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dotsayers · 3 years

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20 Questions: Writer’s Edition

tagged by the beloved @myrmidryad

this is a LONG one so here’s a cut to avoid do you love the colour of the sky syndrome

1. How many works do you have on AO3?

101 after a recent purge... no one may know about my Past

2. What’s your total AO3 word count?

329004! used to be about 350k but again... purge

3. How many fandoms have you written for and what are they?

on ao3 i’ve written for (chronologically) doctor who, skyfall, discworld, les mis, star trek, lord peter wimsey, marvel (various), in the flesh, red vs blue, roosterteeth rpf, check please, hockey rpf, star wars, daredevil, rivers of london, dishonored, emmerdale, dirk gently, holby city, hot fuzz, kj charles, guardian, the covert captain, taskmaster rpf, good omens, ghosts, roswell new mexico, leverage, schitt’s creek, the magicians, 9-1-1, it chapter two, the magnus archives, the old guard, the mandalorian, the ritual, the locked tomb

way back on the pit of voles i wrote for twilight, harry potter, hetalia and xmen first class. and on the newsround chatrooms i wrote exclusively harry potter fic about my oc neville and luna’s daughter

as you can tell i am not prone to staying in one fandom writing wise, i tend to end up with one complete fic and seven abandoned wips concealed deep in my google drive

4. What are your top 5 fics by kudos?

finally see what it means to be living (captain marvel, carol/maria, i really hit the zeitgeist with this one i think i was something like the fifth fic in the ship tag)

do whatever you think (the magnus archives, this series is actually #2-7, then #8 #9 and #11 for me so i’m going to cheat a bit)

standing in a world of my own (daredevil, matt/foggy/karen, another zeitgeist hit! really miss writing for daredevil actually... it’s a perennial fave)

a winding road that stretches towards the truth (iron man, tony/rhodey, i STILL don’t know when this got so many kudos. i swear i looked away when it was at 100 and suddenly it ended up here)

where the long shadows grow (star trek aos, kirk prime/spock prime, thank god some people are checking the prime kirkspock tag is all i’m saying!)

5. What’s the fic you’ve written with the angstiest ending?

i don’t really Do angsty endings... possibly a blanket of stars just because i ended it on something of a cliffhanger and then completely zoned out of rnm for long enough that i forgot where i was going with it. there was definitely the intention of fixing things but then i just... did not do that. and now the show is on s3 and i’m over a season behind! life comes at you fast

6. What’s the fic you’ve written with the happiest ending?

where the long shadows grow, because it reunited kirk prime and spock prime and they DESERVE TO BE HAPPYYYY. i’m a complete sucker for presumed dead/back from the dead stories, actually, so on a similar theme i have two (TWO) daredevil fics which follow the trope, one about ray coming back post-s2 (might never be normal again) and one about foggy and matt reuniting post-endgame (in the corner, taking up space). this is the only time i will ever acknowledge endgame ever again

7. Do you write crossovers? If so, what is the craziest one you’ve written?

i do write crossovers! in fact i am often roundly mocked by my friends for the increasingly esoteric nature of my crossovers. way back in secondary i wrote a twilight/labyrinth crossover where angela was sarah and jareth’s daughter because i had a massive crush on a girl who liked both twilight and labyrinth. however, since that has been comprehensively scrubbed from the internet, i think my craziest crossover is probably part three of ‘traced upon the skies’, already an esoteric crossover of rivers of london and hot fuzz, when i added in a crossover with the horror movie ‘the ritual’ just because i wanted rafe spall’s character to be happy

8. Do you write smut? If so, what kind?

EXTREMELY rarely and only with extreme embarrassment. i will not be any more specific than that

9. Do you respond to comments, why or why not?

i used to really struggle with doing this, to the point that i had over 300 comments just. lingering in my inbox unanswered. so i decided to give those up and just commit to answering them from then on, which has been working fairly well for about a year and a half now. i love getting comments but i get overwhelmed really easily and struggle with replying in a way which feels meaningful without getting in my head about it!

10. Have you ever received hate on a fic?

yes lmao it was for a harry potter fic on ff.net where harry got sorted into hufflepuff instead of gryffindor. it wasn’t a very good fic but i think the fact it was clearly written by an 11 year old should have scared off at least some of the less flattering comments.

11. Have you ever had a fic stolen?

i don’t... think so? i don’t know how i’d find out to be honest, my vanity googling is rarely very effective

12. Have you ever had a fic translated?

yes! as bronze may be much beautified (skyfall, mallory/bond) got translated into chinese, i was extremely pleased. i think it’s mandarin but the ao3 page for the translation doesn’t say and my mandarin is.................. extremely poor

13. Have you ever co-written a fic before?

also yes! me and jess little-smartass have written a lot together, although only our star trek/les mis series has been published, more’s the pity. we spent a lot of les mis fandom time workshopping aus and we were always extremely correct about all of it, imo

14. What’s your all time favourite ship to write for?

oh god. i think probably kirk/spock, although there’s some recency bias to that since i reread space manhattans recently and was reminded of my love for them. i really like writing jon/martin but i’ve mostly done that from outsider pov which is a bit different to writing shipfic, i think. joe/nicky from tog was also something i really liked writing but i struggle with plotting longer fic with them

15. What’s a WIP that you want to finish but don’t think you ever will?

i recently went through my abandoned fic folder so i actually have a few options for this. the obvious choice would be ‘any of the hockey ones’ but i did delete most of those just for my sanity. more recently i started writing a vaguely smutty pre-the thing mac/fuchs fic for alex @milkdrinker5000 which i really WANT to finish but am struggling with. most obscure answer (even beyond the thing) and most likely to remain unfinished is the insanely in depth post-tog booker/copley fic i had planned out back in about october. i wrote a good 6-7k of that one and then i realised it was going to be, like, difficult, and decided if i was going to put that much work into something it may as well be the novel im meant to be writing

16. What are your writing strengths?

once a friend told me i had an excellent facility for dialogue and ive thought about it every time i write ever since. i love writing dialogue and i think i’m good at knowing what sounds ic and what is right out.

17. What are your writing weaknesses?

one of the things i struggled with for a really long time, and honestly still have trouble with, is depicting action in words. once i wrote a hockey fic which featured multiple hockey games and i spent probably four times as much effort editing those to make sense and be interesting that i’ve ever done on a talkier scene.

18. What are your thoughts on writing dialogue in other languages in a fic?

i’ve done it but only when i knew more or less what i was talking about - i did italian at school so i felt confident using it for nicky in something particular and real. i try not to italicise when i drop in words from other languages, which is what i usually do when i’m using a language i haven’t studied in depth (for example, joe’s use of arabic in some of my fic), and to only use words which i’ve heard used by native speakers in that context. i think if you don’t feel confident using another language, generally speaking, you shouldn’t do it. and for god’s sake don’t use google translate for a full sentence

19. What was the first fandom you wrote for?

harry potter on the newsround chatboards. ariana lovegood-longbottom my sweet child

20. What’s your favourite fic you’ve written?

this used to be an easy question because hands down the fic i was proudest of on posting it was i’ll be seeing you. i spent a year and a half on research and writing! but these days i do cringe a little at my hockey fic, and i think i’m prouder of some of my shorter works. let’s do a curveball and say layer on layer, down on down, which is my favourite of my rnm fics and the one i like most from a narrative voice perspective. getting michael right was stressful and i’m still proud i got it down for a TIME LOOP FIC, my absolute favourite trope

tagging @little-smartass and @leescoresbies just in case they want to try this

#gin i can't BELIEVE you wrote for xiaolin showdown. iconic #text post tag #tagged in #writing tag

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aloisofmissouri · 3 years

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A Journal Entry

July 20th, 2021

11:44pm

Trigger Warning:

Sexual Assault, Self Harm,Mental Health, physical health, and occasional swears.

Dear Reader,

I’m only eighteen but I have experienced a lot, and so have many other teens I know. I know at least four of my classmates have been raped at some point in their life. And who knows what others may have been through and I never knew.

But I’m not writing to share their story, unless they decide that they want their story told. As of now, I am writing to share my story.

So, let's start with my earliest memory.

My earliest memory is watching Elmo and Little Bear from my crib in the living room when I was probably a toddler. I don’t remember much, other than enjoying the cartoons. It was happy and innocent. One of the few childhood memories I can look back on and smile.

I was really young when I was first raped. First raped, you caught that part, right? Yeah, I wasn’t raped just once, but multiple times by one man. The man I had grown up calling my father. The man on my birth certificate. I’m not exactly how old I was when it started, but if I had to guess, I was probably in the first or second grade when it went past the occasional groping and lewd comments.

Near the end of third grade, my mother decided to take me and my sibling to live with our grandmother. But that didn’t last long.

We ended up moving back in with our mother and abusive father when I was in fifth grade. I didn’t want to but my father manipulated me into doing so. He threatened to place a restraining order on my grandmother when I wanted to stay with her.

Things were miserable and the abuse continued. But luckily I was able to go back to my grandmother by sixth grade. But I still had to deal with what happened.

I believe my grandmother meant well, but she use to tell me not to let people know what had happened to me. She said that no one would want to be with someone who was raped because a lot of people view them as used or damaged goods basically.

My grandmother was a bit emotionally damaging, though I know she more than likely didn’t know that she was being so. I have reason to believe that she has dementia and possibly a personality disorder.

I remember her saying that I shouldn’t wear plaid or spotted clothing because it would make me look bigger than the broad side of a barn. She also told me to stay away from bright colors because they would have the same effect. I refused to stay away from plaid though, I kept that jacket from middle school until junior year when I could no longer zip it. But it took me a long time to wear bright colors, and it is still hard. I also have a hard time feeling comfortable in my own skin, and not just because of the occasional comment about my weight from my grandmother, but also because of the abuse I had dealt with from my father. I spent the majority of school always wearing jeans, jackets, and dark clothing. I didn’t feel comfortable wearing shorts. And I’m still getting used to wearing them.

I had to go to court in middle school. Someone had apparently turned my father in for what he had done to me (I was living with my grandmother again by then) and we still do not know who reported them. I wish I could thank whoever turned him in.

Sadly, they only gave him three years despite the evidence. And he was only going to have to serve one and a half years because of the amount of time spent in a jail cell waiting for court that kept getting rescheduled. He died of stage four lung cancer though before he was half way through his time.

My freshman year I finally realised I had anxiety and that there was something definitely wrong with me mentally. By my sophomore year, I was self harming and in counselling and diagnosed with Bipolar Disorder, PTSD, OCD, and Anxiety. By junior year I was on a lot of medication thanks to a pill happy psychiatrist. And I was miserable. But thankfully, I found a new psychiatrist who quickly helped me get cut down to just one pill. Near the end of junior year, I quit self harming. And I also finally started to get a bit of control over my mania and my depression.

I have a Google Doc somewhere that has over 150 pages of poetry, and the majority of it is about depression, trauma, and anger. And they were all written during middle school and highschool. Writing poetry helped me then. Now, I don’t really write poetry anymore. I have only written a handful of poems within the last year. And they were mostly in Shakespearean English because I thought it would be fun.

I believe I might have religious anxiety. I don’t remember the technical term though. I grew up going to Baptist Churches and had a heavy christian influence. But sadly, Christians aren’t quite as christian as they are supposed to be.

Due to being constantly worried about sinning and about being too filthy and being damned to hell, my depression and anxiety got to me from a different angle. I kept breaking up with everyone I dated if I feared we were getting too close. I would either feel like I wasn’t good enough or I would fear that we would have sex and I would be damned. I also hated myself for my sexuality, though it took me a long time to figure that out. I supported my LGBTA+ friends but when it came to myself, I couldn’t accept myself.

When I self harmed, I would do it because I felt filthy and had this urge to scratch my skin off my body because I never felt clean. I never hurt myself too severely, just scratches and shallow cuts on my wrist and my thigh. But I still found it hard to quit. It became far too easy to always turn to the blade, regardless of if I was feeling filthy or if I was dissociating or if I was having a panic attack.

Despite what had happened to me, I’m finally starting to become me. Even though I am still discovering who I am. I quite self harming, I don’t have quite as many panic attacks or nightmares, I lost my virginity, learned I am demisexual (leaning a bit towards asexuality though) Panromantic and Nonbinary. I also discovered I have some other health issues outside of my mental health. I am apparently allergic to alphagall, peanuts, and wheat. Thankfully I just get slightly sick if I eat those things though, but it is still a bit annoying when those things are basically in everything you like to eat.

I also found out that the reason my menstrual cycle has always been so irregular is because I have cysts. Originally I thought I had PCOS but now after some ultrasounds, it is looking like Endometriosis. I have cysts on my uterus and my ovaries. The doctor told me that my insurance should cover the surgery if I were to get a total hysterectomy.

I never really wanted to give birth so that part of this doesn’t bother me, my fear is that there will be issues from the surgery. And it has also spurred some identity issues. But so far, I am sticking to they/them pronouns. Even though my family still calls me she/her. But I haven’t really come out to them. They know I’m not 100% straight, but who wants to sit down and explain to their grandmother (who dropped out of school in eight grade to care for her grandma, has a flip phone, and just a few years ago decided to accept the lgbt+ part of her family) that I’m nonbinary? I barely manage to explain to my mother (highschool dropout because of pregnancy, has a touch screen phone and understand some things of the current century) that there is more than just straight, gay, and bisexual. I explained to my mother the other day what omnigender and nonbinary is. Had to explain transgender to my mother when I was a junior and introduced her to a friend of mine who was afab but went by he/him pronouns.

I suppose that despite all the shit I’ve been through, at least my mother doesn’t give two flying fucks who I like. When I told her that I thought I was pansexual in middle school, all she did was ask me what that meant. Then she just nodded her head and went with it. Same thing when I decided I was Wiccan in middle school. She even bought me a pentacle necklace and every book (mostly fantasy) that mentioned witches. I no longer identify as Wiccan, I mostly just stick to animist. But my point being, my mother didn’t throw a fit when two of her nine kids came out as gay. Even if she does identify as a Saturday Adventist, she supports us. She even listens to me ramble about mistranslated things in the Bible and my views on theology. And my rants about Supernatural. Though she did laugh when I spent about an hour crying after the Supernatural second to last episode of season 15. She did listen to me rant about Castiel and the plot lines and everything. Though I had to keep explaining some of the characters to her.

Despite the things I’ve been through, I managed to graduate high school, survive my severe depression and anxiety, and now I am thinking about possibly applying for Law school and going to college. And I now also have the confidence to do what I want and wear what I want. Though I still feel all nervous about asking out a girl I’ve been friends with for about three or more years. I’ve now made the excuse to wait and see if she mentions not being completely straight. Oh, and she now has a boyfriend too so yeah, gonna have to wait a bit.

Until next time,

Alois 🐧

#mentalhealth #metoo #abuse #journal #lgbtq #i swear #trauma #my life #moving forward #heath #depression

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talesofafangirlwithadvr · 4 years

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June Picks!

And just like that we’re at the end of yet another month. I seriously do not know where these months are going. I think they’re going by faster now since we’ve been socially distant. I hope everyone is staying safe out there and can enjoy the start of summer while also being smart. It’s good to know we can always escape into TV and movies at home. Without further ado, here’s my monthly wrap up.

You know spoilers are coming....

