struggling, Nashua isn’t going to be around as much, even though he and Jacob are friends, and Nashua is going to be insistent that he has to now take on a rising force inside the kingdom trying to seize power. Jacob will try to ask how he can help but will get rebuffed. It’s Nashua’s fight, not Jacob’s. 
By the midpoint of the book you learn that Nashua is getting into some nasty shit in order to take down this threat and by the midpoint, Jacob is trying to convince Nashua to not go down that path which now includes some dark magic bullshit, but Nashua is so caught up in the desire to take down this rise in power by this other character, and he enjoyed the small rewards from the magic he’s already tried, that he doesn’t listen. 
Because he doesn’t listen, he winds up unleashing a powerful, evil force into their world. Nashua also dies, and Jacob spends the second half of the book upset about it and struggling to contain the force that Nashua unleashed. 
But by the end of the book, Nashua is back — however now he and Jacob are going to be blown to the shadow world in which the evil forces came from. That’s how the book ends, and we don’t know now if ANY of them are alive. 
The third book will contain the after effects of book 2 wihle still playing off of the turmoil of book 1. Jacob comes back without Nashua and is struggling because of it but wont’ tell anyone really what happened in the shadow world in full detail. Finally we learn that Nashua was still stuck in the shadow world because he is punishing himself for the damage he caused in their own world. He doesn’t want to face it, he doesn’t want to keep on living his life like he didn’t just cause a lot of damage. But Nashua does eventually come back but it’s for a sinister reason. Magic folk who are mad at him are trying to brainwash him. 
The whole third book won’t be as long as the first book but it’ll still esablish a lot: The first part will be a development of Nashua and Jacob’s realationship. The second and third parts of the book will highlight Jacob’s own fall from grace in the desire to save those he loves but in turn it really screws him up and Nashua is helpless to stop it. The fourth part of the book will introduce an antagonist who is misunderstood herself, but will also serve to highlight Nashua and Jacob’s relationship even more, specifically the pining portion of it. 
And finally the third book will end happy, actually. The antagonist turned out not to be so bad after all, no one dies, Nashua and Jacob are still on the ground together, etc etc. 
The final book will be an emotional one as we lead up to the end. Nashua is going to die again, this time seemingly for real. I’m going to have the first several chapters again devoted to Jacob’s reaction which is going to be more intense than before now that they’ve gone through all these events together and it’s going to be clear now that friendship is not just friendship but there’s something else blooming as well [romance]. 
Nashua eventually comes back but before he does, I’m going to establish this other shadow world in which he was held. It is more like a spirit world. And it’s scary as hell. 
The book will continue on with some things, I haven’t quite landed on it exactly but I”m going to have Jacob put in a scary position again as he tries to save everyone, and I’m going to introduce a character that also helps highlight Nashua’s emotional journey from soulless prince, devoutee to the crown, to where he is now. The character will be the child of someone Nashua met up with in book four. He promised he’d take care of the child, so he does. Jacob doesn’t like the child as much because he views the kid as the reason for Nashua’s most recent death, which was traumatizing. 
But they all work it out. 
However, when the kid [I haven’t named them yet idk a name???] falls ill and dies, Nashua pulls out the stops to try and get him back and make him okay. 
But, by doing that, he makes a secret deal with the spirit world that Jacob, nor really anyone but the child, knows about. 
After that, we finally learn of our real villain who is THEE king, THEE person who has been calling the shots. It was the character we were introduced to in the first book, the one that Nashua first sacrifices himself for and the one we thought would be an ally. 
He had shown up again in book three, and we get the indication that he was not just a random village resident, but he still isn’t sinister. Now we learn that he’s actually been calling the shots the entire time and has had a finger in almost every aspect of their lives. 
Jacob is sent into a tail spin mentally about what parts of his life were meddled with and which parts were authentic. Nashua is determined to keep headstrong and figure out how to stop The Bad Guy. I’ll even have Nashua tell Jacob that both of them together are “real” which will imply that if they are together in a chapter, then the events taking place are likely events not being meddled with. 
By the end of book four, their relationship together is very obvious. It’s way more than just friendship, but they still haven’t said Those Words Yet TM. 
However, as they’re running up to the final battle, Nashua and Jacob get pinned down by an adversary. I haven’t decided what character I want this to be, probably a neutral one that’s maybe been influenced by the true bad guy, but I haven’t decided. But in any case, I want them to be virtually unkillable. 
