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#in conclusion I actually have no idea what I'd like to do
illubean · 3 days
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can i request headcanons of any hxh characters your choice (preferably including illumi, chrollo, and/or feitan) with a crush on/unestablished relationship with a gender neutral reader who refuses to fully align themselves with anyone but has an incredibly OP ability that requires their blood or body (can shoot blood in like spikes, detach their limbs to chase down and drag back runners, use their blood and/or tears to heal wounds, can just regrow lost limbs including their head, ect.) that would make being on their bad side more trouble then it's worth
so every fight they kind of /have/ to get injured to use it. Plus their ability weirdly doesn't seem to use nen (chrollo can't copy it and gyo doesn't show anything, ect.)
and when they're finally asked about it they're casually like "oh yeah, I'm not human. I was actually created to be an unstoppable force that infects and destroys humanity, but that's honestly too much work. Plus you give me snacks so I'd rather just hit whoever you tell me to." and their reactions to the fact this insanely overpowered goober they've fallen for is a stray shapeshifting little abomination who could have murdered the entire human race and that they're lowkey lucky reader likes getting bribed them so much
(Sorry if that's too long btw, I thought you'd like the idea but I couldn't think of a better way to condense it 😅)
HXH With an Unaligned!OP!Reader
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Characters: Illumi Zoldyck, Chrollo Lucilfer, Feitan Portor Type: Headcanons, Gn!reader
i do not like how this came out but posting anyways lol...
Warnings: mentions of blood, experimentation and violence, reader isn't human if that counts as a warning
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Illumi Zoldyck
the way you met Illumi was... not ideal to say the least
he was on a job to kill some scientist guy but little did he know scientist guy had quite literally created a monster
the day he was going to do his mission happened to be the day your power was finally realized
annnndddd Illumi walked in on you killing scientist guy and literally everyone else who worked for him
you had managed to pop your arms off and launch them like missiles, turn your blood into weapons and spikes around the room and also not die????? and grow your limbs back???????????
the weird part was Illumi couldn't sense any of your aura at all
he just assumed you were a super advanced nen user and were able to still keep up hatsu really well while fighting
which led him to the conclusion that he should either A. run away or B. try and get you on his side
when you noticed him just standing there you turned to stare at him like come at me bitch
"So? Are you here to poke me with more needles like the others? It won't end very well." "Actually I was here for the guy in the lab coat, but it seems like you did the job for me."
realizing he wasn't a threat (or trying to be because you know...you cant die) you let down your guard down
you ended up just following him around after that, not really having anywhere else to go so Illumi decided on plan B
turns out it took a lot less manipulating than he thought
he brought you to the estate and you agreed to help him with whatever for a popeyes chicken sandwich
watching how you wandered around the estate aimlessly and lounged about Illumi quickly realized you only use your abilities when threatened or bribed
so you become his personal little treat fueled killing machine
he takes you on missions with him because he doesn't trust you alone at the estate...
eventually he asks you about how your hatsu is so good and you're like wtf is that
and he's like What.
you tell him you we're pretty much created in that lab and they did all these tests and stuff and you didn't even really know how or why you had the power you did but you found out you did the day you met
and you were all like "they were so annoying and they told me to do stuff for free, I'd never kill you though you feed me :3"
he is so glad you are clueless and he got to you before anyone else because you could take over the entire world if you really wanted to
he is going to marry you ASAP
but again, you being clueless did not understand what marriage entails
and you agreed for the same reasons you agreed to literally anything else this man has asked of you
you are Illumi's most prized possession and no matter how freaky you are, he really does cherish you as normal people would their spouse
Chrollo Lucilfer
running into you on a heist was definitely unexpected
especially since you looked like you just got out of captivity
mistaking him for an enemy you shot your fist off at him and barely missed
and he was like woah im not an opp dw
then your hand grows back and hes like !?
he asked why you were there you explain that you were some sort of war weapon yada yada yada the guys got annoying you killed them and yeah
and Chrollo offers you to come back w him and the troupe and you're like sure if you feed me
so after the heist is over Chrollo takes you back to Phantom Troupe hq and then talks with the gang blah blah blah dismisses everyone and then takes you to wherever the hell and buys you whatever you want to eat
and while you're stuffing your face bro is like
"Your powers are pretty impressive. Mind telling me how they work?"
and not caring you tell him, mainly focused on your meal
and he's like huh what a useful ability time to steal it
one thing leads to another and he somehow gets you to touch his weird book and when he flips to where your nen should be the page is blank and he is insanely confused
and hes like "Why didn't my nen ability work on you?"
and you're like wtf is nen
and hes like oh my god I don't think this thing is human
so he asks
and you're like "I literally told you I'm a war weapon. A weapon created for war, but that's too much work."
now he is confused but also intrigued
he offers for you to join the troupe and you're like
"But being in a gang is so much wooorrrkkkkkuuuuhhhh"
you can literally destroy man kind but you don't because you're LAZY!?
you're not officially part of the troupe but you're practically an honorary member because you follow Chrollo around after your first encounter
and he decides it 's better than nothing
Feitan Portor
I can't think of a clever way for you guys to meet LMAO
umm uhhh idk maybe you were created to take out the chimera ants and happened to get deployed in meteor city the same time the troupe was hunting down the 'queen'
so when the troupe got there you were already fighting some ants
you look human enough but your abilities make Feitan think you might not be
soooo he tries attacking you before he ended up getting to the lizzard ant crocodile lady thing i don't remember what she was
and he couldn't beat you and you're like wtf do you want from me I'm trying to do my job
and hes like ??? you're not an ant?
and youre like no
and hes like oh and leaves you alone
then he throws the entire sun at the ant lady and leaves the building
he kinda forgot about you until he felts something lift the back of his cloak
and he's like !!?!?!??!
and he looks behind him to see you crawled under his coat and took the snacks he hides under there for himself
and he's like what the fuck
how did you even know he had those???? (you could smell it because you have super enhanced everything)
ok i just remembered his cloak got destroyed in this scene but pretend it didn't
anyways he snatches the bottom of it away from you and tries taking the snacks back out of your hands but you are quick to dodge
he's irritated but he just lets you have them he's too tired to deal with this
you end up following him after this like a lost puppy and the rest of the troupe is like ??????
but they can't get rid of you
and on the way out of meteor city you were like yap yap yap weapon yap yap created in a lab yap yap yap immortal
feitan could not care less about what you had to say but he was like ??? to the immortal thing
maybe you weren't a bad thing to keep around
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yandere-paramour · 3 days
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Heyyyyy. So I wanted to know how it will be if Atalanta and Vivien met darling’s parents, and the parents were like “ yes my daughter has told us everything about you” . And I mean like EVERYTHING like darling said told their parents everything about them( including how they treat darling) but you don’t have to add that if you don’t want to. Hope you’re doing well btw ☺️
Vivien is sweating bullets. In my version of the story, Darling has no idea about his murders because he generally only eliminates the scum of society or people who hurt/upset Darling. However, Vivien will immediately freak out and think that everyone knows what he did. His eyes are wide, he's sweating, he's fidgeting, he is literally doing everything to make himself seem more suspicious. And he worked so hard too! He put on a nice shirt and combed his hair all nice, AND he brought Darling's parents a cake he baked. He wanted to make a good impression so bad and now everything is ruined! He doubts Darling will visit him in the maximum-security prison he is definitely getting put in. Vivien's thoughts are spiraling when Darling's Dad says "She told us all about the fresh strawberries you grew for her :D She says you're such a great horticulturist". He just stares for a second, then he snaps back to his regular easy-going personality. But late that night he's lying awake in bed thinking that he needs to calm down and probably not commit any murders for a while. Just in case.
Atalanta brought a very expensive bottle of wine to meet Darling's parents. As the day grew closer, she researched them extensively, trying to discover anything they might bring up. She wants to make sure she seems perfect, and everything seems to be going okay, but the situation has an unidentifiable weird vibe. They all sit down to dinner and open the bottle of wine. I doubt Darling would actually say out loud what Atalanta has done; I think there's a higher chance the parents would read between the lines or make up their own terrible conclusions. When they say this, Darling freezes and Atalanta's carefully constructed smile drops off her face.
After a full 30 seconds of tense silence, Atalanta speaks, setting down her fork, "Darling, I believe I heard Abebe call for me. Could you go see what he wants?"
"But-"
"Darling." Atalanta shoots her eyes to the side, giving Darling a look.
Darling blanches, hurrying up from her seat to go check on the guards stationed outside the suburban home. When she leaves, Atalanta turns her attention back to her in-laws. She expertly picks up her wine glass, swirling the golden liquid a little.
"Now, I truly believe I heard you wrong. What was that you said?" One could never say Atalanta wasn't kind; here she was giving them a second chance.
"I'm going to the police about what you've done with my daughter," Your father hisses, standing out of his seat, "You won't get away with this, you bitch."
Atalanta takes a sip of white wine, the corners of her mouth turning up into a small smirk, "Oh Richard... Who's going to believe you?"
Your father turns an angry red and your mother tries to pull him back down, looking between him and Atalanta in fear.
"Thank you for having me in your lovely home," Atalanta stands up, inclining her head in respect to her elders, "I'll send my precious Darling in to say goodbye. I suggest you stay quiet, if only for your own self-interest. I am extraordinarily lenient with my Darling, but that benevolence does not extend much farther. I'd hate to have to arrange some sort of "accident". I expect Y/N to be back in the car in five minutes.
She smiles, showing off her perfect teeth, "Please have a good night and a pleasant tomorrow."
Atalanta walks away, leaving your terrified and fuming parents in her wake.
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moononastring · 2 years
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Had two cups of coffee already and am still ready to fall asleep 😴
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forbidden-sunlight · 4 months
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yandere! literary agent with fem!reader scenario
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warnings: implication of obsessive thoughts or love.
There might be potential triggers in this story. If you do not feel comfortable venturing any further, please hit the 'back' button on your mobile device or computer and read something much more pleasant.
You are responsible for your Internet consumption!
Hey guys, welcome back to another yandere fic, introducing Yulian Prescott. I'd like to give a big shout-out to my dear friend @deathmetalunicorn1 for helping me write this and finding the perfect likeness for my character, especially when this idea came to me all of a sudden on a Sunday night when I should be sleeping instead of staying up an ungodly hour.
As always, bullying on here will not be tolerated. If it does happen, this scenario will be taken down. I'm not sure if this will be a series. At the moment, this is just a scenario.
With that being said, sit back, relax, and let's dive into the cutthroat world of publishing.
PART TWO
Yandere!Literary Agent is a man who prides himself on being very good at his job. He represented one of the best publishing houses in the country. Anything less than what he expected from his clients was unacceptable.  
If the manuscript arrived in his inbox exactly two minutes past the promised deadline, he would not look at it. If his client is acting like a stupid moron at a function or royally fucking up their reputation by posting something inappropriate on their social media account, he is not cleaning up their mess. He is not their babysitter. They are full-grown adults. And if one of them is not able to produce another book that will actually sell past the number of copies slated to be printed, he will let them go. Call him cruel if you want. Yandere!Literary Agent is simply being pragmatic. He wasn’t cheap. He only wants the best of the best.
So imagine Yandere!Literary Agent’s surprise when a particularly difficult client sent him a completed manuscript. He planned on writing her an email that after much deliberation, it was time for her to find another agent to represent her. The client, Abigail Crowley, had written an adult dark academia trilogy and a feminist retelling of the myth of Theseus, told from the perspective of his lover Adriane. The manuscripts following the conclusion of her last book, however, were complete shit. Her royalties were nearly gone, having squandered them on a penthouse in a high-end neighborhood, the latest clothes, and a wine fridge. You heard him. A fucking wine fridge when she could have replaced that shoddy laptop of hers with something better so she could keep writing books and not have it crap out on her. 
Half-amused and half-annoyed at this pathetic attempt to keep her contract with the publishing company from being null and void, Yandere!Literary Agent clicked on the attachment and read it. One page became four, then fifty. He had to force himself to stop when it was lunchtime and he was already at the mid-way point. 
This story, it was…good. No, it was more than good. It was absolutely fantastic. And Yandere!Literary Agent did not compliment his clients’ works very often, which meant he believed at this very moment, this manuscript will most definitely become Abigail’s comeback to the literary industry. Book sales would go through the roof, A Netflix deal was also possible. But the first hurdle he had to overcome was pitching the manuscript, and making sure the query letter was at least consistent with the story that Abigail was trying to sell to him.
And he’ll make it happen. He is very good at his job, after all. 
Once he had successfully pitched it with a bit of extra charm, he contacted Abigail. She was over the moon, promising to make any necessary edits to the manuscript and it will be sent to him on time. From there, time fast forwarded. ARC books were sent out, Abigail selected the cover designs for the regular and special editions, and a tentative book tour was scheduled. Seven cities, and one international trip, maybe another in the future. Sales for this book were projected to exceed expectations. Yandere!Literary Agent was very confident things would go smoothly from here. At least he had thought so.
A month before the book was to be published, his secretary knocked on his door and said he had a visitor. They insisted on seeing him. Yandere!Literary Agent raised his brow, rising from his desk and stepping out into the hall and saw you. 
In the beginning, he will begrudgingly confess that his first impression of you was someone who is painfully average and out of place. A backpack slung over your shoulder, dressed in navy blue medical scrubs and looking absolutely haggard. Your eyes, though, shined with anxiety and determination. You inclined your head. 
