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#loki series analysis
catwouthats · 7 months
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Lokius vs Sylki season 2 episode 2 (cinematography wise)
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Green background (in this show I’ve analyzed it’s usually used as a color for enchantment)
Bodies overlap from our angle
Completely facing each other
Nothing blocking them from each other
Equal playing field (both eating pie)
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Orange/yellow tones (I’ve analyzed this color is usually used for lying and betrayal)
Bodies separated
Not entirely facing each other (though they do later)
BIG ASS CASH REGISTER AS A BARRIER BETWEEN THEM
Unequal playing field (employee vs customer)
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percheduphere · 3 months
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LET'S TALK ABOUT "HE'LL MAKE IT BACK"
Special thank you to @mmobiuses, @starrose17, and @stevenrogered whose gifs make-up the lion's share of this post. Thank you to all the other amazing gif artists as well, without you, my metas won't be possible.
This might come as a surprise to a lot of people, but I actually wasn't big on Lokius until Season 2. I thought Loki and Mobius made a cute ship in Season 1, but that was the extent of it. In truth, I lost interest in the Loki series by the S1 finale and had 0 interest in watching S2. I didn't give the series another try until I saw positive reviews on Tumblr. I therefore started watching S2 when S2E4 dropped.
LOKI SEASON 1
Enjoying the potential love story between two characters is a deeply personal and subjective experience. So take what I say as my personal experience observing Loki and Mobius's relationship.
I fully believed Mobius loved Loki in S1 in the platonic sense. Tom Hiddleston has given a few interviews on Loki's and Mobius's relationship and seems to believe in this sentiment as well [see 5:30-7:30 and 10:57-11:00]).
That is to say, in S1, I didn't feel, "Oh, my god ... he loves him." It was more, "Yes, he loves him", there is no question, his actions prove it.
There is wiggle-room for unrequited love in the S1E4 interrogation scene, but the jealousy Mobius exhibited could have just as easily been a combination of anger on behalf of his murdered colleagues and platonic jealousy.
However, I felt the first hint of unrequited love from Mobius occurred during his goodbye scene with Loki in S1E5. Specifically, this look:
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I had no expectations for that look to pay off in any way. Season 2 surprised me.
LOKI SEASON 2
S2E1 is amazing episode because, through subtext, it reframes how Mobius's S1 emotions may be interpreted with stronger evidence for romantic motivation. In this episode, there appears to be a subtle, gradual build-up to the moment that Mobius's love for Loki may be viewed as fully romantic. Let's break down the episode and look at the progression:
First, learning that Loki is at the TVA: *sigh* I can't find the "Loki's here?" gif.
Second, and perhaps the most infamous, the reunion and whole-body support Mobius provides Loki in the TVA War Room (physical comfort):
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Third, Mobius bringing Loki somewhere safe and quiet, assuring him that "it's okay" (emotional comfort):
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Fourth, Mobius insisting that Loki's condition must be fixed, not once but twice, in two different scenes. A third (writer's magic 3s!) instance occurs in the Heart of the TVA, just before the gangway scene (prioritizing the other):
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Fifth, Mobius's admission that Loki's timeslipping looks horrible, and he can't look at it anymore. He repeatedly stresses to Loki how serious this is (emotional and physical empathy):
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Sixth, Mobius taking Loki to exact right person who can help. This is particularly significant, because Mobius is the only person in MCU canon who has verbally expressed concern for Loki's physical well-being and took immediate action to stop the pain (act of service):
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Seventh, the third time Mobius prioritizes Loki's wellbeing. He scolds Loki and reminds him they have only one shot at getting his timeslipping corrected before the temporal radiation becomes too high (prioritizing the other):
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Eighth, Mobius interrupting Loki, insisting that he will make it back. The subtext here is that no other outcome is acceptable or thinkable for Mobius (emotional comfort):
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Finally, Ninth, the clincher: "He'll make it back." (self-comfort)
This scene is everything to me. Moments 1 through 8 build-up to this singular moment. Let's do a micro-analysis on it.
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After Loki timeslips, the camera stays on Mobius. It tracks him as he kneels down to pick-up the time sick, the last thing Loki touched. The camera then pans up as Mobius rises.
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@stevenrogered, THANK YOU for this gifset. It's literally the only one I could find that captures the camera tracking Mobius after Loki disappears, and this is my all-time favorite Mobius scene.
Mobius stands for a moment, motionless, and the camera holds on his facial expression. He's staring at where Loki WAS for extended period of time (keep this in mind for later). He's holding his breath. He's worried, scared, and hopeful, not for himself and the danger he faces on the gangway, but for Loki.
Finally, he exhales as he says to himself, "He'll make it back".
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This entire sequence--particularly the moment when Mobius picks-up the time stick and holds it in silence--made me feel, "Oh ... Oh ... he loves him."
The camera stays with Mobius, capturing his reaction to this high-stakes situation for a significant amount of time (@loki-us, maybe you can get this timed starting from the moment Loki disappears and Mobius starts to kneel to pick-up the time stick?). Cinematographers don't do this type of hold unless they want to illicit a strong emotion from the audience regarding the character we are focusing on in the moment.
