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#lot 5x11
crincher · 7 months
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What season 8 would have been like 😭
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talas-first-lady · 1 month
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Big questions only
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witter-potter · 3 months
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paceyjoey + one episode per season
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staliaqueen · 20 days
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There was a litany of reasons why We could've playеd for keeps this time I know I'm just repeating myself Put me back on my shelf But first, pull the string And I'll tell you that he runs Because he loves me (He loves me) Cause you should've seen him when he first saw me
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greghatecrimes · 4 months
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On Eric Foreman and Remy "Thirteen" Hadley
5x11 "Joy to the World", Virginia Woolf // 5x13 "Big Baby", what does love mean? by Ladan Lashkari, 5x20 "Simple Explanation" // 5x10 "Let Them Eat Cake", Foundry by Mikko Harvey // 6x03 "Epic Fail" // 6x07 "Teamwork", The Picture of Dorian Gray by Oscar Wilde // 5x20 "Simple Explanation", P.S. I Still Love You by Jenny Han
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marv-el-spot · 2 days
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Jane´s first and last lines.
JANE DOE GIFS 100/100 🎉🎉🎉 BLINDSPOT REWATCH
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thesecretgossipdiary · 9 months
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↳ request: rebekah mikaelson & emily fields as lovers who grew apart and came back together
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deluweil · 2 years
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I always feel like ppl are shocked about Buck and Eddie seeing different women, because they always expect the long awaited announcement of Buck and Eddie getting together.
Or already having been together.
Two examples at the top of my head are:
The famous "A*a who?"
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And recently:
Bobby's outrageous and quite disproportionate response to the news of Lucy and Buck kissing.
"You two kissed??"
It was an hilarious response tbh, but my point is that the only time ppl aren't frowning about the company the two keep, is when they're with each other.
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Not one surprised look, just interest into what seemed different to Buck about Eddie.
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jauntilyplacedcaps · 8 months
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catdadeddie · 1 year
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Ok but that gif set of Oliver’s tweets made me realize that he’s a hilarious human being lol. Damn I wish he were still on twitter he’d probably have some Things to say about the past couple of seasons
I'm glad he's off it tbh. He's bad at holding up boundaries on there and people abuse the access.
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Apparently, Josh really pissed me off back then. Don't come for my repressed firefighter son or I'll come for you I guess? lol:
Not gonna lie, kind of pissed at Josh this episode. I get the point he was making and that there is a reason they have protocols in place, but that was a really shitty way to get that point across. You're telling an experienced firefighter, army medic, and vet (who was the only one to figure out about the pressure switch under the gas pedal btw) to back the fuck up and that this is your house? Really? Not to mention, Eddie was right, time was of the essence and he told Linda to tell the caller first, before taking over. Then he handled it and kept a calm, even tone just like Linda would have. So wtf? Plus, to start out almost baiting Eddie by being friendly and asking about his weekend plans and then sort of commiserating in a way about how scary the truck emergency was and then complimenting him on catching the secondary trigger...that's even shittier, especially with what came after it all. And then to go into that tone with "You know, you could have come to me with your concerns" - um, really? You were in the break room, Josh, most likely gossiping and literally sipping tea. Not that Eddie couldn't have gone and gotten him, but come on. And "You are a guest in this house. Act like it" -- since when was Eddie not acting appropriately (except apparently for this godforsaken handling of this emergency that again SAVED the husband)? And he's a guest? Because he's in a liaison role? What a crappy thing to say. And it's not as if Eddie had a chip on his shoulder or wasn't approachable. Again, I get that Josh was just making sure it didn't happen again and the point he made was valid, but wow what a hell of a way to make it.
I usually love Josh but that was bullshit.
Don't come for Eddie Diaz or I'm coming for you. You hear me, Josh? And Maddie will not be able to save you. =P
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crincher · 7 months
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bickering like an old married couple before Sara had even proposed
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Buck & Eddie: Eddie's Season 7 Conversations
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One of the trailers and several pictures from Season 7 illustrate how Eddie will be involved in a lot of conversations during the early episodes.
The first trailer included a quick scene of Eddie talking to Chimney that looks intense and important. IIRC, it will be the first important conversation they'll have in CANON since season 3 (reminder their conversation in 5x4 before Chimney left to find Maddie was cut).
