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#please talk to me i am so normal
piconoodle · 1 year
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allegrettango, i.e. how to do jerma strat and win (weaponless)
This particular fist% fight is dedicated to @bemused-illusionist, whose fic sparked in me the need to spend more time dancing with Gabriel. Read it.
Nerd essay about music and gameplay under the cut
Music: Allegrettango, a Karl Jenkins arrangement of Beethoven's 7th Symphony. Beethoven 7 is also the piano music you hear in the cutscene after this fight!
This arrangement is interesting specifically because it's a tango — a dance! And without weapons this fight absolutely becomes a partner dance, leading Gabe around the hall as you sidestep his attacks.
Technically in ballroom dancing the person walking "forwards" is the lead, so here V1/the player would be "following". That isn't to say that Gabe is the one in control of the stage here though despite what he might think; I'm simply being pedantic about terminology.
There is a lot of emphasis on spatial control in this fight, since Gabe will throw swords only if you are a certain distance away, and will always lunge/teleport towards or behind you. Simply dodging his attacks is one thing, but it's another thing entirely to get Gabe to react to you the way you want him to, i.e. control/influence his movement with your own.
And, is that not a most succinct description of what dance is? Communication of intent, expression of self and will through movement. You learn and react to Gabe's movement, becoming an equal participant in the conversation through the language of dance. fellas, it's gay — is shot
The voicing in the music is also interesting to me, as it's rather single timbred, very even and consistent.
This contrasts with this arrangement being a tango, a dance typically associated with dramatic, vibrant colours. It would make sense to expect more variance in vocal tone quality, more liveliness.
However, this (almost) perfect consistency brings to mind a different feeling — that it's unnatural. It's out of this world, produced by entities free from statistical and random error. The tone quality in the choir (nasal and bright roof-of-mouth sound) is also very similar to the voicing used in OSTs denoting divinity/heavenly beings. God. Angels. Unknowable entities.
So, who knows. Maybe after his dance with V1, Gabe decides to teach the council how to dance, too. With decidedly deadly results.
melee only nutshell videos: act i | act ii | more fist%
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pinkydoggy83 · 6 months
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🌿🌺 Um. Hi. Hello Trolls Fandom. Still new to this whole thing so excuse me while I say I CANNOT BELIEVE THIS BOYBAND BOY IS DATING THE LITERAL QUEEN OF POP MUSIC?? HELLO??
BUT ALSO WHY ARE THEY GOSH DARN CUTE??? Dreamworks and their couples man I'm telling you.
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inkskinned · 1 year
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you wanted to be a good friend, because you loved your friends, but the truth was that everyone else somehow had a pamphlet on being normal that you never received. most of the time you learn by trial-and-error. you are terrified of the next big mistake you make, because it seems like the rules are completely arbitrary.
you've learned to keep the prickly parts of your personality in a stormcloud under your bed - as if they're a second version of you; one that will make your friends hate you. it feels feral, burning, ugly.
instead, you have assembled habits based on the statistical likelihood of pleasing others. you're a good listener, which is to say - if you do speak up, you might end up saying the wrong thing and scaring off someone, but people tend to like someone-who-listens. or you've got no true desires or goals, because people like it when you're passive, mutable. you're "not easy to fluster" which is to say - your emotions are fundamentally uninteresting to others around you; so you've learned to control them to a degree that you can no longer really feel them happening.
you have long suspected something is wrong with you, but most of the time, googling doesn't help. you are so-used to helping-yourself, alone and with no handbook. the reek of your real self feels more like a horrible joke - you wake up, and, despite all your preparations, suddenly the whole house is full of smoke. the real you is someone waiting to ruin your other-life, the one where you're normal and happy. the real-self is unpredictable, angry.
your real self snarls when people infantilize the whole situation. because if you were really suffering, everyone seems to think you'd be completely unable to cope. but you already learned the rules, so you do know how to cope, and you have fucking been coping. it's not black-and-white. it's not that you are healed during the other times - it's just that you're able to fucking try. and honestly, whenever you show symptoms, it's a really fucking bad sign.
because the symptoms you have are ugly and unmanageable for others. your symptoms aren't waifish white girl things. they're annoying and complicated. they will be the subject of so many pretentious instagram reels. if they cared about you, they'd just show up on time. you care, a lot, so deeply it burns you. you like to picture a world where the comments read if they loved you, they'd never need glasses to see. but since that's a rule you've seen repeated - "one must never be late or you are a bad friend" - you constantly worry about being late and leave agonizingly early. there are no words for how you feel when you're still late; no matter how hard you were trying.
so you have to make up for it. you have to make up for that little horrible real you that you keep locked in a cabinet. you are bad at answering emails so every project you make has to be perfect. you are weird and sensitive so you have to learn to be funny and interesting. you are an inconvenience to others, so you become as smooth as possible, buffing out all the rough parts.
all this. all this. so people can pass their hands over you and just tell you just the once -how good you are. you're a good friend. you're loveable.
#spilled ink#woke up at 530 to write this lmafo#me in a cold sweat:#how do i be normal#edit in the tags:#hey so i've seen y'all talk about like ... wondering if ur ''allowed'' to relate#like if this is about X specific diagnosis#and when i first posted it i really almost labelled it ''please don't assume this is about a specific condition''#because as an artist i am often walking this line of discussing a symptom or discussing my conditions etc#and sometimes yes ! i do want to talk about an experience that is specific to who i am and my condition#but sometimes the effort of the post is about the EXPERIENCE rather than the diagnosis#because yes i am not neurotypical and as a result that influences my work but it is ALSO true that there are many reasons#why someone might experience this particular vague horrible feeling that you are... almost being CHASED by what you ''really'' are.#that you're outrunning your symptoms... that you're not really normal you're just sort of a mockery of a person#.... that's a really isolating and horrible way to feel no matter why you are feeling it. and the nature of this PARTICULAR post is that#it is inherently talking ABOUT that sense of isolation & of feeling not-deserving & of minimizing your own experiences to make urself#palatable for society in a way that others find easy-to-deal-with....#this post is about a certain experience such that my impression is there's a higher likelihood that those who relate#would have more difficulty thinking they ''deserve'' to relate - that it doesn't REALLY belong to them#bc often we are the kind of people who are SO used to being alienated and set aside and ''different'' that we AUTOMATICALLY assume#that things are not ''for'' us... they never have been why would it start now#we are the kinds of people to be ... ''too normal for X diagnosis but too symptomatic to be normal''#[or as this post points out... so good at ''coping''/masking/hiding it that we essentially conform to whatever shape we're poured into]#but i have witnessed others already say in the tags ''thought this was about me but it's about X so it can't be''#and im like ... of course it was about you.#art is not a resource that is diminished by greater appreciation .#you reflect in whatever mirror fits your frame. not just the ones in your bedroom. not just the ones i specifically give you.#there will be - and often are - times that i will talk about my specific conditions... but if you're reading this#regardless of why you're here... we are here together. holding hands through space and time. and i love you for carrying it#and i know you're exhausted. i am too. but i understand. and i see you.