My insides swooped, which rarely ever happens when I view film or television.
And this camera hold, this pregnant pause, is mirrored by Loki's stare in S2E5:
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sylvies-kablooie · 7 months
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the fact that O.B. remembers meeting Mobius before indicates that the TVA forgot to wipe his memory because they forgot he was even there at all
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loki-us · 3 months
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A review of the moment in 2x1 when Loki disappears right in front of Mobius, to add to @percheduphere’s lovely analysis of this scene. The pause is truly so significant and is way too long to not be meaningful (in a totally feelings-realization not-entirely-platonic way). I previously timed Loki's long stare at Don/Mobius in 2x5 when declaring who his time-slipping is about, which is almost 10 seconds of direct eye contact. This scene in 2x1 holds for almost 13 seconds of Mobius processing Loki's disappearance before finally announcing that Loki Making It Back is the Only Option. Season 2 really started off by immediately exploring how much Loki and Mobius mean to each other and I’m so grateful their dynamic was given such focus and intention in the final half of the show.
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joyful-enchantress · 5 months
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Loki’s costume at the end of S2E6 was perfect.
Yes, every part of it, down to those slippers.
And here’s my unsolicited (and delayed) thoughts on the matter.
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First, let’s talk about his robe. Not only was it utterly beautiful, down to the draping and the deep, rich shade of green (and I mean come on, would we expect anything less?), its style was incredibly symbolic.
If you look at previous Loki ensembles, especially the ones that include a horned helmet, there is an air of grandeur and finery about them. The exquisitely stitched, buttery leather; the shiny gold trimmings and metal armor accents; the dramatic, billowing capes and overcoats. Even the silhouette of these looks is broad and structured — one might even say severe. Everything about these past looks screams “Look at me; I’m important” and reinforces Tony’s own observation in The Avengers that Loki is a “full-tilt diva” — he longs for the respect and attention that he deserves (and has been denied almost all of his life) and that longing is reflected in his clothing. They are reminiscent of the royal palace in which he was raised. They allow him to be battle-ready, because he’s had to fight and claw for every scrap of love and attention he’s managed to get. They represent a broken prince. A warrior cloaked in royalty. A would-be-king.
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Now, compare that to his robe in Loki S2E6. It isn’t flashy. It has a soft silhouette. The shade of green is deeper and richer than we’ve seen; more earthy. An earthy shade of green which, in my opinion, is a nod to Yggdrasil, the cosmic tree that he will weave the branches of the multiverse into. The gold trimming across the front is subtle and understated - I even missed it at first and didn’t realize there was any gold trimming on the robe at all until I got a closer look later. It is simple. The draping is reminiscent of the robes worn by Buddhist monks. His robe reflects a Loki that has more wisdom and humility, and who has realized that being a good king — a proper god — means he will spend his life in service to others. It is the robe of a man who is confident and self-assured and knows exactly what kind of god he needs to be.
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Now let’s talk about the slippers. I noticed that they got quite a bit of flack immediately after the finale aired. And I get it — they’re an odd choice, especially when we are so accustomed to the dramatic boots and finely-crafted and statement-making dress shoes he typically dons. For similar reasons as the robe, they are symbolic and fitting for Loki’s development into a wiser, more humble character. Don’t get me wrong, these loafers are still impeccably stylish, and no doubt they are of the finest craftsmanship, because this is still Loki we are talking about here. But they have a purpose, and that purpose is to get him to his final destination. These simple slippers barely even protect Loki’s feet, showing us a kind of vulnerability that we’re unaccustomed to seeing from Loki. He isn’t guarded in this moment; he’s open, connected to his purpose, and sure of himself. The shoes aren’t for battle; they aren’t meant to impress. They are meant to serve.
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Now, about what is, quite possibly, my favorite feature of the costume. The horns. These iconic horns which we’ve associated with Loki from the very beginning take on an entirely reimagined look in the finale. First of all, they are bigger than any set we’ve seen resting upon Loki’s brow. So big, in fact, that they weren’t actually a physical part of the costume Tom Hiddleston wore. So big that they would likely hinder his performance if he actually had to bear their weight on his head.
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In addition to their size, the horns are made of the same temporal-infused material from which both HWR’s talisman and the citadel at the end of time are constructed. Gone are the opulent golden horns that glisten and shine with the grandeur of royal finery. These horns are dark and heavy. They symbolize the unfathomable weight of the burden that Loki bears in his godly endeavor to save the multiverse. The golden temporal material that runs throughout the horns like veins is reminiscent, to me, of Kintsugi, the Japanese art of mending broken things with gold. And in a way, Loki is a broken thing that has been healed and mended throughout his personal journey of self-acceptance and friendship, and is now more beautiful than he ever has been. More humble. More selfless. More godly.
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In addition to the horns, the cape, too, is the largest we’ve seen Loki wear. And while at first, this dramatically oversized cape may seem to stand in opposition to the humility that the rest of the outfit encapsulates, it works. It works because, like the horns, it is symbolic of the burden Loki has chosen to bear. This cape would be unbearably heavy; it would make even the most basic movement difficult. And on top of its sheer size, his cape even becomes torn into strips that are woven into the timelines themselves, literally securing his burden — his service to the multiverse — around his neck.
