#like maybe if there is a series of posters | Explore Tumblr Posts and Blogs

thenyoumightaswellwrestleangels · 15 hours

Text

Is there hope in us, still? (is there something worth believing in?)

let me wrap my teeth around the world - series masterlist here

pairing: poly marauders x reader (gender neutral)

length: 1.4k

genre: fluff, kinda angsty

warnings: slytherin reader, the good good post summer break mental illness, everybody's having some issues here, there will be a pt.2 next week to give it a happy happy ending but this isn't so bad, it has a hopeful ending on its own

a/n: wowie another one lol hope y'all enjoy <3

Sirius is hollow when he gets back from summer break - quiet and petulant in a way that doesn't suit him anymore, snapping at his peers and pulling away from people's touch. You can't blame him. Especially not when you're feeling the same. You're not quite as showy about it as he is, that constant, underlying desperation to keep it all hidden burning under your skin. Sirius's suffering is loud - loud enough that you always hope it will drown out yours. It never really does, as far as the other two are concerned.

He shoves towards the door when class ends, likely stalking back to his dorm to hole up for the rest of the evening. James sighs, a hand on Remus' shoulder comfortingly as the boy stares at the doorway where Sirius just was, his brow furrowed in that worried way that he's mastered.

"We're going to do some studying together in the common room later… see if maybe Pads feels like joining. You're always welcome to come along with us…?" James asks in that gentle way of his, patiently hopeful. You busy yourself with gathering up your books, knowing that if you look at him, you'll crumble. There is love in the way he looks at you, despite everything. You're sure that, if you take notice of it, it would be enough to condemn you these days.

"I'm going to do some work alone tonight," you say shortly, brushing past the two of them. Remus catches your arm as you try to leave, fingers wrapping around your wrist ever so gently. But when you pause, he lets go of you abruptly, like there's something wrong with his touch against yours. This is the beginning, you think. This is where I start to lose you.

"If you change your mind…" he begins softly. You nod stiffly.

"I'll let you know." James and Remus watch as you leave swiftly, Remus rubbing the palm of his hand against his thigh, as if trying to take back the contact he'd already made with your wrist. This is where it starts, he thinks. This is where you begin to realize that I'm better when I'm left behind.

Remus has to stop himself from startling later that night when he's woken up by a cold hand shaking his shoulder. You hadn't come to study with them that evening, which wasn't surprising, but it hurt something in Remus. James, especially, had deflated, his eyes dull and his hands fidgety while he tried desperately to finish his essay, his thoughts wandering to Sirius and the dark circles under his eyes, the paleness of his skin - and then to you, to the stubborn set of your jaw and the hard look in your eyes. Looking down at his own hands, he wonders what worth they have if he can't even save the people he loves.

Needless to say, the last thing Remus was expecting was to have you in his dorm in the middle of the night, one of Sirius's sweaters shoved hastily over your pajamas as you shook him awake. You place a finger over his lips when he wakes abruptly, climbing up next to him without so much as a word as he fumbles to find his wand on his nightstand, casting a silencing spell over the four-poster bed.

"What's going on, dove?" he asks, his hands itching to hold your face, to smooth his thumbs over the skin of your cheeks and soothe you in some way. But he resists - you're here, in his bed, looking at him like you need him, and the last thing he wants is to overwhelm you and have you scared away. The last thing he can bear to do is put his hands on you, his scars glinting against unblemished skin - something ruined touching something holy.

"I just… couldn't sleep. I'm not - I haven't been sleeping well these days," you respond, and Remus is sure that if he could see you clearly, if he weren't squinting at you through the dark, you'd be shying away, face tilted away from his eyes, away from any kind of vulnerability.

"Well," he says carefully, reaching out to put a hand on your knee. You don't pull away, to his relief. In fact, you relax a bit into it, letting your posture slouch. "Stay here then, yea?" Much to Remus's delight, that's all it really takes for you to move forward, pulling the blankets back to settle underneath them. He joins you, of course, settling in next to you and letting you decide how much - or how little space to leave between your bodies.

When you reach your hand over, cupping his cheek in your palm and smoothing your thumb over the skin there, he feels a part of him melt in the relief of it, a part of him that didn't realize quite how much he'd missed your touch - your love. He cups his hand over yours, tilting his head to press a series of kisses across your palm. When you continue to let him, sagging further into the pillows, he keeps going, trailing kisses up and down each finger and finishing with your thumb.

It's then that you pull him closer, tilting your own face up to place your own gentle kiss to his lips before thumping your head against his chest. He lets you, of course, keeping his hand tangled up with yours while the other wraps around you. Before you can sleep, though, he leans close to whisper near your ear.

"James has been wondering where the invisibility cloak disappeared to. I'm sure he'll be pleased to know you're the one who ran off with it." You can't help but smile at his words, your face still pressed against his chest.

"You have so little faith in me, Rem. Not everyone needs the cloak to sneak around in this castle."

"But you did steal it, didn't you?'

"…I'll give it back to him later." Remus huffs out a quiet laugh at your confession, pulling you closer and pressing a kiss to the crown of your head.

"You know he doesn't mind," he soothes. You squeeze his hand in thanks where your fingers are still interlocked.

"Goodnight, Rem… and thank you for this."

"No need to thank me, love. I don't mind at all."

Something clatters to the floor on the other side of the locked bathroom floor and Remus frowns, staring at it like he can burn a hole big enough to see Sirius on the other side - to make sure he's ok. James drapes himself over Remus's back where they're sitting on James's bed together, his arms wrapping tightly around his waist. Remus lets him, leaning back against him and feeling James sigh at the weight of it, a bit of tension draining from him.

"Were they really here last night? They really came and spoke with you?" James says, his face buried in Remus's neck, a desperate sort of lilt to his voice. Tell me there is hope, he thinks. Tell me I can fix this, still.

"You saw the note they left, love," Remus lets his eyes settle on his nightstand where you'd left the invisibility cloak, a note folded on top with a simple thank you written in it, a heart scrawled next to it that he recognized as yours. The whole thing almost made up for the fact that, by the time Remus had woken up, you'd already been gone.

"Do you think… things will be better now? At least a bit? Were things better last night?" James asks, his arms tightening around Remus's waist. Remus, in an act of reassurance, wraps his fingers around one of James's hands and squeezes gently as Sirius stalks out of the bathroom, slamming the door behind him and stomping away.

"I do think things are getting better. It's… slower than you and I would like, I know. But all we can is love them - and that, my dear Prongs, I know you can do." James grumbles something unintelligible at the compliment, his face still hidden from view. Remus is sure that, if he could see it, he'd be greeted by the flushed red of James's cheeks. He settles for bringing one of his hands up to press kisses across it, instead, content to bring a bit of hope back to the person he loves - to do something good with this body of his.

There is hope, he thinks, in this love they all share. There is something here to fight for, still.

63 notes · View notes

bbyhellfire · 3 days

Text

our phantom of forever

➠ summary: eddie is resurrected by vecna, only to realize you don't exist in the upside down.

➠ pairing: eddie munson x afab!reader (she/her pronouns)

➠ word count: 1.3k words

➠ warnings: angst city, death, resurrection, allusions to suicidal thoughts (eddie wishing for death), swearing, reader moved to hawkins with her parents, vecna being vecna.

➠ a/n: pushing the 'eddie is alive' agenda 😌 i have a couple ideas about eddie making a deal with vecna that i'm debating turning into a series or just standalone one shots, so let me know what you think! and let's continue to live in delulu

It was stupid, running away from Vecna in the Upside Down. It wasn't like he controlled it or anything. But Eddie Munson isn't exactly known for his smart decisions.

He makes a mad dash from the Creel House the first chance he gets. He's alive, resurrected by the very monster responsible for his death. Eddie should be relieved that he can feel his heart beating as he runs through the decrepit streets of Hawkins. The never ending fog blurs his vision, not that it matters. Upside Down or not, he knows where he is going. No alternate dimension can change that.

All Eddie wants is you. He wants to curl his wrecked body around yours and cry into your neck as you tell him everything will be okay. He knows it won't happen, Vecna won't be so quick to let his new plaything go. But the hope is still there, and it's enough to take him across town towards the direction of your home.

If he can't physically be with you, then at least he can be surrounded by you. A piss poor replacement, but he'll take what he can get.

The ash-like spores make his lungs burn with every jagged breath. His body, still weak from his death, begs for him to stop, but he is already here. The navy blue paint is chipped and vines have broken through the front windows, but it's still your home. The world around him blurs into a watercolor of black and blue as he rushes through your front door and up the stairs to your bedroom.

Maybe you'll be waiting for him. You'll greet him with open arms and a teary smile and –

Nothing.

You're not there. In fact, none of your belongings are there. Not your bed, not your desk, your posters, your clothes. The room is empty.

What the hell?

He moves towards your bathroom. The counter should be covered in your toiletries. The doodles he'd given to you should be taped up along the mirror.

An owl with "You're owl I need" written on the bottom.

A mug with "I love you a latte" etched in the front.

Another of a cat holding a sign that says, "I've got felines for you."

The bathroom is as empty as your room. The only things waiting for him are those fucking vines, slithering out of the bathroom sink like a bouquet of snakes.

No, no, no.

Vecna controls this universe, right? So it's not completely unreasonable that he could make you disappear. Right? That has to be it. This is just Vecna. It's all Vecna.

"Do you really think so little of me? After I saved your life? Think, boy."

Eddie's head shoots up to the mirror, expecting to see the monster standing behind him like this is some sort of horror movie, but he's alone. Of course Vecna has an omnipresent voice that echoes throughout. Of course he fucking does.

He's never gonna beat the God complex allegations, Eddie thinks as the vines in the sink start to move. A little nudge of encouragement so to speak.

He bolts out of your room and down the hallway to your parent's bedroom.

Empty.

He tries the linen closet.