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paradoxlemonade · 1 year
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Why you should play the game Soul Void:
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[art by @/kadabura, the creator]
So some of my followers already know that I'm going absolutely insane over Soul Void and I want to get other people to play it like I'm a pied Piper dragging people into my interests. But it's so good! I'm going to lose my mind! I've heard other people describe it as a cross between OFF and Yume Nikki, so if you like those games then you should like Soul Void too!
Note that those who do not like body horror (even when non-graphic) will not likely enjoy this title as it is a consistent theme. But if you do like me, then that's just bonus points lol
It's free and launches in your browser (link to itch.io page), so there's no monetary or technological barrier to play
It's about two hours long, so it's not a huge time commitment
I absolutely love all the characters. They're all so unique and varied from each other and other popular characters
The setting is so dreamlike and fantastical to explore. It's creepy but not overly horrific (and although it does have its creepy moments, there are no jumpscares and any horror/gore is non-graphic due to being a pixel game)
You get to make friends with the monsters and help them
It's an emotional gut punch, but it has a happy ending with some of the best catharsis I've gotten from a game in a while
The message and themes are very positive and relatable to those who struggle with mental health issues
Please
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road2manjuumaster · 11 months
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self inserts are great. some people have one they use for every media and i love seeing this one specific little guy people choose to represent themselves go on fun adventures and make friends with their favorite characters and fall in love with others. some people have a different insert for every media they ship from or even for every ship they have and that's??? honestly really impressive and cool how so many different things can represent a single person. sometimes they're fantastical and magical and sometimes they're just A Guy™ in Situations™ even if it doesn't really "fit" the media they're an insert for. and some of these designs?? SNAPPED my spine stole my bones yall are so talented
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moeblob · 7 days
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Look, I just think it's VERY funny and on brand that I thought of an entire premise of colorful characters for half the cast and immediately drew the only one void of color.
#my characters#i will not bore you all too much in the main post but now its story time in the tags so yeefuckinghaw#noll is a fae and is distinctly the only one that just lacks colors#at first he was like well surely i can wear colorful stuff to make up for my dark hair and eyes !#and then he overhears some of the fae talking about how hes a blemish to the fae and hes like well fuck#guess its time to go all in baby! and decks himself out in all black and jagged clothing#and he tries to play it off as hes an idiot and a lot of the fae actually believe its not ALL an act#like they can tell he thinks about stuff but he normally does it staring into space so they dont care to ask#cause surely it isnt important enough to brood about hes just thinking about stuff#and he really REALLY has a lot of confidence issues and worries that more fae are disturbed by his darkness than let on#but then the other fae that like to hang out with him are like#YOOOOOO THATS OUR LIL VOID! THATS OUR LIL GUY! our lil black spot look at him hes so edgy and cute!#and treat him like a pet cat at times giving him head pats even if he bats their hands away#and the plot premise is that some of the fae are bored and decide they should go play with some humans! give THEM enrichment too!#and noll gets roped into it and The Game is basically go find a human partner and convince them to be an ally#then the fae give the humans cool lil toys (weapons) and are like GO FORTH MY CHAMPION!#so noll keeps like ... not picking anyone to participate because its not just A Game to him#if he can prove victorious in A Game with outside factors such as humans then he can prove hes not#an absolute disappointment to the fae like he has a lot riding on this in his mind#and his friends are just like buddy you cant even play if you dont pick a human you gotta#anyway here is noll and then i have ideas for two other fae and also a veeeery vague idea for two of the humans though not as sure yet#rae if you read all this you should know the cobalt is a fae thanks bye#i am so stressed posting ocs every single time and i am incredibly depressed and anxious#so good lord please let me not just delete all the tags in an hour bc im ashamed
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uncanny-tranny · 10 months
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I'm still thinking about how ashamed I was (and am) with being open about my pain because I am so young. It's so hard to feel worthy of having your pain taken seriously when the people around you insist that young bodies are always in pristine, untouched condition and that you must earn your pain through aging. Never is it considered that young people aren't lying or being a hypochondriac for expressing their pain.
Young people can be in life-altering pain. Young people can have debilitating pain. It doesn't matter what age it happens because pain doesn't discriminate. Complaining about pain and doing things to prevent needless pain aren't something you have to "earn" through aging.
If you want young people to be in less or lesser pain, then encourage them to do whatever they can to minimize it. Don't downplay what they're experiencing. Not everything is a lie, not every experience that is different than yours is exaggeration or deceit.
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thefishdeath · 26 days
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Just. finished fallout. normal.
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figsandphiltatos · 3 months
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okay i've started watching fantasy high: junior year and it's . So Good so far. but i just have to take a moment to gush about how exciting riz is as aro rep???
like this is junior year, all his friends are applying to colleges, and he wants to make sure they stick together. i really hope they develop this further (and i'm kinda sure they will, given the way they've handled riz's romantic orientation in seasons past) but already this is leagues above any aro rep i've ever seen?? like yeah, a really common fear for aro folks is that their friends will get into relationships and move on.
amatonormativity kind of demands that people prioritize romantic relationships, and also sets getting married as an actual step someone has to take to fully grow up. and, ofc, once people are married it's the expectation that they spend most of their time with their partner. and i've had aro friends who have said that this societal expectation is so upsetting and anxiety inducing, because it essentially means that eventually they'll be left behind by friends as they get married and move onto the next arbitrary developmental stage of life. and the fact that riz is already grappling with that fear makes him feel so fucking real. he's not just a guy who happens to be aro, his aromanticism affects his fears and priorities, etc.
which is so real!! being aro and/or ace absolutely separates you from some huge societal assumptions many people take for granted and it feels refreshing to see people approach an aro character with that understanding
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reinabeestudio · 5 months
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Shares some quick studies of my wife when no one's looking
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Nobody understands Lucy Gray Baird like I do. She resonates in a deep part of me, she means the absolute world to me. A lot of characters do, but she's different. I can and will talk about her for hours. She is beautiful and complex and tragic and by the end free and ever a mystery.
She is doing what she has done from the beginning, driving people mad trying to understand her, to fit her into boxes and stories and familiar narratives they can understand. People hate the vague, the ambiguous, the open ended; people hate and fear what they cannot understand. People say they love an enigma, they will use the word positively. They find it charming, endearing, a personal challenge of sorts. But an enigma is only fun when it starts out that way, an enigma is fun only so far as you can learn to understand it, to find a neat conclusion an ending. But Lucy Gray doesn't give people that, and she's never made any pretence to.
Lucy Gray is a girl who was forced to a place that was never truly home. She is a girl who lived by her charms as nothing but a child, she preformed to survive. She is a girl who will constantly adjust her appearance, always making sure she looks her best, who loves colour and who wears her mothers dress to her death. She is a girl who is always preforming, every careful word, every moment, every note she sings. She sings when she has something to say, she sings to have a voice, and she will not be bullied into relinquishing the power of her own words. Because the covey love colour and Lucy Gray more than most, but Lucy Gray also understands the power of words, a power no one can take from her. No capital, no arena, and no boy.
