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victorie552 · 4 months

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Ok, so Noldolantë, "The Fall of the Noldor" is a lament composed by Maglor about what happened before, during and after First Kinslaying at Alqualondë. It's such a good song that it's played regularly in Aman and Valar listen to it often (I swear, I swear it was in the Silmarillion I just can't find it now).

It's also a more or less common fanon that Maglor continues writing Noldolante through the whole First Age. Makes sense - it's about fall of the Noldor, and Noldor did a lot of falling back then.

Headcannon time: So my first thought was that Noldolante must a long, long, long epic of a song. So it probably has many parts, right? Iliad has 24 books/parts, somehow I think Noldolante would be at least just as long, and there are longer epics. And again, just like Iliad, unless you're a scholar, in the daily life you don't really listen to/read the whole thing, just reread and repeat the most dramatic fragments. What I'm trying to impress upon you all is that the story would have different segments, or chapters, if you will.

And if Maglor continues to write the story during the FA, there would absolutely be a moment in the lament where the OG Noldolante becomes Noldolante 2, and even Noldolante 3. There may be the same musical motif or something, I decided that Maglor IS that good of a bard to keep it all consistent enough so you know it's all the same story, but the style changes a lot - it's been 400 years in the making, let The Music Elf have fun!

So, Point 1: Many, Many Parts, basically Maglor's FA WIP

My second thought was that, while Feanor invented his alphabet, elves learned their history mostly through oral tradition aka songs and spoken stories. Noldolante is definitely a historical record, where a historical event was archived for future generations.

(It was a also a way to deal with grief, guilt and blame Maglor and all Noldor have faced regarding First Kinslaying - free therapy! But that's not what this post is about)

Archived.

My 2.5 thought was that Noldolante isn't just recallings of how pretty and horrified the beach looked during the murdering or how mad and sorrowful the sea was at everyone during the voyage or even how awesome and charismatic Feanor looked during his speeches that every single Noldo was ready to fight Morgoth barehanded in his name - no, this is a record of who killed who, who got killed by whom, and how.

Noldor and Teleri knew each other (were friends, even!) before the First Kinslaying, so I'm confident that after a lot of interviews, detective work, and cross-referencing, Maglor could and would create a very good... name list. Practically every Noldo and Teler present during First Kinslaying would get a stanza in a song, more if he killed someone, most if he killed many people. Killers and killed would show up twice, first in a fragment listing the killers and their victims, then in a part listing the victims and their murderers. Basically it's the same thing twice, but from different POVs. With when, where and how included.

(It was seen to be in bad taste to compare kills during Maglor's Regency, when most of his interview-part work happened. People did it anyway. There were a Saddest Kill, Funniest Kill, and Weirdest Kill discusions. There was a Tier List. These were weird times to be a Feanorian Noldo.)

(It WAS in Bad Taste, but at least people talked about it. I cannot stress enough how much free therapy this lament provided)

(Little did they know, when Teleri started getting reembodied in Aman, they had very similar discussions, but more in a "I can't believe he killed me like THAT" way. Long, long, long after the First Age. Noldolante is a gift that keeps giving)

So, Maglor had all the historical grith and no common shame to create a "We Killed All These People And We Feel Bad About It" banger of a song, and every Noldo had a very personal reason to at least remember the fragments they are in. It's a hit on a scale never seen before.

(I'm not sure how to tackle the issue of Nolofinweans and Arafinweans learning about Noldolante after crossing the Ice. But there were discussions. There was anger, there was "????", there was controversy. Basically, the song got bigger and bigger rep no matter what your opinion on it was. By the time of Mereth Aderthad it was an important cultural and political piece and at least Fingon's forces were included in the main song. It had parodies.)

Point 2: Archive Function/Kill count storage. Cultural phenomen, every Noldo included

This is where my personal nonsense begins: Main Noldolante was done, there was nothing more to say about First Kinslaying, all killings and deaths were well documented.

But the Siege started. And the Noldor kept dying.

It was less dramatic than it sounded - between the big battles the siege was maintained, but orc raids also happened and sometimes one to few Noldor died in skirmishes. The legal procedure was to document the death of a fellow elf and send a word to king Fingolfin. The cultural procedure, technically started by Feranorians but adapted by many more, was to send the name, common characteristics and cause of death to Maglor's Gap. After few months, King Fingolfin would send reinforcements, short condolences and financial compensation if they had family. After few months, family of an elf would also receive a personal lament for them and a place for them in a Noldolante.

Yes, every lament Maglor created in that time was technically part of the Noldolante. Noldolante 1.5, if you will. Laments make in that time were very customized, and simpler than Noldolante Main, but were still considered a part of the same song. Of course, nobody was expected to know and remember laments for every single Noldo, younger Noldor born in Beleriand could even only know fragments about their family members. Only Maglor would ever know Noldolante in full, but it was understood that everyone had their place in The Song.

The results of Great Battles were harder to document, but Maglor did that. Of course, Dagor Bragollach was hard on him personally, but he worked his way through.

(High King Fingon forbade creating laments for his father. There were no songs for Fingolfin. Apart from in Noldolante, of course. Of course. Maglor did not share the lament with anyone, but he sat long hours and many nights with a blank paper before him, looking at the candle flame and thinking of the past and the future. The song unsung, but there)

Nirnaeth was... Maglor was never more hated and more approached at the same time than then. Still, Noldolante grew and grew, as if people knew the end was near.

It was Second Kinslaying that destroyed the myth of Maglor's song. Feanorians didn't know the Sindar they killed, but surely, they couldn't just left their names unmentioned like they did with orcs? So, Noldor talked, but the battle happened in caves - it wasn't uncommon to find dead bodies in empty rooms, with no witnesses to what happened. Surviving Sindar didn't want to share any names, even when Maglor strong-armed some into talking with him, and good for them. Maglor made a big lament anyway. Maglor, wild, with no shame and dead brothers, with legacy crumbling around him. Noldolante, with holes.

After Third Kinslaying, Noldor didn't want to talk. Lament for Sirion didn't have any names. Clearly, songs weren't a way to go anymore, it was always about live witnesses. And so Maglor raised the twins.

Lament for Maedhros was sung repeatedly. There was no one to hear it.

Point 3: Only Maglor knows Noldolante in full. But that doesn't matter, because everyone knows the important part: the Noldolante is finished. The Star of Hope rises in the West and the story goes on. The Fall has ended.

#silm #silmarillion #noldolante #maglor #yet another post that went in different direction than I planned #started with meta went into headcannon and ended with fanfic angst #I wanted to end it with crack!!!#I mean. I mean #it all makes kind of some sense if we're talking about elves here #but guys Noldor had Men and Dwarves as allies #Maglor would want them in his Historical Record song #I think with Dwarves they would mainly refuse when he asked them if they wanted a part in Noldolante #so maybe he would only get some allies and personal friends of Maedhros in #but Men #guys Men. they would agree and they would make lists and it would become Clown City so fast #but Sons of Feanor aren't known for their ability of knowing when to quit #so Maglor has a Noldolante 3.0 Standard Version with 254 Parts that has Elves and an Occasional Dwarf Only #and Special Version Noldolante Deluxe Extra Edition with 547398134 Parts that includes Men #everyone is included you don't have to die in battle #all common causes of death have a dedicated jingle to them #to the point you know a man's cause of death after 3 notes #these parts of Noldolante well the music bit actually survived into the Fourth Age #the words are gone but the music is played at funerals in some places #The Noldolante Main survived only in parodies though #actually Finished Noldolante is a very good thing huh #as in no more Fall of The Noldor #they can finally catch some break #I believe that during Maglor's Regency Era all Noldor did was Processing. and breeding horses.#Noldolante? more like Maglor Finally Discovers Shame: A Story #I think some personal revelations on legacy and connections between children and life's works would be made

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lenievi · 1 year

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I just also feel that it would be a tiny bit unrealistic if Sarek was the only Vulcan who would want to repeatedly marry humans

#tos nonsense #then again a while back i had a crack hc that mccoy's ex was a vulcan so... you should not take me seriously unless i produce a 'serious'#meta post. which i did like three times only i think

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raynewolfegirl · 22 days

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Meta Jazz, the Arkham Intern Therapist Pt1

Update 5/16/2024: Congrats guys, gals, and others! You have planted the seeds and they have grown. Today I wrote another 46 pages on this story (the first section was only 9 pages ya'll). I'm working on splitting it up into smaller sections so I can post it now because tumblr said no to doing it as one piece. I'll be using the tag #Meta Jazz Arkham Intern Therapist if you want to follow it.

Original Note: I'm going to go ahead and apologize for how OOC Bane is in this. It originally was Joker but I couldn't see Jazz tolerating his proximity for more than a single millisecond so Bane it is.

~*~*~

The hardest thing about being a Meta in Gotham was responding appropriately during a Rouge's attack, Jazz mused to herself. Or perhaps that was just the hardest part about being a Meta intern at Arkham while studying psychology at Gotham University. Or maybe it was just her, she considered watching the guards and Dr. Rylie whom she'd been shadowing for the past 2 weeks wide eyed, pale, and shaking as theybstared at Bane behind her. It must just be her, Jazz decided, newbie guard Kyle Jennings was definitely a Meta after all. She should probably give him some tips on hiding his enhanced strength considering how often he broke mugs, door handles, and other delicate items used in daily life.

"Weapons down or I'll snap her skinny little neck." Bane growled out, shaking her slightly for emphasis. She very much doubted that. Liminials were built different than the standard Meta, stronger, faster, better endurance, and senses even if they could mostly appear to be standard humans on the outside. As such, their bones and muscles were much were much denser than regular humans or even Meta humans. Technically, she could be considered "invulnerable" much like the Kryptonians are.

"Back up! Let him through!" Dr. Rylie shouted at the guards. "She's my student! Let him through!" His voice was higher pitched than she could recall hearing it before.

Ah. That was panic.

Jazz sighed involuntarily and glanced over her shoulder at Bane. Why the man had grabbed the only person close to his own height nearby was a mystery to her - no, nevermind, he clearly meant to use her as a shield - but it made looking him in the eye more difficult than necessary.

"Mr. Bane, remove your hands from my person, please." Jazz stated calmly, channeling what Danny called her inner mom as she spoke. "I will give you to one to comply."

Bane looked stunned for a moment then laughed.

"Five."

The laughing continued. Jazz could sense a stir of uncertainty through her colleagues as they looked on.

"Four."

"Did you really think that would work?" Bane snorted out, arms tensing more around her.

"Three." She continued, indifferent to his words from her experiences raising her brother. Once the count down starts you mustn't respond to anything the kids do or say until they comply or the count is done.

"What cab you even do if I don't?" Bane asked darkly breathing directly in her ear. She kept her face expressionless despite the urge to express disgust.

"Two."

"Jasmine..." Kyle whispered halfway across the hall from her looking on with a pained and horrified expression. Gun tilting towards the floor. Sloppy.

"One." She finished and Bane gave a derisive snort.

Then she was moving. Hauling the enormous man up and over her shoulder using the arm that had been wrapped around her neck. Bane hit the cold tile hard enough that the tiles, subfloor, structural supports, and part of the concrete foundation buckled beneath him. His shoulder popped out of joint, his wrist cracked - a hairline fracture by the sound of it - and his breath was punched out of him from the force of impact. She released his arm as soon as his was embedded in the tiles and moved forward. Kneeling over him, support most of her weight on her left foot resting on the broken ground, her right knees pressed firmly across his throat without supporting any of her weight. The position put more strain on her muscles than she would've liked but at least Bane couldn't risk fighting back without crushing his own neck in the process. He could hardly throw her while flat on his back with a mangled arm.

"Now," Jazz began, looking directly into the behemoth's pained eyes. "Do you know what you've done wrong?" She asked like she would have done with Danny as a child.

"Yes, Ma'am." Bane choked out. Jazz heard movement and murmuring behind her. She didn't turn to look.

"What did you do wrong?" She asked. It was important to make sure children correctly understood why they were in trouble after all. There was a long pause as Bane appeared to cast around for the exact right answer as if he feared getting it wrong. A bad habit Danny still uses as well, Jazz thought to herself.

"I tried to hold you hostage," He choked out in a rush, words tumbling over one another as he tried to get them all out. "I scared you coworkers and it was very disrespectful."

So he'd gone for the grab-bag response. It wasn't wrong per sey but it did indicate a past history of abuse. The type of answer given by someone who expected to be harmed or ignored if they gave the "wrong" answer. Danny tended to use that method also and their parents had always been negligent at best.

"And are you going to do it again?" She asked giving him a Look as she did. Bane's eyes widened and he tried to frantically shake his head as much as possible with the pressure on his neck.

"No, Ma'am." He promised fervently.

"Alright then," Jazz said giving him a warm smile. She gestured vaguely towards the guards without turning to look at them. "Kyle here is going to take you to see the nurse and then back to your room then. I'm sure you'll behave for him?"

"Yes, Ma'am. I'll behave." Bane said. Jazz stood slowly asking sure not to put any additional pressure on his neck as she did. Kyle came and stood next to her as the giant of a man slowly pulled himself to his feet then led him away with 5 other guards.

Jazz heaved a sigh. Well, time to find out whether or not she could play all that off as normal, non-Meta human behavior.

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noisilyscreechingsong · 10 months

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Baby Formula

Dp x Dc Crossover

Duke was having a slow day when he heard the cry of outrage just across the street. He sees the store owner let go of the little kid he had latched onto and pull his hand close to his chest. The kid picked up the box he dropped and turned quickly to sprint away on tiny legs.

“He bit me!” The man screams as he stares angrily after the boy.

Instead of his training to intercept the thief and return the stolen merchandise, Duke follows his gut feeling and just tails the running boy.

From what he can see, the kid it young, maybe six he guessed (he’s not great with ages that young), with black hair and worn clothes. Homeless most likely, or a run away.

The boy slows down and hides in an alley to check to see if anyone is following. Duke takes this time to jump down in front of him.

Blue, blue eyes snap to him and widen in surprise.

“Hey, kid,” Duke greets casually, still crouched to get closer to his height.

The child shift from foot to foot, obviously debating with himself whether to run or not while eyeing him critically. Not easy to trust. Expected.

“Whatcha got there?”

