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#its being scientifically investigated
diavolosboobies · 1 year
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Obey Me Characters: Can they Cook? HCs
Lucifer: Yes, but. Somethings off. It's perfect but you can't put your finger on why it feels wrong. Like being somewhere you aren't supposed to. Something isn't right. You probably shouldn't eat it.
Mammon: Surprisingly, yes. It tastes microwaved but the food is genuine and you can see he really tried
Leviathan: No. That's it. No. He eats cup noodles and pizza, of course he can't cook. His food tastes like it was dunked in fish water and microwaved for 30 minutes
Asmodeus: WHY IS IT STILL PINK??? He cooks based off aesthetic and not rationality. Salmonella sounds cute until you get it.
Beelzebub: Yes! He's actually really good! He'll slave away for hours just to make a meal he'll eat in thirty seconds but yes! Stan Bee
Belphegor: No.
Satan: Maybe? It's subjective. He cooks like a broke college student though. He can make grilled cheese, Homemade pizza and stir fry for special occasions, that's IT.
Diavolo: Eh. He's a big himbo he tries but most of the time it's a half decent dish and he slapped cheese and ketchup on it to make it better. Have Hells Kitchen on standby
Barbie-Toes: Yes, it's kinda his job. Safe to say he's throwing down in that kitchen. He will go into attack mode if he sees you with 'mundane food'. Eat your chicken mushroom puree and pasta with fra diavolo right now >:( He'll wait
Simeon: He's better at baking. He's an amazing baker but is ok when it comes to anything that isnt a roast or slow cooked. Otherwise it's pretty good
Solomon: Now you know damn well. If you call a house fire cooking, you've come to the right place. Please evacuate the premises IMMEDIATELY. He cooks like he's making potions. You will find roaches and newt eyes in your marsala. That's if you extinguish the flames first. This was the beef Barbatos had with him. I'd beef too if I found something squishing and swimming around in my casserole.
Luke: Can bake like Simeon. Just can't cook. He's like 8 what do you expect. He's also the reason the og paws event exists, he's not let off the hook 😤
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jacks347 · 3 months
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I have a feeling that Babe was really nervous about integrating into the pack since they were unempowered and (depending on if you think Angel came before them or not) was the first unempowered mate or was the newest unempowered mate.
So how did they cope with this? By having a notebook full of all the little things they learned about the pack and its mates.
Pages are scattered and random, just scribbled notes whenever they hear something.
For example:
Sweetheart knows...at least two languages. Maybe more. Further testing required. Spanish was expected. Korean was not.
Pretty sure Sam only owns flannels. Definitely sure that it drives Milo crazy.
Darlin used to have a smoking habit. Doesn't like to talk about it. Probably something to do with Quinn. Still coughs like a smoker though. And carries a lighter.
David chews on his lip when he's thinking, bites his nails when nervous. Remember the difference.
Milo owns a cat!! Calls him Aggro, no idea if that's his full name or just a nickname.
Darlin does tricks with their lighter when bored. Stresses David out, thinks they're going to catch a spark on their jacket and light themself on fire. To his credit, I wouldn't be surprised if that did happen.
Angel is the last to fall asleep at sleepovers. How they stay up until 3 AM then wake up at 8 being fully refreshed is worth scientific testing.
Sweetheart makes the most intense eye contact. Probably part of their investigator training but it's a little scary.
Milo judges everyone's outfit whenever they enter the room. Every time. Quick flick up and down. Head tilt if he approves. Eyebrow twitch if he doesn't.
Sam's house has no pictures of him from before the turn?? Is that a normal thing for vampires??
Angel doesn't know how to sit in a chair normally. Shocked they don't break something with some of their positions.
My babe is smart and beautiful an
ASHER STOP MESSING WITH MY NOTEBOOK
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reasonsforhope · 5 months
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"Parents of tweens will likely be aware of the daily battle over when to give their child a smartphone. They are probably forced into discussing it over breakfast, on the school run, at bedtime – after all, no kid wants to be left out if their friends all have one.
Which is why a town in Ireland came together to devise a solution.
Parents and teachers in Greystones, County Wicklow, launched a town-wide ‘no-smartphone code’ in May, when headteachers from the town’s eight primary schools wrote to parents asking them to sign up to the ban. By coming together en masse, the thinking went, parents could do away with the peer pressure around smartphone ownership.
Now, ministers in the Irish cabinet have approved new guidelines on the banning of smartphones in school, which were brought by education minister Norma Foley on 7 November. The proposals would help parents to collectively implement smartphone bans, with government support. Ministers are also considering outlawing the sale of smartphones to all children of primary school age.
“We can already see smartphones creeping into our primary schools,” explained Rachel Harper, headteacher at St. Patrick’s school, which led on the initiative. “Parents, even at the junior end, were already getting worried about what age their kids were going to be asking for smartphones.”
Parental concerns around the dangers of smartphones are justified, according to the latest scientific research. In 2020, a systematic review of academic studies investigating smartphones, social media use and youth mental health found that, in the last 10 years, mental distress and treatment for mental health conditions had risen in parallel with the use of smartphones by children and adolescents...
There’s also a desire, said Christina Capatina, a Greystones parent whose daughters are aged 11 and nine, to prioritise face-to-face interactions over digital ones for as long as possible. “Childhood is getting shorter,” she said. “It’s really important for them to be in a place where they can be happy and enjoy being out, just being children.”
Parents in Greystones are now empowered to hold off giving their kids access to the devices until the age of 12, when they transition to secondary school in Ireland.
Eight months since the ban came in, what has its impact been? “It has completely solved the problem,” said Capatina. “Instead of having long conversations about it, this is so simple.”
The code is voluntary, so some parents have chosen not to take part, but enough have signed up to create a sense of phoneless-ness being the norm. While some in the media have argued that the code demonises technology, Harper refutes this: “We’re not against technology. We’re not against phones. We’re just simply asking them to wait till secondary school.” [Again, that's age 12 in Ireland.]
She said the launch of their no-smartphone code led to school principals all over the world getting in touch with messages of support, an indication it seems of how universal parents’ fears over childhood smartphone use are.
And with ministers now working on guidelines for communities that wish to follow in Greystones’ footsteps, Harper is proud of all she and fellow parents have achieved. “It’s nice to be an ambassador in a positive way,” she said.
-via Positive.News, November 17, 2023
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theetherealbloom · 6 months
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WHERE DO WE GO NOW? - CH. 1 | 14th Doctor
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Chapter One: After All Of The Time, And Give An Actual Try
Summary: An enigmatic old face makes a reappearance, heralding unforeseen events. A mysterious spaceship plummets to Earth, bringing chaos and prompting the Doctor's intervention. Amidst the unfolding narrative, a cute and endearing creature seeks assistance, weaving together elements of mystery, adventure, and companionship.
Pairing: 14th Doctor x Fem!Reader
Warnings: Hurt-to-Comfort, Angst, Fluff, Possible Plot Holes, Vague Background, Aliens, Mild Horror, Violence, Past Trauma, Depression, Anxiety, Timey-Wimey Stuff, Star-Crossed Lovers, Second Chance 
Word Count: 12.2k
A/N: Surprise! I love Doctor Who too. I’m a huge nerd, I know tehe. I hope you enjoy this mini-series I have planned for the 14th Doctor! As we know, he is played by the beloved David Tennant who is one of my favorite Doctors ever.
Song: Where do we go now? By Gracie Abrams
→ Next Chapter | Series Masterlist | Main Masterlist
Dividers by @/saradika-graphics
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MILLSON WAGNER STEELWORKS, NORTH LONDON – EVENING, DECEMBER 2023
A UNIT team was promptly dispatched as the spaceship breached Earth's atmosphere, making its way North of London. Both serving as scientific advisors, you and Shirley were on-site where the ship had landed.
While some military personnel were busy extinguishing the flames from the spacecraft and securing the perimeter, preventing you from delving further into the investigation, you found yourself engrossed in studying the ship's scans displayed on the monitor in your hands, attempting to unravel the mystery.
"Miss them, do you?" A voice called out from behind.
You averted your gaze from the tablet, turning to find Shirley maneuvering her wheelchair next to you. Curious, you asked, "What? Who?"
The redhead sported a cheeky smile. "The Doctor, of course."
It was widely known that you had journeyed alongside the Doctor and his myriad companions. Images of their faces flashed in your mind as you reminisced about those exciting adventures. Rose, Donna, the Ponds, Clara... you longed for them. There was a noticeable absence of the Doctor that left a gaping black hole in your chest.
You shook your head, muttering to yourself, "Can't let the Doctor catch a glimpse of me again; the entire universe might just fold in on itself once more. Already me being here is a problem since there’s a possibility he could pop out at any moment. I’m only on duty since I owe Kate a favor."
Shirley hums and responds, "I've read the files, you know. You two were quite the team. Everything that had happened… was in the wrong place at the right time. Still, it could happen, the two of you… together."
You raise your eyebrows at her and offer a small smile while shaking your head, scoffing, "The Doctor was unaware before, and I won't be the catalyst for another cosmic meltdown due to my selfish reasons. Besides... the Doctor doesn’t know I’m still alive and UNIT is already on my arse for even existing on this timeline.”
The redhead emits a sympathetic murmur and pats the side of your thigh, "Wasn't your fault, love. A colossal tear in time and space that dragged you in here... sounds like fate, or destiny even. If anything, maybe it was supposed to happen... like you and—"
The tablet beeps, abruptly halting Shirley's train of thought. You glance at the monitor, furrowing your brow, then hand over the device to her, saying, "You need to see this. I believe there's more to this than we initially thought."
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“Now I think we’re making a fundamental mistake. ‘Cause maybe that spaceship was a collision course to start with, but look.” Shirley says while the UNIT soldier looks at the tablet, “At the last minute, it pulls up, then settles. What I’m sayin’ is, that ship didn’t crash. It parked.”
As Shirley presents her observations to the UNIT soldier, you can't help but notice the intensity in her gaze, the lines of concentration etched across her forehead. The soldier queries, "No signs of life?" You step forward, interjecting, "Not yet. But we don't know what kind of life we're looking for."
Suddenly, an unexplained shiver races up your spine, goosebumps breaking out on your skin. A palpable sense of familiarity and the eerie feeling of being observed by someone you know too well. Your expression shifts into a frown, and Shirley catches on, concern knitting her brows. "What? What's wrong?" she asks.
You open your mouth but hesitate, exchanging glances with Shirley and the UNIT soldier. Shirley, sensing the urgency, instructs the soldier to step aside. Both of you retreat to a secluded corner, where she probes, "What happened? You look like you've seen a ghost, dear."
You exhale shakily, "I... I think he's here. He's back."
Shirley blinks, seeking clarification, "You mean..."
"The Doctor. The Doctor, he’s here."
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"Shirley, I need to leave, immediately," you declare, attempting to stride away with urgency.
"Wait, hang on a second," Shirley interjects, gripping your wrist and compelling you to halt. "He's already seen you, yeah? Looks like nothing bad has happened and—"
"Nothing bad has happened yet, Shirley. The stars could go out; millions of galactic species could die if we so much as breathe in each other's direction. I can't risk it. I won't."
Tears well up, and Shirley guides you to a stop near one of the staircases, settling herself in her wheelchair. As you take a seat, you rub both hands over your face, wiping away the tears. "I should have died that day."
Shirley remains silent, allowing you to continue as you shakily sob, "I should have died. But I didn't, and I'm still here."
"I lied to him, Shirley. I lied. He... he might never forgive me for it," you confess brokenly. Shirley shrugs, offering, "You won't know unless you talk. And it seems to me that whatever was keepin’ you apart before… is tellin’ you two maybe now is the right place at the right time."
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Deep in contemplation of your choices, someone suddenly seizes your wrist, muffling your voice as they pull you close, your body pressed against a comforting warmth.
"Hey, it's me. It's the Doctor," he reassures, and you instinctively push away, allowing some distance between you two. Both of you stand there panting, but he breaks the silence first, shouting, "I thought you were dead!"
Throwing the words back at him, you retort, "I was supposed to be dead!"
"Why aren't you dead?" he demands, and frustration laces your high-pitched response, "Are you bloody serious in asking me that?”
 “No. Yes! Argh, I don't know!"
Shaking your head and taking a step back, you declare, "I need to leave."
The Doctor firmly grabs your wrist, halting your escape. "No. Not again."
With determination, you wrench your wrist from his strong hold, shouting, "The universe could collapse! Again! We weren't ever supposed to meet. It was a mistake."
Wide-eyed, the Doctor gazes at you and replies in a breathy tone, "Is that really what you think?"
Paused, unable to respond, you hear his voice in your head, a telepathic whisper so familiar. "You and I both know, that it wasn't a mistake."
Glaring at him, you muster as much resistance as possible, but those big dark brown eyes make it challenging. "That's not fair. Get out of my head," you retort with furrowed brows.
The Doctor whispers your name, barely audible, causing you to flinch and look away. Instead of acknowledging his presence, you pivot to a question, "You regenerated… But why this face? Why are you back?"
"Why do you ask? You don't like this one?" he retorts.
Crossing your arms, you roll your eyes, "With you, there's always a reason for everything."
The Doctor admits, "Must be why the TARDIS brought me to you and Donna."
You regard him with a concerned gaze and tone, "What? You saw Donna, did she recognize or remember you?"
"The fail-safe worked; she just commented about my clothes. She has a daughter named Rose," the Doctor hums, kicking a small piece of gravel on the floor. You nod, "Yeah, I keep tabs on 'em. Making sure they're alright. Even though Donna gave all that money away to charity."
"Do you know why she did it?" The Doctor asks.
"I don't. But I have a couple of guesses," you reply with a close-lipped smile and a shrug. The Doctor brings his gaze to you, and you can already feel the question before he says it.
"I thought you were dead, for fifteen years."
You scoff, "Oh, that's nothing for you, Time Lord and all."
The Doctor throws his hands up in frustration, "Oh, don't do that."
"Do what?" you demand.
"Pretend that it was nothing for me! You were everything to me," the Doctor says, taking another step closer, and you take a step back this time. You look at him with narrowed eyes, and in a low tone, you say, "You and I both know that's not true."
"What happened? Where did you go?"
"You and I both know what happened after Arcadia. I was ready to die. I thought I had served my purpose, what I was made for. I got shot midway through the regeneration process, and I felt it. I felt myself slipping away... I could only see the two suns, and then when I closed my eyes, there was this surge of energy... I couldn't explain it back then, and I can't now. But it was like someone had given me their regeneration energy... but when I looked around, no one was there, and I was no longer on Gallifrey."
The Doctor finishes the sentence for you, "You were brought to Earth."
You nod, "I still have no idea who did it. But now, I can't leave. And all those years, my memories were locked away in that old pocket watch until I met you... and then the stars started to go out once more, and I knew I had no choice… I couldn't stay with you."
"All those years... you were alone, just like me," the Doctor says, and you look away before sitting atop one of the crates by the pillar, sighing, "I need to leave again... planets could disappear and galaxies could collapse at any second, and we'd be back where we started."
The Doctor remains silent as you close your eyes, resting your head on one of the stacked crates behind you. You yearn for him. Every atom in your being longs for his presence, yet every angle you examine seems to present an unsolvable puzzle. Thus, you convince yourself that distancing is the best course for everyone involved. How does one repay a sacrifice of such magnitude?
Then, you detect his approaching footsteps, and he settles comfortably beside you, shoulders brushing as he leans in. "Or... we could finally figure out a way to solve the paradox."
Opening your eyes, you shoot him a pointed look. "Doctor, we're in the middle of yet another crisis. A spaceship just landed, and we have no bloody clue who the hell we're dealing with right now. And you want to solve the impossible with our situation?"
"Who says I can't multitask?" he retorts, wiggling his eyebrows playfully. You lightly smack him on the arm, feeling warmth flood your cheeks. Memories of the carefree early days flash through your mind, recalling lingering gazes and soft touches exchanged. Licking your lips nervously, you release a heavy breath, "One problem at a time. We have another alien on the loose."
The Doctor takes that as a win, a calculated risk, with the universe as a potential consequence. He's never demanded anything, and for the first time, he yearns for something for himself. He envisions it — hope — the prospect of finally rewriting the ending you both desperately desire.
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The sonic clicks and buzzes as the Doctor conjures a holographic screen, displaying the schematics of the spacecraft that recently landed nearby. He retrieves his glasses from his coat pocket, donning them as he peruses the screen. Pressing a few buttons, he zooms in on the bottom part of the ship before highlighting the drive.
Frowning, your eyes narrow as an unsettling weight settles at the pit of your stomach while reading what's on the screen.
"Too good for us now?" Shirley remarks as she rolls up in her wheelchair. The Doctor briefly glances at her, nodding, and casually greets, "Evening."
Shirley smiles knowingly as she looks between the two of you. "Doctor. I see you and my colleague have talked. Has galaxies and universes collapsed yet?"
The Doctor hums, "Mmmm, not yet. Soon maybe, if I could get her to kiss me."
You smack him on the shoulder a little harder this time, and he yelps out, "Ow!" Making a face at him, you retort, "Oh, sod off!"
The Doctor gives you a cheeky smile while Shirley chuckles next to you. She then looks at the holographic screen on display, and the Doctor brings his focus back to the problem at hand, saying, "That’s a double-bladed dagger drive, damaged by laser fire which means we’ve got two sets of visitors at war with each other."
He glances at Shirley politely, "Nice to meet you. Did you get the heat readings on deceleration?" Shirley chuckles and clicks her tongue, "Oh, I got everything." She unfolds her tablet to give to the Doctor, who presses a button on his sonic screwdriver to close the holographic screen. Taking the tablet, he begins to analyze the readings as your colleague introduces herself, "Shirley Anne Bingham, UNIT Scientific Advisor number 56."
The Doctor sounds delighted, saying, "Oh! I was Scientific Advisor number one."
Shirley smiles, "No, I know. I’ve read the files. I’m gonna get a bonus just for meeting you."
The Doctor makes a face, not used to humble praise. "Oh."
Shirley then asks, "But why are you hiding away? We’re on the same side and it can’t be ‘cause of her now." She looks at you, and you also turn your attention to the Doctor.
He slightly groans and inhales sharply before replying, "It’s all a bit mad, Shirley. I don’t know who I am anymore."
Shirley crosses her legs in the wheelchair and says matter-of-factly, "Well, you look like the Doctor to me."
The Doctor shrugs, "Well, exactly. The one in the skinny suit. After that, I wear a bow tie. After that, I’m a Scotsman. After that, I’m a woman."
Shirley frowns, "But that’s your future. You can’t know that. It’s forbidden."
The Doctor replies, "I regenerated. And she became me."
Both of Shirley’s eyebrows rise, and her eyes widen as she says, "You got your old face back?"
The Doctor replies with a resounding pop, "Yep."
"But why?" Shirley asks, and the Doctor sighs, "Well, that’s what I’m worried about."
He then inhales deeply before continuing, “Because, besides this lovely stubborn woman right next to me,” you pinch the bridge of your nose briefly as he continues, “I've got this friend called Donna Noble. She was my best friend in the whole wide universe. I absolutely love her as much as I love this one right here.” The Doctor pulls a face and pouts, puffing out a breath as his thick eyebrows furrow, he says, “Oh. Hmm. Do I say things like that now?”
Shirley smiles at him while commenting, “Sounds like a good thing to say.”
You mumble, “I’m not used to this.”
“But Donna took the mind of a Time Lord into her head. I had to wipe her memory to save her life. If she ever remembers me she will die. So what happens next?” The Doctor said with emphasis and leaned closer to you and Shirley, “I get this face back, and the TARDIS lands right next to her. I turn around, there’s her husband. A spaceship crashes in front of her. That led me here to my other best friend in the whole wide universe, my Time Lady who I thought was dead for many years. It’s like she’s drawing us in.” The Doctor finishes, and you and Shirley give each other a look, processing everything he has just said. Especially you, who was processing the fact he called you his. You and Shirley blinked a few times before Shirley said, “What? She’s making it happen?”
The Doctor shakes his head, “No, she’s got no idea. She’s so ordinary. She’s brilliant. She’s got this beautiful daughter. She’s happy. Is she? Hmm.” He pauses before saying in a lower tone, “But the universe is turning around the two people I love the most again. I don’t believe in destiny, but if destiny exists, then it's heading straight for Donna Noble and quite possibly the love of my life right next to me.”
You blink in surprise, opening your mouth to try and say something, maybe correct him, but nothing comes out, so you sit there, mouth gaping next to him like a fish while Shirley has a toothy grin as you say to the Doctor, “Okay, I’m still not used to whatever this is… and I don’t think I ever will be. You’re kind of freaking me out a little, dear.”
The Doctor grins, “Ooh, are we doing pet names now darling?”
You rub your right eye, feeling a migraine beginning to form, “I… What the hell is happening? You sure you’re alright? Last time you regenerated into this form you had a high fever and you were… completely out of it.”
The Doctor scrunches his nose and sniffs, “I feel great. Fantastic even!”
You purse your lips, observing the Doctor from head to toe, and then focus on his eyes—those warm, inviting brown eyes. Softly, you remark, “You've grown.”