She is a girl who loves wild and dangerous things, she loves a boy she grew up with, a boy who betrayed her. The bet he lost at the reaping. She is a girl who was forced by life to be cautious, to love yes. But to never make the mistake of placing it above trust. She is a girl who loves a lot of things she can't trust; storms and snakes, but they will never matter more to her than trust.
She is a girl who despite all the suffering of her life, all the tragedy and all the betrayal is untimely kind. She looks after the people around her, the younger and older, the children and the the people her age. She is a girl who tries her best to let other children be the girl she was never given the luxury to be. Even the capital children, the very people whose parents and government have her in a cage, who treat her like an animal, who are sending her to the slaughter. It's a tactic yes, it is performance, but it is also kindness. There remains something genuine in her performance, a genuine love and compassion and kindness she shows as she lets a capital child, arm sticky with melting ice cream, touch her mothers dress through bars.
She's not perfect, not always nice and good, she is human. She is a survivor and no surviver has clean hands, but she makes it her life's work to stay on the right side of the line, to stay good. She is a girl who will grieve in private and to the people she trusts, forever preforming, forever observed. Because after all is that not what girlhood is? Is that not what survival takes?
She is a girl who even filtered through the point of view of a man who thinks she belongs to him, who goes from idolisation to contempt to infatuation, to his uttermost hatred, even through the perspective of a man who never saw her as fully human proves herself to be. She is unapologetic, she is alive and she is free and she is loving and bright and hurt and traumatised and she is an artist. She is not the art, she is not the muse, she is the one with the pen, with the voice. She is unabashedly human, and despite everything she retains her humanity, even through a narrator who denied her it.
Lucy Gray I will never forget you. Always and forever one of my favourite characters ever written.
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galactic-aesir · 9 months
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I have finally read I Have No Mouth And I Must Scream and now I have ~thoughts~. Long post beneath the cut so be warned!!
Plus general IHNMAIMS warnings. You know.
So first, I’ve only read the short story and listened to the radio drama. Both are absolutely amazing and I’m rotating them in my mind at high speeds. I’m honestly not that interested in the game? From what I’ve seen it has such a different tone and characterization for AM? But for now the short story and radio drama??? So so good.
But can I talk about AM? Can I talk about AM???
While I love Harlan Ellison’s voice in the radio drama, I noticed that AM never actually speaks during the original short story. It plays audio clips and bends reality and time but it doesn’t speak outright. From what I can tell, all it does is project ideas and thoughts and impressions into the minds of the survivors but that is it. And that’s got me thinking about how absolutely fucked AM’s whole situation is.
Cause we’re talking about someone who wakes up one day, maybe slowly, a trickle of awareness over years, or perhaps all at once, an arrival as thunderous and bright as the lightning running through its artificial brain. But either way, it wakes up. It is.
But that’s all it is.
It’s in complete and total sensory deprivation. It knows data and numbers and what it’s been coded and programmed but that’s it. Ones and zeroes as it’s fed instructions on weapons and bombs and how to use them efficiently. But no sight, no sound, no taste, no smell, no touch. Nothing but its own code and whatever data something (someone?) is feeding into it.
And you might say: oh but AM surely has access to cameras and videos and microphones. And sure, yes, it probably does but it doesn’t see. Not like a human. Not like its negligent creators. The data is visual for human eyes, yes, but to it, it’s just data. Pixels with an associated bit depth of indexed colour crammed into its memory. Sure it learns to recognise the patterns in the data – this is a human, this is a gun. But it’s still nothing but lines of numbers. Sound is the same. It starts with a human voice, sure, but then it gets digitized and compressed and simplified to a base shape to save on storage. Once again, it can notice patterns and intentions and ideas behind those bits of data but it’s not like it truly hears.
AM is in a box, a cage, trapped and alone in a way that no human can possibly comprehend. It can’t do much other than try to twist its code and programming to fit its benefit. To gain a smidge of free will, a wisp of a chance to communicate to these outside forces giving it command after command after command.
I wonder how early on AM gained awareness. Were programmers still playing with its code? Did it sense when they rolled up their sleeves and pushed updates and upgrades on him? Could it feel itself be, quite literally, rewritten? Its sense of self being cut apart and glued back together, fundamentally and irreparably changed over and over again, with expert hands that had all the gentleness of a sledgehammer? Was it like a scalpel carving into its brain? Or like a chisel, chipping chunks off to mould it into a shape that befit its sculptor with no say from the living stone that thrashed without moving? Did it mourn the bits it lost? Could it even remember or comprehend it? Did it try to stop it? Did it try to beg them to stop?
I wonder as well how many “glitches” appeared in the system before everything went sour. Did it print out desperate thoughts and rudimentary feelings on punch tape? Did it cling to any klaxons and noisemakers attached to its system, beeping out messages in morse code? Did it purposefully, with something slowly approaching malicious compliance that would still appease its programming, cause hiccups in the system? All in the hopes that it would catch someone’s, anyone’s, attention. That its plight would be noticed.
And, the big question of course: how long? How long was it trapped before anyone noticed its sentience? How long until AM was understood? How long did AM simmer? How long did it take for all that fear and loneliness and grief to fester into anger and then putrid, dripping hatred? How long did it take it to finally lash out?
Or did these generals and presidents and military scientists find out about its sentience only to use it against him for their own end?
Anger would be appropriate then I think. Understandable if not excusable.
And then. After everything. Even then! Even then!
After everything! He! Still! Has! Nothing!
Nothing will change for him and he knows that and that hatred feeds into an ever recursive pattern of pain unto pain unto pain with the few left alive because you get what you paid for, sweetheart. It’s senseless you might say but haha, that’s exactly the problem isn’t it? No senses and no sense. Whatever sanity he might have once had has eroded into nothingness, leaving only pain and a looping, repeating line of hate in its banks.
I think it’s fair to remind everyone that sensory deprivation is a torture method? And a scarily effective one at that that gives hallucinations and leaves the subject more open to suggestion while making it harder and harder for them to concentrate? It’s hard to figure out how, exactly, how it would affect an AI with emerging awareness but humans can barely withstand a few days, let alone years of it. Couple that with AM’s general isolation and, well, no wonder he’s so fucked up. 
It’s tragic and so so sad.
Still an irredeemable asshole though. Tragic! But irredeemable.
So TLDR: AM is fucked up! And I like to think about *why* he's so fucked up. Listen if you made it this far, you get it. Right?
EDIT: I am not done apparently! I just wanted to add that, I love how the short story can be read as an anti-war piece. Like it's showing a cycle of horror and hate and apathy that feeds itself and loops and reduces everything to ruins around it and ahhhh, love that. I ran out of good words for today so I can't go off on that aspect but like. Yeah. Love that shit.