“I apologize for the sudden intrusion, I know you’re busy, but I have some concerns about the book that’s going to be released soon by Abigail Crowley.” 
Yandere! Literary Agent’s gaze sharpened.. “And what, pray tell, are your complaints?” He crossed his arms. “Are you one of the people who had signed up to be ARC reader and didn’t get their copy?” 
You raised an eyebrow. “...No?”
“Then why -”
“Because it is my novel that is being published. Without my consent.” You sighed, running a hand through your hair. “Look, I know it is hard to believe, I get it.” You then swung your backpack around to your front, unzipping the larger compartment. You pulled out a large notebook, some papers, and a flash drive. You held them out to him. “But I think what I have here might convince you to allow me ten minutes, if not five, to hear me out. That’s all I’m asking. This isn’t about money, this isn’t about suing your company. I just want my story back. I’ve already tried talking to Abigail about it, and she isn’t picking up my calls. Please.” You said. “Three minutes.” 
His schedule was clear until the two o’clock meeting with another client on the other side of town. That was about an hour and half from now, as he had just come back from lunch. He supposed he could give you three minutes. Rolling his eyes, Yandere!Literary Editor swiveled on his heel. 
“Let’s see what you have. Melissa, please hold my calls until I’m done.” His diligent secretary nodded and went back to her desk. You followed him like a lost little duckling back to his office. Once the door was closed, you handed him everything. 
Yandere!Literary Editor went over the materials carefully, flipping through the pages of the notebook. The outlines and character designs were here, all written in excruciating detail and in such tiny print. He asked you random questions, going off of his memory from the manuscript and these notes. You answered him without hesitation.
“Yes, that’s correct. What? No, absolutely not. I would never have those characters be romantically paired up! Their relationship is too toxic, and wouldn’t set a good example to the target audience. I’m sorry, what? No, that isn’t her name! It’s Cristabel, not Anastasia! She’s supposed to be assisting the Night Emperor with collecting intelligence via the gossip of salons under her alias, not swooning over his brother when he’s already happily married to his wife! Good God, no. That scene should not even be there! That’s filler content and makes the character growth of the protagonist seem like the pay-off wasn’t worth it, or that he didn’t learn anything at all since the beginning of the book!” 
Yandere!Literary Agent grounded the molars of his back teeth, inhaling slow, deep breaths through his nostrils. Keeping his emotions in check is one of the reasons why he has survived in the publishing industry for this long, and he’s such a successful man. 
But hearing you speak about the characters, perfectly recalling the manuscript’s themes and looking back at the notebook in his hand, seeing the colorful  sticky notes with edits and improvised scenes written on them…he couldn’t deny it any further. You were the real author of the book he’s representing, and Abigail Crowley played him like a goddamned fiddle.
 If this wasn’t enough damning evidence of his client’s plagiarism, you had shown him an original illustration of the world you had created. It was done by an artist you had commissioned on Etsy, with proof of purchase for their services and a timestamp. Three years ago. That was when Abigail’s last best-selling book hit the shelves, and when her creative well began to dry out. 
You must have caught on to his irritation, because you told him that you weren’t here to intentionally stir up any trouble. A coworker had told you about Abigail’s newest book coming out, and the premise was exactly yours, at least what was advertised in the BookTok and Youtube trailers online. You’ve been searching high and low for your manuscript, and the only other person who has been in your apartment and knew about your creative endeavors has been Abigail. She wasn’t really your friend, per say. You took some of the same creative writing courses. You eventually found another career to pursue, and you kept writing as a hobby. She went on to become a professional author and never missed an opportunity to show off her success whenever she invited you out for drinks at an upscale bar or went to fancy dinners. 
Why would Abigail steal the book you’ve been working on for three years when you work a full-time day job, you had no idea. She’s living the dream that she’s always wanted, defying her mother’s wishes to get a normal job because writing is everything to her, and she would never give up on it. But if you were to be hypothetical, it might be another attempt to somehow get one up on her self-proclaimed rival, Cindy Chen, who is an even bigger success than her. 
You then rubbed your eyes. “Sorry, it’s been a long day.” You murmured, standing up from your seat. “Keep the notebook, the maps, whatever you want. If you could return them to me when you’re done, that’s all I ask. And an apology from Abigail, if you’re able to get one out of her. Like I said, this isn’t about money, royalties, or fame. I just want my story back.” 
Yandere!Literary Agent immediately stood up, his eyes slightly widened in fear. “Wait, please, just a moment! I know you’re tired, you want to go home…but I need to set things right. If I had known that this manuscript, your story, had been stolen, I would have never spearheaded its  publication.” And he wouldn’t have. Not only would it affect his reputation, but the company’s too. Stocks would plummet, and there would be a feeding frenzy on social media with #abigailcrowley, #plagiarism, #sailboatpublishinghouse. 
When you looked at him, his heart lurched uncomfortably at seeing your lips fall into a crestfallen expression. You looked so tired, so done with everything, and oh god you looked like you were about to cry shit. Walking around his desk, Yandere!Literary Agent eased you to sit back down and quickly prepared an espresso, possessing a machine to make it in his office so he did not have to walk down five flights to the break room. 
You thanked him for the drink and took a sip, wrinkling your nose slightly, no doubt surprised at the taste. You must not be a regular espresso drinker, or prefer how you made it. Either way, he was grateful that you did not bolt out of the office. Picking up his office phone, he dialed Melissa’s number. 
“Call all of the heads, including the marketing and social media departments. This is an emergency meeting. Now!” Bless Melissa, she did not ask him questions and said she would get on it immediately, hanging up on him. The next person he called was Abigail fucking Crowley. He sweet-talked her into coming to the office, apologizing for interrupting her ‘creativity time’ and promised it won’t take long. She swore to be there in a half an hour, so long as traffic didn’t back up. Yandere!Literary Agent played the understanding card and hung up, his smile being replaced with a smirk. Hook, line, and sinker. He scoffed. He then turned to you. 
“Everything will be resolved soon.” He promised. 
“Sir -” You began. 
“Yulian, please.” 
“Mister Yulian, I understand that you want to make things right, but…can you really get Abigail to talk? She blocked my calls, and the book is hitting the shelves in a month, maybe less than that? How are you going to recover the money that has gone into getting it published, the fees for the printing companies, and the marketing? Correct me if I’m wrong, I’m not too familiar with how publishing works these days.” 
You weren’t wrong, at least in the aspect that the company has put a significant amount of money into the publication of the stolen manuscript, your work, he added mentally. It was too late to stop the printing, and the final draft would need a significant amount of changes. Unless…
“Abigail is a plagiarist, and you are the rightful creator. The way I see it, we can salvage the financial loss by putting your name on the cover, and fixing the glaring omissions as well as other scenes you claim shouldn’t even be there.” He sighed, pushing his glasses up the bridge of his nose. “Of course, we would need to have a press conference and explain why we are changing authors, and what she has done. Considering the timetable and coordinating with the printing companies, it will be cutting it close.” 
You stared at him silently for a long moment before placing the espresso cup back onto the tiny saucer with a soft clink, releasing a heavy sigh. “If I agree to do this, to help with the edits, probably fuck up my sleeping pattern and might potentially be fired from my job unless I can use some of my PTO, what will I get in return?” 
He smiled. “Abigail will be the one to pay for publishing and marketing fees. I can extend the deadline for the revisions by a week. And you will be paid for your time, of course. There will be no need to come here to drop off revisions either. All correspondence will be through email. As an agent, I am qualified to be your representative during press conferences, so you will not have to be present. All I would ask of you is to turn in the final manuscript on time and not say anything on social media until our legal team is fully prepared.”
“No need to worry about Twitter or Facebook. Haven’t logged  on to my account in years.” You raised the espresso cup to your lips. “Too much politics.” You tilted your head to the side, a puzzled frown stretching across your face. “Any chance I could get all of this in writing? I might need to get a lawyer if Abigail tries to take it to court and sue me for defamation.” 
Yandere!Literary Agent nodded. He opened up a blank document and immediately typed up the contract, including everything that you have discussed and a few other variables. Once he finished, he printed it out, handing it to you. You read through the contents carefully before handing it back to him.
“It looks good - it’s all here and I’m agreeable to the terms.” You said.
Humming under his breath, Yandere! Literary Agent signed the bottom. You signed your name next to his, with today’s date and the time. 
He ignored the tiny tingle that crawled up his spine when your fingertips brushed against his as you gave him back the pen. You agreed to stay until the matter with Abigail was over, and he would email you the manuscript so you could go through everything when you get home. 
As it turned out, you did not have to wait much longer for the best-selling author to make her entrance at Board Room 3. Exchanging numbers with Yandere! Literary Agent you would wait in the adjacent room until he sent you a text to make your entrance. Melissa escorted you to said room when he received a message from Abigail that she would be here in ten minutes. 
It’s time. That was the message he sent you. When you opened the door, revealing yourself to the staff and the flustered Abigail…she snapped. 
She rambled how she needed a book, just one more successful book, and she would be set for life. She wouldn’t lose her penthouse, she would still be considered a worthy rival to Cindy Chen, and above all else, she could still write as she had always wanted to do since she was a teenager. You already had a normal job, you had a steady income, you weren’t even a writer. Being a hobbyist writer did not count. Yes, she took your manuscript, but it wasn’t a big deal! You could just write another book when you had time between shifts at the hospital, right? 
The look you gave her…it was resignation. Hopelessness. Disappointment. 
“Abbie…it wasn’t just a story I wrote. You should know that. Writing is so much more than that. I’ve tried to be nice, to talk to you but you wouldn’t listen. I’m sorry it’s come to this, I really am.” You said. That was the last thing you said before you were escorted outside of the door. Seeing your part in this is over, Yandere! Literary Agent took control of the room. 
“Whether it is a hobby or professional writing, it doesn’t change the fact that you stole someone’s work and tried to pass it off as your own.” He pushed his glasses up the bridge of his nose. “You are a thief, nothing more and nothing less.” Then the lawyers approached Abigail, presenting her with the fees she will need to pay. If there was an issue, going to court would not be an issue as he had all of the evidence needed to ruin the once best-selling writer Abigail Crowley. 
Her reaction was….amusing. 
After security had escorted the screaming woman off of the premises, Yandere!Literary Agent went to search for you, thinking you had gone back to his office to wait for him. You weren’t there. Melissa said you did stop by her desk, only to leave a message on a sticky note that you needed to go home but promised to get the revisions done as fast as you could, and thanks for the espresso it was really good. 
Yandere!Literary Agent smiled softly at the hastily written chicken scratch, pocketing it in his trousers before going back inside his office. You weren’t like any of his other clients. And he would like to get to know a bit more. Who knows? Perhaps….he could persuade you to sign a contract with him, be your agent. You shouldn’t hide your talents from the world. There were people who would love to read your stories, and he had no doubt that the company would benefit from it too. 
But there was no need to rush. There was a month until the book was to be released. That was more than enough time for him to work his magic. He is good at his job, after all. 
Taglist
@impeakcharacterdesign
@faesdreaming
@faux-ecrivain
@majestichugs
@abelheilonwife
@suiana
@lxdymoon0357
@dxmoness
@tired-of-life-86
@imperfectbloodmoon
@lovely-nightmares
@yandere-dark-cupid
@beardedblizzardexpert
@d10nsaint
@likesugarandcyanide
@justcressida
@mooly-artistic
@cassanderasblog
@swallowtailcherry
@amidst-the-tempest
@usernames-are-so-hard-to-create
@navierkalani
@yanderefangirl
©️do not repost or use any of the characters depicted here without the author’s permission. forbidden-sunlight, 2024
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optimist-pine · 2 months
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Bodyguard
Pairing: Daryl Dixon x Reader
Warnings: people are naked, but it's barely even borderline suggestive
Summary: You need a bath, but there's no way you're going alone
Era: Season 1, the Quarry
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Your skin practically crawls from the buildup of dirt, sweat, and who knows what else that's managed to accumulate over the past three days. You still haven't quite adjusted to the reality of not having on-demand access to a hot shower and your scalp is all oily, and itchy, and eugh - gross. A little shiver runs down your spine at the thought - well, maybe that's just more sweat...
The bold shades of the sunset are beginning to fade as you make your way to the Dixon brothers' camp. Currently they're the closest thing you have to neighbors, your tent being between theirs and the rest of the group. You're dying for a quick dip and rinse in the pond, but you don't actually want to die for a bath, and you know it's a dumb idea to go alone. Everyone else seems busy though and you've come to the conclusion that Daryl seems to be your only option.
Most of the others actively avoid the brothers, and you can't say you blame them. Merle's constantly stirring up trouble and being a general annoyance, and Daryl's quick to jump to his defense. But, on the rare occasion when Daryl isn't being held under Merle's thumb, you catch glimpses of a very different person than what he usually puts out.
He's sitting in an old lawn chair by the side of a fire when you approach, poking a stick around in the coals. Little sparks shoot off where the fresh evening air hits them, and the smell of woodsmoke fills your lungs.
"Hey." You greet. A spot of doubt begins to arise within you, but you quickly stamp it out. With recent events you were beginning to discover that there wasn't much room left for second guessing or overthinking anymore.
"Need somethin'?" He asks, eyes flicking up to you for a moment before returning to the flames.