The Doctor returns your gaze, his lips forming a quirked-up smile that reveals a dimple. "Just a little bit, yeah."
Shirley interjects, steering the conversation back on course, “You said it was also heading for Donna. What for?”
The Doctor responds with a swift, “I don’t know.” Shirley replies with an, “Oh.” The Doctor continues, with deep emphasis, “But she can’t remember. I won’t be the one who kills her.”
Shirley nods, and the tablet in the Doctor’s hands beeps. He looks at it, saying, “Right. There’s no sign of a pilot, but that’s not an automatic drive, so you should look for–”
“Ma’am,” a soldier interrupts, cutting off the Doctor. He slinks back into the shadows, and you and Shirley listen to what the soldier has to say. “We found the escape pod. No sign of life, but we’re moving out to secure the site.”
Shirley quickly replies, “Good work, soldier. Go get it.” Dismissing the soldier and watching her walk away, the Doctor moves to stand, removing his glasses and putting them away, ready to follow the soldier. But Shirley raises her hand and says to him, “Uh, yeah, yeah. Not you two, mate. I’ve got this. Off you pop. Bye-bye.”
Shirley begins to roll her wheelchair away, leaving the Doctor and you confused. The Doctor then calls out to her, “Waited your whole life?”
To which Shirley throws a look over her shoulder as she responds with a smirk, “You wish.”
The Doctor looks at you, and you look up at him. He turns his hand, palm up, waiting for you to take it with your hand. You glance at his hand and back to his eyes; he sees the uncertainty swirling through your gaze.
The Doctor speaks gently, “I know you aren’t ready and you’re scared… but I know you’re brave. And the universe listens to the brave. C’mon, it’s time to be brave again.”
You release a shaky exhale, swallowing the lump in your throat and dismissing the rational urge to walk away from him. Taking his hand, he tugs you along, pushing his legs into a run with you, hand-in-hand.
He thrusts the exit door open, utilizing his sonic screwdriver with his other hand on the back of the UNIT truck, the chains rattling as the trunk hatch pops open, pulling you with him to settle at the back of the truck.
As the UNIT truck pulls away, you see Shirley waving you off, and the Doctor gives her a small salute while you offer her a faint smile.
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CHISWICK, LONDON – EVENING, 2023
You constantly poked your head out to see the stars, in case anything had changed. The Doctor held your hand, squeezing it every time you did, quietly reassuring you that whatever you faced, you'd do it together.
Arriving in the residential area, a long street lined with cars and now multiple UNIT trucks and soldiers running around, you could hear Donna shouting, “Oh, what the hell is it doing in my shed? Get out of my garden!”
The Doctor ran towards the sound of her voice, and you followed him. Reaching Donna's home, the Doctor pounded on the door, “Let us in! Let us in!”
Sylvia glared at the Doctor as she briskly walked towards him, but he exclaimed happily, “Sylvia! Oh, Sylvia! So nice to see you again. Could you let us in?”
Sylvia angrily whispered, “You said that if she sees you again, she will die. Well, no. If – if she remembers me. That’s slightly different.”
You heard and saw Donna through the stained glass yelling from down the hall, “No such thing as spaceships? We’ve got a bloody Martian in the shed!”
Sylvia angrily said, “Just get out of here, now.” But the Doctor knelt down to peek through the mail slot to see all the commotion, finding a small white fluffy creature with big eyes. “Oh, wow. He’s so cute,” the Doctor mumbled. With no other choice, he used his sonic to unlock the door as Sylvia told Donna, “Don’t look! Don’t look. It doesn’t exist.”
As the Doctor walked down the hall, with you trailing behind him, Sylvia whirled around to slap the Doctor. He grunted and groaned, “Here we go again.”
“It’s that man!” You recognized Rose say as Donna pointed at the Doctor, “Oh, it’s the skinny man!”
Sylvia continued to try and gaslight Donna, outstretching both her arms to block both of you, “He’s not there! You can’t see him. And there’s no monster. Oh, for the love of God, none of this is real!”
You and the Doctor ducked down and crawled to the creature to help assist them. In the middle of all the shouting and noise, you saw Shaun Temple appear, saying, “Hey, hey. Dad’s home.”
Everyone stood at a standstill, wide-eyed and unsure of what to do next. After a pause, Shaun commented with a small smile, “Something smells nice.” Sylvia smiled, “Tuna madras.”
“Meep, meep.”
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As you and the Doctor sat on the floor, he carefully wrapped Meep’s injury in his hands with medical tape, while you quickly assessed if the Meep had any more injuries. Sylvia spoke to Donna, “We should think about infection. I mean, I think this man should deal with this beast, and we can leave him alone and go back to mine.”
Donna pulled her arm away from Sylvia and gestured around the Meep, “Never mind. Never mind about the ferret from Mars.” She gave you and the Doctor a pointed look as she growled out, “Who the hell are you two?”
You looked to the Doctor for help, and he stumbled over his words, “I– um. What was it?” He looked to Shaun who replied, “A friend from Nerys.” To which the Doctor promptly agreed, “That’s it.”
Donna scrunches her nose and says, “Nerys. Well, now it all makes sense. That viper in the nest.” She continues and points to the Meep, “I’m not going anywhere. We could sell mad Paddington for a million quid.”
Everyone reacted, giving Donna a pointed look and a noise of disagreement, “Woah!” Donna tried to justify her comment by saying, “You fill the fridge!”
The Doctor’s expressive eyebrows furrowed, and he asked Donna, “What did happen to all your money?” Donna got defensive and threw back, “Why are you so interested in us? Everywhere you go, there you are. Now you got this woman with you,” She gestured to you, “are you sure you’re safe with him, darling? Is he forcing you to be with him? Did he kidnap you?!”
You blinked wildly at Donna, “Uh, no– I’m good. He’s my partner.”
The Doctor smirked at you, “Ooh, I’m your partner?” To which you narrowed your eyes at him, “Quiet, you.” He pouted but continued to finish wrapping the injury of the Meep, then the Doctor said, “There is one person missing. I used to know your grandad, Wilf.”
Donna shook her head, “He’s not with us anymore.”
The Doctor had a somber expression as he nodded, “Right. Course. He wasn’t young; he was—” His lower lip trembled as he admitted, “I loved that man. I’m so sorry for your loss.”
Donna shook her head, emphasizing, “He’s not dead.” Sylvia shot the Doctor a sharp look, “You idiot.”
The Doctor gaped at them, and Donna continued to share, “He’s in sheltered accommodation. He’s 94. He can’t manage the stairs.” Shaun took over, saying, “We were lucky. We couldn’t afford it, but this offer came along.”
Rose smiled, painting a vivid picture, “It’s amazing. He’s got this room, like a cottage and a garden, and it’s almost free.”
“Run by that lot in the middle of town? UNIT? This woman in charge, Kate, she says he’s an old soldier, she’ll look after him.” Shaun said, and the Doctor's face lit up, “Right. I know her. She’s looking after Wilf. Brilliant. Brilliant.”
Shaun tilted his head as he looked at you, “You look very familiar… Weren’t you with Kate as you were helping with the accommodations for Wilf?”
Your lips pinched together as you nodded, “Yeah, I work with UNIT. I check on him regularly; he’s wonderful.”
“Meep, meep.”
You and the Doctor turned to the fluffy white creature in front of you, and the Doctor’s eyebrows raised as he inhaled sharply, “Yes! The Meep. I promise I can help him get home. Then you’ll never have to see me, or well, the both of us ever again.”
Rose looked at the Doctor and gave him a questioning look, “You’re assuming he as a pronoun? Hmm.”
The Doctor took it in stride and nodded, “True. Yes. Sorry. Good point.” He quickly turned to the creature and asked, “Are you he, or she, or they?”
The high-pitched voice of the Meep responded, “My chosen pronoun is the definite article. I am always the Meep.”
The Doctor’s expression shifted to one of understanding as his thick eyebrows raised and he nodded, “Oh. I do that. But you were shot down. Who wants you dead?”
You tilt your head, captivated by the Meep's explanation, “The Wrath Warriors. They cultivate Meepkind for our beautiful fur. But then the galaxy said, ‘No more fur. It’s wrong. So the Wrath Warriors slaughtered their livestock.”
The Doctor crosses his arms, a thoughtful expression on his face, and leisurely leans back on the couch, letting his back rest against it, “You’re a fashion victim.”
A collective groan escapes from all the humans in the room, “No.”
The Doctor quickly mumbles an apology, and the Meep continues, “Now, they will hunt me down till there are no Meeps left.” The Meep sniffs, “It breaks both my hearts.”
You and the Doctor exchange surprised glances, both of your eyebrows raised. The Doctor shares with the Meep as he gestures to both of you, “You got two hearts? So do we.”
Donna quickly catches onto the Doctor's revelation and frowns, “You’ve got what?”
Sylvia tries to downplay what the Doctor just exposed, stammering as she speaks to Donna, “No. He means it like a metaphor. Like two minds. Do you?” You and the Doctor shake your heads, but suddenly there’s a pounding at the door.
“Open up!”
“Well, what the hell is it now?” Donna exclaims, her frustration evident as she wonders why all these strange anomalies keep happening. The Doctor pushes himself up, and you assist him with his navy blue coat as he puts it on. He continues addressing everyone in the room, “Ah, good. The soldiers! They can give us a lift.”
As he goes to answer the door, leaving you with the Meep and Donna’s family, Rose can't help but ask, “Are you two…”
Your cheeks feel flush, the tips of your ears turning warm, “Yep.”
Just as Donna is about to make a cheeky comment, you hear the Doctor slam the front door shut, loudly informing you all, “I think we need to run. Woah!”
Suddenly, an explosion rocks the backdoor, causing everyone to hit the ground with a collective yelp. You and the Doctor peek to look at the new visitor; arthropods, with a tough chitinous exoskeleton. With their external skeleton acting as a skelo-shield they had formidable strength. Their eyes were like large red lights. Seeing the Wrath Warriors enter while saying, “Wrath, attack formation! Surrender the Meep!”
UNIT soldiers burst in from the main entrance, their voices echoing down the hallway as they shout instructions to each other. The distant hum of gunfire and the vivid flashes of lasers light up the space, creating a chaotic symphony that fills your senses.
Donna, caught in the middle of the sudden onslaught, shouts in confusion and frustration, “What the hell is going on?”
The Doctor deftly manipulates his sonic screwdriver, adjusting its settings. He turns to Shaun and inquires, “Where’s your car?”
Shaun, bewildered but cooperative, responds, “Uh, five- five doors down.”
“Excellent.” The Doctor nods. He pivots, activating the sonic screwdriver to generate large, rectangular force fields. The blue glow emanating from the force fields reveals a recent upgrade, and you can't help but smile, commenting, “Nice upgrade, love.”
“Thanks, dearest. Help me move this, won’t you?” The Doctor passes the sonic to Donna, who handles it with familiarity. You and the Doctor work together to slide the force field into the first section of the hallway, dodging blaster shots as you go. Once in the living room again, you take the sonic from Donna, creating your force field with the Doctor’s scientific instrument. The Doctor observes you with admiration, and together, you slide the final force field into place, sealing off the area where the Wrath Warriors were firing from.
Immediately, the Doctor issues a commanding directive to the Noble-Temple family and the Meep, “Upstairs! Up, up, up, up, up, up, up, up, up!” They follow the urgent order, shrieking as they ascend the stairs, sandwiched between the force fields that shield them from the relentless onslaught of gunshots and laser fire.
“Come on, Meep!” The Doctor encourages, executing an energetic dance of hopping and flailing arms. The Meep responds with a whimper, “No.” Undeterred, you and the Doctor persist, the Doctor continuing his lively hopping routine, insisting, “Come on! That’s it.”
You guide the Meep up the stairs, the Doctor closely behind. A reassuring hand rests on your back as the trio ascends. When you're halfway across the corridor, a deafening explosion erupts from behind. The Noble-Temple family screams in fear, and you're thrown to the ground. However, the Doctor reacts swiftly, his strong arms wrapping around your waist to break your fall. In a protective move, he cushions the impact with his body, leaving you on top of him.
You swiftly roll off him, your palms hitting the floor as you propel yourself upward. Grasping the Doctor's hand, you haul him to his feet, both of you swiftly turning around to confront the aftermath—a colossal, gaping hole now occupying the space where a window once stood. Donna's cry of agony echoes through the room, "My house!"
Despite the devastation, there's no time for dwelling. The Doctor urgently directs everyone, gesticulating emphatically, "Upstairs. Upstairs, upstairs!"
Observing the Wrath Warriors soaring menacingly through the breached window, and amidst the symphony of gunfire and laser blasts echoing from the stairs, you and the Doctor deftly ascend to the third floor. With a swift motion, he lowers the ladder leading to the attic, urgently urging everyone, "Up we go! Fast as you can."
The entire group efficiently ascends to the attic. Positioned beside a robust brick wall connecting attics along the street, you and the Doctor huddle close. The Doctor showcases the device in his hand, proclaiming, "This is a sonic screwdriver. And if it's good at one thing, it's resonating concrete." He flips it in one hand before activating it, causing vibrations to ripple through the mortar.
Shaun interjects, "That's not concrete. That's mortar." Donna, in her familiarly exasperated tone, sighs and quips, "Thank you, Bob the Builder."
With a determined push, you and the Doctor dislodge the bricks, prompting them to cascade down. Donna crouches beside the Doctor, complimenting, "Skinny minnie, you're not bad."
The Doctor grins at Donna, "You think?"
However, Sylvia intervenes, frowning as she guides Donna aside, firmly asserting, "No, she doesn't. Now move."
"Come on. Five houses down," the Doctor grunts, effortlessly moving aside a box brimming with Christmas decorations. He takes the lead, guiding the family through the interconnected attics.
Traversing through these loft spaces, you witness the chaotic scene unfolding outside, with laser beams and gunshots punctuating the air. Explosions resonate in the distance as you navigate the makeshift route, carefully descending a staircase. Along the way, you stealthily pass by someone deeply immersed in sleep on a couch, oblivious to the turmoil around them.
Upon reaching a door, the Doctor jostles it open, revealing a view of the black cab parked a few meters away. Amidst the cacophony of gunfire and distant shouts, the Doctor extends his hand and requests, "Can I have the keys?" Shaun promptly hands them over.
As the Wrath Warriors advance with their menacing backs turned, the Doctor swiftly swings the door open, directing the family and the Meep into the sanctuary of the black cab. Positioned in the passenger seat, you observe the Doctor deftly using his fingers to check the pulse of a fallen UNIT soldier. Abruptly, a Wrath Warrior pivots, growling, "Meep located. Stop the Meep!"
Evading blaster fire with nimble agility, the Doctor slips into the driver's seat, swiftly igniting the engine and propelling the cab into motion. The Meep whimpers, "Help! Save the Meep!"
As the Doctor skillfully navigates away, Donna exclaims, "Oh my God!" Shaun pivots within the cab, jubilantly stating, "You did it!" Meanwhile, Rose chimes in, "We're alive," and Sylvia expresses gratitude, "Thank you."
"Meep, meep."
While the Doctor keeps a vigilant eye on the side mirrors during the escape, there's a discernible shift in his tone, "Either we've escaped, or we've got things very, very wrong."
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UNDERGROUND PARKING GARAGE, LONDON – EVENING, 2023
The Doctor skillfully maneuvers the cab, smoothly parking it in an underground garage. A contemplative furrow graces his forehead as he steps out of the vehicle. With an attentive courtesy, he opens the passenger door, gesturing for you to alight from the cab. Simultaneously, he opens the back passenger door, facilitating the exit of the Meep.
The Doctor deftly extracts a barrister's wig from the depths of his coat, perching it atop his head with an air of theatrical flair. Meanwhile, the Meep positions itself purposefully in front of the cab. In a tone of authoritative declaration, the Doctor announces, "This court is now in session."
With a swift motion, he retrieves his trusty sonic screwdriver, and it emits a distinctive whiz as he proclaims, "Intercept teleport!"
The Meep emits a piercing shriek, swiftly retreating a few meters behind you and the Doctor. Donna, emerging from the cab, questions, "What the hell are you doing?" The Doctor, with an authoritative air, responds, "Silence in the court."
In the blink of an eye, two Wrath Warriors materialize just across from you and the Doctor. You stand there, massaging your face with your hand, as he adopts a menacing tone and declares, "I’m invoking Shadow Proclamation protocols 15, P, and 6. Under my jurisdiction, there will be no violence until such time I deem it fit and proper. Is that understood?"
The Wrath Warriors nod in compliance, dutifully stowing away their weapons to their sides. The Doctor, brandishing his sonic, gestures towards the taxi, asserting, “Now, exhibit A. The taxi. No scorch marks. Donna, can you confirm?” Donna swivels around, inspecting the taxi behind her, and nods, “Um. Yes, no, nothing.”
You arch your eyebrows, interjecting, “We were hit by plasma bolts, but there isn’t a mark.” The Doctor affectionately kisses your forehead, remarking, “Clever girl.” You duck your head, feeling a slight warmth in your chest and cheeks. He proceeds, “And that soldier in the street. He was unconscious, not dead.” Pointing at the Wrath Warriors' guns with his sonic screwdriver, he continues, “Exhibit B. Those guns are stun guns. Is that correct?”
The right Wrath Warrior nods, “The guns apply a mild and harmless neural anesthetic. For the record, my name is Sergeant Zogroth.” The left Wrath Warrior adds on and says, “And I am Constable Zreeg.”
The Meep interjects from behind you, its large ears folding to the side, “But the evil Wrath Warriors want to kill the Meep.”
“The only ones out to kill were the soldiers with the swirling eyes,” the Doctor asserts, gesturing in a circular motion with his sonic, his eyes widening to emphasize his point. “Were they coming to hurt you, the Meep? Or save you?” The Doctor eyes the furry creature suspiciously.
“If I may speak,” Sergeant Zogroth says, and the Doctor promptly replies, “Address the court.”
“The story of the Meep is a tragic tale. Their planet basked in the light of a living sun. Until one terrible day, the sun went mad,” Sergeant Zogroth began, his voice laden with the weight of the narrative. Constable Zreeg chimed in, “A psychedelic sun.”
Sergeant Zogroth continued, “Its radiation mutated all of Meepkind into cruel beasts who live for conquest.”
The Doctor's face lights up with realization, "The eyes. That's solar psychedelia." Sergeant Zogroth adds, “It renders them as maniacs.”
“The Meep army captured the Galactic Council, beheaded them, and ate them,” Constable Zreeg revealed, sending shivers down your spine. You and the Doctor exchange a grimace at the horrifying revelation. “The Wrath Warriors were summoned. And we fought across the stars, a long and awful battle,” Sergeant Zogroth continued with a somber tone.
“Meepkind died rather than surrender. And now, only this one survives. Their leader, the most cruel and despicable of all,” he added, pointing to the Meep, who responded with a plaintive, “Meep, meep.”
The Doctor, adopting a composed stance, interjects, “Now. Let’s be fair. It’s your turn, the Meep. Witness for the defense. So, what do you say?” The Doctor crosses his arms, and you observe as the Meep's innocent visage transforms into something more sinister and monstrous.
The Meep's sharp teeth are bared as it growls defiantly, "Oh, to hell with this!" With a swift motion, it brandishes a weapon, declaring, "Exhibit C!" The Meep takes aim and fires, bringing down the two Wrath Warriors, their bodies collapsing to the ground. You, the Doctor, and Donna quickly rush to the fallen foes. The Doctor, during the action, removes his barrister wig. The Meep, in a sinister tone, adds, "No stun guns for me! Just die!"
Shaun leaps out of the cab, urgently shouting, "Donna! Donna, don't!" Despite his plea, Donna remains fixated on the fallen warriors, her concern evident. You find yourself beside the Doctor on the ground as the Meep triumphantly declares, "And here they come! My soldiers of the psychedelic sun!"
Suddenly, a convoy of UNIT vehicles arrives, accompanied by soldiers with their distinctive headgear, forming a protective perimeter around all of you. Their authoritative voices ring out, "Obey the Meep!"
Donna, her maternal instincts flaring, turns to Shaun and passionately commands, "Get out! Get Rose out!"
Shaun swiftly maneuvers to the driver’s seat while Rose and Sylvia settle back in the taxi. However, the UNIT soldiers, now under the control of the Meep, have you all surrounded with no clear escape.
“I don’t need to pretend, for I am the Beep of all the Meeps,” the Meep declares, grinning menacingly with its sharp teeth.
Sergeant Zogroth emits a final groan, his parting words being, “Sergeant Zogroth regrets retirement from active duty.” His eyes dim, and his body goes limp. Donna, disgusted, confronts the Meep, saying, “I was right. You are a monster.”
The Meep revels in Donna’s anger, taunting, “And you believed every word I said. You stupid woman! With your weird child!”
Donna, ready to confront the Meep for insulting her daughter, stands defiantly, retorting, “Oh, don’t you dare!”
The Meep, relishing the confrontation, points its weapon at Donna, threatening, “Oh, I dare!”
You quickly rise, positioning yourself in front of Donna, raising your hands in a protective stance. Simultaneously, the Doctor moves across the floor on his knees, hands raised, pleading, “No, no, no, no, no, no, no, no! But— Last-minute evidence! Me.”
