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circlique · 11 months

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In all seriousness though---

Korra got a ton---and I mean a TON---of hate, for daring to be a headstrong, non-genderconforming woman of color. So forgive me if I don't react well to "korrasami doesn't deserve it"

Korra already fought through enough misogyny and racism while it was actively airing. She already got enough criticism for not being the "target audience" of 8-12 age males who buy action figures. She already got enough criticism for having flaws as a woman, for not "acting ladylike". She already got enough criticism for not being white or white passing in a show that has ZERO white characters. So when you come at korrasami fans with "they don't deserve it"? Don't be surprised when korrasami fans look at it with a lens of suspicion, because korrasami already fought through the criticism, already fought through being stuck in the "dead slot" air time in nickelodeon (which they were moved to in season three, when the show runners actively started hinting at a wlw ship), already fought through being pulled off air and onto online viewing only, in 2014, for those of you who are a bit young. (Obergefell vs Hodges, the Supreme Court case which legalized gay marriage nationwide in the US, happen on June 26, 2016). "They only held hands in the finale" because that's all they could get away with at the time. They were the FIRST. Bubbeline came later. Rupphire came later. Catradora came later. There are still no notable mlm ships in children's media, so the work ISN'T done. Korrasami fans "screech and yell" at you for not understanding because you accuse them of "queerbaiting" without understanding that they were the FIRST in their time to OPENLY hint at being gay on a a children's television network. In a time, for most intents and purposes in the US, being gay was still ILLEGAL.

And by the way? The Owl House, a recent, animatec children's show on Disney, was recently canceled for not being "the Disney brand". It features a bisexual woman of color (in an EXPLICITLY wlw relationship) as the main character, not unsimilar to Korra. Misogyny is not dead. Homophobia is not dead. Know your history, and know the work isn't done.

#avatar #lok #tlok #toh #the owl house #legend of korra #korrasami #lumity #wlw #pride #lgbtq #wlw ships #catradora #rupphire #steven univerise #shera #lgbt #lesbian #bisexual #pride month

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neapolitandemon · 2 years

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ps*kai is shit bcuz they go out of their way to shit on the most important dykes of the whole game (mikurin)

#like sisters #zzt.txt #crypton when they let rin and len (the most sibling adjacent characters in their canon) be established as an open ended question #but then try to make miku and rin when they are literally so fucking gay for each other #and not once have had that relationship in any canon media??? i think colorful pallet is fucking insane i actually hate them

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starryseas-tardisdreams · 6 months

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The more hate I see the more I’m going to love OFMD. This show means so much to me. A show of pretty much all queer pirates written primarily by queer people is not something I thought I’d ever get to see. To see middle aged people first discovering their queerness on TV is incredible. I see myself in Ed, Izzy, Stede, Jim, Zheng, so many of the characters. I wish we could have had stuff like this on TV when I was a kid/young adult, but even watching it now has helped me a lot with recognizing I am genderqueer.

Trying to pretend any part of this show is homophobic or being shown in a cis het lens is a joke. This is a show about queer people made by primarily queer people, and just because it doesn’t fully match your queer journey doesn’t mean that’s the case for everyone. You don’t have to get or relate to everything in the show, that doesn’t mean no one else will. It is NOT a bury your gays trope when literally everyone in the show is gay. You can dislike a show or a plot point or a character without calling everything homophobic.

Grow the fuck up honestly.

#our flag means death #blackbonnet #izzy hands #edward teach #stede bonnet #jim jimenez #olu x jim x archie #ofmd #ofmd s2

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artiststarme · 7 months

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A Grudge Be Held

Based on an enabling comment from @estrellami-1. Hope you guys like it and please leave me your opinions in the comments!

~*~*~*~

There are a few well known facts in the universe; the earth revolves around the sun, George Michael is gay, Tim Curry has sexy legs, and Eddie Munson holds grudges.

It wasn’t because he was a bad person or because he thought people were inherently bad, he’d just been through too much to waste his time on people that had already wronged him. He didn’t give more than one chance and if they fucked that up, well, they didn’t deserve another one.