Nothing.

He practically tumbles down to the first level. Your living room, dining room, kitchen, even the garage. Everything is devoid of you and anything connected to you.

Dread is settles in the pit of his stomach. He is running out of places to check. All he thinks to do is scream. And he does. He wails and wails until his vocal cords hemorrhage. The dull taste of blood in the back of his throat makes him add obscenities to his screams. Maybe it'd be enough to echo through the other side. Hell, he'd take your parents materializing to scold him. He'd take anything as long as it means you're there. But nothing ever comes. It's just him and his pain.

It's like you never existed.

Only when he's back in your bedroom, standing in the exact spot where your bed should be, does he remember Nancy's diary. Ice cold realization turns his organs into stone.

He tries not whimper, "She isn't here, is she?"

"No, she's not, but you already knew that." With every word, the fog thickens into a violent red until the monster responsible for all of this appears in front of him. Eddie shakes his head in furious denial as the date in Nancy's diary taunts him.

November 6, 1983.

It's like you don't exist in the Upside Down because of you don't exist. Your family wouldn't move to Hawkins until the following month. It wouldn't be until the start of the spring semester when you and Eddie would properly meet, paired up for a science project. By February, he'd build up the courage to ask you on a date. His adoration for you would bloom with the spring flowers. He would be head over heels in love with you by the fall.

But with the Upside Down frozen at a point in time where he didn't even know your name, you won't be here. There will be no record of you, no liferaft to cling to as his humanity is thrown into freefall.

"No, it's not fair! This isn't fucking fair!"

"The human existence is anything but fair. Your life was an excellent example of that."

Eddie knows that very well, but he doesn't need this walking smear stain reminding him like he's a toddler. He remembers every taunt, shove, and outrage that formed his life. They were his to experience, not anyone else's. They were his life no matter how unfair it may have been. Vecna didn't get to use them against him.

Now, he is angry. He lunges toward the monster, but vines shoot out to wrap around his waist before he can reach Vecna. They throw him back violently, wrapping around his middle and neck to keep him flush against the wall. The tendril around his waist tightens until he stops moving, his arms pinned to his side. Another vine slithers around his neck, squeezing until he has no choice but to look up at the monster of the Upside Down.

"So ungrateful even after I gifted you the chance of another life. Do you understand I can take that away from you? And then how would you see her again?"

Eddie grimaces, scrunching his nose and glaring with all the resentment building inside. He knows where this is going, the manipulation so obvious it's insulting.

The weight of his situation presses down on him harder than the vines bundling his body. He finally cries. Fat, angry tears run down his dirty cheeks as he glares at Vecna. Eddie hopes he looks as pathetic as he feels. Maybe Vecna will be disgusted and realize he made a mistake resurrecting him. He is not a killer, not a hero, not a villain. He is just Eddie.

He wishes for a reinstatement of his death sentence. He'd rather his body be picked apart by demobats than a life shackled by shame and defeat.

"I'm not unreasonable, Eddie," Vecna takes heavy steps towards him. "You can see her again, if it's what you really want. It won't be easy, but it will be worth it. I just need you to do something for me."

The tears keep falling, his vision blurring from the splotches in the shape of you. He thinks of you, the way you smell, the comforting feeling of your hand in his, the sweet nothings you'd whisper when you thought he was asleep. He remembers the nights you'd spend wrapped in his sheets, eyes glassy from all the weed you'd smoke, as you talk about the future.

That is all he will ever have of you – memories. Memories that will fade until only the pain of what could have been remains.

What else is he supposed to do?

"What is it?"

divider by @/silkholland

#eddie munson x reader #eddie munson x you #eddie munson x afab!reader #eddie munson x afab reader #eddie munson fanfic #eddie munson blurb #eddie munson one shot #eddie munson #stranger things fanfic #eddie munson angst #bbyhellfire

29 notes · View notes

ireallyamabear · 9 months

Text

The choice to put Una Chin-Reily on a Starfleet recruitment poster in the late 2370s seems a nod to the extraordinary person she is and her exemplary service, but Boimler’s enthusiasm for her as a personal hero cannot mask the fact of what Starfleet execs are really doing here: while it is Starfleet tradition to honour esteemed personnel from its centuries of history, we have to look at the poster as a product of its time: it seems clear that, shortly after the devastating death toll and the rapid militarisation of the Dominion War, putting a prominent figure of the Great Exploration Age - and notedly someone who had not served in the Klingon War - as the poster person for Starfleet is an indictment that contemporary young people of the Federation are not drawn to the service as it is in their time anymore.

Critically, Starfleet has to use somebody from a 120 years ago, a timeframe that would lap generations of even especially long lived member species like Vulcans or Denobulans, to attract new recruits. Boimler says himself that seeing Una as a representative and her motto - “Ad astra per aspera” was: “Uh, it was a really big reason why I joined.” Clearly there is a wealth of recognisable Starfleet officers from 2370 and onwards, but their entanglement in the Dominion War, or at least in the Borg threat makes them unsuitable as role models for people like Boimler who cannot help but associate these contemporaries with the horrors of war and intergalactic conflict. Thus, the retreat to a “safe” historical narrative, with Starfleet still being about peaceful exploration reflects the growing divide between the realities of a colonised galaxy, the ongoing need of new bodies to fill the posts on all those ships and space stations and the aspirations and values of young people today. In this essay I will question whether Starfleet can keep its promise of scientific integrity in the face of growing political unrest in the UFP and ask what “Number One” herself would have thought about-

1K notes · View notes

kyngsnake · 1 year

Text

Dark eyes become divine / your hands, they burn like mine

#hiiiii i made a faux movie poster thing for my original series #maybe eventually i'll make like. lore sheets w some designs and stuff thrown in.#we'll see. i get really self conscious about my original work #oc #original character #avery #autumn art #phantom frequency

43 notes · View notes

thinkin-bout-milgram · 2 years

Text

Shidou MV Details

Alright! So I (admin Saturn) did some frame by frame examination on Shidou’s MV. I don’t necessarily have any theory that comes from this but I do have some interesting information/clues!

Now the image above that I’ve written over is taken from 3:35 in the MV. This is that tag that comes from the flower person. (Shidou’s suspected romantic partner that he’s trying to save via organ harvesting)

Interestingly, everything on this tag is the same as on every other tag that ca be seen in the 2:24 section of the video. This could be from an ease of animation stand point, a way to represent how dialed in on this person Shidou is, or even have some broader theoretical implication on his crime that I couldn’t tell you.

Taking a look back at the actual contents on the tag though, the first thing to point out is the ‘Who:’ section. It’s very clearly in cursive and to the best as I could trace on edited image, I think it might say Rue Kar... something. This could be the name of the dead person, a surgeon that was operating on then, an organ donor, really any number of potential people.

(And I’m putting the unedited version in just so y’all can get a clear look) The next thing on here is the ‘Organ:’ section which (to my best guess) says magen. Now! That meant literally nothing to me at first, however with some googling, I learned magen is german for stomach.

Why would this japanese MV have german names for organs? Couldn’t tell you! I’ll leave that for the theorists to figure out! However, I am almost certain that this is in fact meant to be read in German because of the additional very small writing underneath. Taking just the shapes that I could make out and comparing them to a german anatomical name list, heres what they look like to me in the order that’s in my first picture.

1. Magen - Stomach

2. (???) Gehirn - Brain

3. Leber - Liver

4. Lunga - Lung

5. Niere - Kidney

6. (??) Herz - Heart

7. Gallenblase - Gallbladder

8. Zwolffingerdarn - Duodenum (small intestine part)

9. (?) Bauchenspiecheldruse - Pancreas

My theories as to why theres this list: (and nothing concrete, I’ll leave this to the theorists and future MV’s to explain) Could be a list of organs this body needed replaced or could be just a list of organs as a sort of checklist for medical peeps?

Adding on to this, 9 items in a category is also seen as the number of unique flowers (I believe? that I counted at least, correct me if I’m wrong here) that are flashed against that black background which could suggest the flowers represent organs instead of patients that some theorize? Now how exactly a person would transplant a brain is above me.. pretty sure it’s impossible so I don’t know what that’s about, however these could instead be organs that are beginning to fail rather than organs Shidou is transplanting? The logic doesn’t quite flow here though, just figured pointing out this correlation (not causation) could help others theorize.

But anyway, last thing on the front of this is a big ol XX XY with the XY having a slash through it. Now... 2 explanations for this cause it’s kinda counter to my logic. Either this is indicating biological female by crossing out the XY or indicating biological male because its the one that marked.... Either way kinda an odd system but I won’t fault them!

And then some additional things I noticed, if you look at the papers that turn into the tags, they all have the same grey lines on them indicating these papers all hold the same information. This could have similar explanations as why all the tags are the same.

And then last thing! All the tags have the same black backside with a number 7 on it and some unintelligible writing.

Heres two good shots of the back, something to note is that the part has the N, like the number indicator, looks to be the same type of font as the one that indicates prison cell number. Maybe they just reused the font but it does seem sort of odd to me? Especially because Shidou is prisoner number 5. Just something odd.

But anyway!! Sorry that got so long, that’s what I have discovered here, please let me know what y’all think!! I’m not quite one for the strong theories but I like to think I can pick out some interesting details :)

#milgram #milgram shidou #shidou kirisaki #milgram theory #Admin Saturn #like legit please let me know what yall think about this!! I'm very interested by the german in this japanese series #Also I didn't mention this above but the only idea I have to explain why there could be german is maybe shidou fled to germany #in order to do these illegal opertaions #but I'm very quick to not believe that because at looking at the very blurred writing on the hospital posters they look much more japanese #I'll also add that the I suggest looking at the screenshots on your own device as a bit of the clarity was lost between screenshots #Also the outlines that area able to be seen can be helped by comparing which parts of the lines are visible in dif shots

87 notes · View notes

stpuaafamg · 2 years

Text

EXCUSE ME NERDS! WHY DID NONE OF YOU TELL ME THAT THERE WAS A RISE OF THE GUARDIANS BOOK SERIES!?! DO YOU EVEN KNOW- CAN YOU EVEN BEGIN TO FATHOM HOW MUCH THAT MOVIE MEANT TO ME!?! THIS WAS THE MOVIE THAT GOT ME INTO FANFICTION BECAUSE I WANTED TO EXPERIENCE MORE OF IT! AND NO ONE THOUGHT TO TELL ME IT HAD A BOOK SERIES??? I AM SHOOKETH!