You hang your thumbs in your belt loops, fingers tapping against your hips. "If you're not busy, I was hoping maybe you could go down to the water with me? I'd ask someone else but they all seem rather occupied at the moment... and I don't think Shane'd let me go alone." You say.
He looks up, jaw set awfully close to a scowl. "I ain't gonna be yer damn bodyguard." He huffs.
"No- I don't want you to watch me or anything like that- I guess I'm just asking for companionship?" You reply. "You could do whatever you're gonna do here, but just do it down there?" You hike your thumb over your shoulder in the direction of the pond.
He stays silent, but a sudden chorus of laughter flows out from the direction of the rest of the group. You study the way the firelight smooths out his rough edges, and you can't help but wonder if the look in his eyes is just boredom or if it's really loneliness.
"Unless you prefer Merle's company, then by all means I'll leave ya to it." You continue, trying your best to ignore Merle sawing logs in the tent, and erase the image of his hand too close to his crotch from your mind.
He jams the stick into the dirt hard enough that it remains standing when he lets go. "A'ight. Lemme get 'mah stuff."
"Awesome, I'll be over at my tent when you're ready." You smile, pleased and a little surprised that you'd managed to get him to say yes. Admittedly, Merle wasn't so bad when he was passed out, but it was reassuring to know that you were at least preferred company over an unconscious jerk.
---
Dirt and gravel crunch under your boots as the two of you walk, your knapsack bouncing steadily against your back with each step. "Thanks for coming with me. I'm not necessarily afraid of the dark or anything, but there's a lot worse things in the woods now than just coyotes." You explain. "And it's just nice not to be alone."
He simply grunts in response.
Good thing you didn't ask him along for his conversational skills.
When you reach the edge of the water you find a rock close to the shore to set out clean clothes and a towel. You see Daryl settle down, back propped against a boulder as he starts rummaging around in his own bag. "Whatcha gonna work on?" You ask.
He pulls out a whetstone and a couple large hunting knives. "Cleanin' mah tools." He replies.
You begin to undress, but a feeling of uncertainty causes you to pause. "Man, I wish I didn't feel like he's sitting up there right now with those binoculars..."
"Who? Shane?" He asks sounding surprised.
"Yeah." You shudder. "Guy gives me the creeps."
You hear scrape of the knife grinding against the sharpener. "Well, hurry up an'ere won' be anythin' ta see." He says.
"Yeah..." You keep your eye on Daryl while you finish, but he doesn't lift his gaze even once beyond sharpening his knife. "I won't be long." You assure him as the cool water rises around you.
As soon as you're far enough in you dive forward, the rush of water instantly reviving and refreshing your whole body as it flows past. You rise upwards as giddiness fills you and you break the surface with a laugh. "This is heavenly!" You gasp. You continue diving and twirling, every sore muscle and painful bruise easing away.
You pause to catch your breath and a small splash has you immediately alert. You left your knife up on the shore with Daryl, but you hadn't heard any sounds of alarm from him so surely it's not a walker. But when you look to the shore the sight has you almost equally as shocked. Daryl is chest deep in the water - bare chested that is - ripples being sent out across the still expanse as he sinks further in.
"Hey!" You yell. "I asked you out here because I thought you weren't some sorta pervert!" You hope it's dark enough that nothing in the water is visible because he's only getting closer.
The moon is full and bright, and the way it reflects off the water makes him look almost ethereal. "Can't protect ya if I'm up'ere an' yer alla'way out 'ere." He reasons.
"I don't need protecting." You roll your eyes. "And all the weapons are up there, Dixon!" You send a splash of water directly into his face.
He returns the splash. "Looked like I was missin' out on alla fun." He shrugs. "'Sides, ya never know when somethin' might jus'-" he disappears under the surface of the water and barely a second later something wraps around your ankle, tugging you under the surface.
When you're released you bob back up to the top wanting to be stern, but you're too busy giggling and swallowing mouthfuls of water to do so. When he surfaces behind you, you turn and splash him again sputtering, "Daryl you- that's not- I can't-" and end up full on belly laughing while trying to stay afloat.
You think you catch the shadow of a smile on his lips before he turns and floats away, like he's done nothing worthy of retaliation. 'Oho boy is he gonna get it.' As quietly as possible you lower yourself in the water, and using shadows from the moonlight, you swim under his head. Reaching up with both hands you use all your strength to grab his shoulders and pull yourself above the surface while pushing him down as hard as you can. Then you make a break for it.
You hear him gasp for air, coughing and sputtering as you swim as fast as you can in the opposite direction.
"Get back 'ere, woman!" He shouts, his tone highly amused. "Yer gonna hafta pay 'fer that!"
You don't realize how loudly you're laughing until the beam of a flashlight is suddenly shining directly in your face.
"Everything alright here?" Shane questions, standing on the shore not far from your and Daryl's discarded clothes. A few of the others are with him; Dale, Andrea, T-Dog, and Morales.
Even in the chilly water you can feel your skin begin to flush all the way down your neck. "Yes! All good!" You squeak out, squinting in the harsh brightness.
"We heard yelling." Andrea chimes in.
You're confident that in all your life you've never been more embarrassed. "That was laughing, guys. I wanted a bath and I asked Daryl to be my bodyguard. We were just, uh, blowing off some steam and I guess we got a little loud... Sorry if we worried anyone." You glance at Daryl who appears to be doing his best impression of the invisible man.
You can make out Dale's hat exceptionally well even in the darkness. "Are you sure you're okay?"
Their hesitation to leave sparks frustration within you - do they really think so lowly of Daryl? Is that what this is all about? Sure, nobody really knows him all that well, but you're all practically strangers and he's done alright by you. The desire to defend him takes over and you snap at the group, "Ah, what're y'all, the fun police? Go ruin somebody else's night and leave us be."
You don't take a good breath until they're all headed back to camp, and it's once again quiet and dark. You sigh, tilting your head back to watch the stars so high above as you float. "Dead people walking around eatin' living people - ya think they'd have bigger problems to deal with than a couple'a skinny dippers." You remark.
A quick exhale of a laugh, not quite a snort, echoes across the pond. "People're always jealous of'a good time if they ain't havin' one." He says quietly.
You pull your fingers through the water, feeling the tension push against them. "So... are ya feeling jealous, or did ya have a good time?" You ask.
"S'pose it wasn't too bad." He says. "But I ain't yer damn bodyguard."
And you grin.
---
Yeah, maybe it's a little awkward getting dried off, getting dressed, and walking back to camp but you sleep more soundly than you have since you arrived. And maybe you're a little annoyed with the way everyone seems to have nothing better to do than gossip, but that new gleam in Daryl's eye when he looks at you wipes it all from your mind. And maybe a lot of things suck, but at the end of the day there's someone who actually likes you, and maybe that's enough.
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transmutationisms · 9 months
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how do i know what’s right?
i feel like i have zero critical thinking skills ;-;
a lot of the time when someone poses an idea or a theory they think they’re right, and so they use language that enforces that. but then someone refutes it, and uses language affirming what they believe and i see the point in their argument. and then it gets refuted again and again and again and im just confused.
hi great question. i would love it if there were a single easy litmus test to figure out who's 'right' and whose info i should trust! unfortunately things are rarely this easy, and it's actually completely normal to be overwhelmed by the amount of information being produced and shared, especially when it comes to topics you haven't researched/lived/etc. for most of us, this will be most topics!
i'd preface this by saying that i think your overall attitude here is actually a good one. you're framing it in a pretty self-deprecating way—but actually, imo this type of openness to discussion and disagreement is a really good place to start, esp when dealing with topics that are new to you. nobody enters a contentious debate with a fully fledged, defensible viewpoint. you might feel like you're just treading water here, making no progress toward being able to evaluate arguments for yourself, but i highly doubt that's true.
all of that said: while i again cannot give you a single litmus test for figuring out what's 'right', there are four pretty basic sets of questions that i automatically run through when encountering a new idea, source, topic, or argument: we can call these origin, purpose, value, and limitations.
origin: who's the author? do they have any institutional affiliations? who pays their salary? is this argument or paper funded in any way? is the argument dependent upon the author's social position or status (race, class, etc) and if so, are those factors being discussed clearly? does the author have ties to a particular nation-state or stakes in defending such a nation-state? what's the class character of the author and the argument? what's the social, economic, and intellectual context that gave rise to this argument or source?
purpose: why is this source or person disseminating this information or making this argument? are they trying to sell you anything? are their funders? are they trying to persuade you of a particular political viewpoint? keeping in mind the answers to the 'origin' questions, are there particular ideological positions you would expect to find in this source or argument, and are they present? what are the stakes for the author or source? what about for those who cite the source or further disseminate or publish it?
value: what does this source or argument accomplish well? what aspects of the argument are new to you and strike you as insightful? are there linkages being made that you haven't encountered elsewhere, and that you think are effectively and sufficiently defended? are there statistics or empirical data that might be useful to you in forming your own argument, even if you disagree with how this source or author is interpreting them? what does this argument or source tell you about the types of debates being had, and the rules of those debates?
limitations: where does this argument or source fail you or fall apart? are there obvious rhetorical fallacies you can identify? is the author forgetting or overlooking some piece of information that you know of from elsewhere? which viewpoints may be omitted? keeping in mind the answers to the 'purpose' questions, if this source is defending a particular ideology or political position, is that one you agree with? is it only defensible so long as the author omits or distorts certain pieces of information? are there points where the argument jumps from evidence to a conclusion that the evidence can't fully support? are there alternative explanations for the evidence?
over time you will often find that it becomes more and more automatic to ask yourself these questions. you will also find that the more you read/hear about a particular topic, the faster you can determine whether someone is presenting all of the evidence, presenting it fairly, and using it to fully defend the argument they ultimately want to make. and you will probably also find that at some point, you're able to synthesise your own argument by pulling the strong parts from multiple other people's viewpoints, combining them with your own thinking, and fitting them together in a way that adequately explains and materially analyses the issue at hand.
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n3ptoonz · 4 months
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Ok ok ok we got the boys getting walked in on soooo what if Earthrealm boys walked in on US?
i knew somebody would have this idea 😈 REVERSE REVERSE 🔄
these are gonna be blurbs instead of bullet points
explicit content under the cut; implied scent knk mention, sphinx can't stick to a theme to save her life
Scorpion
Kuai Liang was shocked at first, but quickly understood. He's gone a lot and knows that. He's not upset at all by this, what gets the job done in his absence is what he roots for, but he'd still rather be the one making you sound like that. Lowkey is impressed with how well you must've been going at it too. 'Have I ever made them sound like that...? Hold up-' he thinks. Once you see him and are like woahh when did you get here he's like "Curiosity got the best of me, I'd like to help if you'll have me." as if you weren't already jumping on him before he finished his sentence.
Sub-Zero
"You just couldn't wait, could you?" Bi-Han said, standing over you. You jumped at the sight of him looming over your almost fucked-out glow from your own hands and splayed out on the couch; just how the fuck was he so quiet?! As you nervously try to explain, thinking he's actually upset at you, he interrupted you again by grumbling and picking you up to properly escort you to your shared bedroom. He laid you down and got on top of you, pressing himself between your legs. "I'm not angry with you. I just wish you had waited." he said before letting himself hang free. "But I don't mind finishing the job."
Kenshi Takahashi
When Kenshi checked out where the noise was coming from, he caught you grinding against a lounge pillow with his shirt over your nose. Once your eyes opened and saw him standing in the doorway half shocked half into it, you kicked the pillow off the bed and sat up. "No, no, please, don't let me interrupt." he teased half jokingly. Honestly he could see himself encouraging the concept. He has many duties to attend to, so who would he be to tell you not to tend to yourself? He walked further into the room with a more serious look on his face, he really wanted to apologize he couldn't always be there, but since he was now there's nothing stopping him from helping his lover out.
Smoke
Tomas was red as a tomato. He planned to come over to your place and cook together to make up for lost time since he's often very busy. He had a key to your house so he naturally just walked in, set his stuff down, and went to go find you. "Hey, you ready to cook-" cue a Disney studio audience gasp. After like a full 60 seconds of him stuttering over his words he apologized many times before you stopped him. You offered for him to help you out, and now he was pushing down his own immediate boner, but a simple 'yes' sealed the deal for the both of you.
Johnny Cage
This sexy fucking prick. Unbeknownst to you Johnny just sat and watched from the door of your bedroom, truly fascinated by how needy you were for him. Before you could even reach a semblance of climax, here he waltzed in all smug, "11 times." he said. You gasped and threw the covers over yourself, asking what the hell he's on about now (you're used to him popping up unannounced). "You said my name 11 times, new record babe." He knew your next remark would either be witty or frustrated, so he spoke again. "Ah, ah, ah, let's make it 20."
Kung Lao
Kung Lao is also another sexy fucking prick, but a little worse. You have been walked in on before but not thwacking the noodle or flicking the bean, something less crazy like changing, and yet he still was a teaser. You recalled if he was coming over today and reached the conclusion that he would have no reason to, so you got to work. Silly silly you, Johnny and Lao are known for showing up out of nowhere, you knew that! So there you were doing your thing, and boom, Kung Lao pulled up and caught you by accident. He had no regrets though, all you saw looking at you was a smirk, clear idea on his face, and his signature dimples smiling back.