DC’s STARGIRL

I gave some quick thoughts a few weeks back when the first episode of the latest DC TV show premiered on the CW. I really liked this episode and it got me pumped for the series, but since then I feel most of the episodes have dragged for me. Because this show has the DC streaming service feel, it makes you want to binge all the episodes, which is something you can’t do when CW airs it on a weekly basis. Most of the action occurs at the beginning or end of the episode, which serves as a great cliffhanger, which works well in this streaming format. Due to this format, the middle can drag...a lot. Going in I didn’t know much about Stargirl or the JSA. (My main knowledge comes from that special the Justice Society had in that one Smallville special all those years ago. There it was a bit of an overload of heroes, unlike here.) I love Pat and Courtney’s relationship. Every episode they bond more and I especially liked when she was complaining to him about how the other teammates don’t listen to her. He understood that really well. I am also just loving Luke Wilson as Pat. I think he works well for the role. Feels believable. I’m ALWAYS a fan of a new generation of heroes. While it was slower getting the team together, now that we have the core group I am especially excited. The latest episode (6) was one of the strongest for me and I am very excited to see this up and coming team train and get stronger. I’m also interested in learning more about the villains. I think it’s interesting how we are also meeting a lot of the villain’s kids who seem to not know their parents’ true identities. I wonder if we’ll be able to turn any of them. (Feeling it for Icicle Jr.) For our team, I’m really loving how it’s three girls and one boy. I think that’s a dynamic we don’t often see, especially in a group of superheroes. I’m still working out who to ship, but I’m really loving Rick. Can’t wait to continue watching. I hope we get more of these epic stance moments.

LEGENDS OF TOMORROW

Let’s continue on this superhero thread with another one of my favorites, which wrapped up its 5th season (crazy it’s already the 5th!) at the start of the month. I’ve said this before and I will continue to do so, Legends is THE BEST SHOW IN THE ARROWVERSE. It has been the most consistent and that’s not only because of a strong cast, the freedom to do basically anything they want with the plot and also being a mid-season show. I think where the Flash and Arrow often get tripped up is having too many episodes to fill, which forces story lines to be dragged out and filler episodes. With a 13 episode season you don’t get that. WARNING I’m going to jump into season 5 spoilers now!!

So, some of my overall thoughts for this season:

The Wave-rider has always been a revolving door for characters. This show probably has the most turn-over than any other show I watch. And it works, but for this season especially it felt like a lot of coming and going as I look back.

It was sad to see Ray leave. Not only is he one of my favorites, but he was one of the core crew that was left. He brought great humor and heart to the show. I loved his bromance with Nate over the seasons. I wish he could have come back for the finale. While I like that he left with Nora (because they are adorable) it just felt too fast (and that was with me knowing how many episodes he had left).

Charlie’s exit. I know she had a large part of the plot with her sisters, especially in the second half of the season, which means she’ll be missed even more next season. When she said she was staying in the finale I was like WHAT! It just felt so sudden and I didn’t see it coming.

The lack of Sara on the ship this season made me feel like she had other projects in the works. When she became blind I was like op this is it for her character. Now of course, I see how that worked into the overall story line, but with her abduction at the end of the season (meaning another absence) I’m curious if she is working on other things. I do love seeing Ava at the helm though. She makes a great captain. I just wish the two could be co-captains on the screen more often in future seasons to come. It hurt me too much to see Ava’s reaction to when she knew she was going to lose Sara.

At first I REALLY missed the original Zari. She’s the one we knew for a few seasons and now she was gone. That’s the main reason why I had difficulty liking Behrad right away. I do appreciate that they didn’t drag out the plot of discovering something in the timeline had changed. I liked how Nate had some memory and got that message from Zari. When Zari 2.0 showed up I missed our original Zari even more, but the more episodes she was a part of, she grew on me and I suddenly was worried to lose her. I was completely fine with having both Zaris on the Waverider (ha, ha, ha, but seriously). I think Tala did a great job of bringing two different incarnations to the character and seeing how Zari would have grown up if she didn’t have such a tragic backstory.

I can seriously go on and on about this season, but I think it’s best to leave for another post.

THE 100

If you follow me or have read other posts on my page you know I’m a 100 fan. If I’ve had strong feelings about an episode (positive or negative) you will probably see a reaction post. I haven’t watched this past week’s episode yet, so this will mainly relate to the first five episodes of season 7. I’m having a love/hate relationship so far, which honestly I’m not shocked about. The first few seasons of this show were definitely the strongest, but I’ve remained a loyal fan and supported it throughout. When the first episode of season 7 aired a few weeks ago, I instantly felt it wasn’t going to be a strong ending. I kept saying that the true ending happened when our characters went on the ship to look for a new planet and “ended book 1.” Since then the feel of the show has shifted and that’s especially true with this final season. It’s always been a sci-fi show, but now with the anomaly and this jumping multiple portals and planets it feels VERY SCI-FI. Like at times I don’t 100% understand how what they’re doing is possible. But I’m okay with that. I’ve watched Doctor Who and felt the same way and still had a good time. Going into this season, I thought the anomaly plot was going to be the one I disliked the most. But for me now it’s what’s saving this season. I am loving that story line over the one we’re having at Sanctum (where they are FAR too many new characters that I don’t care about). I absolutely LOVED the Octavia/Dioyza/Hope backstory episode. There were so many great parallels to Octavia’s own childhood and I was able to appreciate how much her character has developed. After seeing this episode, I instantly grew to really like ‘adult’ Hope as well as her dynamic with Gabriel and Hope. (It hurt me so much when Echo killed the man who was helping them get back.) I can’t wait for Hope to find her mom. (I saw pictures of the three of them together again, so I know it’s going to happen.) Speaking of not liking new characters, I DO like Levitt so far. That could be mainly for the fact that he’s also a fan of watching the 100. I was NOT expecting to see Bellamy at the end of episode 5. It brought me so much joy. I hope we don’t have to wait so long for the next time. (Because, come on-we know he’s not really dead.) I am upset that Bob is barely in this season. It’s not fair to him or the character. Even thought the Sanctum plot is bothering me I am loving the scenes Murphy is in. Talk about character development. He better make it out of all this at the end. I also enjoyed Raven’s story line with the radiation. I agree with a few people’s posts I saw about her not having a large plot last season and not being the Raven we know. I’m happy to see her being one of the main characters again. We might not get the ending we deserve, but I hope it’s one that isn’t horrible.

MARVEL RE-WATCH

What’s one way to spend your quarantine/social distancing? Why ranking all 22 movies in the MCU and then re-watching all of them (one a day) and re-ranking them with your new thoughts. With seasons ending early and less being on TV now was a fantastic time to do this. (Plus, I knew a few other people doing it so I felt inspired.) For some of these films, I think I had only seen them a few times and it was hard to remember what happened in certain ones over others. (I kept thinking stuff that happened in Captain America Civil War was actually in Captain America Winter Soldier.) I really enjoyed the experience and highly recommend it, whether you’ve watched these movies a countless amount of times or only once. Watching them in order of their release really made me appreciate all the Easter Eggs and planning that went into it. I longed for some movies and was not excited for others (I’m looking at you Guardians Vol. 2). It also made me feel a deeper connection to Iron Man (which made the ending even tougher-and I knew what was coming). The nostalgia was strong and I’m so happy to be a part of this fandom.

Sneak peak at my re-ranking that is still in the process:

Top 3)

Avengers Infinity Wars

Avengers Endgame

Spiderman Far From Home

Bottom)

Guardians Vol. 2

Thor the Dark World

Iron Man 2

AVATAR THE LAST AIRBENDER

Avatar was released on Netflix this month and something in me said now was the time to watch it. (That’s right, I haven’t watched it before). The hype for this series is crazy! I remember it being on Nickelodeon as a kid, but I had never watched it. I didn’t know much about it other than the main character had an arrow on his head and was the last airbender. (Yep, so not a lot.) Currently, I’m still very early in-I think about episode 9-but I already feel very invested. I like that the episodes are only about 25 minutes long. They’re quick watches, which allows me to watch a bunch without feeling guilty. After watching the first two I already felt like I wanted to learn more about this world and its characters. I think it’s really interesting how the elemental bending is used and how some characters can do it while others can’t. I also like how the avatar gets rotated within each bender and how the one before Aang was a fire bender seeing as how that is our main opponent in this first season. Coming into the show I was told by a friend that this is some of the strongest character development he has seen. That was such high praise and I cannot wait to witness it for myself. One of the reasons I love watching TV/movies and reading is because of the characters. I love bonding with them and feeling like I know them. I can already hypothesize who will change the most (my mind automatically goes to Prince Zuko), but I’ve been really good about spoilers, so that way I can witness it myself. Because I’m still so early on I can’t say much, expect that I’m enjoying it and will keep you posted on how my journey with Aang, Katara, Sokka and Zuko go.

VIOLETTA SEASON 2

I was ECSTATIC when I found out that season 2 of Violetta had FINALLY come to Disney Plus. It had felt like FOREVER since I had finished the first season (of 80 episodes. You know a show is good if after 80 episodes you’re like where is the next season of 80 more episodes!), but it was really only a few months. It feels great to be back at the Studio with Violetta and the crew. There’s a few new faces this season both with the students and the faculty. It always takes adjusting with new seasons/characters, but some of these characters I really don’t like. I know that’s good because you’re not necessarily supposed to like them, but I really want some of them gone. (I’m looking at you Jackie.) But with a show that has so many episodes, a lot of the story lines often get dragged out, so I don’t know when that will be. Again, Violetta has found herself in a love triangle (just like every other teenage girl, lol). This time Diego opposes Leon and is much different than Tomas in season 1. Where Tomas was passive and always wore a face of uncertainty/confusion, Diego is bold and won’t take no for an answer. At times I feel he borders stalker territory.

So far, I’m up to episode 20 and am getting more into it. I was missing out on the performances/ songs and now there’s starting to be more, which has me excited. I’m hoping not to watch this one as fast because I know most people say it is the best one, plus who knows when season 3 would appear on Disney Plus. For anyone unfamiliar with my first post about Violetta earlier in the year should check it out if they’re looking for a telenovela full of drama, misunderstandings love triangles, angst and music that will get stuck in your head. Definitely worth the watch!

WORLD OF DANCE

My favorite dance competition TV show is back and I could not be more excited!! There’s just something about World of Dance that puts me in such a good mood and I can’t wait for Tuesday nights. I’m just upset at myself that I watch the latest episode too soon and then have to wait another week. This season the judges switched it up by coming to the contestants last audition with the producers...or so they thought. I loved seeing their reactions when they walked into the room and Ne-Yo, Jennifer Lopez and Derek Hough were there. It was priceless. While I don’t have a dancing bone in my body, I still am able to appreciate this talent and love watching the contestants perform. What I really like about this show is the range of ages and types of dancers from soloists, duos, trios and groups. I like how each competes within their group until the final episode when they have won their category. The talent is already so strong as they finished the call backs (which was a new feature this season too). Some of my favorites are below. I can’t wait to see what happens for the rest of the season. I just hope the pandemic didn’t interrupt the filming. You can catch up on all episodes by watching NBC on demand!

AND LAST BUT NOT LEAST....

BEECHAM HOUSE

Ending strong with yet another Masterpiece Classic, Beecham House. This series, which aired earlier in the UK, premiered about two weeks ago here in the states on PBS. While I’ve heard that there will not be a second season and the outrage of that makes me worried for how this season will end. (After watching Sanditon earlier this year you really don’t know what to expect.) Despite knowing this already, I will continue to watch the show and enjoy what we have. Which I am so far. While only the first two episodes have aired, I already feel very invested. The first episode, specifically, leaves a lot of questions unanswered, which is understandable because they want to draw you in to watch the show. I was making a lot of speculations, but refrained from going into too much spoiler territory. (Surprisingly, I’ve been good! That’s impressive for me!) Some of my questions have already been answered in the second episode (but of course, there are more to go) and I was happy how I guessed. There’s so many characters and it feels like we’re gaining more with each episode. Despite, there being so many, I am able to keep up and like seeing new characters interact with one another. I also enjoy seeing a lot of familiar faces from Mrs. Patmore (Lesley Nicol) in a very different kind of role compared to Downton and Leo Suter who has been in a lot of my recent Masterpiece watches (Victoria, Sanditon). I love how he plays such a different character in each project he’s in. Really shows his range. With four more episodes to go I can’t wait to continue learning more about what’s going on in Beecham House and what their futures will be. I don’t know if the US numbers will help a chance for a second season, but I hope so!

Speaking of my previous Masterpiece watches: I really enjoyed World on Fire overall. It ended with some big cliffhangers and I am very excited it got a second season!!

What are you watching? Any requests of what I should tune into next?

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introvertguide · 4 years

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All the President’s Men (1976); AFI #77

The next review marks the halfway point through the AFI 100 and it is of the political “thriller,” All the President’s Men (1976). The source material was created by reporters involved in the uncovering of the Watergate scandal and one of these reporters contributed to the writing of the screenplay. The film was in theatres and earned Oscar nomination only 4 years after the Watergate incident occurred which made the film a Hollywood dramatization of the news. I am not aware of another film quite like this as far as release vs. incident dates that wasn’t a documentary. Even documentaries, although filmed during or immediately after events, do not often come out in theatres so soon. They definitely don’t get nominated for 8 academy awards like this film did. So what was behind this movie that made this a one-of-a-kind film that landed it on the list of the top 100 American movies? I want to go over the basic events, since that is the plot of the film, and then discuss the good and bad aspects of this quick production:

SPOILER WARNING!!! I AM GOING TO SPELL OUT ALL OF THE CONTENTS OF THE MOVIE!!! IT CAN BE BETTER SPOILED BY A HISTORY BOOK, BUT I WILL GET TO INACURACIES WHICH MIGHT RUIN THE FILM! SO SPOILER ALERT IF YOU WANT TO WATCH THE FILM FIRST!!!

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The film begins with a lot of stock news footage and then a reenactment of the break-in at the Watergate hotel in 1972. Five men who were connected to the CIA and the Committee to Re-Elect the President (nicknamed CREEP) were caught with wire tapping equipment in the Democratic Party headquarters at the hotel. More stock footage of news reports lets the audience know that there is something fishy about this break-in.

At the trial for the five burglars, a young Bob Woodward (Robert Redford), who is a reporter for the New York Post, notices that a high priced lawyer is representing the five and yet it has been stated earlier that none of the burglars had used their phone call. Woodward keeps finding this lawyer and attempts to question him about why he is there and how exactly the burglars are attached to the CIA. Through consistent pressure, Woodward is able to connect the burglars to CIA agent E. Howard Hunt and a member of the White House Counsel, Charles Colson.

Woodward attempts to take on the story but finds that another reporter keeps taking his submitted drafts and altering them in an attempt to take over the story. This reporter is Carl Bernstein (Dustin Hoffman), a much more seasoned reporter at the Post that believes he should get the story. The editor puts them both on the case noting a lack of reliable sources, but tells them to keep digging.

Here is where it gets a little weird because Woodward talks about a secret source that he cannot name that was a senior government official. He went by the codename “Deep Throat” and Woodward meets him in a parking garage in the middle of the night. The sources does not say anything specific nor does he give any names, but he famously tells Woodward to “follow the money” which means to find out who paid the burglars to break in.

Through basically unreliable resources, Woodward and Bernstein are able to make connections between CREEP and the money that was paid to the burglars. This is weird because it seems pretty assured that Nixon would easily defeat his competition to secure re-election, so the editors at the newspaper have doubts about putting the story on the front page.

Woodward and Bernstein are able to contact the CREEP treasurer Hugh Sloan, Jr. and are able to connect a slush fund to White House Chief of Staff H.R. Haldeman and former Attorney General John Mitchell, the current head of CREEP. It is discovered that this wire tapping and sabotage had been happening since Nixon was trailing during the primaries.