Little hands grip the box of baby formula closer to his chest reflexively and then hides it behind his back. He shoves the water bottle fuller into the pocket of his too large hoodie.

“Nothin’.”

Duke hums.

“I don’t wanna get you in trouble,” he eases. “I just want to help.”

“I don’t need any help,” the boy denies immediately.

“You might not, but what about your baby sibling?”

The boy tenses and his eyes narrow dangerously. So Duke was right.

“What’s your name, kid?”

“Why should I tell you?” The boy fires back venomously.

Duke shrugs.

“That’s fair. I’m Signal by the way.” No response, not that he was expecting one. “I do need to know that you guys are staying somewhere safe. You’re a really good brother for looking after your baby…”

The boy frowns. “Sister.”

“Your baby sister and getting her formula, but I’m sure you’d also like to be playing instead of stealing. Am I close?”

“I can help take care of Ellie just fine,” the boy defends hotly.

‘Help’. He’s not the only one.

“You can, but you shouldn’t have to. You’re just a kid too. I wanna help make sure you guys are taken care of. Nothing bad will happen if you show me where you guys are staying,” Duke tried to argue calmly.

He hasn’t had much experience with this kind of situation but he needed to make sure they were in a safe place. Child trafficking had gone down after Red Hood made his displeasure known, but it wasn’t nonexistent.

The kid shifts again.

“They’ll split us up if they throw us in foster care. You can’t call CPS. Promise you won’t.”

He didn’t even hesitate.

“I promise I won’t call CPS.”

The boy thrusts his free hand forward with his pinky out.

“Pinky promise,” he insists.

Duke has to lock down the smile that threatens to creep up on him. Professional. He needed to stay professional.

He wraps his gloved pinky around the tiny finger in front of him and reiterates the promise. Greasy, black hair flops as the boy nods sharply in acceptance.

“Okay.”

Duke does smile a bit then. “Okay, lead the way.”

The kid hesitates for a second before shaking his head and huffing. He leads the vigilante through back alleys for quite awhile before they come up to the back of an abandoned building.

The kid turns back to him with his hand on the edge of a piece of plywood blocking the entrance.

Duke couldn’t tell exactly what the boy was thinking, but he knew he was second guessing. However, with the bright glow this kid was giving off that make Duke think he was a meta of some sort, he couldn’t let him walk away.

The boy continues on like he didn’t even pause, pushing the board aside and slipping through the small crack. Duke follows closely behind as they travel through the place that looks like it used to be a restaurant that had burned down. They walk until they make it to the only room with light, a storage room, and find a red headed girl, older than the boy but still young, holding a baby as she boils something on an old burner.

She looks up and freezes when she sees him.

“Don’t freak out,” the boy interrupts.

“Danny,” she says slowly, her teal eyes zeroing in on her little brother. “Why did you bring one of them here?”

‘Danny’ pulls the water and formula forward sheepishly. Her eyes widen.

“Danny,” she says with disapproval.

“Ellie only has one pack left, Jazz, I had to do something.”

“You didn’t have to steal,” Jazz hisses. “Dan will be back with-“

“Yea, well, he forgot last time, so what were we gonna do then, huh?”

Four names. Four kids living in a burned to hell building that he’s surprised is still standing.

The two kids stare each other down until baby Ellie starts squirming and fussing, reaching for Danny. The boy huffs and takes the baby, looking almost comical with how small they both were.

“I wanted to make sure everyone was okay,” Duke said to alleviate the tension in the too small room. “I just want to help.”

“That’s what people say before they call CPS on us and we have to run again,” she glares harshly, standing from the floor. She didn’t even reach his shoulders.

“And I promised I wouldn’t.”

“He pinky promised,” Danny adds in a hushed tone.

Studying the other kids in the room, Duke can see that Ellie was as bright as Danny, just a different color, and Jazz only had a slight glow.

“How old is Dan?” He asks.

Jazz puckers her lips like she sucked on a lemon.

“Old enough,” is her answer.

“Nobody is in trouble,” he reassures.

Neither of the siblings answer for a minute, Danny nervously looking between the vigilante and his sister, and Jazz staring Duke down with narrowed eyes.

“He’s sixteen,” Danny confesses.

Jazz shoots him a scalding look, to which the boy shrugs off with no guilt, but doesn’t deny it.

The oldest isn’t old enough, which was what he was thinking, but it still put him in a weird position. Should he call Bruce? He should definitely call Bruce.

Jason would be so much better at this than Duke. The Alley kids love and trust Red Hood, but this technically wasn’t Crime Alley.

“I want to help,” he says.

Jazz folds her arms over her chest and he doesn’t blame her for her suspicion.

“How?”

Yea, he’s working on that.

“Who the f*ck are you?”

The snarl comes from behind him and he whirls around to see a teen that greatly resembles the boy. This must be Dan, but holy macaroni, he didn’t even hear him come in.

“That’s Signal,” Danny says, passing Ellie back to Jazz who takes her and steps back from the angry teen.

“Yea, I can see that. Why is he here?” Dan growls.

Danny squares his shoulders and lifts his chin.

“I brought him.”

Dan snaps his glare from Duke to the little boy.

“You WHAT?” The shout sounds too large in the small room and Ellie immediately starts crying. “What the hell are you tryin’ to do, you little sh*t?”

“Hey,” Duke says firmly, trying to redirect the anger to himself. “I would have followed him anyway, it’s not his fault.”

It doesn’t work because as soon as the words leave his mouth, he’s rounding on Danny again.

“I told you to stay here,” he points at the small boy who looks equally scared and defiant. “What were you doing out there, idiot?”

“You didn’t get formula last time,” Danny emphasizes the ‘you’ heavily. “So I went out and got some. You’re welcome.”

“You little-“

Duke intercepts the bulky teen when he lunges at Danny trying to grab the front of his shirt. From the way Danny backs up quickly, it’s not the first time.

“Knock it off,” Duke growls at the teen. “He’s a kid.”

“He’s a snot-nosed little brat,” Dan snarls at his brother and then turns his ire onto Duke, pushing the vigilante away with a giant shove. “And I’m guessing you’re gonna turn us over to those corrupt social workers, huh? Well good luck.”

“No,” Duke denies with his hands up. “I don’t want to do that. I promised I wouldn’t.”

“He pinky promised,” Danny insists behind Dan after the teen shifted to stand in front of his siblings.

“Shut up, twerp,” Dan snaps but doesn’t take his eyes off Duke. “Then what do you want, vigilante?”

This situation has escalated.

He lowers his hands to his sides to level with the guy.

“I just want to help,” he states for the umpteenth time calmly.

“Yea? And how you plan to do that?”

Dan has been burned before, Duke could tell. His distrust is valid with what he’s probably experienced in the past, and Duke doesn’t really know how to make the brightly glowing teen calm down and not snap his teeth (fangs? Were those fangs?) at any hand trying to reach out.

“I know a guy,” Duke blurts out. Geez, where was Babs when he needed backup?

“You know a guy,” Dan repeats with healthy doubt.

“He can find you a place to live. A place that isn’t a burnt down pizzeria.”

“You mean a foster home,” Dan glares.

Duke couldn’t really deny that.

“How about I talk to him and maybe we can set up a trial period? How does that sound? He’s got plenty of money and extra rooms to spare. Good food too,” Duke compromises. He hopes it’s enough to sweeten the deal and not set off red flags.

“We have a history with millionaires,” Jazz says with a cautious edge. From the dark look on the boys’ faces he can read it’s not a good kind of history.

“Technically he’s a billionaire,” he couldn’t help but say, “but he’s a good guy. I promise.”

“You’re talking about Bruce Wayne,” the red-head states in realization.

Duke thinks to himself that she would get along great with Barbara and not just because of their similar hair color.

“All I’m asking is that you trust me a little and give him a chance. If it doesn’t work out, he’s found homes for other kids before. He’ll make sure you guys stick together. I know how bad the system is, I get it, just… let me help. Please.”

The others look to Dan, the eldest, to make the decision. He glares hard at Duke, and if he hadn’t stared down actual super villains before, the vigilante might actually be scared.

After several long moments, Jazz speaks up in a hushed tone.

“I think we should try.”

Dan raises his lips in a silent snarl, clearly not liking her opinion, but not outright rejecting it. Danny huddles close to Jazz, gripping her shirt tightly, but looking between Dan’s broad back and Duke only a few feet away hopefully.

“One month,” Dan growls lowly and Duke has to keep the sigh of relief from escaping. “We’ll do this trial period for a month and that’s it. If we want to leave, then we leave and nobody calls the police on us. Got it, Yellowjacket?”

“Got it. I’ll talk to him. Just don’t leave, okay? I’ll come back tomorrow.”

Dan huffs and his eyes shift to the door in silent demand to get the hell out. Duke slowly makes his way over.

“Just don’t take it out on the kid. He was just trying to help,” Duke adds, trying to lessen whatever punishment Dan was going to give Danny after he left.

Dan snarls with, yes those were fangs, “Don’t tell me how to raise my brother.”

Duke lifts his hands to back off and then promptly leaves.

He grapples to the nearest roof and immediately calls Bruce.

“Hey, yea, I’ve got four kids you’re about to take in. You’ve agreed to a month trial because the oldest doesn’t trust the system and they all don’t have a good history with rich people. I’ll have Alfred get their rooms set up, but this is me letting you know. Oh, and one’s a baby so you’ll be paying for all the stuff that comes with that. They’ll be at the manor tomorrow so try to show up. Good talk.”

He left the voicemail as the only method of communication like a true Bat. Next was to actually tell Alfred and hope he doesn’t get the disappointed look, though he doubts he’ll get in trouble for helping out some homeless kids. The biggest obstacle will be Damian, but as long as there is some sort of buffer (i.e. Dick or Duke) it should be fine. Probably.

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mostlysignssomeportents · 2 years

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It was all downhill after the Cuecat

Sometime in 2001, I walked into a Radio Shack on San Francisco’s Market Street and asked for a Cuecat: a handheld barcode scanner that looked a bit like a cat and a bit like a sex toy. The clerk handed one over to me and I left, feeling a little giddy. I didn’t have to pay a cent.

The Cuecat was a good idea and a terrible idea. The good idea was to widely distribute barcode scanners to computer owners, along with software that could read and decode barcodes; the company’s marketing plan called for magazines and newspapers to print barcodes alongside ads and articles, so readers could scan them and be taken to the digital edition. To get the Cuecat into widespread use, the company raised millions in the capital markets, then mass-manufactured these things and gave them away for free at Radio Shacks around the country. Every Wired and Forbes subscriber got one in the mail!

That was the good idea (it’s basically a prototype for today’s QR-codes). The terrible idea was that this gadget would spy on you. Also, it would only work with special barcodes that had to be licensed from the manufacturer. Also, it would only work on Windows.

https://web.archive.org/web/20001017162623/http://www.businessweek.com/bwdaily/dnflash/sep2000/nf20000928_029.htm

But the manufacturer didn’t have the last word! Not at all. A couple of enterprising hardware hackers — Pierre-Philippe Coupard and Michael Rothwell — tore down a Cuecat, dumped its ROM, and produced their own driver for it — a surveillance-free driver that worked with any barcode. You could use it to scan the UPCs on your books or CDs or DVDs to create a catalog of your media; you could use it to scan UPCs on your groceries to make a shopping list. You could do any and every one of these things, because the Cuecat was yours.

Cuecat’s manufacturer, Digital Convergence, did not like this at all. They sent out legal demand letters and even shut down some of the repositories that were hosting alternative Cuecat firmware. They changed the license agreement that came with the Cuecat software CD to prohibit reverse-engineering.

http://www.cexx.org/cuecat.htm

It didn’t matter, both as a practical matter and as a matter of law. As a practical matter, the (ahem) cat was out of the bag: there were so many web-hosting companies back then, and people mirrored the code to so many of them, the company would have its hands full chasing them all down and intimidating them into removing the code.

Then there was the law: how could you impose license terms on a gift? How could someone be bound by license terms on a CD that they simply threw away without ever opening it, much less putting it in their computer?

https://slashdot.org/story/00/09/18/1129226/digital-convergence-changes-eula-and-gets-cracked

In the end, Cuecat folded and sold off its remaining inventory. The early 2000s were not a good time to be a tech company, much less a tech company whose business model required millions of people to meekly accept a bad bargain.

Back then, tech users didn’t feel any obligation to please tech companies’ shareholders: if they backed a stupid business, that was their problem, not ours. Venture capitalists were capitalists — if they wanted us give to them according to their need and take from them according to their ability, they should be venture communists.

Last August, philosopher and Centre for Technomoral Futures director Shannon Vallor tweeted, “The saddest thing for me about modern tech’s long spiral into user manipulation and surveillance is how it has just slowly killed off the joy that people like me used to feel about new tech. Every product Meta or Amazon announces makes the future seem bleaker and grayer.”

https://twitter.com/ShannonVallor/status/1559659655097376768

She went on: “I don’t think it’s just my nostalgia, is it? There’s no longer anything being promised to us by tech companies that we actually need or asked for. Just more monitoring, more nudging, more draining of our data, our time, our joy.”

https://twitter.com/ShannonVallor/status/1559663985821106177

Today on Tumblr, @wilwheaton responded: “[T]here is very much no longer a feeling of ‘How can this change/improve my life?’ and a constant dread of ‘How will this complicate things as I try to maintain privacy and sanity in a world that demands I have this thing to operate.’”

https://wilwheaton.tumblr.com/post/698603648058556416/cory-doctorow-if-you-see-this-and-have-thoughts

Wil finished with, “Cory Doctorow, if you see this and have thoughts, I would LOVE to hear them.”

I’ve got thoughts. I think this all comes back to the Cuecat.

When the Cuecat launched, it was a mixed bag. That’s generally true of technology — or, indeed, any product or service. No matter how many variations a corporation offers, they can never anticipate all the ways that you will want or need to use their technology. This is especially true for the users the company values the least — poor people, people in the global south, women, sex workers, etc.