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Lastly, I want to talk about the way this outfit manifested. There’s been a common thread throughout this discussion about the humility and selflessness that this ensemble puts on display. And while that’s true, we’re talking about a relative level of humility and selflessness, when compared to Loki’s previous tendencies. This is still Loki we’re talking about here. He’s got a flair for the dramatic. He’s nothing if not intentional about the way he presents himself. And the way he marched down that gangway like it was his own personal runway, while his clothing fell away in shreds and tatters to reveal this completely fresh but familiar look, was completely on-brand for him. It was theatrical. It was glorious.
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His outfit at the end featured accessories that were heavy and larger than life. Those parts were a burden.
It wasn’t short on the style and drama that we’re so accustomed to seeing from Loki. It was glorious.
And every part of it, down to his humble shoes, was fit for purpose.
One look at this finale costume and you know, without doubt, that Loki is burdened with glorious purpose.
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A/N: If you’ve made it this far, thank you for reading my unsolicited thoughts on this beautiful piece of costume design! Also, apologies for the delay in posting. I know some of you have been told this post was coming since the night the finale aired, weeks ago. Thank you for your patience with me as I gathered my thoughts and found the time to organize them and type them out.
🏷️ @peachyjinx @acidcasualties @muddyorbsblr @lokischambermaid @lokisgoodgirl @mochie85 @tallseaweed @give-me-a-moose @fictive-sl0th @coldnique @maple-seed @loopsisloops @gigglingtiggerv2 @simplyholl @superficialdomina @mischief2sarawr @ijuststareatstuffhereok89 @wheredafandomat @liminalpebble @ladyofthestayingpower ++
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sheliesshattered · 6 months
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I've seen some posts going around expressing frustration with Loki not telling Sylvie how he feels, at least as of the third episode of season two. And I'm not saying you're wrong, but like, can we just take a minute to think about this from Loki's point of view?
When they fought in the citadel at the end of time, the last thing Loki said to Sylvie was that he just wants her to be okay. Nothing else -- not power, not a crown, not the ability to rewrite time to his desires. He just wants Sylvie to be okay.
And in response, she kissed him. For those of us who ship them, obviously that was The Moment, and it probably felt like it to Loki, too. But then Sylvie immediately pushes him through a time door and kills He Who Remains, exactly what Loki was trying to keep her from doing.
We don't really know how Sylvie feels about Loki, but from Loki's point of view? That wasn't a kiss because she has feelings for him too, or even to acknowledge his feelings for her. That kiss was a trick, just as much as Loki creating a double or Sylvie enchanting someone. She used it to get him out of the way, because she realized she couldn't kill him and she couldn't convince him. So she kissed him to distract him long enough to get rid of him.
Loki has to have realized that pretty immediately. His face after she pushes him through the time door certainly looks like he knows exactly what Sylvie just did, and why. He tells her he just wants her to be okay, and she betrays him with a kiss. He looks appropriately heartbroken.
He then spends the first two episodes of season two trying to find Sylvie. Not just because the TVA is falling apart, but because he still wants to make sure that she's okay. She killed He Who Remains, she completed the one goal she'd had for so long, and Loki knows she would have been alone at the end of time after killing He Who Remains. Even before the TVA crises start piling up, he wants to find Sylvie, just because he needs to know that she's okay.
We as the audience get to see how desperate Loki is to find Sylvie, and it's obvious to everyone at the TVA, even Brad who has been off on his own on the sacred timeline for however long.
But when they finally find Sylvie, she really doesn't seem happy to see Loki. Her face falls, her posture is distinctly cold and defensive. When they talk, she tells him that she just wants to be left alone. She tells him that she's happy living there in that branched timeline, that she just wants to stay there, alone.
And once Sylvie makes that clear to Loki, he backs off. His feelings for her haven't changed -- but from his point of view, she's just reinforced that the kiss didn't mean anything to her. Because he loves her, Loki just wants Sylvie to be okay. And she makes it clear that she is okay, living a quiet life of her choosing.
Personally, I read Loki's behavior in the most recent two episodes as him intentionally respecting Sylvie and her wishes. All he wants is for her to be okay. All she wants is to be left alone to live the life of her choosing. He loves her, so how could he do anything other than give her what she wants?
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bitchliteraria1906 · 1 month
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I'm so sorry for spam posting about Lokius. It will happen again.
Anyways, I wanna talk about how the fell first x fell harder thing works with them, in my personal opinion.
Let's get it out of the way: Mobius fell first, Loki fell harder. I think most of the fandom agrees with this.
Mobius studied Loki's life. He's seen all the bad and even downright unforgivable things Loki is capable of.
But he's also seen Loki interacting with his family and the people of Asgard, how he never seemed to fit in, how there always seemed to exist an emotional wall between him and pretty much everyone that wasn't Frigga. He's seen vulnerable moments other people in Loki's life can only dream of knowing about.
As I said, something Mobius definitely noticed is the big emotional wall that exists between Loki and other people.