The editor demands thoroughness in obtaining reliable resources, so Woodward and Bernstein go around to employees of the the treasury for CREEP, and they are all young ladies that are afraid for their safety but are compelled to give up information to the reporters. I somewhat question the accuracy of the story at this stage of the film, but I will address that after the summary.

Woodward goes out and meets Deep Throat again and the source reveals that Haldeman was behind the Watergate break-in and cover-up. This cover up was not just to deny CREEP involvement, but to hide covert operations involving US intelligence agencies like the CIA and FBI. He warns Woodward that the two reporters could be in danger.

The Washington Post runs the story and the White House vehemently denies the allegations and chastises the press for shabby reporting. Woodward and Bernstein go and meet the editor in the middle of the night and decide to keep running with the story...and that is basically the end of the movie.

There is some footage of the two typing vigorously and then stock footage of the news reports and teletype printing out what happened in the news. It is not much of an ending, but this is likely because the story had not finished when the movie went into production.

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So I have some major issues with this film and these problems have revealed themselves over multiple viewings. The first time that I saw this was in class as a senior in high school. I was in Mr. Sly’s Government and Economics class and we watched the movie over two class periods with many breaks for explanation and a lot of forwarding through the filler. At the time, the teacher was very excited at the topic (he hated Richard Nixon) and the movie was fascinating because he only showed and subsequently explained the good parts. Also, his enthusiasm for the topic was contagious. He was a very good teacher.

The next viewing was a full 15 years later when going through the AFI list for the first time. I could not figure out what I liked so much about it and had to rewatch multiple parts because I kept falling asleep. There were no thrills and there was so much filler, I remember thinking that this should have been a 20 minute film and it would have been almost completely newsreel stock footage.

This final time I can see what the problem is with the film...and I like it even less. The film is over 2 hours long and more than half of it is stock footage from the news, walking around quickly (there is some running in the newsroom for no reason), extended conversations due to fear of “somebody finding out” (the threat is never established as real so it is just annoying), a lot of parking lots (it shows the same car driving from the same parking spot out into the street on 3 separate occasions), intense research and typing, and establishing shots of buildings. It has as much filler as a B movie and costs about the same, but because it was so close to the event with big name actors, it was treated as something special. In fact, it is talked about like a documentary in many reviews that I read with words like “important” and “powerful” scattered about, but I don’t see it.

Robert Redford bought the book rights because he knew it was an interesting topic that people would want to know about. He was correct, but it wasn’t enough fact to make a full movie, so he let one of the reporters, Carl Bernstein, punch up the screenplay with his stories of how he enchanted female story leads into giving out information. Those conversations are completely unnecessary. At some point, the writers realized that there was no clear and present danger so they had the secret source bring up safety and Woodward becoming paranoid...but absolutely nothing happened.

This movie needed to be a 30 minute documentary with some re-enactments or it needed to wait until more details became available to replace the filler. I respect that it was different from anything prior or since, but it doesn’t make the movie good or even interesting. It kind of broke me when the two main characters were going over a list of people that they needed to visit as possible leads and all they did was read names over a shot of the city. You might as well read out the phone book for 2 minutes as it was just as boring.

The poster calls this the most devastating story of this century and I agree... devastatingly boring. No other film on the AFI list has less story than this film. Some of the other films have annoyed me more, but I could see why some people liked it or at least why it was interesting. This is not interesting and it is presented like a documentary when it is not. Variety magazine said this film was “ingenious” and overcame the difficult lack of drama that a story about reporters running down a story might otherwise have. Disagree vehemently.

Roger Ebert gave it 3.5 stars, so critics I have the utmost respect for seem to have enjoyed it. I was not alive when the film came out and agree more with Dave Kehr who called the film “pedestrian” and “a study in missed opportunities.” For my money, National Geographic TV did a one hour special that was just the facts and it was so much more interesting. Here is a link to that and I would suggest skipping the Hollywood version.

https://www.youtube.com/watch?v=fWkS-sOia-Y

So does this film deserve to be on the AFI 100? Well...I guess maybe? It was something different and likely the most accurate and up to date Hollywood film like none before or since. It used real names and was written by the actual people involved. It just wasn’t that interesting to me. Would I recommend it? If you are suffering from insomnia. Otherwise, no. If you want to see an accurate retelling of the story in one third the time, click the link above. Let the Robert Redford film be an experiment that made for very uninteresting results.

#all the president's men #dustin hoffman #robert redford #AFI 100 #movie review #70s #watergate #political thriller #boring #news #reporter #new york post #introvert #introverts

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porchwood · 5 years

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Hi just so I understand cause i keep waiting for it and it doesnt seem likely to happen have you kind of fallen out of love with wtm? and everlark in general tbh? cause ive been following you for a while now and you always had lil quotes and pictures and things that reminded you inspired you whatever it was about katniss and wtm and now alllll it is is gadge i followed you because personally i love what you did with everlark and im just wondering if thats gone and not foreseeable any time soon?

I’ve been thinking a lot about how to answer this… It’s afair question - to a point. If you’re more of a drop-in person (like me) thanlive-on-the-dash, coming back to find my blog awash in Gadge might have beenquite upsetting. There are several reasons for the current state of things:

1. Life has been driving me into the ground since December26, 2013. (Yes, going on six straight years.) If you were a WtM reader from thebeginning, you may recall that I was pretty energetic and prolific in 2012-2013.Oh, there were tough times, but nothing like what started on the aforementioneddate (a car accident where I was in the “bystander” vehicle and it still got totaled)and has continued relentlessly ever since. Sometimes adversity leads to greatcreativity and sometimes it turns you into a depressed, exhausted, reclusivelump, and the past 5+ years have seen periods of both from me. These past 18months have been exceptionally awful (and expensive), resulting in very littlewriting at all, about any pairing.

2. Writing WtM takes a lot out of me. I don’t know whether thisis common knowledge or not, but it’s the gospel truth. I love that world, Ilove that version of Everlark, but every chapter requires so much hard work, itmakes me tired just to think of it. Not to mention, over the past couple of chaptersEverlark have been pushing for more intimacy than the plot/timeline allows, andso I’ve been struggling with how I want to handle that. Do I fight them andstick to the plan? (I can’t advance the timeline for several reasons.) Do I tryto figure out a cheat for them? They’ve got minds of their own and have changedmy plans multiple times, but this is something they genuinely can’t have, and Ihave to fight them on it. ☹ Which is sad, frustrating, and exhausting.

3. I’m a multi-pairing shipper, and have been from about 3chapters into WtM. Which means that my Everlark fics almost always feature asecondary pairing (or more than one), and sometimes I’ll get a plot bunny for afic about a pairing other than Everlark. Most writers in the THG fandom exclusivelywrite their OTP, whatever the plot bunny, but I find that some plot bunnies don’tfit Everlark as well as they do another pairing. (This is why I’ll never write aBeauty and the Beast Everlark fic unless Katniss is the “Beast,” if you will.)

4. The Everlark fandom is…tricky. I’ve never fit in there. Idon’t write Everlark the way the majority of fans see them (except for Peetabeing “sweet,” I guess), I hated the movies (I refuse to see MJ 1 or 2), and I’vemanaged to really rub some people the wrong way over the years –unintentionally, and for a variety of reasons – all of which leaves me feeling kinda down about Everlark in general. Don’t misunderstand me: I love Everlarkand WtM, but it’s really isolating to be this sad little island of unpopularopinions and unwelcome side-ships. That’s the part I really wish I could makeyou understand. For six years I’ve had Christopher Plummer in my head saying, “You’llnever be one of them,” and he’s so, cruelly, right. I want to cry every time Ithink of Embracing the Season (my E-rated Everlark modern AU oneshot for Lovein Panem - lots of daring for me!) because I poured heart and soul into that andit still wasn’t the Everlark that people wanted.

5. About a year and a half ago (when Strawberry Time reallytook off of its own accord) I participated in Gadge Day 2017, working my buttoff to find and schedule (and tag) over 100 carefully chosen Gale/Madge/Gadge aestheticposts, and for lack of a better way to say it: it turned on my Gadge-dar. After that, thosekinds of posts just leapt out at me whenever I had a chance to scroll, and forseveral months I wasn’t sure what to do with that. With a little encouragementfrom @ghtlovesthg, I came up with #march madgeness – wherein I turned my Tumblrinto Madge/Gadge-land for one month, and it was a blast. (Side-stepping Gadgefor a moment: Madge is a highly underappreciated and underused character,especially in fic/on Tumblr and I love splashing the dash with Madge-love.) Thenext month I launched a run of pent-up Everlark posts (i.e., regularprogramming), but I missed my Madge, so I instituted #madge monday – one day aweek when I could splash the dash with Madge/Gadge. At every juncture I gavepeople tags to block if they didn’t want to see this content (though I stillget unfollows every time I post, alas). I participated in last summer’s THG Reread– on the fringe of it, but my posts (reblogs and meta) were strongly Everlark-focusedagain during that time. So there’s definitely still been Everlark on my blog,but if you’re just dropping in (or for that matter, glancing at my archive), you’regoing to see a majority of Madge/Gadge.

6. Frankly, Gadge is fun. It’s a completely different dynamicthan Everlark, with less pressure to create something transcendent, and whenthe chips are down, I’m more likely to work on something that isn’t my six-years-runningopus. This spring, in the midst of lots of awfulness, I finally wrote a piecethat I’ve had in my head for years – The Best Part of Waking Up – with a differentpairing featured in each drabble “chapter,” including Gadge, Luka/Johanna (whoI’ve been wanting to put out there for AGES) and Jack/Raisa. I haven’t beenable to write quickly in years, and I think I finished those three “chapters”in about two days, maybe three. I completed the Raisa drabble in a couple ofhours and I consider it one of the best things I’ve ever written. (Honestly, ifa pairing was going to topple Everlark in my heart, it would be Jack/Raisa, i.e.,Mr. Everdeen/Mrs. Mellark. I love them to distraction.) Once upon a time I could drabble/sprint Everlark too – notoften, but I could manage it. Maybe it’ll happen again someday, but for thetime being, when I write in quick eager bursts, it’s usually about aside-pairing.

7. Because I just need to say it: about a year ago, I set up a secondary Tumblr for almost all my side-interests and ships outside of THG. When I first joined Tumblr, porchwood was just a fun page where I posted whatever struck my fancy (pretty things, funny things, whatever I liked), and over the next few years, I honed it into a pretty “writer’s notebook” for WtM and my other THG fics (related quotes, aesthetic posts, writing check-ins, etc.). When Star Wars: The Force Awakens came out, I shared a handful of posts pertaining to a new ship (not a new direction for my blog or writing, just sharing my excitement) and it was made very clear to me that people didn’t want to see that content on my page. So when I started watching Voltron: Legendary Defender, I had a sneaking suspicion people wouldn’t want to hear about those ships either. So I started an entirely new Tumblr for that content, and every so often I accidentally post something to the wrong page, which I immediately correct in horror, but people still unfollow. Point being: this blog is THG (and a few personal life updates) ONLY, with a pretty consistent aesthetic. I hide literally everything else that I’m interested in so you don’t have to be bothered by it. Is it really so unacceptable for me to have side-ships (complementary to the main pairing, not threatening to them) in the same universe??

8. Believe it or not, I’ve been working on WtM all along,just not making any massive strides. I tried to chip away at the current chapterduring Camp Nanowrimo last July, and it was a disaster. I thought joining awriting group would be helpful, but I didn’t realize that Camp Nano is basicallya lot of writing sprints in which you try to churn out as many words aspossible, which you then report to your “cabin” – and that’s the onlyinteraction with your fellow writers. I can’t write like that anymore (seeabove) and especially not when it comes to WtM, so I got discouraged veryquickly and sort of drifted away. I reattempted Nano on my own in April and wrotealmost 15K words, but in that instance I was really just using the Nano platform toset and reach a goal (which I didn’t ☹ ); I wasn’t in a cabin and didn’t interact with anyother writers, except my friend @ghtlovesthg, who read the finished portion.

9. I want to finish this dang chapter so much, and frankly, theonly way that’s going to happen is if life gets a little better and I holemyself up with my laptop for hours on end for weeks at a time – and somemagical being comes to support/cheer/comfort me while I do so. It’s currentlysitting at about 25K and I anticipate it will need to be at least double that,which is beyond ridiculous, but that’s the nature of WtM. The chapters are asmany words as it takes.

TL, DR: I still love Everlark and I’m still working on WtM, but my life has been extremely difficult for a very long time and I don’t have a great Everlark lifeline. Gadge and all my other ships are fun, and most of the Gadge you see on my Tumblr is aesthetic stuff for themed days/months/occasions. Anything non-THG goes on my sideblog.

#queued #i'm sorry to be snappy #i understand the confusion #and i'm not happy that i'm not finishing wtm either #ask #gade #side-ships #anon

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signoraviolettavalery · 5 years

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strategist-scientia replied to your post “I know Carina is bringing Malex into the light and I am infinitely...”

Kinda scared now tbh because Carina said "Yes" when someone suggested that Michael is probably reminded of Jesse Manes's hand in causing the deaths of his people whenever he looks at Alex. ��

I hope it’s ok that I use your response as the jumping-off point for some meta, because I’ve been wanting to write this since i saw Carina’s tweets, and the inevitable Malex panicking that ensued. There’s a couple tweets about Michael’s headspace that she made that I want to get into, as I consider where Michael’s character will go next season and what that might mean for Malex.

Now, my immediate response to this is: Yes?? Good?? Carina is saying Michael is going to have a character arc next season, and this is a good thing. Characters need arcs, and frankly, I’ve been frustrated that most of his “arc” this season has just been taking care of other people. Equally frankly, I’m glad that this will be the arc, because Michael is completely traumatized right now. He not only lost his family right after finding them, but he’s witnessed the genocide of his race. I’m glad the show is going to deal with that instead of sweep it under the rug. That’s what Michael s a character deserves. And I know it sucks to put queer characters through trauma and misery and suffering, because it seems like that’s the only thing they ever get to experience in narratives. But in a well-written story, you can’t shield your characters from the world and have nothing bad ever happen to them. There need to be low points in order for there to be development, as long as there are high points.

The other tweet that people have been worrying about is this one, about how Michael will react to Alex and how their relationship will changed, based on the fact that Alex’s family is responsible for literally all of the suffering of Michael’s:

This is where people start worrying that Malex will crash and burn, or that Michael will blame Alex for what happened even though it’s not actually Alex’s fault.

So, first of all, I’m going to point out the obvious: it doesn’t sound like English is this person’s first language (which isn’t a dig at them, but just the observation that there may be a language/communication barrier here). Carina’s “yes” is vague af, and twitter is a really shitty medium to sort-of-but-not-really hint at character motivations and what’s coming.

Moving on from that, my thoughts are that Michael isn’t going to outright blame Alex - after all, Alex didn’t do anything. In fact, Alex has literally shut down project Shepard and blackmailed his father to protect Michael, and if Michael knows about project shepard he knows this. Logically, he understands this. But I do think that Michael will pull away from Alex - just as he’ll pull away from Max, Isobel, Maria, and even Liz. He’s going to need space, and he might get self-destructive in all his relationships, not just the one with Alex, because he’s going to blame himself for what happened. It’ll be difficult to watch, but I think that Alex, who himself has extensive experience sabotaging his own relationship as a result of fear and trauma, will understand where he’s coming from and try to help.