That’s what makes the phrase “So easy your mom can use it” particularly awful “Moms” are the kinds of people whose priorities and difficulties are absent from the room when tech designers gather to plan their next product. The needs of “moms” are mostly met by mastering, configuring and adapting technology, because tech doesn’t work out of the box for them:

https://pluralistic.net/2022/05/19/the-weakest-link/#moms-are-ninjas

(As an alternative, I advocate for “so easy your boss can use it,” because your boss gets to call up the IT department and shout, “I don’t care what it takes, just make it work!” Your boss can solve problems through raw exercise of authority, without recourse to ingenuity.)

Technology can’t be understood separately from technology users. This is the key insight in Donald Norman’s 2004 book Emotional Design, which argued that the ground state of all technology is broken, and the overarching task of tech users is to troubleshoot the things they use:

https://pluralistic.net/2020/04/29/banjo-nazis/#cuckoos-egg

Troubleshooting is both an art and a science: it requires both a methodical approach and creative leaps. The great crisis of troubleshooting is that the more frustrated and angry you are, the harder it is to be methodical or creative. Anger turns attention into a narrow tunnel of brittle movements and thinking.

In Emotional Design, Norman argues that technology should be beautiful and charming, because when you like a technology that has stopped working, you are able to troubleshoot it in an expansive, creative, way. Emotional Design was not merely remarkable for what it said, but for who said it.

Donald Norman, after all, was the author of the hugely influential 1998 classic The Design of Everyday Things, which counseled engineers and designers to put function over form — to design things that work well, even if that meant stripping away ornament and sidelining aesthetics.

https://www.basicbooks.com/titles/don-norman/the-design-of-everyday-things/9780465050659/

With Emotional Design, Norman argued that aesthetics were functional, because aesthetics primed users to fix the oversights and errors and blind spots of designers. It was a manifesto for competence and humility.

And yet, as digital technology has permeated deeper into our lives, it has grown less configurable, not more. Companies today succeed where Cuecat failed. Consolidation in the online world means that if you remove a link from one search engine and four social media sites, the material in question vanishes for 99% of internet users.

It’s even worse for apps: anyone who succeeds in removing an app from two app stores essentially banishes it from the world. One mobile platform uses technological and legal countermeasures to make it virtually impossible to sideload an app; the other one relies on strong-arm tactics and deceptive warnings to do so.

That means that when a modern Coupard and Rothwell decides to unfuck some piece of technology — to excise the surveillance and proprietary media requirements, leaving behind the welcome functionality — they can only do so with the sufferance of the manufacturer. If the manufacturer doesn’t like an add-on, mod, plug-in or overlay, they can use copyright takedowns, anticircumvention law, patent threats, trademark threats, cybersecurity law, contract law and other “IP” to simply banish the offending code:

https://locusmag.com/2020/09/cory-doctorow-ip/

Many of these laws carry dire penalties. For example, distributing a tool that bypasses an “access control” so that you can change the software on a gadget (say, to make your printer accept third-party ink) is a felony under Section 1201 of the DMCA, punishable by a $500k fine and a 5-year prison sentence.

If Cuecat’s manufacturers had simply skinned their firmware with a thin scrim of DRM, they could have threatened Coupard and Rothwell with prison sentences. The developments in “IP” over the two decades since the Cuecat have conjured up a new body of de facto law that Jay Freeman calls “felony contempt of business model.”

Once we gave companies the power to literally criminalize the reconfiguration of their products, everything changed. In the Cuecat era, a corporate meeting to plan a product that acted against its users’ interests had to ask, “How will we sweeten the pot and/or obfuscate our code so that our users don’t remove the anti-features we’re planning to harm them with?”

But in a world of Felony Contempt of Business Model, that discussion changes to “Given that we can literally imprison anyone who helps our users get more out of this product, how can we punish users who are disloyal enough to simply quit our service or switch away from our product?”

That is, “how can we raise the switching costs of our products so that users who are angry at us keep using our products?” When Facebook was planning its photos product, they deliberately designed it to tempt users into making it the sole repository of their family photos, in order to hold those photos ransom to keep Facebook users from quitting for G+:

https://www.eff.org/deeplinks/2021/08/facebooks-secret-war-switching-costs

Companies claim that their lock-in strategies are about protecting their users: “Move into our walled garden, for it is a fortress, whose battlements bristle with fearsome warriors who will defend you from the bandits who roam the countryside”:

https://locusmag.com/2021/01/cory-doctorow-neofeudalism-and-the-digital-manor/

But this “feudal security” offers a terrible temptation to the lords of these fortresses, because once you are inside those walls, the fortress can easily be converted to a prison: these companies can abuse you with impunity, for so long as the cost of the abuse is less than the cost of the things you must give up when you leave.

The tale that companies block you from overriding their decisions is for your own good was always dubious, because companies simply can’t anticipate all the ways their products will fail you. No design team knows as much about your moment-to-moment struggles as you do.

But even where companies are sincere in their desire to be the most benevolent of dictators, the gun on the mantelpiece in Act I is destined to go off by Act III: eventually, the temptation to profit by hurting you will overpower whatever “corporate ethics” once stayed the hand of the techno-feudalist who rules over your fortress. Under feudal security, you are one lapse in corporate leadership from your protector turning into your tormentor.

When Apple launched the Ipad 12 years ago, I published an editorial entitled “Why I won’t buy an iPad (and think you shouldn’t, either),” in which I predicted that app stores would inevitable be turned against users:

https://memex.craphound.com/2010/04/01/why-i-wont-buy-an-ipad-and-think-you-shouldnt-either/

Today, Apple bans apps if they “use…a third-party service” unless they “are specifically permitted to do so under the service’s terms of use.” In other words, Apple specifically prohibits developers from offering tools that displease other companies’ shareholders, no matter whether this pleases Apple customers:

https://developer.apple.com/app-store/review/guidelines/#intellectual-property

Note that clause 5.2.2 of Apple’s developer agreement doesn’t say “You mustn’t violate a legally enforceable term of service.” It just says, “Thou shalt not violate a EULA.” EULAs are garbage-novellas of impenetrable legalese, larded with unenforceable and unconscionable terms.

Apple sometimes will displease other companies on your behalf. For example, it instituted a one-click anti-tracking setting for Ios that cost Facebook $10 billion in a matter of months:

https://www.cnbc.com/2022/02/02/facebook-says-apple-ios-privacy-change-will-cost-10-billion-this-year.html

But Apple also has big plans to expand its margins by growing its own advertising network. When Apple customers choose ad-blockers that block Apple’s ads, will Apple permit it?

https://www.wired.com/story/apple-is-an-ad-company-now/

The problem with app stores isn’t whether your computing experience is “curated” — that is, whether entities you trust can produce collections of software they vouch for. The problem is when you can’t choose someone else — when leaving a platform involves high switching costs, whether that’s having to replace hardware, buy new media, or say goodbye to your friends, customers, community or family.

When a company can leverage its claims to protecting you to protect itself from you — from choices you might make that ultimately undermine its shareholders interests, even if they protect your own interests — it would be pretty goddamned naive to expect it to do otherwise.

More and more of our tools are now digital tools, whether we’re talking about social media or cars, tractors or games consoles, toothbrushes or ovens:

https://www.hln.be/economie/gentse-foodboxleverancier-mealhero-failliet-klanten-weten-van-niets~a3139f52/

And more and more, those digital tools look more like apps than Cuecats, with companies leveraging “IP” to let them control who can compete with them — and how. Indeed, browsers are becoming more app-like, rather than the other way around.

Back in 2017, the W3C took the unprecedented step of publishing a DRM standard despite this standard not having anything like the consensus that is the norm for W3C publications, and the W3C rejected a proposal to protect people who reverse-engineered that standard to add accessibility features or correct privacy defects:

https://www.eff.org/deeplinks/2017/09/open-letter-w3c-director-ceo-team-and-membership

And while we’re seeing remarkable progress on Right to Repair and other policies that allow the users of technology to override the choices of vendors, there’s another strong regulatory current that embraces companies’ ability to control their users, in the hopes that these big companies will police their users to prevent bad stuff, from controversial measures like filtering for copyright infringement to more widely supported ideas like blocking child sex abuse material (CSAM, AKA “child porn”).

There are two problems with this. First, if we tell companies they must control their users (that is, block them from running plugins, mods, skins, filters, etc) then we can’t tell them that they must not control their users. It comes down to whether you want to make Mark Zuckerberg better at his job, or whether you want to abolish the job of “Mark Zuckerberg.”

https://doctorow.medium.com/unspeakable-8c7bbd4974bc

Then there’s the other problem — the gun on the mantelpiece problem. If we give big companies the power to control their users, they will face enormous internal pressure to abuse that power. This isn’t a hypothetical risk: Facebook’s top executives stand accused of accepting bribes from Onlyfans in exchange for adding performers who left Onlyfans to a terrorist watchlist, which meant they couldn’t use other platforms:

https://gizmodo.com/clegg-meta-executives-identified-in-onlyfans-bribery-su-1849649270

I’m not a fan of terrorist watchlists, for obvious reasons. But letting Facebook manage the terrorist watchlist was clearly a mistake. But Facebook’s status as a “trusted reporter” grows directly out of Facebook’s good work on moderation. The lesson is the same as the one with Apple and the ads — just because the company sometimes acts in our interests, it doesn’t follow that we should always trust them to do so.

Back to Shannon Vallor’s question about the origins of “modern tech’s long spiral into user manipulation and surveillance” and how that “killed off the joy that people like me used to feel about new tech”; and Wil Wheaton��s “constant dread of ‘How will this complicate things as I try to maintain privacy and sanity.”

Tech leaders didn’t get stupider or crueler since those halcyon days. The tech industry was and is filled with people who made their bones building weapons of mass destruction for the military-industrial complex; IBM, the company that gave us the PC, built the tabulating machines for Nazi concentration camps:

https://en.wikipedia.org/wiki/IBM_and_the_Holocaust

We didn’t replace tech investors and leaders with worse people — we have the same kinds of people but we let them get away with more. We let them buy up all their competitors. We let them use the law to lock out competitors they couldn’t buy, including those who would offer their customers tools to lower their switching costs and block abusive anti-features.

We decided to create “Felony Contempt of Business Model,” and let the creators of the next Cuecat reach beyond the walls of their corporate headquarters and into the homes of their customers, the offices of their competitors, and the handful of giant tech sites that control our online discourse, to reach into those places and strangle anything that interfered with their commercial desires.

That’s why plans to impose interoperability on tech giants are so exciting — because the problem with Facebook isn’t “the people I want to speak to are all gathered in one convenient place,” no more than the problem with app stores isn’t “these companies generally have good judgment about which apps I want to use.”

The problem is that when those companies don’t have your back, you have to pay a blisteringly high price to leave their walled gardens. That’s where interop comes in. Think of how an interoperable Facebook could let you leave behind Zuckerberg’s dominion without forswearing access to the people who matter to you:

https://www.eff.org/interoperablefacebook

Cuecats were cool. The people who made them were assholes. Interop meant that you could get the cool gadget and tell the assholes to fuck off. We have lost the ability to do so, little by little, for decades, and that’s why a new technology that seems cool no longer excites. That’s why we feel dread — because we know that a cool technology is just bait to lure us into a prison that masquerades as a fortress.

Image: Jerry Whiting (modified) https://en.wikipedia.org/wiki/File:CueCat_barcode_scanner.jpg

CC BY-SA 3.0: https://creativecommons.org/licenses/by-sa/3.0/deed.en

[Image ID: A Cuecat scanner with a bundled cable and PS/2 adapter; it resembles a plastic cat and also, slightly, a sex toy. It is posed on a Matrix movie 'code waterfall' background and limned by a green 'supernova' light effect.]

#pluralistic

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luxaofhesperides · 6 months

Note

For the ghostlights drabbles: “Say my name” with a favor being called in?

Duke had saved Phantom years ago, back when he was just out of high school and working to take down a branch of the government that was kidnapping and experimenting on people, targeting magic users and metas. Phantom had been working on his own to take them down, and they met in the middle, trashing a lab and freeing as many people as they could.

They had managed to shoot his back, knocking him down and making him bleed a glowing green. Phantom couldn’t move, protecting two kids with his body, and Duke couldn’t reach them in time before they were taken away by another swarm of agents.

He was able to go after them in time, free Phantom and the kids, and evacuated the victims before Phantom rained hell down on the facility.

At the end, standing in the background as they watched paramedics treat the victims and take them towards the nearest hospitals, Phantom had turned towards him and thanked him.

Or rather, he thanked the Signal and offered him a bracelet with a rounded orb of ice, glowing faintly in the dark. If you ever need me, he had said, Hold this, and call me name.

Phantom vanished once the last of the victims were transported to a safer location, and Duke hadn’t seen him since.

He’s kept up with news about Phantom as best he can, but from what he could tell, Phantom is based primarily in Amity Park, Illinois, and the town is fiercely protective of their hero. News rarely leaks out of there, and with them running on their own servers and independent internet, it was nearly impossible to get in from the outside.

Phantom remained a curious and distant figure in Duke’s life. He holds onto the bracelet still, guarding it carefully and sometimes running his fingers over the ice that never melts.

But he doesn’t call in that favor. He’s never to.

At least, not until now.

Sucking in a breath, Duke prepares himself and holds the orb of ice in the palm of his hand. He’s in civies, unable to hide his identity for this, and closes his eyes. “Phantom,” he says.

For a moment, nothing happens. Duke blinks his eyes open and frowns, mind already forming new plans to contact Phantom. Then the ice goes bitingly cold, almost painful, and the temperature in the room drops dramatically. The ice lifts up from his hand, floating in the air, then cracks open.

White-blue light spills out of it, growing brighter as it seems to swallow up the room entirely. Duke hurries to back up, an arm thrown up to protect his eyes. His breath mists out before him and he shivers as the sound of ice cracking fills the room.

And then, just as suddenly as it started, the light disappears and the cold fades away like a bad dream.

Slowly, Duke lowers his arm and looks up at Phantom, floating in the middle of his living room with a crown made of ice, engulfed in blue fire, hovers above his head. He looks older, more regal, holding his head high.

He regards Duke carefully for a minute, then tilts his head and says, “Signal?”

“Yeah, it’s me. Man, I’m so glad you came.”

“You… need help with something? You’re calling in your favor now, right?”