So the first thing he does when he gets a chance to talk to Loki is try to break down said wall, and he does that by pressing him with questions and pushing all the buttons possible.
"Do you enjoy hurting people? Do you enjoy killing?"
"I'll kill you."
"What, like you did your mother?"
It's a cruel tactic, and considering Mobius’s personality it's safe to assume he didn’t enjoy doing that, but it's what you're expected to do with prisioners at the TVA, and in this case, it works. Loki opens up, and it makes things easier.
I've seen a lot of people joke about how Mobius studying Loki is basically him having either a hyperfixation or being a fanboy with a little celebrity crush, and... yeah? That's pretty much it?
I mean, come on. Even though it was necessary to understand Loki to work with him, you can’t tell me Mobius wasn't genuinely interested in him too. Even in season one, when things were far from perfect and there was still trust to be built, he seems to think of Loki as fascinating/endearing sometimes, and did nice things for him without expecting anything in return, like giving him the daggers, complimenting him, just overall speaking softly whenever they're talking. He wouldn't do that if he didn’t see Loki as more than a variant he was being forced to work with.
All of this, paired with his reaction to the possibility of Loki having a thing for Sylvie, paints Mobius as the person who fell/noticed his feelings first for me. I personally think he pushed these feelings aside due to a "It would never work" train of thought, even before Sylvie.
As for Loki, while he obviously didn't trust Mobius at first, once they started spending more time together, he seemed to start feeling safe and comfortable around him to a degree that he had not felt with anyone else in a long time. He sleeps peacefully around Mobius, allows himself to be playful, and seems to genuinely appreciate the nice things I mentioned Mobius did for him.
But he's also a very traumatized person who hasn't felt genuinely connected to anyone in a while, so he obviously has no idea what to do with this, and the high stakes he's dealing with obviously don't help. He doesn't have time to sit down and process how he truly feels about this random analyst that just came into his life and flipped it upside down. And even if he had the time, would he even manage to accept he was falling for someone? We're talking about Loki here.
This is where the biggest difference between their situations shines for me: Mobius had a long, boring time to think of Loki before even meeting him in person, and even when they did meet, he was dealing with less shit than Loki. He had time to think about Loki, come to a conclusion about his feelings, and make the conscious choice to not act on them/push them aside.
Loki was thrown on the TVA shortly after the events of Avengers, watched a tape of his entire life play before his very eyes, had to learn everything about the TVA and timelines and then met Sylvie and the other variants. It's not that he didn’t reciprocate, he simply didn’t have time to process his feelings.
Personally, I can see him having a moment of realization at the end of season one, when he realized how desperate he was for Mobius's comfort after being kicked through the door by Sylvie, and when the horror of Mobius not recognizing him set in.
And that's what I mean when I say he "fell harder": it's not that he loves Mobius more, it's that Mobius developed and accepted his feelings slowly, while Loki's feelings hit him like a train at the worst time possible.
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cleabellanov · 1 month
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Jet-Skiing through identity: A deep dive into Mobius M. Mobius (part 4)🛥️
"And I'm yours but you're not mine" (Say Don't Go)
That's Mobius in season 1, because from all we know, he was the one to fall first. A fall that, just like domino pieces, results in a beautiful union of...well, everything.
But now, in season 2, his love is finally reciprocated. He showed Loki something they hadn't seen in themselves. And not only he loved them, but proved to Loki why they're deserving of that love as well. And now that he is finally appreciated and seen by the last person he was expecting, he also gets the insight he never knew he was looking for. This is like always running from something right into the chasm, until someone takes your hand and makes you stop. Even if it means facing your fears.
Open first episode of season 2, when the entire Loki legion was on the verge of a heart attack waiting to see what will happen. (That's actually me, I think I'm not alone). Those were crazy times indeed. Now, to our Mobius: a relative present version of him, not the one that didn't recognize Loki. That was scary. His first line is:
<<Hey, everything you've been doing is wrong, and all your gods are dead. How are people gonna take that?>>
I interpret this as his own thoughts and feelings projected on the collective. It's true for them, but it's relatable to Mobius.
And after all, why would everyone at the TVA believe all this time? The same reason as why we do it: we want to: that's where it all starts. And for someone like Mobius, who didn't believe in himself, it was much more logical to believe in the time gods. Putting the blame on fate takes the burden off your shoulders. But no burden, no glory. Few of them had guts to admit. But even indirectly, Mobius did (and has been for a while).
Backing the argument that he cares about Loki, and that he fell first, his reaction to hearing his name from Casey is immaculate.
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He immediately tries to figure out a way to locate him. He might take a more "slow, deliberate approach", but not when he knows people he cares about are in danger. Not when he can still help.
Then, to X-5's attempt to make him feel bad about his spot on the original timeline, he responds with a neutral approach, not letting such things get to him. He even goes to explaining why jet-skis are so cool. This is something that shows how passionate Mobius can be about the things he likes. I don't think he would do this if he wouldn't be provoked in some sort of way, because the total absence of interest from others can kill a spark pretty quick. But he doesn't let it go just because no one around him sees jet-skis as important as he does. I love him for it.