Raiden
Look guys idgaf what anybody feels or says, I can say he's baby while also knowing a lot, obviously. Raiden is a grown ass man with a dick and balls, but he's never walked in on someone before. Me personally I believe he'd be in shock, and he was. Why? Not only because he walked in on AND interrupted your own time, but you were whispering and moaning his name too. Like Smoke he'd be shifting where he stood trying to control his aching boner, but surely once you gave him the okay to enter your room, hell, even touch you? Game fucking on. He's still nervous but wouldn't let that stop him!
Liu Kang
Liu Kang may be a God, but obviously he cannot tell the future. He just created the world and tried to maintain peace as much as he could. He can predict things, and that included what you were doing while he wasn't there. He figured with how much he was gone it wouldn't be surprising if you took matters into your own hands, and he was right. He slowly rounded the corner to the sight of you using some kind of toy and muttering incoherent words that lead to his name somewhere in there, but it didn't bother him. In fact, when he made his presence known he offered to help including the toy if you wanted.
Geras
Lowkey I don't think Geras would know what to do. He doesn't interact with mortals much technically outside of Liu. So like, if you were waiting for him back at his chambers especially when he took so long to come back due to business, he'd be stuck in his tracks. He'd say there's no need to apologize but rather explain your desire to him so he could fulfill whatever void was left in his absence. I feel like he'd be reassuring too if you were embarrassed and happily make your wishes his command.
a/n: OKKAAAYYYYY i got this out FUCK writers block and periods and life IS A BITCH and ik i recycle the same stuff but like hey, it works🥱
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DM Tip: Creating a Campaign Skeleton
Learning to be a better dungeonmaster was a protracted process. A younger me was often so stressed out by the desire to be a better artist that I'd have legitimately mauled a person if it would've revealed to me the wisdom I sought (with my hands or even an actual maul given the chance).
One of my biggest hurdles was the idea of a universal framework for d&d adventures, a guideline that would tell me if the things I was creating were on the right track. It was sorely needed, I loved the process of being creative but without an understanding of how my creative energy was best used I ended up sinking days, weeks, or even months worth of energy into projects that went nowhere. Worse yet, when I DID get a chance to put my ideas into practice at the table they'd frequently spiral out of control and crash, resulting in even more stress.
Over time I learned from these mistakes, I got better, and then I got good. I moved from conscious incompetence to competence, and I ended up having a run of absolutely stellar campaigns that were everything my younger self could have dreamed of: stable, enjoyable, meaningful, and most importantly an absolute delight to my players. Routinely I'd have people, including folks that'd only played with me a few times, mention that getting together to roll dice and listen to me babel on in silly voices was a highlight of their week.
It was as one of these campaigns began to wind down (three years! a satisfying conclusion on the horizon!) and I started looking for a followup scenario that I decided to study all my really successful campaigns and figure out what connected them. The end result was something I'd been looking for for nearly a decade, a reliable format that I could build campaigns around.
I want to preface this section with the understanding that while this information is laid out in a vaguely chronological fashion there's no guarantee that these ideas will occur to you in any particular order. Inspiration is a funny thing, and each idea flows into the others to make a cohesive whole. Due to foreshadowing and setup reasons you're also going to need a pretty solid idea about all of these when starting a campaign, though exact details will likely change/ can be vague up until the moment they're needed.
The Reason: Who are we and what are we doing?
Gives your players a solid background to build their characters around and give them a reason to travel together, rather than having to ad lib one on the spot. Likewise sets expectations of what the campaign is "about" that you can build on or subvert in time. The reason doesn't need to hold true for the entire game, just long enough to serve as a framing device. EG: The Witcher starts out as a "monster of the week" setup and then uses that framework to pivot into politics and prophecy once we've seen the premise play out.
The Pilot/Crashtest Adventure: What's first?
I’ve already written about these, but the general concept is to give your party a mostly contained first outing that doesn’t have any larger bearing on the plot so they can focus on learning how their characters play/building the party dynamic.  By the time the party's finished this first adventure they'll have already started putting down roots in the world: they'll have in jokes, npcs they've started to care about, an understanding of what's on the horizon, and an idea of where they want to go next.
The Central Gameplay Pillar: How does this all work?
It's important to have an idea what your campaign is going to be about in a mechanical sense in addition to its plot and themes. There is a difference between an adventure that has the party delve a dungeon, and a dungeoncrawling focused campaign. I like to lead with these outright during the campaign pitch so that players can know what they're getting into. Your playgroup will likely have strong opinions about what they like and dislike, even if they don't have the words to describe it, so you might need to explain the ideas for them.
The Hub: Where are we?
I think every good campaign has a hub, some kind of settlement that the party returns to between adventures to offload loot, pick up supplies, and sift through the latest gossip to look for the next questhook. Letting the party return to the same place lets them build up a relationship with it, clarifying the picture in their mind as new details are added and they grow more and more attached. It's possible to have multiple hubs over the course of a campaign, but I'd advise really only having one per arc to best concentrate your efforts. Fill up your hub with distractions and side adventures, shorter stories that the party can get tangled up in while the larger adventure slowly reveals itself. Returning to the same hub also means returning to a familiar and expanding cast of NPCs, which helps your party become more and more invested in the setting
The Main Event: What's going to happen?
Here we get to the meat of the issue, the big story you want to be telling using this campaign. To pull off the sick narrative kickflip you wish to perform, you're going to need to lay a lot of groundwork, seeding in details left and right as well as giving the party a chance to stumble across evidence of your schemes without ever realizing the whole thing. To do this, you're going to work in the building blocks of your big reveal/twist/pending disaster into the setting along with those side adventures from the hub. This will give your party an idea that something is going on, but with more pressing matters to take care of they're going to be distracted up until the moment you decide to pull the trigger.
The Setting: What's over there?
While things like genre and tone are definitely things you should have a handle on from the outset, I personally feel like the details of a setting are best constructed on an ad hoc basis, either in a direct response to something required by part of the narrative (be it side story or main event), or pencilled in at the margins as the party explores the world.. That said, creation of the hub and setting often go hand in hand because it's important to match the settlement to the environment and then shape the environment to the quests inside the settlement. As for what's beyond your hub, I happen to have just written something about building out settings.
Now, this next option is one that I recommend you start thinking about only once your campaign is fully underway, so it doesn't clog up your creative process by focusing on something that you might not even get to
The Change: What the fuck?
A little while after the main event has kicked off and your party is off on the quest that will turn them from mere adventurers into heroes, they start to hear rumours of strange happenings. It's certainly not related to the present scenario, it may even be an unexpected windfall, but it's not something they have time to look into. Time ticks on, the land is saved, and the party is able to enjoy their victory lap as well as some dearly needed time off. Before they can get comfortable however they're slammed by some strange occurrence that they could have never predicted that changes the state of the world. A neighbouring kingdom invades, an important ally is murdered and they're blamed for it, a dragon starts rampaging through the realm. Its important that this event is outside the party's skillset, not necessarily diametrically opposed, but counter to what they were planning
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agender-witchery · 9 months
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On Project Moon
Hey, this is gonna be long, I'm putting most of it under the cut. This post is about the recent firing of VellMori from Project Moon, I know that it warrants some tags for triggers, but I have no idea what's commonly used, so if I miss something, please tell me.
Additionally, I have written this up in a way that if it escapes the target audience of Project Moon fans, it can still be understood, so with that in mind, there will be Library of Ruina spoilers.
The tl;dr for those who don't wanna read the full thing is that Project Moon was put in a very bad position with some violent extremists targeting them and that I'm not happy about any of what happened.
So, for those unaware, Project Moon has fired VellMori, the CG artist for Limbus Company. Now, a not inaccurate statement that can be made from this is "Project Moon fired a woman for being a feminist" but this is... somewhat reductive. Let's immediately get out of the way that VellMori did absolutely nothing wrong. Some people have said she is a TERF. I've seen no evidence of this. Some people have said she wished death on all men. I've seen no evidence of this.
What I HAVE seen is that VellMori thinks sexual abuse is bad. Now, why would this lead to a firing? The short answer is that a bunch of violent incels, one of which was literally dressed as a clown, came knocking at their office doors.
See, Limbus Company has a "beach" event coming up. In this event, we are getting a water themed outfit for two of the characters, one male and one female. For Sinclair, the guy, he has been given an EXTREMELY slutty mechanic's outfit. For Ishmael, the woman, she has been given a very skintight wet suit outfit. Now, I wanna take care to note that VellMori is the CG artist - she had no hand in these designs, a man made them. I would also like to mention that both outfit designs are amazing, and I will be including them at the end of this post for reference.
Now, upon revealing the wet suit design for Ishmael, a bunch of whiny incels on what is basically Korean 4chan got upset that Ishmael, instead of being in a bikini as is usual for gacha games, was wearing a wet suit. Nevermind that the designs in Limbus Company have always been conservative and that the Sinclair design is the most skin we've ever seen and it's just an open shirt. Again, the wet suit is still super revealing, it's skin tight and this is literally the first design of her that doesn't make her look flat chested. They're not rioting over the lack of sex appeal, they're specifically mad that it's not a bikini.
The incels come to the conclusion that the lack of any skin being shown on Ishmael's outfit is a result of evil feminism. No, I'm not exaggerating. They initially begin harassing the artist who is actually responsible for drawing the outfits, but upon learning that he is a man, set their sights on VellMori because she's a woman, and being an artist is good enough I guess. What they do from here is they start digging and digging and digging on VellMori's twitter, making use of archived pages because many of the "offensive" tweets had been deleted.
I'd like to take a moment to point out that VellMori never actually tweeted anything out here - it was all retweets from a 4-6 year old archive, and retweets that have been long deleted. These retweets contain such transgressive statements as "I'm sick of misogyny" and "If being against patriarchy makes me antisocial, then so be it" and just... mirroring back to men what those men were saying to women. Some people would like to have you think she was calling for death to all men. She wasn't. She ALSO retweeted all this stuff while she was a teenager and well before she worked for Project Moon.
Nonetheless, the incels had decided that feminism was the reason Ishmael had a wet suit and not a bikini and they had found a feminist working for Project Moon. It is at this point that we must take a brief detour and talk about Library of Ruina, Project Moon's previous game.
See, in Library of Ruina, one of the protagonists, Angela, has this whole arc about escaping her abuser and becoming a human. Yes, she is literally a robot, but Project Moon isn't exactly a stranger to symbolism in their stories and a feminist reading of Angela is ridiculously easy. The main antagonist in Library of Ruina is Argalia, the Blue Reverberation, and his crew is called the Reverberation Ensemble. Every member of the Reverberation Ensemble is a violent lunatic who each want to reinforce the status quo in their own unique shitty way. In addition to this, typically in order to reach the titular Library, you would need to be invited. The Reverb Ensemble are the "uninvited guests", the ones who managed to reach the Library and knock down the door without an invite.
Why am I talking about this? Well, the incels decided to start calling themselves the Reverb Ensemble, and referring to each other using names of the Reverb Ensemble members such as Pluto, Elena, and Oswald. Having taken on the moniker of the uninvited guests, they then showed up to Project Moon's office to protest. Over the lack of a bikini. Now, remember how I mentioned someone was dressed up as a clown? One of the Reverb Ensemble members, Oswald, is a clown with an extremely tenuous grip on reality. So much so, that his ideal world is one in which there is no meaning whatsoever. That is the character they chose to dress up as. This is either a case of extreme self awareness or extreme self unawareness.
Eventually, the incels were let into the office possibly as a form of damage mitigation to prevent the crowd of protestors from getting any bigger. This was a questionable decision, but they had a group of violent incels at their doorstep either way, and I don't exactly have full details on this. Regardless, Project Moon had on their hands a group of violent protesting incels, who they felt compelled to let into the building, and who had demands including the firing of their feminist employee. (7/28 update: a translation of the transcript posted to DCInside has surfaced. Please check the reblogs for it. Project Moon was verifiably threatened.)
So while "Project Moon fired a woman for being a feminist" isn't inaccurate it also isn't the full picture. More appropriately, it'd be "Project Moon fired a woman because a group of violent incels who weren't satisfied with a form fitting wet suit instead of a bikini showed up to their office demanding that an artist who did not make the wet suit design be fired because she retweeted some feminist stuff 5 years ago while she was a teenager".
I'm not happy with this. None of this is good. People are allowed to be feminists, and Project Moon stories have always presented progressive ideas to anyone with half a brain to do some basic literary analysis. I can understand why they would cave to the demands of people who were threatening them and showed up to their actual place of work, but at the same time, that's someone's livelihood gone and proof that in the future, the same sorts of people can use the same sorts of tactics to bully Project Moon into doing whatever they want. All of this sucks.
For those who would like to see the retweets in question alongside translations: https://twitter.com/danghwangs/status/1683884236888223744
And for people who would like reference as to what the artworks these incels were up in arms about, Ishmael in the wet suit and Sinclair in the mechanic's outfit.
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oneeyedoctogod · 8 months
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Gods this fandom sometimes, I swear. I'm sorry I read two deeply bad takes back to back, and I have to rant. I'm sure others have said it better than I, but really. Come on. I actually have to wonder if people who talk about the extras actually read them because...
Wei Wuxian and Lan Wangji didn't leave the cultivation world in canon. They elope, and then they come back. The fact they're not involved in the bigger politics is... pretty much to be expected, but they very much do participate in the day to day lives of the Lan sect. They go where the chaos is to night hunt, they teach, Lan Wangji comforts his brother in his seclusion, and Wei Wuxian meets some new Lan disciples.