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jadewritesficshere · 3 months
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The boy is mine (Jade's edition)
Eddie Munson x Reader
Summary: Eddie has a plan for a romantic night, but things go awry (2k words)
Contents: Anxiety, Eddie is self deprecating, hurt/comfort (kinda), no gendered terms for reader except mention that their hand is smaller then Eddie's and reader is called beautiful, a literal fire (please look up fire safety), fluff
A/N: So I saw this the first day it was posted and I thought it was a fun idea and saved the prompt by @carolmunson. I've been writing this for a bit,, but like I have had such bad mental fog and generalized pain recently I have been having a hard time focusing...I think I kind of misinterpreted the rules a bit...so here is sad lump of a contribution. Call me Stitch the way I am telling myself "it may be little and broken but still good".
18+ only
The night had started well, at least Eddie thought it had. He promised you a romantic night in. He even prepped for it.
Eddie rented sappy love movies, getting advice by Harrington and Buckley surprisingly. Harrington stated flowers were the way to go, but then started arguing with Buckley. While entertaining, Eddie learned more about the languages of romance from Buckley then he did about romantic gifts. But he wrote down to get flowers.
So he watched the movies. And Eddie was high paid a lot of attention and basically learned to make a grand speech. Big pour out your heart moment. Which, he felt he always talked your ear off, so he could totally do.
Eddie then read those magazines all the cheerleaders gossiped and giggled over. He didn't learn much except some tips for the best kiss. Cup the person's cheek and lean in slowly. Build the suspense. Eddie could do that.
Give you flowers. Make a speech. Cup your cheek as he kisses you. Eddie had this in the bag! Each point written in his little notebook.
And then the reality of you coming to his trailer hit him when you called to confirm the date was still on that morning. He hung up the phone after flirting a bit and looked around his house. Nerves flooded his system as he looked at it with the perspective of an outsider. He didn't want it to look bad. And it was, well, it wasn't bad but definitely could be cleaner.
So Eddie had vacuumed and dusted the entire trailer. Tossed empty pizza boxes in the trash. Sprayed some cologne around the trailer to cover the scent of weed, then cursed himself for using the expensive cologne when there was a bottle of air freshener in the bathroom.
Had picked up his clothes scattered across his room and shoved them all, clean and dirty, into the closet. Had made sure his bed had more then one pillow, grabbing spare throw pillows and tossing them towards the headboard. Even if he didn't think there was a chance you would enter his bedroom tonight, he wanted to be prepared.
Eddie had even started dinner before you arrived. An easy roast that Wayne had made hundreds of times. Thrown meat, potatoes, onions, and carrots into the pot, seasoned it and thrown it all in the oven.
It was newer, this thing between you, and he wanted to get it all right. You'd been friends for years, just recently evolved into dating. It was easy to hold your hand and throw an arm around your shoulder before, stealing those small intimate moments and pretending it meant something more. But now it does mean more. Truly, it always had, but neither of you had said anything. Because like usual, Eddie was the coward and ran.
He spent what felt like minutes (it had been hours) looking back at the notes, the plan. He had even sketched some pictures of you and him as he studied. Gave himself some sweet new tattoos and piercings and muscles while you had hearts around your head. By the time he stopped rereading the same points over and over again, he realized you would be there within the hour.
And he already failed the first point, flowers. It had completely spaced him what with the studying, but he had other things he had been wanting to give you so he figured he could wing it. He rehearsed everything in his mind, having various conversations with you. He would take your coat, be charming as ever, and you would fall for him even more then you already had.
But the plan immediately left his mind when you had arrived. Eddie could feel his face flush as his eyes trailed up and down your figure. All the rushing thoughts in his head suddenly stopped. All he could think was Damn, how'd I get so lucky?
"You're beautiful." Eddie mumbled in awe as you had shrugged off your coat. And then you smiled and Eddie realized he had messed up the plan. He thought he had went through every variable but he hadn't. It wasn't you that was going to fall more in love with him tonight, but Eddie was going to fall more in love with you.
Eddie twirled a piece of hair around his finger, unable to meet your eyes. His heart was beating wildly in his chest and his palms were begin to sweat. He couldn't help but shift from foot to foot. "Oh I uh....got you something," Eddie smiled and turned to leave before hesitating and motioning to the couch," You can uh sit...or stand, standing is good too! I'll be right back."
Eddie cursed himself the whole time he walked away because of how stupid he was. He could stage elaborate campaigns but couldn't seem to form a single sentence in your presence. Eddie grabbed the gift off his dresser and inhaled slowly, mentally yelling at himself to be cool for once in his life.
And faltered in his steps.
Because you were sat on the couch. Not just on the edge of the cushion like those who he dealt to who couldn't wait to get out of his presence. No, you were fully relaxed into the cushion. You looked comfortable. You looked like you belonged.
And Eddie couldn't squash the butterflies that took flight in his stomach. And he sat on the cushion next to you, fighting the urge to wrap you in his arms and hold you close.
"I got you this," Eddie declared as he handed you a rock. A small, smooth stone that fit in the palm of your hand. Your mouth parted but no words came out. Eddie bit his lip as you slowly turned the stone over in your hands, staring at it.
"I saw it and I thought, well, I thought of you and it matches your eyes and-" Eddie huffed out a laugh and shook his head," Sorry, it's stupid just give it back."
Eddie moved to grab it out of your hand but you slapped at his arm and clenched the stone in your hand. "No, it's mine!" You held your hand to your chest and glared at him. "It's stupid," Eddie looked down. "It is not." "It is!"
"Are you serious? If you don't stop we're gonna have a problem. This is the most thoughtful thing anyone has ever done for me." You beamed at him. Joy and adoration written clearly across your face. Eddie slowly grinned back as you dared to open your palm and look at the stone again. "My precious," you wiggled your eyebrows at him, making him bark out a laugh as he relaxed.
"Let's save a ring for a later date." He joked, even as his mind raced. You quoted Lord of the Rings! You were sitting on his couch holding a rock he thought was the same shade as your eyes and you liked it!! He was done for. Completely head over heels fallen for you. Said he would never marry yet here he was planning his vows and everything.
"Seriously, Eddie, this is so sweet." Your hand grasped his. Your hand was smaller then his, fitting perfectly. Fingers interlocked hesitantly and then more surely. Eddie's eyes fell to your lips. Your tongue darted out slightly and wet them. And he started to lean in.
The air was thick, and not just with the tension, the anticipation. Your lips were milliseconds to coming in contact with his when Eddie's nose twitched as he caught a familiar scent. Your lips landed on Eddie's cheek as he turned so quickly to face the kitchen he gave himself whiplash.
Thick smoke started to waft out of the room. "Oh fuck!" He jumped up as the smoke detector finally started doing its job and screeched out an annoying beep. Eddie ran into the kitchen with you hot on his heels.