His pure care for Loki and the way he comforts them the best he can is also very important in this episode. Mobius does his best to calm Loki down, trying to see the situation from an outside point of view so it can be solved efficiently. He's there, he doesn't let Loki down, and we know he would never; "Okay, you wanted time to think, so let's think." - as in let's think together, you're not alone.
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Also, when Loki rushes to find Sylvie so they can fix what is happening, Mobius slows him down. He knows Loki wouldn't take the time to take care of themselves, so he does it for him, knowing exactly how much to insist, and that the timeslipping can't be let out if control for a long while.
Another trait resulting from the episode is sort of a disapproval avoidance, from the convo with O.B. Mobius obviously had his memory wiped and doesn't remember him, but doesn't admit it: it could hurt this nice guy and make him look like a fool (it wouldn't, really. he didn't have to worry abt it).
Then, at the end of the episode, this care (LOVE!!!) he carries for Loki is once again is highlighted:
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Because, even at the risk of losing his skin (and, jokes aside, losing his life), Mobius still waits over the limit for Loki to make it back. What was I saying about believing? Even if the gods of the TVA are dead, the God of Mischief isn't. And Mobius always believed in him.
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hydranomago · 7 months
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Love isn't always a dagger, sometimes
Love is a Pie
This whole scene had so much going on, but mostly it's about care and love
Mobius decking Brad in the face, and when Loki gently asks him about it (with the intention to help Mobius air his feelings); Mobius says it's not about him, and it's the truth.
We can feel Mobius' sincerity about liking his life here — sure he's scared of what he might find, but he's cherishing the things he found in this one: his work, his friends, LOKI
So what did get under Mobius skin?
Answer: Brad insulting his friends
The fact that Mobius doesn't even really care being called "nothing" (later on in the McD scene he cheerfully reiterates the term while eating); but he would hit anyone who insults the people he cares for the most
That Loki senses this, and instead of working his way out of the tenseness; sits Mobius down, eats pie (which he probably doesn't even like going by his pinched face and scraping fork but pretends it tastes good anyway), and listens
Heck Loki even made fun of his past just to prove to Mobius that losing one's cool is okay (and what a traumatic past Loki dug up)
It works
Mobius is comforted, there is an obvious deepening of their relationship, and (here's the kicker) when Mobius entered the McD's he orders an APPLE PIE
Stressed out that Loki and Sylvie may fight, about what Brad is keeping from them, and the fate of the multiverse; but holding it all together with cheerfulness to keep everyone's spirits up
The comfort food he reaches for is PIE
He seeks the care he needs in PIE
And who was the one he shared pie with right before this scene?
Platonic or romantic or one-sided, it's undeniable that they do love each other
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I hate how normalized it has become for the people writing Loki to belittle his arc. everyone after the dark world seems to see him as this stubborn annoying pest who keeps acting out and betraying thor for no reason. in ragnarok this is shown through thor's elevator speech and subsequent obedience disk scene where he flat out says that he is tired of dealing with loki. and in the series everyone shuts down any nuanced discussion of his feelings or actions with the idea that he is a narcissist.
no one has acknowledged since TDW that all of loki's actions and feelings, wrong and immoral though some of them may have been, all came from real circumstances and events that happened to him. I hate how everyone seems to have just forgotten that he had an actual arc and really interesting and tragic motivations in favor of just going heehoo he is an evil trickster
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galaxythreads · 6 months
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okay, here's the thing about the loki series that I came to the conclusion to a few days ago. If you want a series that explores the aftermath of the Avengers in any meaningful way (or Loki's past actions), then the series isn't for you. Unfortunately, given the timeline that they presented us with, most people who watched the show thought it would be about that (myself included). As s2e5 has shown us though, the Loki series isn't really about Loki. It's about Loki and his relationship with the characters from the TVA, mainly Mobius. If you have no interest in the two, then the show doesn't work and is extremely boring.
Unfortunately, unlike other TV series and movies, the series didn't really delve into Loki's psychology. Moon Knight had an entire episode dedicated to Marc/Steven, so did WandaVision. I think that when a series doesn't have that background dig on a character, that the audience is actually really, deeply unhappy with it. The same thing happened with the Falcon and Winter Solider that has with Loki. The audience doesn't care. Secret Invasion had the same problem. Like the plot is happening, but that's not the point. No one cares about the plot, its' just a nice back drop. We want the psychology dig. I just don't see us getting that in episode 6, though.
One of the things I was personally hoping would happen in episode 5 is that Loki would do more timeline jumping, but timeline jumping on his timeline, not gathering the TVA. I wasn't unhappy with it, but I was disappointed because I wanted to see what they could do with it. I wanted the psychology dig. But again, the Loki series isn't about Loki. It's about Loki and his relationship to the TVA.
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clarcced · 6 months
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Chekov's Heart Shaped Gun - An Analysis Of What Love Means In Loki (TV)
What Sylki actually means and why it’s not romantic love. / How S1E3/4 and S2E5 prove that love is who one calls home. / How Lokius will prevail.
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Let's begin our analysis in s1e3.