Because now I want to envoke that deal that Nashua made with the spirit world. Only the spirit world would be able to take down this adversary, and if the adversary isn’t taken down, then Jacob is likely going to die, but Jacob has to stick around until the end. 
So instead, I’m going to have Nashua finally activate the terms of his deal in order to sacrifice himself to take down the adversary. It sounds like a boring ‘we’ve already done this’ scene but I’m going to make it really beautiful. 
Like, straight up I’m going to have Nashua sing Jacob’s praises, tell Jacob how amazing he is, how good he is deep down and how Jacob helped Nashua change, and how Nashua learned so much, and that Jacob isn’t just a fighter for the people but really a good person and a loving person. It’s going to be a long speech, but I think it’s worth it. 
I’m going to have it encompass their journey together over the last three [althought at this point since we’re near the end, four] books and it’s going to be VERY impactful. The spirit world is coming, and the deal that’s been hanging over Nashua’s head and indeed the readers’ head will finally be acted on. 
Nashua is going to the spirit world, that’s always been in the cards. You will understand that he is going to the spirit world and there’s no coming back from that. This will really feel like THEE final death for Nashua, and it’ll be sad, but it’ll also be emotionally satisfying because I’m going to have it so you feel like Nashua has been wanting to say all this for a long time now, like a very long time, but never could. 
Like this scene has the emotional impact and weight as only a multi-book slowburn romance could have. 
Nashua says I Love You because his knowledge of Jacob knowing he’s loved and that he is loving in return is enough for Nashua to find some kind of peace and enact the spirit world deal. 
Jacob is just too stunned to speak, he doesn’t know what to do if he should tackle Nashua to stop the spirit world from coming or shut him up so the spirit world doesn’t come or what — but since we know Jacob feels the same way, we aren’t shocked when instead what comes out of his mouth is ‘don’t do this’ because this isn’t how he wanted this to happen. We know he feels the same way, and them talking about it shouldn’t have been here, but at a moment of peace where they could finally open up to each other. 
But instead, Jacob doesn’t get a chance to say I Love You back [sorry, I know that’s frustrating] and Nashua is taken with a smile on his face. We’re going to end that chapter with Jacob on the floor, crying his eyes out, alone. 
Okay, now, here’s the final two chapters — I hope you’re still with me here:
Jacob picks himself up and finds that kid that’s been palling around with them since he’s integrel to the defeat of The Bad Guy TM. Jacob also finds his sibling who also has skin in the game, and some other powerful creatures. 
I’m not going to have Jacob really focus on the emotional weight of Nashua’s sacrifice though because I have too much story to wrap up and at this point, it’s not about their relationship anymore, right? So yeah, they all team up, they are betrayed by some magic person who turns out to be working for The Big Bad, but no big deal it’s fine. I’m going to have Jacob say something like “That’s not who I am” when the Bad Guy expects Jacob to kill him like Jacob has killed before — and I think that’ll be enough acknowledgement to the previous chapter. The chapter ends with the bad guy defeated, and the kid who now has the bad guy’s powers is just gonna peace out because I don’t need to care about him anymore. 
Also I have decided by this point, after one scene in the chapter where Jacob thinks Nashua is back, and says his name, that that moment will be the last time Jacob acknowledges Nashua. It’s just too annoying to have to keep talking about it, right?
So anyway. The final chapter! Or I guess this is just the epilogue? I haven’t decided yet. 
Jacob and his sibling kind of go back to how they had been doing things. No acknowledgement about the people they’ve lost, really no acknowledgement about Nashua. Jacob’s sibling says Nashua’s name once but grouped together with others, kind of like an after thought. 
Jacob gets wounded very badly and winds up at the castle. He now has to stay there. I’m not going to give an explanation as to why, but he just has to stay there. He doesn’t really do anything, but he sees some old friends, which I guess is nice. It’s a different life than the one he just left, but that’s okay. He’s just gonna loaf around. He’s deserved it! He’s deserved some chill time with some old friends that have been taken in by the crown as well and who also seems to have fun there. It’s also more realistic. 
Also, guess who is there as well??? NASHUA! Nashua has been in the castle the entire time! 
I dont’ think i’m going to explain how in the course of one chapter he goes from the spirit world to the castle. He’s just going to be there. I know there’s not a lot of time between his big speech and his scene where he leaves, his sacrifice, but that’s okay. He’s there! 