He was usually lenient on what constituted a grudge to be held. Unless someone did something directly to him or someone he cared about, it didn’t really bother him and they certainly didn’t make his list. His parents were on there (because why wouldn’t they be?), Mrs. O’Donnell was on there because he was positive at least one of his failed senior years was due to her having a bone to pick with him, and Principal Higgins was on there too because fuck that guy.

Tommy Hagan was on the list because of a rumor started that made life hard for Eddie for awhile (it was true but needless to share), Jason Carver was on there now for starting a mob trying to kill him, and Billy Hargrove earned a spot for being an asshole to anything that moved.

A person that many people were surprised wasn’t on the list was Steve Harrington. The DnD party was shocked when they heard King Steve wasn’t an object of resentment in Eddie. But he’d never done anything out of malice to Eddie specifically. Where others saw confidence and pride, Eddie looked at a lonely and broken teen that was willing to do anything to fit in. He couldn’t hate him for that. And the time where Steve stood up for Eddie against Billy Hargrove at a drug deal gone wrong forever cemented him as a good guy in Eddie’s eyes.

After his experience with the Upside Down, psychic murders, and overall shitshow that was his Spring Break, Eddie and Steve got closer. Steve coerced everyone of authority to clear Eddie’s name with help from Robin, Nancy, and the passed Chief Hopper that apparently wasn’t actually dead. He housed Eddie and Wayne until they could find a new trailer that they could afford. Then he spent every waking moment making sure Eddie was alright and included as part of the group. In laymen’s terms, Steve saved his life.

So in true Eddie fashion, he made the internal dramatic decision that he would hold grudges on Steve’s behalf. He would be a guard dog of sorts, protecting and defending the love of his life his friend. What he didn’t consider was how difficult the task would be.

Through a new lens, Eddie saw that everyone walked all over Steve. The cashiers at the grocery store blatantly charged him extra, the customers at Family Video talked over him nearly every sentence in response to questions they asked, and teens on the street laughed at the scars in their view. Worse of all though, the Party didn’t respect him. Dustin and Mike told him several times a day how stupid he was, Nancy looked at him in pity and shut down all of his opinions, Lucas talked about not having sports in common with anyone right in front of him, and Robin kept blowing off their plans to hang with Vickie.

Through it all, Steve appeared fine. He smiled and nodded in all the right places but as soon as he thought the eyes moved on, his smile would slip to reveal something sadder. And so Eddie’s vengeance began.

He “accidentally” knocked over sales racks near the registers in the grocery store when they charged an extra $2 for milk. He keyed the cars of the teenagers that laughed at the evidence of Steve’s pain. When he saw Officer Callahan yacking at Steve for speeding, he picked up a dozen eggs and pelted the man’s house in revenge.

Dealing with the kids in the Party was trickier. His glares and barbed comebacks were clear enough for Nancy and Robin to change their ways. The kids though just weren’t observant enough to pick up on the clues Eddie tried to drop. One session of a campaign though, the perfect opportunity presented itself.

“I didn’t know there were dragons in the game. If you losers had told me there were dragons, I might’ve considered playing ages ago!” Steve exclaimed from his seat on the couch, intrigued eyes meeting Eddie’s.

Eddie smirked at him. “Oh yeah, Big Boy. You should know by now that I’m full of surprises.”

Steve blushed a little bit but as he went to respond, Mike interrupted. “Steve, you’re not even playing. You shouldn’t even be here much less interrupting the game!”

Steve’s flush turned pale and he shrunk into himself. “Sorry, I didn’t mean to interrupt. I can just uh, I can go. I’ll see you guys later.”

As he moved to get up though, Eddie stood and towered over the table.

“Wait Steve, you’re gonna want to see this part.” He glowered at Mike and rasped his voice to transition back to DM’ing. “A comet flies from the dragon’s cavern and lands on Sir Madeon. Roll for damage.”

“What the hell! No, you can’t do that!” Mike stammered with a dropped jaw.

“I just did, pipsqueak. Roll for damage or die trying.”