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Sylvie says she can’t sleep when another version of themselves is around. She is stronger than most in the show, yet she lacks trust in themselves- then wakes up from her nap a scene later, but alas, her even saying that is interesting. On that note, Sylvie and Loki are variants of each other. It's only fair to say that they basically have the same trust issues.
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Mobius is a trustworthy person overall but to a Loki that’s near impossible to come by as it seems. Loki sleeps soundly with Mobius literally across him, considering the fact that he too couldn't sleep around an untrustworthy person. He trusts Mobius, even before he met Sylvie.
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Moving on, Loki takes the glasses offered to them on the train and drinks both upon Sylvie’s refusal to drink hers. The glasses and their contents are identical and have a green tint to them- which is symbolism to establish the fact that Loki and Sylvie are in fact the same person- in variance, supported by the cinematography of this scene: mirroring sides.
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Loki drinking both can mean three things all together in this context which I transformed into sentences because I lack in English vocabulary:
“See, I am you, you can trust me.” – Which she doesn’t.
“I take what comes my way.” – Loki doesn’t go around looking for love in any shape or form and takes what is thrown at him – resulting in “whim-prone” actions.
“I can have my cake and eat it too.” as in Sylki stuff- which sounds like clumsy and desperate flirting to me, honestly. There is also the element of Loki’s massive ego in this context, which turns into self love and becomes less (self/)destructive as the show progresses throughout S1 and S2.
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Why did they address Loki’s bisexuality in the show specifically? Verbal “representation” without context? That’s below this well-thought-out show’s writers.
I keep coming back to the wording.
"Would-be-princesses" - plural, derogatory (as in aspiring to be, but not one) "Another prince" - single, specific
[Note: I saw some people posting that the timeline name of Mobius "Don" means 'prince', but couldn't find that specific definition myself in any online dictionary/baby names site. Best definition I could find was "brown, chief, noble" over on Wikipedia, so for now let's refrain from that specific definiton and focus on what is given to us plain and straight. I'll make this note make sense in the end of this analysis.]
Or could it be perhaps to give them a common ground to stand on? Nope. They don’t stand on that common ground, not even for a minute.
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A drink. (Ding ding ding!!!!)
Yes, a drink. When he gets that drink, he sings an Asgaridan (well, Norwegian) song:
In storm-blackened mountains, I wander alone
Across glaciers, I travel forth
In the apple orchard the fair maiden stands
And sings, "When will you come home?"
When she sings, she sings, "Come home."
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So who’s the maiden exactly? Loki dedicates the song to Sylvie, but never says it was specifically written for a romantic love interest. Not gonna lie, I might be reaching here, but hear me out: the lyrics can go both ways. They talked about their mother and how Sylvie barely remembers hers. So, Loki, as he is, sings about a traveller coming home to a maiden, possibly his mother or lover, depending on the context at which the song is directed towards.
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The only time we see Loki truly helpless against the world is when he mourns his mother. The purest form of love he has ever received, gone. Upon their conversation with Sylvie about what “love” is, Loki disagrees with it being mischief itself, instead takes time and a couple drinks and sings about a fair maiden- his mother calling him home. That is the only type of love he has truly ever felt for another.
Now imagine singing a song about your mother to another variant of yourself. Mommy issues much? Sure. Bad way to flirt? Absolutely. He basically shows Sylvie what he thinks love means to him, but also establishing a connection with Sylvie based on HIS mindset: They are the same. No matter what the maiden represents, a romantic interest or love for a mother, these two variants are of the same kind in the end.
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“No. Terrible metaphor.” Sylvie says. Fast forward to 3 episodes later in s1e6 she drops the dagger she holds on Loki’s throat and proceeds to kiss him, says they’re not the same and kicks him back into the TVA.
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Being a Loki is not about being a villain and losing every time, it’s about surviving. To survive, they must adapt and adapting they do. They hold hands in s1e4 and a nexus event begins. A Loki, a so-called villain, in league with another Loki. No mischief, just loving each other- by each other by this point I’m talking about THEM as ONE. They easily could’ve kissed right then if their relationship was romantic, but they didn’t. They love themselves in that moment of an approaching apocalypse.
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“But I’m not you.” – As the track “Stop” plays.- [The Sylki track that also played in the scene mentioned in the previous panel.]
Loki just wants Sylvie to be okay. He wants his inner mischievous giant to be okay. He wants his inner self to be okay. But Sylvie refuses this. She kisses him BECAUSE she refuses the fact that they can ever be the same or view love the same way. To Sylvie, love is very much real in the shape of a dagger, yet she drops it to the ground, then kisses Loki. Sylvie shows Loki that love is not what Loki thinks it is.
Love is not what Loki thinks it is.
Reality isn't what you think it is. -Loki to Mobius in s2e5
Fast forward to s2e5. Loki is in conflict with himself. – Thus, time slipping.
Everyone is sent back to their HOMES. Loki remains at the TVA when others are back in their original timelines- except Sylvie. She sees that McDonalds life as her home. So, that means, these people were sent to when and where they belonged before the TVA, or in case of Loki and Sylvie their respected new homes- also giving purpose to their belonging to that place- the when, where and why.