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TM (showrunner) released five pictures of Buck and Eddie and Eddie and Bobby that show them involved in more intense conversations but other than the looks on their faces and where they're located when the conversations take place, there's no context.
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One of the first pictures is of Buck and Eddie working together. It's reminiscent of the look Eddie gave Buck in 3x18 when Buck was going to sacrifice his own safety for AC's fiancé.
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There's a debate about who Eddie’s talking to here but I believe it's Buck based on the ugly shirt he's wearing that I've previously posted about (linked here).
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These two pictures were released at the same time and they show Buck and Eddie like they're shown 90% of the time in two separate shots instead of showing their conversation in one shot. Since that appears to be Buck’s work bag sitting next to him, it seems like their shift has ended but Eddie’s either avoiding something or someone (hopefully he's avoiding M like Buck avoided TK in 5x18) since he's still sweaty and working out in the gym 👀.
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The picture above is from season 7 and it's Eddie talking to Bobby or Bobby talking to Eddie (who knows) but the times they've talked alone in CANON in the past, it was about Eddie’s involvement in the fight club (3x8), before his breakdown (5x11), after his breakdown when Buck called Bobby to sit with Eddie while he took Chris to school (5x14), his performance review (6x14) or the other conversations they had about his love life (SD and AF) and everyone knows the results of those discussions.
I've included examples below that show Buck and Eddie having conversations in the past to illustrate how they were filmed in two shots instead of one. They were talking to each other and engaged in either a verbal or silent conversation.
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2x1 while they were in the firehouse gym.
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It happened twice in 2x4, once while they were at the firehouse and again while they were in Buck’s ex-girlfriend's apartment.
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3x3 after the Tsunami.
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3x5 during their grocery store argument.
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3x9 in Buck’s kitchen.
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4x4 while they were in the firehouse gym.
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For the entirety of the shooting in 4x13 and 4x14.
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5x1 near the pool table in the loft.
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6x1 while they were in the loft and Buck cooked lasagna for the Buckley-Diaz family.
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6x12 while they discussed how Buck was feeling in Eddie’s kitchen.
(There are others but there's a 30 picture limit on Tumblr.)
The point of this post is to show how Eddie’s going to have a lot of conversations in the early episodes of season 7 with Buck, Bobby and Chimney.
I wonder what or who ALL these conversations will be about 👀. Or could they be about Eddie choosing to stick it out again? Only the showrunner, writers and producers know the answer to that question.
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whumpystuffy · 9 months
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Whump list - Stargate Altlantis (2004-2009)
John Sheppard portrayed by Joe Flanigan. Plus some of the Ronan, McKay & Beckett whumps.
Trailer for the series.
Season 1
1x01-1x02 Tasered, grabbed by throat, slammed to table.
1x04 Alien stuck on neck, in pain, immobile, numb legs, grunting, heavy breathing. Defibrillated, no pulse, CPR, in med bed.
1x05 Under gunfire, shot with stun gun, unconscious. Sore, hit by explosion blast.
1x09 Gun point, captive, interrogated, betrayed.
1x10-1x11 (Plus major McKay whump)
1x12 Under gun fire, shot, bleeding arm wound, field medicine. Slams into invisible force field. Fight, slammed across field twice, cracked ribs.
1x19 Shot stunned.
Season 2
2x03 Shot, stunned, unconscious. Captive, tied up, gunpoint,
2x05 Ship crash, surrounded, outnumbered. Tied up, threatened. Fight, punched. (Plus Ronan whump)
2x07 Attacked, pinned down, bleeding arm wound.
2x08 Wound from previous episode, on stretcher, field medicine. Infected with mutating virus, angry. Shot stunned, coma, antidote.
2x10 Shot stunned, unconscious, captive, tied up. Forced to do OP, shot stunned, unconscious, captured. Forced to kneel by telekinesis.
2x11 Continuation from previous episode, interrogated, thrown into cell. Forced to kneel by telekinesis.
2x12 Attacked, thrown around multiple times, clawed on back, bleeding, bruised face. Field medicine, magically healed.
2x14 (Plus major McKay whump)
2x16 Shot, bloody shoulder. Shot stunned, unconscious, cuffed, dragged. (Plus Ronan whump)
2x17 Ambushed, gassed, unconscious. Tied up, needle injection in neck, gunpoint, captive.