“14,” Mike muttered. He glared at Eddie then Steve before pouting in his seat.

“The comet is too large to escape from. Sir Madeon tries to run but he’s not fast enough to avoid the flying stone. It lands on his back in a fiery crumble. The intense heat eats through his flesh, bones, and organs at once leaving only his head and limbs intact, scattered amongst the rest of the Party. He dies a horrendous death and his friends are left alone with only the smell of charred remains to remember him by.” Eddie ends his tirade with a quirked eyebrow. That’ll show these little assholes what happens when they mess with him. A quick glance at Steve shows him excitement and surprise, he absolutely was not expecting that.

“What the fuck. This is supposed to be PG,” Dustin stares at Eddie in horror. “You really just killed a character in the middle of a campaign for Steve?”

“Roll stealth and damage.” Eddie tells him deadpan.

“God-fucking-dammit! Eddie, no, please…”

“Roll or face the consequences!”

“3 stealth, Nat-20 damage,” Dustin whispered with his face in his hands. The other kids watch Eddie in a mixture of confusion and aghastment. But Steve is beaming, teeth shining from ear to ear.

“The dragon hears your cries of grief and turns its burly head towards you. Its glimmering eyes reach the you and the rest of the Party and you see its scaled lips open in a human like smile. With a speed you could never have anticipated, it slithers toward you before standing on muscled hind legs and flapping its leathery wings. Its lips curl around a blue flame. The last thing you feel is a flash of ice before you see no more.

Your friends see you disappear into a pile of ash, the heat of the flame too powerful to escape. The dragon whips its tail towards the party while they stare at where you used to stand. Will the Wise can’t even list his magical staff before the weight of the tail crushes him to the ground in a pile of shattered bones and bloody sinnew.

Luther is impaled by one of the dragon’s back spikes and killed immediately. The light in his eyes fades and all he sees is a figure with a crown waving at him in the distance. Prince Stephen and his pet dragon prosper in the face of their trespassing adversaries once again but the only witnesses to the horror are erased from the Earth.”

The boys stare at him in shock while he arranges his papers and stands. “The end. Steve and I are going to the movies. You bitchasses aren’t invited and if you’re even a little bit nasty to Steve again, I’ll pulverize you in real life just like I killed you in the campaign. Think on that.”

With that, Eddie grabs the hand of a stunned Steve and drags him from the Wheeler’s basement. After that debacle, he’s sure that the kids have gotten their point. And now he’s got a movie to see with his main man.

(The kids absolutely get his point and moving forward are a lot nicer to Steve. And a little scared of how Eddie’s mind works.

Eddie holds a grudge against the kids for months and will still reference their comments when he sees fit for the rest of their lives or at least the rest of his.

And Steve? He starts dating his DM in shining armor a mere two hours later.)

My Permanent Tag List: @doubleb11 @nburkhardt @zerokrox-blog @newtstabber @i-less-than-three-you @carlyv @pyrohonk @sherlock15 @conversesweetheart @estrellami-1 @suddenlyinlove @yikes-a-bee @swimmingbirdrunningrock @perseus-notjackson @anaibis @merricatty @maya-custodios-dionach @grtwdsmwhr @manda-panda-monium @lumoschildextra @goodolefashionedloverboi @mentallyundone @awkwardgravity1 @devondespresso @gregre369 @mysticcrownshipper @disasterlia @lillys-weird-world @messrs-weasley @orangesunsets12 @awkotaco24 @pukner @strangerthingfanfic @dangdirtydemons @bookworm0690 @hannahhook7744 @dreamlandforever @marsbars97 @precursorandthedragon @romanticdestruction @5ammi90 @death-thee-nervousqueer @panicatthediaz @justforthedead89 @futuristicnachostranger @breadboi66 @fandommaniac123

#I would like to mention that I’ve never played DnD lol #stranger things #steddie #steve harrington #eddie munson #fanfic #dungeons and dragons #dustin henderson #mike wheeler #lucas sinclair #robin buckley #nancy wheeler