I thought about including a few chapters of Jacob trying to figure out how to get Nashua out of the spirit world but I figured it’s easier if Nashua just shows up. Less writing for me to do, and by now I would have done a lot of the writing, and I imagine my editor would just like to have an ending and be done with it. 
Nashua is back at the castle! The castle in which tortured him and brainwashed him and was the source of a lot of his grief, even the place he’s fought against a few times by now with Jacob and his friends and family, but it’s okay because he’s helping to change the Castle’s culture. I don’t know how he’s doing it, but it’s implied. He just does it. Or maybe I’ll imply that he did it with the kid who wound up getting into power, but I’m not gonna show the kid either. 
But he’s back! He’s back! It only took a chapter, and we don’t know how he’s back, but he’s back. No explanation, no reasoning, no chapters highlighting how he got out, he’s just out. 
I know his final scene was emotional and implied he was going to the spirit world for good but HA subvert those expectations! Bam! And since both Nashua and Jacob are there together, to call back to the “we are” (real) moment between them, that means that this setting indeed is real! Everything here is now real and not being meddled with. 
And they lived happily ever after in this Castle, no questions asked. 
.........
and this is why i don’t lke the concept of cas being in heaven in 1520.
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Scrambled Brains
https://archiveofourown.org/works/52154209 by inkinmyheartandonthepage Rhodey turned back to the kid who had frozen. “What’s your name, kid?” He knew immediately that he had said something he shouldn’t. His heart plummeted in his chest as the kid’s face fell, a look of horror dawning his features. He took a physical step back as if he had been slapped and a small whimper fell from his mouth. OR Rhodey takes a hit during a training exercise and forgets who Peter is. Words: 1520, Chapters: 1/1, Language: English Series: Part 233 of We Forgot Peter Fandoms: Marvel Cinematic Universe, The Avengers (Marvel Movies) Rating: General Audiences Warnings: No Archive Warnings Apply Categories: Gen Characters: Peter Parker, Tony Stark, James "Rhodey" Rhodes Relationships: Peter Parker & Tony Stark, James "Rhodey" Rhodes & Tony Stark Additional Tags: Tony Stark Acting as Peter Parker's Parental Figure, Peter Parker Needs a Hug, Precious Peter Parker, Peter Parker is a Mess, Peter Parker Whump, Peter Parker is a Little Shit, Teen Peter Parker, Peter Parker Gets a Hug, Petrer Parker is forgotten, Peter Parker is Trying His Best, Tony Stark Has A Heart, Protective Tony Stark, Tony Stark Needs a Hug, Worried Tony Stark, Tony Stark is a good friend, Parent Tony Stark, James "Rhodey" Rhodes & Tony Stark Friendship, Temporary Amnesia, Uncle James "Rhodey" Rhodes, Awesome James "Rhodey" Rhodes, James "Rhodey" Rhodes Needs a Hug, Hurt James "Rhodey" Rhodes, James "Rhodey" Rhodes Acting as Peter Parker's Parental Figure, One Shot, One Shot Collection, Prompt Fic, Prompt Fill, Fluff and Humor, Tooth-Rotting Fluff, Family Fluff, Medical Inaccuracies, Post-Movie: Captain America: Civil War (2016), skewed timline, Complete, Banter read it on AO3 at https://archiveofourown.org/works/52154209
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mihrsuri · 3 months
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My (main) AUs: An Overview
I thought I’d do this because (a) new people and (b) I like to do a summary for self indulgent sharing reasons. Also I have a Lot Of AUs but the main one(s) you are going to be hearing about here are:
The Tudors OT3 Cinematic Universe aka The Emotional Support Tudors AU aka The Tudor Triad
The Grishaverse Hunger Games Found Family + Poly Verse
Crown Of Ashes aka The Tudor Triad Verse In Universe Hist!Fic AU
The Tudor Triad
Fandom: The Tudors (TV + Some History)
Works: On AO3 here (WIP) - check out my pinned post for more information as well.
Tags on my tumblr: ot3: political power trio, tudors ot3 verse reference
Summary: In another world this is how it might have gone between the three of them. The story of how the love between three extraordinary people change the world for the better and made it the kindest. The story of a fight for a fairytale
The OT3 verse is a story at base about an alternate history that leads to the kindest possible world, written by a mizrahi jewish woman who really really wanted to write it. Or ‘bi poly triad/hot thomas cromwell saves the world dot gif’ ;).