I do also think Michael will have a hard time with Alex specifically. Again, it’s not that he’ll blame Alex, because he clearly didn’t blame Alex for his hand, if his desire to rekindle a relationship ten years later is any indication. But Alex will be a living, breathing reminder of the Manes legacy, which has taken literally everything from Michael, starting with his hand and ending with his family. It’s going to get complicated, because just last episode, Michael was telling Max that he believes that there’s no place for him here (on Earth) - something that Jesse made him believe, and something of which his hand serves as a reminder. And now he has even more proof, painful, heartrending, visceral proof, that there is no place for him on this planet, in the sense that humanity as a whole does not accept him for what he is. And the Manes legacy is largely responsible for this.

But. The irony is that while the Manes family has destroyed his family, his life, his home, and his hope, Alex has been all of those things for him. Alex offered him a home when he had none. Alex told him “you’re my family.” Alex, as Michael said in 1x11, made him believe there’s is a place for him here on earth. Home can be a person, and Alex has been his.

And I think Michael will realize that. If Liz can get over the fact that Max covered up her sister’s murder and was responsible for her family suffering hate crimes for ten years, then Michael can get over Alex having a legacy that he has completely and utterly rejected. But it will take time, because trauma isn’t rational, and because Alex did enlist in the military and become a “Manes man” before he ultimately chose Michael. So Michael will have to reconcile those two things - what Alex’s family took from him, and the fact that Alex himself gave back all those things to him. Honestly, I think it’s going to be the culmination of the arc that they’ve been planting the seeds of this season - that home can be a person. Michael Vlamis also hinted that Micheal probably won’t be deciding whether to leave the planet this season, so perhaps this will be a decision he’ll have to make next season. Alex will give him the spaceship piece and set him free, understanding that Michael has never felt like he belongs on Earth and that now he feels like he belongs even less, and that his family is responsible for it. And Michael will have to realize that despite Alex’s legacy, which he has outright rejected, Alex is his home.

It’ll be a long journey, but I honestly think it’ll be fine in the end. Think of it this way: ships, just like characters, need arcs. I know we all say we’d happily watch an entire season of them just cuddling in bed, but come on. None of us actually would. We’d like an actual story. That’s why we tuned in. We want to see characters facing challenges and overcoming them. And yes, just like with queer characters, we don’t want queer pairings to just keep suffering endlessly. But we do want them to have actual, meaningful storylines. And what Carina is hinting at above sounds like an actual storyline. It’s Michael working through legitimate trauma instead of sweeping it under the rug, and Alex learning to live with the legacy of his family. If done well, this is a good storyline. The alternative is either no storyline, or contrived relationship drama, and no one wants that. Remember when, on The Vampire Diaries, Damon and Elena finally got together and the writers had to come up with a dozen reasons to break them up (the sire bond, Katherine possessing Elena, Damon temporarily dying and Elena erasing her memories of him and about a dozen other “plots’)? We really, really don’t want that. We want an actual arc.

Of course, how much you believe Carina and the writers will do justice to this arc depends on how much you trust them to actually meaningfully write it, and that’s up to each viewer to decide on their own. Based on my own personal experience, I think it’ll be fine, because whatever the various flaws of season 1 of Roswell (and they definitely exist), the emotional beats have rung true to me. I understand why characters behave the way they do, their fears, their traumas, and their progress (with some exceptions). So, I think we’ll be fine.

Part of the reason I’m so confident is because every other time we panicked because of a tweet, a promo, or a promo photo, we turned out to be pretty wrong to panic. Let’s recap:

1x09 This is the OG throwback episode, and when Shiri leaked that photo of Michael and Maria naked in the desert, we panicked. We thought Michael and Maria would have a full-blown romance and Michael would leave behind Alex and forget about him, or that Maria would sleep with Michael while knowing about Alex, or any number of worst-case scenarios.

What actually happened: Alex ended things, with finality. Previously, he’d walked away - and we’re led to believe he’s done this multiple times, which means that he’s also come back multiple times, because to walk away again, he had to come back first. But now, for the first time ever in ten years, probably, he said “we’re definitely over.” The love of Michael’s life broke his fucking heart by making him believe they could never have a future together, and Michael’s response was literal suicidal ideation. That line about “I’m just wishing a meteor would strike me down and end my suffering”? That’s suicidal ideation, y’all.

So yeah, he hooked up with Maria because he needed comfort and a connection with someone - but one that he was 100% certain wouldn’t get romantically complicated and messy. He picked Maria because he had a connection with her but thought there wasn’t a chance in the world that she’d catch feelings.

And then Alex came back to him and he took him back and bared his fucking soul and revealed every single one of his deepest secrets.

1x11 This was the UFO emporium re-opening episode, and everybody panicked that Michael and Maria would talk and kiss and/or hook up in the place of Malex’s first kiss. Come on, guys. Like, I get panic, but this was a bit much.

What happened instead: Michael misses Maria, who was pretty much his only friend, and tries to get back onto the same page they were (flirty banter that meant nothing), but which is pretty hard to do once you’ve slept together. Michael believes he and Alex are completely over, and....he skips the Emporium reopening (probably because it’s too painful). Then, Maria, the person he pretty much considers his only friend, gets roofied and possessed by an alien serial killer. So yeah, he’s concerned, and he watches over her, because Michael Guerin is, at heart, a protector who takes care of people, and frankly, if he wasn’t worried about Maria, I’d like him slightly less as a person. Maria drunkenly indicates potential feelings for him, which he shows absolutely no indication of actually reciprocating (he looks concerned and frustrated at best).

1x12 We all thought Malex was going to break up in this episode, despite the fact that they were already broken up and Michael thought they were “over.” We knew there was a tear-inducing Malex moment and we listened to Tyler’s song and I saw no end of posts going around saying Malex was going to break up.

What happened instead: Alex confessed his love for Michael, called Michael family, stayed by him in the face of literal certain death, and physically and emotionally supported him during a moment of devastating heartbreak.

So yes, I get the worry. I especially get the worry because apparently The Magicians fucked over their queer viewers just last night. Believe me, I understand, and I’m not a person to have faith easily. I’ve been through Supernatural fandom and the great Destiel queerbait that was season 8. I’ve been through Sherlock fandom and The Johnlock Conspiracy of seasons 3/4. I am intimately familiar with the nonsense shows pull on queer viewers, and I understand the context in which queer viewers are wary of trusting and investing emotionally. I’m a queer viewer as well, and I get it. I really do. But my personal experience of Roswell has been one of the fandom panicking (because we’ve been burned so many times), followed by us getting literal fanfiction on our screens, with actual love confessions and words like “cosmic” and all the tropes. So in this particular case, I choose to trust, because thus far, I think the show has done well by Malex for the most part, and because so far, almost all of our worries have turned out to be for nothing. And I’m also excited for Malex to have meaningful storylines and things to work through.

That’s my two cents. Thanks for letting me ramble. Feel free to reblog if you think we could stand to spread some positivity.

#strategist-scientia #roswell new mexico #malex #roswell new mexico meta #malex positivity #roswell new mexico speculation #malex speculation #michael guerin #character analysis #character arcs #seriously thanks for letting me ramble

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statusquoergo · 5 years

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(1/2) Loved your 901 recap! Thank you for keeping up with those. Is anyone else getting Paula+Harvey (intentionally dysfunctional) vibes from current Darvey? Likely because it’s the same writers, but this episode was kinda (sad) Marvey too. Harvey’s spiralling to a point where he doesn’t even care about the most important rule he’s had for his personal life since before 101. Holding on to Mike’s apartment (I think I’ve read this fanfic before!) and his comment relating to that. And…

(2/2) …I can see s1 Mike (before he started trusting Harvey) dealing with loss by hiding from his problems and not even looking at the lease. But could Mike coming back be a way to reset and establish them as equals (as opposed to boss and employee) so they can be in a place by the series finale where the show could end with them founding their own firm? Realistically there is no hope for a romantic Marvey ending, but what do you think, could a professional Marvey ending still be possible?

I sent you two messages (starting (½) (2/2)) earlier about your 901 recap(s) and now see you added a special Marvey recap. I’d felt it was a very Marvey ep, but once again you were able to articulate WHY. Your recaps are AWESOME! Please continue them. Of course now I’m really nervous about that expression on Harvey’s face in that clip (07.02 / 108). My question still stands though, do you see any hope for some lovely Marvey-ness in the series finale? Or do we need to rely on fix-it fics?

Hi! Thank you so much, I’m glad you liked it! Considering the previews, I’m sure I’ll have plenty to say about the next episode as well.

To be honest, I hadn’t really thought about it in terms of Paula/Harvey vibes, but yeah, there are some similar notes. I mean on the one hand, theoretically Harvey should have been more open with Paula than with anyone else in his life; she was his therapist, after all. In fact, it seems that getting him to open up was like pulling teeth, and his keeping secrets from her was probably what ultimately broke them up. Then on the other hand, you have Donna claiming to know Harvey better than anyone (paging Mike Ross), so there’s a bilateral split between them there.

The place where I find the most similarity between the two pairs, though, is Harvey’s…need to please, let’s say. He gives Paula a key to his apartment after they’ve been dating for two months because he forgot it was their anniversary (two months, some anniversary) and she gave him a present he felt he needed to reciprocate on the spot (”100″ [s07e08]), and I’ve talked before about his habit of relinquishing any sense of self whenever Donna tells him what to do. (There are a million examples, but the only one I have a source for off the top of my head is making her a senior partner because she wanted it real bad and then making her COO instead when she boxed him into it [s07e02]; see my summaries [I, II] of s09e01 for more analysis on examples from that episode.) And it’s not just a desire to please, or to be a good boyfriend; it’s complete capitulation. He’ll do anything to keep them from leaving him. (Oh goodness, what a subtle callback to his deep-seated abandonment issues.)

I can imagine Mike not looking at the lease for a couple of reasons; one, maybe he legitimately doesn’t care, but in that case, why bother having Harvey rent it out at all if they don’t plan on coming back someday? Two, yeah, maybe he thinks the best way to get over Harvey is to cut him completely out of his life; rejecting his phone calls, not returning any of his messages, ignoring the lease agreement. This option doesn’t really make sense with him coming back in episode five, already knowing he’ll be going up against Harvey…unless you think he’s trying to use the opportunity to make amends, in which case all you have to do is remember that between the two of them, Mike and Harvey have all the emotional awareness of a rusty teaspoon, and suddenly it all falls into place.

(For real though, I think the writers threw in the apartment as a convenient plot device to showcase how compatible Harvey and Donna are; they probably didn’t put nearly as much thought into it as we are.)

Will Mike and Harvey reunite to open their own firm at the end of Season 9. Keeping in mind that we’re only one episode in, and that the planning on this show is, uh, not good, which make it difficult to predict things…I’m gonna say no, they’re probably not. Partly because I don’t really see Harvey branching off to open his own firm, considering how much time and energy he’s dedicated to saving the one he already has (even though it should have disbanded multiple times over), and partly because I have a hard time imagining Mike coming back to New York for good, especially since there’s a 99.999% chance Meghan will not make an appearance and that would just make it weird.

And I know I go on about not taking Korsh at his word because he’s a lying liar, but I also have to point to this interview because it’s colored a lot of my thinking on the subject. First of all, Korsh says he’s had an ending in mind for Season 9 since the end of Season 6, and they have a “vague arc” planned out already with Patrick’s participation in the final episode still somewhat up in the air. That doesn’t sound to me like they intend to open Specter Ross LLC anytime soon. Second, consider Korsh’s assertion that they want to give with one hand and take with the other; certainly a new firm could be the positive part of a bittersweet finale, but what would be the negative? It would have to be something that would impact Harvey dearly (or Mike, I suppose, but that wouldn’t make as much narrative sense), but what could that be? Some kind of loss, probably, but they wouldn’t spend the entire season building up Darvey only to get rid of Donna in the last episode, and they couldn’t get rid of Mike if the whole point was the two of them starting their own firm. (I mean, they could, if the plans were all in place and then Mike was crushed by a falling airplane and Harvey had to run it by himself, but that seems…excessive.) Getting rid of Louis would be sad, I guess, but I don’t think Harvey would take it personally, and Jessica’s been gone for several years already, so killing her offscreen would come out of nowhere (not to mention seriously fuck things up for Pearson). I guess they could get rid of Rachel? But that seems pretty hollow, especially if she’s not appearing in person. Oh, Harvey's mother, maybe, or his brother; they seem to be trying to cram as many returning guest stars into this season as possible, so I guess that's an option too, although they always bring such conflict and drama with them whenever they appear, that might strike the wrong tone...

We might get some lovely Marvey-ness in the finale; even if Mike doesn’t come back for good, he might make a brief return for whatever the ultimate battle is, à laJessica in “Character and Fitness” (s06e16). But as for them going in for the long haul, I’m afraid my vote is “not likely.” (Although in fairness, Korsh did also say in that interview that they drastically changed the end of s08e16 at the last possible moment, so nothing is impossible...)

As it always is, though, fanfiction to the rescue!

#suits usa #season 9 #marvey #analysis #Anonymous

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marshmallowgoop · 3 years

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[Image description: A photograph of Part 8, Volume 7 of the Japanese Detective Conan DVDs. The cover features a smiling Conan Edogawa wearing Kid the Phantom Thief’s iconic white suit, cape, top hat, and monocle, with a red bow tie in place of the long red tie, against a pink background. At the bottom, text reads, “Shonen Sunday TV Animation Series” in all capital letters. Four small screenshots from the included episode, 219, are depicted beneath the words. End image description.]

It’s not something I would think most people are interested in doing, but, okay, I got a copy of Part 8, Volume 7 of the Japanese Detective Conan DVDs in the mail last week—and more Conan DVDs, too, like about a dozen other volumes I was missing—and if I have any advice for somebody looking to legally fill in the gap between FUNimation’s English-language DVDs (up to Episode 123) and Crunchyroll’s simulcast of the show in Canada and the United States (starting from Episode 754), it would be this: just buy complete season sets and do not purchase separately.

That is, so long as you’re not aiming to be a collector and simply want to have access to the episodes without spending hundreds of thousands of yen. As of this writing, you could probably use Tenso or another Japanese proxy service to buy a shiny new copy of every last volume straight from the shop linked on YTV’s page for the anime, but this is not cheap. Selling for 4,620 yen each, you’d to have shell out at least 776,160 yen to get a hold of the 168 DVDs containing Episodes 124-753—and that’s without factoring in shipping, service fees, and other costs!

If that’s as unfeasible for you as it is for me, you may, as I did, consider buying only used rental volumes containing the most crucial episodes, as outlined in XerBlade’s well-known list, because even if you’re not spending 4,620 yen a pop, 168 DVDs is still a lot of DVDs. Rental copies often sell for 100 to 400 yen apiece, and while they are missing the postcard version of the cover art, have plainer discs, and lack the keyhole jacket design seen on the regular volumes, they’ve got the episodes, and that’s what you’re really after, anyway. So, sure, rental drops may be worn and affixed with obsolete stickers, but they’re inexpensive, the actual disc content appears to be identical to non-rental copies, and it seems economical to pick ‘em up one by one. You only want a select number, after all.