He emphatically points to himself and exclaims, “Why are there two more two-hearted species on this planet? Unless we are part of a strategy by the Wrath Warriors to outfox you? If you kill me and her and fail to take this family hostage, you’ll never find out, will you?”
The Meep hums, then commands the soldiers, “Bring them!”
The Doctor stands animatedly, “Good! Now, look, I can suggest a much better way off this planet than a double-bladed dagger drive. ‘Cause that thing is gonna—”
His sentence remains unfinished as he is abruptly knocked out by a UNIT soldier. The Meep cackles triumphantly as the rest of you are ushered into the back of a truck, alongside the unconscious Doctor.
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On the truck's floor, the Doctor lay with his head resting on your lap, his unconscious form a testament to the challenges you faced. Your fingers moved soothingly through his untamed, spikey hair, offering a quiet comfort amid the tension.
Donna observed the scene, her curiosity getting the better of her. "How long have you two been together?" she inquired, attempting to place where she might have encountered you before.
"A good number of years," you replied, choosing to keep the more intricate details to yourself, considering the Doctor's timeless nature.
Rose, equally intrigued, posed another question, "Are you two married?"
A snort escaped you. "Nope. I don't think he wants that with me if I'm being honest."
“Why?” Rose pressed on.
Your gaze drifted, and you sniffed softly. "I’m all sorts of wrong for him. And sometimes, it scares me. The emptiness I see in my eyes,” you admitted, vulnerability seeping into your words. Your eyes lingered on the Doctor as you continued, “The Doctor is brilliant. He is truly brilliant. After all he’s been through... he deserves everything good and more… more than me.”
As your confession lingered in the air, the Doctor began to stir awake, bringing a momentary hush to the truck. His eyes fluttered open, and a low groan escaped him as he gradually sat up, settling next to you.
Donna eyed the Doctor with suspicion, her narrowed gaze fixed on him. "Who are you?" she questioned, her tone demanding answers.
The Doctor, still feeling the effects of his earlier unconsciousness, touched the back of his head with a wince. "I’m just passing by," he nervously replied, attempting to deflect her inquiries.
Undeterred, Donna redirected her attention to her mother, Sylvia, and pressed on, "Do you know him?" Sylvia, in an attempt to conceal any familiarity, shook her head, responding, "No."
Donna, frustrated and puzzled, continued, "You act like you know him. Ever since he arrived, it’s like—" She heaved a heavy sigh, abruptly halting her train of thought. "I’m so stupid!" she declared, voicing her self-reproach.
Shaun quickly reassured his wife, "No. No, you’re not."
Donna shook her head, lost in contemplation. "We could be living somewhere far away from here. Monte Carlo. Switzerland." She then turned to her daughter Rose, who sat beside her. "And you— And you’d be safe, Rose." Donna pulled Rose into a comforting side hug. "It’s all my fault. Gave away that lottery money."
The Doctor, unable to resist his curiosity, interjected, "Why?"
Donna shot him a glare. "Because. There are places out there where people are in danger. And in pain. And fear. And I could help. Just felt the sort of thing he would do." Her words hung in the air, revealing a sense of duty and compassion that drove her actions.
Abruptly, the truck jolts to a stop, resulting in the Doctor colliding with one of the crates, eliciting a pained groan. You swiftly move to assist him. The truck door swings open, and a stern voice commands, "Out!"
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MILLSON WAGNER STEELWORKS 
NORTH LONDON, – EVENING, DECEMBER 2023
The UNIT soldiers briskly led you towards the heart of the steelworks, where the Meep's spaceship had strategically landed.
"It didn't choose the steelworks by accident. It came here to be mended," the Doctor remarked as the group neared the spacecraft. The Meep made a grand entrance, seated on a makeshift throne of steel carried by a procession of UNIT soldiers. With its menacing teeth and booming voice, it declared, "Hail to the Meep!"
A hypnotic chant echoed through the steelworks as multiple officers joined in unison, "Hail to the Meep. Hail to the Most High. Hail to the Meep. Hail to the Most High."
"Human scum, behold my vessel to the stars! Far beyond your tiny, grasping minds," Beep the Meep declares with an air of arrogance. You respond with an eye roll of annoyance, and the Doctor shakes his head while humorously interjecting, "I name this ship the Delusions of Grandeur."
Beep the Meep growls in protest, "Meep."
"You can't fire those engines. Not from here. A dagger drive gets its energy by stabbing down. It would extract, ooh, five square miles? The whole of London town burnt as fuel," the Doctor explains, his tone serious and concerned.
Rose, wearing a frown, adds, "But that's nine million people."
"A great day for Meepkind. And the start of a new reign of terror as the Meep return to the stars for revenge. And feasting. Now, activate the initializers," the Meep commands, its voice dripping with malevolence.
A disciplined UNIT soldier swiftly responds, "Initializers activated."
The low hum of the spaceship's engines reverberates through the steelworks as the Meep grins with an evil glint in its eyes, proclaiming, "Brandish the gravity stanchions."
"Gravity stanchions brandished," announces a focused UNIT soldier as the prongs of the spacecraft forcefully dig into the ground.
"Calibrate the flight deck," the Meep commands with a sense of authority, intensifying the tension in the air.
A disciplined UNIT member announces, "Flight deck calibrated."
The Meep, perched on its steel throne, commands, "Take the prisoners on board! Then I’ll decide which one to eat first. Hail to Meep!"
The rhythmic chant of the hypnotized UNIT soldiers fills the air, "Hail to the Most High! Hail to the Meep!" while the Meep indulges in a sinister cackle, reveling in its delusions of grandeur.
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The liftgate slams shut, transporting you to a different floor. Thoughts of subduing the UNIT guards swirl in your mind as the lift grinds to a halt. As the gate creaks open, Shirley appears, wearing a mischievous grin. "Evening, boys."
With swift precision, she activates a concealed device beneath her wheelchair, firing two darts at each soldier. The tranquilizers swiftly take effect, rendering the guards unconscious.
"You've got weapons in your wheelchair," the Doctor exclaims, eyeing Shirley with a mixture of surprise and admiration. She glances back at him, a knowing look in her eyes, and responds, "We all have. You've got your girl to thank for that. Come on." With a nod, she leads the way, wheeling herself confidently through the complex.
"Right. You lot, the family, you can get out through that door," Shirley says, gesturing towards the exit on the right. She then turns her attention to you and the Doctor, her tone more serious, "You need to get to the engine control. But the port side’s guarded, and there's no way around it."
A quick exchange of glances between you and the Doctor precedes his question to Shirley, "So what do we do?"
With a confident smirk, Shirley retorts, "I don’t just fire darts, mate." She spins her wheelchair around, revealing hidden capabilities. With the push of a button, two missiles activate and blast through the wall, creating a makeshift path forward. The unexpected firepower leaves you and the Doctor momentarily impressed.
Shirley swiftly directs the family, "You lot run. I’ll fight them off at the lift."
The Doctor tightens his grip on your hand, leading you through the large breach in the wall. The chaotic, metallic environment of the spaceship's bridge unfolds before you. With his trusty sonic screwdriver, the Doctor deftly manipulates the controls, unlocking the gate to the engine control room. As the door creaks open, the two of you step inside, ready to stop the ship from taking off.
The Doctor removes his coat and hangs it on one of the pillars as the ship's system voice declares, “Dagger drive systems initializing.”
In a sudden burst of energy, Donna enters the control room panting, "That's enough… running. Blimey."
The system voice abruptly announces, “Chamber deadlocked.” Panic sets in as the only exit seals shut, leaving the Doctor frustrated. He slams his hands on the door, exclaiming, “No, no, no, no! I told you to go—just don’t!”
Frantically, he moves about the room, urging, “No time. I’ve got this. We’ve got it. We’ve got it. You stay there. Don’t move, Donna!”
The Doctor and you scramble around, pressing buttons and flicking switches, racing against time as the system voice declares, “Star launch in five minutes.”
Climbing up one of the pillars, the Doctor instructs you while you squat on the other side to manipulate hidden switches. Suddenly, the system announces, “Deadlock sealed.” A flicker of discomfort courses through both of you as the ship's mechanisms react.
“It’s been deadlocked,” you groan, and Donna questions, “What’s that mean?” 
The Doctor replies swiftly, “It means, we can do it by hand.”
You move to the far end of the ship, and the system voice chimes in again, “Maxifold bisecting.” A glass pane wall starts dividing the room, separating you from the Doctor and Donna. “You can stay on that side Doctor, I—” But then the Doctor rolls under the glass just before it seals, protesting, “Oh. No, no, no, no!”
“Double dagger drive installed and initiated.”
You can feel your eye twitch as you look at the Doctor standing next to you. “Okay, okay. Okay, we can do it with half the room. That’s fine.” The Doctor tries to reassure himself and you look at him wondering why he had to end up on your side of the room.
“Let me help.” Donna insists and the Doctor is quick to disagree, “No! You can’t get involved.”
Donna looks at the Doctor with a glare, challenging him and the Doctor tries to steady his resolve, “You can’t!”
It's then your turn to shoot him a pointed look. The Doctor groans and pants in frustration before finally surrendering. He instructs Donna, "Switches, the top ones, the blue ones, flick them all down."
Donna diligently follows his directions, swiftly flicking the switches down, while you navigate to a different section of your side of the room to spin a dial a few times. Despite your efforts, it proves futile, and you slump down in disappointment. The Doctor, leaning defeatedly on a pillar, somberly admits, "We've run out of time."
“Ignition in 230.”
The Doctor sighs with a heavy burden on his shoulders as he confides in Donna, "If there was anything else I could do, but there's one thing left."
"Well— Well, then do it," Donna urges, her tone laced with desperation. The Doctor, however, looks down in shame, prompting Donna to insist, "Hurry up and do it! What are you waiting for?"
Pushing himself off the pillar, the Doctor strides over to the glass partition separating Donna from the two of you. "I think… all that coincidence was heading here to save London from burning. 'Cause the three of us can stop this ship. Together."
Donna gasps in realization, "Oh."
As you rise and move towards the glass, locking eyes with Donna, you declare, "But it will kill you."
Donna sharply inhales, and responds easily, “Okay.”
The Doctor’s voice cracks as he says, “You’ll die.”
Donna's lower lip trembles, her eyes reflecting the imminent crisis, as she says, "My daughter is down there."
"Ignition in 180."
Tears well up in Donna's eyes, and her voice stammers with fear, "And it's not just Rose. It's nine million people. Who cares about me?"
The Doctor responds swiftly, his urgency palpable, "I do. We both do."
Donna takes a deep breath, mustering courage, and asks, "But why?" She pauses, gathering her thoughts, and continues, "I'm just no one."
The Doctor's expression shifts to one of anger, his eyebrows furrowing as he yells, "No, you are not!"
He takes a few steps back, the weight of the situation evident in his sob and scream, "Why does it have to be this?"
"Entering the final sequence."
The Doctor looks at Donna with a somber gaze, defeated, as he utters the words that trigger Donna's memories, "Westerly. Pelican. Dreams."
Donna is desperate as she says, "I don't— Look, I don't care what it is. All right. Just— just go on and do it, will you?"
"Ignition in 150."
"Tornado. Clifftops. Andante," the Doctor says.
"Get on with it!" Donna shouts.
The Doctor continues, "Grief. Fingerprint. Susurration."
Donna's eyes light up as she begins to remember her adventures, "Oh."
The Doctor and Donna utter the last few words in unison, "Sparrow. Dance. Mexico. Binary. Binary. Binary."
A golden glow emanates from Donna, the metacrisis shimmering through as she regains her memories once more. You and the Doctor press your palms against the glass, witnessing her transformative moment.
"Ignition in 100."
As the glow dissipates, the Doctor anxiously asks, "Are you alright?"
"Ignition in 90."
Donna pants, sighs, and sweeps her bangs away from her eyes as she glares at the Doctor. Inhaling deeply, she says, "I gave away my money."
"Ignition in 75."
The Doctor looks at her, puzzled, "Right, but—"
Donna, expressing a mix of frustration and anger, interrupts, "I gave away all my money. And do you know why, Doctor? I gave it away to be like you. So I could be kind. So I could be nice. So I could be helpful— I—"
Donna releases a frustrated growl as the system voice continues, "Ignition in one minute."
Moving her face closer to the glass panel, Donna continues, "I had a subconscious, infracutaneous, retrofold memory loop making me act as soft as you and give away 166 million pounds!"
"Ignition in 50."
The Doctor, wide-eyed, nods in agreement but attempts to refocus on the urgent matter, "Yes, Donna, but— Destruction of London?"
"Oh, I'll show you destruction, mate," Donna declares, intertwining her fingers before flexing them to crack her knuckles.
"Ignition in 40."
You and the Doctor observe in awe as Donna moves around the control panel with ease. "I'll triple-drive the particle manifesto, overstep the umbilical feed, vindicate the cyberline, and roast the hyperfeeds! Like this!" Donna exclaims, spinning the dial on the lower left of her.
The Doctor navigates about half of the room, deftly flicking switches while instructing, "Maximise the stressfold links!"
"Channel up the booster drive!" Donna commands, pressing a few buttons.
"Inculcate the plexidrones!" You chime in, flicking a few more switches.
"And shatterfry the positrons! Oh yes!" Donna exclaims.
"Twenty, nineteen..."
Donna interrupts, asking, "How long have I got to live?" as she switches off a few controls.
"...sixteen, fifteen..."
All three of you simultaneously answer, "Fifty-five seconds."
"Thirteen, twelve, eleven..."
"The best fifty-five seconds of my life!" Donna exclaims.
"Seven, six, five, four..."
"Because I get to do this!" Donna proudly announces, turning around and simultaneously flicking off several switches.
"Three, two— Ignition halted."
You three watch as the panel flies off the wall; the countdown has stopped, and Donna proudly states, "Donna Noble is descending."
"Ignition reverse. Ignition reverse."
"It’s working!" The Doctor's voice resonates with exhilaration as the tangible effects of the reversed dagger drive unfold before your eyes.
However, your joy is cut short when you notice Donna beginning to falter. Panic sets in, and you urgently cry out, "No. No, no, no, no, no, no, no!"
Swiftly, both you and the Doctor move in unison to catch Donna as she descends, cradling her fragile form in your arms. Donna sighs, her expression reflecting a mix of exhaustion and relief. The Doctor reassures her, "We did it. She’s fine. She’s safe. You saved her."
Donna smiles weakly, and you add, "You saved them all."
In a moment of introspection, Donna questions, "Why did this face come back?" She turns her gaze towards the Doctor, who responds with a sigh, "I don’t know."
"To say goodbye," Donna asserts with a soft smile. She then shifts her attention to you, saying, "Oh, the Stargazer. I’ve missed you."
"I’ve missed you too, Donna, every day," you confess, and the Doctor emits a thoughtful hum.
"Good fun, though," Donna remarks, her chuckles mingling with yours and the Doctor's. The lighthearted moment takes an abrupt turn as Donna's eyes flutter closed, her entire being going limp in the arms of her two closest companions.
A collective sob escapes from you and the Doctor as you sit there, cradling your best friend, a bittersweet mixture of victory and loss filling the air.
Abruptly, the door to the engine control room opens, revealing a cadre of UNIT soldiers with swirling, hypnotized eyes. The air tightens with tension as one of them declares, "We have orders to kill you."
Undeterred, the Doctor retorts defiantly, "Do what you want. This ship isn't going anywhere. You were beaten. By the DoctorDonna." The soldiers, rifles at the ready, cast ominous shadows in the confined space. You resign yourself to the impending threat, feeling the Doctor's protective instinct as he positions himself to shield you.
In a surprising turn, the psychedelic light emitted from the soldiers' eyes screeches and hisses, dissipating into nothingness. Bewilderment echoes through the room, and you join the Doctor in uttering a perplexed, "What?"
Even one of the soldiers can't help but question, "What?"
Donna, roused from her unconscious state, adds her own disoriented, "What?"
The Doctor, his voice tinged with disbelief, softly utters, "You're not dead."
A collective sense of confusion lingers, and Donna, now fully awake, queries, "But how?" as she steadies herself.
After a brief pause, Rose's voice resonates through the intercom, "Can you hear me? Mum? Doctor? Star? I think it's safe for you to come down now."
Donna responds, perplexed, "Rose?"
The Doctor's eyes widen with a sudden epiphany, "Too much power for one person, but you had a child, and the metacrisis passed down. A shared inheritance."
Donna grins, “It was always there. Shining out of her.”
“And she chose her own name,” the Doctor adds.
“Oh, the shed! The shed was her memory of the TARDIS. The toys! Every creature we met, she remembered as a toy,” Donna says with a glint in her eye.
You gape, suddenly realizing, “We are binary.”
“She’s not. Because the Doctor’s—”
The Doctor interjects, “Male.”
“And female,” Donna finishes.
"And neither. And more," Rose says, her voice carrying a warm smile through the intercom.
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Donna rushes down the stairs, her steps echoing in the cavernous steelworks. Rose meets her halfway, and they share an emotional hug, Shaun joining in the embrace.
You and the Doctor follow suit, descending rapidly to the ground floor. Sylvia awaits, and as you approach, the Doctor wraps her in a jubilant hug. He inquires, “Happy now?”
Sylvia responds with a radiant smile, "My father would be impressed. I have no higher compliment." Laughter of triumph fills the air as you and the Doctor proceed to the nearby control center.
Shirley deftly maneuvers her wheelchair towards you and the Doctor, offering her unique perspective. She addresses the Doctor with a sly grin, “There’s a word for you, Doctor. And that word is jammy.”
The Doctor responds with infectious enthusiasm, “Jam on toast.” He decisively slams a button, activating the intercom. With authority, he speaks into the microphone, “Calling the Meep.”
The Meep's defiant voice crackles through the speakers, “You forget I still have my ship. And if I have to explode the engines and rupture this world and damn us all to hell, then I will!” A shared glance between you and the Doctor follows, and he graciously hands you the task of flicking the crucial switch.
With a resounding click, the Meep’s cockpit is ejected into the sky, accompanied by the unmistakable sound of the Meep's distressed shrieks. You and the Doctor gaze upward, drawn into the spectacle unfolding against the canvas of the vast night sky.
“There you go.” The Doctor points with a wry smile, observing the Meep’s cockpit deploying a parachute against the cosmic backdrop.
You feel the Doctor's reassuring grip on your waist as he pulls you into his side. Together, you look up, transfixed by the celestial display. The stars twinkle above, and in that moment, you choose to hope and believe that nothing universe-ending has transpired yet.
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As the sun ascends on the horizon, casting a warm glow over the scene, the Wrath Warriors stand sternly with the imprisoned Meep, forming an uneasy tableau. You step forward, addressing them with a heavy heart, "Sergeant Zogroth and Constable Zreeg gave their lives, alongside many Earth soldiers."
The Wrath Warrior, resolute in the face of the aftermath, declares, "Their names will be included in the litany of crimes as the Meep atones in prison for 10,000 years." The Meep, defiant in defeat, mutters, "Oh, I will escape and have my revenge. So you beware, Doctor and Stargazer, because there’s one more thing."
With a determined stride, the Doctor moves closer, inquiring, "Which is?"
“A creature with two hearts is such a rare thing. And to have two of your kind here… Just wait till I tell the boss,” the Meep retorts, an ominous promise lingering in the air. The Wrath Warriors and the Meep vanish in a teleportation, leaving a sobering aftermath beneath the morning sun.
The Doctor, caught in contemplation, mumbles under his breath, "Cryptic. I hate that." He takes a deep breath, turning his attention to Donna and Rose with a sense of urgency, "But… we’ve still gotta fix you two. ‘Cause the metacrisis might have slowed down, but that thing is wrapped around your cortex."
Donna, with an eye roll and a knowing nod, quips, “Yes, we know.”
Rose adds confidently, “We know everything, thanks.”
Donna, in her typical nonchalant manner, shrugs, “And you know nothing. It’s a shame you’re not a woman anymore. ‘Cause she’d have understood.”
Rose, crossing her arms, asserts with confidence, “You’ve got all that power, but there is a way to get rid of it. Something a male-presenting Time Lord will never understand.”
Donna, ever pragmatic, advises, “Just let it go.”
The unity between mother and daughter becomes evident as Rose takes Donna’s hand, and together, they release the accumulated metacrisis energy. Shaun interjects with a grin, “Like I said, mate, how lucky am I?”
Rose, with a joyous laugh, concludes, “After all these years, I’m… finally me.”
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CAMDEN MARKET, LONDON — MORNING, 2023
Shaun skillfully navigates the vehicle, bringing the group back to Camden Market in London. Earlier, you had informed Shirley about the intention to bid farewell to the Doctor and Donna before returning to headquarters. Shirley responded with a nonchalant, "Sure..." accompanied by a discerning look, rolling away from you in her wheelchair.
The Doctor maintains his characteristic chattiness as he informs Donna, "And UNIT has a splendid insurance policy for damage caused during an alien war. While they sort that out..." Approaching the iconic tall blue police box, the TARDIS, the Doctor gestures towards it, saying, "One last trip?"