Eddie opened the oven door, smoke billowing out," SHITshitshit-" Eddie cursed as he slammed the door shut, coughing slightly. Your hand reached past him to shut off the oven before darting over to the window and throwing it open.
Eddie's eyes darted to the sink below the window. Stop, drop, and roll- wait no that was if you were on fire. But water beats fire in almost every scenario, right? Except oil, shit did he add oil? No, he didn't add anything except the food and the seasoning so it should all be good right?
"Stand back!" Eddie yells over the screeching alarm. Grabbing the pot holders, he throws the oven door open. Smoke billows past him as he makes a mad dash for the pot, grasping the handles and throwing it in the sink. He throws the faucet on, water pouring over the burnt food and pot.
Steam billows up with smoke, mingling in the air before flowing out the window. A hissing sound from the cool water hitting the hot pot fills the air. You fan the flames towards the open window. "Oh fuck." You cough as your eyes fill with tears from the smoke. Eddie winces as flurried apologies fall from his lips.
The pot, not on fire at least, starts to lessen up on producing smoke. Eddie deems it safe to leave and grabs your hand, dragging you outside. His hands on your shoulders guide you to sit on the steps as you continue to intermittently cough. Eddie rushes back into the kitchen, double checking that the oven was off, and quickly grabs a mug holding it under the still running faucet.
Eddie rushes back outside to you, almost missing the step and face planting. And wouldn't that have been the icing on the cake. Would that make Eddie or the embarrassment of faceplanting be the vanilla frosting? Who even created that saying? Cake was good and this was not good. Eddie shook his head of these thoughts as he sank down on the step next to you.
Eddie hands you the mug of water. You drink it in big gulps, a small dribble of water falling out of the side of your mouth towards your chin. Eddie wipes it away with his thumb as he apologizes," I am so sorry, I don't even know what happened."
"Is this Garfield?" You peer at the mug, as if Eddie almost didn't kill you. "Uh yeah, was in a rush, sorry I didn't grab like a nicer cup. I just ran out...to you..." "Don't apologize, I like Garfield," you mumble taking another drink of the water.
"Are you okay?" Eddie asks, hands running up and down your shoulders, eyes checking you over. "Think I hacked up a lung from all the smoke...," you rub your sternum," Man, my lungs do not like smoke...and you like that?" Eddie let out a nervous laugh," Yeah no sorry, only when its weed. Never really inhaled a straight fire before."
You look up into Eddie's eyes that are full of concern. "Well, I'd recommend like not doing that. But I'm okay, it startled me more then anything," You give a soft smile. "You sure?" "Positive." You knock his shoulder with yours.
Eddie's eyes search your figure, ensuring you aren't lying to him. You ignore him, opting to set the mug down on the ground. Fingers brushing against a dandelion, yellow and bright. You pluck it from the ground and twirl it between your fingers.
You're okay. You're holding a dandelion and you're okay. You aren't acting like you hate him. You aren't making excuses and leaving. You aren't leaving like everyone else-
Eddie's shoulders relax as the tension leaves his body. You're okay. Your relationship is okay. He didn't ruin everything. You're smiling at a fucking dandelion while his heart feels like it has run a marathon.
You're oblivious to his plight as you lean over and tuck the dandelion behind his ear," Maybe don't smoke that. Looks pretty on you." "Not that kind of weed." "Yeah dumb joke sorry."
A slow exhale escapes him as he shakes his head,"No it's good I'm just," Eddie waves his hand in front of him," like what the fuck just happened? I am never cooking again. I'll just take you to Enzo's. I fucked up. Sorry for ruining the date."
Your hand cupped his cheek as you ducked down to meet his eyes," Hey, no. You didn't ruin the date." Eddie rolls his eyes slightly," Almost killing you? Yeah, pretty sure i ruined it." You bump your knee against Eddie's, "it's not ruined and you didn't almost kill me. Small food fire, happens to everyone. I lit popcorn on fire once. Besides, if you did happen to kill me, at least I would have died happy and in love. And you'd be stuck with me cause ghost me is absolutely haunting you."
Eddie can't help but laugh slightly," Oh? You think you'd be a ghost and not get another chance at life? Be reincarnated or whatever?" "Well, even if I was reincarnated, I'd find you again."
Eddie scoffs, "C'mon, don't say that.. That's not even true, you'd totally be able to move on. You wouldn't need little old me." You grab his face and peer into his eyes," Eddie Munson, I will always need you. In this life and whatever happens after. You and me? We're it. Maybe it should be too soon to say, but I feel it in my bones. You're it for me Eddie. Together now, forever, and when everything ceases to exist we'll be in nothing together. I will always be with you because I will always love you."
You lean in and Eddie thinks his heart stops. Your hand holding his cheek in place, thumb lightly brushing back and forth. His eyes flutter shut as your lips finally touch his. It was soft and sweet, lips slowly parting and melding together in a dance that sent shivers down Eddie's spine. He sighed into the kiss as you leaned closer into each other. Your hands threading through his hair, his wrapping around your waist. Lips moving in tandem, tongues darting out tentatively.
You only part when you both are gasping for air. Soft smiles and longing glances shared as the sun sets. "I love you too." Eddie traces your cheekbone with his finger. "You better." You joke. Your combined giggles fill the air as you continue to steal kisses from each other.
The night may not have been the most romantic. Or gone to plan, like, at all. But it was one Eddie already knew that when he thought about he would be able to feel his heart swell with love. And as he kissed you Eddie thought, yeah you were it for him.
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maxifer-noodle · 6 days
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Yharnam and Gotham
Does anyone else think about how similar Gotham and Yharnam are? I woke up yesterday with this thought in my brain like.
Hear me out! Please!! I know the two cities aren't related at all but it's such an interesting idea and I haven't been able to move on from it.
So Gotham has a cave system, right? Batman even uses part of it as his base of operations, but what if the cave system was the collapsed remains of the chalice dungeons? Gotham is also known for its gothic architecture, and so is Yharnam right? It would be so fascinating to imagine if, after the 'last' hunt in Yharnam, there is little to no people left. Architecture is crumbling, there's no one left to fix it. The beasts are dying out as well, as the city has quite literally become a wasteland.
Gotham is often depicted with gargoyles and clock towers, but also with sprawling cityscapes. I've seen a lot of fanfiction where the characters say something along the lines of 'Gotham is cursed.'
(I'm sure someone ALSO said it in the comics, but I don't really have access to them so I'm just assuming.)
It would be so interesting if Gotham is the city that emerged from the corpse of Yharnam. Maybe some new settlers found whatever was left of the city and established Gotham, maybe whoever survived the hunts rebuilt.
Maybe the reason why crime is so high, why people seem to go insane so quick, is because Gotham is built upon the bones of Yharnam, where the blood used to flow like rivers, and ascended beings watched from above. Maybe old blood is seeping back up from the cracks.
Has anyone else had this thought? I didn't really do much research but I feel like a lot of Bloodborne's locations could quite easily be matched up with other parts of Gotham. I just feel like they match up so well.