As for the cottage fantasy... Again, I honestly have to wonder if the people talking about it actually read the extra it's in? Because it's just that. A fantasy. A dream. It's basically a representation of Wei Wuxian's wants for a domestic life, something he definitely has now! He's always been characterised as someone who wants to help others and who loves cultivation. Why would you think the dream is to be taken literally?
And the idea that Wei Wuxian has 'several important relationships just floating there', that he's not dealing with... Where? Which ones? He teaches the juniors and grows closer to Jin Ling. He doesn't exactly interact with Lan Xichen, but he asks after him. He meets Mianmian again and wishes her well. He asks after Wen Ning after Lan Sizhui comes back then has some father-son bonding moments with him!
Nie Huaisang and Wei Wucian aren't close. They were friendly once, but they didn't ever meet after the lectures. I don't see how that qualifies as an "important" relationship, especially with Nie Huaisang never openly admitting to his part in Wei Wuxian's resurrection. But even then, Wei wuxian says he'll be keeping a close eye on him, so one can imagine they meet again at some point.
As for Jiang Cheng... what more do you want Wei Wuxian to do exactly? Even if you want a reconciliation, why can't Jiang Cjeng be he one to actually grow up and do the work for once? He's the one who never apologized. He's the one who is still openly hostile in the extras. If Wei Wuxian wants to move on and not interact with him, he's well within his right to do that, given how Jiang Cheng treated him. Hell, he's more generous than most since he encourages Jin Ling to talk to Jiang Cheng. If I'd been treated by someone like Jiang Cheng treated Wei Wuxian and saw him hit our nephew several times, I certainly wouldn't encourage them to meet. (But that's Wei Wuxian for you, the moral ideal and better than all of us.)
Anyway, I really don't understand why people insist on making Wangxian have a sadder ending than the one they actually did. It's a HEA for them, sorry guys. And yeah, maybe Wei wuxian has some trauma to work on... but the whole point of the character is that he doesn't let his trauma define him. That he wants to forgives, forgets and moves on.
(Also, just because he doesn't have a breakdown or the cultivation equivalent of therapy in the extra doesn't mean he's not working on them? He finally is at peace, with a solid support network. Maybe he does talk about his past hurts with Lan Wangji - Lan Wangji certai ly knows when to comfort him when he needs it. But the narrative point of the extras is to show they're moving on from the past! And you know what, sometimes the beat thing to do to heal is to do just that. They're living their best lives, deal with it.)
And finally... shit did you really read the whole book and come to the conclusion Wei Wuxian should have 'learned to accept help'? Who the fuck offered help? Who did he refuse?
(Don't say Lan Wangji. 1) I love him, but "Come back to Gusu" is very much not an obvious offer to help, and when Wei Wuxian understandably misunderstands him, he never manages to correct it.
And 2) once Wei Wuxian tells him explicitly he's not leaving the Wen remnants behind, Lan Wangji understands and backs off. He approves! I'm sure he'd do more if he could, but just like Jiang Yanli, he can't!)
Jiang Cheng literally said, 'No one will help you, no one is on your side' (and then made sure that was true by saying Wei Wuxian was the enemy of the cultivation world). Jin Zixuan chose to ask the one who was ambushed to disarm rather than the 300 cultivators attacking him and lunged at him when Wei Wuxian refused to comply (because he'd be killed if he did!!). How is that help?
Who else tried to help? Whose help did Wei Wuxian reject?
Wei Wuxian was presented with a series of bad choices and took the best he could, the ones aligned with his principles, accepting he'd have to face consequences at some point but also knowing it was still worth it. He's not the one who failed or made a fatal mistake or betrayed his word.
Rant over. Sorry about that.
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Text
Rain-Soaked Kisses
Ship: Steve Harrington x fem!Mayfield!reader
Summary: Steve hates storms but loves the rain—just another oxymoron of his life, like the secret the kids are trying so very hard to dig up.
Word Count: 6,582 words
Warnings: fluff!!!, sappy & romantic Steve, scheming Dustin & Max, healthy Mayfield sibling relationship, Billy mention, lumax sprinkles, secret relationship, friends to lovers, byler sprinkles, jancy sprinkles
Note: Told in part from the perspective of the kids! Written because it's storming where I am, and I love this weather so much.
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☟ Continue below the fold ☟
"Who could he possibly be dating? There's not a girl in Hawkins that wants to go out with him!"
"Well, clearly one of them does!"
Dustin sighed, taking in Max's exclamation. As much as he hated to admit it, she was right. Steve had stopped complaining about bad dates and girls who left quickly; Robin reported he'd completely stopped talking about Leah and Heidi and Helen and the five other girls he'd been on-and-off again with; he walked around with a dopey, happy smile on his face all the time; and he was less and less reliable for rides, instead going on dates with a girl who's name he always pretended to forget.
As impossible as the idea seemed, Dustin had to admit it was a logical conclusion.
But who?
"Robin?" Max suggested.
Dustin shook his head. "Impossible. Steve steadfastedly refuses to date her. It's not Nancy again, is it?"
"Nope—saw her with Jonathan yesterday." Max huffed a sigh. "Maybe we have to...think outside the box more?"
"Who's outside the box? Who hasn't he already tried to date and failed miserably at dating?" Dustin demanded.
Max was silent for a moment too long. Then she said, "Alright, I don't know. I can't think of anyone who would actually go out with him."
"Exactly, neither can I," Dustin said. "We've got to watch him. We need to know who this is."
~❊~
But tracking Steve and his mystery girl down was much, much harder than either Dustin or Max had anticipated.
Without Steve driving them around, getting around town took twice as long as it needed, either in the attempts to find someone to drive them or in walking themselves everywhere. Nancy was either busy or with Jonathan most of the time, which ruled out Jonathan as well, and Robin still didn't have her license.
During yet another slow afternoon of trying and failing to put together the pieces of where Steve was going and with who, the phone rang. Dustin and Max both looked up quickly, scrambling over furniture and Dustin's new cat to beat each other to the phone.
Dustin got to it first. "Hello?"
"Hey, Dustin? It's Robin."
"Yeah, I know it's you, Robin, I can recognize your voice."
"Now's your chance."
"What?"
"Steve just left work—he said he's going on a date. Now's your chance to go find out who he's going out with!"
"Oh, shit!" Dustin turned to Max. "Steve's going on a—"
"I heard," she said. "Does she know where he's going?"
"Where's he going, Robin, did he say?"
"A restaurant, and he changed into a really nice outfit before he left here. And by nice, I mean really nice. Like fanciest restaurant in town kind of nice. Whoever this girl is, he really wants to impress her. And he's obsessed with her, too, he's been smiling all day from excitement."
Dustin scoffed. "And you didn't call us before he left?! Now we have to find out where he's going and how to get there!"
"Well, it's not like I could call you talk about him in front of him! Besides, we do know where he's going. What's the fanciest restaurant in town?"
"Enzo's," Dustin realized. "That's where he's taking her."
"I can guarantee it. If you go to Enzo's, he's going to be there. I'd go myself, but Steve and I'll both get fired if at least one of us isn't at the store right now."
"Thanks, Robin!"
"Good luck, guys!"
Dustin turned around to give Max the details, but she cut him off. "I heard. Enzo's."
"All we have to do is catch them in the middle of their date, and we know exactly who Steve's dating," Dustin said with a grin. "Easy!"
"Yeah, easy," Max snarked. "How are we supposed to get there?"
Dustin paused before he sighed. "Start calling everyone we know with a car, I guess."
Max rolled her eyes. "Like that'll ever work. Nobody's been willing to drive us around so far!"
"Can't hurt to try," Dustin insisted.
"No, Dustin, we'll be wasting time! We should just start walking now!"
But Dustin was already dialing the number to the Wheelers' house. It was answered by Mrs. Wheeler.
"Hello, Karen Wheeler speaking!"
"Hi, Mrs. Wheeler, could I talk to—"
"MIKE!" Dustin flinched at the volume from the other end. Max cringed, hearing the shout from where she stood. "Dustin's on the phone!"
A few seconds later, Dustin heard Mike's voice. "Yeah?"
"Is Nancy there?"
Dustin could see Mike's frown. "What do you want Nancy for?"
"Mike, I don't have time for this—"
"What. For? If this is Keith trying to get a date with her again, I swear that I'll—"
"Oh my God, Mike, no! Steve's going on a date and we need to catch him to figure out who he's going out with! We need Nancy to drive us there."
"Dustin, do you realize how idiotic that sounds? Nancy's not gonna drive you to go spy on her ex and his new girlfriend!" Mike hung up without another word.
Groaning, Dustin tried to call again, but he was met only with the dial tone.
Max rolled her eyes. "I told you it wouldn't work."
"I'm calling the Byers," Dustin grumbled. He dialed the number, but when Joyce picked up, she was talking to someone else in the house and by the time Dustin had gotten out "Is Jonathan there?" he heard the click of the receiver being put back.
"Try my sister," Max said.
Dustin dialed the number to Max's trailer, but no one answered. He shook his head.
"She's probably out running," Max sighed.
"Another run? Isn't that all she does now?" Dustin asked with a frown.
Max shrugged. "She says it helps her...deal with things."
Dustin sensed a can of worms—the kind that most people would avoid, the kind that Max clearly wanted to talk about anyway. So he asked it, when most people wouldn't. "Things?"
Max nodded slowly. "Yeah. You know...the Upside Down, Eddie..." She hesitated. "Billy."
Dustin glanced down at his feet. There was blood associated with all of those memories. He knew they plagued all of them, those who'd survived Vecna and his creatures, and he knew that they all had different ways of coping. Dustin's was research, Max's was music, yours was running.
"She's more like him than she wants to admit," Max said. "At least, she is with the running. Billy, he...he used to exercise to distract himself. She runs."
"Is that a bad thing?" Dustin asked.
"No, it's just... She needs someone in her corner is all. And I don't...I don't think that person is me anymore."
Dustin's heart squeezed in his chest. "Max..."
She shook off his concern. "Come on—we'd better start walking, or we're never going to make it to Enzo's on time!"
~❊~
It started to rain halfway through their walk to Enzo's.
The storm didn't start gently. There was no warning before it started to pour, no flash of lightning or boom of thunder. Just a steady downpour, hard and fast and painful against the skin.
Dustin and Max hid from the weather as much as they could, ducking under store awnings and hiding under outdoor umbrellas as they came across them.
After getting turned around at least twice, they spotted the restaurant's glowing sign. They ran toward it, stopping at the bay windows peering in. They scanned the tables inside. From the parking lot behind them, there was laughter and the slamming of car doors.
"Do you see them?" Dustin hissed. He looked at every face he saw, overanalyzing the back of every head that looked like it might be Steve.
"Are we sure they're still there?" Max said. "It's been, what, almost an hour and a half? Who eats for that long?"
Dustin shrugged. "Enzo's is a fancy place, they've got designated courses and shit. They could still be there."
A car engine revved. "Are you sure?" Max took Dustin by the shoulders and spun him around. "Is it just me, or does that look like—"
"Steve's car!" Dustin hissed. "Shit!"
They raced after it in the rain, Dustin catching sight of Steve through the driver's side window, his hair perfect and a huge grin on his face.
"Is he wearing a suit jacket?" Max asked.
"Did you see who was in the passenger's seat?" Dustin demanded.
Max didn't answer, still staring after the car, her face fixed into confusion.
"Max?"
"Huh? Oh, no, I...I couldn't tell who it was."
Dustin groaned. "Shit! That was our one chance!"
"We'll get another one," Max snapped. "He's been going on dates a lot, right? Robin said so, and he's always gone because he's been on a date. He'll go on another one with her soon."
Dustin sighed. "Good point. Now we just have to wait. Come on—we should call Robin."
~❊~
Max walked home in the rain by herself, hearing her mother fuss that she would get a cold if she kept walking around in the rain without a jacket, but not caring. Louder than her mother's voice was El's: friends don't lie.
Should Max have told Dustin what—who—she saw in Steve's car? Or the fact that she'd seen them going into Steve's burgundy BMW in the parking lot while he'd been focused on the store?
No.
Yes?
It was too late now. Besides, was she absolutely sure of who she'd seen?
Well, yes, she knew you better than anyone. You'd been by her side her entire life. There were pictures hanging in the trailer of Mom in the hospital bed after she'd given birth to Max, but it was you who was holding her, sitting in the plastic chair next to the bed.
The lights of the trailer were on when Max reached it, but only your car was in the driveway.
She pushed the door open. "Hey, I'm home!"
You poked your head out of the door to your bedroom. Your hair was just as drenched and stringy as her own. "Max! There you are, I was worried— Why are you soaking wet?"
"I walked home," she said, shrugging.
You hurried out of your room. "Come on, we need to get you out of those clothes. Mom will kill us both if she finds out we've both been out in the rain in the wrong kind of clothes."
"Where were you?" Max asked as you brought her into the bathroom.
You glanced up at her but didn't meet her eyes. "You couldn't get a ride home?" You left her in the bathroom, running into her room to grab her some dry clothes.
"No—Steve's the only one who will drive us anywhere, and he's unavailable most of the time."
Guilt flashed over your face. Max narrowed her eyes, watching you closely. You didn't seem to notice. "We'll tell Mom we took showers if she gets back before our hair dries." You paused. "You could have called me, you know."