"Uh, don’t you dare," Sylvie interjects with a pointed look. Donna, casting puppy eyes at both you and the Doctor, laments, “Do you know, I would love to.” She then takes a sharp inhale, sighs, and adds, “But… I have got adventures of my own, bringing up this one.” Donna points her thumb towards Rose.
“Can I see inside?” Rose asks the Doctor curiously, taking a step toward the TARDIS. Donna, however, swiftly moves her away, cautioning, “No. No! No. No.”
Rose sighs, and Donna playfully waves her finger, “No. Because summat will go wrong, and you’ll end up on Mars with Chaucer and a robot shark. And that’s actually happened, hasn’t it.”
The Doctor gives a sheepish, “Oh, yeah.”
“But I was thinking, we could go and see Wilf?” The Doctor suggests to you and Donna.
Donna then says, “Now that is cheating.”
The Doctor pouts, “Just a suggestion.”
“I mean it, don’t you dare.” Sylvie says, and Donna sighs, “But imagine his face, Mum. Oh, he would be so happy. All those secrets Grandad kept for years. He— He thought I’d never remember. And to see the Doctor. One last time.”
The Doctor and Donna make a puppy face to you and Sylvie, urging you to join them. Sylvie relents and gives in, “Oh, all right. But one trip. That’s all. Just one.”
The Doctor turns to unlock the door with his key while Donna laughs with glee, “One tiny, little trip. That is a promise.”
Donna turns to you and the Doctor and gasps in excitement, “It’s like the old days. Just me, the Doctor, and the Stargazer. Together.” She then turns to her family, “Is that all right?”
“Yeah, of course it is,” Shaun says confidently with a huge smile.
“Well, a lot of husbands would worry. You know, me, in a box, with another man.” Donna jokes, and Shaun shrugs and shakes his head, “Yeah. But not him.”
The Doctor looks somewhat offended, but then Donna shoos him to go inside, “Come on, space man.”
In the quiet aftermath, with Donna entering the TARDIS, the Doctor notices the unsure expression on your face. He whispers to Donna to go ahead, and she complies, leaving the two of you alone, behind the TARDIS, sheltered from prying eyes.
With a gentle gesture, he wraps an arm around your waist, pulling you closer. He cups your face with both hands, his smile revealing dimples that carry the weight of countless adventures. “The stars haven’t gone out.”
Your raised brows betray a hint of skepticism, “Yet…”
The Doctor locks eyes with you, his deep dark brown orbs conveying understanding. As tears well up in your eyes, you break the silence, your voice a fragile whisper, “You have no idea how bad it gets. How scared I am that all of this is temporary and I lose you… and I can’t have you.”
“Hey. Hey, hey. None of that,” he reassures, his gaze unwavering. “So far, everything has been leading me back to you. And when the time comes to face it… we’ll fix it… together. I can’t lose you again. Not ever again.”
His words linger in the air, a vow shaped by the quiet resilience of a Time Lord who has navigated countless challenges across time and space. You respond with a nod, sealing the unspoken pact, and tenderly kiss his wrists. In return, he draws you closer, planting a gentle kiss on the top of your head.
“When this is all over,” he declares, “we’re getting married.”
“What?” you screech, caught off guard by the unexpected revelation.
“We've waited this long. I’m not spending the rest of my how many years without you,” the Doctor insists, his eyes earnest.
“Is this a proposal?” you inquire, a mixture of surprise and delight in your voice.
“If you want,” he smirks, playfully nonchalant.
On tiptoe, you reach up to kiss the tip of his nose, a tender acknowledgment, “We'll see.” The promise of an unwritten future hangs in the air, held by the shared understanding that time and space will unfold their stories together.
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THE TARDIS
The Doctor guides you inside the TARDIS and closes the door behind him and both of you are in awe of the major changes of the entire TARDIS. Huge curved white walls with round circles that glow with lights and many ramps that lead to different corridors.
The Doctor hangs his coat on one of the railings as he grins and laughs, “Whoa!” He begins to run around all the ramps with the energy of a little kid as he shouts, “This is amazing!”
“It changed! Oh, you clever thing! Look at that!” The Doctor laughs as he finishes his lap around the new interior of the TARDIS. He runs over to the console and smiles, “It’s got this!”
He pushes a lever forward, and the lights within the TARDIS shift to a vibrant orange, casting a warm glow. Your gaze is drawn upward in awe as the ambient hum of the time machine resonates around you. Running your fingers along the railings, you can feel the TARDIS responding, and you affectionately murmur, “Hello, sweet thing. I missed you too.”
Amid the luminous atmosphere, the Doctor darts around the console, engaging with switches and buttons on the refurbished device. Donna, observing the transformation, remarks, “It’s still a bit nippy.”
The Doctor protests, “Oh, come on!”
Undeterred, Donna concedes with a grin, “All right…” Her expression changes as she admires the surroundings, “It’s gorgeous!” Laughter bubbles up from both Donna and the Doctor, who joins in the jubilation, bouncing excitedly.
“It’s cleaner. And it’s grown,” Donna observes, her laughter echoing through the TARDIS.
Making your way to the console, you overhear Donna questioning the Doctor, “But I— I still don’t get it. I mean, the TARDIS can change all right. But what about your face? Why did it come back?”
“Does there have to be a reason?” the Doctor muses, and Donna, with a snort, retorts, “In your life? Yes!”
With a nonchalant shrug, the Doctor remarks, “Well, I’m stuck with it now.” He continues exploring the console, fidgeting with excitement, and comments, “Oh, this thing is brilliant. It’s even got a coffee machine!” Glancing at you and Donna, he inquires, “You want one?”
You shake your head, “No, thank you, darling.”
“You’re kidding,” Donna says with wide eyes.
“With cold milk, yeah?” The Doctor deftly presses a few buttons, and Donna, smiling, says, “Well remembered.” To your delight, a white cup materializes with coffee and cold milk.
He carefully hands the cup of coffee to Donna who says, “Thank you very much. Careful. It’s how I lost my job. Dropped a coffee in the computer.”
To which the Doctor just hums and moves to flick a few more switches around the console as you lean on a railing, to listen to him say, “I really do remember, though. Every second with you. I’m so glad you’re back ‘cause it killed me, Donna.” The Doctor clicks another switch as he continues on, “It killed me, it killed me, it killed me.”
"We can have more days, can’t we?" Donna inquires, her tone laced with a mix of hope and curiosity. Her eyes reflect a desire for a future filled with shared moments. Continuing with optimism, she suggests, "I mean, why is it such a big goodbye with you? Why is it one last trip? ‘Cause you could visit. With my family."
The Doctor, absorbed in examining a screw, listens attentively as Donna paints a vivid picture of ordinary yet precious moments. "We could do outrageous things, like have tea, dinner, and a laugh! And Rose’s school play. Well, maybe not that. She can’t act. She’s terrible. I don’t know how to tell her. But the point is, you’ve been given a second chance. You can do things differently this time."
Encouraging him to embrace change, Donna suggests, "So why don’t you do something completely new and have some friends?"
The Doctor contemplates the idea, responding with a hesitant "Maybe. Yeah." Donna chuckles, savoring the simplicity of their current moment. "Mmm. Like now," she remarks, lifting her cup as if to toast. "Here we are. Having a coffee."
Before the Doctor can respond, Donna's accidental spillage disrupts the calm, eliciting a gasp from her. "What’s gonna go wrong—" Her sentence is abruptly cut off as the spilled coffee interacts with the TARDIS console, resulting in sparks and flames.
With urgency, Donna questions, "What’s happening?" The Doctor, swift in his actions, ushers both you and Donna away from the unfolding chaos. The TARDIS groans and whines as its engines protest, and the cloister bell rings ominously in the background.
"We could end up anywhere in time and space," the Doctor confesses, a tinge of uncertainty in his voice. As the atmosphere fills with anticipation, you brace yourself, thinking, "Here we go again."
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TAGLIST:
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beguines · 3 months
Text
As neoliberalism has infected higher education, research on "mental health issues" in the academy has become increasingly conservative. My own subject area, sociology, is as guilty as any other. We have lost sight of what it means to think critically about the mental health system, to be able to challenge the work of the psy-professions, to interrogate meaningfully the production of knowledge claims on "mental disease," and to adequately contextualise the expansion of the psychiatric discourse with reference to theoretical sets of ideas which refer to labelling, power, and social control. We have effectively become pseudo-social psychologists whose research agenda is passed down to us by state agencies, requiring us to do little more than identify marginalised groups who can be labelled and policed by the psychiatric authorities and the criminal justice system. Having a once proud tradition of highlighting the systematic, oppressive practices of the mental health system, the sociology of mental health is now in severe danger of simply becoming another arm of the state. Far too much of what passes for "research" in the discipline is flawed from the beginning: it takes for granted that the mental health system is a fundamentally caring, scientifically sound discipline; it accepts mental illness diagnoses as valid and having a proved aetiology; and the empirical lens is focused outward on "undetected" pathologies in the general population rather than inward on the pathological behaviour of the institution of psychiatry and its allies. The result is that we end up with sociological research and scholarship which perpetuates the myths of psychiatric knowledge and aids the expansion of psychiatric hegemony (how many times have we read at the conclusion of such articles and books that there is a gap—an "unmet need"—in current mental health provision for which further resources and staffing is required?).
Thus, we need to resist the top-down state-run agenda and reject funding streams that tie us into conservative, surveillance-focused projects. We also need to be vocal in challenging the scholars who take on such projects and reproduce the same old nonsense on mental illness prevalence which reinforces the hegemonic view of black, female, young, LGBT, working class, and other marginalised populations as pathological. As always, sociological investigation needs to focus on the powerful rather than the powerless. This requires the revitalisation of a truly critical research agenda for the sociology of mental health in which the operations and practices of the psy-professions and their production of knowledge claims are prioritised. Research would then focus on the politics of diagnostic construction and professional power, on how psy-professionals turn subjective, personal understandings of human beings into categories of pathology, on the inner workings of the mental health system, on the conflicts and alliances made internally and externally to these professions, and on their constant need to justify mental health practice as medically and scientifically relevant.
Bruce M.Z. Cohen, Psychiatric Hegemony: A Marxist Theory of Mental Illness
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queenshelby · 10 months
Text
Chemical Reactions (P. 11)
Pairing: Cillian Murphy as J Robert Oppenheimer x Student Reader
Warning: Age-Gap, Infidelity, Smut
Words: 3,456
Note: The fic is spoiler free and my own fantasy and imagination. It is not historically and scientifically accurate.
Previous Parts: 1; 2; 3; 4; 5; 6; 7; 8; 9; 10
Notes for this part:
In this part I have tried something new and written it from two perspectives.
One of the perspectives is that of the reader as she arrives at the Four Seasons Hotel and has an intimate and long overdue encounter with Robert.
The other perspective is that of the two army officers listening into the reader’s encounter with Robert. I have given these officers the names Officer Nichols and Officer Kent. The Officers will later joined by General Lesley Groves and the perspective of these officers is written in italics.
A new encounter…
An hour before you knew that Robert was due to arrive at the Four Seasons Hotel, you checked in to the room he had booked for the night, thinking that this would give you enough time to get ready.
The room itself was more luxurious than anywhere else you had ever stayed before and there was even a bottle of champagne on the nightstand for you both, which you thought was a nice gesture. “With compliments” it said on the note left in front of it and, whilst you were keen to open it, you ought it to be polite to wait for Robert.
With that in mind, you chose to spend the entire hour prior to his arrival to get ready for him, stripping off your clothes and then heading in to the bathroom before starring at yourself in the counter-to-ceiling mirror adjacent to the basinet.
Knowing that Robert desired you, you smiled as you studied your naked reflection before, eventually, you picked up the bar of fresh soap which had provided by the hotel, taking in its scent. It was rose scented and smelled more luxurious than anything you had washed yourself with before, making it perfect for you to use in a hot warm bath.
***Listening in***
“What’s wrong?” Officer Nichols asked as he watched Officer Kent turn off the listening device for a short moment of time.
“She is turning on the tap” he pointed out to his superior who looked his colleague with confusion.
“So?” Officer Nicholas asked before he turned the device back on so that he could hear what was going on.
“It’s the bathroom, sir. With respect, we should give this poor woman some privacy. She is having a bath” Officer Kent pointed out but Officer Nichols clearly did not care.
“This is a matter of national security and I have clear instructions from General Groves to make note of every word spoken between this woman and Dr Robert Oppenheimer in so far as the project is concerned. This includes anything she mumbles to herself while washing her fucking hair. Now listen and make notes…” Officer Nichols instructed and, of course, Officer Kent agreed to follow his orders.
“Yes Sir” he thus said to his superior before continuing his investigation into your bathroom habits.
***
Without knowing that you were being listened to and, after adjusting the water, you stepped into the tub and spread the soap luxuriously over your body. You inhaled the spicy, floral aroma and thought about Robert’s hands on your body which were what you missed the most. You missed his gentle, passionate, and erotic touch along with his kisses and the feeling of him being inside of you, making your two bodies become one.
You needed him to touch you again so desperately and, just as you ran your soapy hands over your hardening nipples, you unconsciously closed your eyes and enjoyed the memory of how turned on you had been when Robert made love to you last.
As such, you slipped your magic fingers down your smooth stomach and pressed one teasingly between your waiting lips with the subtle urge to masturbate growing. But then, suddenly, remembering the things that were about to occur, you reluctantly stopped touching yourself and rinsed off. You wanted Robert to be the one to make you cum and knew that he would not have appreciated you making a start without him.
You thus stepped out of the tub and wrapped one of the luxurious towels around your body before you walked, still dripping, into the bedroom and, just as you glanced towards the bed, you noticed that there was a new suit-bag standing in front of it.
“You are early” you then heard a familiar voice say to you from behind, which is when you turned around and saw the man you had been waiting for.
“So are you” you told him in response as Roberts took your hands in to his and looked deeply into your eyes.
“I missed you” he then told you with great desire in your voice and our reply was simply to place your lips on to his and give him a long and passionate kiss, which he returned with enthusiasm.
Your tongues were soon dancing around each other's mouths and you decided to drop the towel in a haste as you kissed passionately, furiously grasping at each other with your hands, unable to kiss fast or deep enough to satisfy your wants.
***Listening in***
“Sir?” Officer Kent asked while taking off his headphones momentarily. 
“What is it?” Officer Nichols wanted to know and, by this point, he sounded somewhat annoyed.
“With respect, I don’t think that their relationship has anything to do with conspiracy against the US government” Officer Kent pointed out, seeing that you and Robert were clearly about to engage in intercourse rather than a discussion about bomb or communism. “I think they are just lovers” he thus pointed out but Officer Nichols did not care.
“She wouldn’t the first spy to use these kind of techniques Kent. Keep listening” Officer Nichols argued, but Officer Kent was still reluctant.
“Sir, I am not going to listen to…” he thus said before being interrupted by his superior again.
“I expect you to do your fucking job” Officer Nichols said which was the last discussion they had until, several hours later, they were visited by General Groves.
***
Still not knowing that you were listened to, your kissing continued like this for several minutes while your hands were tugging against Robert’s clothes and his hands were roaming your naked and still somewhat wet body, passionately touching every bit of exposed skin he could reach.
“It’s been way too long Robert and I can’t wait any longer” you murmured against his lips as you managed to get your right hand between you and him and find his already erect length inside his trousers.
“Neither can I. I can’t stand being without you” Robert told you and, by that time, he had moved his mouth down to your neck and then your breasts which were glistening from your bath.
“You have absolutely no idea how much I graved this” he then said before he was alternatively licking and kissing your naked flesh, eliciting a moan from deep within your throat.
“I think I may have a slight idea, going by the letters you wrote me. Some of them were quite explicit Robert” you teased in between moans as you let go of his cock and used your hands to work on his jacket and shirt, removing them both.
“And what did you do with the letters?” Robert then asked before a gasp escaped his lips.
“I masturbated to them before hiding them beneath my bed, which is where no one can find them” you smirked seductively and Robert’s pleasure was expressed with another bout of amorous kissing.
“You shouldn’t have kept them Y/N” Robert told you before he gave your breasts the attention they so craved.
“I had to Robert. It is all I had from you for three fucking months. I had no idea where you went and I know you cannot tell me anything, but I missed you. I missed this” you told Robert through several quiet moans as he went to work on your breasts while you unbuttoned his shirt some more and virtually tore if from his body before dumping it alongside your own clothes.
“I need you to fuck me Robert” you then whispered said as you took the opportunity to kiss his nipples too and then worked your way down his torso to his stomach, fully intending to unbutton his trousers and release that snake trying to force its way out the fly. Robert, however, had other ideas and he gently lifted you onto the bed and laid you on your back before he stood there open mouthed for a few seconds, looking at your naked body.
“You are stunning and I can’t wait to make love to you again” Robert then said before, eventually, he lowered his head in between your legs.
“Spread your legs wider for me, so that I can taste you” he told and, as soon as you complied with his request, Robert buried his tongue in your already sopping wet pussy.
At the first touch of his tongue, you let out a moan and then a gasp as he moved to your clit and began sucking and flicking your little knob.
“Fuck, Robert” you groaned and, after having been abstinent for about three months, you were not ashamed to say that your first orgasm happened within minutes - the first of several that afternoon and many since.
The orgasm started as a familiar tingling feeling deep inside your tummy, moving down to your womb and finally to your love tunnel. As it moved south your hips began to gyrate and Robert had to use both hands to push you down until you finally let out a loud moan and your love juices flowed freely from your pussy.
Robert clamped his mouth over your gaping hole and sucked out every last drop before moving back up the bed to give you another passionate kiss.
“You taste even better than I had remembered” Robert then told you after your lips drifted apart and you were quick to announce that, now, it was your turn.
“Let me repay the favour now, professor” you smirked and Robert voluntarily rolled onto his back on the bed and looked into your eyes with anticipation.
“I missed this” Robert acknowledged as you unbuckled his belt and undid his trousers. With some help from Robert they, and his boxer shorts, were soon cluttering up the floor and he led there with his length standing to attention just waiting for some action.
“So did” you told him as you positioned yourself between his legs, leant forward and tickled the tip of his length with the tip of your tongue.
Robert groaned loudly and, given the way he jerked, you could tell he liked that but before you took him fully into your mouth, you wanted to tease him a little more so you moved up his body to kiss his belly button which brough your breasts into contact with his very hard member.
“That is very sexy” Robert groaned as you swayed slightly and your nipples brushed against the head of his cock and you were rewarded by a smear of pre-cum on your breasts, which you licked off whilst looking into his eyes. Moving back down you licked your tongue up and down the length of his cock a few times before opening your lips and swallowing him into your mouth.
“God, that’s it Y/N. That feels so good” Robert groaned as, with up and down motions of your head, you sucked on the length filling your mouth and heard some gratifying noises coming from this beautiful man.
Whilst mouth fucking his cock you used your right hand to fondle his balls until after a few minutes he lifted your head.
“You better stop or I won’t be able to control myself” he told you and you knew that he wanted to be inside you when he came.
“Do you want me on top?” you thus asked and, after he nodded his head and answered with a simple “yes” you moved to straddle him in the cowgirl position.
“What a perfect view” Robert acknowledged as you positioned yourself directly above his cock and reached between your legs to open your love tunnel for him.
“Oh god. Fuck” was all you then managed to say with a loud moan as, in unison, you sank down onto him as he pushed up.
The feeling of his cock pushing into and filling your pussy was immense and once fully inserted you just squatted there for a few moments to savour the feeling before starting to slowly move up to the point his cock head was still just in your pussy before sinking back down again.
“Fuck you feel so good” you moaned loudly as your inner labia lips were very sensitive and Robert's bulbous head was soon doing the trick and your movements became faster and faster until he had to start working with you to keep himself inside.
Your love making was frantic and loud. Groans and moans were filling the room and, after about twenty minutes of this action, you could feel yourself starting to orgasm again.
“Oh god Robert. I am so fucking close” you cursed and this spurred him into even faster action and the familiar feelings were rapidly building up inside you.
“Cum for me” Robert groaned and, as he reached up and pinched your nipples, you went over the top in a rush, a rather noisy rush.
“Oh my fucking god” you cried out as you came hard and, when your walls began to convulse and your body started to shake, Robert too let go of the built up tension in his loins.
“Fuck” he simply groaned as he jerked upwards again while tumbling over the edge himself, which is when you felt a jet of hot cum burst into you and explode against your cervix.
You moaned again and Robert kept up his thrusting until he was completely spent which is when, after a little while, you lifted yourself off and Robert’s length slid out of your love tunnel.
“Jesus Christ I fucking missed this” you cursed as you could feel your combined essence drip from your slit, arousing you all over again just you laid down next to each other, panting.
“Well don’t think I am done with you yet. We will have until midday tomorrow before I have to leave and see my wife” Robert explained while lightening himself a cigarette and you sat up in order to finally crack open the bottle of champagne.
“Your wife is not someone I want to talk about Robert, so don’t mention her again” you lectured him before pouring yourself and Robert a glass of champagne.
“I apologise” Robert said while sitting up straight and taking the glass from your hands while you snatched the cigarette he had lit from his.