#I #a whole ass adult #will now wait until my funds become available #to buy a book series meant for 11 year olds #and I will not feel even remotely ashamed about it #rise of the guardians is one of the greatest movies in existence #I fell in love with it the first time I saw it #Jack Frosts story helped me get through some of my angsty teen shit #gonna splurge on the movie poster too #maybe find some plushies while I’m at it #I don’t care that I pay taxes #I’m buying it #rise of the guardians #I will never get over the fact that it took me 6+ years to realize that the bad dreams being horses was a pun on the word nightmare #it fucked me up #made me feel like a idiot

15 notes · View notes

emometalhead · 4 months

Text

I think my most controversial Star Trek: Next Gen opinions are that I like Wesley, but I don't really like Riker.

#my brother and dad are so amused by my takes about the show #I admittedly have very little prior knowledge about any of the series and before starting the show knew nothing about the fan opinions #my dad and brother are informing me of how my opinions clash or mesh with common fan opinions as I express them #but yeah I have no issues with Welsey #from my understanding people think he's annoying? but like he is way less annoying than a lot of other teen boy characters I've seen #like in the episode I just watched Picard yelled at him to shut up and I felt bad #idk maybe it's because I went into the show already having a positive perception of Wil Wheaton #as for Riker... idk his vibes just aren't it #he comes off as kind of a creep and for whatever reason I just don't click with his character #my favorite character so far is probably Data tbh #idk I'm only halfway through the first season so opinions are bound to change but this is where I'm at right now #probably not going to become a frequent Star Trek poster but I do like documenting what I've been watching and discussing irl #actual dedicated Trekkies ignore me lol #ashley rambles #star trek

1 note · View note

clonehub · 9 months

Text

SAG officially considers cosplays of current/past media as crossing the picket line as it can be seen as supporting the studios they're currently striking against.

(link is to a series of tweets, which include the original poster of the screenshot directly asking SAG-AFTRA what the rules are for paid/influencer cosplayers who want to support the strike)

EDIT 2 (first edit in tags): the tweet in the OP has been deleted, so I'll be shutting down reblogs on this post just so people don't take the link as a solid source when it no longer exists. For context, the original link was from a content creator who'd emailed SAG-AFTRA about guidance surrounding promos, contracts, and influencers. The response from SAG-Aftra likely wasn't 100% detailed because things were still being figured out. As for more detailed questions such as what counts as an influencer and other really specific questions I've seen in the tags, that's not something I know. Maybe emailing SAG-AFTRA themselves will help, although I can't be sure.

If the original email or the FAQ were confusing to you, it's likely that it's because both were phrased in a way that would be understandable to people who'd be likely to scab, ie influencers under specific circumstances. It's not really geared toward the lay person (which is what the FAQ will make clear by their frequent use of "influencer").

Again, the notes (and frankly the original link itself) have some that this is about influencers specifically. I missed that keyword in the OP (typo). I need people to stop acting like I'm willfully fearmongering and spreading misinformation. I read the full thread. I read the entire FAQ. It's on you if you do neither. At the time of my reading the thread, the FAQ either hadn't been released yet or had just come out. I also need people to stop bringing up Neil Gaiman's Tumblr post when SAG-AFTRA has their own Official FAQ on their strike site.

For the FAQ, it's here. It's about influencers, both union and non-union. Iirc the non-union FAQ has some ways to help that non-influencers can also engage in, like using a hashtag or generally raising awareness.

If you have any questions, please please please direct them to official members of SAG-AFTRA. Email Fran Drescher herself if you somehow can. Regardless, support the WGA SAG-AFTRA strike.

#ch posts #sag aftra #strike #star wars #hollywood strike #cosplay #edit: pls pls pls go into the notes and find rhe addition/correction #or reblog this version #or idk read through the link #i missed a word here but theres people acting like im fearmongering on purpose because THEY refuse to resd

9K notes · View notes

milo-is-rambling · 1 year

Text

Have to dig more flags out of my closet but this is where we’re at rn,,, finally got my typewriter ads hung up :)

#this makes me feel so incredible #my room is home again and I never thought a room in Florida could feel like home #but god does it feel like home #life is just a series of leaving and starting over and falling in love and it’s beautiful #anyways think pride flag is gonna go where the rainbow lights are and maybe I’ll put art between it bc I don’t think I have any flags or #posters that small #maybe I’ll move my Rick and morty posters from my closet but then my closet doors will look sad #hmmm idk yet #might have to move around the stuff by the head of my bed but I’d rather not bc then I’d have to unwind those lights and they’re wire lights #and I’ve broken a lot of wire lights by rearranging posters and I really don’t want them to stop working #also peep the ash tray on top of all the random books in that corner lmao

0 notes

neo-nomatrix · 11 months

Text

(My) Nuisance

Hobie brown x reader

word count: 964

find the rest of the mini series here

synopsis: You thought you hated Hobie, but for some reason you’re starting to like him just as much as you like Spiderman.

a/n: (maybe too much) british slang used

You hate your next door neighbor. No, no you loathe your next door neighbor. You think he is the worst person to possibly exist. His stupid flat decorations, his loud punk-rock music blasting at unruly hours, the way he would come back to his flat at 4 am stomping his boots yelling with his friends about their latest anarchist protest. But you hate nothing more than the way he looks at you.

Everytime you try yelling at him he opens his door with the cheekiest grin on his face. While you’re standing there fuming he’s leaning against the door panel looking you up and down. The worst part is how much he tries to smooth talk you.

“I already told you how annoying your music is, no one wants to hear that at 3 am alright? Some of us have work in the morning,” you complain, smoke practically coming out of your ears.

“Oh c’mon love it’s not that bad. Don’t have to be such a tosser ‘bout it. It messes up that pretty face of yours,” he says.

“Are you daft? You’re the one keeping everyone up at night with your dumb guitar,” you roll your eyes.

“It’s not that big a deal sweetheart. Y’know i'm starting to think you’re making up rubbish just so you can talk to me more. I’ll admit it’s pretty cute but you could just ask me out,” he leans closer to your flushed face.

“I don’t fancy you if that’s what you mean,” you scoff.

“Not saying that. I’m saying if you wanna snog me so bad you could just say so,” he shrugs.

You could burst out laughing. Kiss him? That’s fucking hilarious.

“You’re joking right? i’d rather die.”

“I don’t believe in comedy, love,” he says.

“Of course you don’t,” you mumble as you storm off back to your door.

You’ve decided he is the worst person ever. He doesn’t deserve your efforts and time.

You set your keys down and fall into bed as you hear amp feedback and the sounds of Hobie strumming his guitar. You can’t help but roll your eyes. How could someone be so incompetent?

You reach your hand over to where the bed and the wall meet to grab your Spiderman plush. You hate to admit it because it’s kind of dumb but you’ve always loved spiderman. Ever since you were a little kid you collected posters, figures, pins, and merchandise having to do with the superhero. Even now, your walls are decorated in spiderman posters, you own spiderman clothing, and even printed your keys to have a blue and red spider web on them.

There was something so nostalgic to the vigilante and his style that you had to adorn your room with touches of blue and red. You thought spiderman was the embodiment of “cool.” From his suit to the way he acted around criminals to the electric guitar on his back. Sure, a guitar was the main thing you hated about Hobie but Spiderman did it better. He made it work in the way Hobie dreams of.

You wake up to the loudest knock on your front door you’ve ever heard. You immediately know it’s him. You try to ignore the blaring pounding coming from your door but it keeps going. You force yourself to get up and answer the door. You hope you can open it, yell at him, then go back to bed.

To your dismay the second you open the door Hobie places his hand on the top of the wood, stopping you from moving it anywhere else.

“What do you want this early?” you groan.

“It’s like 9 am, love. But anyway-” He cuts himself off before finishing his sentence. You’re too groggy to notice that he’s staring inside of your flat. His eyes search the walls and decor in front of him.

“So, I take it you like Spiderman?” He laughs.

“That’s none of your business,” you sigh, crossing your arms.

He pushes his way inside of your flat, moving around like he’s looking for buried treasure. He picks up memorabilia and smiles at them. He holds up a Spider-Punk figurine and turns towards you.

“Spider-Punk huh?”

“Don’t touch my stuff! You know this is technically breaking and entering,” you scold him, taking the figure out of his hand.

He puts his hands in his pockets and just smirks at you. That stupid smirk, displaying half of his teeth and perfectly showing his lip ring.

“What do you want from me, Hobie?” you question after placing the figure back on its stand.

“Jus- Just wanted to apologize for last night,” he starts.

“You mean this morning? We talked at 1 am, remember?” You say, passive aggressively.

“Right, whatever. You’re… You’re right,” he exhaled, “I shouldn’t be blasting my music that early. It’s inconsiderate and rude to the people in my vicinity,” he breathes.

In the time you’ve known him you don’t think you’ve ever heard him say sorry. You’re taken aback, did he really apologize? And did he sound genuinely sorry?

“Oh, oh uhm thanks,” you sat, still skeptical a camera crew would come out laughing saying this whole thing was a prank.

“I wanted to see if you maybe wanted to come to my show tonight? We could get dinner after or whatever you want,” He scratches the back of his neck, he’s nervous.

“I’d like that, I guess,” you reluctantly say.