In which Anne Boleyn is born in 1510, Thomas Cromwell in 1505 and Henry VIII does a (debatably?) better choice and goes for a divorce in 1520. And all three of them dramatically come together in 1536 (Anne and Henry have been married for three years but) and Anne Boleyn’s oldest son marries Mihrimah Sultan, who here is the youngest child of her parents and whose brothers have made a pact to end the fratricide independently of anyone English and they bring about a golden world.
Aesthetic:
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Grishaverse Hunger Games
Fandom: Grishaverse (Show and Books) Hunger Games AU
Works: On AO3 here (WIP)
Tags on my tumblr: au: grishaverse hunger games
Summary: In the end, they will be more than what has been done to them. Kaz, Inej, Nikolai, Nina, Zoya and Genya in the Hunger Games and around it.
My contribution to my Grisha-Crows-Nikolai (and Mal) found family poly feels - featuring not Darkling friend Darkling/Alina/Nikolai in which he takes them as sex slaves while calling it love essentially and gets bought down.
Aesthetic:
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Crown Of Ashes
Fandom: The Tudors (TV + History + In The OT3 Verse Universe Tudors AU Fic)
Works: On AO3 here (WIP)
Tags on my tumblr: au: crown of ashes
Summary: It is everything Mary has ever wanted - a good Catholic husband, the crown upon her head, retribution upon those who had wronged her (not that she was giving in to so base a notion as vengeance, merely that the Lord had seen the righteousness of her cause and she was glad of it), the stamping out of heresy in England. No, all is well. All is very well. 
Crown of Ashes is very inspired by the Taylor Swift Song Castle Crumbling. It’s a ‘what if Mary Tudor made similar choices to her father’ for better (and worse and maybe in between) reasons to her. What if everything the world tells you you should believe and want is wrong actually - what if you get everything you thought you wanted and it sucks.
Aesthetic:
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tippenfunkaport · 13 days
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The Kind of Queen I Am
Queen Glimmer is working in her study when she gets a small winged visitor.
(Post Canon Fankid Family Fluff, 1520 words)
Read on AO3
I originally wrote this for the prompt The Kind of Queen I Am for the 2022 Happy Birthday Glimmer event but didn't finish it in time and decided it fit better as part of Prince Glowyn the Fourth anyway (though it stands alone since it was originally written as a one shot).
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elizabethan-memes · 2 months
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Hi there,
It looks like you've done some research on Thomas More and Thomas Cromwell I like your posts on them I was wondering who do most scholars believe was most responsible for the Destruction of the Monasteries and Abbeys? Was it all Cromwell's idea? Or was Henry VIII pushing for their Dissolution? I find Cromwell a fascinating character but his role in destroying and robbing so many Religious Houses leaves a bitter taste in mouth. I wonder how much good he was actually doing for the country long-term?
I'm not as familiar with the last decade of Henry's reign but I'll start you off with what I do know.
The first few dissolutions were under Wolsey in the 1520s. They weren't anti-monastic, but reforms to make Church finances more cost-effective. Smaller houses were dissolved and presumably their members were sent to larger establishments or pensioned off. The wealth of these smaller houses was used for education, like Wolsey's Cardinal College (now Christ Church). Cromwell was working for Wolsey at the time from about 1515. Basically Wolsey wanted a fancy tomb and he had hired an Italian sculptor for it (Torrigiano, I think) only Wolsey now needed someone who could speak Italian to manage the project and talk to the sculptor. Better call Cromwell!
In the early 1530s Cromwell dissolved a few religious houses. According to Macculloch, this was a way to kind of test the waters, to see if there was any resistance to these dissolutions. He didn't want to go too far too fast and prompt a backlash. Given the scale of the Pilgrimage of Grace, he was right to be worried.
The dissolution of the monasteries meant that their social duties were increasingly taken on by the state and ratepayers (Cromwell was prepared for this eventuality) but it was a painful transition. Manuscripts were lost, but some ended up in the hands of early antiquaries like John Leland. Some later Protestants came to regret the loss of the abbeys, for various reasons.
One last thing: Cromwell was ViceGEREnt of Spirituals. Not ViceREGEnt. According to Macculloch this is a common mistake in undergraduate essays.
(It's also a mistake Alison Weir makes so uhhhh no comment.)
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