“Now tell me, how is your thesis on dark matter coming along” Robert then wanted to know which is what you talked about for an hour before engaging in some steamy intimacy again all while being listened to by army officials.
In the end though, after several hours of love making, you finally laid on the bed in the spoon position, with Robert's hands on your breasts and your hand on his semi-hard length, and fell asleep.
It was a very satisfied sleep until an hour or two later you were awoken by the sensation of having your breasts massaged.
“You can’t get enough, can you?” you teased as you began to stroke Robert’s cock and turned your head towards him.
“Never” Robert confirmed before kissing you again, passionately, and full of lust. 
With just a few hours of sleep, your passion certainly had not abated and Robert soon lifted one of your legs to give him access to your pussy. You felt his finger enter and gave a little moan, followed by a slightly louder one as a second finger entered you. He soon found your G-spot and went to work, finger fucking you whilst tweaking your nipples at the same time. Not content with this he used his thumb to rub your clit, which started you off again.
"Not with your fingers; put your cock in there" you eventually whispered and this was a request he willingly went along with. As his cock found its way into your pussy his fingers replaced his thumb on your clit, where they performed magical deeds adding to the feelings you were already having.
Robert now started kissing your back and neck, nibbling your ears and sucking on the lobes, so that you were feeling totally consumed by the act of making love with him. A few minutes later Robert pulled himself out of you and rolled you onto your stomach then raised your ass into the air to give a perfect angle for his cock to fuck you from behind.
“Oh god Robert. Please take me” you moaned, thinking that this was the sluttiest position of all as, to you, it suggested that the woman is totally subservient to the man and at that moment that was exactly how you felt.
Robert began with long slow strokes which, as before, steadily got shorter and faster until you had to begin to sway back and forth in time with him to keep you both coupled. Every time he thrusted into you, you could feel his balls slap against your clit and that was very erotic.
After a while, you felt him lean forward and his hands came around your body until he had a grasp of your breasts, which he began to knead and pinch again.
“I am so close” you moaned as this whole experience was having the desired effect and your orgasm began to build.
“So am I" was Robert’s reply and almost immediately after that you climaxed together and you felt more of his sperm fill you, but only this time it seemed to go on for ever as spurt after spurt exploded into you, right against the entrance to your cervix.
Moments later, you collapsed into a big, spent, heap on the bed; both breathing very heavily but managing to continue massaging each other's bodies before getting some more rest and even another few hours of sleep until, at around 5 o’clock in the morning, there was a knock on your hotel room door.
“Open up Robert. We need to talk” you heard a familiar voice of an angry General say, speaking heavily and frustrated, causing you to break out in fear for the inevitable.
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drnikolatesla · 5 months
Text
The Evolution of the Tesla Coil
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Nikola Tesla invented the Tesla coil as part of his exploration into lighting, wireless power transmission, and radiofrequency experiments. He developed the coil to produce high-voltage, low current, high-frequency electricity. The Tesla coil consists of primary and secondary coils that are inductively coupled, and the circuit is designed to resonate at a specific frequency. This resonance enhances the efficiency of energy transfer between the coils, enabling the generation of high-voltage, high-frequency alternating current.
His first Tesla coil was a bipolar coil created around 1891, and was demonstrated before scientific institutes from 1891-1893. His patents reveal that they were essentially intended for light production using both high frequency and high voltage at the same time. He also mentions in his patents how he discovered that a single wire could be used to light a light bulb. Generally, light bulbs require two wires to operate – one for the positive (live or hot) and one for the negative (neutral). He also discarded wires completely lighting bulbs wirelessly. Tesla improved upon the bipolar coil over many years using them for gas engine ignition, wireless, ozone production, and to create undamped waves.
In 1893, Tesla developed the bifilar spiral coil, which is a type of coil wound with two parallel wires, known as bifilar winding. The wires are wound side by side in a spiral pattern, maintaining close proximity throughout the coil. It was built in an attempt to avoid the employment of condensers, which are expensive and difficult to maintain. The coils themselves were meant to accomplish the same ultimate object as the condensers.
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In 1894, Tesla evolved his coil into a conical coil. A conical coil refers to a coil or winding in the shape of a cone. These coils were sometimes employed in his wireless power transmission experiments and other electrical investigations. The shape of the coil can influence its inductance, capacitance, and resonance properties, impacting its performance in different applications. This coil allowed Tesla to reach tensions of 1 million volts.
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In 1897, Tesla developed the flat spiral coil, similar to his bifilar coil. This type of coil forms a flat, spiral pattern. The specific shape and dimensions of the coil can influence its inductance and other electrical properties. The main reason Tesla started using flat spiral coils was because they were relatively safe, since the highest potential terminal is at the center, and also because they better suppressed the sparks, which were essentially losses in the circuit, allowing him to achieve higher voltages:
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Another version of his coils was his Helical coil. A helical coil is a coil wound in the shape of a helix or spiral. The helical coil configuration is characterized by the wires being wound around a cylindrical form in a continuous spiral pattern. Tesla utilized helical coils throughout the late 1890s and in his Colorado Springs Experiments. The coils were used in his wireless transmission experiments, and he employed helical resonators to investigate the behavior of electromagnetic waves. The helical shape offers specific electrical properties and can influence the resonance and performance of the coil in certain applications.
Finally, the Tesla coil would eventually evolve into his Magnifying Transmitter. Tesla designed it as part of his wireless power transmission experiments. The magnifying transmitter was intended to efficiently transmit electrical energy over long distances without the need for wires. The system involved a large coil, often called the magnifying transmitter coil, which could produce high-frequency, high-voltage electrical currents. Tesla believed that this technology could revolutionize global communication and provide a means for delivering electrical power wirelessly by using the earth itself as a conductor.
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The magnifying transmitter would become his Wardenclyffe Tower. Unfortunately, Tesla ended up lacking the investments and funds to finish his work in its entirety. Some say he failed because his idea didn’t work, but that’s not true at all because his Colorado experiments proved that they did. In his head, the transmission of energy was a matter of engineering. If he had a machine that could send energy 20 miles, then he could build a machine that could send energy a thousand miles. As long as he understands the motive power, he could build a machine that will do all that he requires of it. He simply underestimated the cost of his system. His failures to finish his work would leave him with the public persona as being the mad scientist who had unrealistic ideas for the future.
Ultimately, Tesla would not realize his dream of providing humankind with cheap, unlimited energy in his lifetime; however, his legacy forever lives on through the incredibly impactful experiments, and the evolution of the Tesla Coil.
“Technical invention is akin to architecture and the experts must in time come to the same conclusions I have reached long ago. Sooner or later my power system will have to be adopted in its entirety and so far as I am concerned it is as good as done. If I were ever assailed by doubt of ultimate success I would dismiss it by remembering the words of that great philosopher, Lord Kelvin, who after witnessing some of my experiments said to me with tears in his eyes: ‘I am sure you will do it.’”--Nikola Tesla
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gallusrostromegalus · 8 months
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Hi, if the asks for AEIWAM are still open, can you share some more regarding the 12th division transitioning to taking over R&D, thanks to Urahara? Did the other divisions take it well, were there fights over boundaries/responsibilities/secrets? Individual divisions holding onto research directly relating to their remits? And how did Mayuri taking over from Urahara impact relations with other divisions?
Urahara proposing a dedicated research and development branch was not a particularly unexpected move, and a wildly applauded one.
His predecessor, now-Royal-Guard Hikifune, had done extensive research and development on her own when she developed both the modern Gikon and the Mod Souls like Kon. The 4th was massively overworked but still doing their own medical research. The Kido corps had been doing their own R&D writ: spells for ages. The 7th division had been tracking death and soul statistics like where souls reincarnated in the Rukongai and who went to hell and why for centuries. "Science" is a very strong word for what the 11th was doing re: destruction, but by golly they were doing a lot of it.
So Urahara's idea to develop a cross-division group dedicated to connecting existing research and developing new lines of inquiry from there was an extremely logical step and one pretty much everyone regarded as a good move.
---
Everyone, except Aizen.
See, Aizen had been doing his own little experiments with creating and perfecting the Hogyoku and those experiments involved a shitload of murder and other crimes, not to mention the whole treason thing, and Aizen was worried that if Kisuke managed to say, actually collate and look over the Rukongai crime stats Aizen had been hiding or read up on the Kido corps work, he might be JUST smart enough to figure out what Aizen was up to.
So Aizen made sure that when they got caught, that the experiments he'd been running would look like Kisuke's work :)
I think Aizen also had a significant hand in making sure it was the literal clown Mayuri who got the job after Urahara fled. There were definitely better candidates to become the Gotei-13's quartermain, but I think Aizen either discouraged them, or figured out how to make Mayuri look way more sane than he actually was to the other captains when the vote came.
Mayuri was a disaster for R&D. Not only were his scientific methods dubious at best, none one the other divisions trusted him with their work, and all of them became a lot more secretive and paranoid.
The 4th resumed it's own medical research, which was slow because of all the other work the 4th needed to do as well. The 7th kept its statistics under lock and key lest Mayuri get funny ideas about killing people to measure things faster. This new cloaked way of doing business allowed Mayuri to engage in horrors that actively got in the way of progress. Like recruiting the top 10% of the academy's graduating class for his division and then using them as guinea pigs and/or explosives.
Aizen: All According to Keikaku :)
---
In AEIWAM, not all hope was lost.
Before he was a shinigami, Kaname Tousen was a Librarian.
It was all he ever really wanted to be- when he came to the seireitei it was entirely to investigate his sister's death. He had no intention of enrolling in the academy, or pursuing rank.
Aizen has a way of derailing people's lives.
By force, when necessary.
By pounding 44 magical nails into Tousen's spine and carving command kanji into his shoulders and inflicting a vile curse on him to force Kaname into being his co-conspirator, his own personal R&D, and his entertaining puppet, if necessary.
Well,
Maybe Aizen is having a little bit more fun than strictly "necessary".
Aizen might have cursed Tousen into silence and obedience, but he can't stop Tousen from keeping his own records. Meticulous notes about every excursion he is made to take, every crime he is forced to commit, every horrific act Tousen does through tears- everything is recorded, documented, and safely stored in triplicate in several locations and formats.
In fact, Aizen comes to rely on those records- Aizen is very good at Lying and Kido and Hubris but that is the extent of his intellectual prowess. He relies on Gin to keep track of what everyone else is doing, and on Tousen to do all the scheduling, lab work, provisions and actually keeping the aarancar in line.
And Kaname takes advantage to press the curse whenever he can- he was close, he was so. Fucking. Close! To getting the whole scheme exposed during Turn Back The Pendulum.
He tried. He tried and tried to say it when Yamamoto interrogated him, to confess his sins and bring Gin and Aizen down with him, to make himself understood.
-Who did this? Who killed captain Hirako?
-I know them! I know, but I can not say!
It's all Kaname can manage before the curse retaliates, and almost strangles him to death to keep his silence, invisible to Yamamoto because of Aizen's illusions.
---
...after the nature of the curse is revealed, Yamamoto listens to the recording of that interrogation and weeps. The captains are the closest thing he has to children. Yamamoto hears this man who is almost his son, screaming, begging him to understand -
Not "I don't know"
Not "I will not say"
"I know, but I can not say."
---
So Kaname bides his time, keeps his records and tries to distract himself form his situation by drawing what conclusions he can.
After the Winter War, there is some debate as to what's going to happen to R&D.
Mayuri is in a jar, battling for control of his body.
Nemu refuses to admit he's out of action. Akon refuses to be promoted.
Kisuke or whoever does run the 12 will be too busy shovelling leftover war crimes out of the basement to actually run R&D.
Yamamoto has a long-standing agreement with Unohana that if he makes her take on One More Thing, he will not get the privilege of dying.
Ukitake is running the Kido corps, but he's also already got a foot in the grave.
Yamanoto isn't sure he can trust anyone else with lab equipment.
" ...Tousen." he says, nonchalant, visiting him in the hospital. "You seem to be rather accomplished at record-keeping and lab work."
"Last time you promoted me while I was in the hospital after a catastrophe, it extended my recovery by a solid five years and lead to an even greater one. No. Tell Kisuke to buck up and run R&D, it was his damn idea in the first place."
"Yes, obviously." Yamanoto says as though he had been planning that at all. "-but the court guard still needs to be supplied, so if Kisuke is running R&D, who is running the 12th?
"Muguruma."
"Pardon?"
"Kensei Muguruma might be the second-worst boss I've ever had but he is rigorously punctual, has an incredible work ethic, and can be trusted to stick to rules and regulations to the letter. He's a rigid, grouchy, hard ass, and a terrible match for the ninth, but he'd make an excellent quartermain." Kaname sighs.
Yamamoto ponders that for a bit.
"Also, he's running the newspaper over my dead body." Kaname elaborates. "He's contracted horoscope brainrot from Mashiro, I'm afraid."
"He may attempt to dispute that he should be running the Ninth as his prior demotion was unlawful, as is his right." Yamamoto nods. "It would be resolved by some kind of combat."
"I've gutted him once, I'll do it again." Kaname grunts and Yamamoto barks a laugh.
"I believe your judgement is sound, and will abide by your recommendation." Yamamoto nods, patting Kaname's hand. "I will inform Urahara and Muguruma of their new responsibilities."
"...Thank you, sir." Kaname mumbles, listening to Yamamoto open his notebook and write something down. "For your trust in me, and not promoting me again."
"Hm." Yamamoto nods.
To-Do: Update last will and testament in regards to successor choice. He writes.
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blueinkjpeg · 1 month
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Listen to me ramble about traveler ships bc they’re silly!!
Albedo
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Both Albedo and the Traveler have a scientific curiosity about the world and how it works, as well as humanity, which they are both not a part of. While Traveler finds enjoyment out of living among them, Albedo prefers studying them from a distance.
This also transcends into curiosity about each other, since they’re both different kinds of immortal ageless entities, they intrigue each other. (Albedo talks about wanting to “study” the Traveler.) They’re brought together by mutual curiosity— Traveler by Sucrose’s description of a gentlyman-ly scholar with much knowledge of Teyvat, and Albedo by tales of the interstellar Traveler with unique abilities and knowledge of other worlds.
They feel a sort of kinship for each other, as they’re both not really of Teyvat. Because of this, Albedo only trusts the Traveler to stop him if he should lose control one day and destroy Mondstat. He also talks about trusting the Traveler around his experiments, and having faith in their “exceptional talents.” He also trusts Travaler with Festering Desire, a sword with the remains of Durin (who was created by the same person as Albedo). Albedo specifically sought out the Traveler help him research the power within the sword, correctly guessing that Traveler (with their purifying ability) would be the only being able to wield it, which Sucrose remarks as odd and a great display of trust.
A final display of trust and perhaps the greatest of all; during the Shadows Amidst Snowstorms Event, Albedo decides to tell Traveler about his creation and relation to Durin, which he has not told to anyone else up to this point. Traveler’s response is to reassure Albedo that they’re not going anywhere, that they’re going to stay with Albedo on dragonspine and make sure to help him find his imposter.
About us, Assistant: Would you oblige me by serving as my assistant? After observing so many experiments, you surely know a good deal about alchemy by now. Relax, we will work together. I don't think you will have any problems. I have faith in my ability to instruct you, and even more faith in your exceptional talents.
Ascension 2: Albedo is the step in which change begins. Clearing away the excess so we can take on all the knowledge that is available. Would you like to investigate this world with me?
Ascension 3: Rubedo in alchemy refers to the refining of feeling. I feel the refining of my own emotions is also thanks to you.
Is there anything else you're interested in?
Albedo: Hmm, anything else...?
Albedo: Probably you.
Albedo: At first, it was because you carry the aura of the stars.
Albedo: But now... it seems that there is more to it.
Albedo: Why is this? Give me some time and I can conduct experiments to find out.
Is there anything you'd like to do?
Albedo: Heh, where should I begin...?
Albedo: In your company, I never lack inspiration.
For drawing?
For experiments?
Albedo: It's good for both drawing and experiments.
Albedo: And not just for these, but for many other things.
Albedo: Speaking of which... I used to think interaction with others was a waste of time.
Albedo: But after meeting you, I'd rather spend my time on you than other matters.
Albedo: This is a unique anomaly. I think I likely know the reason why.
Albedo: So can you also... give me more of your time?
Albedo (during The Chalk Prince and the Dragon Event): I mean that the time that I've spent traveling with you in the mountains was a valuable journey for me. In the future... If the need arises... Can I solicit your help again?
Traveler: Sure, even if you just want some company, find me anytime.
Albedo: Well… Glad I can count on you.
Albedo: Those born of earth are bound by its imperfections, but those born of chalk and free of impurities... You and I are alike, both composed of a substance that has yet to be fully defined... If one day, I lose control... Destroy Mondstadt... Destroy everything... Can I rely on you to stop me?
Albedo (Golden Archipelago quest): Communicating with others can be a taxing affair, but if I were to choose someone to talk to, I would pick you. You're intelligent, and I like to talk to intelligent people.
Albedo (The Chalk Prince and the Dragon Event): But if you want to know why I trust you... It might be because… The unusual ones like us share a certain degree of understanding.
Traveler: “Unusual ones?”
Albedo: Lonely individuals... Those who aren't like ordinary people, Just like... you and me
Traveler: (Is he implying something?)
+(whatever the hell this look is):
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Xiao
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Xiao has been cursed with bad karma, while the Traveler has purifying abilities. Xiao talks about how being around them makes him calmer somehow. Maybe because of these purifying abilities, more likely because the Traveler is so universally warm and friendly. Two immortal beings, Xiao has spent his long life tied to his nation while the Traveler has been almost everywhere.
While Xiao has a rough exterior, he is actually curious about humanity and has a great love for them, something Traveler understands and shares. He’s just weary of his karmic debt and history of violence bringing the Liyuan people bad luck, or preventing him from fitting in should be mingle among them. The Traveler likewise does not fit in, but is still beloved. And so, Xiao has expressed that he would be willing to attempt going to Liyue Harbor to learn about the people if the Traveler accompanied him. It’s likely Xiao admires Traveler for their pursuit of understanding Teyvat and its people— something Xiao is naturally bad at— and they make him feel comfortable to pursue it as well.
Xiao has sworn to come whenever the Traveler calls his name. He seems notably protective of Traveler, more so than other characters, maybe feeling a kinship for both being so inhuman. Either way, voice lines imply he is guarded because he assumes his karma will poison Traveler, and he doesn’t want to hurt them. Despite this guarded roughness, Traveler rightly characterized him as a deeply caring individual, seeing Xiao to the core of who he is, and treats him as such.
Also, Traveler has shown to be dedicated to becoming someone Xiao can trust and relax around. In some of Xiao’s voice lines, it’s implied that Traveler has been trying to come up with ways to help soothe Xiao’s pain, such as; suggesting Xiao try poetry, asking Baizhu about pain medication. Traveler sees Xiao trying to manage his grief and interact with the people of Liyue more, and presents non-optional support for him. (Learning more to honor Perceval, bringing Lantern Rite to Xiao when he’s too hesitant to attend, making tofu for him since other foods bother him, etc.)
They have a tradition of releasing Xiao Lanterns during Lanturn Rite. Xiao has given the Traveler crystalflies for their hair for his own birthday, and has talked about how since knowing the Traveler, Xiao has been blessed with sweet peaceful dreams of the two of them going on strolls, wondering if he deserves something so nice.
In a poetry event, the Traveler has created poetry to show their admiration towards Xiao for his endless watch over Liyue. Maybe Traveler admires it because they’ve never had such devotion over something for so long, and Xiao admires Traveler for the opposite reason, and for being brave.
About Shenhe: It seems Shenhe places a great deal of trust in you. Well, how could she not. There are few people in the world as kind and good-natured as you.
More about Xiao V: It's too late. The connection between us is too strong. Even if you wanted to, it's too late to sever it. Hm? You've never thought to sever it? *sigh* This eternal dance of demon subjugation... My fight goes on. But I would like to know more about you.
Ascension: Countless souls have fallen prey to these hands. I too have been swallowed by the darkness — and yet you dare to drive me on. You may think of me as... your companion. You seek to find me salvation? ...You... really are a difficult being to comprehend.
Xiao: ...I don't know if it's related to you, but recently, the pain from my karmic debt has been less excruciating.
Xiao: It's much easier to bear than before.
Xiao: If you have free time, we can go to Liyue Harbor together...
Xiao: If not... never mind.
Of course we can.
Xiao: Uh... alright.
Finally decided to integrate into city life?
Xiao: Ahem...
Xiao: I have no intention of getting close to the lives of mortals.
Xiao: But I know that you often enter and leave the city, walking amidst the crowd.
Xiao: The stories of these times, or their joys... If I don't experience such things myself, it'll be hard to understand your thoughts.
So... you're doing this for me?
Xiao: Yes, to understand you.
Xiao: I had a feeling that it would be difficult, but after having such thoughts, I can't simply sit back and do nothing.
Xiao: I will control myself while I am in the city.
Xiao: I'll try to speak... as little as possible.
I'll be with you.
You can say whatever you want. I'll bail you out.
Xiao: Hmm...
Xiao: Let me know when you're ready to go.
Shenhe about Xiao: My first impression of him was that he's not one to smile. After meeting him again more recently, however, he's still as reserved as ever, but... he seems a lot more relaxed now. Maybe he... met someone special.