“Wicked. Uhm, i’ll be leaving then. Sorry again,” he says. Shooting finger guns at you and making his way out the door.

You smile, maybe, just maybe, Hobies getting to you. As he’s leaving you could swear you see some blue and red material with spikes on it slipping out of his pocket.

#spiderman x y/n #spiderman atsv #spiderverse x reader #spiderman x reader #hobie brown #atsv hobie #hobie spiderverse #hobie x reader #spider punk #spiderpunk x reader #spiderpunk x y/n #marvel x reader #spiderman atsv x reader #hobie brown x reader #hobie brown x you #hobie brown x y/n #spiderman across the spiderverse #spiderman x you

7K notes · View notes

porcelana-r0ta · 9 months

Text

let the mourners come

Title: let the mourners come

Ao3 Link: Only available to Ao3 users

Word Count: 3045

Summary:

It started, as most things do with Danny Fenton, as a joke.

It ended, as most things do with Jazz Fenton, with things better than they were before.

xxXxx

When Danny finally gets a Twitter, it’s during Elon Musk’s shit show takeover. He’s able to secure a good Twitter handle thanks to people leaving en masse and fleeing to Tumblr. He knows about things that happen outside of Amity Park (he is terminally online rather than chronically, after all), but he still doesn’t think anything of using @TheJoker as his handle, even knowing about Gotham City’s clown troubles. It’s just going to be a shitpost account, anyway, one that dances in the chaos of Elon’s electronic graveyard. Nothing will come about him using @TheJoker when he’s merely posting things like, “Just grew a new row of teeth!!! very pointy but can’t go to the dentist anymore bc they might turn me in to the giw.”

So Danny honestly never foresaw The Actual Real Joker breaking out of Arkham Asylum all the way in Gotham City, New Jersey, and deciding to get a Twitter account to terrorize people online as well as offline. And he definitely never foresaw The Joker @’ing him on Twitter, demanding that Danny change his Twitter handle. But, well. Here he was.

[Image Description: A screenshot of a Twitter reply chain, starting with the real Joker @'ing Danny's Twitter account, which uses TheJoker as his Twitter handle. The Joker, who has a verified account, demands that Danny "change your handle", and Danny replies with a simple "no" followed by red heart emoji. The Joker Tweets, "Kid you don't know who you're fucking with," to which Danny replies, "Ye I do ur some dude w/ poor fashion sense and lame jokes. Maybe try badjokesbyjeff bc originality is ugly on u" followed by a shrugging emoticon. The Joker responds, "Check your DMs." Danny then responds, "Perf [happy emoji surrounded by hearts] I've sent you a time and place. Can't wait to beat the shit out of another disgrace of a clown." Someone with the username "Gregg rulz ok" responds to Danny's last Tweet, "Bro is absolutely RATIOING the joker but the clown keeps responding [three skull emojis] embarrassing frfr too bad he's gonna die for realsies".

End ID]

Danny is quick to respond and then makes even quicker work of roasting The Joker. This soon results in The Joker DMing him his IP Address and a creative threat. Still, Danny isn’t about to cow to a clown with no respect for the art of clowning. He replies to the DM:

Cool, meet me at the Nasty Burger parking lot in Amity Park IL on tuesday at 2am

The response from The Joker is quick:

Fourteen year olds are too confident these days

Danny rolls his eyes and ignores the influx of notifications from Twitter, and instead makes another Tweet.

Imagine beefing with someone over a Twitter handle lol acc so embarrassing for him

He blackens his screen and stretches in bed, letting his spine pop more than what is humanly possible. He runs his tongue over that second row of teeth, his lips curling into a grin.

xxXxx

Gothamite Twitter is blowing up over The Joker’s social media beef with a faceless shitposting account. Jason, upon finding out about it, has a series of reactions: first, he looks up the shitposter and follows them. Then, he finds the actual chain between the poster and The Joker, and his vision goes vibrant green when he sees that The Joker’s profile picture is of the second Robin, beaten and swollen in an abandoned building in Ethiopia.

When his vision clears and he can breathe without wanting to kill, he likes the shitposter’s replies, and he calls the Replacement to see if the other Bats know already.

“We know,” Tim says in lieu of a hello when the ringing cuts out. “We’re working on it.”

“What, you think anything’s gonna come of it?” But even as Jason asks, he already knows the answer. The Joker is unhinged and once he’s threatened something, he’ll follow up unless he comes up with a “funnier” option.

Tim’s breath hitches, and he says, “I’ve hacked their DMs. Joker knows the kid’s IP address and sent it to him. He knows everything from that address alone.”

He pauses in the middle of suiting up, “Kid?”

He hears Tim swallow, “Yes, kid. He’s fifteen. And he gave The Joker a specific time and place to meet up to fight. In his own hometown.”

“Are— are you fucking kidding me?”

“No. B is already calling Nightwing. We’re taking the Batwing to Illinois.”

“Jesus fuck. I’ll be there in twenty.”

“Hood, I—”

“Shut up, I’m already in my gear.” He hangs up without waiting for a response.

He refreshes the Twitter feed and barks a laugh at the newest Tweet:

Jason Todd votes, and the Red Hood leaves his safe house.

xxXxx

A commercial flight to Illinois takes around two and a half hours. In the Batwing, they get there in an hour, and don’t even have to worry about the drive from Chicago to a small speck of a town like Amity Park. They spend the quick flight learning everything they can about Daniel James Fenton, the owner of the Twitter account, and they can all sense the growing tension from (and between) Bruce and Jason.

But, well. Jason doesn’t care. Let them be uncomfortable. It doesn’t compare to being ripped back into life and finding out his dad didn’t even get justice for his death.

When they reach town, it doesn’t take long to find the Fentons’ home. This is in part because Amity Park is a very navigable town, and because of the giant neon sign proclaiming FentonWorks on the side of the building.

“Is that a blimp?” Dick asks. “Why don’t we have a blimp?”

“Where would we keep it?” the Demon Brat counters practically. “Goliath takes up all of the Cave’s extra space.”

Jason rolls his eyes and knows veins would be popping out of Bruce’s forehead if it weren’t for the cowl.

“Let’s go,” Bruce says instead, and they all make their way to the house.

Nightwing, predictably, goes for the front door approach. Jason rolls his eyes as he takes one of the second-story windows and finds his way downstairs.

He gets down at the same time that a redheaded girl answers the door and nearly slams it in Dick’s face. Jason has to suppress snickers at the sight.

“Wait, wait, wait, are you Jazz Fenton? We need to talk to your brother!”

“...We?” she asks, then tenses and turns around to see the rest of the Bats in the hall behind her. Dick takes the opportunity to step in completely, closing the door behind him. “Wha— what’s going on?”

“Where are your parents, Jazz?” Bruce makes every question sound like a demand. Jason rolls his eyes from behind his mask—way to put the teenager at ease, B.

“Why do you need to know?” Her voice has a defensive edge to it. “What do you want with Danny?”

“Hey, it’s okay,” Nightwing comforts. “He didn’t do anything too bad, just said some dumb things online. It’s not his fault.”

This relaxes her, and her shoulders begin un-hunching. “Oh, s-so what’d he do?”

“He foolishly challenged The Joker to a battle in a ‘Nasty Burger’ parking lot tonight.”

“You could’ve had some more tact, Robin,” Nightwing scolds. But the Demon Spawn just crosses his arms.

“He did what?” Jazz shrieks. “Like, The Joker from Gotham? That Joker?”

“Are there others?” Red Hood comments dryly.

Her face goes through several different emotions—disbelief, rage, fear, and then rage again, “DANIEL JAMES FENTON! GET DOWN HERE RIGHT NOW!”

There’s a thumping noise, and then frantic footsteps down the stairs.

“Wha? Who died?” asks the figure of a tiny fifteen-year-old, smaller than even Jason had been when he was alone with The Joker. He’s tiny and lanky. Zero muscle definition. Eye bags to rival the Replacement’s. Something ripples in the Pit, deep and distinct, but he can’t name what causes it.

Oh, this kid is so dead.

“Danny,” says Jazz calmly while Danny blinks uncomprehendingly at the heroes in their hallway. She is solemn when she says, “I’m afraid I’m going to have to kill you now.”

“What did I do?”

She stares at him, “Why have you scheduled a fight with The Joker?”

“Oh, that.” He rubs the back of his neck, “Is he taking that seriously?”

“Of course he is, Danny! It’s The Joker! That’s what he does! He can’t differentiate between a joke and reality! He would tear off his own face for the bit!”

“Oof,” is all Danny can muster. He digs his phone out and starts typing before Jazz yanks it out his hand.

“You’re fucking TWEETING about this?” Jazz asks incredulously, and Hood’s hackles rise. She even reads the Tweet aloud, “‘Just found out @TheJ0ker is being fr about fighting me. Sad but i can take a clown.’”

“I was gonna add ‘i’ve done it b4,’ but like the letter and the number four. But yeah.”

“You’re grounded forever.” Danny opens his mouth to protest, but the look Jazz cuts at him is so scathing that he shuts his mouth. Hood is reluctantly impressed—she had what could be cultivated into a fantastic Batglare. She pockets the phone, “You’re never getting this phone back. Taunting The Joker to Amity? Have you any brain cells? What if he brings Joker gas with him, huh? Or any of his goons? What if he starts hurting other people? Have you thought any of this through?”

Danny’s face goes from tired to chastised, his lips drawing into a frown, especially at the mention of other people.

“I’m sorry,” he says. “I didn’t think that he’d take it so seriously.”

“He sent you your IP Address.”

“I thought that was just a random string of numbers?”

“Oh my god,” Jazz despairs. “Oh my god. Grounded forever. See, I know you're lying to me. I know you're lying because Tucker, the nerdiest tech nerd to have ever been born, is your best friend.”

He rubs the back of his neck, “I tune him out?”