"I did," she said. "You didn't answer."
Your face fell. "Max, I'm sorry, I didn't—"
"Are you dating Steve?"
The question stopped you in your tracks. "Max, I..."
"Are you?"
You sighed, wiping a a hand over your face. You sighed. "Yeah."
Max sighed. "Hand me a towel, please." You did so silently, taking one of your own to towel-dry your hair. "Why didn't you tell me?"
You shrugged. "At first, I wasn't sure if it was a good idea. I mean... I knew I liked Steve, but his track record with girls hasn't been good lately, and I..." You sighed. "I wanted reassurance he wouldn't be gone after a week."
"And after that?"
You groaned, putting your head in your hands. "This is...gonna sound stupid, but... Steve has been everything for you guys. For you, for Dustin, for El, everybody. He's saved you countless times, I watched him stand up to our brother to protect us, even though Billy beat him bloody for it. I didn't...I didn't want to feel like I was taking him away from you all, but I also...kind of wanted him to myself sometimes. And he seemed to want time alone for the two of us, too, so..." You looked up at Max. "And I didn't...want you to feel like I was taking away from you. After Billy..." Your voice caught in your throat.
There it was again. The silence that surrounded death.
"Died," Max whispered. "After he died."
You nodded. "After he died, I know Steve kind of...stepped up for you. I didn't want you to feel like he cared less about you just because I was in the picture now." You laughed shakily. "I know that kind of, uh, backfired. I'm sorry to keep him away from you guys for so long."
Max shook her head. "Stop apologizing for wanting someone that's yours." She breathed out a laugh. "I was just telling Dustin that you needed someone in your corner. I should have known it would be Steve. I mean, he's always been there for the rest of us, why wouldn't he be there for you?"
You looked over at Max. "Just how mad is Dustin that I'm dating Steve?"
"He doesn't know," Max said. "We've been trying to figure out who Steve's mystery girl is for months. He won't tell anybody, so Dustin wanted to try and see if we could figure it out ourselves." She glanced at you. "We saw you guys last night. At Enzo's. Or rather, I saw you. Dustin was too busy trying to peer inside the restaurant to even notice Steve's car."
You made a face. "How can you not notice Steve's car? It's a burgundy BMW for Christ's sake."
"I know!" Max giggled.
You laughed with her for a minute. The lightness in her voice—it had been a while since you'd heard her laugh like that.
After a moment, you said, "So...nobody else knows that it's me Steve is dating?"
Max shook her head. "Not even Robin."
You whistled. "I'm surprised Steve's capable of keeping a secret from her. It's gotta be killing him, I just know it." You giggled. "However...we could have some fun with this."
Max raised her eyebrows.
"If Dustin wants to know who's Steve's dating, he can keep digging as much as he wants." You grinned. "That's gotta be amusing, surely?"
~❊~
The storm that had swept in over a week ago had lasted the whole week, turning Hawkins into a mud patch and its roads into rivers. It let up briefly, leaving behind perfect spring days, only to return with a vengeance the next week—randomly on a Thursday afternoon.
Thursdays had become movie nights at Steve's house, and Dustin had concocted a plan to trick Steve into telling him who he was dating.
Max knew it wasn't gonna work. She had been present when you told Steve about Dustin's snooping and the both of you had decided to continue yanking Dustin's chain. Steve had seemed more excited about it than even you had.
While Steve set up his house for the group of rambunctious teenagers for movie night, Dustin explained his plan to Max in whispers.
"So, I'm going to try talking about Suzie for the first few hours," Dustin started, watching Steve like a hawk while he moved about in the kitchen, making popcorn for the group. "Get him thinking about his own relationship, you know? And then you know how he gets—" He cut himself off abruptly when Steve came into the living room with bowls of popcorn, setting them on the coffee table.
"Any idea when your sister's supposed to be here, Max?" Steve asked. "I thought she was driving you."
Max shook her head. "She said she'd come after she got out of work, but I don't remember when her shift ended."
Steve nodded. He disappeared up the stairs in the next moment.
"You know how he gets when it gets late into the movie and its dark and he's focused?" Dustin continued, picking up immediately.
Max frowned. "Like when he's so focused on something you can ask him a question and he'll either go 'huh?' and make you repeat it or he'll just answer without thinking?"
"Exactly like that," Dustin said. "That's when I'm—"
Steve returned with a stack of blankets. "How many of us are there, again? Twelve?"
"Thirteen," Dustin and Max both said.
Steve tossed the blankets onto the couch. "Go grab five more. Up the stairs, closet on the left."
They went up the stairs, Dustin whispering again before they'd even reached the landing. "I'm gonna ask him who he's going out with when he's like that."
Max rolled her eyes. "You don't know that'll work. He could say 'huh?' and make you repeat the question, like I just said."
Dustin shrugged. "Then I'll ask him something different, wait a little bit longer, and then ask again. He can't do that the whole night. Can he?"
"How should I know?" Max picked up the blankets and started back downstairs. Steve was whistling in the kitchen. "This whole plan is so stupid, Dustin. It's hardly a plan!"
"Do you have a better idea?" he hissed.
Max stayed silent. Of course she had better ideas, but those might make Steve actually tell Dustin.
"That's what I thought," Dustin said, clearly on the wrong path. "We'll stick with my plan." He glanced at Steve's back in the kitchen. "Unless your sister knows who he's dating? They're pretty much best friends now, right?"
Max nodded. "Blame Robin for that," she said, praying her poker face held. "I don't think she knows. I can't see Steve telling her if he hasn't told Robin."
"Fair point," Dustin decided. "Even more reason to rely on my plan."
She rolled her eyes. "Your plan is just going to annoy him until he kicks you out of his house."
"He likes me too much," Dustin said, with confidence Max wasn't sure he should possess—not about this, at least.
When they reached the first floor again, Steve was pacing around the living room, double checking he had everything set up. Max had to admit she liked the set up he had for movie night: the coffee table was set up with bowls of popcorn and a drink tray, there was a cooler next to filled with water bottles and soda cans, he had dragged every pillow in the house to the couch and floor, a fluffy winter comforter spread out on the carpet to make the floor more comfortable, and an egregious number of bagged snacks in a wicker basket.
"I think we're all set, guys," Steve said, surveying the room with his hands on his hips.
As if cued by Steve's motherly behavior, the rain outside grew louder, falling fast against the AC unit in the window. Steve winced.
"Looks like we're going to have to have the volume up high to hear the movie over the storm," he said.
"What are we watching?" Dustin asked.
Steve shrugged. "I dunno. We've got a couple choices in that cabinet over there, plus the stuff Robin's bringing. I think Nance had a movie she wanted to suggest, too, but I can't remember what it was..." His eye caught on the stack of blankets, leaning down to count them.
Dustin dug through the movie cabinet. "Come on, Steve, what are these movies? Why are they all romantic comedies?"
"Because they're my mom's favorite, dipshit," Steve said with an affectionate roll of his eyes.
"There's nothing of value here!"
"Well, I'm not watching Star Wars again, so—"
"It was Star Trek last week!"
"Even worse." Steve looked up at Max and waved her over. She glanced at Dustin, but he was too busy judging Mrs. Harrington's taste in rom-coms to notice her get up.
"Would it be too obvious if I gave your sister my blanket? I miscounted and we're short one."
Max bit back a laugh. "I think Nancy might notice, Robin would definitely notice, but Dustin's still a little too oblivious for that."
Steve huffed a sigh. "Can't have one of them letting it slip. Alright, fine, I'll use mine and give her a different one." He glanced at his watch. "Her shift ended almost an hour ago, she should be here any minute."
Max frowned. "Why do you know her work schedule better than I do?"
He shrugged. "In case she needs a ride to or from work. Can't leave her stranded if her car breaks down again."
A knock sounded at the door. Steve grinned at Max, both of them knowing you had arrived. He rushed to the door, slowing down only when he was within Dustin's sightline again.
You were hugging your arms when he opened the door, your hair wet and stringy, your clothes soaked through. "What took you so long, Stevie?!" you demanded, hurrying through the door. Max pointed to Dustin before you could kiss Steve's cheek.
"Jesus, you're soaked," Steve said, taking in your more than damp appearance. "Did you walk here?"
"No," you said, pointing out the still-open door to your car. "It's just raining hard enough that I got drenched on the run from my car to your door."
Steve slammed the door shut before more water could get inside. "Uh, okay, come on, I think I've got something for you to change into."
You blinked at him, gaze flicking briefly to Dustin. "Oh, no, that's alright, I'll just—"
"I'm not letting you stay uncomfortable and catch a cold in these clothes," Steve insisted. You nodded, all too ready to curl up in one of Steve's sweaters. "Come on—you two, we'll only be a minute. Answer the door if anyone else comes while we're gone."
Steve ushered you upstairs. Max waited a few minutes before telling Dustin she'd be right back, using the bathroom as her excuse, wanting to keep an eye on the two of you and stop you from any funny business. She followed the damp footprints you'd left behind, slipping into the bathroom across from Steve's room and peering around the door. She smiled at what she saw.
You had ditched your wet pants and shirt and were pulling on a pair of Steve's jeans. Steve had his back turned as he dug through his dresser.
"Um...do you need a different bra? I'm pretty sure you left one here last time..." Steve glanced back at you and smiled. "God, you look cute."
You looked up at him, cheeks pink. "You're just saying that because I'm half-naked in your bedroom and the clothes I'm wearing are yours."
Steve shook his head, still smiling. "I'm sayin' it 'cause you're cute." He walked over to you, sweater in hand, and kissed your nose. "You are beautiful, Miss Mayfield." He brushed your wet hair out of your face. "Arms up, honey."
You lifted your arms for him and he tugged his sweater over your head. He pulled you to his chest as soon as it was on, holding you like it was the last time he ever would. Max watched your hand go into his hair, pulling a soft sigh from him.
"Kiss me, Stevie," you whispered, coaxing his head toward your own with your hand.
Eyes closed, Steve obeyed, kissing you softly, chastely. Max heard the movie-perfect sound of your lips parting before you tugged him back down for a second kiss, deeper than the first.
"I love you," he whispered.
"And I love you," you said back. The two of you smiled at each other, sickeningly sweet, and Max wondered if the look on your face was the same one on hers whenever she was with Lucas.
Steve adjusted his sweater on your body one more time. "We should get back downstairs," he said. "Dustin might get suspicious."
You fell back into his arms for another hug. "Okay."
Steve took your hand and slowly lead you out of his bedroom, though he seemed just as reluctant as you to have to let go and pretend to just be friends. "Your sister thought it would be too much to give you my blanket during the movie, but I think I like having you in my clothes more."
You smiled. "If it's anything scary, I'll jump a lot and cling to you and we can blame it on the movie."
Steve grinned. "Let's hope Robin brings a good scary movie, and that Eddie wins the vote tonight, then."
Max shut the door before you could see it was open, making sure it closed quietly, quickly flushed the toilet, and turned on the sink and made a show of opening the door to see the two of you. She glanced pointedly at your hands.
"I thought we were still making Dustin guess," she said.
Steve sighed. "Yeah, yeah, I know." He brought your joined hands to his mouth and kissed the back of your hand before letting you go. "Alright, I'm done now."
The three of you headed back downstairs, Max at the lead and you just behind. Max knew Steve had let you go down the stairs first just so he could watch you prance around in his clothes and run his gaze over you again, but she'd give him a pass, just this once. You did look rather at home in his clothes.
Max watched you while you made yourself at home in your usual spot, in the middle cushion on the Harringtons' couch. In fact, she realized, you looked more like yourself, the happiest you'd been, since Billy had died—maybe even since you'd left California.
Credit where credit was due, Max would have to thank Steve somehow (without it seeming like she was thanking him for bringing you back).
"You want anything?" Steve asked you, tossing you one of the blankets. He set his down on the cushion next to you, then the blanket Robin had claimed on your other side.
"I'm all set," you promised. "Anyone else here yet, Dusty?"
Dustin rolled over onto his back from the place on the floor he'd claimed as his several months back, which he said was the best place to watch the movie from, but Max knew was his spot because it was still close enough to Steve, too. The middle, which was hers, was definitely a better view than Dustin's righthand side.
"Not yet," he said. "Hi."
You smiled. "Hi. Find a good movie?"
"No," Dustin said. "Steve's taste sucks."
Steve narrowed his eyes, picking up a piece of popcorn and throwing it at him. "For the last time, it's my mom's rom-com collection!"
~❊~
Max lay in her spot between Lucas and Dustin, Erica on the other side of Lucas, only half-paying attention to the movie while she braided El's hair, Will and Mike snuggling on the opposite side of Dustin. Max was sure Dustin felt singled out, being boarded by two couples, plus Nancy and Jonathan sharing a blanket and a lounge chair just behind him. Eddie had curled himself up on the chair on Steve's opposite side, covering himself in his blanket to protect himself from the blow of the AC unit.
Robin had managed to snag a new release that had just arrived at Family Video—Tim Burton's Beetlejuice, a movie that had only been out for a few months in the theaters. The kids on the floor had propped themselves up on their elbows, drinks and half-eaten bowls of popcorn in front of them.
Every so often, Max faked a yawn to duck her head back to glance at her sister and Steve. Robin was stretched out across both your laps, and the two of you had leaned together to share both of your blankets after Steve had muttered something about the AC being too cold, only for the others to shout for him not to touch it.