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patricia-taxxon · 7 months

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the discussion of "good representation" kind of falls apart when talking about media made by and for the group being represented. like, echo has a bunch of evil horrible gay people that (deliberately?) play on homophobic tropes and archetypes, but its for gay men. asking whether its "good queer representation" or not just doesn't make any sense, representation for who?

i am not the first person to say this (i am paraphrasing thoughts ive seen elsewhere) but i wanna apply this lens to the idea of "glamorizing" mental illness/disability/trauma or whatever. like, on this blog ive been known to make it seem a little cute to be an autistic child who was treated like a dog growing up, and i haven't felt the need to tack on disclaimers about how much my disability & the resulting abuse has ruined my fucking life lest i accidentally glorify or commodify my own mental illnesses. but like, glorifying to who? judging from the engagement i get, statistically, you're all autistic puppies as well.

i do kinda get it, i receive comments from autistic people who specifically hate that i make autism cute, that i made my abuse cute. like its disrespectful, i'm making light of it, i'm turning it into a vibe, an aesthetic. i disagree. i don't want to make autism appealing to neurotypical people, i want to make it appealing to myself.

#cilantromixture #mini essay

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buckttommy · 23 days

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recontextualizing this story through the lens of buck/eddie and what it means for them, is like. it's so interesting because recently, i got an anon that asked me (paraphrasing) if i thought 9-1-1 would actually "go there" with buck and eddie as individuals, and that three main characters discovering their queerness would be "too much" for the general audience. and, like, not withstanding that it's actually true to life — that queer people can and do naturally gravitate toward each other even when we aren't out / passing / aware of our sexualities at the time — it's also just like. the belief (or disbelief) that 911 wouldn't "go there" with their stories also comes with this inherent assumption that there's only one way to tell a queer discovery story.

like. when michael came out in season 1, he was already at the end of his journey. he had already walked through the self-hate and forced closeting and came out on the other side to self acceptance. when we meet michael, he is a queer man, a gay man (because the word is important), who has already stepped into self actualization and is ready to live his truth. this is not the story 911 is telling with buck.

and then with eddie, you have this character that is introduced with the idea of being perfect, as ryan said, of having it all together, only for the audience to realize he's not. only for the audience to realize that he's broken and cracked on the inside and that a lot of it stems from war. but most of it? most of it doesn't. most of it stems from his father, and from how he was raised. raised to shut it down, to swallow things whole even if they hurt, even if they make him bleed. he was told to keep it all quiet, repress repress repress. and so. i know this is an unpopular opinion, but to that end, i don't think an explicit queer discovery storyline is necessary for him, in the sense that, subtextually, i think it's already happened. season 5 was very much eddie's unrepression arc. we dug deep into the things that make eddie diaz, eddie diaz. and a lot of that was war. violence. chaos."warzones are my thing." but if that was all that his arc was meant to be, why have it end with a conversation with his father? they could have played that arc out in so many different ways.

for one, they could have had mills still be alive. they could have had her and eddie reconnect. they could have had her and eddie have a conversation where she shoulders some of the weight that eddie's been putting on himself and have him settle into the peace of the realization that he's not alone in this specific thing, that he never has been, that other people survived what he did and that he can find solace in them. but the writers didn't do that. they took it back to his childhood, to the root of where eddie diaz began and they said, this is where you need to go. this is what you need to address before you can heal and move on. so that conversation with his dad that culminated in him choosing wellness, in him choosing happiness, in him choosing safety in his body for himself has very much always read to me as queer acceptance even if not explicit (due to the assumed barriers that were placed on that story at the time).

eddie has always been with women, eddie has always liked being with women, so i'd be shocked if he's ever even thought about the nuances of his sexuality. but his unrepression in season 5, to me, has always made him open to the possibility of falling into whatever comes next, whatever that looks like.

this is also not the story they're telling with buck.