“You’re still lying to me?” Jazz scoffs and turns to Batman, “Do whatever you want with him. I’m not going to defend him from this.”

“Hey!” complained her brother, but Batman just continued on, “Where are your parents?”

“They’re in Sweden for a science convention,” Jazz answers. “They left this morning.”

Damn, Jason curses to himself.

“Jazz, seriously. You’re not gonna let Batman kill me, right?”

“Do you want to be cremated or buried, Danny?” Jazz asks blasély, and Danny gulps, refusing to meet anyone’s eyes.

“It’s my Twitter handle,” he mutters petulantly, and Jason can’t believe the gall of this kid. Or maybe stupidity. Audacity’s a good one, too. “If he wanted it, he should’ve gotten it first. And he gives clowns a bad name.”

“Not the clown thing again.” Jazz digs her palms into her eyes, sighs, then turns to the heroes. “He has a whole clown thing ever since Circus Gothica came to town and robbed a bunch of jewelry stores.”

Danny gestures wildly with his hands, as if demonizing clowns was the real problem and not the egomaniacal mass murderer who wanted to murder him for his Twitter handle, “Clowning is an art form, Jazz, and people like Freakshow and The Joker make a mockery of the very serious societal statements that clowns make!”

All of the Bats very carefully Did Not look at Nightwing, who has made very similar rants on quiet patrols.

“You are never leaving this house again,” she says serenely. “And I’m unplugging the wifi router.”

“You would punish even yourself?”

“Oh, little brother. I would watch the world burn if it meant knocking sense into your thick skull.”

“Okay, Christ,” Red Hood finally interrupted the siblings’ melodrama. An unyielding redheaded girl and a mouthy black-haired, blue-eyed boy? They’d fit in a little too well back at the Manor, so Jason needs to cut this shit out before Bruce’s bat-doption instincts start tingling. “Stop. Just… Christ. Stop. Is this how you always interact with each other?”

“Sometimes there’s explosions,” Danny pipes up, a cheeky grin on his face.

Jazz doesn’t dispute it.

Fucking hell. God damn it. I can’t. I just can’t.

Batman doesn’t give anything away, “Robin and Red Robin will be staying here with you until Nightwing, Hood, and I apprehend The Joker. First, we’re going to check the perimeter.”

“Oooh, I get to give the lab tour!”

Lab?

“No lab. You’re grounded. You’ll only be in there for cleaning duty now.”

“Wh– hey! No fair!”

“What’s this lab you two are talking about?” Red Robin asks before Jazz can rip into her brother again.

She sighs, “Our parents’ lab. I’ll show you, but someone needs to stay with Danny.”

“You act like I’m gonna run off and start World War III….”

“I wonder why,” she says sarcastically.

Batman nods to Robin, who nods back, and the rest of them follow Jazz out of the living room to a metal reinforced door. She types in a code—Jason catches the numbers 03-14-99. There’s an assenting beep, and she opens the door, flicking on the lights and leading them down into what is apparently a basement lab.

A stone settles in Red Hood’s stomach, cold and heavy.

The basement is large, likely the floor size of the entire building. There are several work tables, filled with miscellaneous blueprints and spare parts and weapons and tools. Against the farthest wall is another armored door, but what draws Hood’s—and the entire Batclan’s—attention is the south wall, where a circular hole in the wall was glowing a toxic Pit green.

The stone shattered in his stomach, splintering into his body. Is it harder or easier to breathe? Jason can’t tell.

“Wow,” says Nightwing. His voice is cheerful, but Jason can feel the stress beneath it. “Do I even want to know?”

Wasn’t this supposed to just be typical Joker bullshit?

“Our parents are ectobiologists,” Jazz explains nonchalantly, walking further into the lab. “As in, ghost biologists.” She pauses at one of the work tables, picking up a green and white thermos. Pretty boring, considering the rest of their surroundings.

“Ghosts.” Red Robin’s voice is carefully neutral.

“Ghosts,” Jazz reaffirms. “I know. I thought they were crazy at first, too. But I can prove it, if you like.” Then, without waiting for a yes or no, she untwists the thermos, and there’s a bright flash of white, and a whole entire body sprouting out of it.

“WHOO! I’M FREE!” cries the…being, pale and floating and lanky and entirely too big to have fit into a fucking thermos, of all the fucking things. “....And not in the Realms? Wait.” He stops stretching, descending to rest closer to the ground, but still hovering a few inches from the floor. He’s got green eyes and lifeless (ha) blond hair. He’s wearing a trenchcoat and a green skull necklace. Overall, he looks like the type of thug he’d arrest in the Bowery.

“Hello, Johnny.” The man’s—ghost’s?—eyes flicker around each person in the room, his gaze becoming more and more confused and panicked as he takes in each Bat, before settling on Jazz Fenton.

“Why are the fucking Bats here?”

“The Joker’s coming to Amity,” she says. The ghost’s eyes widen. Jazz tilts her head, “How many ghosts would you say passed away in Gotham, Johnny?”

As Jason and the Bats tense, this Johnny guy lets out a wicked laugh, “Oh, Doll, you have the best surprises. Why did we break up?”

“You did try to have my body possessed. That ruins any good relationship.”

“Man, but Kitty’ll love this. Thanks for letting me out of Soup Time, Doll.” He floats higher, “Any advice?”

She throws him the phone she’d confiscated from Danny and he catches it easily, “Everything’s on here. Have fun.”

“What exactly are you planning?” Batman scowls.

Johnny laughs, “Aww, don’t worry, Bats. Peace and love on Planet Earth, or whatever. We’ll make it quick.” Then, as the Bats leap into action as one, Johnny turns invisible, the Batarangs passing harmlessly through where he’d once been floating.

“Where did he go?” Batman turns his scowl, angrier than ever, to Jazmin Fenton, who stares back unflinchingly. “He’s going to solve the problem.”

“You mean he’s going to kill The Joker.”

She shakes her head, “Oh, no. That’d just be asking for him to come back as a ghost. Could you imagine a Joker with powers like invisibility, intangibility, flight, and more? Johnny can be impulsive, but he’s smart. None of them will kill The Joker.”

“Then what are they going to do?” Red Robin asks.

“My parents are ectobiologists,” Jazz repeats from earlier. “But I am more of an anthro-ectopologist. I am concerned with the study of ectoplasmic beings’ societies and cultures. And while it is very ancient, there is protocol in the Infinite Realms—that is, where you go when you die, should you remain after death—to prosecute living criminals who have killed a certain number of Realms citizens. So you don’t have to worry about your moral code, Batman. The Joker will be tried by a much fairer court than Gotham can ever hope to have. No offense.”

Jason stares at Jazz Fenton, who he’d pegged as the sane sibling. He’s not so sure now, but he can’t say he hates it.

“And how do we know it’s a fair trial?” Nightwing asks.

She waves her hand, “Oh, as Gotham’s Knights, you’re key witnesses. I’m sure you’ll be summoned to testify. You will see then. And don’t worry about your secret identities—the dead don’t care much for that sort of thing.”

“So if this is a ‘fair’ trial or whatever, The Joker’s going to be locked up forever?” Jason asks. “I mean, that’s the only option for shit like him.”

Batman sends him a look, but he ignores it.

“Well, there are several different punishments that could be deemed appropriate, but he’ll never be able to set foot in the mortal world again, yes.”

Jason Todd grins, “Oh, I’m glad your brother’s stupid, kid.”

She sighs, long-suffering, “Well, that makes one of us. Still, there’s more important things we should discuss now that you’re here.”

“More important than The Joker trying to kill your brother over a Twitter handle?” Red Robin asks doubtfully.

Jazz smiles, sharp and dangerous, and asks, ”Have you ever heard of the Anti-Ecto Acts?”

xxXxx

Several months later when Danny is finally un-grounded, he Tweets his last three Tweets before Twitter can become the foolishly named X:

Imagine bullying the Joker so hard that it not only lands the Joker in ghost prison BUT it also leads to major law reform in the US lmao someone make the domino effect meme about this pls

Y’allre replying to me with thanks like i did anything other than be an internet troll. My sister literally manipulated local, federal, and interdimensional law so you should be thanking her.

i just a babie 🥺🥺🥺

xxXxx

Thanks for reading! This is the whole fic, so pls do not ask for tags! Thank you :)

#dc x dp #dp x dc #dcxdp #dpxdc #danny phantom #danny fenton #jazz fenton #jason todd #batman #fanfiction #fanfic #ao3 #the joker #johnny 13 #severely ooc

3K notes · View notes

noneorother · 5 months

Text

I went dumpster diving into the posters for Good Omens Season 2 and found a few pearls.

I found it odd that this season had SO MANY official posters. Hours and hours of work and real dollars from Amazon went into the production of these things. This one won a freakin Clio award. I know Neil confirmed he didn't have a lot of control of what went into these 21 (Or 22 depending on whether or not you count the umbrella piece that was made before season 2 shooting began. Personally I don't!) pieces, but I will leave no stone unturned, so here we go. I combed through every single season 2 poster I could find so you don't have to. Here's everything I've found so far:

1. The allegiances poster

After having watched season 2, knowing what we know now, this poster seems very much to me like a Game of Thrones style family at war image. We have a perfect mirror down the center, with Aziraphale/Angels/Nina&Maggie on Aziraphale's traditional left side, and Crowley with Beelzebub & Jim as reflections of Maggie/Nina, and Shax and Michael(?) as reflections of the three angels on the other side of the mirror. It seems unbalanced, unless you count the floating white head (conveniently watching in the background) as The Metatron...