And judging from the way you and Steve occasionally exchanged a look, Max guessed you were holding hands beneath the blanket.
Max turned her attention back to the movie, lifting a small handful of popcorn to her mouth. Not so subtly, Lucas fake-stretched and laid his arm over her shoulders. Giggling quietly, Max snuggled into his side. She heard your amused hum behind from behind her, followed by a small chuckle of Steve's.
As it had the entire movie, thunder crashed outside. While the rain had lightened up enough not to be distracting, the flash of lightning visible through the curtains and the boom of thunder had been frequent and often made the room's occupants jump in fear.
Another boom of thunder announced the power flickering.
Dustin looked back at Steve. "Uh, Steve?"
"We've got a generator," Steve said, but he had sat up straighter and had pulled away from you, his face uneasy.
With the next flicker of lightning and crash of thunder, the power went out.
The group of thirteen sat in the pitch-black room in silence. Lightning illuminated faces briefly, showing Max that Robin had sat up, and that you, Steve, and Eddie were all on your feet.
"There are candles in the study," Steve said, breaking the silence. His voice was wavering, and Max remembered you saying something about cutting a date short due to the storm earlier that week. Was Steve...afraid of storms?
"I'll get them," you said.
"Matches in the drawer next to the sink and lanterns in the sunroom storage cabinet," he continued. "Eds, come on, let's go see if we can get the power back to the fridge and a few lights, yeah?"
"After you," Eddie said and followed Steve out the front door. The pattering rain grew louder as the door opened, revealing a world in grey scale, but still lighter than the inside of the house.
Dustin sat up. "Candles? Why not just use flashlights?"
"Steve only has two flashlights," Robin said. "Working ones, at least. But candles? The Harringtons have plenty of those."
Max followed you around the house, lighting the lanterns as you found them and helping you carry the candles back to the living room.
With the room now illuminated by flickering flame, it was easy to see the worry on people's faces.
"Do you think the whole town's out?" Mike asked.
"No, it can't be," Nancy said, but she didn't sound sure.
Will wriggled out from under his blanket. The look he exchanged with Jonathan was concerned.
"Everybody keep calm," you said, setting a lantern down on the floor at the center of the group. "Steve and Eddie will get the generator running in no time."
Silence fell, still and eerie. You sat beside Max and Lucas, and Max laid her head in your lap, trying to smile up at you. It only took a look for her to know you were lost in your head, in memories of the night Billy went AWOL and had been controlled by the Mind Flayer.
Max took your hand in hers. "It's okay," she promised.
"Mmm," you hummed, but your gaze was fixed on the door; you wouldn't relax until you saw Steve walk back in, unscathed.
The AC kicked back on. A few lights flickered to life and the low hum of the refrigerator filled the room.
Relief filled the room with the sound of an audible sigh. Moments later, the door opened and a waterlogged Steve and Eddie stepped back in.
"Did it work?" Steve asked. Then he heard the AC. "Alright, good." He looked around. "Turn the lights back off—the candles will do until power really comes back."
"Steve, you're drenched," Nancy said, "you're going to catch—"
"A cold, I know," he sighed, glancing over at you. You fought a smile. "Sorry about movie night, guys."
Dustin shrugged. "It was only a matter of time before we lost power. The size of the storm—"
"Oh, shut up, nerd," Erica said, rolling her eyes.
Dustin leaned around Lucas. "Do I need to remind you of the vents?" he hissed.
Erica narrowed her eyes at him.
"Children, children," Eddie admonished with a shit-eating grin that said he knew his chiding was only going to rile them up more.
"Eds," Steve warned, opening the curtains to look outside.
Eleven craned her neck to peer outside. In a small voice, she asked, "Can...can we dance in the rain?"
Nancy hesitated, then said, "I'm not sure that's the best idea, the weather isn't exactly kind at the moment."
Steve looked back outside again. "It's not raining too heavily right now."
El wrung her hands. "Joyce says it's...fun and romantic to dance in the rain."
Robin leaned forward, gasping. "You've never danced in the rain before?"
El shook her head. "Only biked in it."
"We have to go dance in the rain!" Robin insisted, jumping to her feet and pulling Eleven up with her. "It's a...a...a cognitive milestone!"
"I don't think that's the right phrase, Robin," you laughed, but you were also getting up. "Still, I think it's a good idea. Good way to pass the time until the power comes back."
"Come on, Nancy," Jonathan said softly. "Let her have fun. Mom's right. It's fun in the rain."
You took one of Robin's hands and one of Steve's and dragged them into the rain. Robin created a chain by grabbing El, who grabbed Max, who grabbed Lucas. The small group raced out into the street, running through puddles and spinning through the falling rain.
Dustin appeared at Max's side, his hair matted to his face. "It's like the time they were drugged by the Russians," he said, staring at Steve and Robin, the latter of whom was trying to taste the rain.
Max did a doubletake. "When they were what?"
"Don't ask," Erica suggested.
Laughter filled the air as the group danced around each other, twirling each other and splashing through the current of water at the side of the road. Steve tripped through puddles with Robin; Jonathan convinced Nancy to dance in the driveway; Will and Mike splashed each other in the puddles.
"May I have this dance?" Lucas asked, holding his hand out to Max and trying his best to look gentlemanly, which was ruined by the water running into his eyes and making him squint.
"You dork," Max laughed, but she took his hand anyway and let him pull her close, guiding her in a slow dance through the rain. She rested her head on his shoulder and watched as you went over to Steve and Robin.
Steve stopped his fooling around, watching you approach with a dopey, lovesick smile. He held out his hands to you and you took them; he twirled you in the rain, catching you and pulling you close before you could fall in the wet road.
"Careful there," he laughed. Even with his hair plastered to his head, his clothes heavy and hanging off him, you were still looking at him like he was the most beautiful creature you'd ever seen.
Max watched the time slow around the pair of you. She knew you were both completely oblivious, cut off from the company around you, even from Robin's stare as she took in the way the two of you gazed at each other.
Steve swayed you, getting himself lost in your eyes. He cupped your face with one hand, running his thumb over your cheekbone.
Lost in your bubble, neither of you noticed that the others had all stopped to watch, unable to speak and break the spell—not even Dustin, whose mouth hung agape.
You were lost in Steve, Max could tell. Close enough to the pair of you now, she could see you drinking in every detail: the water droplets hanging off Steve's hair and eyelashes, the amazed curve of his open mouth, the gentle swipe of his thumb, the lovestruck look in his eyes, his rosy cheeks so stark against his otherwise pale, cold, and wet skin, the reassuring hold of his arm around your waist.
Max knew what Steve was going to do before it happened, before even you had caught up. He bent his head, slotting your lips together.
Like some magic, divine will, the rain fell a little faster, distant thunder boomed, and lightning splintered through the sky, lighting up the clouds above you and Steve, a dramatic backdrop to a kiss so similar to a first kiss.
Robin whooped first. You and Steve smiled into each other, but neither pulled away, and Max realized you had been aware of your audience the entire time; but keeping it a secret hadn't been worth skipping out on a spectacular rain-soaked kiss.
Mixed in with the cheering was Dustin's incredulous cries of "What?! Max, did you know?!" that she pointedly ignored.
Steve swayed you while the kiss continued, embarrassingly long but adorably sweet. When it finally broke, Steve pressed his forehead against yours.
"I love you," he said, loud enough to be heard over the storm. (Robin shrieked.)
"I love you, too," you giggled. (Robin shrieked louder.)
Steve pushed your wet hair behind your ear and kissed your forehead, then shoved his hand through his own hair to get it out of his face.
"Not what you were expecting, huh, Henderson?" he said with a cheeky grin.
Dustin looked flabbergasted. "How did you know I was— MAX!"
You and Steve burst into a fit of giggles. You snuggled into his chest.
"How is that comfortable? I'm soaked!" Steve asked you.
"Yeah, but it's you," you said. A soft, sweet smile pulled at his lips, barely distracting you from his quiet moan of relief. He squeezed you tight.
"You're going to need to borrow more of my clothes," he said.
You grinned up at him. "I'll happily live in your clothes, Stevie."
A few feet away, Mike sneezed violently.
"Alright, back inside," Steve decided. "That's enough rain for today. I don't need you all getting sick and still needing me to drive you everywhere."
Dustin rolled his eyes. "Are you actually gonna drive us again?"
"If you give my girl the front seat and behave when she's in the car with us," Steve said. "Inside, come on. Go, shoo."
He wrapped an arm around your shoulders, watching the others flee to the safety of his house, then following them in with you. You kissed his cheek as you walked. Max hung back with Lucas, wanting to know what you said about the sudden rain kiss.
"You are perfect, Steve Harrington," you whispered. His cheeks darkened.
"Says you," he said, nuzzling his nose into your hair. "Hey, um... You wanna stay the night?"
"Gotta take Max home," you said. "But...I can come back?"
"I...I'd like that," Steve said. Max wondered if he'd ever been this shy with a girl before.
"Me too," you whispered. Steve squeezed your hip.
Dustin rolled his eyes from the doorway. "Get a room," he groaned.
"Oh, shut up," Max teased. "You're just annoyed you couldn't figure it out!"
Dustin scowled. "You knew! You knew and you were hiding it from me!"
Max shrugged, fighting a giggle.
Steve passed out towels with a warning not to let them get close to an open flame. Halfway through his warning, the power flickered back on—and so did the movie.
The group cheered, but Max watched you and Steve sneak upstairs and come down a few minutes later in dry clothes, hand in hand. She smiled before shaking her head and turning back to the ending of the movie.
And if—no, when—Steve asked her for advice on how to propose to you, Max was going to tell him to do it in the rain.
☞ ❊ ☜
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Stranger Things // Steve Harrington
Taglist: {comment and let me know if you'd like to be added to the S.H. taglist!} @ohatropa@nix-rose@live-the-fangirl-life
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attyattlaw · 4 months
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cross posting yesterday's rambling thread for posterity and because tumblr lets me edit things. anyway this is a sorta long thing and i might add things i forgot to mention in the twt thread
i tend to draw on-model canon because im a coward + just personal preferences. but the way i convert the canon designs into my artstyle is that i take the distinct features oda gives them and then combine it with personal headcanons to complete what should look like a unique human. Starting with Trafalgar Law, who is unfortunately a bland-ass conventionally pretty boy
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someone commented a while ago the law hat drawing tutorial i made a while ago didn't make much sense and i realize its bc of the specific way i draw law's face: heart shaped (ba-dum-tss). That meaning, a narrow chin widening into a mild defined jaw, wide cheekbones, and up to his know-it-all brain dome.
given that, the pudgy guitar pick shape of his head i mentioned here should make a lot more sense.
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i don't think this design point is unique to me, as most conventional pretty anime boy gets given jaws like this. a lot of law artists tend to veer into this head shape. just how life be sometimes. other points: flat, thick eyebrows is bc im a hairy gal and i need to feel better about myself.
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Killer gets to be more interesting, because he shouldn't be considered conventionally attractive. my idea behind killer's is that those individual features is smth he would be insecure with enough to hide himself in a helmet but i draw him with all the love in the world actually. i'd like to think its how kid sees him or yknow, law, bc he's my kin assigned blorbo and maybe you ship lawkill as a guilty pleasure too i mentioned before (and ruined people's days) when i said whenever i draw killer he looks like griffith before i put on his goatee. the upper half of his face is distinctly feminine, with the lower half kinda over compensating. other than that uhh...idk. stan killer
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Kidd is the bane of my existence, i feel like i can never draw his face consistently. yet at the same time he's so damn fun to draw everyone gotta try it.
my problem with kidd is that this mf does have eyelids. most kidd painters out there interpret this as him having deep set eyes (think Matt Smith or jeffrey star) . and yeh skill issue on me i should practice that. other notes, i try to make him younger than canon makes him look. he is my babygirl and he deserves to look cuddly. my band au kidd version has the honor of being allowed some chubs. he's just tries to look older and more menacing with edgy makeup. also i try to give him dimples when i can because, well i can.
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Rosinante last bc i lost steam after kidd. the thing abt cora is that aside from not having eyebrows, everything is structured with the generic one piece man template. which means i gotta do everything myself doffy is there bc the way to figure out how to draw these two is to give them minor differences from each other, that being doffy gets slightly sharper features. in canon, these two are also rly wide boys (more of an oda style feat tbh) but i make them long. though bigger brained donquixote artists know that of these two brothers, doffy should be the wiry-er built. anyway that's it. in conclusion, i need to draw more girls actually i feel like im becoming misogynistic by osmosis from oda's style and now i draw girls all looking the same too.
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comicaurora · 5 months
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Congratulations on finishing Arc 1! I've been following this comic since pretty much the beginning (I remember when everyone thought Alinua was a cat girl because of how her ears looked under her hood). This comic has come a long way since then, and it's been a pleasure and inspiration to watch your journey!
So with Arc 1 done, how do you feel? Any thoughts about the early days of the comic, or some lessons you've learned? What are you most looking forward to in Arc 2?
(Side note- thank you for Erin. My brain chews on him regularly and I gave a presentation on him in speech class. He brings me immense joy)
Whoof! I feel like it's slowly sinking in, tbh. I'm pretty bad at appreciating my own accomplishments - I have a tendency to Fire And Forget to avoid getting bogged down by "oh I'd have done this better now" or "eek I don't like how I did that" or "oh no this aged badly" or "what if I just redid it but Better this time" - but I've gotten better at accepting all those things as Not The End Of The World and they do not make me a Bad Artist or Bad Person, and as a result, I'm able to look back and just be happy about this one. It's an odd feeling.