[Image descriptions: Two photographs comparing Part 10, Volume 4 and Part 14, Volume 1 of the Japanese Detective Conan DVDs. The top photo compares the cover art; while Part 10, Volume 4, my only non-rental Conan volume, includes a two-color background with a blue keyhole design surrounded by white, Part 14, Volume 1, a rental copy, has a single-color background, a solid green-blue color, with no keyhole design. The bottom photo compares the disc designs between the two; while Part 10, Volume 4′s disc includes a two-toned sketch of a zoomed-in portion of the cover art, Part 14, Volume 1′s disc, as well as other Part 14 discs that I’ve included in the same DVD case, are all solid colors with no sketch of the cover art. Further, Part 10, Volume 4 also includes a postcard version of the cover art, which is tucked into the left side of the DVD case. End image descriptions.]

But then you might realize that you’re missing a lot of good episodes by buying only super plot-relevant cases, and so you decide, well, actually, I want to get all the manga-canon stories. And you look at the contents of each volume, and you do the math, and you see that you’ll need 152 DVDs to accomplish that goal, and by then, you’re like, well, I’m so close, I might as well go all the way and get the full 168.

Except... if you’re anything like me, you’ve kinda already made some bad decisions in your collecting. And Part 8, Volume 7, containing Episode 219 and a Conan-cosplaying-Kid-the-Phantom-Thief cover, is a great example. Because, yes, most rental copies will sell for about 100 to 400 yen each. But then there are volumes that contain well-loved episodes—Part 5, Volume 8 (129), Part 14, Volume 10 (425), and, of course, Part 8, Volume 7 (219), for a few examples—and suddenly, you’re not finding those ridiculously low prices. You’re seeing 1,500, 1,700, 1,980 yen.

You know, almost the same prices—if not more!—than a whole season set.

[Image description: A screenshot comparing the lowest prices I could currently find on From Japan for Part 8, Volume 7 of the Japanese Detective Conan DVDs and a bundle containing all 7 volumes of Part 8. The lowest-price Part 8, Volume 7 has a “Buy It Now” price of 1,980 yen, the equivalent of around 18.74 USD. The lowest-price full-season set has a price of 1,800 yen, the equivalent of around 17.03 USD. End image description.]

Sometimes, those cherished episodes are rereleased in different collections, and those sell closer to the super low prices of other volumes. For example, I purchased DVD Selection 4, focused on Ai Haibara and containing Episodes 129 and 178, instead of Part 5, Volume 8, for a lower price. But then there are episodes like 219 that weren’t, to my knowledge, rereleased elsewhere. To complete the collection, you really only then have two choices: either spend way more on a single volume, or get a whole season set and wind up with duplicates.

Well, for Part 8, Volume 7, I spent way more. I got duplicates for Part 16, though.

Anyway, long story short: even if you do want to just get crucial-episode volumes only, I’d still probably suggest purchasing whole season sets if you’d like to save money. (And hey, then you’ll also have those other episodes if you’d like to give them a watch sometime!) Rental drops for entire parts sell for around 2,000 to 5,000 yen each, and while service fees will of course depend on the service, I believe that every one I’ve ever tried—Buyee, From Japan, and Tenso—would count the bundle as a single item that would be attached to only a single service fee. Further, you won’t have to pay multiple domestic shipping costs for each volume in the season, either! (And believe me, those can add up fast.)

But all that said, mistakes were made in my DetCo DVD saga, absolutely, but I’ve rearranged my shelves and filled in some gaps since I last posted on the subject, and I’m pleased with what I have! And maybe it’s an odd thing to say, but it’s been fun seeing the differing qualities of my purchases—how you can look at my shelf and see the tears in the copies with more life experience, and the wrinkles, and the old remnants of stickers that are no longer there, while right beside them, there are those that appear so pristine that I have to seriously wonder if they were ever truly rented out at all.

[Image descriptions: Photographs of my DVD/Blu-ray shelves. On display are 5-6, 6-7, 7-8, 8-1, 9-2, 9-3, 10-4, 10-5, 11-1, 11-2, 12-3, 12-4, 13-5, 14-1, 14-2, 15-3, 16-4, 16-5, 17-1, 17-2, 18-3, 19-4, 19-5, 20-6, 20-7, 21-8, and 22-9 of the Japanese Detective Conan DVDs, among other DVDs and Blu-rays, such as a few of the Conan films and specials, Ghost in the Shell, and Kiki’s Delivery Service. End image descriptions.]

I guess I’ve always been a terrible collector, and I don’t have the space to properly display everything, but I love how colorful these DVDs are, and I even find something charming in how they vary in appearance, too.

Still, I could have been a lot smarter with my money, and while I wouldn’t really expect a lot of folks to go to these lengths, if you do, and if you’re looking to save some cash, don’t make the same mistakes I did! Just buy whole season sets! You can even place the 168 DVDs perfectly into 28 6-DVD cases if you do!

#which didn't work for me because i have duplicates and a couple of discs on their own but if you do it right that'll work out haha #anyway i meant for this to just be a quick #'don't buy these things separately service fees can really add up and some volumes can be difficult to find cheaply'#but it kinda turned into a whole thing sigh #all that said i do sometimes feel a little... guilty? for buying these used #but i don't have the kind of money to buy them all new for 4620 yen each #i just want to be able to see the eps sob #utb aired episodes into the -400s- with official english subtitles in california didn't they?#can't at least those be released for purchase?#i didn't buy these dvds new but for anyone in the industry who might maybe be reading this (lol)#i hope this shows that i am so willing to spend money to legally watch this series #i intend to get the english manga eventually too because that's probably one of the better ways to show english-language interest #in retrospect i probably should have started with that but tbh i often have trouble reading manga #(find it hard to focus and know what's going on)#but one day.....#anyway #detco dvd saga #this is my tag now lol #detective conan #ramblings #shut up goop #long post

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tea4silver · 1 year

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I posted 184 times in 2022

That's 184 more posts than 2021!

131 posts created (71%)

53 posts reblogged (29%)

Blogs I reblogged the most:

@aliens-took-my-iwa-chan

@duckvenger

@suspiciouslyglowingmoss

@alexejs-chaos-corner

@well-maybe-i-feel-stabby

I tagged 143 of my posts in 2022

Only 22% of my posts had no tags

#jekyll and hyde - 97 posts

#the strange case of dr jekyll and mr hyde - 88 posts

#dr henry jekyll - 64 posts

#mr edward hyde - 64 posts

#au - 54 posts

#an unfortunate case - 45 posts

#the glass scientists - 38 posts

#tgs jekyll - 19 posts

#tgs hyde - 14 posts

#robert lanyon - 12 posts

Longest Tag: 86 characters

#like how would they make a multiple season long plot from 100 or something page novel?

My Top Posts in 2022:

all I'm here for, is to say: I am absolutely gay for these two. thank you, that's it. that's my big conclusion from today.

this applies to almost every J&H variant btw. I really wanna see more of them too...

(illustration is old, never posted it cause I messed it up, don't mind that lol )

119 notes - Posted October 24, 2022

the absolute wonder that is the second chapter cover of TGS--

I swear, just looking at it brings me joy :')))

tried to replicate the artstyle again, enjoy lol

120 notes - Posted October 21, 2022

since it's TGS Monday, here's some 'Confrontation'!

inspired by the musical adaptation I watched live around a month ago ^^

143 notes - Posted November 21, 2022

okay, y'all know what?? let's do option 2!!!

reblog this with your own interpretation of Jekyll and Hyde and I'll try to make it into a bigger collab :DDD

also don't mind if I get a bit creative while stylizing but I'll try my best to stay as close to original as possible ^^

(be advised, this might take a couple weeks for me, but I'd absolutely love to see everyone's versions :)))

oh fuck I might have to draw... a background.

edit 2: and we have reached 40!!

submissions are now closed!!

thank you to everyone who contributed!!!! love y'all and your amazing works <3

and now off to work!!!

also yet again, I shall ask for your patience,,,, I'm really sorry but I'm already drowning in too much to do, so even while prioritizing this, it'll take a few weeks... I'll try and keep y'all updated ^^

175 notes - Posted November 25, 2022

My #1 post of 2022

IT. IS DONE.

I actually fucking did it. I finished a project. wtf.

anywayssss, I still do not know how to animate properly so I hope u enjoy it :3333

(this actually took 9 hours, in total worktime, holy shi-)

here're the original panels from TGS!!!

and now-- I'll just,,, sleep I guess???

447 notes - Posted November 15, 2022

Get your Tumblr 2022 Year in Review →

#tumblr2022 #year in review #my 2022 tumblr year in review #your tumblr year in review #considering i joined in September.. not bad :)

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blueraith · 6 years

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Some folks still need to learn how to constructively comment

Wish I could say that I’ve been writing Chapter... 12(? Legit, I don’t often remember the chapter numbers outside of the Google doc) since posting Chapter 11 (we’re just gonna assume I know where the fuck I’m at in my own story, okay? Give me this).

But that would be a bald faced lie.

(Mostly because of my sister’s graduation and all the family visiting and the concurrent back injury I was suffering. Really kills the writing mood when you can’t sit up properly to type.)

This is going under a read more, because this incident Vexed Me To The Max(TM) and triggered a Rant of Epic Proportions(TM).

But graduation has been over, and my back has been feeling great. What really kept me a bit down since all that was over and done with is that very morning I’m feeling better, I see that I have two comments on the 100 fic I’ve put on indefinite hiatus. Yeah, it’s not an active story, but I still care about it, and I’ve been thinking about it recently. So, in short. I still care about it a hell of a lot. Hell, I care about everything that I write. I’ve written fanfiction at what’s nearing 10 years now, but nothing has erased the fact that putting yourself out there in the public eye takes a hell of a lot of effort and, sure, a smidgen of courage and confidence.

Well, this lovely commenter told me that my word count was way too high, that I was slowing my story down, and that they skipped to the last chapter (from Chapter 2, they skipped 6 chapters of ongoing character development, an ensemble cast, Ark politics, and canon fix-its) “40k words and [Clarke’s] still not on the ground yet??”

This is me paraphrasing both comments. I deleted them with extreme prejudice from the fic because I wasn’t leaving that kind of useless bullshit on my work after it effectively ruined my mood for, like, four days.

Why was it bullshit? Well, for one thing taking the average word count per chapter, it’s only a little over 5k words per chapter. Look. I balance out my word counts very carefully for each story that I write. This fic has a longer than average word count compared to my more recent stuff (which is around 4k per chapter) because of all the fuckin shit I was pulling off in this particular fic. Reworking canon to better explain why the Arkers were resistent to the radiation on the ground while having the superior blood that the Mountain Men wanted without putting them up in their shitty space station for thousand of years that evolution would have actually required them to have gone through to be remotely realistic.

Jake’s alive in this fic because I don’t like dead characters shaping character development on a pre-canon basis. Personally, I dislike orphan/parental loss storylines before the specific original work has even started. I get that orphans exist in real life. But YA media has a disproportionate amount of dead parents. Eh. I wanted to do something different. So, this means there’s an entire extra character in the story that I have to write and develop.

Diana Allers actually matters in day to day Ark life instead of just showing up and nearly murdering everyone because she’s a selfish bitch for little to no reason other than to make Abby’s already pretty damn full storyline even more packed than it already was. (Seriously, why didn’t they develop Allers more? She’s lazily implemented in canon, and I hate it. Lord only knows I enjoyed Abby and Raven’s plotlines far more in several places of Season 1 rather than Bellamy’s Manpain Adventures Lite Before He Turns Into A Complete And Utter Psychopath Later On In The Series).

Jaha is far more competent and slimey than he is in the show, rather than being a foolish man who is barely toddering along in the plot towards something useful.

Abby and Jake are at odds because Jake technically betrays Clarke and allows her to get arrested in the beginning of the story. They adopt Raven in the interim and they’re all awkwardly trying to free Clarke while pretending that Jake and Abby aren’t having marital problems. Well, Jake and Abby are pretending, Raven is as blunt as she usually is and just calls shit like she sees it.

Ensemble cast. There’s literally a tag on this story that tells you all that “This Story Is Literally About Everyone.”

So.

Yeah.

Clarke’s not on the fucking ground yet. But you wouldn’t know that, would you? Having skipped past 6 chapters.

Is 5k really that long? I wouldn’t know, personally when I read a longfic, I go into it knowing that the chapters might be long as fuck because I know that I’m reading a fic that could literally take me through several days and I read pretty damn fast. Not that 40k words is really all that much when you’re rewriting a TV show using all the characters who already exist in canon and then getting into their thoughts and motivations because that is literally what books do, this isn’t a screenplay, I wouldn’t be caught dead writing one because I despise them. Sorry, but you’re getting the full range of thoughts and emotions of everyone involved. I know, that’s just awful, getting hours and hours of content for free, but god forbid the plot doesn’t run on your timetable.

But that’s really the crux of this rant, isn’t it? NEVER complain about word counts, people. Too short? Who the fuck cares? The author could be just beginning their writing careers, so to speak. Word counts of any significance takes practice, first of all. So, not only could they might or might not have the required experience to write longer chapters, they may not even want to. And that’s fine. Because they do this FOR FREE.

Same thing with longer chapters. Are you really going to come at me, nearly a year after I’ve written and posted this work, complaining about word count, as though there’s even a remote chance that I’m going to go back and edit down all of that time and effort I put into that work to satisfy your fragile reading stamina?

Pfffffffffft.

I mean, this is funny to me in some regard because I’m over here wondering just what would be a good length for this person. Part of the reason my chapters tend to be at least 4k words long is because that’s generally where I can get a comfortable amount of character interaction, introspective thought, and plot moving forward. All three of those things matter to me when writing chapters. I hate reading too short works (and no, I don’t tell these authors this. I read what they give me and just deal with it because they’re entertaining me for free) and it’s little more than characters just trading dialogue with each other. I want to know what they are thinking about as well. I want a bit of narration. I’m reading something from a specific character’s point of view, and I want that chapter to ooze the personality of that character.

These are all the things I keep in mind when I write to my word count goals, personally. Doing it in less than 3k words might be possible, but it would sure as hell be annoying.

But most of all, it just irritated the fuck out of me. Like I’ve said multiple times in this rant. I do this for free. I don’t expect you guys to know this, but in order to get these substantial updates when I can manage to actually feel well enough to write and get them published, it takes me EIGHT TO TWELVE HOURS of sitting in front of a computer screen to have a chapter finished. On a good day. Yes. Most of the chapters I put out are done in one day, in one block, and I’m often up until 5 AM finishing something up. I have severe ADHD. Sometimes it is a chore to get shit put on a page because I can’t sit down and focus my thoughts enough to sound even coherent. Sometimes I have issues keeping up with what the beginning of a long sentence was about and I have to constantly keep up with what the fuck I’m even talking about in any given thought.

So, you have an author with a severe executive function disorder attempting to concentrate hard enough to get her own thoughts in character for each and every character that is featured in any given story while attempting to resist even the most mundane distractions while desperately hoping she’s going to hit a period of hyperfocus long enough to get substantial work down, but if that happens she’ll probably forget to eat because she’s on a writing binge that goes on with actual significant work for a period of several hours.

I love writing, despite the challenges I have to deal with in order just to get it done. I love most of the comments that I receive. I’m coming off a period of extreme depression from some family issues I was dealing with. My skin is rather thin at the moment and that irritated the fuck out of me, but those two comments knocked more wind out of my sails that I really wanted them to, and that bugs me even more.

But I am more experienced in fic writing than probably your average person. This commenter pissed me the fuck off, but I’ve moved past this, it’s hardly shattered my motivation to write forever.