Which means Michael is... not on the same side as Uriel and Saraqael? She's also grouped in with the Metatron and Shax, on the side of the demons. How very odd. Gabriel & Nina also have a mirror in that they've both turned their backs to the crowd. Gabriel is willing to go live with Beelzebub in hell, and shut down Michael's plan and the Metatron's scheming for a second Armageddon, so that literal turn towards Beez and away from everyone else makes sense to me. The Nina one however? Not so much from what we've seen. Why is she turning her back on the angels & demons? 2. The individual posters

Interestingly, the individual posters all line up pretty much exactly with the all the allegiances this season. You just have to look at the way the characters are slanted vs. how the backgrounds behind them are slanted. All 3 bookshop posters and all 3 street posters are slanting left, with their characters also slanting left. They are who they say they are, and they're on the same side.

Michael and Uriel have right slanting backgrounds, so odds are heaven is supposed to slant right. Uriel is following the rules and slanting right, but of all the characters on the posters, Michael is the only one really betraying the background slant, and is slanting left against her background. Something's up with Micahel. They're not on the same side as they claim to be. Saraqael is more mysterious, as the only one sitting straight, and the only angel to have a left slanting background. Shax seems to be slanting left with a left slanting background, which puts her in the same pose as Uriel, but mirrored. While Beelzebub is weirdly slanting right with a right slanting background, making them a bit of a traitor, like Michael. Shax, Saraqael and Michael have some explaining to do. Lastly, and I think mostly obviously, there's clearly a missing poster in the set. Why doesn't hell have a third green poster? Is it supposed to be the Metatron, and they didn't want to spoil the surprise? Furfur maybe? Why wouldn't poor old Furfur get a poster when he has more screen time than Uriel? I don't think this is very important other than it's funny : everyone single person is holding something in their right hand, except for Shax and Crowley, who are holding things in their left hands, and Muriel, who's holding fucking NOTHING. Poor baby Muriel lolsob. One thing I do think might be important is that there are 21 posters in total + 1 missing one. So maybe 22 posters for season 2? How appropriate. 3. The triple phone box

In both the Nina street poster and the group street poster, there's are a set of 3 red phone boxes down the street. We never see phone boxes in series 2. Seriously, not once. Every other detail in these ones is from Whickeber street footage: gumball machine, post box, newspapers, coffee sign, puddle, walking extras... The only thing out of place is those blasted phone boxes. As far as I can tell it's literally the only thing in all 21 posters that never appears in the show in some form, and this background plate is used for all the street posters, so the phone boxes are in quite a few of them.

4. Crowley is showing his good side, Aziraphale is always facing away from Crowley.

Crowley is always shown with his head tilted to his right this season, body tilted towards Aziraphale and always with long sideburns. Even in the illustrated poster his default is head to the right, sideburns long.

EXCEPT for this poster. This is the only time he's looking away from Aziraphale, and his snake tattoo is visible. And his sideburns are short. Either nobody noticed this or they refused to fix it. There's also the matter of Aziraphale facing his body away from Crowley in every single image except the allegiances poster, where they face each other. So cute.

5. The sneaky details posters

This one has: 1. Pride & Prejudice 2. Treasure Island 3. A tale of two cities 4. The Crow Road 5. Catch-22 9.

AND whatever the hell this photoshop artifact/invisible thing coming out of the scroll on Aziraphale's desk. I checked every version I could find of this poster and it's always there. It looks like someone tried to edit out something that was there and sort of got it mostly right. Which is completely ludicrous given the amazing amount of flawless photoshopping and collaging going on in this image. These are the magicians linking rings from the 1941 magic shop. Mystery solved!

This one has the yellow book on the bookstand, the record, and : 1. Only one clock hand on the grandfather clock, facing 6. 2. A feather duster on the floor (but weirdly it's grey not yellow). 3. The dark horse statue with Crowley's old sunglasses on it. 4. Aziraphale's bowtie ON THE FLOOR. What. Why. I can only conclude that in this poster either A) Aziraphale and Crowley have left these things behind (meaning no more bowtie for Aziraphale in season 3) B) They are currently not wearing these items somewhere else in the bookshop....

_____________________________________ I ran out of images. So the dome poster will have to be it's own post!

#good omens meta #good omens 2 #good omens season two #art director talks good omens #go season 2 #go meta #good omens season 2 #go2 #go2 spoilers #go 2 speculation #aziraphale x crowley #ineffible husbands #good omens s2

1K notes · View notes

eilidh-eternal · 2 months

Text

You don't like silence

Part of the Metanoia series | Part 1 | Masterlist |

The house is silent, but inside your head a brumous storm swirls, wispy tendrils of fog curling around delicate gray matter.

Your routine—watching Johnny walk Isobel to school, going to work and coming home, just in time to glimpse Johnny leaving to retrieve her—has changed.

You still watch from the window, mug bleeding warmth into cold, stiff joints from between your palms. Peer around the curtains every morning as the pair amble down the pavement together.

A new month brings a steady influx of meetings and end of quarter reporting, projected sales and last minute production tweaks, but your days are no busier than normal. Rarely miss a lunch break. Leave no later than three each afternoon.

Dinner, if you have any, is ready by five.

Even so, restlessness lingers in the midnight moons hanging beneath your eyes, darkens the air around you with somnolent clouds, and you list in the torpid deluge that rains down.

Sleep evades you altogether most nights, and you’ve made a game of picking out patterns in the knockdown. Faces, animals; nebulous, nameless things.

Some nights, when the faces of strangers, burned into your retinas, find their way into the patterns of textured drywall, you listen.

Isobels room must be on the other side of yours, beds sharing a wall. On the nights you manage to make it upstairs, you can hear them both. Isobel’s slow and measured pronunciations. The lilt of Johnny’s voice, filling in the blanks where she pauses on a word she doesn’t yet know.

They’ve finished all of her animal books, which means the imitated roars of big cats and bleats of farmyard animals have morphed into exaggerated accents. Sing-song rhymes about the importance of kindness, accepting differences, and other life lessons told through colorful illustrations and whimsical narratives.

Every now and then, if you’re lucky, she falls asleep within a few pages, and you can pretend that the low, pillowy rumble of Johnny reading is just for you. A gentle coaxing made of velvety words, swaddling your mind, heavy with exhaustion, and cradling it to his chest against the maelstrom you’re spiraling in.

Sometimes she stirs, woken hours later in the placid, milky hours before dawn, just as your eyes begin to droop. Tiny feet patter across the hardwood like rain, muffled in uneven intervals by what must be a rug or runner in the hall, on her way to Johnny’s room or the washroom maybe.

You wonder if it’s full of frilly, feminine things, her room. Pinks and purples, dolls and plushies. Does she have princesses or ballerinas on her bedding? Do posters and drawings line her walls or does floral, pasted wallpaper?

She likes Mulan, you remember. A warrior. Fighter. Soldier. Like Johnny.

Probably not so frilly, then.

Perhaps they could make a fighter out of you. Press you into the mold of their little family–strengthened by loss and galvanized with love–and breathe life into clay limbs. Carve a soldier from the malleable earth. Shape you into something useful.

Now, most of your nights are spent huddled in the living room, listening to the droning of the television. Throw blankets suck you down into the sofa like quicksand and each breath draws them tighter and tighter around you, filling pockets of air with crushed velvet and fleece. Tonight, you let them swallow you whole. Sink willingly into a latibule of plaid and warm cashmere.

The cold and quiet of your empty home isn’t so bad when you can hear Johnny moving about on the other side of the wall. Isn’t so unbearable when the warm timbre of his voice chases away the numbing fog that muddles your head.

There are nights that he calls you, like he knows. Knows that you're drowning in the silence.

He does that now, after he puts Isobel to bed for the night. Calls to ask about your week. Casts a lifeline into the churning ocean between you, procellous waves lofting you on spuming peaks, and calls your name from the battered, broken shore.

A lighthouse calling to a ship, lost in the mist on a perilous sea.

Last Thursday he asked about the cookies you made with Isobel. Asked if you would be willing to share the recipe with him–teach him–so that he could make them with her for a school event coming up in the spring.

The tenderness with which he speaks of her is a balmy breeze for your gelid heart. Soothes the burn of ice floes in your veins. Melts weeks of tension from aching muscles.

Now, his voice is somber, pensive, as it filters through the lack of insulation between you. “Friday. No, ah havnae told ‘er yet. Jus’ got the call.” He pauses, and you think you hear a muffled sigh. He sounds tired, too, accent thicker than honeyed whiskey rolling off his tongue, dropping consonants in favor of deep, throaty vowels. “Aye, ah ken. She’ll be happy tae see ye though.”

He’s on the phone, talking about Isobel. They must have family visiting soon, or a family friend if Isobel knows them well enough to be excited.

You wonder what the MacTavish family is like, if they’re a rowdy bunch. If they’re a large, extended family. Johnny seems like the kind of man who comes from a close knit community, one where you grow up down the street from your cousins and spend summers terrorizing small towns together.

“I’ll talk tae ‘er in the mornin’. Ah- No.” There’s a pause again, and even with layers of sheetrock separating you, you can feel the weight of his silence. “No, Mam. She’s… ah worry. Leavin’ ‘er like this. Piss poor timin’.”

He’s leaving? Without Isobel?

It’s muffled through the wall, and you feel like you can’t have heard that correctly. He mentioned the army, but you had thought, with a child at home, that his work wouldn't be the sort that requires travel.

Ice floes turn to glaciers in your chest, frozen spikes threatening to pierce brittle, fragile muscle, and the clouds swirling overhead descend upon you.

Lost in the mist, and he’s leaving.

He’s leaving, and he’s taking the sun with him.

“Ye cannae keep it from the lassie forever, John. Ye havnae even told 'er what ye do?”

Christ, this woman…

“She knows ‘bout the army,” he defends. “Cannae say much more.”

Fenella MacTavish clucks her disapproval. “Ye’re heids full of mince.” Dishes clatter and a cupboard closes a bit too forcefully on the other end of the line.