Season 3
3x01 Captured, manhandled.
3x02 (Plus Beckett whump)
3x03 Sick, cold, coughing, sneezing.
3x04 Shot with tranquilizer, tied up, caged, manhandled. (Plus MAJOR Ronan whump)
3x07 Shot by grabbing-hooks in vest, slammed to the ground, captured. Failed escape, electrocuted, dragged, tied up. Tortured, life drained, weak, bleeding chest wound, punched.
3x12 Headache, bleeding from ears, eardrum blown, in med bed.
3x16 (Plus Ronan whump)
3x17 Training fight, punched, slammed to the ground, grunting in pain, ice pack on face.
3x19 Forced to kneel with telekinesis. (Plus Ronan whump)
Season 4
4x03 Shot stunned, unconscious, dragged. (Plus Ronan whump)
4x04 Fight with himself inside dream. Defibrillated, flatlines.
4x05 Captured, tied up, manhandled, blood test forcefully taken, interrogated, tortured, punched repeatedly, bloody bruised face. Failed escape, beaten, shot stunned.
4x06 Infected, sweating, forgetful, shot stunned, in med bed.
4x10 Hit during training, bleeding eyebrow cut.
4x11 Shot stunned, unconscious, tied up, interrogated.
4x12 Shot stunned unconscious. Captive, manhandled, forced to kneel with telekinesis.
4x15 Thrown across room, slammed against wall, strangled.
4x17 Attacked, air sucked from room, suffocating.
Season 5
5x01 Hallucinating, under collapsed building, in pain, object in abdomen, heavy breathing/bleeding. Field medicine, discharges himself, sweating.
5x02 Infected, restrained, seizure, flatlines, cpr. Impaled by vine, in med bed.
5x03 Ambushed, betrayed, punched, unconscious, dragged. Kicked, kneeling. (Plus MAJOR Ronan whump)
5x09 (Ronan & McKay whump)
5x11 Hit by explosion blast, ringing ears, glass shards in back, field medicine.
5x12 Gassed, unconscious, captive, manhandled, on trial.
5x14 Fight, strangled, punched repeatedly, bloody face bruise. (Plus Ronan whump)
5x15 Shot stunned, unconscious, tied up. Failed escape, interrogated, beaten up, punched, bloody face. Manhandled, hand cut off, in pain.
Man I really like Lt. Sheppard. His whumps were really great and so defiant! Not a lot of them but still some. Also a really watchable show in general. A gem I can recommend!
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galvanizedfriend · 5 months
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what are your top ten favorite klaroline fics?
Hello, nonnie! I see your asks have made the rounds. Really nice to see lots of rec lists circulating!
I had to give this a thought. It's very hard to come up with just 10. I could easily do a part II. 😂 But without further ado, and in no particular order, 10 of my favorite KC fics:
. The Parisian Deal by Borzoi
I honestly vary between The Parisian Deal and Paradise Lost as my favorite Borzoi fics. It depends. I think I'm in my Parisian Deal era, though. I've recced this a few times over the last few months, whenever someone's asked me for my favorites or humanity-less Caroline fics. For me, this is the best one that comes to mind. Borzoi's fics are all brilliant. I love their writing style to bits. It reads like a novel, it draws in and it grips you by the throat until the very end. This one features Klaus being called to the rescue by a desperate Salvatore clan when Caroline turns off her humanity and fucks off to Europe. Unlike her friends, Klaus doesn't threaten her, doesn't try to force her to feel; instead, he offers her a deal. And it's perfect. I love this story with my whole heart, I can't even tell you.
. In the Backseat by Lila2
After leaving Hayley as a wolf in the Bayou and earning the hatred of his entire family, Klaus shows up with baby Hope on Caroline's doorstop. He has no idea what to do with a baby, is too proud to apologize and is in desperate search of some validation, which invariably leads her back to her (just like in 5x11). Caroline is torn between being mad at him for having a baby with freaking Hayley, and also the fact that she loves kids and there's a part of her that resents him precisely because he gets to have them, when she never will. In her own way, Caroline puts him in his place and convinces him to make amends and go home, take Hope back to her mother - but only if she comes with him on the road trip. And boy, is it worth it. 🥰 It's a fic that has the baby as a catalyst for everything, at the center of everyone's woes in different ways, but it's not about the baby, in case you're a baby fic hater. And the writing is just chef's kiss.