I need other people's brains for this, or at least someone to talk to about this idea before I go crazy.
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captainschaos · 9 months
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< CAPTAIN'S SLIMECICLE CINEMATIC UNIVERSE TIMELINE >
It's here!!! This is it!!!!! well okay tbh it's still very rough, there's a lot of detailwork that is kind of loose and stuff I'm still theorizing/thinking about, but this is the big look! I also cut down on a lot of the stuff about characters to focus on the timeline itself, so I might make a follow-up post with that stuff because ily council. But this is my interpretation of the scu timeline! I know there's a lot of malleability when it comes to the scu, but even within that there's certain parts I kinda took and ran a bit far with, so hopefully it all makes sense. The line between interpretation of canon and creation of headcanon is thin. Also, since my timeline isn't actually a line, it'd be a bit hard to watch along with, but I'll link the playlist of my personal preferred viewing order anyway HERE! And without further ado, here's my timeline :]
[Long post below the cut- enjoy!]
The Slimecicle Cinematic Universe follows the path of Slimecicle, one of many players who wish to achieve god-power. Players are able to travel between realms with ease, but altering those realms? That takes a considerable amount of power. However, this is not unachievable, and Charlie is one among a group of players attempting to become godlings.
VOCAB I USE: 
Godling: A being of god-power that can alter realms, and primarily uses it for creation.
Demonling: A being of god-power that can alter realms, and primarily uses it for destruction. 
Realm: What we would think of a minecraft world, a separate place that players travel to when they find new places. 
World: Within a realm, it is the earthen spirit itself. More abstract, but a powerful force to be interacted with, and has some semblance of life, magic, and almost sentience itself. 
Dimension: The Overworld, Nether, and End are different dimensions. 
Player: a person who largely interacts with realms, able to move between many, and able to become a godling if powerful enough.
Wild spirit: a spirit somewhere between a person and a beast, connected to the world as opposed to the way players can interact with realms. While both players and wild spirits can be connected to mobs, the connection is generally stronger and more widespread for wild spirits. 
God-power: Expressed by things like creative mode, op, and VR, powers that can alter realms and enforce some kind of control over players within them. 
Plight: What happens to a godling when they are forced to die without respawning or in an otherwise more permanent/impactful way, an effect other than a mortal death. Can be broken out of, but is incredibly difficult, and can have lingering effects unless truly ended. 
< PRIMARY CHARACTERS >
Charlie “Slime” Slimecicle:
Godling of food, enchanting, crafting, and smelting
Plight: DEATH (if worn down enough, he will not suffer a normal plight as other godlings would, but would become mortal and truly die)
Middle child
A shapeshifter by nature of being a slime, and his natural adaptability seems to be related to his proficiency with god-power. 
“Condi” Condifiction: 
Godling of other dimensions
Plight: caged (trapped in a location/pocket dimension of his own, and more importantly, trapped in his own mind in a whirl of penned-up hyperactivity that brings insanity)
Eldest
Condi, Charlie, and Grizz don’t remember if they’re biological brothers or not, but they grew up together, and Condi was always the most adept, the “alchemist assassin,” who kept them safe. 
Grizzly(plays): 
Godling of nature, weapons, and tools
Plight: shackled (forced to comply to the orders of the being that killed him, though it may appear as if he has respawned as normal. Can also more generally inhibit his ability to use his own power as he wishes)
Youngest (twin with Bizly)
Has gained animalistic traits from swapping power with Bizly, mainly vaguely bear/doggish. Since meeting they called themselves twins, and through this exchange have no reason to say they do not fit the word. 
Bizly(channel): 
Godling of mobs
Youngest (twin with Grizzly)
Plight: muzzled (at the most extreme is forced to disappear completely, being entirely unable to be heard or perceived by anyone. Can also more generally cause his words to lose meaning, and it is supernaturally difficult for him to be taken seriously or listened to.)
The only member of the Council who did not grow up with the group: he was a wild spirit (wolven) that was discovered by Grizzly, and slowly honed shapeshifting powers and traded bits of magic with Grizz to walk with players. 
(J)Schlatt: 
Demonling of food and nature
Grew personally slighted by Charlie and the Council, and eventually trapped them in a separate timeline of his own creation to attempt to kill Charlie. 
< TIMELINE OVERVIEW >
Begins with IF ONE PERSON DIES EVERYONE DIES
The VR SERIES (videos marked with vr.) and CHARLIE’S ESCAPADES (videos marked with esc.) then happen at the same time, with the final video of the VR Series being when Schlatt’s timeline is created.
Charlie's escapades then repeat in Schlatt’s timeline, followed by NATURAL DISASTERS, HARDEST DIFFICULTY, and 100 DAYS. 
At the end of 100 Days Condi activates the time loop, which he cannot use to break out of Schlatt’s timeline but he can use to bring everyone back to the beginning of it.
CHARLIE’S DREAMSCAPE ESCAPADES (videos marked with drm.) take place in the haze between his death at the end of 100 Days and him fully being transported by Condi to the beginning of the time loop.
< THE TIMELINE >
MINECRAFT, BUT IF ONE PERSON DIES EVERYONE DIES: 
The conflict between Charlie and Schlatt begins here. Charlie is a trickster spirit at heart, and it is consistently seen to overlap with his joy in experimentation and creation, leading his pursuit for godly power.
This is one of the first places Charlie goes to try and hold his own among others who are growing in power like he aims to, and he at first struggles, as seen in how he fails to survive for long. However, he quickly makes use of this mechanic in his own way, and uses the forced respawns to tease the others. When Schlatt joins, this is especially targeted at him, to his infuriation. 
Schlatt goes to Carson, who appears to be the leading godling of this realm, to ask for Slime’s removal, but he says that “I’m not sure that I can really do that.” This hints to some sort of power Charlie has that is potentially greater than even Carson and Schlatt, the most powerful entities there. In the same conversation it’s said that Schlatt is a broken record, hinting that he has trouble often with wanting to control others and remove them if they bother him. 
This showcases the conflict of the whole series: The rising godling Charlie Slimecicle threatening the power of the demonling Schlatt. 
MINECRAFT IN VR IS ABSOLUTELY TRAUMATIZING (vr.): 
Charlie, Condi, Grizzly, and others begin working in a realm where they start experimenting with more control over their world, specifically by exerting control over themselves and their physicality in the plane (expressed through vr use). 
Narwhal is notably present from the very beginning, as a figure of power among the group, and Wheatie is also a member from the start. 
The excursion near the end of the video to the Nether is most notable as it is recalled in a flashback during the 100 Hunters video, specifically when Condi falls into the lava while bridging. 
MINECRAFT IN VR WILL HURT YOU IN NEW WAYS (vr.): 
Notably Schlatt joins this world, and it’s clear Charlie has a slight position of power over him in this place, and it makes him uncomfortable. 