Zhongli (3.4 lantern rite): Just as Xiao may seem unapproachable to most, but [Traveler] has proved otherwise.
Ayaka
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Ayaka’s character story 5: “Ayaka is still waiting for a friend to emerge who can walk alongside her on equal footing and stand by her side. That person cannot see her as a member of the Yashiro Commission, or as the Shirasagi Himegimi, nor will their conduct towards her be bound by decorum or status. And if possible, they might also be well-versed in a great many fields of study, and have witnessed all manner of interesting things... and perhaps they might even be able to tell her a story in a pinch. Only such a person might become Ayaka's bosom friend.”
The Traveler is Ayaka’s ideal companion, the exact kind of person she has been waiting for, possibly the only person who truly has the ability to understand her outside of Inazuman society’s perception of her. She finds Traveler interesting and exciting, a stark difference from her everyday life.
When they first met, the Traveler was disillusioned in their travels after briefly reuniting with their sibling, who dismissed them. Ayaka makes the effort to show them and remind them why they began their travels in the first place; the world and humanity is complex and interesting and beautiful, and it’s a worthwhile endeavor to understand and protect them. Ayaka regularly reminds the Traveler of this by being complex and interesting and beautiful herself. Traveler then goes to great lengths to protect Ayaka’s people, because they understand why they’re important to her.
Ayaka is trapped in Inazuma, while the Traveler has been all over the world. Things that Ayaka has seen a million times are new and wonderful to the Traveler, showing these things in a new light to Ayaka. It makes Ayaka feel like a “regular girl,” something she wishes she could be more often. The Traveler is shown to feel most comfortable with Ayaka and her family while in Inazuma. They both understand what it’s like to feel distant from a sibling.
Good Morning: Oh, good morning, Traveler. ...Whenever I see you in the morning, somehow, it makes me feel like... today is going to be a good day.
Aspiration: Today, as in the past, I aspire to be somebody whom everyone can trust. But what motivates me is no longer the responsibilities I shoulder, or the expectations of other people. Rather, it is the fact that you are this kind of person, too.
More about Kamisato Ayaka V: […] unless I am mistaken, I trust that you will not take issue with this slight departure from convention on my part… That is to say... I'm a little tired, may I rest my head on your shoulder? Just for a moment.
Desires: […] But even so, shouldn't I still follow my dreams? Shouldn't I... share my true feelings with you?
Ascension: Our time together has been so pleasant that I am fearful of losing what I have gained. I'm sorry, I must compose myself.
Kamisato Ayaka: At least, that's a romantic way of approaching this topic [poetry].
I feel the same way.
Kamisato Ayaka: More importantly... I hope that, between the two of us, we need not be concerned with our identities...
Kamisato Ayaka: I'll just think of you as... my closest confidant.
Kamisato Ayaka: Being able to enjoy tea with my closest confidant — it feels like I'm in a dream...
(Closest confidant...)
Kamisato Ayaka: ...
Kamisato Ayaka: Can I... Hold your hand?
Ayaka (during her story quest): I will always be here for you as your... Ahem! As your friend. I will always support you.
Ayaka (during her story quest): I need to explain myself. I got a little nervous back there and... -I just made up any old excuse. But don't think of this as me taking you sight-seeing, please! I brought you here because… because I genuinely wanted to spend time with you.
Wanderer
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The Traveler and the Wanderer are both parallels and ideological foils. They have both been betrayed and abandoned by family and loved ones, doomed to travel and wander the world in order to understand it better because of that.
But the Wanderer has learned humanity’s cruelty during these travels, mostly in the Fatui. He believes humans to be evil and self-serving, and so he acts that way too. And as an immortal, finds mortal limited lifespans cruel and unfair, clutching onto his grief and anger in a means to cope with what he cannot control.
Meanwhile, the Traveler has learned the beauty of humanity during their travels. They believe in the inherent goodness in everyone, and so they act that way. Curious and sensitive, like Wanderer before his three betrayals, even though Traveler has arguably been through just as much hardship as Wanderer (which may be a reason Wanderer held contempt for Traveler in the past). The Traveler is also an immortal being and knows of the reality of limited mortal lives. But instead of seeing it as cruel, Traveler sees the beauty in mortals living free and learning and growing in their limited lifetimes.
Their ideologies are in direct conflict. The Traveler’s ideology has led them to getting hurt often, while the Wanderer’s ideology has led him to being isolated. They have a lot to learn from one another.
AND, with the Wanderer having erased himself from everyone’s memory except the Traveler, the Traveler now is the only person to know the real Wanderer. They know all the evil Wanderer has done, (led to the death of Teppi which Traveler was famously angry about, tried to kill Nahida, etc) and is still his friend. Wanderer is perplexed by this, often expressing it in voicelines. But this means Traveler knows him the most, they own part of his identity as well, as Wander has allowed them to give him a new name. A new name that he has not let anyone use except the Traveler, preferring to go by “Hat Guy” in the Akademia.
While still being weary of him, the Traveler can’t help but seek Wanderer’s presence because they enjoy learning about his vastly differing perspectives on life. The Wanderer respects them because of their vast strength and knowledge.
About us, Rivals: So, you're still stewing over our run-ins from before? Huh. Well, what are you going to do about it? Take your time. I'm in no hurry.
(“Oooo you wanna kiss me so bad ooooo I’m in your head”)
About us, Collaborators: I'll never be one of the good guys. I'm just here to pay my dues after what you've done for me. But what about you? Shouldn't you come up with some excuse for our meetings? If one of your friends mistakes you for collaborating with the enemy, you're on your own.
(He makes the same excuses to be around Nahida, though his lore explains he does truly admire her. Just saying.)
About Damselette: Let me ask: what should you do if you were to encounter a "damsel" who is oblivious and innocent at any given time, and unconcerned and unfeeling in any given situation? If it were me, I could at least challenge her to a fight. But if it were you... with your conscience, I would stay away from her.
(He’s calling Traveler kind-hearted, calling out their optimistic ideology, and warding them away from danger with his more grounded/pessimistic ideology.)
Birthday: Give me your hand. Heh, there's no need to be nervous. I'm just taking you to a vantage point. How is it? The scenery here should be quite breathtaking. There's no need to thank me — I see little point in it.
(Wanderer): Thank you for trying to look out for me. Go get some rest.
Wanderer (his story quest): All you have to do is keep your pretty eyes open, and try not to fall behind.
Traveler (main Sumeru Archon quest, while they’re still enemies): Even if it means losing yourself, would you still want to become a god?
Wanderer: Hmph, those words almost make you sound like a friend who actually cares.
Jeht
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Through the Golden Slumber world quest, it’s made very clear that the NPC Jeht is significantly [romantically] closer to the female Traveler Lumine. In the quest, they travel together for a time and become close. In a moment of crisis involving the Fatui, Jeht is ordered to kill Lumine, but refuses out of affection for her. She takes the punishment instead, and is offered to a Fatui scientist for experiments by her tribe. Jeht was told it was Lumine that betrayed her, and Lumine was told Jeht had betrayed the tribe, but neither of them chose to believe something bad about the other.
At the end of it all, Jeht chooses to fight by Lumine’s side over her other friends. Inspired by Lumine, Jeht decides to go on her own journey. Their goodbye is tearful.
Lyney
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Lyney has only known the Traveler for a short time, but they already have a checkered history. The Traveler trusts Lyney and his sister immediately after meeting them, hangs out with him for a few days, and defends him in murder trial. Only for it to be revealed Lyney was part of the Fatui, who the Traveler has an even worse history with, having killed their friends and put Traveler and their companions in mortal peril many times.
Lyney offers an apology and some of the truth, but the Traveler is still cold with him and brushes him off, believing themselves to be betrayed (and likely influenced by mixed feelings of seeing such close twins). Despite openly admitting to having difficulty with opening up, Lyney makes the effort to be open and truthful with the Traveler during his story quest, rebuilding trust between them. Lyney puts in extra effort to be honest, because he truly wants the Traveler to like him. He gives the Traveler a rainbow rose by the end of it, which even his sister marks as odd, because it represents passion and romantic love in Fontaine. His sister asks the Traveler to “protect that flower for her,” likely alluding to Lyney.
The Traveler trusts him after this enough to include him in the main quest again. Lyney remarks multiple times about how he feels close with the Traveler, how he enjoys talking with them, how the Traveler’s eyes shine like topaz and Lyney could never lie to such beauty.
In Arlecchino's story quest, he’s implied to have talked in detail about the Traveler to his other siblings, and is eager for the Traveler to like them. He is hesitant to involve the Traveler in family business, wanting to keep them safe and saying he will protect the Traveler with his life. The Traveler similarly shows the desire to protect Lyney, stepping in between him and his Father during conflict.
They resonate with one another concerning their twin siblings. Lyney having almost lost Lynette, and the Traveler being separated from their sibling. For the Traveler, this grew from jealousy to admiration, as they see Lyney caring so greatly for his family, a trait Traveler shares. Traveler understands and respects Lynsey’s loyalty to his (fatui) family, and would not be surprised if and when that loyalty drives them apart.
While they are close now after much effort rebuilding trust, they are both silently aware their friendship has an expiration date. Traveler’s goals contradict the Fatui. And with Lyney declaring his loyalty to the Knave as her successor, and this mysterious Fatui scheme the House of the Hearth have been roped into, they both know it’s just a matter of time before circumstance sees them on opposing sides of the battlefield. Though it remains unaddressed for now as they try to enjoy the time they have left together.
Hello: […] Well... Hmm, your eyes are like topaz, precious, pure, and lovely. I like them!
When it snows: Achoo! Phew... I've heard some say that when you sneeze, it means that someone's thinking about you. Is it Lynette, I wonder? Or... is it you?
Good Morning: C'mon, just five more minutes... Huh? Oh! It's you! I thought it was the radiance of the sunlight on my skin that I felt — turns out it was your radiance all along!
About Lyney, sweet talker: I should probably emphasize again that I'm rarely so open with anyone — I guess it's because you're not just anyone.
More about Lyney I: It seems we're both keenly interested in each other. Well, know that the honor is mine! Haha, relax. I couldn't ever tell lies to your mesmerizing eyes — not even if I tried!
More about Lyney V: […] Sometimes I think people would feel sorry for the real me. Do you? *sigh* Or do you find my little games absurd?
(Awwe he cares about what Traveler thinks.)
Ascension: Doing all this for me... Are you trying to steal this magician's heart, by any chance? Well, in that case, congratulations, my dear apprentice — or should I say, "companion." For you have succeeded!
Lyney: It's almost impossible for me to lie to your face... Maybe it's because I can't bear to see that hurt expression of yours.
Lyney: Say, why don’t you look at my hat? Do you see anything different about it?
Huh... Don't think there's any difference.
Lyney: Ah, but that just means you need to look at it more carefully! Just come a bit closer.
Well, alright then.
Lyney: […] No, the whole thing was misdirection.
Lyney: I just played a little trick, and stole something of yours. And after that, I also slipped a card into your bag.
Lyney: Now, can you guess what I stole from you?
My heart?
Lyney: A most unexpected answer! I have to say, even my heart has begun to race too.
Lyney: What I actually stole, however, was your "attention." Even though it's not nearly as valuable as your heart, it's still very important to us magicians nonetheless!
My... attention?
Lyney: Bingo! Congratulations, that was the right answer.
Lyney: […] Anyway, I just want to find a warm, free, and peaceful home for all of my animal assistants.
Lyney: A place where they'll always enjoy care and being lovingly looked after, with no need to worry about food or shelter...
Lyney: To be perfectly honest with you, this [Traveler’s teapot home] is by far the best choice for them that I know of... but I wouldn't want you to feel pressured to take them in, or to persuade you using honeyed words.
Lyney: Good morning, (Traveler)!
Lyney: It would be great if I could see you every morning.
Lyney (during Arleccino’s story quest when Traveler says they’re staying to help): I... just... Thank you. I was really hoping to keep you out of it, but even if I could think of some other reason to turn you away, I'm not sure I could convince you. I know things could turn dangerous, so I promise you this from now on, I'll protect you like my life depends on it.
Lyney (main Fontaine archon quest): Traveler, Paimon, I hope you enjoy the rest of the show. There may be a lot of people watching tonight, but you alone are my true witnesses.
Lyney (Receiver of Friends From Afar Event): Hehe, or maybe your cooking is simply too delicious to resist. The next time our paths cross in Fontaine, you'll have to fire up your cooking skills for my other siblings as well. How does that sound, oh great master chef?
Traveler: Whatever you say, oh great magician. / Whenever you're free, just set date!
Lyney: Oh yeah? Well then, I'll have to clear my schedule.
Lyney (his story quest I think?): I'll believe anything as long as it comes from you. So, please prove your prowess to me once again.
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unoriginal-and-dumb · 2 months
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Decided to redraw my first oc (ON AGGIE BECAUSE ALL I FUCKING DO IS DRAW ONAGGIE APPARENTLY)
It’s name is Suit-009 😁🥳
If you are curious I will quickly explain its lore and uh that’s it yah. (I don’t rlly post my ocs like ever but I dunno hour long drive got me being thoughtful as usual)
Before everything I MADE THIS WHEN I WAS 14 THIS PREDATES AMONG US AND LETHAL COMPANY DO NOT SAY THAT IM RIPPING IT FROM THOSE I DID IT FIRSSTTT
Humanity is on its last limb, the earth is practically an unlivable husk especially due to immense overpopulation
So basically, there is a group of 9 scientists tasked with finding a habitable place that human can colonize or a place that can be harvested for resources
The team lands on an alien planet and begin research. They are all scientists and all are capable of running and surviving on a spacecraft or in a hostile environment, so that’s not particularly a worry.
The ninth crew member, suit numbered 009, was recruited specifically for his scientific studies, yea they are all scientists but he’s like THE scientist. The guy that’s goes hmm yes nod nod URETHRA! All that.
Anyway they find some crystal fragments and decide to do some extensive research on it due to energy signals coming from it. Having something that creates energy like said crystals would be extremely useful if they could replicate it in some form
009 goes and studies it yea yea whatever. Idc. But like it starts taking awhile and the crew leader 001 (she does have a name it’s Hailey but I dunno abt anyone else I WAS 14.) anyway she goes and is like hey buddy how pal pick up the pace you’re taking long as hell
And he’s like SIR YES SIR, but it’s been a while now and he’s kinda being freaky deaky. None of the other crew realy took notice of him kinda acting tweaked out since they were never really close beyond coworkers unfortunately
But UH OH! The crystals actually have some dumb shit that like attracts things/people to like investigate it (the energy thing) but what it actually does is kinda cause people constantly around it to be like overly obsessed with it and also kinda become stupid
So the thing with the crystals is that if it somehow gets into your blood stream it starts forming more crystals as like a way to grow. They aren’t particular just an inanimate object, it has a goal to grow and it can’t just grow from nothing sooo
Anyway 009 is like tweaked out because it’s actually just a suit with a corpse and crystals piloting it
Eventually Hailey realizes this but I mean it’s not gonna go out without a fight
So suit-009 grabs a fire axe and axes down the entire crew, once it’s finished it just folds over, using the surrounding and remaining biomass to consume and grow yaaaay
Oh just some thing I thought was neat, if you were to pop off the hazmat mask the head would be absent and replaced with a horrible mass of bloody crystals isn’t that exciting
That’s pretty much it yea. Hey by the way did you know I love Dead Space 2, Don’t Escape 3, The Thing, and Alien? Haha yea anyway I LOVE SPACE I LOVE SPACE I LOVE SPACE I LOVE SPACE I LOVE THE HORRORS OF SPACE I LOVE SPACE I LOVE SPACE SO MUCH SPAAAAAAAACEEEEEEE WOOOOO YEA SPACE!!!!!!!!!!!)!)
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anim-ttrpgs · 1 month
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Wait does Eureka have its own established lore for how different supernatural creatures work?
Yes, it does!
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(I’m going to preface this post by saying that just about everything I’m talking about here, and more, is available FOR FREE for you to read in the free pre-release version of the Eureka: Investigative Urban Fantasy rulebook that you can download from our website. Go to Chapter 8 to start reading about the supernatural lore. The rulebook itself will do a lot better job of explaining all this than I will, because it has the exact details of how each one works, and I’m just hitting the highlights and going over what those details mean.)
Eureka: Investigative Urban Fantasy is a game about very human and believable investigators digging into dangerous (often supernatural) mysteries way over their heads, and sometimes those very human and believable investigators will be supernatural creatures themselves.
These supernatural creatures are every bit as human and “normal” as their mundane investigators counterparts, they have jobs, friends, families, hobbies, etc. They live among mundane society, not outside of it.
Most modern fantasy settings have some kind of separation between normal society and magical society, like you see in Harry Potter where there is normal society, and then a separate, secret magical society hidden away from it, or Vampire: The Masquerade, where vampires all have an agreement to keep themselves a secret from normal society despite acting within it.
In Eureka’s world, there is no “masquerade,” but that doesn’t mean that magic and monsters are well-known and well-documented phenomenons. Supernatural creatures such as vampires, wolfmen, etc. are exceptionally rare. Don’t take this as an exact number, but you can probably assume there’s about one of these per every 3.3 million normal people.
This rarity, as well as the fact that each individual has little to gain and everything to lose by revealing themselves (try “coming out” as a person who regularly assaults people and drains their blood), has led to them going largely undocumented in the modern day. Sure, this is the digital age, there are videos, but viral videos are not exactly scientific evidence. For every real vampire caught on camera, there are a thousand hoaxes and horror short films.
There is no secret vampire government controlling things from the shadows—most vampires don’t even know any other vampires, let alone enough to form a secret society with any effect on national politics.
As for how they work, well, that’s one of my favorite parts to talk about.
There are five playable monster types in Eureka (The Vampire, The Wolfman, The Fairy, The Witch, and The Thing From Beyond) plus two extras that are Kickstarter stretch goals (The Dullahan and The Gorgon), but in the interest of time, I’m only going to really go into detail with one of them.
Most playable monster types in Eureka are very, very old-school, with an emphasis on actual historical folklore over just making up all our own lore. That doesn’t mean Eureka doesn’t have a unique approach to the supernatural, though. Little of it is “new,” but it is certainly unique, because to my knowledge no other RPG has ever taken the old stuff this far before. A PC being a monster in Eureka isn’t just a few +1s here and there and maybe a little extra damage from silver weapons, it means playing by an entirely different set of rules from fellow investigators.
The vampires and vampire lore you see in movies are not folkloric vampires, they are mostly a 20th and 21st century pop-culture creation. Eureka’s vampire abilities, weaknesses, and other traits are based on pre-1900 vampire legends, with older traits usually taking precedent over newer ones. Thus, a lot of assumptions you might have about vampires going in could end up being very wrong. For instance, in movies, vampires instantly die when exposed to sunlight, but the first ever instance of a vampire in a story being killed by sunlight was in the 1922 film Nosferatu. In Eureka, sunlight is still awful for vampires, it strips them of their vampiric powers, but it doesn’t do any real damage to them. Sunlight is an issue vampires have to deal with, but it is far from instant death. That doesn’t mean being a vampire is inherently easy though, because in addition to having all the powers that folkloric vampires have (which is a TON), they also have all the weaknesses, and it is the emphasis on weaknesses that really makes the moment-to-moment playing of a monster PC in Eureka the most interesting. A few of my favorites for vampires are the refusal to enter homes without a direct invitation, and the compulsion to count large numbers of small objects. I think most vampire media these days considers these to be “silly” weaknesses and don’t want to acknowledge them in the lore of their “serious” scary horror vampires, but honestly I think that the “sillier” vampire stuff can still be used to great effect in horror. Imagine knowing that the only reason a vicious killer at your door hasn’t stormed in to rip your throat out is because they’re being polite.
A vampiric investigator will need to work around these weaknesses, and more, in their daily life, all while being sure not to reveal their true nature to their more mortal friends. It’s something that really changes how a character behaves and goes about problem-solving.
For instance, the rest of the party may be able to break into a house no-problem, but the vampire cannot. They need a invitation. That’s a problem. That’s a puzzle. It makes me excited just thinking about it.
This was originally going to be a much longer post where I went into more of the themes of monsters in Eureka, but I have decided that that would be most cohesive as its own post, an upcoming essay titled "How Eureka Handles Disability." So stay tuned for that.
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Eureka: Investigative Urban Fantasy is kickstarting from right now until May 10th! Back it while you still can!
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If you want to try before you buy, you can download a free demo of the prerelease version from our website or our itch.io page!
If you’re interested in a more updated and improved version of Eureka: Investigative Urban Fantasy than the free demo you got from our website, subscribe to our Patreon where we frequently roll our new updates for the prerelease version!
You can also support us on Ko-fi, or by checking out our merchandise!
Join our TTRPG Book Club At the time of writng this, Eureka: Investigative Urban Fantasy is the current game being played in the book club, and anyone who wants to participate in discussion, but can’t afford to make a contribution, will be given the most updated prerelease version for free! Plus it’s just a great place to discuss and play new TTRPGs you might not be able to otherwise!