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In Loki's mind, Mobius's home IS the TVA, his purpose, his 'glorious purpose' if you will. He searches around the TVA where him and Mobius spent their time pacing around or just sitting down to have a key lime pie.
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Sylvie says that they are, in fact, Lokis of the same nature.
The acceptance.
Then it turns out it wasn’t about when, where or why. It’s about WHO. Loki could never have that drink because these two variants of the same species, Loki and Sylvie, are on different paths of life and love. Their roads have crossed but went their separate ways in the end.
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Home.
It's about who, right? Loki could have found himself beside Sylvie in the McDonald's, easily, if he actually saw her as home. But no. He remained in the TVA, where Mobius once called home- which apparently he does too now. He belongs in the TVA with Mobius and their friends, with or without Sylvie.
This brings us to the smoking love shaped gun.
"Must've been would-be-princesses or perhaps, another prince."
"Love is... uh, something I might have to have another drink to think about."
2 people close to him offered him the drink he's yet to enjoy: Sylvie and Mobius.
The would-be-princess and the other prince.
"It's about who." Loki says, looking directly at Mobius.
He chooses the prince.
He makes it known to Sylvie at the very end of the episode, slowly turning to her: "I can rewrite the story."
He found his purpose in Mobius. He is the "who" that'll help him rewrite the story of time. He is home.
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Thank you for sticking around till the end of this one. I appreciate any corrections/reminders of what I've missed or got wrong.
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percheduphere · 3 months
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LET'S TALK ABOUT MOBIUS'S SIGNIFYING COLOR
Characters often have signifying colors in literature and film. Comics exaggerate this visual motif even more so, therefore it stands to reason Marvel would replicate that aesthetic in the MCU.
Informally, viewers have agreed that Mobius's colors are either orange or blue. These are sensible conclusions, but I personally think Mobius's signifying color is gold.
His introductory shot is beautifully, softly lit in a church (organized religion; the TVA), while his concluding shot is deftly diffused beneath a tree (individual faith; Loki/Yggdrasil). In both cases, he is in halo, which for superheroes represents their power or magic in use. Green in the case of Loki, Red in the case of Wanda, and so on.
Mobius has no powers except those that remind us of his humanity: an extraordinary well of kindness, enduring patience, and an unshakable hope for broken things becoming something better.
Culturally, these are all virtues that bleed over into spirituality. For Mobius, these virtues become more pronounced when aimed at Loki, a god.
This isn't to suggest that Mobius is a saint and has done no wrong. No, he's committed many mistakes, both minor and awful. I do suggest, however, that there is a quiet spiritual undertone in the series that rises to the fore when Loki ascends, and that Mobius was instrumental to that ascension.
Perhaps that is why, when Mobius is lit, it is in a way that alludes to the divinity of the soul. Once when his god comes to him, and again when his god departs.
That gold is also Loki's accent color is, well, a nice touch.
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sylvies-kablooie · 7 months
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are we going to talk about the fact that even though loki was being violently ripped through time and had like five whole minutes to get that fixed before he dissipated all together, he still tried to go and find sylvie before the TVA did and mobius had to restrain him to get him to stop
many thoughts.
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naturestheway22 · 6 months
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For everyone asking if this means Loki will be on his throne forever, it’s highly unlikely based on the trajectory of the Marvel Multiverse era that’s set to conclude with Secret Wars!
In the comics it served as a soft relaunch of the MCU. So, similar to how multiple characters and storylines were pulled together for Infinity War/Endgame, Loki will likely serve in a hero role in Secret Wars and/or Kang Dynasty that’s set to air the year before it. Possibly even in Thor 5 if Taika gets the green light for that project.
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So we’ll likely see Loki join forces with everyone (Including Thor, as Chris Hemsworth is rumored to be in the cast right now!) and released from their glorious burden in some way or form.
I’m sad about the lack of a season 3 announcement, but also this wrap up on his TV storyline feels the door opening to connect their story to the broader MCU. And, it’s possible we’ll even see him sooner with the Deadpool 3 rumors, reunited with Mobius. 🤎💚
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vanofasgard · 10 months
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i have to rant about this or i might cease to exist. 
lokius...
for one, i love queer ships (canon or not) but i also like to stay true to the show i’m watching, and i personally don’t have a big problem with sylki (just a little underwhelmed with it if i’m being honest). but the more i look at loki and mobius’ relationship, the clues and that damn song, the more it feels actually plausible that this could turn into something real.
i’m going to somewhat rank these from 1 downward, 1 being its probably coincidental, down to this is too spot on to be nothing. all while i sip leisurely at my tea.
1. “i’ve studied almost every moment of your life..”
it kind of speaks for itself. its a pretty simple bit of dialogue, and most likely doesn’t mean all that much, but what is mobius’ fascination with loki variants? this is higher on the list mainly because mobius has been assigned this case, he's a detective and its his job to dig deep, he's consumed by his work, therefore it isn't strange for him to know so much about loki's life on the sacred timeline.