. the birth and death of the day by @little-miss-sunny-daisy
For a good while there, this fic was my entire fandom personality. Whenever anyone gave me a second of their time, I'd preach about the birth and death of the day. I was obsessed. Kelly is a brilliant writer, so, so, so talented. I am not kidding when I saw I wish I could write like her. And the greatest proof of that is how this fic was everything to me, in spite of not being at all my cup of tea on the tin. I don't like Supernatural, I never watched more than two episodes, and the Klaroline bit here kind of takes on a secondary role to the end of the of the world. But it's such an intense and brilliant character study on Caroline that it had my whole heart from the start. Her relationship with her BROTHERS Dean and Sam is so heartfelt, and it exposes so much of who Caroline really is as a character. The plot is INSANE and AMAZING and HUGE and it's so incredible how it ties in so seamlessly with the Mystic Falls shenanigans. And then there is Klaus! When I saw secondary, I don't mean irrelevant. I just mean there's more to the story than just their relationship. But it is still brilliantly developed. Honestly, just writing about it brings me back memories. I love it so much.
. Quiet Light by @definedareasofuncertainty
I am biased when it comes to Luiza's fics because I'm a fangirl and I have been one since day one, before we even became friends. But in the years (years 🥲 we have been here so long, friend) we have known each other, her writing has only gotten better and better. It's atmospheric and understated and it has this mindfulness about it that I can't really explain. It really feels like being in the characters' stream of thinking, you get instantly pulled into it. It evokes emotions without it ever having to be minutely described, and I think that's such an incredible talent. I wish I could write like this! And Quite Light not only brings all of those things forward, but it also brings COMPLEXITIES and MORAL QUARRELLS and it was also WRITTEN FOR ME. 😌✨ Luiza thought she was getting revenge on me by torturing Elijah, but LITTLE DID SHE KNOW I actually loved it. I went into this thinking it would be just a rom-com style story (which I love), but it's so much more. By the end I was crying real tears. 🥲 It becomes such a beautiful story about the relationship between Klaus and Elijah. Honestly brilliant.
. light years by @definedareasofuncertainty
Honestly, this fic has a very specific target audience, and that target audience is ME. I'm not even exaggerating; this is one my favorite pieces of fic ever written in the KC fandom. The way a Klarolijah fic speaks to me can be so personal. 🥺 I love the Klarolijah dynamic. I really do. But it takes a very specific balance for me to feel it. It can very easily go from me loving it, to me wanting to throttle someone. And this! THIS!! This is absolutely it. 🥲 And it's just about my favorite thing ever. This is actually three mini drabbles combined into one. Each of them is written through a different POV - Klaus', Elijah's and Caroline's. And the combination of all three, the way they tell the same story through different eyes, is just !!!!!!!!! Honestly, I don't have words. This has ✨Yokan my beloved✨ written all over it and I feel it very much. Luiza has a ridiculous talent for writing things on the spot. She got prompted to write an Elijah piece, and then a Caroline piece, and then a Klaus one, and she wrote them all in like 30 minutes on one of her mini drabbles challenge, and OH MY FUCKING GOD. I hate her for how good she is. 😭 (I don't, I love her, but I also v much envy her talent).
. this is a harvest by @highgaarden
I spent a solid few minutes here thinking about which of Hannah's fics I wanted to list, because she has this huge catalogue and I've basically read all of them and have gushed over almost every single one over the years. But even though there are others that could easily be in my top 10, I always end of going back to This is a Harvest. I remember when I first read it, I closed the tab at the end and was just… Done. Not in a 'I can't stand this story/ship/fandom anymore', but in a 'this is the fic to end all fics' kind of way. And it's not so much about the style or the writing, which are both stunning, but the way the story is told. It's a canon divergence that spans over years and I felt it in my heart that this was where the story could've gone. The choices they could've made. The way Caroline's story could and should have ended. And I was satisfied. I started writing and reading KC fanfiction after TO was over because I was so indignant about the way the show ended, so unhappy that I needed to give it my own spin, and read other folks doing the same, and when I read this story I felt like I had achieved that. This is it, I can put this to rest.
Obviously, I was way too deep by then that I couldn't really abandon the fandom (even though, just between us here, I kind of wish I could), but for a whole week or two, I was at peace. This fic gave me peace. That's it.