We hope to see you there, and that you will help our dreams come true and launch our careers as indie TTRPG developers with a bang by getting us to our base goal and blowing those stretch goals out of the water, and fight back against WotC's monopoly on the entire hobby. Wish us luck.
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genderkoolaid · 11 months
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(different person than last anon) can you give us like actual scientific papers that "nonhumans" are real and not just ppl that need a lot of psychological help? bc like while gender + sex can be very diverse and change w the individual, species is extremely specific and thats why shit like making crossbreeds is so insanely hard and they usually end up infertile bc the genes arent meant to be combined. n also the only example i can think of of any other species having "i am not the species i was born as" thoughts is that one female monkey that was raised so close w people she thought she was a person and she would refuse to breed w any of her primate species bc of it. you would call that mental illness in that monkey because she cannot be a person in a monkey body, just like someone can't be a dog or angel or horse in a human body, so why do you not consider being "nonhuman" also a mental illness?
can you please explain about alterhumanity? I don’t mean to be negative, I don’t understand… “there are only two sexes” is wrong because biology knowledge we have today actually doesn’t support that. did modern taxonomy find out something similar about humans? that’s very interesting, I don’t know a lot about it! but if you do I’d love to read that research!
So I think "there are only two sexes" isn't the best example; the comparison is more like "people can't change their gender because gender is whats in your pants"
Yes, we can look at chromosomes and hormones and sexual organs, and that stuff is related to gender. But to say "gender/sex is a construct" does not mean "chromosomes/hormones/sex organs don't exist." Its pointing out that our relationship to those things is culturally dependent (I wouldn't say "unnatural" because humans making social constructs is natural).
Similarly, we do divide up species based on reproduction and common ancestors. But "humanity" is also a construct. What it means to be human & who is defined as human can and does change depending on our culture. Not only can some people be excluded from humanity (for example, people of color and neurodivergents), but some people believe they are spiritually nonhuman (whatever that means for them). Some people who have been rejected from humanity identify as alterhuman as a way of saying "you don't want me, then I don't want you" (voidpunk is related to this although not inherently alterhuman). Some people are delusional and identify with alterhumanity as a way of coping with their delusions (and also, yes, you can be self-aware about your delusions). Some people believe in reincarnation or alternate universes or have some other spiritual belief related to being nonhuman. Some people just feel like dogs and enjoy being a dog and it doesn't matter why because they just like it.
Honestly, the monkey does sound like a monkey-version of alterhuman, because (if I can get a little anthropomorphize-y on y'all), it sounds like she did not feel apart of "monkey culture." Obviously we can't know if monkeys have a concept of monkey-hood like we do with humanity, but if they did it would not be hard to imagine how a monkey raised with humans would feel more human than monkey. But regardless... we don't need other species to have alter-species-hood for the same reason we don't need snails to crossdress for trans people to exist. Other animals probably don't have the same complex. abstract social constructs we do.
Why can't someone be a horse in a human body? For the same reason someone can't be a man in a woman's body- because "science says"? Both trans-denial and alterhuman-denial emphasizes biology over sociological investigation, which leads people to just keep shouting "but science!!!!!!!!!!" at people who are more invested in questions of culture and constructs and what it means to be [man/woman/human] in society.
(Also, I'm kind of uncomfortable with how the first ask talks about mental illness. Specifically "person believes harmless weird thing, so they must need Psychological Help for their Wrong Thoughts")
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winedarkthoughts · 1 day
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house of addams (4)
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— 🌖 pairing: ot7 x fem.reader
— 🕷️ genre: mystery, angst + fluff + smut
— 🗝️ word count: 5.3k
— 🍄 summary: you continue with your investigation on the mysterious deaths and disappearances in the small town of Farrow's End. and that includes enlisting the help of: two (cute) scientists, one shy bookstore owner, and one charming barista.
— ☕ content warnings: scientific inaccuracies, brief mentions of death/suicide/decomposition, bookworm!namjoon, soft boi!yoongi, mc and yoongi are both massive nerds, chemist/marine biologist!jimin
— 🕸️ a/n: and it continues! thanks for reading :)
previous chapter ← series m.list → next chapter
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chpt. 4: lattes and legwork
october 8, 2004
Legwork (noun): work that involves much traveling to collect information, especially when such work is difficult but boring. That's what this case required a lot of.
You got the film developed from your fieldwork outing with Yoongi, organizing the photos according to each victim. Michael Bradley: strange fungus, unusual tree rot. Jarvis Laplan: circle of dead grass in the woods. Sharon Mason: the lake and nothing more.
The autopsy reports were another thing entirely. It took you almost a week to get through them, with all the research it required to understand the terminology.
Starting with Laplan, cause of death: "blood loss from multiple traumatic injuries." When bite marks were found on the body (or rather, what was left of the body) a forensic dentist was called in to examine them.
You had to do some research on bite-mark identification, and found out that Laplan's body was covered in a multitude of avulsions (bite resulting in the removal of skin), lacerations (puncture wounds), and hemorrhages (a profusely bleeding bite).
The tooth marks suggested an attack from a bear (according to the forensic dentist and a local wildlife expert) judging from the combination of marks from canines and molars, indicating it was from an omnivore.
But that's not what they said in the papers. You're guessing it was because bears are not at all common in this region, so they claimed it was most likely a mountain lion to make it easier to swallow.
You wonder if the mayor's influence contributed to such a change, maybe as an effort to keep the real details under wraps. The fact that she wanted your entire investigation to be off the books certainly supported the idea.
They didn't mention in the papers that his eyes were missing, along with his heart, liver, tongue, and right pointer finger.
The police report stated that the gun he had in his possession at the time of his death hadn't been fired, and the autopsy report supported this, since no gunpowder residue was found on the body.
It makes you wonder why an experienced hunter like Laplan hadn't fired a single shot. Was this predator really that swift?
Other than the out-of-place bite marks, there was nothing else unusual in Laplan's autopsy report. Well, other than the circle of dead grass he was found in, but you'll have to consult Yoongi about that.
You reached out to Mrs. Laplan, and to your surprise, she consented to an interview. Well, you suppose it wouldn't be too unusual for her to agree to talk to a supposed "journalist" if she was convinced that her husband died of a random animal attack rather than something suspicious that she'd want to keep under wraps.
Speaking of which, Mrs. Bradley was still actively evading your efforts to get any kind of information out of her. But you'll take what you can get.
In the time it took you to work through Laplan's autopsy report, you became quite well-acquainted with the bookshop and its main employee.
Maybe it's because you often darken their doorstep at the dead of night, but he's one of the only people you see working there. The others being a very nice (always colorfully dressed) young woman, most likely a University student, and a quiet but helpful old man with tortoiseshell glasses.
But the tall, handsome man works the most hours, usually reading at the front desk or tapping away at his typewriter. You're guessing that he's the owner, judging from the amount of maintenance he does around the place.
The man was right about one thing, the place was full of cozy nooks and little corners to curl up in, all with warm-toned lamps and oak wood surfaces to write on. You rotate between an armchair tucked against a frosty window, and a mahogany desk in an alcove of shelves with a green bankers lamp to illuminate the darkness.
After acquiring the autopsy reports, you spend several days pouring over anatomy textbooks and forensic guides (not noticing the initials JK scrawled inside the cover of most of the volumes you examine).
The bookshop is much bigger than the exterior implies. The more you explore, the more you find branching passageways and curves that twist into new sections and labels on the shelves. Mystery leads to UFOs, then Conspiracy Theories, then Unsolved Cases.
And then, just when you think you're familiarizing yourself with the map of the layout, the next day the sections are jumbled and the shelves twist in different directions.
One afternoon, as you're taking a break to stretch your legs, the narrow path through the shelves leads you to an antique case (locked) with several leather bound volumes inscribed with gold lettering. You can't quite make out any of the titles, faded from age, but obviously they are valuable.
After combing through every possible detail in Laplan’s folder, you move on to Sharon Mason. And where you had hoped to find some answers, it seemed you only stumble upon more mysteries.
Your first guess was death by drowning, since she was found in the lake, but that wasn’t the case. Cause of death: hypothermia; no water in the lungs whatsoever.
You listened to the autopsy transcript several times, Dr. Kim’s deep voice almost lulling you into a trance. You consumed an alarming number of lattes to offset it.
Dr. Kim and Jungkook, his assistant/apprentice, concluded that Mason had entered the water before she died, and the temperature of the lake only brought her demise quicker.
There were no external signs of struggle, no bruises or abrasions, nothing to suggest that she’d been forced into the water.
In all likelihood, Sharon Mason had entered the lake of her own volition, and stayed there until her slow, cold death. Which of course didn't make much sense.
There was no suicide note, no reported signs of distress (according to the press, that is). Her system was free of alcohol or drugs, and the death was classified as accidental.
The strange thing was that her body had barely decomposed. She was reported missing the morning after disappearing from her home (no sign of a struggle), and despite many search parties, she was missing for over two weeks.
Even if the cause of death isn't drowning, a body will sink almost immediately after death (you found out during your research), and her body had to reach the bloating phase of decomposition for her to float back to the surface.
A hiker discovered her corpse early one morning. The authorities were called, and Dr. Kim was able to examine the scene. He recorded the ambient temperature and the temperature of the water, both very cold, and took note of the local wildlife.
Animals, insects, and larvae will begin to feed on a body within hours after death, but apparently Mason's body hadn't been touched at all, despite the abundant lake ecosystem.
Unfortunately, you couldn't find all of your research materials at the bookshop. Forensic research on decomposition in aqueous environments was apparently very lacking.
After two days of scrutinizing Mason's file, you started to get a little frustrated at the lack of answers. How the hell did she end up in that lake? Why was her body oddly undisturbed? And above all, how the fuck does everything connect?
Maybe it's your restless shifting, or the exasperated sighs that keep escaping from your mouth, but soon the tall man is approaching the desk that you've claimed with your seemingly endless array of books, files, and papers. And empty coffee cups.
"Sprung a leak?" he asks with a chuckle, and the low timbre of his voice seems to reverberate up your spine.
"Huh?" you mumble, a bit startled by his sudden approach. Definitely not as articulate as you usually are, but you were four hours deep at this point.
The man's smile falters a little, like he just realized that he was talking to a stranger and not a friend that was privy to his inside jokes.
"Uh," he says, clearing his throat awkwardly. "Has your boat sprung a leak? Sailing the seas, I mean."
He gestures to the ocean of papers and file folders and open books across the wood surface. It takes you a minute, you blame it on the caffeine crash.
"Ah," you say, suddenly getting it. The sea of knowledge.
And instead of looking at him like he has two heads, like he was half expecting, you can't help but chuckle as the image of your skull bobbing through chaotic waves, with your brain struggling to pilot the vessel safely, pops into your mind.
"Yes, sprung a leak and taking on water, I'm afraid," you reply, leaning back in your chair.
"Hmm," the man mumbles like he knows the feeling well.
"Care for a soother?" he asks, and you look up at him, curious.
It's like your lingering gaze makes him nervous somehow, because then he's tucking his chin into the fabric of his turtleneck, taking a step back through the labyrinth of shelves.
"Come," he says softly, disappearing just as quickly as he appeared.
You follow him back to the front desk, where an electric kettle is already steaming. He opens a tin and scoops some tea leaves and dried flower buds into a small teapot, pouring the hot water on top.
"May I ask what you're working on?" he asks as it steeps.
You lean against the large desk with a barely concealed scoff.
"I hardly know myself. Work, nonetheless."
He nods, humming like he knows the feeling.
"Tedious reading?" he asks.
"In a way, yes," you respond as all the medical terms flash behind your eyelids.
"It helps to use a little reward system," he says, grabbing the nearest volume (Frankenstein, or The Modern Prometheus by Mary Shelley, with both the 1818 and 1831 versions). Opening to a random page, he reaches to his left and grabs a stray, half-eaten chocolate bar. He breaks off a square and places it halfway down the page.
"See? You've gotta pace yourself," he says.
You chuckle when he pretends to the scan the page and then pops the sweet into his mouth.
"Are you a writer?" you can't help but ask, your curiosity is too vicious. There's the same typewriter on his desk, and you've heard him clacking away at it every time you come into the shop. And yes, sometimes he dozes off at his desk with his head resting on his hand.
"Oh, yes," he says sheepishly, glancing back at it and the numerous scraps of paper surrounding it. Then his face drops suddenly.
"Does the typing bother you?" he asks nervously, as if he isn't the owner of the place.
"No, no!" you assure him. "I like it, it's therapeutic."
You swear to god you hear a little giggle escape the tall, broad man in front of you, but when you glance over he looks just as composed as he always is.
It's then that the pot gets done brewing, and he tears his eyes away from you to pour two steaming cups of red-tinged tea. It's sweet and herbal, warming you from the inside.
"I've hit a bit of a roadblock," you admit.
He looks up from his teacup, eyes open and patient. He has the face of a good listener.
"You could always consult the University library. There's bound to be a thesis paper or two for every obscure topic in the world," he adds as if he could read your mind.
You add it to your to-do list. The two of you sip your tea in comfortable silence. He was right, it's a nice soother for the post-caffeine buzz downswing.
It isn't until you're packing up the leave for the night, eyes practically drooping shut, that you remember to ask for his name.
"Namjoon," he replies with a glowing smile to accompany his glowing tan skin.
You tell him yours in return, unaware that he already knows.
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october 9, 2004
You have to hunt a bit more for him this time. After wandering the linoleum halls and dated lecture rooms, you finally find him in one of the biology labs.
Yoongi stands over a wide table, surveying the several plant specimens, cuttings, and roots spread out in front of him, every once and a while consulting the microscope to his left. He's wearing a rubber apron and gloves, along with a pair of black square-rimmed glasses that slightly magnify the size of his eyes.
"Got something for you," he says suddenly, but not to you.
You realize you've been watching him for several moments, a little too entranced by his careful movements and methodology.
He reaches into his pants pocket and pulls out an old-looking string of pearls. Delicately and with something akin to shyness, he drapes it over the stem and leaves of a nearby, slightly droopy, potted plant.
You swear you see the plant perk up a bit, leaves stretching out further than they did before.
"See?" Yoongi says softly. A pause. "Nonsense, everyone deserves to feel pretty."
Oh. You're moving to knock on the door and interrupt your thoughts before you can imagine him directing those words at you.
Yoongi startles slightly, reaching up to quickly pull the glasses from his face and slip them into his apron pocket. A shame really, you would've liked to get a better look at him in them.
"Hello," he says with another awkward, straight-lipped smile. His signature expression, you've noticed.
"Hello again," you greet, approaching his work table. "Any word on that fungus?"
He averts his eyes almost immediately.
"Uh, yes," he begins, pulling a few papers from one of the several stacks around him.
"It's some kind of stinkhorn," he says, gesturing to a jumble of scientific jargon on the page that you don't understand.
But you know what a stinkhorn is, thanks to the book about unusual fungal features that Namjoon recommended to you.
Stinkhorns are a type of mushroom that secrete a gel called gleba, which has been described as smelling similar to rotting meat, carrion, or even feces. The substance attracts flies and other insects, which pick up the sticky spores when they land on the mushroom and spread it around, aiding in its reproduction.
"It's not from here, my colleague says it's native to the Northern regions," Yoongi continues.
"Well, that would explain why no one seems to know what the hell we're dealing with," you mutter, half to yourself.
"Wait," you say, realizing something. "Stinkhorns reproduce through gleba. Our fungus had pores and ridges. And now it has another method for spore dispersal? Isn't that highly unusual?"
After your fieldwork outing, you poked a little deeper into mycology. You found that mushrooms typically have either pores, gills, teeth, ridges, or some other form of spore dispersal like gleba.
But you've never heard of a mushroom with multiple structures. It sounds like an evolutionary weakness to devote energy to more than one reproductive system when one does the trick just fine.
You express as much to Yoongi, and he looks at you with a strange reverence in his eyes. Almost like he's impressed, but you wouldn't dare believe such a thought.
"It is unusual," he agrees. "But not impossible."
"Well of course, the word "impossible" doesn't really belong in science," you blurt out in a passion-fueled bout of energy.
You've spent way too long studying the scientific intricacies of several cases because you were simply entranced by it. And if the world had dealt you a different hand, you probably would've ended up as a scientific researcher instead of a private investigator.
Yoongi shoots you that look again, the one that looks suspiciously like admiration.
"So what is it exactly?" you interrupt before the heat can reach your face.
"Well," Yoongi says, trailing off. "It's new. Undiscovered, I mean."
Hmm. You aren't sure if that helps you or hinders you. On one hand, you can let the mayor know that the strange fungus she hired you to look into is a new species, requiring intervention and study from someone more qualified than you. Maybe she could even fund a new research program here at the University.
On the other hand, you would've liked to get at least one explanation for all the strange happenings going on in this town.
"And that's all he got?" you ask gently, already anticipating the answer.
Yoongi smiles that straight-lipped smile and nods, like he's sorry he can't offer more help.
"Well, anyways," you say, moving on to the next bullet point on your list.
"I finally got the autopsy reports."
You pull out the photos of Laplan's scene of death. You and Yoongi look down at the picture of a body, resting in a pool of blood, lying in the center of a circle of dead grass.
"I wanted to ask your opinion on this," you pose, pointing to it.
"Hmm," he says, brows furrowed. "Maybe it's from the mycelium. You know, as it spreads it depletes the environment of nutrients, often creating a circle of dead matter."
You examine the photo again.
"But there are no mushrooms," you say, remembering the ring of fungus in Bradley's yard.
Yoongi shrugs.
"Mycelium doesn't produce mushrooms all the time, only in specific conditions. The mushrooms are like fruit, while the mycelium is like a tree. It's the true organism."
Hmm, interesting.
"I know right," Yoongi says suddenly, and you realize that you said it out loud.
You brush off your slight embarrassment by moving on to your next point.
"I was wondering if you could refer me to a chemist? Or rather, someone who knows their way around aquatic environments?"
Yoongi considers it for a moment. Then he's pulling off his gloves and leading you to the door.
"Come with me," he says, shrugging off his apron to reveal the black and white sweater underneath.
You follow him, rushing to gather your papers and shove them back into your bag (which only seems to be getting fuller by the day).
"I have a friend, he's a genius really," Yoongi says as you walk. "Double degrees in chemistry and marine biology, going for his master's now."
He guides you down several hallways and up several flights of stairs (pausing after the climb to catch his breath and curse the inanimate object, which you find only slightly adorable).
"He's also a lab tech, so he has access to the equipment for almost any test you can think of," he continues.
The two of you emerge into the the chemistry department, and Yoongi leads you into another lab, empty except for one person.
He's of average height, dressed in (tight) black jeans, leather jacket, and heeled Chelsea boots. His hair is a strange silver-gray, with underlying blue undertones as the light shifts.
He looks up as you enter the room, abandoning the petri dish he had been examining. His face is obscured by a black mask and orange-tinged glasses, but his eyes underneath are sharp and purposeful.
"Jimin, this is _____," Yoongi begins, and you can hear the strange emphasis he puts on your name.
Jimin's brows raise just a hair, and in a split second he scans you up and down.
"Hello, it's very nice to meet you," he says, holding out a hand to shake. His voice is light yet somehow sultry at the same time, curling at the edges like smoke.
You shake his hand, which is oddly cold and slightly slick.
"_______ here is looking for someone to aid in her investigation," Yoongi adds, giving Jimin a pointed look that you don't notice.
"Is that so? Well, I'd be happy to help in any way I can," Jimin says, and you notice that his voice has a natural flirtatious lilt to it, but in all likelihood he talks to everyone like that.
"Excellent, are you available next weekend for some fieldwork?" you ask right away.
You can't see it because of the mask, but judging from the way his cheeks plump up, a smile suddenly crosses Jimin's face.
"Yes, happy to. First thing in the morning, right?" he says, sneaking a little glance at Yoongi.
You, confused, shift your gaze between them, Yoongi looking embarrassed and Jimin looking smug. Has he been talking about you?
"Right, first thing," you reply, making your voice confident and straightforward the way you always do when it comes to work matters. "How do you take your coffee? It's on me."
Jimin tells you with another smile, and Yoongi asks if he can tag along. You tell him of course, hiding the burst of giddiness you feel at him still being interested in helping you.
You exchange contact information, with Jimin slowly and subtly entering your personal space. And you're slightly ashamed that you don't realize it until his shoulder is pressed against yours. And you're slightly more ashamed to admit that you don't pull away.
You finally tear yourself away from him when Yoongi clenches his jaw in your direction. Thanking them for their time, you hurry out of the lab, face hot.
After you're gone, Jimin looks at Yoongi with a smirk. "So she can handle herself in the morgue, but shies away at a little physical contact?"
Yoongi rolls his eyes at Jimin's laugh. Because he knows what that laugh means, it's the sound of someone who just found something new to play with.
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october 12, 2004
In the days that follow, you trudge on with your list of tedious legwork. You interview Laplan's wife Lisa, a nice simple woman who answers your questions without resistance. She even makes you a cup of tea after she shows you inside.
You notice signs of a hunter in Laplan's home: mounted antlers, extensive taxidermy. The two of you sit in a pair of musty-smelling armchairs as you sip your tea.