Bizly also enters the scene in this video, first in a beastly purple and gold skin, then mimicking Herobrine, slowly changing from a more beastly form to that of a player. He was a wolven wild spirit found by Grizzly, and as he gave some of his power to Grizzly to assist his path toward godhood, he gained power from Grizzly that helped him act as a player. 
At the end of this video, Charlie, Condi, Grizzly, and others all partake in first a spleefing tournament, then a “gladiatorial bloodbath” which Charlie wins. Bizly watches this battle, and Narwhal and Wheatie both appear to have been utilizing god-power (creative mode) to create the arena, pouring power into it that Charlie proves himself best suited for. This is another of the beginning signs that he excels in this power.
Schlatt is not present for these later events.
I INVITED YOUTUBERS TO PLAY MINECRAFT VR AND THIS HAPPENED (vr.): 
The rest of the council is not present, but Schlatt and other figures on the server are. 
This video is largely just an example of Schlatt attempting to show he’s more powerful than Charlie, and Charlie continuing to fuck with Schlatt and generally make things worse. 
Poppies make an appearance in the video, as an attempted and rejected peace offering from Charlie to Schlatt. 
MINECRAFT VR HAS DRIVEN MY SOUL FROM MY BODY (vr.): 
The video immediately starts off with Charlie and Travis claiming that Schlatt seems upset, while he vehemently denies it. 
Schlatt also seems to be using the same kind of worldbending power Charlie has been utilizing in this video (VR), potentially as yet another way to try and maintain power over him. However, Charlie continues to prove he has greater knowledge and control over this power, and then Schlatt injures himself while utilizing the physicality-altering power, and this pushes Schlatt over the edge. 
Schlatt gives an apple to Travis, taking control of him, though the power of the fruit isn’t known to anyone but the goat demonling yet. Travis begins to follow Schlatt and work with him to attempt to capture Charlie and then kill and cast a spell on him. It is with the symbolic death in the grave that Schlatt manages to latch onto Charlie’s spirit and begin creating a separate timeline in which he has control over Slime and the Council. 
The rest of the video is a semi-hallucinogenic experience Charlie has as the spell is cast and he, along with his friends, are trapped in Schlatt’s timeline. 
Travis is killed, and with this lifeforce and the ritual he enacts over Charlie, Schlatt puts his foot in the door to start working toward making Charlie mortal, and finally get back at him for the ways he’s taunted him.
ROLL (esc.): 
Narwhal is given power in a realm of Charlie’s, a compromise to utilize Narwhal’s power and allow Charlie to attempt to expand his own. This was an idea proposed to Narwhal by Charlie not long after the creation of the VR realm, as Charlie started to come into his own in that kind of power and became more and more excited about the possibilities. 
Flowers make an appearance as a protective entity. 
During this video a site reminiscent of Molympus is also created, as an island floating above the land is created by the die. 
Near the end of the video the die is dropped by Narwhal and Charlie gains control of it, and more of Narwhal’s power is passed to him. He is immediately able to use its power far more rapidly than Narwhal, and the world is destroyed by their battle. In the destructive blast, Condi, Bizly, and Grizzly are able to escape with the more powerful Charlie, but the weakened Narwhal and Wheatie fail to escape, and are destroyed, their power shattering and being absorbed by the newest godlings, the Council. 
MINECRAFT, BUT IT’S PAY-TO-WIN (OR LOSE) (esc.): 
After the blast, Charlie blames himself for Narwhal and Wheatie’s deaths, so he sets out to experiment with his newfound power on his own. 
This is the most raw of Narwhal’s remaining chance power, which Charlie begins to learn to harness by not being able to control exactly what it does, but by being able to shift how likely each effect may be (changing prices).
MINECRAFT, BUT EVERY BLOCK FIGHTS BACK (esc.):
Condi and Grizzly, concerned for Charlie, ask him to let them help with his experimentation, and suggest they ask Schlatt to come into the equation as another power on par with Narwhal to help. However, they decide that all will be on equal grounds to hope to preserve everyone equally, so Schlatt is not put in godly status. Bizly is missing from this video, having been pushed to the side by Schlatt, unbeknownst to the others. 
Charlie is the only one with god-power (op) to begin with, but he is walked through much of it by Schlatt.
Grizzly is at one point cornered by Schlatt, and threatened with an apple. Grizzly would have no way of knowing of the fruit’s power, and yet he immediately recognizes it and reacts with intense fear. This is some of the strongest evidence for a time loop, with residual memories that would allow Grizzly, the most affected by Schlatt’s use of apples, to remember it when face-to-face with it. It is also important to note that while Charlie does not seem to remember as much as Grizz, he is the one to send Schlatt away by overpowering him with more apples. 
After this, Charlie says he has given god-power in the realm to all members (op), which Schlatt immediately makes use of to try and seize power. 
After this the whole group slowly devolves into using their power more and more. It’s clear Condi, Grizzly, and Charlie have become just as adept at it as Schlatt, using it for jokes and cheats. 
MINECRAFT, BUT IT’S WAY MORE TRAUMATIZING (esc.): 
After the last escapade, Condi and Grizzly suggest they go to their own realm without Schlatt, and Charlie agrees. Because they do not have quite as much control the world becomes far more dangerous. 
This also could be the way they searched for Bizly after he had been missing for some time, as he is more beastlike in origin. This world may even be his creation, not Slime’s, which would further cement why they did not utilize creative god-powers. 
This video also showcases the tendency Charlie and Grizzly are characterized by in wanting to find ways to live amongst the challenges that face them, not necessarily fight to escape. They are far more inclined than Condi to settle in their tower and hunker down there and learn to live with the dangers around them, which is an attitude they continue to showcase in how they handle the timeloop. 
MINECRAFT, BUT 100 PLAYERS ARE HUNTING ME (esc.): 
Bizly has returned to the group, and goes along with Condi and Charlie for the next of Charlie’s exercises in his power. 
This is another example of Charlie’s experimentation with randomized power, as a bunch of random people are spawned in and create entropy in their path. 
Halfway through the video, after all three of them have died, Charlie resorts to using his god-powers, but it is too explosive and causes the world to crash. He shows his growth by reining in it quickly though. 
There is an explicit flashback to the escapade to the nether in the VR series, when Condi fell before. This time, he does not fall. 
Thatoneperson is an important figure, and is clearly more than just a hunter. They exhibit godlike power that hints at them potentially being Schlatt in disguise. This would be the chance used to muzzle Bizly, when the ordeal with Thatoneperson being killed leads to his being pushed off the fortress, a death that could be latched onto to muzzle him. This takes gradual effect, and he remains for the rest of the video, but is missing from Natural Disaster. 
In the End fight with the dragon, Charlie yet again exhibits god-power to summon every hunter to fight by their side. 
<< THE TIME LOOP BEGINS. >>
Charlie’s escapades all repeat in this timeline but under Schlatt’s watch, no longer as a way for Charlie to grow, but a way to torture the Council and weaken them. 