. Into the Woods by @jinxedwood
"But Yokan, how would you like to see Klaus' part in Legacies play out?" Like this. Exactly like this. This story accepts the finale we were dealt in The Originals, and then makes something absolutely amazing with it. I love the premise, I love the mythology involved, I love how unique this take is, and I love how even though it's poignant and bittersweet, it still packs up everything about Kc that made me love this ship so much. Caroline has been in Europe for years trying to find a way to help her daughters with their Gemini situation, and then she ends up stumbling across something else entirely. While she thought the thing she most wanted to see on a brief stint on the Other Side would be Gemini witches, her heart betrays her by taking her to who she really misses the most.
. it takes a while to settle down by theviolonist
This story is so old school it was written before Steroline. It's about Tyler. But we all know who Caroline ends up marrying, so in my heart, this is really what happens before Caroline marries Stefan. And honestly, it works just as well. This story is a punch to your stomach, but it is PERFECTION in 8k words. It's hot, it's bittersweet, it's SO in character. Caroline's denial, telling herself that Klaus is there to see her because he still ones revenge on Tyler, when it becomes very obvious, very fast, as it always does on the show, that it's never about Tyler, it's all about her. UGH. Honestly, brilliant. (third fic on this list with a The National reference on the title, I SENSE A PATTERN).
. As One Wishes to Live by @lalainajanes
I had never in my life read a genie!AU, and simply could not wrap my mind around anything of the sort that wouldn't be extreme crack!fic. Imagine my surprise upon reading this story. It's bittersweet in the best possible way. At the same time it's endearing and adorable (and so very IC) to watch Caroline fumbling for a fair and non-insane way to handle Klaus, the genie Katherine accidentally gifted her with (and who just happens to look incredibly alluring), it's so very poignant to read Klaus' POV. He's Klaus in the way that he's suspicious and dismissive and kind of snobbish, really, but he's resigned to his fate. This is a Klaus who has been broken by years of enslavement as this prop who's there exclusively to serve others. Every time he mentions one of his past masters, you just get that stab - and so does Caroline. Laine is one of the most prolific and talented KC writers ever, and I have read and enjoyed so, so many of her fics, but this definitely has a special place in my heart.
. Psychedelic Kicks by @notalittlebutalottie
This is an ensemble story that has Klaroline at heart, but that gives every other character a moment to shine. And shine they do! Everyone gets their own side stories, and absolutely loved following every single one of them. Lottie made me care for characters I hate in canon, like Katherine and Kol. Even Stefan and Elena had my heart here. This fic is a journey, full of ups and downs, and it has such a satisfying end. It's also incredibly original in its setting and tone, which I think it's one of Lottie's greatest talents. It's very are for historical fics to be set in the 60s, and not only did Lottie choose this very particular time, but she also did such a remarkable job incorporating the decades' aspects into the story. Not just the fashion, and the music, and Woodstocky vibes, but the social and political unrest as well. This is a story with LAYERS, my friends, and it's incredible. I could totally see this being a TV show or a movie tbh. It's that good.
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m3r1m4r5u333 · 12 days
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So I just need to ramble some more about Eddie being queer-coded, and especially bi-coded. And pining. Always pining.
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5x11 is an interesting episode. The episode is called "Outside looking in". Which btw makes me think of some stuff I've posted about before - how Eddie feels like queerness is not an option for him. He's watching from a distance, outside looking in. Sure, he'll support other queer people, but what about himself? Not an option.
Religious family, perhaps the lingering fear of losing Christopher's custody, fear of making his son's childhood even harder, and also I think... Just fear of discovery. I think Eddie has pined after Buck for a long, long time, and fears that people would realise how he really feels if he came out. It would be like stepping under a spotlight with no payofff. Just awkward, embarrassing because he thinks his feelings are a dead end. First he thought Buck was straight. And then even Buck turning out to not be straight changed nothing - Buck is already dating someone else, gushing about him to Eddie.
Anyway... Outside looking in. It's a very Eddie-centric episode, focuses a lot on Eddie's identity. He's quit 811 and works at a call center. The job doesn't suit him. It's dull, feels meaningless. He quickly becomes bored, sad, lonely. He's lost his identity, even his scars are missing when he gets ready for the day.