But a careless commenter could easily do that to someone just getting into fanfiction. And it makes me wonder just how often this happens everyday, every hour, when entitled, spoiled people who think their needs are more important than the author doing this FOR FREE decide to voice their terrible opinions on their works. I love my readers, I don’t hold myself beholden to them, but they are extraordinarily important to me. Plot, pacing, and character development are all my own when I write because first and foremost, I write for myself. It’s a hobby that I clearly have to work very hard at to even be remotely successful at, and taking anyone else’s standards into account is never going to happen when I have to live up to my own already very high expectations. But I do keep y’all in mind when I’m devoting my time, energy, and effort in. The chapter lengths I have partly exist to make up for the wait times I inevitably have between each release. I very much know that I am sporadic and inconsistent when updating. So, when I do, I want to have something that isn’t just a whisper in the wind when it finally cycles to the top of the AO3 listing.

I know there are inevitably readers who didn’t like my content, or do think my stuff is too long. That’s fine. But don’t come into my space and give me two comments that were effectively “TL;DR” and expect that not to be a slap in the face. Because it is. I have wonder if the fandom kids today even know the kind of slap backs this sort of thing would have gotten in LiveJournal.

But, never mind that. I’m a big girl, I took some petty revenge in deleting that bullshit from my boards and then setting the fic to moderated mode, but what I would like anyone who decides to read through what is actually a long winded post (all my rants are, admittedly) to learn is that you are not reading professional work. You are not reading work that has been paid for. You are not reading work that has been professionally edited. I’m not saying that you can’t have standards for fic, lord knows I have many, but I don’t go into an author’s work and leave shitty comments. Never. Constructive criticism on fanfiction keeps the author’s time in mind, their skill level over what they’re actually capable of, and whether or not they’re even open to criticism. Some authors don’t even want your advice. They just want to know that you liked it. And if you don’t, just don’t say anything. I’m not quite that fragile personally, when someone is giving me useful criticism that can be used to actually improve my quality of writing, but I will freely admit that clearly I have a sore spot about comments addressing word counts.

Get out of here with that shit.

In short. If you can’t say something nice, don’t say anything at all.

#fanfiction wank #shitty commentating #learn to constructively comment #pissed me right the fuck off #Rant Of Epic Proportions(TM)

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bluephoenixdruidicprincess · 7 years

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Shadowhunters Season 2 Review and Thoughts for Season 3

Alright, it’s that time again. It’s time for me to give you all the low-down on Shadowhunters Season 2 as a whole. My thoughts, my feelings, and improvements I would like to see made in Season 3. Season 2 was definitely an improvement over Season 1 but trust me, it still has its issues.

This is going to be an honest review of my thoughts and feelings regarding this show. If you’re the kind of Shadowhunters fan where you only want to hear positive things about the show, this is not the place for you. If you decide to stick around and get offended by what is said, then that’s on you. I warned you. Just know that if you send me any rude comments or messages, I will 100% ignore you. I find that’s the best way to deal with bullies. I work 14 hour days. Do you really think I want to waste my incredibly valuable free time dealing with derogatory comments? Hell no. This review will consist of my honest opinions. Opinions are never right or wrong. I’m not telling you how to think and feel. I’m telling you what I think and feel. So please, let’s discuss with dignity and respect. If I’m critical about the show, it’s only because I want it to get better. There is, in fact, a difference between hating a show and being critical of it. I do not hate Shadowhunters; I am being critical and analyzing the flaws as I would with any other show. There are positives but there are also negatives. It’s great if you want to promote positivity with this show (and I encourage you to do so) but that doesn’t mean you shouldn’t acknowledge the things that are legitimately wrong with it. Also, keep in mind that despite the fact that I do love the books, me being critical of this show has nothing to do with my love of the books. I don’t really care if the show deviates from the source material as long as it’s good and it makes sense. My problems with this show are problems that I would have with any show or book for that matter. I think it’s perfectly reasonable to take issue with a show that has plot holes, shoddy world-building and inconsistent characters. There will be spoilers for the books and movies.

I want to preface this with I am neither PRO nor ANTI Shadowhunters. I see it as neither a good or horrible show. It’s serviceable. That’s really what this show is. Ultimately, as far as tv shows goes on their own, it’s nothing all that special. It could be -- it certainly tries -- but at the end of the day, it falls flat. It’s a show where it’s interesting to watch and see what’s going to happen, but I also don’t find myself all that excited to watch the newest episode. This show has never gotten me to the point where I was counting down the days until the next episode airs. Usually, I’ll watch an episode and then I’ll be like, “Ok. That was alright. I’m ready to go watch something else now.” There’s no, “OMG! That episode was insane. When is the next one coming out?” That has never happened to me with this show. This is going to be spread into two different sections. The show’s storytelling and the characters and their relationships. So let’s get on with this.

The Storytelling

If there is one good thing I have to say about Shadowhunters in its sophomore season, is that compared to Season 1, vast improvements were made to the writing. Granted, the bar wasn’t set all that high considering how nonsensical and ridiculous Season 1 was but hey, it was an improvement. It was an improvement in the sense that at least now, the episodes are arcing properly. I may not have been a big fan of how a lot of the actual story was being told, but at least it was arcing. But, I do have to say that overall, Season 2 had a very clunky feel to it. There were a lot of different plot points going around and most of them were dropped without having any real resolution. Izzy’s drug addiction was completely dropped, her insecurities toward Alec were dropped, Aldertree served absolutely no purpose in the overarching plot in season 2, Jocelyn’s death did absolutely nothing for the story. It didn’t drive Clary in any way which was actually the idea behind it. While under a spell, Alec attempts to commit suicide because of the guilt he has for the part he played in Jocelyn’s death and then that’s completely dropped. The demon-shadowhunter baby plot point never shows up again. Trust me, I could go on and on. I haven’t even hit 2B yet. But I don’t want this post to end up being 15 pages long so I’m going to stop here. Let’s not get me started on the dumbness and pointlessness that is Azazel. I’m sure you guys get the point. I do feel like Season 3 is probably going to be written a little better than Season 2. For Season 2, we had new showrunners and I think ultimately, they were using Season 2 to filter out a lot of the weird plot writing that Season 1 had going on. With a lot of those weird plot points closed out now, Season 3 is probably going to arc much better. Or at least one can hope. I am definitely going to use Season 3 as a factor in deciding whether or not I’m even going to stick with the show.

I’ve talked about the show’s issues with arcing, dropped storylines, now let’s talk about elements of writing that drive a show. Let’s begin with pacing. Pacing was a HUGE problem with Season 1. Now, Season 2 episodes were a little bit better paced but there were still points when characters jumped to conclusions about something and you’re just like, “Wait, how did we get from Point A to Point B?” If I have one critique to make regarding this show’s pacing, they need to stop having 3 or 4 plot points going on in a single episode. This show has so much potential to be really awesome if they could focus on the characters and their interactions with each other. The characters, their actions, their motivations is what should be moving the plot forward but it’s the other way around in this show. And that also adds to the clunkiness of the storytelling. An episode should have an A plot and a B plot and that’s it. But sometimes we’re getting C, D, and even E plots at times in a single episode. All of these are characters are super interesting. Let’s spend less time with the plot and more with the characters.

Another issue this show has is payoffs. This kind of goes along with pacing. The show isn’t always evenly paced in its plot which is why we sometimes have moments within the story that kind of come out of left field. If you have an idea of where you want your character to be at a certain point in the season, you need to pace that character development out. So when that character has that really epic moment, it completely “wows” your audience. This is what’s known as a pay-off. If you don’t pace it well, the pay-off is very bland and uninteresting. A good example of this is in the Season 2 finale. That moment when Clary was about to be executed and Jace manages to break free and save her. The pay-off could’ve been amazing but I found myself asking, “Why didn’t he just do this in the tent?” All throughout 2B, Jace has never been depicted of having problems using his angelic superpower and yet now, he’s only willing to use it to break free of the chains when Clary’s about to be killed? This would’ve worked fine if throughout 2B, we’d seen Jace having issues using this power and then in this moment, when he sees Clary about to be killed, that’s when he’s able to turn it on. That is what’s known as a pay-off. And it could’ve added something to the Clace dynamic. Then, of course, the other big thing I’ve talked about is Clary’s fighting skills. This is something I wish they had paced out a little more evenly so when she killed Valentine in the finale, it would’ve been far more impactful. Everyone likes to talk about how Clary was so bad-ass in that moment but for me, it was a “whatever” moment. I’ve lost count of how many Circle members Clary actually killed without pause through the duration of Season 2. And I’m supposed to be impressed that she killed Valentine? What would’ve been far more impressive is if throughout the series, we see her learning how to fight, stumbling through at times (because that is far more realistic), her mother’s death driving her to be better and then finally in this moment after watching Valentine kill Jace, knowing Valentine’s actions led to her mother’s death and the destruction of her brother’s soul, she’s able to call forth everything she’s learned to exact her revenge. To finally destroy the man who took everything from her. Once again, that’s a payoff. But instead, it just falls flat. Yes, it’s great to see a girl be a bad-ass but at the same time, it’s nothing I haven’t seen her do before. Why should I care? Because it’s Valentine this time? In Season 3, I would definitely like to see a greater emphasis placed on character motivations and payoffs.

This show has a huge subtlety issue as well. Now this pops up in various forms throughout the writing. Sometimes, it’s through character actions or sometimes it’s over-explaining things through dialogue. Either way, it leaves the audience with the impression that the writers think their audience is stupid. Now, my most hated scene in the Season 2 finale is that moment when Alec was given the specific job to take care of the demons while Magnus closes the rift. And Alec takes one shot and misses and then decides he needs to abandon the mission and go to Magnus pleading for help. Alec would never do this. His job was to keep the demon off of Magnus and instead he leads it directly to Magnus? It makes no sense particularly since earlier in the episode, Alec took multiple shots to slay the demon that was flying around Manhattan and it never phased him when he missed. He was chillin like a melon. And it goes completely against what we know about Alec to begin with. He is not afraid to sacrifice himself to save the people he loves. He would not have retreated back to Magnus. He would’ve continued fighting until he killed the demon or the demon killed him. Because in Alec’s eyes, the life of Magnus and his sister is far more important. I get what this scene was going for. They wanted to showcase that Magnus still cared about Alec but there are hundreds of ways they could’ve done this. But I guess the writers were afraid that it wouldn’t have been clear that Magnus still cared about Alec if it wasn’t this big huge moment of Alec pleading Magnus to save him? If you don’t have subtlety in your story telling, you also lose a lot of the impact. The dialogue also needs some work in this as well. The show has the tendency to spoon-feed information that can be inferred by the audience. I feel like this show is trying to gain the early to mid-20s audience. If this is the case, how about treating us like we’re intelligent 20-year-old adults? Exactly how bad do they think the public school system is that we can’t infer what something called “a Kill Tree” does or that Edomi are demons that come from Edom? The dialogue at times gets a little clunky because of this need to over-state everything.

I also have a problem with how this show deals with conflicts. And this stems from the arcing as well as the pacing problem. This show resolves conflicts within the story alarmingly fast. There are conflicts that can’t be resolved easily and every time the show does, you lose the impact of these characters feeling like real people. It also hinders the plot because it makes the plot feel very disjointed.

Now let’s talk about the adaptation part of the story-telling. My problem with this show has never been them not following the books. My problem is them following the books, then not following the books, and then going back to following the books again without keeping with the changes they made. Let me better explain this, as I know it’s a little confusing. This show will make changes to a particular plot or character point that doesn’t exist in the books. And that’s fine. I don’t have a problem with that. My problem is that they’ll make those changes and then take another scene 100 pages down the line out of the book and use it nearly verbatim. When you made that original change, the context has changed as well which means that scene isn’t going to work the same way. You have to change that scene to fit the new context. An example of this is the infamous Seelie Court kiss scene. Previously in Season 2, the writers had made the change that Clary was really enjoying this new-found romantic relationship with Simon. Or at least, there weren’t any hints that she was secretly coveting Jace in episodes prior. She had even told Simon that despite knowing Jace isn’t her brother, she had no plans to break it off with Simon. She wanted to be with him. And this change would’ve been alright but the show still tried to keep the Seelie Court kiss scene more or less verbatim as it is in the books. In the books, this scene and how it plays out makes sense because the reader could always tell that even though Clary didn’t overtly hate her romantic relationship with Simon, it didn’t make her feel the same way she felt when she was with Jace. None of that is applied in the show. The show goes on stating that Jace is the kiss that will set them free as it is the kiss Clary most desires but there was no set up to this revelation so the pay-off of the kiss scene doesn’t work. Because you were never really led to believe that while Clary was dating Simon she wanted to be with Jace. As I said, they made a change and as a result the context has changed so the future writing also needed to change…which they didn’t do. When authors write certain things at certain points in their books, it’s for a very calculated reason. Everything more or less has a purpose. When you adapt a book to any kind of film, it’s a given that changes are going to have to be made and that has never been my issue with the show. It’s always been them making a change and then not having the rest of the story change along with it to support that change. Ultimately, at the end of the day, I wish Shadowhunters had taken The Vampire Diaries or the The 100 approach to their writing. I wish they had taken the bones of the source material and then told their own story and created the characters and their personalities in their own way. When Shadowhunters was first announced, initially, that’s what I thought they were going to do. I can’t help but feel like maybe this show might’ve been better written and executed if it weren’t for them being so bogged down by the source material. As much as I love the books (and trust me, I do), this show could have really benefited from a Kevin Williamson level of adaptation. For those of you who don’t know, he was the one who developed The Vampire Diaries for tv adaptation and I was always really impressed with how it was adapted. And I will never apologize for liking Vampire Diaries. Yes, it got a little convoluted in later seasons but seasons 1-3 are fantastic. I am more or less excited for Shadowhunters Season 3 because we are starting to delve into the second half of The Mortal Instruments series and I feel like the second half is going to work much better for adapting. Shadowhunters made the decision to create the show with an ensemble cast in mind however, the first half of The Mortal Instruments isn’t very conducive for an ensemble cast. You pretty much follow Clary and Jace and that’s about it. But the second half starts focusing much more heavily on the other characters. And I feel like it’s definitely going to be easier to adapt. Season 1 and 2 were bogged down by the fact that in the source material, there isn’t a whole lot that characters like Alec, Magnus, Izzy, and Luke are actually doing. Clary and Jace are the ones that are driving the story. And it’s very clear with the storytelling in the show, that the writers didn’t really know what to do with them. This is definitely something I think is going to be improved in Season 3.

Season 3 also needs to work on their world-building. More specifically, their use of magic systems. I continues to grate my nerves that there are no rules to their magic system. As I’ve said before, rules are so important in a fantasy and most importantly in the magic system within that fantasy. If your magic system has no rules then you can do anything with magic. If you can do anything with magic, what makes it compelling? All it does is become a convenient plot device. And I love magic systems. I don’t want to see a magic system be used as a cheap plot device. I want magic to be its own character in a way.