Johnny runs a hand through the disheveled strands of his hair, overdue for a trim, well outside of regulation length. “Mam—”

“Dinnae ‘Mam’ me,” she cuts in. “John Alexander MacTavish, ye tell that lass what she’s gettin’ herself intae—or I will.”

“Mam,” he tries again, voice pitched low, “Not yet. Cannae send ‘er off, naw like I do wi’ Bell. It’s safe enough here.” You’re safe with him here. “Dinnae like knowin’ she’s alone—Christ, I can hardly stand tae have the wall between us when I ken she’s hurtin’—but there isnae anythin’ I can do that’s naw already been done. Kate’s made sure of that.”

Fenella huffs and he can’t quite make out the garbled muttering on his end, but he has a fair idea of what his mother is blathering about beneath her breath. “Kirsten—have ye gone tae see 'er?” she finally asks, mercifully shifting the conversation out of your direction. “Has Isobel?”

“No,” he admits, and guilt twists in barbed coils through his chest.

He’s been meaning to, to drive up for the weekend and take her to visit her mothers grave, now that she’s older. Stay with her gran and look through the old albums. She's only ever seen the few photos they have at home, hanging in the hall near the kitchen.

Sometimes she asks about her. If she liked the things she likes. The way rain freezes on the tall grasses and tree branches in the winter, making glass gardens of trellises and window boxes. Extra whipped cream and blueberries for her pancakes.

If she would have walked with them to school in the mornings. Take her to the park down the block in the summer. Hiking in the fall, looking for wisps darting about beneath the fallen abscission.

Isobel is so much like her mother there are days Johnny swears it’s her refusing to eat the dinner he’s made. That it’s her complaining about cold weather and overcast skies in the heart of winter, bemoaning how long they have until spring revives the land. Swears it’s her voice that wakes him in the middle of the night. Her ghost, standing in the dimly lit doorway of his bedroom, a blanket pulled ‘round her shoulders and a teddy dangling from her hand.

“I’ll take ‘er, then.” Johnny can hear the grief that tempers his mothers voice, turning anguish to steely resolve. “I’ll come by tomorrow evening, let ‘er have a few hours with ye at home before ye say yer goodbyes.”

“Thank ye, Mam,” he says on a strained exhale, lungs rattling with fragments of his own grief. It slices into old wounds until pockets of air become sanguineous aquifers, bubbling up in his throat and leaving a sour, metallic taste on his tongue.

“I meant what I said earlier,” she reminds him. “Ye tell yer lass. Dinnae leave ‘er in the dark like ye did Kirsten.”

The line goes silent and Johnny sinks back into the old corduroy sofa, pushed up against the wall beside a shelf overflowing with picture books in the living room, and a ragged sigh unfurls from his chest.

The television across from him is dark, turned off when he took Isobel upstairs for bed, but he can hear an old rerun of Taskmaster playing softly behind him.

He listens, every night, for you. For the sound of your fridge, opening and closing. The soft ‘clink’ of porcelain against granite. The oven timer or the microwave.

He prefers the former. Knows, after these last few weeks, that you cook when you’re in a good mood. Usually go to bed soon after. The sound of the microwave precedes long, muted evenings and little sound from your side of the wall. He won’t hear the stairs creak beneath your sluggish feet until the wee hours of the morning. If at all.

He listens in the mornings, too, while he makes Isobel’s breakfast. Makes sure he can hear you doing the same. Smiles to himself when he glimpses movement in the window beside your door, a miniscule swaying of the curtain, and he holds Isobel’s hand a little tighter as they navigate lingering ice patches on the pavement.

The phone call with his mother, making arrangements for Isobel, masked the sound of your movements earlier, and his fingers twitch against his leather phone case.

When your side of the wall is quiet, he knows a storm is brewing; that you’re sitting in the eye of it, waiting for the walls to close in around you.

He doesn’t know if you’ve eaten tonight. Can’t hear anything beyond the muffled television and occasional creak of the sofa beneath your shifting weight.

So he calls.

One… two… three… four… “Hi, Johnny.” Soft and breathy. Like the air the words are spoken on has borrowed from the softness of your lips as it spills into the receiver.

This is the way you sound when you’re tired, he’s learned, all soft and rounded syllables. Too exhausted, even for your own nervous habits. You don’t have the bandwidth to explain every little thing like you normally would; don’t bother with rationalizing your actions aloud.

“Hi, bonnie. What’s cookin’?” It’s cheesy as hell, but it earns a huff of a laugh from you and it tempers the jagged edge of his worry—a knife, lodged between his ribs.

“I, uh… I had leftovers. Takeaway, from a work thing.” He’s never seen you with takeaway. Always canvas bags full of groceries and the occasional frozen box dinner.

How empty is your fridge? When was the last time you went to the grocer?

“Didnae take ye for the ‘easy’ type. Ye always make me work for it.”

“Work for it?” He can picture the pinch of your brows. The way your lips quirk to the side when you’re confused.

“Aye, got me makin’ puppy eyes an’ beggin’ for yer scraps.” You laugh again, more of a scoff, but it eases some of his worry all the same.

“When have I ever made you beg, Johnny?” He’s been begging any higher power that will listen to see you smile again, and he’d give anything to see the smirk he knows is dancing at the corner of your mouth right now.

“Could do it tomorrow,” he blurts before he can think better of it. “Come over. Show me that recipe again.”

Don’t make him tell you he’s leaving over the phone.

“I thought… you said the charity event is at the end of March, right?”

“Aye, but I think I’ll need a few lessons ‘fore my bakin’s fit for auction.”

He needs to know—needs to see—that you’re well before he goes.

“And you want to start tomorrow?”

“Why not?” He’d have you baking in his kitchen now if it weren’t for the late hour.

There’s a stretch of silence, interrupted only by the faint crackling of static and the sound of your breathing. “Do you have flour? Sugar? Anything to bake with?” you ask, and he answers with a proud ‘yes’. “Okay… okay. I can come over after work tomorrow.”

“I’ll ‘ave Bell home early then. She’ll want tae help.” Your amused sigh echoes across the line, followed by the faint rustling of fabric and then the soft pattering of stocking-clad feet over hardwood, fourth and fifth step creaking softly as you climb the stairs. “Off tae bed?”

Another sigh–on the tail-end of a yawn, he realizes. “Yeah. Well, trying. Don’t get a lot of sleep these days,” you admit, and though he’s successfully abated the storm of your thoughts, he wishes he could disperse it entirely.

Be the shelter you seek, at the very least.

He’d nestle you in the warmth of his bed, tucked close and sleeping soundly in the cage of his arms. Anchor you to him with a leg hooked between yours, whispering adulation against the howling, taunting winds.

He would make himself a rock to let your tempestuous thoughts batter and besiege. Weathered and whittled down to pebbles on a beach, he’d roll in the undertow alongside you. And when he is but sand on the ocean floor, still, he would drift and settle wherever the storm of you takes him.

“I used tae read for my sister when we were weans. She’d wake, spooked from a dream, and come tae my room in the middle of the night.”

“You have a sister?” A door clicks closed and blankets whisper over sheets as you settle in for the night. “What’s she like?”

“A lot like our Mam. Headstrong. Stubborn.”

“Are you the oldest?” You sound further away. Muffled. Like you’ve got the blankets pulled up to your nose and the phone beside you on the pillow.

“I am,” he lilts.

“She gets it from you, then,” you murmur, and his chest tightens.

“She got a fair number of things from me, I’d wager.”

He continues on, speaking just above a low, gravelly whisper. Reminiscing his early years and the trouble the two of them got up to. Thick as thieves and wild as the kellas cats roaming the highlands.

Your interjections dwindle, turn to soft hums and slow, even breaths. Sleeping.

He listens for a few more minutes to the soft, sweet sounds you make, little chuffs and sleepy hums, the susurrations of shifting sheets and nightclothes, and he whispers into the darkness, “Goodnight, sweet girl.”

Work passes you by in a blur, meeting after meeting chipping away at the hours and minutes ticking by on the analog clock perched on your desk.

The drive home is uneventful and it feels as though you’ve passed through a wormhole somewhere along the way. Can’t quite remember making the turn into your neighborhood from the main road.

Normally, Johnny would be leaving to retrieve Isobel from school right now, but as you gather your things and step out of the car you hear your name being called from several houses down.

Braids bounce and red wellies squeak as Isobel darts ahead of Johnny, weaving around patches of ice to get to you, and you step up onto the pavement just in time to keep her from running into the road.

She barrels into you, wrapping her arms around your leg and smooshing her face against your slacks. “Ye’re back!” she squeals, fingers curling into the fabric.

She’s leaving.

Your hand settles atop her head, soft wisps of curls tickling the pads of your fingers where they’ve escaped their plaits. “Where did I go?” you ask, and she tips her head back to look up at you.

“Bubby said ye were busy with work. Sometimes he gets busy too, and I have to stay with my gran.”

They’re both leaving.

Johnny’s caught up with her, lingering a few steps away near the walkway leading to your door. When you look to where he stands, hands shoved in the pockets of his jeans, windbreaker bunched up around his forearms where a tattoo peeks out, the corners of his eyes glimmer.

A smile curves the corners of his mouth, and it’s an odd mixture of grief and happiness that flickers there in the crook of his lips and set of his brow, sloped upwards and creased in the middle. His hair is longer than you remember, scruffy sides and tufts of mohawk curling at the ends, loose strands tousled around his face.

Wind blows at your back and a single tear tracks down the sharp plane of his cheek, disappearing in the dark shadow of stubble that lines his jaw.

“I have been busy with work,” you confirm, peering down at Isobel once more. “But I didn’t leave.”

You’re staying, and they’re leaving.

The wind picks up and she presses closer, shielding herself from the cold behind your frame. “Let’s get ye inside and put yer book bag away. Then we can catch up over cookies an’ milk,” Johnny says as he closes the distance between you.