Duke nods. He understands Phantom’s confusion; being in the hero business means that favors like these tend to be used only during the most hopeless of times, when the world is close to ending, when the chances of getting out of a situation alive is close to impossible. It’s exactly the kind of thing Duke was expecting to call Phantom in for.

Not the kid sleeping on his couch.

“You’re a ghost, yeah?”

Phantom blinks at him. “Ghost king, now. Why?”

“Well…” Duke rubs the back of his neck, nervously. “I didn’t really know who else to call, and I can’t do this on my own since I’m not a ghost. But this kid got attached to me and won’t leave, so now I’m taking care of her and I have no idea what I’m doing.”

“I don’t know why you think I have any experience with kids but—”

“She’s a ghost.”

Phantom stops short. “Ah. I see.” He floats down until his feet touch the floor, and then he’s standing like any other person. “Where…?”

Duke looks past Phantom’s shoulder, and Phantom turns to follow his gaze. Chelsea, the ghost girl, looks to be around nine years old and is fast asleep on the couch, curled up under Duke’s softest blanket.

“Signal,” Phantom says quietly, “What, exactly, is the favor you need from me?”

“You can say no,” Duke starts. “I get that this is a lot. But I need help raising her. And since you’re a ghost, I figured you could help me learn about the ghostly side of things. You don’t have to raise her with me or anything! Just… I would appreciate any help you’re willing to give me.”

Phantom doesn’t say no. He doesn’t say anything. He just stares down at Chelsea, an unreadable expression on his face.

On the couch. Chelsea shifts in her sleep, brows furrowing as she makes a choked noise in the back of her throat.

Moving on autopilot after so many nights of this routine, Duke kneels next to the couch, fishing one of her hands from beneath the blanket. He gives it a few reassuring squeezes, keeping it a slow rhythm to pull her gently from her nightmare. She settles down in just a minute, brow smoothing out as she continues to sleep.

The silence grows and Duke is all too aware that his heart is the only one beating.

He doesn’t hear Phantom move. Doesn’t realize he’s right next to him until he sees Phantom’s hand reach out towards Chelsea. When Duke looks, Phantom is sitting on the floor next to Duke, looking at Chelsea with something soft and devastated in his eyes. His hand hovers about her head for a long moment, then slowly lowers to rest on her head.

The touch looks gently, barely putting any pressure on her head, but it’s enough to make Chelsea’s eyes snap open, suddenly wide awake. She stares at Phantom with wide eyes, then sits up and looks between him and Duke.

“Who are you?” she asks in a small voice that makes Duke want to stand against the world to keep her safe.

Phantom smiles. It’s casual and charming and makes him look like anyone else, as if he’s not a powerful king from a realm unreachable to humans. “Hi there,” he says, “I’m Danny. I’m a ghost like you. Signal called me and asked me to meet you.”

The Ghost King is good with kids. Who would have thought?

Chelsea looks at him for confirmation and only relaxes when he nods. “I’m Chelsea. What do you mean ghost? I’m not dead.”

Both he and Phantom tense, carefully keeping their expressions neutral. She hasn’t told him much at all, just that her parents were gone and forgot her and she got hurt, so she wanted to stay with ‘Mr. Signal’ because he’s a hero and heroes keep people safe and he was the only one who was Black like her. Duke hadn’t had the heart to say no, and began searching for her family, only to find that her parents had fled the state, and likely the country, after killing their only child through neglect and a dangerous environment.

It was then that he realized that her powers were not because she was a meta, but because she was ghost.

It still hurts to realize how young she is, how much of her life had been stolen from her in an instant. Duke hadn’t been brave enough to broach the topic with her, instead choosing to let her grow comfortable in his presence, get them both settled into a routine now that he was her primary guardian.

“I know it sounds scary,” Phantom says, “And you may not want to believe me, but it’s true. I’m sorry that you died so young, but that just means you get to hang out with me and other ghosts from now on!”

Chelsea crosses her arms over her chest and glares at him. “I am not dead,” she says.

“Cici, I’m sorry to say this, but you are,” Duke cuts in. “That’s why I called… Danny. You have new powers as a ghost, and he can help you get used to them.”

“I’m not dead!” she says again.

“Kid,” Phantom begins, but Chelsea shakes her head hard and hops off the couch.

“I’m not lying! Watch, I’ll prove it to you!” She closes her eyes and scrunches up her nose, concentrating. Her hands curl into tight fists by her sides, and the glow around her grows dim. Two faint, stuttering rings of light appear around her waist. They flicker and wobble in the air, as if weak and uncertain of their own existence, then split apart, one moving up towards her head while the other falls to her feet.

Beside him, Phantom sucks in a sharp breath, but Duke can’t turn to see what’s wrong when he’s trying to take in the sight of Chelsea suddenly full of vibrant color, looking more solid that he’s ever seen her, very much alive.

“See?” she says proudly, lifting her arms and doing a spin to show off her right she was. “I told you I’m not dead!”

“No, you’re not,” Phantom agrees, sounding shell-shocked. When Duke is finally able to look away from Chelsea to check on him, he looks awed. There’s the smallest smile on his face, just the slightest upturn of his lips, but it makes him look softer.

Duke turns his attention back to Chelsea before he can be caught staring. “Cici, can you come here for a second?”

She goes before he’s finished speaking, crossing the space between them in a single jump, then grins up at him. Her hair is a bit of a mess, the two buns he managed to get her hair into falling askew. He makes a note to visit the old aunties in the Narrows later to ask them to teach him how to do hair. For now, he holds out a hand and Chelsea drops an arm into it.

It seems to good to be true, having her be alive, but her pulse is steady and strong when he presses his thumb against the inside of her wrist.

“Well,” he says, leaning back and letting go of her arm. “You certainly proved us wrong.”

Chelsea doesn’t have much time to look smug before PHantom quietly says, “You’re like me.”

“What?”

“You’re like me,” he tells Chelsea. “A halfa.”

She tilts her head to one side. “What’s that?”

“Someone who is half human and half ghost. Both dead and alive.”

Duke blinks, taking in the words, then turns to face Phantom so quickly he’s worried he might give himself whiplash. Halfa, he said. Like me, he said.

And sure enough, two rings of light, bright and strong, appear around Phantom’s waist before splitting in half, moving over his entire body.

Gone is the Ghost King, all powerful and adorned in dark clothing with a crown of ice above his head. In his place is a guy who looks to be Duke’s age, eyes a deep blue and his black hair messy, feet set solidly on the floor. He looks completely normal, completely human, and no longer an impossibility.

“You still up for learning how to use all your new powers?” Phantom asks.

Chelsea grins. “Yeah!” And then, with a quick flick of her eyes going from Phantom to Duke that he almost misses, very innocently asks, “Are you going to stay with us then?”

“I… don’t know?” Phantom looks to Duke for an answer.

Already, Duke can see this going two ways. The correct way forward, the normal one, has Phantom popping in every so often, taking Chelsea out for a few hours to work on training her and her powers. It’s easy and routine and they can keep their boundaries uncrossed and be professional.

The other path is what Duke wants most that he shouldn’t impose onto the literal Ghost King. He could have Phantom living with them while he’s on Earth and out of Amity Park, having a place at the table, a section in the closet for his own clothes, a quietly domestic night together while Chelsea sleeps where they can get to know each other more, get to know each other outside of news reports and texts on a screen.

“You can stay with us if you want,” Duke offers, casually, “It might keep my apartment safe from her powers acting up on their own again.”

“Are you sure? I could always just fly in on the weekends or something.”

“I’d appreciate having you around. So you can help Cici.”

“If you don’t mind,” Phantom says, looking away. Like this, fully alive with a beating heart, it’s easy to see the blush steal away across his cheeks.

“I don’t.”

“I don’t either!” Chelsea pops in, looking far too gleeful by their awkward conversation.

Duke can’t help but laugh, feeling lighter than he had in ages. The relief of knowing that Chelsea is alive, for the most part at least, eases the guilt of thinking he had been too late to save her, that there was no chance she could have made it out and had a future, makes him feel weak. All the exhaustion of the past few weeks hits him all at once and he wants nothing more than to collapse in bed and sleep for twelve hours.

“Alright, squirt,” he says, reaching out to pat her head. “It’s late. We can talk more in the morning, so go to bed. In your actual bed this time, not on the couch.”

Chelsea stands up taller, ready to argue, but Duke gives her a Look™ and she quickly shuts her mouth, nods, and drags her feet back to her room (the former guestroom he can never give any of the other Waynes ever again, once they find out about her).

Sighing, Duke collapses onto the couch once he hears the door shut behind her. Phantom joins him after a few seconds, sitting tentatively on the edge of the couch. The cushion moves beneath his weight, another reminder of how solid and alive he is right not.

Duke wants to touch him, to reach out and feel for himself his pulse, the warmth of his body, his chest lifting with each breath.

He doesn’t move. He stays where he is, hands carefully still, and tries to think past the dizzying thoughts of she’s still alive, I’m not too late, he’s still here, he’s alive.

“Rough week?” Phantom asks, voice purposefully light.

“Something like that.”

“You should get some sleep too.”

“I don’t think I can. Not after everything. My mind’s too loud right now.”

Phantom shifts closer to him, hesitant in a way that Duke has never seen before in him, and asks, “Want me to stay with you until you mind quiets down some?”

“Yeah. I’d like that. Thanks, Phantom.”

“You know, if I’m going to be around so often as Chelsea’s halfa mentor, then you might as well call me Danny.”

Truth be told, Duke didn’t think that was his real name. He’s glad to know it’s not.

“Then call me Duke.”

“...Are you sure? You could still hide your identity from me.”

“Nah, I trust you. A name for a name, yeah?”

Danny smiles. “Duke,” he says, testing out the name, and it’s never sounded better than when it falls from Danny’s mouth.

“Danny,” Duke returns. He belatedly realizes that they’ve leaned towards each other, drawn together like gravity, stuck in each other’s orbit. It feels natural. It feels like this is where they’re meant to be.

Maybe he should be more cautious. They’ve only meant once before, after all. But he’s read all he could on Phantom and has seen how Amity Park loves him. He’s stressed and exhausted and trying to figure out how to look after a half-ghost child that’s already been dealt a bad hand in life. He should be keeping Phantom at a distance, watching over him carefully to ensure he isn’t a threat to Chelsea.

But Duke saw how he acted with Chelsea, so gentle and understanding and kind. That’s all he needed to see.

He may not know much about Danny, but he knows this: he is trustworthy.

Enough to entrust his identity to him.

Enough to entrust Chelsea to him.

It’s more than a favor; it’s a promise to walk this road together.

There’s no one he’d rather do this with.

“Thanks,” he says again, “For all of this. I know it’s a lot.”

Danny shrugs. “I don’t mind. Really. It’s nice to know there’s another halfa out there, no matter how she came to be one. Makes things feel less lonely.”

“Will you tell me more about halfas?”

“Later. Once you get some proper rest. We’ve got time, haven’t we?”

“We do,” Duke agrees, affection settling warm in his chest. “We’ve got plenty of time.”

Learning how to control her new powers won’t be easy for Chelsea. Learning how to take care of her won’t be easy. Learning how to do things together, as Duke and Danny rather than the Signal and Phantom, won’t be easy. But Duke knows with a certainty he feels in his bones that they’re going to be fine.

So long as they’ve got each other, they’ll be fine.

#ghostlights #dc x dp #dp x dc #dcxdp #dpxdc #dc x dp fic #prompt fill #my writing #thought a lot abt what the favor could be but i could not resist the idea of surprise co-parents once i thought of it #here's a kid who clings to someone she knows is safe bc she is scared and alone!!#heres a stressed out hero trying to take care of a kid with no knowledge of how to do that!! and the kid is a ghost!!#heres a ghost king expecting to be used as a weapon and called in for a big battle suddenly finding another halfa!!!#so much going on here. so much to think abt with this!!!!!#i do love found family like this where they all kinda stumble into it and do their best to make it good #also could not resist making yet another oc. chelsea has my whole heart i love her <3 shes my daughter first #the bats dont know abt chelsea yet!! bc she can go invisble. its all been instinct every time they pop over to visit duke #soon she'll be able to control it and meet them properly #by properly i mean dukes gonna go over for sunday brunch and a little girl is gonna pop out from behind him like 'hi! im new!'#they will all love her of course. they will be shocked but happy!!#and a little less happy abt the GHOST KING duke has been hiding in his apartment that hes co-parenting with #sorry for the long tags im obsessed w this idea i want to Expand on it #maybe one day... with my other wips out of the way...

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somehow-a-human · 2 months

Text

Whose POV is it anyway?

An Introduction

DO NOT ASK NEIL ABOUT FAN THEORY

Cracking down on the storytelling of Good Omens season 2 through the lens of a changing narrator.

If you haven't read this interview with Good Omens cinematographer Gavin Finney, and you're interested in the fantastic dedication and detail that went into this TV show, definitely give it a read. Not only is it lovely, but Neil also posted the article with a caption mentioning that it's got so many secrets in it. Obviously that made me take a closer look.

I have already gone into a fair bit of detail about the different Lens Filters that Finney mentions in the article in a separate post and I will be referring to them quite a bit so if you aren't familiar with them I would suggest reading that first!

This first post is going to cover the basics of changing narrator/POV's and I'll be writing additional posts for separate episodes/minisodes/scenes since there's obviously way too much to cover in a single go. So shall we take our first look?

It's no secret that something's a *bit weird* with season two, and there are SO many theories about it. I love to read speculation, metas, theories, and opinions, it's definitely fun but my personal ideas align more with the idea that we're simply being shown the events of season 2 through the memories of multiple narrators, different POV's, and it slightly skews the story, sometimes within one continuous scene.

I am also a sucker for a good multiple timeline theory but that isn't this post.

Lens Filters

As I stated above, I wrote a post about each of these individual filters earlier. What I didn't go into in that post was speculation about the filters. While I think they're pretty straightforward, especially the filter for hell (Black Pro-Mist ((BPM)), I think the other two have a bit more room for speculation.