So there are certain themes I’d like to see explored in Season 3. Well, really only one theme. And that is, “consequences”. This show has a huge problem with it’s characters never facing any true consequences for their actions. In the finale, it was laughable to me that when Jace mentions to Clary that she can’t just bring someone back from the dead without a consequence and she’s all, “not this time. This time there won’t be any consequences.” This line is funny to me because it actually implies that Clary has faced consequences for her actions before, which she has not. I really hope the show goes into this theme in Season 3. That they really bring to the fore front that Clary’s selfish nature is the root cause for these horrible things that are going to happen. I really hope the show has the guts to go this direction. They probably won’t considering how much they love to paint Clary as this Mary Sue who is beyond special and could never do anything wrong because she’s so selfless and wonderful (ugh, I just vomited a little in my mouth writing that). But as Season 3 hasn’t aired yet, I’m going to hope for the best. It’s not just Clary that has this issue either. It’s the show’s story-telling as a whole. Their inability to have any truly impactful consequences. The best example is how Max played out in Season 2B. Now, I’m not saying that Max should have died, as he does in the books. I’m saying something resonatingly impactful should’ve happened to him. My own dark theory was that Jonathon hurt him so bad that it put him in a coma that he would never wake up from and that was the driving force for Izzy to go after Jonathon. And it kind of sort of happened. Max does go into a coma but then he gets a miracle treatment from the Silent Brothers and he’s perfectly fine now. It has no lasting impact. Essentially there was no consequence for anyone letting Jonathon into their lives besides a couple of nameless dead shadowhunters. Max recovers and then they go after Jonathon. Yes, they’re mad about what Jonathon did to Max but ultimately, it’s not going to leave a lasting impression on their psyche. It definitely felt like the writers chickened out. There are a lot of different directions the theme of consequences could take Season 3 and I hope the writers are brave enough to take it because at this point, they really need it.

Characters and Their Relationships

Let’s talk about these characters and their relationships now. How these characters are depicted gets very uneven at times. And this show has an issue with slow-burn. They do not know how to do a slow-burn. It stems from their pacing and subtlety issues. They want people to like this show so badly that they’re forgetting why people cling to fandoms in the first place. It’s not that two people are in a wonderful relationship that leaves you in a pile of goo everytime you see them together on screen, it’s how they got there, how their relationship developed, how they as characters develop. That’s what leaves you in a pile of goo. And I haven’t had that experience with this show yet. Yes, I love Malec but there are so many problems with the writing that prevents me from having that gooey feeling. This show is by no means bad but i wouldn’t call it good either. The times it leans closer to the good spectrum are when the characters are driving the story. Let’s start talking about these characters.

First up is Clary. Oh boy. I’ve made no secret about my distaste for Clary. And it’s really difficult to pinpoint exactly what it is about her that grates on my nerves. There’s a lot of little things that bother me. Ultimately, it’s the Mary Sue-ness of her character. As I said earlier, it’s her doing really selfish things but everyone else ignoring it because they think she’s so selfless and wonderful. Now, I don’t have a problem with Clary being a selfish person. At her core, that’s what she is. She follows her heart and that leads her to doing selfish things. It’s perfectly human. Humans are selfish beings. Even when we go out of our way to help others, there’s still a selfish undertone – for a lot of us, it makes us feel good knowing we helped someone, it benefited us in some way. But the fact that no one calls Clary out on her crap any more is what I dislike. Clary does these selfish acts because it’s a way to push the plot forward but it’s never used to push her character forward and that’s the issue I have with her. If the show didn’t tote her around as this perfect being and just own up to the fact that she is selfish, I would have no issues with Clary. Dare I say it, I may even like her. Which is why I mentioned earlier when I talked about the consequences theme for Season 3, I would like to see her selfish nature be called to the fore front. For Clary to really be held accountable for her selfish decisions. For her to really look at herself and be like, “oh, no. I’m causing this. Everything bad that’s happening is all because of me.” Really, I just want the show to do something that will make this audience think, “Yeah. She’s not perfect. She makes mistakes.”

On to Jace. I fluctuate a lot on my feelings for Jace. Dom Sherwood does a fantastic job of portraying him. That’s never been my issue. He is fantastic at bringing this very angsty feel to Jace. Which is important because Jace is quite angsty. And I do love it when male characters show their vulnerable side. However, sometimes the writers take Jace’s angst to an absurd level. Just how easily this guy gets moved to tears, I find a little ridiculous. This guy is more emotional than I have been in my entire life. And I say that with the time period I went through puberty in mind where getting a B on a homework assignment was enough to drive me to tears. It’s really hard for me to believe that a 20-year-old, whether they be male, female, unspecified gender, whatever, would be crying over some of the things he cries over. My feelings might be hurt a little but I don’t think I’d cry over some of these things. But I’m also a really sarcastic person and sarcastic people usually don’t let too many things bother them. We believe in hiding our insecurities through jokes. It’s probably why I like Book Jace so much. A lot of the fandom thinks Book Jace is mean. I don’t know where they get that. I think he’s really funny and whenever the fandom says that he’s mean, I really have to question how they, as a person, functions in the real world. Trust me, there are some genuinely mean people in the real world. Some of them are located right here in this fandom. If you think Book Jace is mean, how do you deal with those people? But don’t take this to mean I hate Jace. I haven’t genuinely hated Jace since Season 1 Episode 6 when I changed his name (temporarily) to The Douche. I like him much more in Season 2. His motivations and his character development as a whole is super interesting. And I love it when he gets snarky. Doesn’t happen nearly as much as it should, though. I live for the moments when Jace gets sassy. I really like what Christine from polandbanannasbooks said about the kind of person Book Jace is. He’s a more sexy and angsty version of Chandler Bing. I’d like to see that guy pop up more in the show.

With Clary and Jace talked about now, let’s take a brief interlude and talk about Clace now. Clace is definitely an example of a couple they rushed when they didn’t need to. It’s not that Kat and Dom have bad chemistry, They have this fun, breezy chemistry about them that works super well when they’re just hanging out. However, when it gets to the point where they’re being forced into having a romantic, epic moment, it’s just that. It feels forced. The show also doesn’t do them any favors by making them so generically YA at the same time. They fall for each other simply because “they were meant for each other.” No work has actually been put forth into developing their relationship, what it is about each other that they like so much. It’s just bland, cheesy, YA tropes. And not the good kind of YA tropes. My hopes for Season 3 is that we’ll get moments where they’re start actively learning about each other on an intellectual level.

For Simon as a character, I’m not really super interested in him. He’s super funny. The show clearly gave all the Jace snark to him. But at the end of the day, even though it felt like he had a lot to do this season, it also feels like he didn’t really accomplish that much. For me, as a character leaving an impact on the season, he didn’t really factor all that much. I am very interested to see how his character is going to progress in Season 3 as it looks like they’re going completely off-book with him. Like I said, I almost prefer that the show would go off-book.

I guess we’ve got to talk about Izzy, now. Izzy has always been a character that routinely falls on the wayside for me. A lot of the fandom seems to really like her but I find her kind of dull at times. And she is a bad-ass but she never contributes a whole lot. The show never really knows what to do with her. They like to tell us she’s a bad-ass but she has very few character moments that actually lend to that. She seems to only serve as a support function for Alec and Clary. I was super excited when they started introducing this drug addiction for her character. A lot of people say this ruined her character. In my eyes, it’s hard to ruin a character who was on as shaky foundation as she was to begin with. She has no real consistent character foundations. I liked the drug addiction plot because something interesting was finally being done with her character. And no one comment saying, “Oh but Izzy is so great because she’s the best pathologist in NYC. That’s a contribution.” I hate the whole “Izzy is the best pathologist” angle. First of all, it is such a Mary Sue angle to make her the best. Second of all, what exactly makes her better than all of the other pathologists? Third of all, I find it insulting that this 19-year-old is the best pathologist in NYC when you have people who spend 10+ years receiving their medical training. At what age did she begin her training? When she was 6? Not to mention, there are so many plot holes with the pathologist angle that I don’t even want to get into right now. Basically, for Izzy, I hope that she gets written better in Season 3. They were going an interesting angle with the drug addiction but then she got a miracle cure and it’s never mentioned. There was absolutely no point to that plot at all.

I’m very much on the rocks about whether or not I want the show to go the Sizzy route. The Sizzy that I love is from the books. And Izzy’s personality has changed so much that we’re not going to get Sizzy from the books. Now what the show is currently doing with Simon and Izzy could lead to some really interesting foundations in their romantic relationship IF they keep it a slow-burn. But this show also sucks at slow burns so I don’t know how optimistic I should be.

Next up is Alec. My favorite character in both the books and show. He was already pretty good in the books but the show did a really great job with figuring him out as a character in the show. I just really enjoy him. He is a little inconsistent with his logic. And like with Izzy, I wish that he would do more in the fore front of the story. He fares much better than Izzy does in the story telling but his plot points always feel like they’re just kind of added on and then subsequently dropped. He has all of these great B plot ideas that never really seem to affect any of the main story and as a result, they’re usually dropped. And then of course, a lot of the fandom doesn’t perceive Alec as his own character. They see him as one half of Malec. And if he’s not doing something that’s going to forward the Malec plot than it’s automatically trash. I definitely wouldn’t mind seeing Alec spend a bit more time away from the Malec plots and really give us a chance to see more of him as a person.

As I made in my previous point, we can’t talk about Alec without talking about Magnus. I am very off and on about Magnus as a character. Honestly, this guy’s motivations and his changes in motivations were starting to give me whiplash. I care about Magnus in the sense that he’s a really interesting character and when he’s allowed to be snarky, he’s great. But the way that he reacts to situations, it doesn’t feel real. And I’m not talking about the acting. I’m talking about the writing. He reacts to things in a very childish and vindictive way.

Which means I have to stop beating around the bush. I have to talk about Malec this season. Oh boy. This is going to be long. Malec in this season was great…when they have absolutely no conflict. When they’re hanging out and having fun, supporting each other, you love them as a couple. However, when they’re in a fight, Malec grates on my nerves. I had gotten to the point in 2B where I straight up didn’t care about what was going on in their relationship. I became apathetic to Malec. The world must truly be ending. Now, this is not me saying I don’t want Malec to ever fight. This is a dig at how poorly written the Malec fights are. Here’s the thing, the ideas behind the Malec fights are actually really good but the flaw is in their execution. There’s a very childish tint to it. I hate what happens in these Malec fights and I hate how they’re resolved. Here is the specific formula on Malec fights:

1) Alec does something that angers Magnus

2) Magnus tells Alec to get out (because that’s a totally healthy way of dealing with your problems)

3) Alec apologizes and Magnus forgives him but Magnus (in his eyes at least) has nothing to apologize for

Rinse and repeat. It happens this way every couple of episodes. And I hate how unequal this relationship is. And this is not me being mad that my favorite character is the one at fault in his relationship, this is me being mad that it’s being written like everything is always Alec’s fault and Magnus never does anything wrong. Even though it’s not true. He also adds to these fights but it’s never called to attention in the writing. This is not a very healthy way to approach a relationship. And with it always highlighting that Alec is at fault, this could very easily be interpreted as an abusive relationship. You have one party believing he’s at fault for a conflict, he apologizes, and the other party gets to continue thinking he’s the perfect one in the relationship and can proceed to blame his lover for anything that goes wrong. Because that’s the way it’s always been. Now I know that’s a little extreme. Granted, Malec isn’t quite there yet, but if this formula keeps up, it won’t be that big of a stretch to call this an abusive relationship. A relationship is all about equality. You cannot have a successful relationship if one person holds all of the power. I really hope Season 3 is going to address this. I really hope there’s a reason for why Malec conflicts were written this way and not just because the writers really like Magnus. I’m hoping Season 3 is going to explore Alec noticing these tell tale problems in his relationship with Magnus and starts questioning it. Maybe this will lead to them breaking up for a much longer space of time because he doesn’t truly believe that Magnus respects him or his position in this relationship. I really did not like how Malec got back together in the finale. I believe the exact words I said in response to Alec saying “I can’t live without you” was “oh, please. Come on.” Seriously, they had been broken up for barely 1 episode. At most, it was a couple of days. You need to be broken up a little longer than that before I’ll accept that sort of declaration.

Not only do I have a problem with Alec always being the bad guy in the relationship, I also have a problem with how Magnus deals with conflicts. Essentially, when a relationship conflict crops up, he responds with, “You’re making me mad. Get out. I don’t want to deal with you.” That is not a healthy way to deal with relationship woes. Why does a character who has 500 years worth of relationship experience behave like a 16-year-old yet his partner, a 20-year-old is far more willing to stick it out and compromise right off the bat. And I have to ask, is this how he’s always going to deal with these relationship conflicts? Is this how he’s always dealt with them? If that’s the case, no wonder he’s had 7,000 relationships. He’s probably never made it past the first fight. He probably tells each of his lovers when they have a fight to get out and leave him alone and they’re probably all, “You know what Magnus? You’re a cool guy and all but I need someone who who’s going to behave like an actual mature adult so I’m going to peace the fuck out.”

When this guy gets his feelings hurt, he becomes ultra vindictive and childish. I mean, just in the last 2 episodes of season 2, he was absolutely horrible. He was actually willing to let NYC be destroyed because he didn’t want to help Alec. As much as I do like Magnus – and I really do, don’t misunderstand me – but Alec deserves better. Like I said, I hope the writers are going for Magnus’ behavior to be called out in Season 3 but I also know better. Hope for the best but prepare for the worst.

Well, I think I’ve ranted on Malec for long enough, let’s talk about Luke. Luke has the potential to be a really great character but he also suffers from much the same things that Izzy and Alec suffer from. The story not really knowing what to do with him as a character. I mean, there are long stretches of time where Luke just kind of disappears. Hopefully, this will change in Season 3 and he’ll become a much more active agent in the story. I also hope he quits his day job as a detective because he is the worst detective ever. I don’t even know how he still has a job. He never seems to be working.

And a little side note. I’m also low-key shipping Luke and Maryse. I think they could be really interesting as a couple.

Now we’ve got Maia. I actually really like Maia but for whatever reason, the show just cannot write her in a decent, consistent way during a finale episode. In the 2A finale, they had her automatically jump to killing Clary with no real development into her making a decision like that and in 2B she’s all damsel in distress in the Seelie realm. Never mind the fact that she’s been depicted as a bad-ass werewolf in earlier episodes, but in the finale she was just really quiet and meek. It was very strange. Definitely for Season 3, they need to make Maia more consistent with her character development and not just change her personality whenever it suits the plot.

Will Tudor was also amazing as Sebastian/Jonathon. I’m not a fan of the burnt blob he turns into. I find Jonathon a much more threatening villain when he’s Will Tudor being creepy as fuck as opposed to the burnt blob the show decided to add. I’m really hoping he returns as Will Tudor and not the burnt corpse.

Not a whole lot to say about Valentine. Ultimately, I’m very disappointed with where he went as a villain. I always found Valentine to be moderately interesting in the books and the show just took away everything that was interesting about him and left us with a Disney villain. Alan Van Sprang did the best he could trying to humanize Valentine but the script wasn’t doing him any favors. Hopefully the next super-villain this show has will write their villain in a less cheesy and cliché way.

In my Season 2 Finale review, I had also had this theory where I was hoping Maxim Roy will come back to play Lillith in the form of Jocelyn. I think that would be really interesting. And no, I don’t keep up on the Season 3 spoilers/behind-the-scene stuff. I want to be surprised when it airs. So no one tell me that Maxim Roy isn’t returning. I’d prefer to be disappointed on my own.

One more thing I want to mention is the Jalec parabatai bond. The show has taken a lot of steps to improve the parabatai bond and I love that they have. However, they seem to only highlight the angsty parts of it or to use it as a plot device. The parabatai bond is super interesting in both the positive and negative effects it leaves on those who have it. The show loves to talk about the negative effects of it. I would like to see the show start to show the benefits it has. They also need to make this bond more consistent and equal. A lot of times, it feels like Alec experiences the effects more than Jace. It was beyond weird to me in Season 2 Episode 3, that Jace finally makes it off the ship but yet can’t tell that there’s something wrong with Alec. And then Jace cuts his hand, and Alec has no problem feeling that? If there’s one thing I’d like from the parabatai bond in Season 3, it’s the consistency.

