Natasha Trethewey, from Thrall: Poems; "Miracle of the Black Leg"
[Text ID: —what knowledge haunts each body, / what history, what phantom ache?]
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If the Kwami remember the old timeline, then Wayzz, Tikki and Plagg must remember Adrien and Marinette, right? Wouldn't they lead Fu to them? Or is something preventing Fu from doing that/Fu thinks it's too risky to make a move with Hawkmoth/Gabriel watching??
well... hm, there's kind of a problem. The timeline was mostly reset, but there are lingering echoes that things aren't right. For one, the Kwami remember the last timeline - so do the Sentikids, and in fact, so do robots/AI's of any fashion. Not only that, but some mechanisms, nonorganics, exist as though the last timeline was still in place, like passwords and lingering, half-corrupted photographs in dead links and dead blogs.
...so,
uh. ehe. oops.
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[ cw: nightmares / trauma / ]
Post-invasion, Mikey sneaks into Leo’s room and when asked by Leo what the problem was, Mikey just smiles and says since he’s awake and knew Leo would be too, he didn’t want either of them alone. Leo laughs and lets Mikey stick around, both of them clumped together on Leo’s bed, watching grainy compilations of old Lou Jitsu commercials on Leo’s phone.
Technically, Mikey didn’t lie. He just didn’t explain everything that led him to Leo’s room. He didn’t explain the nightmare of his arms burning up too bright, too fast, destroyed before Raph and Donnie have a chance to help. He didn’t explain how he woke up with a wail caught in his throat, phantom pain in his arms and chest alike chasing away any semblance of exhaustion. He didn’t explain how his mind made sure he knew, vividly, that if one thing went wrong with his portal, then he would have never seen Leo again.
He didn’t explain, and he didn’t have to. Leo knows his brothers better than he knows himself, and Mikey has always been easy to read. So it’s no trouble to let Mikey know that he’s still with them, that Leo is here and alive with everyone else. And when Mikey finally regains his exhaustion and falls asleep leaning against Leo, Leo simply maneuvers him into a more comfortable position and stays by his side.
He doesn’t move, doesn’t go to sleep - not that he could, anyway. He just mindlessly scrolls on his phone, the soft snores of his little brother filling the room. He stays in place, awake, because he wants to be sure that when Mikey wakes up again it’s to the immediate sight that Leo is alive and well and home.
And, if Leo’s bring honest, that’s a reminder not just for Mikey’s sake.
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To all the new, young MCR fans out there who are just finding them during this tour - you will never know what it was like to be a fan back before and during the hiatus.
And that's a good thing.
I have been following My Chemical Romance since I was ten years old. MCR was the band that the freaks liked. The band that young queer kids were called fags and dykes for liking. Someone once called them the "poster child for suicidal depression," and they aren't wrong. We watched the band struggle with drugs and drinking and idolized how much they were able to do while blackout on tour, because if they could do something so powerful at such a disadvantage, then maybe we could, too. We watched the popularization of "guyliner," because having a term for men wearing makeup could make it an ironic fashion statement instead of a deliberate choice that would get you left bloody and unconscious on the floor of a gas station bathroom. We watched these guys destroy themselves, and we saw ourselves in them because we were destroyed, too. We wanted to believe that we could be just as important, no matter how broken we were, and we found shared experiences at concerts and cafeterias and skate parks and libraries, with other fucked up kids that wanted to listen to the guys that didn't care if people called them gay. The guys that made out on stage to the jeers of thousands of people and got bottles of piss thrown at them but kept doing it anyway. The guys that played with gender and sexuality and everything on the fringes of acceptability, in their lyrics and their performance and the way they treated each other.
This was important. It was life-saving. It provided a comparatively safe space in an unsafe cultural environment for the freaks to find comfort in. It was also hugely and dangerously unhealthy.
I've talked at length to my friends about how healing and lifechanging this tour has been for me, and I want to illuminate that for these young fans that are falling in love with MCR like I did when I was their age. When we were kids, most of our heroes were already dead. They died young, had tragic lives, and we saw ourselves in them. I fully believed MCR would end up the same way. It would have been so easy to be martyrs - to die young and beautiful. Gerard said it himself, back in the day, that MCR was destined to die young in a car crash and stay beautiful forever, and I think he truly believed that.
So they broke up. And, like a miracle, things started to change. They got clean. Got married. Had kids. Not just Gee, but the lot of them. They aged out of the 27 club, and then out of their 30s, and they only seemed to continue to thrive. Today, in 2022, Gerard Way is 45 years old. He has wrinkles. He has a daughter who is older now than I was when she was born. And they are touring again.
The cultural change from when I was a teenager to now, when you guys are, is monumental. It's insane. It's fantastic. Back in the day, Gerard made some occasional comments about playing with gender presentation (that all us trans people, including those of us that didn't even know yet, hunted down and cherished and kept in our chests for safekeeping), but the idea of doing something so flagrant as headlining Riot Fest in a dress was ludicrous. It would have gotten him booed (still did, even now). It could have gotten him killed. The fact that Gerard Way has stepped on stage three separate times this tour in a dress (so far! it's not over!) is such an incredible, monumental change from when I was a kid and I am so, so happy for you to be experiencing it as kids.
I had a cry about this at a P!ATD concert in 2018, after seeing preteens running down the halls in pride flags, and I feel even more strongly about it now than I did then. That you're able to talk openly about Gerard's gender performance without fear, that you're able to hear them go by he/they pronouns, that you're able to interact with other young fans in the wake of MCR's revival in a safe environment and take in the messages that are at the core of what they stand for? These are beautiful fucking things.
You can't know what it was like, growing up with MCR back in the day. But you get to know what it's like to grow up with them now. Cherish that. In Detroit, Gerard told us to take our meds, and reminded us that we made it. They made it. They fought through the hard parts, fought the demons, and came out the other side better for it. As you watch them put those demons to rest from concert to concert, know that there are older fans cheering you on, so fucking happy to see you sharing this experience with us, and so excited to see what way this changes you. We know it changed us.
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