Lisa confirms that Laplan was an avid hunter, who apparently was very dissatisfied by the "out of control" local wildlife. When you ask her to elaborate, Lisa explains that her husband often complained of numerous cats, crows, and deer in the surrounding forest. She says that in the days leading up to his death, he became a bit obsessed with ridding the environment of them.
Then she mentions the dreams. Horrible, disjointed dreams that her husband was apparently plagued with in the weeks before his death. He avoided talking about them, but Lisa claimed that they severely affected his mental state.
He didn’t abuse any substances, to her knowledge, and other than his sudden passion for local population control, he was a normal man.
It was clear that Mrs. Laplan didn’t believe that her husband's death was anything other than an accident, an avoidable tragedy.
At the end of your visit, you offered your condolences and thanked her for her time.
Sharon Mason’s parents, on the other hand, don’t share the same sentiment.
They are, understandably, shaken and teary-eyed. Seventeen is too young.
You apologize for intruding, but they brush that off, seemingly eager to reveal “the truth” about their daughter's death.
“And what is the truth?” you ask.
They aren’t entirely sure. But the one thing they know for sure, Sharon didn’t commit suicide. You don’t think she did either, but they don’t need you to affirm that for them.
Apparently, Mason had been plagued with dreams too. They started after she and her friends went swimming in the lake.
Her parents didn't find out about it until after she was gone. After she was reported missing, her friends confessed to sneaking out and going for a midnight dip about two weeks before her death.
Her parents had always warned her about the woods and especially the lake, given the fact that it was believed to be polluted with toxic chemicals and home to several types of leeches and predatory fish.
You asked if it was in Sharon's nature to sneak out and go somewhere she wasn't supposed to be, and they said no, it wasn't like her at all.
You'll have to see if you can interview some of the friends who were involved in the incident.
The dreams got so bad that Sharon's mother apparently took her to see a local psychic, who claimed that dark and evil forces were using Sharon's body and mind as a conduit. You don't know how much of that you believe, but you asked for her information so you could try to get an interview with her anyway.
The Mason parents expressed their frustration with how the press covered the story. At first, you thought it was merely because the story suggested suicide, but the Mason parents went on to complain about the "outrageous accusations" and "inappropriate suggestions" made.
You don't remember seeing anything of the sort in the newspaper, but you suppose you'll have to look into it.
It goes without saying, but you have a lot more work to do.
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october 13, 2004
During your time in Farrow's End, you've also become quite well-acquainted with the owner of the cafe, Cat's Den. There are a handful of other employees, mostly young University students, but the man with the full lips is the one who works all the night shifts, which is usually when you're there.
He's very talkative, but not in an annoying way. He'll only speak to you when you're clearly in a lull from your work, or when you're waiting at the counter for a refill.
His name is Jin, and yes, he is in fact the owner of the establishment. And from what you've seen, he runs it with very high standards. All the treats, pastries, and baked goods are made fresh everyday.
Several (very) early mornings, you've watched him laminate pastry dough with almost hypnotizing precision and speed. Then he'll twist the dough into a variety of shapes, brush them with beaten eggs, and bake them so the entire cafe smells of buttery, flakey goodness.
And yes, maybe he's noticed you watching him in all his methodical detail. And yes, maybe he's made a bit of a habit of placing a fresh, still-steaming croissant in front of you (free of charge) every time you're in the cafe when the first batch comes out.
But it's not because he likes you or anything. Because you don't let yourself stare at him for too long at any given time. Not when he wears close-fitting pressed pants, not when he sheds his outerwear in the heat of the kitchen, revealing the thin layer of muscle on his arms from years of kneading dough. Not even when he runs a hand through his hair, slicking it back to reveal his forehead, sometimes glistening with sweat.
Today especially. A very large order has been placed at the cafe, and Jin has been baking all day. There's a recurrent theme: pure vanilla bean.
You've lost count on how many vanilla beans he's cut open, scraping out the precious black flecks inside then putting them in a menagerie of treats. Vanilla scones, vanilla cheesecake with vanilla mousse, cupcakes with creamy vanilla frosting.
By the time evening rolls around, the counters are practically covered with boxes and bags filled with vanilla-flavored confectionary.
But it's not until midnight that the person who placed the order comes to pick it up.
A black Mercedes pulls up, headlights flashing through the windows of the cafe, and parks against the curb.
Jin seems to recognize it, because then he's gathering up the multitude of packages and carrying them outside to the waiting car.
The driver emerges, wearing a black coat and boots. You can't see his face because of the wide-brimmed hat he's wearing, but you can see black hair curling at the back of his neck.
Jin moves to put the boxes in the trunk, the shadowed man makes an effort to help him. Then he shakes the mysterious man's hand and returns inside.
"Quite a big order, huh?" you can't help but say when Jin returns.
Jin looks from you to the strange man, who is getting back into his car, and chuckles a little nervously.
"Yeah, for a birthday," Jin answers, and disappears into one of the storage rooms.
When you look out the window again, you see several bystanders stop to stare at the car pulling away from the curb, looking at the Mercedes as if the president is inside.
You're hurrying out the door before you can think twice.
"Who's that?" you ask the nearest passerby. They glance at you for a quick second before looking back at the dark car, the driver obscured by the tinted windows.
"It's one of the Jungs," they answer, unbothered.
"The Jungs?" you ask, letting your confusion and subsequent curiosity bleed through.
"Mm hmm," the bystander replies. "You know, the ones who own the old Addams house."
"Filthy rich bastards own half the town," someone else pipes in.
"Really?" you say, trying to catch another glance at the dark car. "So they live there?"
"What? No, the family is spread out like a plague. The whole clan hasn't been in town since the eighties."
You're extremely engaged by the fact that all of this seems to be common knowledge among the townsfolk, as well as the shared contempt/fascination with the mysterious Jung family.
"So who lives there now?" you ask, curiosity has you in its grip like a viper.
"One of them, obviously. I don't know their name."
The little crowd has dissolved now, everyone going back to their business.
And again, you're left with more questions than answers. And yet another topic to research.
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Jimin's birthday celebration proceeds splendidly. They decorate the mansion with dried kelp streamers and seashell garlands and pearlescent jellyfish lamps. There's a feast of his favorite foods, an abundance of his favorite vanilla treats, and (most importantly) bottomless champagne.
Everyone is told to be home by three a.m. (thanks to their busy schedules and nocturnal patterns) so the festivities can begin. It's just the seven of them. Well, the seven of them plus Thing, and the pets, and Yoongi's plants (every single one of them named and dotted on by the botanist).
Then, sometime after all the feasting and dancing and drinking, they end up sprawled out in the main room, sleepy and sated.
"Hyung," Jin says, and the only person that term applies to raises his head.
"She saw you at the cafe. Was asking questions about you too," Jin continues, slightly wariness in his voice.
But Hoseok only smirks. Delighting in the idea of you thinking about him, inquiring about him.
"She's a private investigator, that's what she does," Jimin quips, speech slightly slurred from all the liquor.
Jin throws him a half-convincing glare.
"I think what Jin's getting at is..." Yoongi interrupts. "How close do we let her get?"
"She's done more in just a few weeks than we've done in months," Namjoon argues.
"Well yeah, she's getting paid for it," Jungkook adds.
"But she does have some sort of sight?" Hoseok cuts in, thinking.
Everyone affirms, and Hoseok quirks a brow.
"And he doesn't scare easy?" he asks.
"Not in the traditional sense," Jimin quirks with a chuckle, fondly remembering how you shied away from just a little physical contact. He wonders how you would react if he—
"You better not scare her away," Yoongi suddenly cuts in, pointing an accusatory finger in Jimin's direction, who just laughs in response. Because he has no intention of that. Scaring you, maybe. But driving you away? Nope.
"Seems to me like the type who needs to be eased in," Namjoon says, sounding contemplative. He looks up at Hoseok.
"Let her figure it out for herself. At the rate she's going, she'll get there in no time."
Everyone looks to Hoseok for his response, and he offers a mischievous smile.
"It wouldn't hurt to give her a few hints."
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a/n: thank you so much for reading!! i would absolutely love to hear any of your thoughts! it makes future chapter practically write themselves lol
NEXT UPDATE: 06/01/24
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March 14, 1883: Death of Comrade Karl Marx, communist revolutionary and founder of scientific socialism.
Frederick Engels’ Speech at the Grave of Karl Marx:
On the 14th of March, at a quarter to three in the afternoon, the greatest living thinker ceased to think. He had been left alone for scarcely two minutes, and when we came back we found him in his armchair, peacefully gone to sleep – but for ever.
An immeasurable loss has been sustained both by the militant proletariat of Europe and America, and by historical science, in the death of this man. The gap that has been left by the departure of this mighty spirit will soon enough make itself felt.
Just as Darwin discovered the law of development or organic nature, so Marx discovered the law of development of human history: the simple fact, hitherto concealed by an overgrowth of ideology, that mankind must first of all eat, drink, have shelter and clothing, before it can pursue politics, science, art, religion, etc.; that therefore the production of the immediate material means, and consequently the degree of economic development attained by a given people or during a given epoch, form the foundation upon which the state institutions, the legal conceptions, art, and even the ideas on religion, of the people concerned have been evolved, and in the light of which they must, therefore, be explained, instead of vice versa, as had hitherto been the case.
But that is not all. Marx also discovered the special law of motion governing the present-day capitalist mode of production, and the bourgeois society that this mode of production has created. The discovery of surplus value suddenly threw light on the problem, in trying to solve which all previous investigations, of both bourgeois economists and socialist critics, had been groping in the dark.
Two such discoveries would be enough for one lifetime. Happy the man to whom it is granted to make even one such discovery. But in every single field which Marx investigated – and he investigated very many fields, none of them superficially – in every field, even in that of mathematics, he made independent discoveries.
Such was the man of science. But this was not even half the man. Science was for Marx a historically dynamic, revolutionary force. However great the joy with which he welcomed a new discovery in some theoretical science whose practical application perhaps it was as yet quite impossible to envisage, he experienced quite another kind of joy when the discovery involved immediate revolutionary changes in industry, and in historical development in general. For example, he followed closely the development of the discoveries made in the field of electricity and recently those of Marcel Deprez.
For Marx was before all else a revolutionist. His real mission in life was to contribute, in one way or another, to the overthrow of capitalist society and of the state institutions which it had brought into being, to contribute to the liberation of the modern proletariat, which he was the first to make conscious of its own position and its needs, conscious of the conditions of its emancipation. Fighting was his element. And he fought with a passion, a tenacity and a success such as few could rival.
https://www.marxists.org/archive/marx/works/1883/death/burial.htm
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transmutationisms · 8 months
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thoughts on adhd diagonsis and the rising numbers of it? heard a couple different theories, including a school therapist saying that he thinks children are just getting misdiagnosed because they’re cutting recess times, but interested in your thoughts! lol
yea i talked about this a bit here but i would add for clarity:
this kind of narrative of 'rising rates of' [any dsm diagnosis, in this case adhd] is kind of misleading on the surface because these numbers, and cultural and medical attitudes toward these labels, vary widely. matthew smith gives a very abridged introduction to varying attitudes toward adhd globally, and points out that countries that have 'embraced' the adhd diagnosis and its corresponding drug treatments tend to be countries where pharma companies have pushed to expand their market for these drugs, and have been able to succeed in partnering up with local and regional medical guilds and practitioners' professional interests. which is to say that any 'rise' in 'adhd' should be interpreted with an eye to material factors, meaning, specifically, profit-seeking and broader patterns of imperialism and global market expansion.
none of this is to say that the impairments people experience in adhd are any less real, debilitating, or distressing. however, when we ask about those impairments becoming more widespread or severe, often the conversation becomes rapidly re-routed to cover only a narrative of individual cognitive or neurological 'failures' constituting a distinct 'disorder'. elided from this framing is the idea that an impairment of this sort arises not just from the individual's brain-mind-body, but from the extent to which that person is being accommodated by their social context, specifically demands for productivity, sustained attention, &c in the home / school / workplace.
the core research methodologies & data interpretation in the psy-sciences embed social valences into neuro-psychological investigations, heightening the perceived contrast between, eg, 'normal' and 'adhd' brains / neurotypes / &c. susan hawthorne points out that this is a powerful feedback loop: social values are embedded in the scientific investigations, the results of which are then of further social interest, and together social and scientific values tend to converge, mutually reinforce one another, and strengthen the ideas and data interpretations supporting the concept of a discrete, pharmacologically actionable, transhistorical and cross-societal brain disorder.
i truly cannot overstate the extent to which it matters that when ritalin arrived on the us market in 1955, psychiatric diagnosis of and pharmacological prescription for children's behaviours were in a very different state to how they are today. it is quite common (in psychiatry but also in other branches of medicine!) that diagnostic definitions and categories change, or even come into existence altogether, at the behest of pharmaceutical companies who need a diagnostic label in order to ensure insurance coverage for patients interested in taking their patented drugs. this combined with marketing direct to patients, and paid promotion to physicians, is a critical piece of the history of the adhd diagnosis.
because i always feel the need to make this crystal-clear: i do not oppose or object to people seeking or using stimulant medications lol. i <3 stimulants. that's not what this is about. i want you and me both to be able to use white-market amphetamines whenever we damn well please and you don't need to justify that on any moral or medical grounds. xx
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redthefortuneteller · 6 months
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Snake is not a human with snake genes. He's a snake with human genes.
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𓆚 𓆚 𓆚 Edit: I've added at the bottom something else I had forgotten about. If you've read this post before, give it a read. Sorry about that! I've made other seperate posts related so that this one doesn't get so enormous. Here are the links: The Island of Queimada Grande The Snake Charming Flute A Pet Snake Feel free to give them a peek if you found this post interesting. These posts are much more brief than this one, I promise you! :D 𓆚 𓆚 𓆚 If you're at all familiar with the 1896 early science fiction novel "The Island of Doctor Moreau" by H. G. Wells, the tittle surely might've brought it to mind. Indeed, I am basing this theory on this novel. "The Island of Dr. Moreau reflects the ethical, philosophical, and scientific concerns and controversies raised by the themes and ideas of Darwinian evolution, which were so disruptive to social norms in the late 1800s."
In brief, Doctor Moreau was an eminent physiologist (read: mad scientist) in London who ended up fleeing Great Britain due to his experiments in vivisection being publicly exposed. Vivisection is, for all intents and purposes, experimentation on live animals. What he accomplished with his experimenting was human-animal hybrids. But it's not as one would assume at first glance (as did the main protagonist in the novel), that he'd turn humans into animals, as is often portrayed in this sort of fiction or even in real-world folklore (think werewolves or berserkers).
Instead, Doctor Moreau turned animals into humans. And unfortunately, through means of extremely painful surgery, which fits in quite well with a dark story such as Kuroshitsuji.
Almost all of the beast-folk are named after "what they're made of". For example: Leopard-Man, Hyena-Swine, Wolf-Man, Fox-Bear Woman, etc… And he refers to them as his children. Children he holds hostage on an island. You know, like an orphanage? The orphanage, which is mentioned in Chapter 192, could very well be "the island" where the Doctor's children were being held at. After all, an island is just like a building where one can be held in, only the walls are a vast ocean. Snake (or Oscar) refers to it as "… a terrible place." and remembering the painful surgery part, I think that's an understatement.
In a 1996 film adaptation that slightly deviated from the original work, the beast-folk as they're called, need to take a serum in order to keep them from turning back into their original form. All except for one hybrid in particular, which the doctor refers to almost perfect or the closest he's gotten to perfection. I feel inclined to mention that in the film someone confronts the protagonist with something along the lines of "What do you intend to do once you get her out of the island? Sell her to a circus?" referring to that almost perfect hybrid. I believe it to be the case that Snake could be the perfect hybrid. The doctor mentions the fact that in turning animals into humans, he could create the perfect human, devoid of its human flaws, devoid of malice. I firmly believe Snake is devoid of malice.
The whole incident with Phelps was nothing but a mistake, and Snake's paying dearly for that mistake as he got his neck sliced in the same place Phelps had the mamba bite.
Whichever the case, the plan was not very well thought through: he was going to kill Smile without knowing the circus troupe was dead and without so much as asking Smile about it. He was going to kill Sebastian too, were he not a demon. As Smile was telling him that he had infiltrated the circus in order to investigate, Snake kept flip-flopping between getting shocked with the revelation that the troupe were kidnapers and getting aggravated, insisting Smile was lying. Probably due to the snakes' chattering each of their opinions. He's confused, but he's not evil. It's clear from his reactions.
The reason I'm bringing this up is because he was acting purely on impulse. Not much thought. Or at least, the thought he put into it wasn't much. It wasn't malice guiding his actions, but a sort of instinct. Snakes don't think much about attacking when they feel threatened. If they feel inclined to do so, they just do. No questions asked. No thinking about consequences.
In the film mentioned earlier, the doctor's office looks like a small library. The doctor is obviously quite literate. However, his "children" aren't.
There seems to be quite a bit of focus on Snake not knowing how to read. First mentioned on Yana's personal blog and most recently brought up in Chapter 195. It was quite common for people to be illiterate at the time Kuro takes place, but there was a focus on Snake from Yana's part, which I only find interesting because of how his snakes were named. After famous writers.
Could the doctor have named the other snakes but not him, as he was the first snake? The Snake. Or could Snake have named the others because he himself didn't have a name? It's funny that among all his family, the one human is simply named "snake" while the ones that would be naturally referred to as snakes are named quite fancifully. It's also quite comical if you consider chapter 51, when Finnian thought Snake was "Mister Oscar" as he introduced himself with "I'm Snake…", "- Says Oscar."
If you'd like to consider going a little further and going a bit crazy on these what ifs: consider that his snakes are the others who didn't make it or reverted back to normal. The panel in chapter 195 (page 7) where Snake has himself a little dilemma (in space!) with all the snakes chiming in in his head? I know it might sound a little out there, but I think the reason those three Snakes are shown naked could be because they're not Snake, they really might be Keats, Emily, and Wilde. Either the Snake-Man hybrids all look the same, or this is how Snake visualizes them speaking, as he himself is a snake like them. The difference is that he can use human speech, so if they were to use it as well, they too would look like him… right?
In fact, he often makes little distinction. He's said this in chapter 202 when Arty asks if he's a snake charmer, to which he firmly responds, "No. Snake and us are family. - says Dan." and "We are all footmen. - Says Goethe." Before this, he says "We're all here. - says everyone." He refers to them as "us". He makes little separation between himself and the other snakes. He understands and talks to snakes because, naturally, he is a snake. And he's the only snake who can talk to humans—the only one who is also human. He's the spokesperson (spokesnake, lol) of the group. Edit: He makes different voices for different snakes. Each snake has their own voice. What if those were really their voices at some point in time? The first idea one gets from Snake is that the snakes are like parts of his personality that he's expressing through them. However, this isn't true (or entirely true) because they do really do communicate with him, as proven undeniably by Oscar sneaking into the castle basement in the Green Witch arc and bringing back information Snake had no way of knowing (and couldn't really explain very well when Bard asked for details).
In chapter 53, he's sneaked down to the cargo to share the food with "everyone" as he says. I always found it a little odd to share human food with snakes, who only eat whole animals. On the plate, there were some leaves. There are no herbivorous snakes; they're all exclusively carnivorous (insectivorous, too). Of course, the lettuce, or whatever it is, is intact. But still, snakes don't eat breaded chicken or liver pâté either… It's just odd that Snake, who's been seen feeding his snakes mice twice, suddenly thinks they'd be interested in this gourmet, first-class dish. I believe he thinks, since it's delicious to him, surely they might think so too. After all, they're all snakes. Could he get a little confused sometimes?
He's also never showed any fear of the werewolf forest while the other servants were scared as they made their way to the village in the Emerald Witch arc. He doesn't seem phased by the idea of wolf-men. He was freaked out by the torture instruments in the village though, meaning some things are scary, just not the werewolves.
Edit: I forgot to mention an interesting passage from the Kuroshitsuji Original Picture Drama live reading from 2015. As far as I know, the script was written by Yana Toboso. It's all done mainly for comedic purposes. However, there's a part where the characters are drinking and chatting and eventually some get a little tipsy. What Snake says in a drunken crying fit is "I'm a snake! I feel better if I drink a lot of sake!" Interesting, isn't it? ;) Go ahead and watch it yourself here if you feel like it: https://youtu.be/xMmrWsHLaqc?si=ozkAfssE_fLOOoaM&t=506
To end I'd also like to call attention to the cover art from Chapter 196. Him being confused about a lemon cake and a lemon tart being different snacks when they're both sweet and both cakes made it to the cover art. He's having trouble grasping how a lemon flavored dessert can be different from another lemon flavored dessert.
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I think that sums it up nicely, although I might have forgotten some things. I do apologize if anyone has already made this correlation between this work by H. G. Wells and Snake's possible origins, I couldn't find anything related.
Of course it can all be explained easily by just saying he sees the snakes as family and as "us" because he has a connection to them. However, it's the "how he came to be" part that is my main motive behind the theory.
I put a lot of love and care into this theory and since Snake's flashbacks might be coming up soon, I thought I'd share it just so that it's out there for all it's worth.
Thank you so much for reading. Have a lovely day. Red
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