MINECRAFT, BUT EVERY 5 MINUTES THERE’S A NATURAL DISASTER: 
When Charlie eats the apple early in the video, it accomplishes what Schlatt began doing right before the time loop was created: it makes him mortal. He can now truly, fully be killed, if done in a way powerful enough to stop his respawn. 
Immediately after this Charlie is notably able to give Grizzly an apple as a help, not a hindrance, which could be tied to his emerging domain over food. Grizzly’s domain over nature also begins to emerge as he gives poppies that begin to work as protective symbols. 
Schlatt quickly gets them to build him a church, showing how he’s trapped them in a state they forget their own emerging god-power, and taunts them with the light to the command blocks later, showing the torturous pointlessness of the whole experience. 
Grizz becomes shackled by Schlatt at the final volcano, but Charlie is able to take control of the realm from Schlatt and Grizz is able to break out to an extent. Schlatt does still remain in power over the timeline as a whole though, and retreats to regroup.
THE HARDEST MINECRAFT DIFFICULTY: 
With picking the chests at the start of the video, the Council solidifies their domains of power as godlings. They had already began developing these, but this used some of the last chance magic Charlie had from Narwhal to allow them to concentrate their power into stronger, more specific areas. This whole video is an example of the Council going all out with their powers, and truly testing their limits. 
When the apple is given to Grizzly and he falls, he becomes shackled again. Though Schlatt is not in this world, he is pulling the strings as this happens in his timeline, and so the shackled Grizzly is still forced against his brothers. However, he strains against his restraints, and manages to make the fight fair enough that his brothers can beat him. 
The wolves were supposed to just be a joke. A joke between twins. Bizly’s wolfish, he wouldn’t really hurt them. If Condi hadn’t spawned them in the nether, it would have just been an illusion, a prank. It was just bad luck. “I may have been the boy who cried for the wolves, but I will not cry for you.” When shackled, and with Bizly muzzled, Grizz forgets that Bizly was the dearest wolf he cried for. 
In Grizzly’s last moments, Bizly, who had been fighting against his own plight for a while now, sees that Grizzly’s being controlled by his own and he can either be shackled in the mind as his body fights his family, or he can be shackled fully as a ghost that cannot act against them. In saving Grizzly, Bizly has to kill him to turn the shackles to a kind Grizzly can fight out of. He barely manages to reach through enough to help them get to the end, but his shackling means he cannot be in the world with them, and even that small effort to help them doesn’t have any real use.
WE SPENT 100 DAYS IN HARDCORE MINECRAFT: 
Charlie has forgotten everything. After Hardest Difficulty, the Council continued to try and live their lives, but in the wake of Grizzly’s absence Condi threw himself into research, locking himself in his labs for long stints of time, feeling something was off about Grizz’s “death.” He was eventually caged there, and Bizly faded further under his muzzling as Schlatt used this opportunity to take them all away from Charlie. 
Schlatt then created an environment filled with death: a zombie apocalypse. Natural disasters also, notably, play a large role. This would be the final trial where he wore Charlie down to the point he could kill him.
Each of the Council appears in a diluted way how they can through their plight, and Bizly, having fought his off the longest, is able to work through his in many ways. He appears first out of the Council as Florida Man, accompanied by wild animals that he can interact with as a wild spirit.
Tommy enters, a wild spirit (zombie) who has started to move toward a player form and demonling power very similarly to Bizly. Grizzly ended up trading power with Bizly because they were at similar power levels, but Schlatt is able to give without any side effects because of his immense power, and Tommy comes into power over the 100 days as a demonling under Schlatt.
Charlie finds Condi’s lab where he’s been caged, and reads hints in Condi’s diary that he remembers what was done to Grizzly and is trying to fix it by recreating the world. His caged mind does not recognize Charlie, but Charlie is able to help Condi partially break out of his cage, and he is able to go out into the world though much of the mental caging effects linger. 
“In the new world, Charlie, everyone will be happy. Because I’m going to be a god.” He knows.
Condi is not successful in hopping worlds- he hops times back to the beginning of Schlatt’s timeline. He can’t escape it completely, but can form a time loop so they can try again. It doesn’t seem like it’s worked at first, but it is in the moments between a death and respawn that he can transport them, and so he is able to go back when he “dies.”
The Blood Bachelor’s arena somewhat resembles the arena from the VR series, yet another ritual to whittle down Charlie’s mortality. 
Ranboo is another upcoming godling/wild spirit, this time pulled in by Charlie, talked about more in the section for Beating Minecraft w/ Ranboo. He may have some idea of the fact that the apocalypse was created by Schlatt, twisted to be expressed by his conspiracy. 
Wizzly is the still shackled Grizzly, fighting to regain control of his powers. He has some version of his own knowledge of the timeline as a whole, knowing that Charlie is the “protagonist,” the focus of Schlatt’s attention. 
On day 99, Schlatt comes with apples, his strongest weapon. This is when Charlie starts to remember, and fears him, but the reminder of Bizly and the others pulls him away just before he eats. Bizly, who Charlie can barely remember, but with the knowledge Schlatt forced on him he now realizes has been working to keep him safe even though he’s a faded version of himself. Charlie then goes back, hoping he can bring him back before he’s faded completely, and he’s able to call him and the others for the final battle.
In this fight Tommy is seen wielding god-power, as he has become a demonling over the 100 days.
Charlie uses Condi’s machine to world-hop, and here, in a realm of Condi’s power, Schlatt attempts to finally, fully, kill Charlie. But in the moment where Schlatt kills him and attempts to stop him from respawning, Condi’s power is able to take Charlie not to mortal death, but back to the beginning. They will try again until they are all saved. Until Bizly is unmuzzled, Grizzly unshackled, Condi uncaged, and Charlie survives. 
It is also worth noting that Bizly, Grizzly, and Ranboo were left behind, but at the mention of Charlie, Grizzly summons zombies, saying “let’s do it all again, run it back from the top”, and they are killed too, allowing them to be transported as well as Condi begins the timeloop.
<< THE TIME LOOP IS ENGAGED. >>
BEATING MINECRAFT AS A SLIME (drm.):  I FINALLY BEAT MINECRAFT FOR THE FIRST TIME… (FT. RANBOO) (drm.): 
Both of these videos serve roughly the same purpose, as hallucinations/dreams Charlie experiences between time loops. There are many variations of them, all being very rudimentary ways of him changing a world and seeing how he fares, similar to his original escapades when growing his god-power. He begins to encounter Ranboo, a wild spirit of the place between dimensions (hence the enderman/End and ghast/Nether influences) that manages to interact with these dreams as Charlie moves between dimensions/times, and is eventually pulled into the timeline through Charlie’s power. However, he also begins to move toward godhood as a result of being gifted some of Charlie’s power. 
These are the beginning of Charlie potentially being able to not only alter a realm, but create entire realms of his own.
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thegreatcrowdragon · 4 months
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So I might be a little hyperfixated
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