Bronze Glimmer Glass

BGG was described by Finney as being used for 'bookshop scenes', but after S2 back numerous times and paying as much attention as I could to the lighting and colouring of the scenes, I think this is generally true but not always true. There are times when bookshop scenes seem to use a different filter, and other locations also seem to be shot with the BGG filter as well. I think BGG aligns with Aziraphale's POV. Or if Not Aziraphale, an outside-of-Crowley narrator? Based on the scenes (which we'll specifically get into in other posts) which BGG seems to be used, context clues, character behavior, etc, I think BGG clues us in that we're seeing, if you will, through Aziraphale's eyes.

Black Diffusion FX

BDFX was described as being used for 'Crowley's present day storyline' and fuck me, that's not ominous or weirdly phrased at all Mr. Finney! This filter definitely aligns with Crowley. Most of the time he's separate from Aziraphale it seems that this is the filter being used, and certain scenes switch filters mid-scene when he begins to go off on snarky Crowley-centric commentary.

Catch-22 & Herzog

The books on Gabriels bookshelf, great books obviously, but I think books that are also meant to give us context about the story. Pride and Prejudice is a love story about making snap judgements on someone's character, and coming to recognize somebody might be good despite their title or appearance. The Crow Road is a story about life, death, love, morality, mystery, and God. 1984 details the tragedy of Julia and Winston's attempt at falling in love while living under in a police state. You see my point?

That's why I wanted to touch a bit more on Catch-22 and Herzog specifically when talking about the possibility of changing narrators/POV's in Good Omens 2.

Catch-22 frequently switches narrator and the events described are often not necessarily sequential. This way you're getting information about previous scenes as the story continues, so while you're reading the book you're forming a more complete image of the events as the story continues from different characters POV's and iterations of the story. Sound relevant?

Herzog is the other book I wanted to talk about. To be fair I haven't read Herzog in full like I have Catch-22 but I pulled out my copy to reference and flip through a bit to remind myself. Herzog unlike Catch-22 doesn't switch narrators but the narration by the main character, Herzog himself, switches between first and third person throughout. When he is narrating through his letters, you get a deeper look at his thought processes and emotions. It also relies on flashbacks to bring context to the life of Herzog.

While these books touch on other elements that are relevant to the Good Omens story, namely Yossarian's relationship and views of God in Catch-22, the way these stories are told intrigued me for this context.

Crowley's Hair

Yeah I'm gonna mention the hair, because I think the hair is linked. Crowley's shorter sideburns, trimmed mutton chops in the 1827 flashback, and shorter Job wig seem to be clearly aligned with the BDFX filter/Crowley's POV as far as I can tell. I don't know if this means it's just another way to denote POV, but it seems way too consistent not to mention it. The longer sideburns, fuller mutton chops, and longer Job wig all match up with Aziraphale's POV or the BGG filter. My thoughts here are that his hair is another hint of who may be relaying the information to us, AKA is it internal or external. I am making my best guesses though and there are still some situations that I feel less sure about. For example, when Aziraphale takes the Bentley to Edinburgh and Crowley is in the Bookshop with Jim his sideburns are long, is it because he's remembering these scenes unreliably? Is Aziraphale imagining the events? Is it because Jim is present? A brief fluttering thought I toy with from time to time is the fact that in the before-the-beginning scene they are long, and what that means in context of the rest of the season.

S2 Promo Posters

Finally this set of season 2 promo posters showing the characters thoughtfully considering scenes in their heads just gives me a lot of these POV vibes.

I'm planning on doing individual posts for specific scenes, episodes, and minisodes that require detailed breakdowns. I'll update this list with links as the posts are finished!

POV "Your 'Something's Wrong' Voice"

POV a Trip to Hell and a 25 Lazarii Miracle

POV a Companion to Owls

POV The Dirty Donkey & I think I Found a *Clue*!

POV Bodysnatchers & Cosplaying a bookseller

POV 1941

POV The Ball

POV The End?

Whose POV is it Anyway - a Conclusion

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itshype · 1 year

Text

How I Met Your Brother (DC x DP)

Dan joins the Justice League - not as part of his rehabilitation, but as a reward for doing so well.

Tucker makes the grave mistake of mentioning Dan in front of Jazz. And as an eldest sister myself I would not be happy about an alternate version of my sibling being left completely alone in the world, no support, no family to then be turned into a psychopath. And I would be furious for them to then be imprisoned - not for life but for all time?

However, unlike me, Jazz is the world's foremost authority on ghost psychology. She has Dan out of his Thermos and in a larger enclosure within the week.

Now, a lot of fics have Jazz as a magical therapist who can say a few sentences and make any bad guy cry. Sorry, not today though.

First, they resocialise Dan like a feral cat (solitary confinement does make people get loopy), sitting outside his enclosure and hanging out, doing homework etc. This sort of gets him to figure out emotionally that he's no longer in the timeline where everyone he ever cared about died.

Danny discusses with him how many nightmares he's had over just the idea of losing his entire support network the way Dan did and he can't imagine what he's been through. But no emotions are not, in fact superior to having negative emotions.

After a few months, he decides that he does in fact want to actively try and get better. He goes to a therapist (because family members can't do therapy!!!) who's just unhinged enough to get a kick out of counselling a ghost from an alternate timeline.

There's only one relapse. Clockwork fixed it and they don't talk about it.

A month or so later they let him out of the enclosure for good. They offer to symbolically destroy it but Dan thinks they should keep it just in case.

While Dan's humanity has returned, his actual human half is gone forever. But he's interested in doing something with himself. He can't get a GED, or a degree, or be an astronaut. Maybe something in entertainment?

Tucker makes the grave mistake of mentioning that the Justice League headquarters are in space. Dan isn't as powerful anymore now he's no longer a halfa, but he knows he's handy in a fight. He loves space and due to having them repeatedly and ineffectively implemented against himself - a deep knowledge of international war tactics.

NGL, this isn't where I thought this story was going. But Dan is now an international politics, war policy and foreign affairs expert, I guess.

He helps a fair bit on the team, but his key contributions are his encyclopaedic predictions of how different international communities will react to events. If an out of control meta in Paris takes down the Eiffel Tower, he predicts which countries will immediately 'crack down' on their superpowered citizens - that sort of thing. It's invaluable for their PR team and young meta safety.

He's a friendly guy, doesn't judge anyone for losing control of their powers or going 'too far' on a villain who hurt their friends and family. And he never shuts up about his kid brother who is apparently also his best friend. He briefly mentions a baby sister he's never met and that makes everyone pretty sad.

He doesn't consider this Jazz his sister. He's already had a sister named Jazz and isn't looking for a 1:1 replacement. This Jazz is more like a mum-friend. However, he never had a Danny or an Ellie in his last life.

"My little brother told me about the trick to this level in Doomed 17, want me to explain what you're missing?"

"Sorry, I really can't possess you, even for 'anti mind-control' training. That isn't how overshadowing works, you can't become immune without exposure to ectoplasm in dangerous doses. No, I can't get you some pure ecto, my baby brother would kick my ass to hell."

"Yeah, my baby bro and I both wanted to be astronauts, I died so it's not in the cards for me anymore, but he has a real shot still, we're all rooting for him!"

Most Justice League members think he's a dead eldest brother with living siblings he's still in close contact with.

It's all fun and games until he tries to take a bullet for Batman during an ambush and it's actually an amnesia ray designed to make Batman forget about a specific case until the bad guy can complete his plan.

"I killed you all before, and I will do it again."

#dc x dp #dp x dc #mine #notfic #danny fenton #danny phantom #dc comics #dan phantom #dark danny phantom #tucker foley #jazz fenton #justice league #batman #bruce wayne

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powdermelonkeg · 4 months

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just saw ur gale/mystra analysis post. im new to the game and dnd lore and honestly… ur take on their relationship feels like the most natural/compelling one??? esp since its all too easy to simplify topics that have many facets and nuance….

thanks for sharing i love analysis and reading people’s takes on narratives : D

My pleasure! (Bee from the future here: congrats, you spawned another meta!)

I love complicated characters, WAY more than I like a clear cut-and-dry case. Flaws, to me, are what make a character compelling and lead to interesting stories about them with choices that can get them into situations. I'm both writing a fanfic and running a campaign where I'm playing as Gale, and in the interest of portraying him properly and in-character, I've gone into SUCH a deep dive into all the decisions and facts that make him him.

It helps to, y'know, also be in love with the fictional wizard, but I digress

The thing about Baldur's Gate 3 is that no character in there is perfect. I've seen a couple analyses about the theme of continuing cycles of abuse vs breaking out of them, but in my mind, in terms of the characters themselves, it goes like this:

The origin characters have just come out of the lowest situation of their lives (Lae'zel being the exception; being tadpoled is a gith's worst nightmare. You're seeing that lowest situation in real time).

Not the lowest point, mind. Gale's lowest was probably the day after he got the Orb. Wyll's was probably the day his father cast him out. Karlach's was the day she lost her heart. But the lowest, accepted normal for them is what they've just left.

They're then thrown out of their depth and forced to rely on you to live. That's #1 priority: living. We get the extremes of these characters before we get their nuances, because they're quite literally at their breaking points.

Then once we get to know them, we see their wants, their hopes, their fears, as they open up to us. Every companion's story is at their own pace, but they all have a moment where they ping-pong between despondency and desire. Sometimes that desire is what we know isn't good for them, like Shadowheart wanting to be a Dark Justiciar. Sometimes that despondency is only for a flicker, like Astarion's realization that he's condemned 7000 people to a half-life of tortured spawnhood for as long as he's been a vampire.

Romance lets us crack all that open more, because if you pursue a romantic partner, they see you as their closest confidant. They WANT to trust you, so they're more willing to explain how they see the world and what decisions they want to chase.

And then their endings. Those often get simplified as good/bad, continuing the cycle vs breaking away from it. But how is Duke Wyll on the same platform as Ascended Astarion? He's not evil, he's not even entirely unhappy. He might even have broken out of his abusive cycle with Mizora, if you played your cards right. And Ascended Astarion is overjoyed, even if he is remarkably more cold.

I think that the endings are less a dichotomy of "this is good for them" vs "this is bad for them," and more one of "bringing out their best traits" vs "bringing out their worst."

Wyll's worst trait is being willing to sacrifice his own wants for whatever people desire of him. His best is standing for what he believes in and ensuring people are safe. Duke Wyll leans into that necessity to turn the other cheek in the name of people who count on him, while the Blade of Avernus has seized that moral compass of his and forged it out of mithral.

Shadowheart's worst trait is blind obedience at the cost of her individuality, while her best is her desire to be kind to things that don't deserve to be hurt. Mother Superior Shadowheart's whole life is defined by Shar. Selûnite Shadowheart's life is defined by her hospitality, especially towards animals.

Karlach's worst trait is how willing she is to accept that things are (to quote her) fucked, letting despair override hope. Her best is her durability in the face of horror. Exploded Karlach would rather die than try to work out a solution in the Hells, because she's terrified of facing Zariel alone. Mindflayer Karlach has accepted her fate and decides to give up her heart and soul to go out a hero, losing who she is. Fury of Avernus Karlach is willing to keep fighting for a solution, and by the time the epilogue happens, she's got her sights set on one.

Astarion's worst trait is his desire for power over people. His best trait is using the tools he has to his advantage. Ascended Astarion has let his powerhungry nature and paranoia lead all of his decisions, with his sights set on dominating mankind. Spawn Astarion has embraced what he is, and carved out a life for himself where he can do as he pleases.

Lae'zel's worst trait is her blind fanaticism, while her best trait is her individual dedication, making her loyalty a marriage of the two. Ascended Lae'zel is a meal for the lich queen, turning a blind eye to all Vlaakith's tried to do to her and literally being consumed by her fervor. Champion of Orpheus Lae'zel has turned her loyalty into something productive for diplomacy. Faerûnian Lae'zel has seized her individuality by the throat and decided her own future.

And then Gale. Gale's worst traits are his hubris and, paradoxically, his low self worth. His best traits are his creativity and wonder for the world. God Gale is the embodiment of ambition, having burned away all but that in pursuit of perfection. Exploded Gale has let his remorse blot out all hope for a redemption in which he does not die, because he thinks he's earned it. Professor Gale leads his life by embracing the school of Illusion and letting his creativity thrive, teaching others to do the same. House Husband Gale has multiple creative projects he's working on, and Adventurer Gale is always finding new sights to see and wanting to share them with you.

There are arguments to be made on which ending the origins are happiest in, certainly, or which one benefits them the most, but each ending represents the extreme of a facet they possess.

So with all that, there's a sort of malleable method to figuring out the ins and outs of a character.

You take their endings—all of them, all variables they can have—and reverse-engineer the flaws and details they carry. Then you start to notice how those work into their approvals for minor things: Astarion approving of your taking of the Blood of Lathander, or Shadowheart approving of standing up for Arabella. Getting a list of approvals and disapprovals is helpful, but having those endings on hand tells you why they react like that to a majority of their decisions.

You take their romance-route explanations of how they act, and apply those to earlier decisions. Astarion's confession to manipulating you and Araj-prompted admittance to using himself as a tool brings to light how he reacts to your decisions, regardless of his actual opinions on them. Wyll's fairytale romance and love of poetic adages speaks to his idealistic nature, and why he takes a sometimes-blinded approach to decisions in which the "right" answer isn't always the smart one.

You take their beginning reactions to stress and use that to measure how future decisions impact them. Lae'zel locks down and gets snappy when she's scared, while Gale immediately turns to diplomacy. Shadowheart has gallows humor, while Wyll turns to quiet acceptance. If they break from these and seem even worse, you know the situation is more dire in their minds than having seven days to live.

And then you factor in all their fun facts and dialogue choices and backstories.

A wizard falls in love with a goddess and her magic, attempts to retrieve a piece of her power for her, is scorned for his attempt and is cursed to die.

Give that backstory to a Tav. Look at how it changes.

A chaotic good wizard fell in love with a goddess, thought retrieving a piece of power for her would be a showy bouquet of love, and was punished for not thinking things through.

A lawful evil wizard fell in love with a goddess's power, snatched the most precious thing she owned, tried to use it to barter his way through to the secrets she kept, and was given a swift retribution.

Same backstory. Same class, same act, same goddess. Wildly different connotations. Wildly different conclusions as to who is in the wrong.

