There’s something almost poetic about spitting hateful words at someone and not feeling remorse, but then when you love that same someone you feel the need to apologize and beg for forgiveness

Prompt 301

Ellie, during one of her stints of what do I do with my life right now, decides to, with the help of her Original Dad-Person (Look he’s aging and she’s not and it gets less questions the older he gets if he says daughter instead of sister with how the Fentons are getting older too) creates a Boo-Tube channel. No, not a Youtube channel, those are stuck to a single dimension.

Bootube on the other hand? Due to being through the Realms (and wow is Tucker getting so much income from creating it) is interdimensional. Which is so cool honestly. And she doesn’t know what to do at first, and honestly there’s already so many travel blogs that she kind of just… decided to do something that she wished someone had done for her and her brothers and Danny when she was new to the world. 

So she creates the channel CAAW: Clone Awareness, Accommodations, and Welfare. They had to learn things through trial and error, but maybe she can help someone out there learn how to find their own selves, or even help someone not melt. 

I love love love how Larian made Astarion:

Avoiding having sex with Tav altogether if you kinda have a wholesome relationship after he confesses that he really likes Tav for real and not just to secure himself a protector/ally. It’s so cute that he just takes some time to figure out what sex means to him in terms of genuine connection with someone and not just a manipulation tactic which has been a behaviour forced on him by Cazador 😭

He is sooo insecure about it, that I already found two instances of him mentioning it: when twin drows in Baldur’s Gate offer their services either to Tav or both to Tav and Astarion. He refuses and asks if the reason Tav would want this is the lack of sex between them. And the second time when Halsin offers to have a poly relationship and you ask Astarion about it (which he is in general chill about) but once again asks Tav if the reason is not Astarion not having sex with them.

Poor Astarion is still having fear that the only thing that can make someone be interested in him is sex. It makes me feel stuff 😰

More possession stuff ^^

Sorry to all Lloyd fans but I couldn’t resist doing Kai and Morro, I love their parallels too much.

My interpretation of how a "Morro possesses Kai au" would be:

At first it's the usual possession but it's very violent since Kai has a bad temper. Morro agressively possesses him and breaks into Kai’s memories against his will.

But Kai is stubborn and angry and doesn't let Morro hurt Lloyd. So after the fight Morro digs deeper into Kai’s memories to see what he can use against him.

Morro finds himself relating to Kai and tries to manipulate him to betray the ninja and work with him (going as far as to showing Kai his memories)

Kai still refuses to hurt the ninja and shifts the narrative "why go after Lloyd when you can go after Wu?".

Kai basically learnt what Wu did to Morro and him and gets angry and wants to get revenge on him.

Morro is conflicted into what Wu did and his love for his only father figure. But Kai is also conflicted because on one side he relates to Morro but on the other Morro tried to use his body to hurt Lloyd. In the end I think Kai would choose his anger towards Wu and try to convince Morro even if he has to do so by manipulating him because as much as he's empathetic, he knows he can’t save Morro, and can’t get easily over the fact he wanted to harm Lloyd.

It would be interesting that at some point Morro had to fight Kai because he wanted to attack Wu and the ninja of course misinterpret it and still think of Morro as a villain.

To sum up they'd try to manipulate each other and end up exhausted from fighting the possession.

I love exploring the duality of broken villains.

Just to put a lot of my posts and beliefs about Light Yagami's character in one post (headcanons not included):

• He does not do anything for purely moral reasons. The reason he started killing criminals was because he was curious, and then afterward his "crusade" was built from panic and spite. He thought using the Death Note was going to kill him, so he decided to take everyone he considered a threat to society down with him—that way he would still be good. He would still be remembered. If he can't live, then criminals don't deserve to either. The weight loss and the insomnia shown in the manga, were more likely results of a fear of dying than moral stress.

• Then Light discovers he won't die. This negates part of the spite, but not the need for a moral justification to keep himself "good". He no longer needs to be a martyr, so instead he's chosen to become a God.

• During this week and half of time, Light goes from being a bored, lonely, listless teenager disgusted with the world because it's not how his father taught him it should be, disgusted because if he can manage perfection why can't the rest of the world—to a boy with a new friend and a new mission that gives him purpose. Something interesting. If the world can't be perfect on its own, he'll have to help it. The world needs his help, making him its "savior".