An interesting bit about Eddie's daily routine montage is the music that plays during it. It's Are you down to ride? by Skegss. Very queer-sounding!
"Let's pretend like we've done this all before
So much wilderness to go and explore
Your imagination is the best recreation
Remove the mask you're wearing and overcome your fear
Cut it with your smile and show the world what you're really like..."
...There's also the repeated flip, an alternating question of "Are you down to ride?/Are you down for life". The song is all about trying to overcome fear, to embrace your true self.
I won't quote the entire song but overall, there are lots of lines that sound like hints to hidden queerness. First of all, "so much wilderness to go and explore"? The montage also shows a framed photograph in Eddie's room. Curious "wilderness" there - a picture of some very phallic looking cacti!
"...This is it, this is what you were made to be
Yeah, might seem strange to you
It's as strange as hell to me..."
The word strange of course always makes me think of queerness, too. That's what the word queer used to mean. So strangeness, combined with the line about "this being what you were made to be". Curious.
Then the dialogue in that montage.
May telling Eddie that "the word of the day" ... ("..???". It's a fancy word I couldn't catch, I'm not a native english speaker),
means "to leave abruptly."
Which combined with the music about overcoming fears, removing a mask... naturally makes me think of coming out of the closet. Also, there's Eddie's abrupt decision to quit the team, and even his big decision to move away from the overwhelming pressure of his religious family.
The decision to quit the team forms after Eddie is hurt on the job. But it also forms after Eddie starts dating Ana, and after the relationship fails spectacularily - due to Eddie not loving her, and clearly not being ready to move on.
Personally I feel like Eddie freaks out about his strong connection to Buck and that is one reason why he wants to quit the team. It's there in that panic attack scene at the fire station. So many hints of unrequited feelings, and so much staring at Buck. So I think part of the reason why Eddie quits his job..? It's to gain some distance to Buck.
Eddie in Outside, looking in... The word of the day being "to leave abruptly"...?
It also has that scene in which Buck and Taylor come to Eddie's for dinner and Eddie tells Buck that Buck needs to move on, Eddie has. (It's obviously a lie, Eddie is a mess.)
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When May whips out that word about leaving abruptly..., Eddie isn't a fan of it, wryly says "And I thought "bamboozle" was the word of the day lowpoint". (Bamboozle = to trick or deceive someone, often by confusing them)
Moving on isn't easy. Leaving the closet isn't easy. Deceit, tricks, confusion... no fun either.
Anyway, back to bi-coded dialogue.
There's Linda, another colleague, who keeps recommending Eddie some recipes. Btw I think I've said this before but. To me it sure sounds like this show loves making food related sex jokes!
In another episode we have Buck (a bisexual) telling Bobby and Athena that he likes their cooking equally.
Then there's Eddie later, in season 7, talking about his relationship troubles with Marisol, getting a text from Marisol who wants to know what Eddie wants for dinner. Buck suggests sushi, Eddie answers "The menu is not the issue."
And color me crazy if you like, but as far as I understand, it's a pretty old euphemism that men are "meat" and women are "fish"... So jokes about liking "fish". Sure sound like euphemisms to sex with women.
Anyway, back to Linda and recipes.
Eddie sees Linda, tells her
"By the way, you were right about the fish sauce! Never would have thought of it."
Linda answers "Told you. Umami levels off the charts!"
Eddie promises Josh to get to work right away. Then goes to post public service announcements on social media.
But turns out it's "Exit ramps closed..."
And in the montage his printer won't work. He makes a press release about a structure fire. A structure fire... sounds like an identity crisis.
Eddie's daily routine montage continues. He cooks breakfast for Chris and tells him to
'eat up so he can focus at school.'
Eddie calls him Bud as he says that. Which sure sounds to me like meta writing to the buddie fans. "Hey buddies, now's the time to get ready for school - pay attention!"
So pay attention to what, what happens after that, how are we schooled?
Eddie takes Chris to school, gets to work, and is seen talking to Linda again.
Eddie: Are you sure about this?
Linda, very confidently: Equal parts potato and butter!
Then Eddie is seen posting about "traffic collisions". One taking place at Sepulveda 405 fwy. Sepulveda is btw derived from spanish, and means "to bury". And 405? Could it be an episode? I think it is. And that one, season 4, episode 5... It's Buck begins.