If you take all there is to Gale, all that the game shows us makes up his character, and apply it to this backstory, you get what really happened:

A wizard, enamored with magic, fell in love with a goddess. His desires led him to want more than she was willing to give. In his well-buried fear of inadequacy, he concluded that the reason she wouldn't indulge his ambitions was because he just hadn't proven himself worthy enough. So he tried to prove himself, but he lacked the context for what he was proving himself with. And the goddess, seeing a weapon that had killed her predecessor, saw this ambitious wizard as losing his way and coming for her just like the weapon's creator had. She was angry, she withdrew his link to her, and he didn't know why. So he drew the conclusion that she took his powers to punish him, and let that encompass his fall from grace.

Was he wrong to reach for what was out there?

If you knew that the answers to everything you cared about were not only known, but kept by someone you loved—someone who adored you—what would you do to ask to see them? What if your curiosities were if there were other planets with life out there, or how dark matter worked, or whether or not we could one day travel in the stars? What if it was the potential cure to an illness that's little-understood, or the way to make a program you dreamt up, or the scope of the true limits of your artistic talents? Would your answer change?

Was she wrong to cut him off?

If you were once hurt, and the person you loved—the person who adored you—brought the thing that caused it to your door, believing you'd want it, how would you react to seeing it? What if that thing was someone you thought you'd broken contact with, like a friend or family member you'd been trying to avoid? Would your answer change?

That's the sort of scope that needs to be applied to this, on both sides. You have to take the perspectives of each party, and apply two analogies instead of one.

Gale saw the vastness of the universe, untold wonders, the solution to every question he could ever dream up, and saw Mystra as withholding this from him because she thought he just wasn't worthy enough. To claim Mystra knew his perspective does her a disservice.

Mystra saw a cruel weapon she thought long gone, in the hands of someone who could use it, brought right to her, and thought Gale was willingly following the path of Karsus. To claim Gale knew her perspective does him a disservice.

Should Gale have researched his prize more, so he knew just what he was obtaining? Should he have kept his hands off a cursed book that would devour him? Of course he should have.

Should he have given up on chasing his dreams?

Should Mystra have understood that Gale's pursuit of power was nothing like Karsus'? Should she have communicated when she was angry instead of giving the cold shoulder? Of course she should have.

Should she have given him the benefit of the doubt?

That's the root of their falling out. That's what leads to hurt being inflicted. Understandable, human reactions to the situations they perceive. Unhealthy, unwise choices made afterwards.

You work backwards from this to figure out their dynamic as Chosen and goddess. You work forward from this to understand more of where Gale and Mystra are during the events of Baldur's Gate 3. Gale reached too high, and understands this. His goddess hates him, and he regrets this. Mystra isolated Gale, and understands this. Her Chosen wants redemption, and she wants to make it happen.

Just like we took Gale's character into account, we also have to take Mystra's.

A goddess is faced with a problem. She uses someone who's desperate for approval to solve it, by telling him to kill himself.

An evil goddess is faced with a threat to her reign. She sees someone who's unfailingly loyal and hates himself, and elects to have him tear himself apart rather than do anything about it.

A good goddess is terrified of the future. She sees someone who tried to hurt her, who's going to die anyways, and tells him to use it to save the world.

Same story. Same act, same power, same pawn. Different character. Different perspective. Different outlook on whether or not this is the right thing to do.

Mystra has died, multiple times, to people trying to stake claim to her domain. Someone appears with the very thing that could do it again, right as she's regained her stability.

She does not see mortals the way mortals do. She is timeless. She is eternal. She has a duty to protect billions of people, and one person lost to protect that number is more than worth the sacrifice.

People like to bring up the Seven Sisters as proof of Mystra's cruelty. For those unaware, Mystra asked permission to, then possessed, a woman, used her to court a man (with dubious consent from the woman), and bore seven children, all of whom were capable of bearing Mystra's power as Chosen without dying. The woman she possessed was killed in the process (reduced to no more than a husk, then slain by her now-husband, hoping to end her suffering), and the husband was horrified by the whole story.

Mystra needed Chosen in order to restore herself in the event that she was killed again, to prevent magic as a whole from collapsing and wreaking havoc on the mortal realm, like it had in the few seconds Mystryl had been dead. Elminster, Khelben Blackstaff, and the Seven Sisters contributed to this. The more Chosen she has, the better; what happens if Elminster dies? She can't afford to have all her eggs in one basket.

Mystra has Volo (yeah, that Volo) as a Weave Anchor, imparted with a portion of her power to prevent the Weave from shredding itself to pieces in her absence. All Chosen of Mystra are Weave Anchors by nature. The creation of Weave Anchors was mandated by Ao, the Overgod, and Chosen are the best way to make sure those anchors aren't drained by ambitious people hoping for godlike power. Chosen can, and will, defend themselves, unlike static locations (which Mystra also has). The anchors are why the Weave wasn't completely obliterated during Mystra's last death, when the Spellplague rose up, because they stabilized the Weave around them.

Everything Mystra does is in the name of the big picture, to prevent a catastrophe like the fall of Netheril from happening again. Her restriction of magic, her numerous Chosen, her creation of Weave Anchors, her destruction of those who would claim her power, it's all in the name of the stability she's been charged with. Dornal Silverhand's grief and Elué Silverhand's death, while regrettable, were worth it to bring seven more anchors into existence to save all of the Material.

So someone appears with the Crown of Karsus, potentially powerful enough to try to kill the other gods in the name of the Dead Three. She can't risk being a target of them. She can't risk the destruction of magic again.

Gale is going to die. He lives in fear. He begs for forgiveness.

In Mystra's eyes, she's offering him the best outcome. She'll let him die in service to her, to save Faerûn, and she'll forgive him. He's going to die anyways, and if he does this, she'll give him everything (she thinks) he could ever want in her realm. She's asking him to do what (she thinks) is the right thing.

"She would consider what she considers to be forgiveness."

Notably, she leaves the decision in his hands. She doesn't have Elminster lead him to the Nether Brain. She doesn't activate him as soon as he's there. When he lives yet, she doesn't revoke the charm that keeps him stable. And when he declines, when he lets it go and starts pursuing Karsus' path, she doesn't smite him on the spot.

She is (she thinks) being incredibly patient. If Gale is going to try to be Karsus II, she's ready for him. If he decides to walk off and keep the Orb, he's dug his own grave in the Fugue Plane (those who don't have a god to claim them roam endlessly as husks and form a wall of bodies around the City of Judgement).

From her perspective, she's not being unreasonable. But from the perspective of a mortal, she absolutely is.

"Now, I have a question for thee: what is the worth of a single mortal's life?"

This is a question she cannot answer properly.

I think a lot of characterization is lost whenever someone paints one of them as being totally in the right. But I also think you have to be invested in them as characters to want to see that characterization. If you want to write about Mystra, you have to try to get into her head, analyze the decisions she made, figure out why she thinks she was right, and follow the pattern.

Gale's sacrifice is a very predictable thing for her to ask for.

#bg3 #gale dekarios #gale of waterdeep #mystra #long post #like really long post holy hells #did not expect this to go on for this long #swearing tw #< for karlach #oh yeah #astarion #karlach #wyll ravengard #shadowheart #lae'zel #ask bee

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rubyreduji · 1 year

Text

reading and doing — ljh

summary: jihoon catches you reading fanfic about him

tags: smut (minors dni!), gn!reader, idol!jihoon, pre-established relationship, lowkey crack warnings: badly written dirty talk, small dick jihoon <3, explicit unprotected sex, dom(ish) jihoon, choking, restraint for a sec, spit used as lube, fingering, rough sex, fingers in mouth, creampie wc: 2.3k an: a meta ass fanfic. i tried to keep it gn so pls don’t mention the use of certain words okay bye

Woozi thrusts his thick, large juicy cock into your soaking wet pussy and you squeal in delight.

A giggle escapes from your throat as you read the sentence. You will never not be amused by how people like to describe Jihoon’s dick in their writing.

“What’s so funny over there?” Jihoon asks as he turns his desk chair to look at you where you sit on his studio couch.

“Oh nothing,” you tell him, a small grin still plastered on your face.

Jihoon knows better than that and stands up and walks over to you. Before you can react Jihoon plucks your phone out of your hand and looks at what you were reading. A look of confusion mixed with disgust appears on his face.

“What is this?”

You snatch your phone back from him. “Fanfiction. About you specifically.”

“What does that mean?”

“It means Carats write stories about you, usually about you and them being a couple. The stuff I read is mostly sex stories, but some of the slice of life stuff is cute too,” you explain with a shrug.

“Sex stories?!” Jihoon now looks more worried than anything else.

“Yeah, they’re kinda funny. Everyone thinks you have a big dick.” You know your boyfriend isn’t insecure about his size, whether it’s his height or…other parts of him, but you still like to playfully tease him every once in a while.

“I don’t know why the Carats would want to write something like that.”

“It lets them be delusional about being with you, let them have it Jihoonie.”

“It sounds like something Mingyu would like. You know how he is about fan interactions.”

“Oh there’s a lot for Mingyu!” You tell Jihoon. “I don’t read them though of course, I only read yours.”

“That I also don’t get. Why even read them when you have the real thing.”

“Because it’s fun! I like to see how people characterize you. The one I’m reading is just for shits and giggles, but some of them are actually good. Here.” You scroll on your phone until you find your folder of saved fics and pull up one of your favorites.

Jihoon takes your phone from you and reads a couple of lines before scrunching up his face and shaking his head. “I still don’t get it. You can’t actually find stuff like this hot.”

“I don’t know, it kind of is. I know you better than anyone else so I can just put you in those situations. It’s fun. I read them when you’re away on tour.”

This gets another dramatic look out of Jihoon. “You do not.”

“I miss you okay! And you’re always busy so I just go to the next best thing. If it makes you feel better sometimes I’ll also put on Ruby when I’m masturbating and just listen to that to get off.”

“Okay and now this conversation has taken a whole new turn.”

You giggle. “C’mon Hoonie, just read this with me. It’ll be fun! Maybe you’ll even find you like them.”

“I’m not sure how I’ll find enjoyment in reading what someone else has written about me.”

“You need to take a break anyways, please!” You give him your best puppy dog eyes and Jihoon glares at you but sits down on the couch.

“I don’t even know why I’m doing this,” he grumbles.

“Because you love me. And you’re secretly curious.”

Jihoon moves so your body is between his legs, your back leaning against his front. His head rests on your shoulder as you hold the phone up to read the fic.

“This is technically a few chapters into a series but I really enjoy the smut so if the plot doesn’t make sense, don’t mind it.”

“Y/N this ridiculous-”

“Shhh, just read.”

Jihoon listens to you and you can tell he is actually reading the fic from the small grunts he lets out in reaction to the story. There’s a bit of plot at the start before it gets into the smut and Jihoon stops you at a moment when you can scroll to it.

“Do people really like this? They want to see me in these situations?”

“Oh come on Jihoon you know what the fans think of you. You can’t be totally oblivious. You read your comments and I know you have a burner Twitter.”

Jihoon doesn’t have a rebuttal for that and you smile knowing you’re right.

“Y/N I really do have work I need to-”

“Wait no, this is the good part.” You lean all of your body weight on Jihoon so he can’t get up, even though you know realistically he’s strong enough to displace you if he really wanted to. Jihoon just huffs and allows you to keep him hostage.

You try not to giggle as you read the smut, especially because you can tell Jihoon is invested. The smut in the fanfic that you picked isn’t anywhere near how Jihoon actually acts in bed and you wish you could see his face to see if he’s either intrigued or disgusted.

“Do people actually think I’m this mean?” Jihoon finally says and you laugh.

“Some people. You can be kinda mean sometimes. I think on camera you come off as standoffish,” you say. “But a lot of people think you’re sweet too. Also people are just kinky like that and enjoy this stuff.”

“Do you? You know I’m nothing like this.”

“I think you’re perfect the way you are. Don’t think me reading this stuff is me actually wanting you to be like this, I just think it’s fun to picture you in different scenarios. I mean, if people wrote smut about me would you want to read it?”

“I don’t know, I’ve never thought about it, because that’s weird to think about,” Jihoon grunts.

“Getting defensive there Hoonie?”

“Just shut up and go back to reading,” Jihoon grumbles.

“Oh you want to go back to reading? So you like it?”

“I just want you to shut up.”

You do shut up, but only because you want Jihoon to continue reading.

The fic is getting to your favorite part when things start to get really intense. You have to give props to the writer for really going in. You know that you would never be able to find such…colorful language to use to describe the things you and Jihoon get up to.

You can feel Jihoon shift behind you. A small smirk spreads on your face when you feel the smallest bit of bulge press into your lower back. Jihoon likes this.

“You okay back there Jihoonie?” You wiggle your hips a bit and Jihoon lets out a huff that you’re pretty sure is hiding a moan. “Enjoying this?”

“No.” His voice sounds tense and he answered a little too quickly to not be suspicious.

“It’s okay if you do Ji. It’s a bit of an ego boost isn’t it? Knowing all these people find you’re hot. I know this fic is particularly well liked, it has nearly three thousand interactions on it, and then all of the people who have read it without interacting. Do you like that? Three thousand people want to fuck you Hoonie.”

“I-I don’t-”

“Even if you don’t find that hot, isn’t the actual story kind of sexy? Just imagine it’s you and me in this scenario. Don’t you wanna be tangled up together as you fuck my brains out?”

“Y/N,” Jihoon whines. “Stop.”

“Stop? Stop what? Teasing you? No, I think you like it, just like how you liked the fanfic. Doesn’t it sound fun? Don’t you wanna do mean things to me while telling me how pretty I am?”

“Th-”

“Admit it baby, you like thinking about putting your big, fat cock into me.” You know you’re taking a gamble with your choice of words but it seems to work because Jihoon finally breaks.

You feel Jihoon’s hand come up around your neck and slam your body back into his. “Maybe I do.” His mouth is right next to your ear and you have to admit you do let out a shudder. “You want me to do mean things to you?”

“I think you want to do mean things to me.”

“Maybe I do, what then?”

“Then what are you waiting for?”

That’s all Jihoon needs to flip you both over, position himself over you. You definitely were not expecting to awaken a new kink in Jihoon when you told him to read the fic with you, but you’re definitely not complaining.

Jihoon keeps his loose grip around the base of your neck as he leans down to lock his lips with yours. The kiss is harsh and hurried and it doesn’t take long for Jihoon to stick his tongue in your mouth. He licks at your mouth and you arch your body into his.