• In comes L. It is no longer about Kira, no longer about saving the world from itself, even if he might tell himself it is—it's about the game. Kira was a fun pastime, yes, but L has made things so much more interesting. (Light and Ryuk are actually wildly similar in several ways it's just not immediately obvious). This game is more fun, too, because this time he has an opponent—one not so nebulous as "the criminals of the world", who offered no challenge. Light is still justifying his actions through a lens of morality, because he has to, but they're beginning to run rather thin.

• Both the broadcast and the obvious taunts to L through changing Kira's killing methods supports the above. "You're too stupid, L. If you were just a little smarter, we could've had some fun." Drawing L in was to progress their game, not Kira's goals. If Light truly only cared about Kira's vision, Kira's new world, Kira's righteous justice; then he wouldn't have continued to play the game after the broadcast. There was no way for L to find him without Light drawing him in—the Death Note is literally the perfect murder weapon. Light knew this, he just ignored it because he wanted to play.

• In the same vein: Yotsuba Light doesn't know he's playing the game. He's forgotten that there even is a game, and so he sees L as someone who's been duped, who either isn't as intelligent as he's been made out to seem, or someone who's being purposefully cruel just because he can. Either way, to Yotsuba Light, L's threat level has only increased, because Light no longer has any sort of weapon to go against him with. He can't even wield his own innocence against him, because his innocence is not certain. Even to himself. Yotsuba Light knows that he has to play along with L's plays of friendship and morality in order to secure his freedom, but he does not respect L or like him. At least, not until near the end, where they're closing in on Higuchi. Where his freedom seems closer....and yet he sees his own, true innocence as more tenuous than ever. Notably, even when Light feels positively towards L there, he still does not share his suspicions about himself with him. His own life still takes precedence over any sort of justice or morality he might have, because Yotsuba Light is still Light. And Light will always put his own self-interests first.

• After killing L, something interesting happens. Because the game ends, but Kira is still left. And Light was willing to take risks and make wild plans in his game with L, but Kira's goals always, always came after his own life. And when only Kira's goals are left, Light stops taking those big, potentially lethal risks. (i.e. bomb desk trap, killing Raye Penber in person by handing him pages of the Death Note, killing Naomi Misora in person right in front of the police station, writing Higuchi's name while sitting right beside L with the murder weapon literally in his hand, etc. etc.). Winning the game was worth dying for—Kira's ideals are not. Or, to put it even more simply: His pride is worth dying for, but his morals are not. Five years after his victory against L, he's presented with another game, but instead of feeling fearful and excited as he did with L, Light is angry. Arrogant and angry. Because this isn't a game to these opponents, as it was to L—they're playing against each other, and Light is merely a piece in it. This game is not like his game with L; it's more like his "game" with the criminals of the world. One with no true challenge, just another defense of Kira's world—worth winning, but not worth dying for.

• Light's pride is more important to him than anything. He needs to be able to take pride in himself and his actions. Pride comes before everything else, before Kira, before family, before L, even before his own desires and physical health. He does not enjoy killing—he just turned it into something he could be proud of. Into another mastering of craft. Light is not particularly sadistic, he's just spiteful. He'll only take pleasure in someone's suffering if they make someone else suffer first, especially if that someone is him. Attacking his pride would count as making him suffer, because that's the most important thing in the world to him. Even though Light also values his life incredibly highly, attempting to kill him wouldn't invoke as much hell-hot wrath as attempting to humiliate him would. And Light will always get even. Always. He does not forgive and forget.

• He believes every lie he tells himself. Every. Lie. He is a Good Man. He is Good Son. He is a Savior. He is Better. He is NOT Evil, he is Good. He's incredibly adept at not only fooling other people, but fooling himself. Even if he's vaguely aware of the truth, he'll take great pains to make sure that truth never comes to light—because it would crush him.

• Light does not take his own desires into account. If he likes or wants something that contradicts with the perfect image he's crafted, he purges it from his mind. Makes excuses for why he doesn't need it, or even convinces himself very thoroughly that he didn't even want it in the first place. If it's not something he can be proud of (or convince himself to be proud of), he doesn't allow himself to desire it.