(as a side note, i'd just like to say that queer subtext is still queer existence. subtext is how our stories have been told for generations, well before we were able to take up space on the page, and subtext is still a wholly valid and beautiful way of telling a queer story. please don't forget that).

so then, finally, we get to buck, and he's so very new at this. so very green he may as well be a blade of grass on a country club golf course. and so, despite the fact that there have already been two queer storylines prior, this is the first time in 9-1-1 (and tv!) history, that we have ever gotten to see an unplanned queer character discover who he is at this intimate, detailed level. we get to see buck's story unfold in real time, we get to learn about who this actualized version of himself is, as he is realizing it, and we get to know and dissect the layers and nuances, the ebbs and flows of his sexuality as he's taking himself apart and seeing what's underneath.

friends. this is the story they've always needed to tell.

and so, when i think about buck and eddie, and i think about their progression toward a romantic relationship and what that would look like, realistically and in the eyes of the audience, buck has really always been the missing key. we've talked about it before — who he is, who he was, has in no way been ready for eddie on multiple levels. whether it was because of his insecurity, his lack of place in the world, etc, buck has always been (for lack of a better word) too immature for eddie. eddie is a single father. he doesn't have time to play games, and though he will always love and reassure buck when he needs it, he doesn't have time to heal buck for him. nor should he. so buck was the only one who canonically, canonically, needed to be yanked from point a to point z.

and. it's like everyone's said, even before the season began — buck has been on a hamster wheel, buck has been stuck in a rut, yadda yadda yadda, which means that, as far as the audience was concerned, what always was for buck (women) is what always would have been. and there was nothing in canon, nothing concrete to disprove them from believing so. so we needed him to fall into something, not just radical, but sometime new.

and when i think about buck, and when i think about eddie, and when i think about their stories both as individuals and together, buck has, realistically, been the only real stopping point. at least with eddie, when the time is right and buck/eddie go canon, we, the audience, can go back in time and we can look at the way he came into himself and settled into his identity as a person, as a man, and say, like, oh okay, this is the moment. you know? we don't need the writers to take our hands and guide us through the same processes buck is experiencing because eddie's already had his ah moment, he's already experienced the moment where he decides that his life and his needs and his joy and his liberation are just as beautiful and valuable and worthy like everyone else's.

so when people ask, like, "would 9-1-1 really go there with three queer discovery arcs?" it's just like. well yes. they already have. we've already there. in fact, we're well into the third and final act. buck, eddie, and the audience, are almost ready — as in, actively ready — for each other. and yes, sure, even after the meat of this arc has passed, there will still be some things buck and eddie need to learn — specifically, they will need to learn that, not only do they have feelings for each other, but that feelings for each other is actually an option — but. for all intents and purposes, this is the crescendo before the final chord. this is it. and the thought that we've been here, that we've witnessed these three beautiful queer storylines unfold with these three beautiful characters (two of which are gentle, loving, present men of color) makes me entirely too emotional for words. tbh.

#what 9-1-1 is doing ... what they have done — despite this long ass post — it goes beyond articulation. it really does.#to comprehend that we are standing on the precipice of something so uniquely raw and life-changing in the way queer stories are told — it #doesn't get much better...more surreal than this. i know it's been said but the level of care and intention that has gone into telling these #stories is in itself a rarity. and the fact that we get to witness it — that we get to spend this time together — with a cast and crew that #loves these stories and loves these characters as much if not more than we do? its powerful as hell. what a surreal experience this has been #thinking many thoughts and crying many tears #tv: 911 #jack.txt #meta #long post

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absolutebl · 10 months

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Genuine Question: Given how much people hate problematic topics in BL eg: kp, mame, love syndrome, etc. why is everyone so damn excited about Only Friends? Like we know nothing about the show. It's GMMTV so how sexy is it going to get? you know, like it's GMMTV. I like the cast as much as anyone and particularly FirstKhao but I don't see this 'sexiness' everyone is going so crazy over? Is it some bts thing like I know the director is jojo and he's gay. Is that why everyone so excited? Is it because we just haven't gotten anything really brilliant this year that gets the whole BL fandom together and that's why people are hoping this will, is that what's going on? I like everyone involved well enough but 'sexy', 'crazy', 'problematic', 'high heat'... I don't get it.