Interesting, how that episode also has someone running away from his family: Buck. There's Buck, learning to ride his bike, running from home, running to Maddie to be patched up because he crashed on his bicycle.
Has Eddie maybe "crashed his bike", and gotten hurt, too, and that's made him quit the team abruptly?
Then the montage with Eddie in Outside, looking in, it also includes a child on the phone asking Eddie...
"Are you a real fire fighter?" Eddie says yes, I'm a real firefighter.
We've heard that question before! Another child sneeringly asks that same thing from Buck when he's forced to do desk duty.
(It's in that super buddie-coded episode, Monsters, the one with the crows who are repeatedly called buddies.
The crows attack young boys who torment them, the team wonders if the crows are waiting for these boys to come out.)
So... In Monsters, a boy asks Buck if he's even a real firefighter, Buck says that he is.
Which rather makes me think of bi erasure once again. The persistent belief that bisexuality isn't "a real" sexual orientation. "Oh everyone is "bi" these days, it's trendy!/You just made this up to get attention/You're really just gay/straight and won't admit it...
It's all about "You're not even real". The inability to take the bisexuality seriously is a never-ending reaction to us bisexuals. We are thought to be these mythological creatures, unicorns.
So I think it's very interesting that this is asked of Buck, and later of Eddie.
"Are you even a real firefighter?"
Very similar to this repeated challenge of... "Are you even a real person?"
Bisexuality is always very quickly dismissed as an option. It's apparent in this fandom too.
This actually reminds me of another scene in which Eddie once again calls Chris Buddy... And tries to tell him about meeting Ana, and really liking her. Chris is making a salad as Eddie starts talking about Ana, is enraged to hear about Eddie dating this woman, throws the salad on the floor, storms out. Eddie is left alone, collecting the pieces of that salad bowl. He looks sad.
Another thing that makes me return to the idea that Eddie is bi/pan? The hints about his relationships failing and dating being a performance - because he can't move on.
Right before Eddie asks Ana out, there's this emergency with that rapper dude. The episode is Jinx, the same one in which the team is trapped inside their truck due to deathly amounts of electricity. (Subtext!)
Jinx also has the clowns. Which I'd made crazy posts about before so to briefly summarize - I think the clowns are the queer audience, choking on the queerness of Buck and Eddie together.
Anyway, that rapper in Jinx:
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Izzy chainz... Stuck on you. Or maybe,
Is it chains to be stuck on you? Catch me here - a qr code. Or a queer code?
That's Eddie, really. Not having moved on.
But Eddie tries to move on. Even though he's not ready. Eddie needs pep talks from Bobby to go on dates. He's not really ready to move on from Shannon, has not processed her death, their marriage failing.
But he hurls himself into that relationship anyway... And then anxiety builds. It's a sum of several factors, but still.
The panic attacks are quite revealing. They build a picture of Eddie not only being over Shannon, but also realising that he's now stuck on Buck as well, and cannot handle losing him.
One panic attack - when he sees a patient who looks startingly like Buck. Another when someone thinks Ana is Christopher's mother - making Eddie remember Shannon. And likely also Buck, because Ana's reaction is not only to deny that she's Christopher's mother. She also continues saying "I'm just a friend!" Much like Buck, who keeps parenting Chris despite not being a parent to Chris, despite being just a friend to Eddie.
Third panic attack... when Ravi thinks Ana is Eddie's wife - even though Eddie clearly doesn't love her, even forgot to introduce her because quite frankly, he's too distracted by Buck.
Is it chains, stuck on you..." Yes. Certainly, there are lots of chains stopping Eddie from moving on.
Those 'chains' made Eddie's relationship with Ana an impossible up-hill battle from the start, they're the reason why that relationship ends up failing. He does not pursue her freely, genuinely, he is trying to fall for a concept of them together.
The breakup also hints that Eddie's been catching feelings for Buck, and is left reeling, trying to understand them, and get over them.
But he still hasn't. They've always been there, from the way he just jumps into making Buck his family, to present day in season 7 where Marisol struggles to place her bag on Eddie's hallway table. There's just no space for someone like Marisol to set down their belongings, they joined this race years too late.
The space is already taken. The toy truck Buck gifted to Chris years ago takes too much the space for anyone else to get too comfortable. It's the first thing Eddie wants to see when he comes home. That's quite telling.
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