“Cookies?!” Her excitement carries on the wind, and his smile sharpens, bright and hopeful, but the whetted edge of sorrow undercuts the warmth.

“Aye, but we’ll have to make ‘em ourselves.” He brushes a stray lock from her eyes, fingers brushing against yours where his hand settles beside it on her crown, and dread blooms low in your stomach where warmth should.

She ducks away from you both, bolting towards their front stoop, and you’re left with both of your hands hovering in the air, his half curled over yours, staring after her.

You pull away first, adjusting your bag on your shoulder. “I just need to sort this–” You gesture to the tote full of binders and your laptop. “–and I'll be right over.”

He fishes his keys from his pocket and takes a step back, towards Isobel. “We’ll be waitin’,” he says with a wink, and turns to take her inside.

There's flour in your hair and matching handprints on your slacks, and neither Johnny nor Isobel have fared much better. You’re all a mess, and the cookies you’ve made are tantamount to your disheveled state–lumpy, dry masses of something more closely resembling a biscuit.

“Dunno what ah did wrong,” Johnny muses, breaking one in half and inspecting the crumbly texture.

You sit beside him at the kitchen table, watching Isobel dunk half a cookie into a glass of milk. “It’s the butter and flour. The ratio is imbalanced–not enough fat.” She doesn’t seem to mind, stuffing the entire piece in her mouth and readying the next, fingers covered in crumbs that fall in her milk.

Johnny shifts beside you, sliding out of his chair and taking a bite out of his cookie as he moves towards the fridge. “Still tastes good,” he says around a mouthful and pours two more glasses, placing one down in front of you when he returns. “But I’ll need another demonstration when I’m back, I think.”

You take a cookie from the plate in the middle of the table, breaking off a chunk to dunk in your milk, and ignore the mirrored sensation in your chest. You knew this was coming. You know he’s leaving.

“When you’re back? From where?” you probe. No need to dance around the subject.

He shifts again, uncharacteristically nervous, and speaks softly. “Have to leave for a little while, for work,” he explains. Your cookie turns pliant between your fingers and you bite off the softened corner, chewing slowly while you listen. “Willnae know where they’re sendin’ me to until the briefin’.”

“When are you leaving?” You stare down at the crumbs swirling in your glass.

“Tomorrow morning.”

The foreknowledge of his impending departure doesn’t make the break any cleaner. The fracturing feeling in your chest widens into fissures and chasms, jagged edges crumbling, tumbling down into the festering darkness.

When you lift your gaze you find that he’s been watching you–studying you–and his hand has crept across the table, close enough you can feel the warmth of him. “How long?” It comes out wobbly. Unsteady.

You’re drifting out to sea again.

“Few weeks. Maybe a month.” Your chest feels like it’s caving in.

There’s a knock at the door. A canary in a coal mine, warning come too late.

“Gran!” Isobel’s chair nearly topples as she pushes back from the table, racing from the kitchen to the front door.

Johnny’s hand covers yours, long, callused fingers curling around your clenched fist and squeezing. “I’ll be back before ye know it,” he murmurs, smoothing a strand of hair away from your face and tracing the curve of your jaw as he stands.

He only goes as far as the kitchen doorway. Your heart’s already somewhere in the North Sea.

“Hi, Mam.” He’s greeted by an older female voice and pulled into a hug by a woman a whole head shorter than him. Isobel hovers nearby, bouncing excitedly from foot to foot, and tugs at the older woman’s–her grandmother’s–cable knit sweater.

“Gran, come meet our friend!” she says, and tugs again until she lets go of Johnny.

You stand from the table on wobbly legs, fighting to balance your listing emotions and put on a warm smile as Johnny’s mother slides past him into the kitchen.

The resemblance between the three of them is uncanny. Johnny shares his mothers dark coloring, rich hair and warm skinned, and they all have the same eyes–steely hues of grey-blue, spiraling outwards from inky pupils like storm cells.

“So, this is the lassie next door ye willnae stop glaverin’ on about?” she asks no one in particular as she openly appraises you.

“Mam–” Johnny begins, a simmering warning, but she holds up a hand to silence him.

They carry themselves in a similar manner, in the set of their shoulders and broad stance. She may not stand as tall as he does but she’s no less imposing, and it’s an effort not to squirm under her scrutiny.

Seconds feel like hours as she looks you up and down, cataloging the flour on your pants and in your hair, glancing to her left where Johnny stands in a state of equal disarray, and a knowing look flickers like lightning in her storm cloud eyes.

“It’s good tae finally put a face wi’ a name,” she says, smiling, and pulls you into a hug, too. “Call me Fenella, or Fen, whichever ye like.”

You return the gesture hesitantly, looking over her shoulder to Johnny for guidance and finding none. He simply smiles back at you from where he leans against the doorway, something unreadable in his expression lingering beneath it.

“It’s nice to meet you too… I- I’d love to stay, but should probably be heading home. I have an early morning and wouldn’t want to intrude on your visit,” you say by way of excuse.

“Ah’m naw stayin’ long, dear,” she explains, finally pulling away. Isobel returns to her side, pressing her shoulder to her thigh, and Fenella’s hand settles on the crown of her head. “Here tae take the wean for a stay wi’ her gran.”

“Is yer bag ready, leannan? D’ya have all yer books for school?” Johnny asks from where he stands, hands having found their way into his pockets again. His shoulders droop, broad frame deflating before your eyes. Leaving her behind, even with his mother, takes a toll on him.

Isobel leans around her gran to say, “I’ave all my books. And Mr. Ghost.”

“Goan an’ get yer things then, Bell,” Fenella ushers her out of the kitchen, climbing the stairs behind her to her room.

You watch until they disappear above the half open staircase, but Johnny has been watching you. Watching you navigate the shoal of your emotions, razor sharp rock scraping against a flimsy hull.

“C’mere, lass,” he entreats, one arm outstretched towards you, and your feet move of their own accord, carrying you forward until his hand settles on your shoulder, momentarily moored in the eddy of a tide pool. “Didnae mean to tell ye in the middle of… this.” He gestures above him to the sound of footsteps overhead. “Only got the call yesterday.”

With your hands folded at your front, you stare down at them, picking at a loose thread on your sleeve. “It’s okay. I understand—”

“No, lass, it isnae okay,” he interrupts, hand gliding up your shoulder, your neck, and coming to rest on your cheek. He lifts your gaze back up to his and he’s wearing that nameless emotion, staring down at you with a pained expression.

This hurts him as much as it hurts you.

“The job I do, it isnae always… predictable. Dinnae get much warning when I’m called in for assignments. I should have warned ye…” his thumb traces soothing arcs over your cheek, but it does nothing for the gaping hole in your chest. “I’m sorry… I should have—”

“It’s okay, Johnny. Really.” The lie feels like rubbing salt into a wound, burns the back of your throat like you’re speaking around a lump made of sandpaper, and your voice comes out scratchy and raw.

His hand lingers on your cheek, eyes darting from yours to your nose, lips, cheeks, brow. Memorizing.

“Let me walk ye home?” You nod, unsure if you can speak around the cordolium lodged in your throat, and his hand moves from your cheek to your waist, guiding you through the razor rock and churning tide to the front door.

His arm remains firmly around you, fingers digging into your softness as he escorts you across the meager expanse of your lawn.

There’s an SUV, still running, parked in front of both houses and left to keep warm while Isobel gathers her things. She and Fenella step out into the brisk evening air just as you and Johnny reach the top of your stairs, and Isobel waves to you as they descend. Your arm feels leaden as you lift your hand into the air, waving back to her.

“She‘ll miss ye. Talks about ye all the time,” Johnny says beside you, unwilling to let you go just yet. “I’ll be missin’ ye too,” he admits, and you thought you’d found the bottom of the pit in your stomach. Thought you were already lying at the bottom of it.

You were wrong.

The well of your affection for them feels bottomless. The floor crumbles, residual tremors of the quaking in your chest, and you’re falling, falling, falling…Even with his arm around your waist.

You fell in love with the man in front of you. Fell in love with the darling little girl climbing into her grandmother's car. You’re already in love with Fenella and her dedication to her family.

You’ve been falling this whole time, no safety net in sight.

“I- …” Your voice cracks, and you try again. “I’ll miss you, too. Both of you.”

You’re falling, and they’re leaving.

There’s little warning, just a tug of your blouse, before you’re being folded into his arms. A wide palm cradles your head to his chest, fingers threading through your hair, and he presses his cheek to your crown.

“Won’t be able to use my phone a lot, but I’ll call when I can.” He murmurs his promise into your hair. “If… if I’m not here an’ somethin’ happens… I gave my Mum yer number. Saved hers in yer phone when I gave ye mine.” He pauses. Sucks in a shuddering breath before he continues. “Whatever it is, she’ll help.”

You nod your understanding and he pulls back just enough to see your face, guides your head to look up at him and says, “Promise me. Promise that ye’ll go to her if ye need anythin’,” with a desperation you’ve never heard from him.

So you make another promise. Let your eyes flutter closed as he presses his forehead to yours and ghosts his lips across the chilled skin of your brow.

And then he leaves.

Isobel is sorted, buckled into her car seat and saying her goodbye’s to Johnny, and Fenella MacTavish stands beside the driver’s side door, watching.

She’s said this goodbye a hundred times. Sent him off to god knows where to fight a war she’s never heard of. It never gets easier.

Isobel’s door closes, and her son turns to her with pain in his eyes. “I hate leaving ‘er.”

“Which one?” she intones, and Johnny leans his hip against the B pillar.

“Both of them. The three of ye.”

“Then make sure ye come back tae ‘er–tae all of us,” she advises, and pulls him into one last hug. “I cannae bury another child.”

Next>>>

©️Eilidh-Eternal.2024 ~ The intellectual property of Eilidh-Eternal is not permitted for reposting, transcription, translation or use with AI technologies.

794 notes · View notes