Only Friends & Jojo

Genuine answer.

Okay so this question got me invested enough to get off the phone, over to the laptop, and onto hotel wifi, which means typos rather than dictation homophones, but there it is.

I guess what I am saying it...

mistakes will be made

From the tenor of your question methinks you have not watched Friend Zone? It's a 2 part series. Mostly messy hets but...

Also a TON of broad spectrum queer rep (lesbian, bi, ace, demi). Real queers, not sanitized for straight consumption.

Because yeah, GMMTV will get messy and go into higher heat levels in a late night way (not in a KP way).

But actually what has most people excited about Only Friends is it being sourced in this man:

Jojo Tichakorn Phukhaotong

Jojo is a screenwriter (originals) and director, openly gay, multifaceted and a little experimental, naturally talented (on the job trained - he's an archaeologist originally), and he is behind:

The Warp Effect, Friend Zone and MOST importantly (IMHO)...

3 Will Be Free

There are others too, but for the purposes of this post, those are the 3 that count. I think of him a little as the GMMTV director version of Ohm's acting.

Jojo specializes in:

ensemble pieces,

good chemistry (NOT necessarily high heat, so by this I mean actor chemistry with each other all around - couples, cast, team, production)

working with and finding actors within GMMTV's stable who work well together (even if that means busting up a pair),

a queer lens,

queer rep,

and often very messy story (as in he is not invested in the traditional beats of a romance, let alone a BL).

AND he can shoot action (this is a specific skill set for directors and it's NOT easy),

thus he will shoot his sex/intimacy & COMEDY scenes as if they WERE action sequences.

This makes his stuff particularly exciting to watch. It's dynamic, there's a lot of movement, the eye is caught and dragged places. He doesn't use dirty/peekaboo framing or central aperture or manga style (not with INTENT the way trained directors do). In fact he does none of those things I harp on about because I like the romance stuff.

He's not being clever with us. He's being honest, but still applying skill. His stuff not quite raw, but also not really directed. You can tell he gives his actors a script, throws them together and then instructs them to just BE THOSE CHARACTERS. He has a light touch, he trusts them. He's not fussy or nit-picky. He's not doing a million takes to get that sene exactly how he envisions it. His ensemble pieces are just that, group projects.

His eye is wide, even for intimacy, by which I mean: he controls and watches for multiple actors at once when there are a lot of them on screen together, without them feeling stiff.

His style is quite organic but not too gritty.

Struggling to understand what I mean?

For example, watch a Jojo "group of friends chatting" scene where everyone is just standing around then watch the same thing in, say, SCOY. You'll see what I mean. SCOY is also a very queer ensemble piece, but it will feel quite stiff, unnatural, and "planned" (staged) by comparison.

For the giffers out there you might notice that Jojo's stuff is particularly difficult to gif cleanly? This is why.

I find him an exciting director. I didn't cover him in my directors overview because at the time he hadn't done much BL (and frankly, he still hasn't). It's not his focus.

I think Only Friends is actually not likely to be very BL. Queer = yes, BL = NO. He won't hit the tropes and there is no reason to assume it will end happily for all couples (if any). That's not Jojo's point of view.

He doesn't play our game. As a result, some of those excited by the idea of this show (or excited the general enthusiasm & anticipation around it), may be doomed to disappointment.

It's one of the reasons you don't see me getting excited about it.

I'm a fan of specifically the fluffy side of BL, this will NOT be that. And I can appreciate a director without necessarily liking the stories he tells.

I am industry enough to acknowledge Jojo's skill (and I LOVE 3 Will Be Free - just not as a BL), but I don't always like his narratives. No matter how good he is, his stuff is not why I personally watch Thai BL.

It's GMMTV, so how sexy is it going to get?

Again, see Friend Zone. GMMTV has a late night pantheon, mostly for het, but they will get salacious. Lots of cheating and terrible decisions. There will be no archetypes. Characters will exist in grey areas, even the "good" characters. There will be no paladins in this show. No seme/uke.

To answer this frankly?