At the end of the day, this show tries really hard to be epic. It really wants to be on Vampire Diaries caliber but the writing just isn’t there. The acting is. That isn’t the issue. I love the actors, I love the way they portray their characters. Even the ideas the writers have are actually really good ideas. It’s just the execution that they have a problem with. Once the writing catches up to the actors’ talent, I think we’ll have a truly amazing show on our hands.

Well, that’s about all I have about Season 2. Again, I am neither PRO nor ANTI shadowhunters. In my eyes, it’s neither a good or bad show. It’s just bland. What I’m doing here is just looking at this show and telling you what it makes me think and feel. Do you have to agree with me? No. But you should still respect it. So, with that said, I would love to hear your thoughts and feelings about Season 2. Are there changes you think could be made that I didn’t mention? I’d love to hear how other people interpret this show. This is why fandoms are so much fun but they’re horrible places when can’t people can’t respect each other’s opinions. So please, respect make the dream work.

And with this blog post out of the way, I am now going to go see American Assassin and proceed to fall in love with Dylan O’Brien’s talent to create strong but vulnerable characters.

#shadowhunters #shadowhunters season 2 #shadowhunters 2a #shadowhunters 2b #shadowhunters review #shadowhunters season 3 #clace #malec #sizzy

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servinglemonade · 7 years

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PLL Wishlist: How I Hope Pretty Little Liars Will End

BEWARE: SPOILERS AHEAD

After a 7 year rollercoaster of plot twists, multiple fake deaths, creepy A/A.D. messages and a lot of lies, Pretty Little Liars is coming to an end. Although I am sad that it’s over, on the other hand, I’m glad it is. It was starting to get a bit messy if you ask me. Here’s how I hope PLL will end.

The Couples

Let’s get the least important stuff out of the way. I always feel with shows like this the mystery comes first, all the romance second. Who would I love to end up together?

1. Haleb (Hanna & Caleb). They have been my favorite ship since the beginning. Now, they’re actually married! Wasn’t how I ever expected Hanna to get married, but it was cute. 2. Spoby (Spencer & Toby). Love them! Although they hooked up like 2 episodes ago after Toby was engaged to Yvonne, who is now dead (another irrelevant character created by the writers of this show) and Spencer dating Caleb (why?). I just don’t see Spencer with anybody else, but with Toby or nobody at all. They are perfect for each other. 3. Emison (Emily & Alison). I don’t know about these two. I feel like I liked them together in the early seasons of the show, but now it’s just so messed up. The whole Ali being pregnant with Emily’s baby, because somehow Emily’s eggs were planted in her uterus (we still don’t who the father is and I honestly couldn’t care less). I think it seems a little forced these two. But I don’t see both of them with someone else (except Emily with Maya, but she’s dead). 4. Aria. I’m not big on Ezria at all. Why? First of all, the teacher dates the student. It’s just inappropriate. Even if they met before he was her teacher. The moment he became Aria’s teacher, it should have ended. Secondly, the book. Ezra literally used Aria for information since the moment they met. Yes, he fell in love with her, but that doesn’t make it okay all of a sudden. I still can’t believe Aria forgave him for that and is now engaged to the guy. Aria gave up so much to be with this guy, while he has been lying to her since the start. Pretty sure Ezria will get married in the finale, but if it doesn’t happen, I’ll be throwing a party. Can Aria just be with Jake? You know, her martial arts teacher back in season 4. Or alone #IDontNeedAMan

Unanswered Questions?

Isn’t PLL known for this? Just kidding. So much has happened on this show, that I don’t even remember all of it. Which is why I started re-watching the old seasons. Here are some things that I’m still confused about and hope will be answered in the finale (pretty sure 90% won’t be, but there’s always hope).

1. Whatever happened to Jason? We last saw him in season 7 episode 7. Which isn’t too long ago, but he is still shady. What does he know about all of this and did he have a part in any of it? 2. What’s Melissa and Wren’s part in all of this? We know Melissa buried Bethany, but what’s up with her and Wren? Are they together? What are they guilty of? Wren and Melissa are both in the finale, so we’ll hopefully get some answers. 3. What happened to the NAT club? Back in season 1-3, there was the mystery around the NAT club with Garret, Jason, and Ian. Well, 2 of them are dead and the other has been pretty absent from the show. So did I miss something or has the NAT club storyline been dropped all of a sudden? 4. Why was Archer Dunhill hiding his British accent? Is he connected to Wren somehow? 5. Who shot Spencer in the mid-season finale of season 7? We saw Jenna with a gun, but we never actually saw her shoot. My bet is on A.D. 6. What’s the deal with Jenna? Remember when A.D. got Jenna in a van after Spencer was shot? At the end of the episode, A.D. gave Jenna a lot of pages in braille that she was reading. What did it say? Does Jenna know who A.D. is? Is she working with him/her? 7. Why did Eddie Lamb recognize Aria while she was volunteering in Radley? Pretty sure everyone remembers Eddie from Radley. But how does he know Aria? Was she a patient there? I still think Aria is shady, she was pretty quick to turn on her life long besties this season. Those “Aria is A.D.” theories aren’t there for nothing.

Till “Death” Do Us Part?

I’m 100% sure someone is going to die. I don’t think it’s going to be any of the girls. I don’t think it’s going to be one of the boys either. So who is? I couldn’t tell you, but it better not be Mona. Mona is probably my favorite character in the show right now. I feel like the girls still see her as the villain. How many times does Mona have to save/help them for them to see she is looking out for them?! Seriously she would die for Hanna and she still treats her like crap. Also, how can you not love Mona after how she looked at that game? Find someone in life who looks at you the same way Mona looks at A.D’s game.

Who is A.D.?

The million dollar question. I think it’s Spencer’s twin, all the theories I have seen are pretty convincing and make a lot of sense. I really started believing in it when “Spencer” was meeting Wren at the airport. There was no way Spencer went from that house she was supposed to meet Mary Drake (but Marco Fury showed up because he followed her) to meet Wren at the airport in that short period of time. Also “Spencer” was really nervous there and asked Ezra (who saw her with Wren) not to mention this to anyone. Now that’s really shady if you ask me. I don’t know who the real Spencer or the twin is, but I definitely think she has a twin and that twin is A.D. I do hope this is not the case. I just feel like it wouldn’t be shocking, but if they do make it fit with everything that has happened I would be ‘okay’ with it.

What I want is to be as shocked when we found that Mona was A, Toby was on the A team, Spencer was on the A team & when Ezra was A (well not really, but that’s what we all thought). That’s the shock level I want. This is the series FINALE. I want it to be someone we have known throughout the whole show, someone who has been shady af since the beginning.

Today in the US and tomorrow for me, we can finally say goodbye to Rosewood and never look back to that messed up town.

But with all the messed up stuff that happened these past 2 seasons I really do love this show and consider it one of my favorites. So it’s bittersweet that it’s ending.

Thank you PLL for the crazy rollercoaster that was this show!

Stay Flawless!

Kisses,

PS. Who else will be watching the finale like Pam Fields?

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talesofafangirlwithadvr · 4 years

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AUGUST PICKS!

And we’re back with another month wrap up! August involved a lot of TV watching (as per usual), but I feel like I watched a lot of things I’ve already talked about before (ex: The 100, Violetta). So it was a little bit harder to feature some new titles. I felt accomplished this month because I finished quite a few series. So, without further ado...let’s do this!

Spoilers!! But you knew that already :)

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So I know I’ve spoken about some of these shows A LOT recently, but I still had to include them in this wrap up because they were a good amount of the month. (Even if they feel like they were so long ago.)

CURSED

This book to screen adaptation on Netflix following Nimue (AKA the Lady of the Lake) re-invents the King Arthur myth. It was an entertaining and enjoyable watch that makes me hope there’s a second season. There were certain parts that bothered me and I wish some characters had more time on screen, but as someone who likes King Arthur and fantasy TV I’d recommend it. 3/5 for me.

For more on my thoughts regarding the show check out my earlier post: **Spoilers** Featuring Cursed

DC’S STARGIRL

A show that I’ve often been documenting my reviews/feelings after watching each episode. (That’s how you can tell IT’S THAT GOOD.) While it was a bit slow in the beginning (mainly because of it having the quality of being on a streaming service-ending on a cliffhanger for you to binge the next episode immediately kind of feel), it picked up and has easily become one of my favorites for the year. (YEAH...I KNOW. I SAID YEAR.) You can check out my page for more specific reactions in my posts, but here are some of the moments that stick out to me the most when I think about season 1.

I can’t wait for season 2!!

AVATAR THE LAST AIRBENDER

June doesn’t feel like that long ago, but because I started season 1 two months ago (and because of the world of quarantine) it feels like a long time ago. Especially when this show is only 18-20 episodes that are each about 20/25 minutes. For me, I enjoyed season 1, but not as much as seasons 2 and 3. I definitely watched the first season slower because of this. Once the Ba Sing Se plot happened I was very invested. I enjoyed most of Book 2 in the Earth Kingdom before this, but Ba Sing Se was definitely the best. I was so impressed that they put that into a kid show. Then again, there’s so much in this show that is well done and brings up such relevant issues to a younger audience. I loved following Aang, Katara and Sakka and enjoyed Toph’s addition to Team Avatar. Overall I think Uncle Iroh is my favorite character in the show. I loved all the wisdom he had and how he saw the best in Zuko the entire time. Their team up was great and I am so happy he got his tea shop in the end. His escape from prison was amazing. I love a good redemption arc and from the start was excited to see Prince Zuko’s (it’s one of the ‘spoilers’ I knew going in). I think it was really well done and I liked how they showed him struggling with it. The last agni kai between Zuko and Azula was such a beautiful scene and the music score behind it was so chilling. I love how they chose a slow, instrumental song to play in the background. It’s not what I was expecting and it was such an awesome choice. Overall, I really liked the music and have added it to my writing playlist. I’m really glad I decided to watch Avatar the Last Airbender.

From one binged show starting in June to another....

VIOLETTA SEASON 2

It’s crazy; you don’t think 80 episodes would go by that fast, but they do. Once you hit episode 50, I just zip by the rest in the season. So many of the plots get SO GOOD, you can’t help but watch so many episodes back to back (to back). For season 2, episode 75 was one of my favorites for the whole season. I love how some of the cast actually got to go to Madrid. (Even the intro music changed when they were there.) Diego really grew on me. I loved the added plot of discovering who his dad is! Feels very telenovela. Gregorio’s reaction was priceless-such great acting-and I loved how much it has changed his character so far. I’m excited to see where he is headed for season 3.

Leonetta forever! The reason they weren’t together was a bit weak, but I get they needed the love triangle. Overall the Leon/Violetta/Diego love triangle was a lot stronger than season 1′s (in my opinion). It felt better developed. I enjoyed a lot of the couples this season. Frederico and Ludi are a pair I didn’t know I wanted till it happened. Olga and Ramallo actually got a kiss!!! I loved hearing Ramallo talk about how Olga is the only woman in his life. So rare to see such emotions from him. Fran and Leon’s friendship was adorable. I loved their moments in Madrid. She was their #1 shipper. I know in the beginning I said there wasn’t a lot of music and performances, but as the season progressed we definitely got a lot of new songs (which I cannot stop singing). I miss my time at the Studio and hope the third season will be streaming on Disney Plus soon. I heard it could be September 18th so fingers crossed!!

THE INBESTIGATORS

Filling the void that was left by Little Lunch (and produced by the same studio) is the InBESTigators! A show that follows 4 elementary students who live in Australia and solve mysteries. One of the things I really loved about Little Lunch was how serious they made really trivial, kid-like things sound. I have often described it as an Office-like children’s show, where they talk about their problems directly to the camera and give several ‘Jim’ stares and glances to the camera. With the InBESTigators it’s a similar set up where our four sleuths, Ezra, Maudie, Ava and Kyle, relay a mystery they solved directly to us the viewer, while we watch in flashback. All of the mysteries are typical things that could happen in school or home; from overwatering a neighbor’s prize-winning flowers, packages getting stolen, a lost notebook or catching a cheater during a test. All of the kids are entertaining and funny. They each have a different dynamic that brings something to the team. Currently two of the seasons are on Netflix, and there will be a third season (but who knows when it will be filmed-I’m just happy it will eventually happen).

If you’re looking for a fun/light-hearted watch look no further. You’ll have a good time.

UNITED WE FALL

This ABC sitcom fits well on the network and like it would be on Friday nights, but has a stronger day in airing thanks to the pandemic. I hadn’t really heard much about the show and then BAM it was advertised. It felt like the network had it in its back pocket. Nevertheless, I am really enjoying it. The actors have a nice dynamic and it is very funny and relatable. I like how it represents a family with two different cultural backgrounds, but doesn’t make that the main focus of the show. Instead it is discussed naturally. Overall, I don’t know how many people know about it, so I wanted to share it as one of my picks for the month and suggest you watch it if you are looking for something both funny and optimistic.

DOUBLING DOWN WITH THE DERRICOS

I LOVE this family! As TLC is a network with predictable choices in TV shows, one about a family with multiples does not seem shocking. However, this is not your average family with multiples. At the start of the show, Karen and Deon have a total of 11 children (with only two of them being what they called ‘singletons’). They have twins, quints, and another set of twins (that would have been triplets). Her last three pregnancies were multiples and then she becomes pregnant with triplets. AGAIN! This family is considered a miracle because she had no IVF or anything like that for her conceptions. I love watching them because they seem like a great group to be apart of. They are what the epitome of family should be like. There is so much love. I know when my family watches the show we are all so impressed by how well behaved all of the kids are. People with half the amount of kids often have trouble teaching them to behave. I highly suggest giving the Derricos a watch. New episodes are now airing on TLC.

SOME LAST MINUTE ADDS....

I know Ben Platt’s concert has been available on Netflix for a while now, but I just got the chance to watch it this month. It was SOOO GOOD and I was upset when it was over. It felt so fast! I had already added a lot of his songs to my playlists, and after watching added the last few I had missed. Now I’ve been listening non-stop. I loved how his concert welcomed us so much into his personal life. The added stories in-between songs helped to see why he created that specific one. Watching the concert was a fun time and something you should consider if you are feeling down during quarantine.

Every Saturday night we try to watch a movie while we eat dinner. It’s become a new tradition since quarantine began and we were unable to go out to eat or to the movies. This week Jojo Rabbit was the pick. Going into the film, I didn’t know much expect, but that it was a comedy and I assumed a satire. What I didn’t expect was how dark of a turn it would take. It’s amazing how a film can have you laughing uncontrollably at the start and then have you crying at the end. This is definitely a film I could see analyzing in a film studies class. There was so much foreshadowing and moments where so much more was going on then what was shown on the surface. I think it did a great job making the viewer think not only about the time in which it was supposed to take place, but also our current world. I know it’s a good movie when it still has me thinking about it days later. I even did some research into it after watching. Definitely can understand the hype about it and will watch it again in the future.

When I was putting this list together I was just starting to watch Umbrella Academy. I know, I’m late to the party, but with the newest season coming out this summer I knew it was now or never. (I just had to finish some of the other stuff I was watching first.) Currently, I only have 1 episode left in the first season and am really enjoying it. I was pretty good about spoilers going into it, so a lot of it was new to me. I made some theories on who I thought would be the cause of the apocalypse and so far I am right. I am very interested to see how this season ends and get into the next one because I heard that the majority of people liked that one more. I’ll have a more detailed review in my September Picks, I’m sure of it!

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