His body rests between your legs and you can feel him grind down against you, his dick already fully hard. Jihoon’s mouth pops off of yours with a loud smacking sound. His hand moves off of your neck and trails down your body before it makes it to the hem of your shirt. He pushes his hand up under it, his fingertips making contact with the warm skin of your stomach.

He rubs his palm over your waist before moving higher to grope at your chest. His finger flicks over your nipple and you moan. Jihoon chuckles at this.

“Clothes off,” he growls as he pulls away from you. You quickly comply, stripping down to nothing as Jihoon does this same.

His cock is already slick with pre-cum at the tip and you have the urge to get on your knees and suck him off. Jihoon doesn’t allow this though, as he pushes you back onto the couch. You’re definitely worked up yourself by now and Jihoon can tell.

“Needy little thing, aren’t you?”

“You’re one to talk,” you bit back.

“Ah, but I’m the one in control here.” Jihoon grabs your wrists and pins them above your head. “Aren’t I?”

“Hoon-ah, please,” you beg.

“Please what?”

“Please fuck me.”

Jihoon grins. “Glady.”

Jihoon lets go of your hands and brings his fingers up to his lips. You watch as he spits on the digits before moving them down to play with your entrance. You buck your hips into his hand and Jihoon uses his other hand to push them back down.

After what feels like an eternity of teasing Jihoon finally pushes one finger into you and you let out a mewl. Jihoon pumps it in and out of you until you start to loosen up and then he shoves another one into you. He continues to do this over again until you’re finally adequately opened up.

“Ready for me?”

You nod and Jihoon lines his cock up to you and pushes in. It’s a comfortable, familiar feeling as Jihoon starts to rock his hips into you. Jihoon is buried balls deep into you when he grabs your leg and hikes up over his shoulder.

Whereas Jihoon is usually soft and slow with you, he’s now fast and hard as he slams his cock into you deeper and deeper. Jihoon has always been an adequate lover, but now you get what people mean by it’s not the size but how it’s used.

Jihoon locks one of his hands around your thigh, digging his fingertips into the fat there. You’re sure you’re going to bruise later, but you don’t care right now. His other hand reaches down and cups your jaw. His thumb swipe over your lower lip before pressing down.

“You right, you do look pretty like this,” Jihoon smirks down at you. This thumb presses harder into your bottom lip until Jihoon finally pushes it all the way into your mouth, pushing down on your tongue. “Next time I’m going to tie you up and make you choke on my cock.”

You whine around Jihoon’s thumb at the image. It’s a good thing Jihoon is blocking you from saying anything because you’re sure if you tried it would just be utter nonsense.

With the way Jihoon is cramming up your g-spot you know you’re not going to last much longer. Luckily it seems like Jihoon is close as well from the concentration displayed on his face.

“Fuck, gonna cum inside, yeah?” You just nod the best you can.

You’re expecting Jihoon to cum first, but your climax creeps up on you and suddenly your legs are shaking as your back arches up off the couch. Your eyes roll back into your head as you let out a wanton moan.

Seeing you fucked out thorougly makes Jihoon spill over the edge finally, his warm cum spilling into you. He stays in you for a moment to catch his breath. He leans down to press kisses to your bare shoulder, nipping at the skin as he does.

Once you two finally have recovered, Jihoon slowly pulls out of his. You can feel his cum slide out of you as he does and it makes you whimper a bit.

“You were so good for me,” Jihoon coos.

“So you liked it?” You grin at him.

He defeatedly nods. “Yeah, yeah I did.”

“Yay! See Hoonie, look at all the doors this has opened. Maybe we should read more fanfiction together.”

“No, nope. We discovered this one thing, no more.” With that Jihoon gets up to go get you some water and a rag to clean up with.

Despite his final protests, you still feel victorious as you grab your phone and scroll down to the comments of the fic you two were reading.

You’re not going to understand this, but thank you SO MUCH for writing this fic, you’re the best <3

taglist: @pandorashbox @leejihoonownsmyheart @soonhoonietrash @chaimi-yuta @embrace-themagic @kayleeshinee @joonsytip @heyxxitsxxtay @synthetickitsune @chwecardcaptor @candidupped @dreamhannies @d0nghyck @niyizh @baldi-2 @enhacolor @noniestars @heavenly-mobo @sunnyteume @debsworld23 @m1nghaos @just-here-to-read-01 @blxckswxnxge @17kwans @jeanjacketjesus @x-veex @namjoonbaby @ovai @belladaises @todorokiskitten @jihoonliker @valentxi @1694 @niktwazny303 @brxzilianbaby @moshiyuron @im-gemmy @honeylovemoon @wonchansbrooklynn @opwolfe @luvthatleader-nim @cbgisland @lorde-oftherings @hoeforcheol @hotricewoozi @prpldahy @nox-writes @wujihoons @0717luv @yeosayang @marzmeltdown @calvinkleinhoon

join my taglist: here!

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dcxdpdabbles · 10 months

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Would it be possible to read what happened during Phantom's mating season peak in The Bakery is a Front from Tim's POV? I just think the pure baffled energy that Tim would be radiating from being taken care of so nicely by his hot kidnapper from another dimension would be hilarious. Really the whole kidnapping had to have been a better experience than some of the galas Tim has been forced to attend; at least definitely the best kidnapping he has ever experienced, 10/10 would be kidnapped again.

It happens so fast.

One second he's suffering through Danny's overdose, and the next, the dead body in his arms is leaping over Bruce and trapping Damian in an iron-clad grip.

Jason and Dick react the fastest, but it does nothing to someone who can density shift. Tim can only watch Danny sobs on top of Damian, speaking in a strange dialect. It sounded like cracking ice every time he wailed.

"Unhand me!" Damian grunts snaping a knife into Danny's side. Despite the apparent red spot growing on Danny's shirt, the other man doesn't flatter in his movements in the slightest. He squeezes harder, but it doesn't seem like he's trying to hurt Damian. If anything, it looks like he's...cradling him? Yes, it did in fact, seem like Danny is attempting to cradle Damian like a baby.

What on earth-?

"Shit! Danny put him down!" A new voice shouts. Three women and a man burst into the room. Tim has yet to learn where they come from, but Bruce wastes no time throwing a pair of Batbolas at them. It hits the target on the man and the red hair women, tangling their legs and knocking them off.

The man yelps while the woman grunts, throwing her arms in front of her in an obviously trained reaction. She can't stop herself from falling all the way, but her reflex is nothing to scoff at.

She doesn't seem to care as she shouts at the drug dealer. "Daniel Fenton, you let that boy go right now! Are you listening to me?"

"Danny is not here right now."

Tim jerks his head in his fake boss' direction watching in horror as the man's usual blue starts glowing green, and his dark hair bleeds into white. There is an unnatural glow emanating from under his skin that makes him appear so beautiful Tim loses his train of thought for a moment.

This transformation seems a bit too much to just be a meta-gene activation. Is Danny....not human?

One of the women- who looks like a younger female version of Danny- blasts him with a zap of green from her hand. It reminds him of Starfire, but while his friend's blast is nothing but heat, the green of the girl seems more light than flame.

He drops, unconscious, letting go of Damian. The newcomers relax when the goth-looking one kneels next to him and presses her hands against his neck. Danny appears returns to the human one Tim is used to in another quick blink of an eye. "No pulse!"

"Thank goodness." The red hair, one says, sitting up. It's then that Tim realizes it's Jazz. The one that talked down Jason and the rest of Danny's men not even two weeks ago. So neither left of the siblings left overseas? How had they tricked Babs? "No pulse means he's still in his mating season. Quick we have to get him quarantined again before-"

"You are not going anywhere!" Jason growls, leveling his gun at her. Jazz blinks down the barrel, then raises a brow. It reminds Tim of Alfred when the man found his hidden coffee machine- disgusted, disappointed, but most of all, unimpressed.

His brother sneers. "I want to know what is happening here and I want to know now!"

"Can you not read?" Jazz returns, speaking as if an annoying customer demands a service she can not provide. "I put up signs that clearly said Quarantine do not enter around Danny's house. Why do you think that is? Oh, maybe, it means to leave this area alone."

"You bats are lucky we got here when we did," The man says, trying to twist out his binds. It's not going too well, as a few electric mobiles slip out of his pockets. "The only way to snap the human side of Danny out of his daze is by making him deny his obsession which is something I hate doing."

What?

"I hate hitting him too" The girl with the energy blasts pouts "I makes my stomach turn."

She twists at her waist seconds before Damian's foot swings through the air, where her head was only seconds before. She sidesteps his three other attacks, face twisting into a sneer. "Hey! Back off! We don't share the same obsession!"

"Silence wrench!" Damian sneers, which makes her even angrier.

"Make me, you wannabe pirate!" the girl hisses, and it's then that Tim realizes they may even be the same age. She is doing a masterful job of barely being out of Damian's deadly reach.

"Don't hurt him, Elle!" Jazz shouts, "Things are already complicated enough-"

The goth woman screams as she is suddenly launched into the air, slamming into Bruce and cutting off the redhead. Dick rushes to the now-standing Danny, aiming a barrage of attackers that the man easily slips through. Bruce throws the woman off him, slamming her against the wall and knocking her out in the same action. The man screams as Jason shoots out his kneecaps and Tim-

Tim suddenly finds himself unable to think as large green eyes overtake his vision. Danny's eyes and hair are bleeding in and out of different colors as the man stares at him. "Mate...."

Tim's mouth dries, and his eyes are drinking in the man. He knows he should be doing something, but Tim can't remember what he should be-.

"TIM!" Dick screams, snapping him out of his daze, and....oh, Tim is falling. Danny- or whatever is pretending to be Danny- has pushed him by pressing his hands against his chest and shoving him through a portal.

Danny is watching his drop with a soft smile, that is at odds with Jason appearing at his side with guns blazing.

Tim drops onto a pile of soft snow- or what he thinks is snow. It looks like it, soft like a fresh full pillow, but it's not cold. If anything, it's the perfect temperature to nap in.....he's exhausted. When was the last time Tim slept? He can't remember.

His eyes are getting heavy. His body is going boneless.....he has never been so comfortable in his whole life....is this what it feels like to rest on a cloud...

Tim blinks, around the room trying to fight the urge to give into the darkness, and he notes that he seems to be in a castle made entirely of ice and snow...like Danny's home.....he also appears to be in a tower? The windows are shaped like one.

Tim takes note of the sky being a bright green color which is..odd, but that's all he can think clearly as he finally goes under.

_________________________________________

It feels like he only closes his eyes for a second when Tim is startled awake by a scream of rage. Jerking away, he sits up, trying to gather his bearings. He needs to find out where he is and where his gear is.

Tim pulls on the crotcheted sweater he's been stuffed into, breathing a sigh of relief when he realizes his Red Robin outfit is still on underneath. He climbs out of the bed made entirely of snow, flickering his eyes about.

He's covered head to toe in other crotchety objects- pants, sweater, socks, gloves, a scarf, and a hat- all big enough to fit comfortably against him and his vigilante costume. Raising a hand to his face, he touches the smooth leather of his trusted mask.

Right. Danny let him keep his secret identity intake. That's... something.

He glances around his surroundings again, this time for sure, that his in some type of castle covered in ice. It's beautiful, like something out of a Disney movie with shiny crystal frozen designs everywhere. He carefully makes his way to the window, looking out into a far darker green of a sky.

He squints into the distance seeing acres and acres of a vast castle and land, but on the far right, there seems to be a drop....a cliff? Or the edge of this island. For you see, he could make out flouting doors and islands in the sky.

This differently wasn't his earth.

Danny, not being human, was becoming more and more plausible.

"Release me!" A voice echo. Damian.

Tim slams the door open, sprinting down the hall toward his younger brother's distress calls. It's a castle; even if everywhere he turns, it seems to be a frozen wonderland.

There are ice sculptures of Danny between every large ice pillar. They portray him as Tim usually is used to or as a being with a tail instead of legs mid-flight. There are portraits of various people hanging on the walls- he can make out Jazz and the others that busted into Danny's apartment- but there all encased in ice.

There are no guards, so when Tim sprints down a giant stairway, he is hyper-aware of his footsteps echoing on the cracking ice. He rounds the hallway, then stumbles to a stop at the sight before him.

It was Danny. At least, he thinks so. The being had a strong resemblance to him, but his skin had a slight blueish hue, his ears were pointed, his hair was pure white, he was glowing, and most of all, he didn't have legs.

The sculptures hadn't been a artistic choice Danny in this form had a tail and he was flying around a restrain Damian.

His brother was in a gaint baby doorway jumper, encased in what looked like a snow swaddle.

Damian is also covered head to toe in crochet clothing, but his Robin costume peaks from underneath it. Danny was flying around him, placing piles of snow on the ground around the struggling child, making noises like creaking ice and purring when he came close to pat Damian.

It also looked like Danny....was nesting with Damian in the center of it.

What in the world?

"I'll have your head!" Damian sneers as Danny gently places a bear beanie on his head. " I am not a child!"

"My baby" Danny coos, then starts making more cracking noise. He rubs his head against Damian like a cat which causes the boy to grimace.

Tim needs to get him out of there. He looks around for a weapon, but his gear doesn't seem near him. The only thing he can possibly use is the ice around the walls-

"Crackle, crack, Clank, Click!" Danny suddenly says in his face. He crossed the room at the same speed Bart would have, or maybe faster since he didn't even see a blur. Tim jerks back, but the glowing figure is already reaching out-.

He places a scarf around his neck with an adorable head tilt.

"Drake! Run! He'll swaddle you!"Damian screams, but Tim can't look away. He's so beautiful. Danny's bright green eyes, sparkling with the stars of the universe, and his lips are so full, he bets they would be perfect to kiss- is someone purring? Tim could fall asleep to that sound- it must be a white noise machine-!

He snaps his eyes open, shocked to find himself back in the original room.

Tim is back in the damn nest. Confused, he blinks around the room, noticing the sky is bright again and that he's tucked into the bed with great care. He's never felt more rest, so he knows he just spends hours sleeping.

He doesn't even remember getting moded, damn it.

