the thing about jason’s ‘brotherly bond’ with tim is that everytime it only benefits jason. its only about ‘making jason’s story richer’ and never about benefiting tim, who’s characterization got completely ruined to favor the role of jason’s caretaker when ‘big bad brucie makes jason mad’. genuinely is there a scenario when they ‘act like brothers’ when its not either fanfic bs or tim telling jason, in the year of our lord 2024, that its okay that he died in a comic back in 1988? tim never benefits from this relationship, its always about jason. and im not only talking about fanfics anymore because, to my dismay, the canon is now strongly influenced by fanon and we are getting comics like ‘knight terrors’ where tim tells jason that ‘he is not a failure’. tim. timothy jackson drake. the same dude that blatantly told jason, as he was getting beaten up, that he is still better than him? that dunk on him whenever?

So usually when an imaginary friend is a real thing in a story, it’s either a demon or a ghost or some supernatural boogeyman that probably wants to eat the kid they’ve befriended (Mama, a couple of the Paranormal Activity movies), or “imaginary friends” are just treated as a real thing in the setting, and if a child just thinks hard enough they can manifest a friend into existence (Foster’s Home for Imaginary Friends, Happy).

And somewhere in the middle is an area where the imaginary friend in question is real and they are supernatural, but they aren’t malevolent, and they aren’t entirely honest about what they are. Like maybe they’re a fairy or a god or some kind of boggle from mythology, but they just got caught by a six year old and they don’t have time to get into it, so they just go “…Yes. I’m your imaginary friend. We haven’t met. How do you do.” And then they stick around because they do love this kid, and if you’re a boggle from mythology in the modern day good food is really hard to come by.

And at some level. That’s what I think Hobbes is.

The Piedra sisters.

Born and raised in a small mining town in New Mexico. Calida and María Molina have stayed behind to support their parents while Rosita and Madelina have gone off to pursue their dreams. Madelina recently obtained her Ph.D. in geology from Las Cruces College. Rosita works as a baking apprentice and entertainer in Ponyville, Nebraska. Madelina is the eldest, Calida the middle child, and Rosita and María Molina (non-identical) twins.

WHAT YEAR IS IT. SOMEONE PLEASE TELL ME WHAT YEAR IT IS. IS IT A YEAR WHERE FAT IS A BAD WORD OR IS IT 2023??? YOU COWARDS BETTER START PUTTING SOME RESPECT ON THIS FAT GUY'S NAME OR I'M GONNA START BLOCKING. I WISH I WAS JOKING.

I can’t explain what blue eye samurai makes me feel…….its a typical revenge story, a man sets out on his hero’s journey to kill the four men who have wronged him. A lone ronin, wide brimmed hat and sword in hand, roaming Edo Japan on his vendetta. But he’s not a man. He’s a woman. And how has he been wronged? What’s she getting revenge on?

On the fact that she exists. She wants revenge on the four white men that could possibly have conceived her. Who got her Japanese mother pregnant with a blue-eyed child. And not just any blue-eyed child, but a girl child. How is she possibly supposed to live in the world like that? For the wrong of being conceived, for the wrong of being born, for the wrong of being birthed into a world that will never love or accept her, she will kill her father.

I don’t know what level of convoluted self hate that is. Is she a child of rape? Or a child of a whore? Halfway through I realise what she told herself at the start couldn’t possibly be true - it’s not really for her mother. Her mother wasn’t the root of her vendetta, she wasn’t really doing it for her. When she leaves that farm and leaves the chance to live a simple, legitimate life as a woman, she goes right back to hunting down the men. Those men personally wronged her.

And then there’s so much to be discussed surrounding the way she grew up, because as a boy child and a man she can afford so much more than life has dealt her. Her swordfather who took her in out of the love and care in his heart had no shame in teaching a mixed man his art. The face of a ‘demon’ is fine. But not the identity of a woman. Shh. Don’t say it. Don’t confess. He knows and doesn’t want to hear it.

And because she’s lived that way her entire life for safety and security, she’s so completely alienated from being a woman, perhaps she really is he. But not really by choice. Or is it? The thing she does best is the art of killing, the art of men. Gender is a prison and gender is a performance and she has to choose which to perform. The times cannot reconcile hatred and violence with a woman. So she lives as a man.

So she can get revenge on her father, for revenge on herself.

Drew a bunch of Marinettes in a bunch of different artists styles it was a lot of fun!!

Artists who's styles I mimicked: @buggachat @hamsternamedmarinette @ladybeug @sabertoothwalrus and @anna-scribbles all epic artists 🤟😎

This joke came to me in a fit of laughter (ALT description provided :3!)

found family coworkers (definition multiple) of all time [image description under cut]

Comic 1:

First panel, Ingo and Akari are standing together. Someone off-screen asks “oh, is that your dad?”. Akari has an awkward smile and replies “oh, no no. he’s my...” There’s a long pause as she looks at Ingo. He’s leaving it up to her. She finishes, “He’s my coworker... friend... guy.” In smaller font, she continues “yea. that.” Comic 2: A dramatic panel of Volo, looking pissed off, shouting “who are you to interfere?!!” Ingo tugs the brim of his cap lower. The upper half of his face is in shadow, while his eyes stand out. He looks threatening but has his expression is his characteristic neutral-frown, and he says “...I’m her coworker friend guy.”. In the final panel, Machoke is throwing an incredible amount of punches, a reference to Star Platinum from Jojo. Ingo is pointing with one hand, his battle pose. The background text reads, “What does that even mean??” Volo is experiencing off-screen violence.

Comic 3: The comic is titled “Reunion”. In the first panel, Ingo shows off Akari, with a faint smile on his face. She is labelled “best girl (assigned by god)”. He says, “Emmet, this is Akari, my coworker. She’s the reason I was able to return to this station.” In smaller font, Akari comments to herself, “ooh... so this is the man in white.”

In the second panel, in smaller font Ingo notes “I think I remember now...” He says, “Akari, this is Emmet. He's also my coworker.” Coworker is underlined. Emmet is crying in the background, looking confused, conflicted, distressed, and happy. He says, “Brother...?” In the final panel, we see a framed photograph of all three together. Underneath are the words, Employee of the Month. Akari is dressed as a depot agent, and she and Ingo pose with peace signs. Emmet is red faced from crying, but he’s smiling widely. He looks happy.

Yaz: why do you have a braclet that says "WWDD"?

13: oh! It stands for "what would Donna do?"

Yaz:...

Yaz: who the fuck is Donna??

Accepting isolation, craving belonging

Thinking about how in sophomore year Ayda and Fig were each wondering if the other loved them for themselves and all the while there were fossils at Mordred Manor and a scroll kept by an order of knights for 1500 years just for Ayda to tell Fig HOW MUCH she loved her.

I love you messy artstyle i love you visible brush strokes I love you textures and rough edges I love you imperfections I love you roughness and colour blobs I love you scratchy sketches and bold stylisation and dirt and imperfections I love you ugly and raw emotion!!!!! ❤️

ambient cyan tardis lighting my favorite

smoke break

(tiny) Dazai propaganda