2. the tie adjustment scene
trust me, i'd love to put this lower on the list, but theres one thing that makes me believe this is-- albeit disappointingly-- a coincidence. it was improv. maybe that, for some people, is more of an indicator of canon lokius, that tom hiddleston felt that that scene was being led in such a flirtatious direction, however, this scene was more his following along owen's playful presence on set, which just makes it kind of sweet. but this is one of my favourites scenes, regardless of the intention behind it. loki will always be a flirt, after all.
3. loki's bisexuality
as much as i would have loved to see more on loki's sexuality-- perhaps slightly more explicitly given his status as the god of mischief-- i'm not going to hate on sylvie and loki, because that would simply erase the existence of bisexuality, hetero-presenting relationships exist and to deny so would again, erase the meaning of bisexuality. however, the ending of season 1 does raise some questions. loki and sylvie's separation sets up the future of marvel, it needed to happen, so this might not mean much at all and we now know that season 2 will focus on loki searching for sylvie through timelines. but how purely queer would it be for loki to realise some stronger feelings toward one agent mobius, and perhaps loki and sylvie's relationship was something that was meant to stay platonic, who knows? this is considerably more fanon than my other theories, but i had to include it, given that to me, its a reasonable arguement. lgbtq+ characters need to be introduced and this was kate herron's goal from the beginning. she also said that she hoped marvel went further with this new information and explored more thoroughly. forgive me for this more outlandish inclusion, but it has been on mind for awhile now.
4. the presence of the dagger / "love is a dagger..."
we all know this one, we've all screamed over it and we all hope it means something more than just a coincidence. with marvel's history of in-depth attention to detail (comic references, foreshadowing years prior to a movie's release), it feels a little too purposeful, doesn't it? again, i'm trying to keep rank these into something somewhat believable with viable evidence, so something i will mention is that loki has lacked any close friendships his whole life. gaining a relationship like this would hold deep value to him, and parting ways would likely pull forth some deep bittersweet emotions. platonic love is arguably more important than romantic, the need to be understood without judgement and that is what both mobius and loki have given each other. the tears in loki's eyes during this scene is a clear indicator of their care for each other, but whether that goes deeper is unclear.
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my thoughts fluctuate on this one. for one, its simply so beautiful and meaningful to loki's development (and mobius') that whether its meant platonic or with an underlying romance, feels like it hardly matters, because it holds as much meaning either way. "love is a dagger", it appears in so many forms throughout the series: mobius giving loki his daggers, only for them to be taken away by B-15 a second later, this hug scene and loki and sylvie's fight in the citadel. its so prominent in this scene, its hard to dismiss, yet marvel fluctuates so much with their details that its hard to tell if this was intended the way i'm seeing. regardless, its beautiful and definitely a worthy inclusion.
5. the lokius song / mobius' apparent jealousy
lets get one thing straight, natalie holt is an amazing composer and i will back that to no end with my spotify wrapped this year, trust me on this. so when i first started listening through the second album, like a true neurodivergent kid, i was memorising every song name and i have to say, i lost it a little when i saw the name of this song. natalie confirmed that sif and loki had a 'thing' during the point that the time loop scene was set, so one cannot dismiss the possibility that she could know a little more about the prior scenes than we realise. i was skeptical when i first saw people's impressions of these scenes, after all, they had all reunited after loki technically betrayed mobius, so it was understandable that mobius wouldn't exactly be pleased with the circumstances that they're meeting again. but something about the way he looks at loki and sylvie when he's leading them down the hall, he just looks kind of heartbroken and disappointed. again, this could have been the result of loki's betrayal, if the way he calls him a bad friend is anything to go by, but the substance of this scene holds so much in it. and his little rant about loki and sylvie's "twisted romantic relationship" breaking his reality, hits a little hard. maybe this wouldn't have meant much if it hadn't been with that bloody song, because tell how just an angry, hurt mobius = lokius? it can be jealousy regardless of romantic feelings, friendships feel it too, but this feel a little more substantial.
worthy inclusions:
sylvie's "he cares about you" comment in the void, and loki's near dismissal of it.
loki falling asleep in the archives, he trusts mobius.
am i the only one that finds it cute how loki hangs out at mobius' desk while mobius is off doing other work?
conclusion:
look, i'm going to be honest here, i grow sceptical of my own arguments at times. these are very minor things, and i didn't even realise they were pushing loki and sylvie in the direction they were until they kiss (in other words, i'm a little oblivious), so i want you all to take this with a grain of salt. i like to stay true to the actual characters and their makers, i don't have unrealistic expectations and i am no director, actor or screenwriter. i am not saying how i think the next season should go, i just wish it could go to in this direction to some degree. i have my doubts, but my hopes too. regardless, i'm just happy to see these characters at all!
this is what so many seem to forget. there may be restrictions (cough cough disney), but everyone working on these shows and movies have put their hearts into it and i want to appreciate that for what it is! this doesn't mean you aren't entitled to your own opinion, of course you are! but just remember the show/characters you've fallen in love with and if you didn't have them at all. i'm overjoyed to see loki with a close friendship after so many years of watching him being proverbially kicked while he was down. ultimately, loki and mobius' friendship (and possible romance) is what technically saved loki and that's something beautiful in and of itself.
I don't think its impossible! but i keep an open mind for both directions their stories could take.
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