• Light sees everyone as beneath him (family notwithstanding, Light loves his family deeply), and while it's a pyramid scale of how far beneath him they are, it's not actually ranked by things like gender, sexuality, race—it's ranked by morality and intelligence. The more intelligent and moral you are, the higher up you are on the scale. Light feeling hostile towards someone does not always mean he sees them as further down beneath him; with L and Misa specifically, it means that they're a threat. Light tends to only see people near the top of the intelligence pyramid as threats; evidenced by him dismissing Matsuda completely even with the knowledge that Matsuda was a marksmen, and yet him immediately setting out to kill Naomi when he found out she figured out one of Kira's secrets. With Takada and Mikami, he treats them exactly the same as each other because they're both on the same level of the scale—and he didn't hesitate to get rid of either of them. (Or try to get rid of, in Mikami's case). Everyone is either a tool, a threat, a criminal, a citizen, or family to him. People to use (tool, criminal), people to serve and/or placate (citizen, family), and people to eliminate (threat, criminal). Everyone falls into at least one of these categories for him.

• Light Yagami is a tragic character. And he's a tragic character because he refuses to believe he's part of a tragedy. He would rather swallow broken glass than be considered a victim of anything.

Pets are like children............so what if-

“Chris and Leon are soulmates”

Also the soulmates:

Capcom knows they’re like an old married couple that’s why they fight but love each other.

the softer side of things

(aka i feel like i always make jamil so pissed at azul in my art that i just wanted them to have some silly cutesy moments LOL)

What I think is so important to learning how to truly appreciate life is learning how to appreciate the creatures and things we've categorized as "disgusting" or "gross."

When I learned to appreciate wasps, I realized how much they just... don't really care about anything, and they're not trying to be an asshole because they're uniquely cruel. If they have any wants, it is to live. Why would I punish that when I also want to live?

This isn't to say you need to fall in love with the creepy crawlies that stalk this world or to love what you cannot, but to recognize that in their arrangement of atoms, they are trying to persevere, and in the end... aren't we all?

Extremely torn whenever canon deals with Caleb’s past relationships because whenever the cast discusses them there’s a weird fixation on Astrid, and then I have to be torn because on one hand it’s “fuck yeah!!! Astrid!!! I love Astrid!!!” But on the other hand it’s “where’s Eadwulf!!! Stop ignoring Eadwulf!!! He’s also important and under-discussed!!!”

thought a lot abt the cw shows these past few days

Finja x Chase angst? 👀

oh dude their whole "relationship" is basically messed up angst lol (despite me often portraying it as cracky angst)

I mean, we have some good angst in Chase pursuing First not because he 'loves/cares about' him, but because he selfishly desires him for his power/sees him as a challenge to get into his Fallen Warriors army. And First having to be constantly on alert against Chase, especially when he behaves like a charming honorable warrior, hiding that cunning manipulative side of him behind amused 'harmless' smiles. I would imagine its hard for First to not start to care about Chase (he can be very charming ;) ) to some degree, so there is like this delicious angst in starting to care about someone with whom morally you would never agree with. (very Prof. X vs Magneto vibe imho)

(this also could lead to some interesting spin-off angst opportunity about First being in the Fallen Warriors Army and just...existing in this weird limbo of being a target of Chase's favorable attention, but still essentially being a servant to his Master so thus really unable to trully care about/love this evil man but he still kinda cares after all these years and, like ooooooh baby thats some scrumptious angst possibility)

Or we can have some angst in form of First, being technically 'moved on'/left only in spirit in this world and Chase, still obsessing over him all these centuries, not even realizing that he is basically pining at this point. Showing up to bother current Ninjas, Ninjanomicon and Spirit of First at every opportunity, but not being able to actually be (in any capacity) with First, besides those very brief reunions. And First, throughout the years, while still being very annoyed about Chase's continuoes presence, also feels... incredibly saddened about this man to some degree. But he still can not falter, for his duty and successors still need him and they take priority, so this weird relationship just continues on.

And like OOOOH BABIES this is just scratching the surface of any possible angst, but these are the ones that are currently circling in my mind (i want to make some comics with these scenarious) so yeah! angst! ;D

Nothing to see here just Alcina and her three mini-me’s

Sith Witch

Once you start down the dark path, forever will it dominate your destiny