""Red Robi- can you- where are you- report!" Tim's eyes widened when he realized Bruce's voice. It's his communicator! He scrambles out of the bed, straining his ears. "Re-Rob-in!""

There! His earpiece is in one of the ice crystals hanging from the ceiling. Miraculously it's still working, as he can barely make out Bruce's shouts. After four kicks of the crystal, he breaks it down, shattering it on the ground.

He quickly places it back into his ear. "Batman, I'm here!"

"Thank goodness!" An unknown woman says, making Tim flatter for only a moment. "Listen to me, my name is Sam, and right now, there is only one way to escape Danny's mating season without bloodshed. See, Phantom is in control right now, which means his obsession is at its highest. What does Danny not deem important enough to protect? Himself."

" We have to snap him out of it by having those under his protection stand up to him and....hit him. Anybody attacks will confuse Phantom so much the human side of Danny will be forced to take the front." Another female voice puts it. Jazz. She sounds unhappy, as she admits. "A punch to the head, or slap or something, just one from enough people under his protection will freeze Phantom for a moment."

Tim frowns. "I have no idea what you mean. How will that help get us away?"

"Well, we have a plan for that," A man says wearily. The one with all the electronics. "You may not like it...but we must get you to sacrifice yourself for Robin's freedom."

His siblings start shouting over the communicator but Jazz silence everyone with her explanation.

A very long explanation of ghosts, cores, and obsessions, but the gist is that Phantom and Danny's balance was disruptive, so the only way was to cause his human side to get clarification was by presenting Phantom with a paradox.

Phantom will protect all. Danny will allow anyone to hurt him because of his terrible self-esteem. Hence Phantom will not know if it should defend them when it's Danny in danger but it will pull at his core because something is still under attack in front of him.

However, as ghost king, Danny is crazy strong, so they need to attack with something Phantom would never try to defend himself from. His sister and two best friends suddenly slapping or punching him? Phantom would typically react by beating them away, but that would mean hurting the beings he exists to protect.

That's just the physical aspect of it too. Tim's sacrifice would pull at Danny's human emotions while Phantom would panic about needing to save Tim from the ghost he was sacrificed to. Which would be himself.

It should snap them both by tugging them in two different directions of their instincts.

Tim wonders if it will work-

He wakes up to Phantom purring and messaging his sore muscles. To his left is a feast of all of Tim's favorites. Even though he is the elite of Gotham, he's never been so pampered in his life.

Dang, it better work. Tim is getting far too comfortable in this castle. He may never want to leave.

"Phantom if you let my brother go ill be your mate."

"!" Phantom pauses then let's out a sound that sounds like twinkling bells glowing so bright he could be a star

"Only If you accept me as a sacrifice in exchange for my brother's freedom" Tim holds his break then jumps at the sound of shattering glass that comes from Phantom's mouth.

He blinks a few moments, fighting himself, until Phantom nods determined. "Mate will bring children. I need children."

"Ugh sure pal. Do we have a deal?"

"Deal"

It's a weird Tuesday.

Damian is home ten minutes later, and within the hour, Phantom overloads from the paradox.

Tim opens a portal home that night, and Danny sleeps through the rest of his mating season, going under when Phantom and he fights about Tim's fate.

#dcxdpdabbles #dc x dp crossover #The bakery is a front #phantom and Danny can not compute different ideas of protection #Tim falls in love again #Damian was no please #Tim's pov #Part 6

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finisnihil · 22 days

Text

Some people need to learn the difference between like/disliking a character on a personal level v. a writing level. I dislike some characters on a personal level but I do love their writing and characterization on a meta level and any of my bullying of them is mostly for jokes. Meanwhile there's also characters who I adore on a personal level but abhor the writing of because it feels like their concepts or potential as a character were squandered.

I've said it before i'll say it again when you let your personal bias on a character infect your analysis of them you get mischaracterization. Part of media literacy is seperating authoral intention from reader response and thinking about if anything about the character or their interactions can cloud your judgement of them on a surface level.

For example, in the 2.1 quest of HSR I saw some Aventurine lovers absolutely jump on a hate train for Sunday because in their eyes, Sunday was villainous for his actions against Aventurine and deserved to be put down for it. But, when you stop bastardizing Sunday in an effort to validate and sanitize Aventurine's motives you see the two are actually equally complicit in hurting the other. Sunday did try to turn Ratio against Aventurine and he did cast the whole Truth or Die spell but when you actually critically analyze Sunday and his role in the interaction he is more sympathetic and he makes more sense.

Aventurine was going into the interaction, an interaction regarding the IPC's increasingly aggressive attempts to recolonize Penacony after losing it as a prison planet, bragging about using the horrific murder of Sunday's sister to exploit him. Aventurine has never once hid his intentions, he's sympathetic but that doesn't change the fact he's trying to rip Penacony's freedom away for the IPC. We've seen what the IPC does to planets, no matter how corrupt the Family is, the IPC will be worse without a doubt. Aventurine is a morally grey character, he took the gamble of lying under the spell and he understood the stakes when he did it. Trying to bastardize Sunday in order to try and act like Aventurine didn’t have the autonomy to fuck around and find out is really disingenuous to both characters.

As for Sunday, Sunday is incredibly sympathetic too. We know he’s under crushing pressure by everyone around him to hide things for the sake of public image and we know he’s sacrificed a ton for his sister. Sunday is reverential of Xipe but we see him being actively wary of the Family. He knows there’s a traitor, he knows the Family is rotting with ill intent, he knows Death is on the loose. Robin and him are doing their damndest to handle these problems within their circumstances and we’ve seen their notes! They aren’t ignoring the problem, they’re even trying to get outside help from both the Astral Express and Aventurine. We see the Lightcone of their childhood in an otherwise clinical and impersonal office, one where he built her a toy stage and became her first audience. He cares about Robin more than anything and you see his rage and grief being suppressed yet slipping here and there and causing him to make sloppy mistakes, such as using the Truth or Die spell to lash out at Aventurine when he feels cornered with no control over the situation. When he confronts Gallagher he finally cracks and just… breaks. You see him lose it to the point he doesn’t even notice Death behind him until it’s too late. Despite being likened to songbirds, Robin and Sunday both died quietly in their gilded cages. They are the canaries in the coal mine.

Sunday and Aventurine are meant to parallel each other, they both lost their sister in a gruesome event outside of their control because they couldn’t protect her. Sunday couldn’t protect her from the cage he let himself be trapped in so she could fly free and Aventurine couldn’t protect her because he was too small and too young and too lucky. One is a younger brother and one is an elder brother.

The only major difference between them is who we experience the story through. Aventurine is our eyes for most of 2.1 so therefore Sunday is the one put in the antagonistic role. Antagonists are characters who’s motives and goals oppose the protagonists. Because of this, we have to flesh out Sunday’s character via subtext because we don’t have the luxury of his POV to be blatant like with Aventurine. If the roles reversed, if Sunday was our eyes, I bet Aventurine would be the one getting the flack instead.

#honkai star rail #finis analyzes #hsr aventurine #hsr robin #hsr sunday #I also had some people get upset with me for not liking Ratio and joking about it #I don’t like Ratio PERSONALLY #I do like him from a writing standpoint I think he’s a strong character narratively #My personal feelings don’t mean I don’t understand him or his motives or character it just means he gets on my nerves whenever he talks #I will never understand the need to water down a character’s actions to make them appear less morally grey #If you like the character their bad deeds come with it I’m sorry it’s part of them you can’t just exorcise them of their demons like that #The demons make them funny #Put that holy water away

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thepunkmuppet · 13 days

Text

costumes / looks I desperately need gerard way to wear on stage (add your own in reblogs!!)

greek statue, he’s fully painted white including his hair with a white toga with a golden wreath thing on his head. I just think that would look sick

police uniform covered in blood

straight up zombie with full on green decaying gory make up

one of the heathers from heathers

either the blue cheerleader outfit from the i’m not okay mv or the iconic red ones from teenagers. then we’d have a little trio!

ghostface. possibly cunty ghostface as a treat

vanya from umbrella academy - young version with the school girl fit and black mask OR the all white comic version of course

also number five from umbrella academy (classic school boy fit)

this sounds weird but I think this would be really cool and meta for wwwy - a stereotypical mcr fan / emo. as in with that one black parade t shirt, heavy eyeliner, black nails, side swept emo fringe, studded bracelets and belts, skinny black jeans, vans or converse. again a very meta concept, after their old person looks in 2022 I can really see them doing this as a whole band this year and I would loooove to finally see gerard in the fashion style that’s so associated with him and his music

howl from howl’s moving castle

possibly also sophie from howl’s moving castle

slenderman

literally just satan. like the most stereotypical devil, give them fully painted red skin, horns, fangs, yellow or black eyes, maybe even goat legs. probably with a majestic black suit or something, or for a succubus vibe a black flowy dress with a slit down the leg. now that I think about it, this would be a SICK wwwy look to shock us all, esp if ray mikey and frank all dressed as other demons or the souls of the damned or some shit.

peni parker - he made her!!

question mark jumper from doctor who

also missy from doctor who omg

jane doe from ride the cyclone, possibly with added marionette or cracked porcelain makeup like in some renditions

classic majestic white-robed angel, with enormous fake wings and maybe even sparkly gold makeup and a big gold halo. also would be cool in all black, or all white but covered in blood (red, gold, or black, all would look cool)

buffy summers in prophecy girl, except he also has blood all over his neck from where the master bit her. I hope he’s watched btvs I think he would very much enjoy it this look would fit with their vampire vibe sooooo well

classic frankenstein’s monster

mothman. not only is he a heartthrob but he’s also a hunched goblin cryptid to me. the duality of man (he/theys)

jane prentiss from the magnus archives. if you don’t know she is a living flesh hive of sentient worms, she’s decaying and full of holes. again with all the nasty decaying rotting prosthetic makeup plus THE RED DRESS!!!

mr darcy vibes, sopping wet regency man with a big puffy white t shirt

opposite side of that, fuck it give him a full on ballroom gown

henry creel from stranger things (pre-vecna, nurse outfit)

any disney princess

crowley from good omens. my man looks GOOD in those anthony janthony aah sunglasses he has

cute flowy summer dress with like a flowery pattern. either go cottagecore with it and have flowers in his hair, or go full white soccer mum and put him in huge cunty sunglasses a massive straw sun hat with a ribbon on it

all-black cowboy!!!! the fact I’ve never seen him in a cowboy hat is actual sacrilege. also would very much appreciate an all-pink sequin studded cowboy

any alice in wonderland character, especially alice herself, the classic disney movie look with the blue dress and the bow in the hair. he would also do a great chesire cat (spooky big grin makeup paired with his weird ass dramatic facial expressions?? inspired) or a super extravagant queen / king / knave of hearts. also 100000% the mad hatter omfg, he was BORN to do a jefferson from once upon a time look!!

#he can just pull anything off #and so many things are just his VIBE like jane prentiss’s whole look and concept is SUCH a swarm tour gerard look like are you kidding me??#gerard way #gee way #my chem #my chemical romance #my chemical fucking romance #mcr #swarm tour #dear god I have too much free time on my hands I think about this more than is necessary or maybe even possible

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actual-changeling · 9 months

Text

if god did not want me to over-analyse a two second video clip she would not have given me video editing software, so welcome back to alex's unhinged meta corner with me, alex, as your host.

we're going off the deep end with this one.

let's have a look at a. well, you cannot really call it a scene at this point. more of a collection of frames - aziraphale's face right after crowley leaves but before the bell above the door rings. this has been on my list of metas to write anyway, but someone kindly pointed it out which gave me incentive to make this post.

now, my leading theory is that much like his mouth movement before saying "i forgive you", which looked and sounded a lot like the beginning of "i love you", aziraphale is mouthing a silent "don't". presumably, the complete sentence would have been "don't leave".

first things first, why do i think he would say it? well, if you look back at their breakup in the park in season one, aziraphale calls him back when he says he will leave.

"you can't leave, crowley, there isn't anywhere to go".

then, after the fucking mess that is "nothing lasts forever", aziraphale also calls out. "come back". it is also perfectly in line with his previous behaviour to try and keep crowley from leaving again. especially because he almost tells the metatron he will stay just a few minutes later.

some other important things to keep in mind: aziraphale is shaking and about to cry, and also probably still in shock. so his face is doing a number of things and any words he may or may not mouth are slightly skewed due to that.

the first few frames are him taking a breath, so far so good.

this is the part where it looks like he is about to say something and silently begins to mouth don't. if you pay very close attention to his lips, you can see that they get pushed forward just a little bit as one does when saying "do".

you can try it yourself to confirm, i certainly did several times while rewatching the same two seconds like an absolutely sane person.

the last few frames are him closing his mouth again and breaking off whatever he was going to say, but in my opinion, you can still see the ending of that "don't".

alex, you might ask, how do you know that's what he was trying to say? i don't, although i hope once the strike ends someone will ask michael sheen some much needed questions. however, i wouldn't be a scientist if i didn't have evidence to present nevertheless.

i compared two of the frames from above, one from the "do" part and one from the "nt" part with another instance of michael/aziraphale saying "don't" - "i don't think you understand what i'm offering you".

the mouth shape and the movement of his facial muscles looks very similar even taking the whole sobbing and crying business into account.

interestingly enough, once the bell does ring, signaling that crowley has left the store, he not only closes his mouth but also physically steps back even more. he almost says "don't leave", restrains himself by physically pulling back, and then inches even farther from the door.

that is also when his face shifts from completely openly heartbroken to angry/spiteful and heartbroken.

the camera angle changes a little bit but not enough to explain the discrepancy, so yes, he steps backward before turning away and touching his lips. that pillar is honestly a very helpful point of reference. also completely unrelated but the face he makes at the end cracks me up it is LITERALLY >:(

to summarize: someone get michael sheen on the fucking phone before i lose my mind. also you can pry this meta from my dead, cold hands, he almost said "don't leave" and i will die on this hill.

lastly, said two second clip at half speed if you want to have a look for yourself.

#alex talks good omens #good omens #ineffable husbands #crowley #aziraphale #good omens season 2 #go2 #aziracrow #crowley x aziraphale #good omens meta #every time i write a post like this i imagine myself as the red string meme dude #i have CONNECTED THE DOTS too

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