Only Friends will get soap opera or telenovella sexy but no more. So we will be in Midnight Chicken territory, not Bed Friends.

I think the words being bandied about:

'sexy', 'crazy', 'problematic', 'high heat'

are used here on tumblr (and in fandom) as an attempt to articulate expectations set up by Jojo's style.

Most viewers only react emotionally to the tenor of a director with this set of skills. That's fine, that's what the production company wants: A visceral emotional reaction.

But I hope I've managed to clarify from a film-critic perspective what's bringing this sensation about?

But ALSO seeing a bunch of, essentially, lower heat pure BL pairs, have to push themselves into messy queer spaces? (Notice GMMTV only let the more established actors into this one? No JoongDunk, no GeminiFourth)

This is probably really what everyone is excited about.

They are gonna see their favorites cheat, sleep around, be gay (not BL gay, but actual gay). Some are legitimately excited about this, some are shipper excited, and the BL-stans who don't know Jojo are doomed to disappointment.

I'm mostly excited by how messy this is gonna make the fandom.

Su su na.

(source)

#only friends the series #forthcoming bl #watch ABL eat crow #bl director #bl film ciritc #bl analysis #industry insider #messy gay #bl fandom #upcoming bl #2023 bl #khaotung thanawat #firstkhao #GMMTV #friend zone 2 #3 Will Be Free #The Warp Effect #Jojo Tichakorn Phukhaotong

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rabdoidal · 4 months

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actually im gonna use tumblr like my D&D diary for a sec. i think exploring religious trauma in D&D is tired and exploring religious joy is wired - my cleric cassandra has been raised in one religion her whole life, and i don't think she hates it at all, but i do love the idea of her exploring her options and learning about other gods and deities on her journey! because maybe one is better for her, or maybe she can still worship chauntea thru the lens of someone with more experience, ykno? its not the religion that fucks her up, its her lonely home town and strict upbringing. the earthmother honestly couldnt care less if shes trans or gay or terrified of bumps in the night, she cares about work - dirt under your nails, bristle brushes scrubbing bones, chlorophyl stains in the linen, hands breaking bread for other hands. cassie likes work, likes hands - but likes her own pace. maybe theres someone else above that actually responds when she prays, or maybe the earthmother answers in a way she can't get.

#personal #cassandra crescent

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evilbeepthemeep · 5 months

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You know after watching James Somerton's dog shit Killing Stalking vid, I don't know how people didn't notice the racism.

He literally just analysed it from a western culture lens and divorced it from the culture it did come from.

As well as refusing to do any research into why it's classed as a romance. Pretending that straight women and the publishers were behind the categorisation of it as a romance. When it was marketed as a Boy's Love manhwa in its native country of South Korea. Meaning the whole point was you are meant to ship the characters together. Plus Boy's Love is a genre for a majority female audience. Who are mostly queer in some way.

He also complained about the sex scenes. Like the sex is there for people to get off to. Because even porn can have artistic merit and be a horror story. Sex and horror go hand in hand after all.

The most egregious thing was him bringing up an interview Koogi did in 2018 while KS was still being serialised to prove it wasn't a love story. Completely ignoring a different interview she did in 2019 once the story was over to confirm Sangwoo loved Bum.

Throughout that god-forsaken video he kept mispronouncing the characters names. Like he kept calling Bum things like bomb and balm while also always calling him Yoonbum, when Yoon is actually his family name and Bum is given name. And forever saying Sangwo instead of Sangwoo unless I'm wrong about that but I doubt it.

His anti Asian racism is so fucking blatant the only reason people didn't fucking say anything because it was hating on a comic that they disliked for being queer in the wrong way.

So if you did like James Somerton and didn't notice the racism, please check your biases. Talk to those of us who are into BL as a genre and actually listen to us when we say it's not straight girls fetishising gay men. It's usually queer people who enjoy our media to be different from what the West has to offer. Most of us aren't white either.

And if you liked the Untamed, I'm sad to break it to you but that was also a BL novel written by a woman who wrote kinky gay sex.

#james somerton #hbomberguy #killing stalking

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