At some point in the last several chapters I decided the ending of Arc 1 needed to feel like a conclusion. Not a full series finale, but a season finale. Character arcs needed to hit points of resolution; setup needed to pay off; cool moves needed to get some airtime. It's not in my nature to end stories, but as I worked on this arc I got comfy with the idea that an ending wasn't mechanically locking in the last part of a story and saying Nothing Past This Point, it was resolving the major elements of the story that cried out for completeness. Stories can have many endings before they're actually done, and in order for Arc 1 to feel like a complete thing, I knew it needed to bring those dangling plot threads home.
The fun thing about resolving chunks of the plot is those resolutions open the door for entirely new problems, and I'm excited to play with those! Part of why I wanted to make sure I had the rest of the year off was so I could take my time and just sit in the new status quo, because freeform creative idea-spinning is my favorite part of the writing process, and it's a rare treat for me to have such a wide-open swath of possibility ahead of me.
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lo-fi-charming · 3 months
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so i've been keeping up with TMP as it's airing, which has been fun, it's actually really nice to experience this kind of story weekly since i came into TMA late and listened up to the s4 finale in like, a month or two. i've been enjoying the new characters and statements, and while i was worried i'd have trouble actively listening (my attention span/executive functioning can be really variable when it comes to podcasts), it's been surprisingly easy for me to actually listen to each new ep the day it drops publicly
all this to say im enjoying the show! but i've found myself feeling increasingly frustrated with a couple things i keep seeing when it comes to discussions of it
to me, it seems... there's been a pervasive reluctance to take TMP as what it is. and i do understand that. it'd be stupid to pretend TMP doesn't exist exclusively because of TMA and that show's success, that it's a successor that was pitched as being similar. it's a story being written by the same people (plus guests), in the same universe (roughly), going for about the same tone and maybe themes.
i just feel like it's a bit of a shame, though, that so many folks seem unwilling not to carry TMA with them when they're engaging with TMP
i don't know where or when it was said, but i swear there was a comment made by jonny and/or alex about how TMP will have some commonality with TMA in terms of world-building, but also, people who listened to TMA first may find themselves theorizing in the wrong direction because we're judging things based off what is no longer concrete, reliable information; things are going to work differently in the world of TMP, and since we have preconceived notions on what is relevant or how things work, that's going to influence how we engage with information presented in TMP if we let it. and that's not even considering the fact that they've been explicit in conveying the idea that TMP was written so you can experience it fully without having listened to any of TMA at all!
i'm very much someone who tries to engage with media on its own terms, largely taking things at face value until i'm given reason to suspect otherwise. that's something i'm trying my best to still do with TMP, even though obviously, i've also listened to TMA and am basing some of my thoughts and personal theories on what we know from that
but that's what i mean to say i guess, it's something you have to actively choose to do. and it feels like, just based on what i've been seeing in fandom spaces, that a lot of people are having a bit of an odd time with TMP because of a reluctance to do that?
i think the easiest way to explain what i mean is to point to a general acceptance, already on the level of fanon it seems, to interpret the computer voices as Our Jon and Martin (+ Jonah/Elias, maybe). now obviously we have the actual real world reason why their voices are present in TMP, because of course jonny and alex were going to come back as voices in the show in some way. and i 100% agree it's a perfectly logical conclusion to then interpret their inclusion as being related to Jon and Martin somehow. i'm personally very into the theory that it is in no way them - not in any way that matters - but specifically their voices that have been stolen (by the Web?) as a means to help spread fears in other realities. but that's really not how i've been seeing people play with the concept? it seems largely 1:1. and again, i totally understand where people are coming from with that - especially when you consider how it can be a super fun concept for horror and angst, or even just the fact that folks want an excuse to carry their favorite characters into this new show and still play around with them. i promise i don't mean to bring this up as a means of making anyone feel bad or like, chastised for interpreting things a certain way and playing in the space!
it's the biggest example of what i mean though, and was a huge point of frustration for me when we were first being presented with TMP. it's not just that i don't want the voices to be Jon and Martin proper (i am very into their Ambiguous End, i believe it's best to leave that as a space for fans to play in); in all honesty, i think it's kind of a shame and maybe even a bit boring (im sorry!) to be engaging with TMP this way
and it's not just stuff like that - i've been seeing a fair amount of people expressing frustration and feeling disappointed with how TMP is hitting, but i mean, i feel like that's inevitable when you're going into it expecting More TMA? i saw at least one person basically say "ive been waiting for it to make me feel the way TMA made me feel, and it hasn't yet", and i really just feel like that's setting yourself up to be dissatisfied! beyond the fact that we're only 5 episodes in and the story has barely gotten a chance to happen yet, a huge element of this new show is that it's being approached as a largely collaborative effort, it seems, with lots of guests coming in to help shape the story and more writing and plotting influence that isn't jonny
obviously it's fine to not be super into that! undoubtedly it's a question of taste. but you do have to acknowledge that that's the case and adjust your expectations accordingly, or else you're not going to have a great time
i really like TMA, i had a great time with it, but even if TMP is a sequel to its parent podcast, it's not the same thing - and personally, i don't want it to be! i do hope that's a sentiment that is able to be more widely felt by some fans as we gain more distance from TMA while TMP is airing. i just think more people would be able to enjoy it that way, and come up with more interesting theories and interpretations of things! but those are really just my own personal thoughts
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Not gonna lie, with the Spot’s upcoming time mucking shenanigans as suggested by the flashes of the future in Miles’ vision, I would not be surprised if the dimensional collapsing theorized by Miguel to come from averting too many “Canon Events” will turn out to be a side effect of something the Spot will either do himself or set up to screw with Miles.
Particularly, with how much his origin monologue to Miles and Jeff centered around the idea that he made Spider-Man and vice versa, note how incredibly well that mentality would dovetail with Miguel and the Spider Society’s belief that the “Canon Events” are what made them Spider-Man.
@kindaorangey has a good post pointing out how the Spot’s mindset of “filling the hole with more holes” is a pretty apt metaphor for the way Miles, Gwen, and likely the other spider people diving into the identity of Spider-Man as a crutch for dealing with the isolation caused by said identity, but suffice to say, OP and @sir-adamus had these tags which I'd like to use as a jumping pad:
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For this, we can analyze Miguel and Spot as two sides of the same coin, where Miguel’s side is about allowing canon events to play out through inaction, and Spot's side could potentially lead up to (as a side effect of his grudge against Miles) actively ensuring that only those canon events happen, with any deviations that don't fit into their views being cast aside.
The former position projects personal traumas as absolutely necessary and destined to happen onto others, the latter position rejects any possibility that things could go differently in a quite literal manner. But in the end, both ultimately are about "filling in the hole with more holes" and dictating what Miles "should" be like.
Miguel doesn’t think Miles is a real Spider-Man and that him becoming Spider-Man was a mistake that never should have happened, all from his obsessive mentality surrounding Canon Events. He and by extension the other Spider-Men stuck in their hole of guilt and fatalism, surrounding themselves with other Spider-Men stuck in their holes of trauma and grief to where they have formed an echo chamber that tells them Miles cannot save his father's life and that they cannot do anything to save people anymore.
And in the Spot's case, the metaphor already came from him, but it's all about obsessively centering his new, lonely existence around being not just A, but THE nemesis to Miles' Spider-Man. He lost everything and has nothing except his connection to Spider-Man. To fill that hole, he's not only only making himself a villain that Miles will actually respect. He's going to try his damnedest to make sure that Miles reaches his full potential as Spider-Man just like he talked about in Mumbattan, and fill the hole with more holes in Miles' life until Miles is devoid of everything except the Spot.
Given the flashes of future events in Miles’ vision, if and when the Spot inevitably hears about Miguel's theory of Canon Events, it would only be fitting if the Spot retroactively becomes responsible for all the previous dimensional destruction the Spider-Society dealt with. And thus, Miguel's theory obsession would be its own recursive creator.
A vicious cycle of telling themselves that things have to happen a certain way, of blaming uncontrollable circumstances on something they think they can and should control, and of refusing to let go of the spiral they've fallen into.
After all, Miles already had an Uncle Ben-type event and the Spot is trying to set up a Captain Stacy-type event. Since the logical conclusion to the themes of Miles choosing what kind of Spider-Man he wants to be and not allowing preventable tragedies to happen would be that Jeff lives, well…
It would only be narratively fitting for the Spot to try to set up a Gwen Stacy event later down the line.
Because if Miles being bit and the Spot getting caught up in the collider wasn't destiny, if the intersection of their lives was simply due to circumstances they had no control over, if the dimensional collapses weren't because preventing Canon Events is inherently destabilizing to reality in of itself, then Miguel and the Spot would have to look inwards and actually try to figure out how to fill the holes in their lives.
So Miguel tells himself that what he does has to be done, that only he is strong enough to do it, and that everyone should follow his lead and stop caring.
As for the Spot?
If he fails to kill Jeff and Gwen, and when it's proven to everyone else that Canon Events are not required lynchpins of reality like Gwen found, he might just decide to try to make them actual lynchpins across time and space.
Or at least, making it so that the only realities that can exist are ones where those events happen.
Aka trying to forcibly changing the multiverse so suffering huge tragedy becomes an inherently integral part of Spider-Man the concept, rather than a mere possibility. So many Spider-Men and their dimensions getting hurt in the crossfire, and all in the process of targeting Miles Morales specifically.
Truly, it would be quite resonant if and when the Spider-Society let and help Miles get to save his Captain and Gwen Stacy. Beating the Spot would no longer be about the concept of stopping a threat to the multiverse and their canon events, but about metaphorically ending the cycle of suffering and finding a way to move forwards beyond the guilt. They probably can’t actually change the past, but with this, they can fight to prevent it from happening to others.
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hisui-dreamer · 5 months
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Omg, rinna requests are open ^0^ (and don't worry, you can take as much time as you want) I'd like to request leona with a reader who plays a lot of sports and sucks at all of them 😀 (me. i mean me lmao) Have a great day 💕💕💕💕 AND I SAW YOUR ISEKAI JADE FIC I REFUSE TO SIMP FOR SLIMY EELS. WHY.
the chasing game
Pairing: Leona Kingscholar x gn!reader
Synopsis: Leona's ego is a bit too strong, and oh dear, he thinks you have crush on him
Tags: fluff, misunderstandings (but they're cute), slight pining, leona is a tsundere
Word count: 707
Notes: my best friend and i had a lot of fun with this idea hehe, i hope you'll like it too hehe
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Leona thinks you have some ulterior motive at first
why are you trying so hard at spelldrive??? you're not doing that well honestly
he finds no reason whatsoever you'd be so energetic when you're even performing that well
so he starts thinking... maybe you have an ulterior motive??
and somehow, probably because of his big ego he comes to the conclusion that you have a crush on him!!
after all, he is the captain of the spelldrive club
how else would you be able to get his attention?
in his mind, you're just a small little herbivore who's trying to get in his good graces
the smug lion is pretty amused by all this, and he can't say he minds having you around
you being that enthusiastic about playing sports, and the determination to get better no matter how many times you fail, is pretty impressive to him
though he sometimes cringes internally with how bad you're doing
by the time he can't take it, he'll saunter over to you and give you some advice
he'll sound like a jerk doing it, but if you read between the lines, he's giving you good advice
it's probably because he's been studying you for so long
so you listen to his advice, and oh? that shot went pretty well!!
you're jumping around all excited! finally there's some improvement!! maybe there are some sports cells in you after all
you get a bit too excited in thanking him and you throw your arms around him in the heat of the moment
he almost instantly pushes you away, obviously, saying you're sweaty and mumble grumbling
but there's no denying the way his tail is swishing around and the slightest hint of pink on his cheeks it's the sunset he says
from that point on, he'll occasionally join you as you practice, giving you advice and commenting on what you're doing wrong every time he feels like it
it also gives him a pretty good excuse to not actually participate in the sport
then again, he can't say he dislikes playing when you're in the audience
it usually ends up with you gushing over how impressive he was in the game, asking him if you could teach him how to do what he did, and in general just praise all throughout
this all but feeds into his pride, and he has the widest smirk on his face
he gets into an awful mood when you stop showing up for a while though
he becomes even more irritable, and there's more of a murderous aura about him when he's playing against the other guys
it doesn't take long for him to start asking around about where you've gone
epel is more than happy to solve this mystery for him so he'll stop beating people around
though he's pretty amazed by Leona actually putting effort into the games
and excuse me??? you're hanging around in the basketball club now??
little does he know, but you've merely shifted interest from spelldrive to basketball
but in his delusional misunderstood mind, this means you don't have a crush on him anymore
hah. that ended soon enough. he doesn't care at all.
... okay maybe he does actually care a bit
"Oi. Herbivore," Leona calls out to you in the hallway. You turn around and you're faced with his disgruntled expression. "Are ya not comin' to Spelldrive anymore?"
You blink at his question. "Oh! I think so? I got interested in basketball lately haha," you chuckle as you remember the little rivalry Ace started. "You don't mind, do you?"
"Hah. Why'd I mind?" he huffs, but there's something about his voice that makes you feel like he does mind.
"Leona," you close the distance between the two of you. "Would it be okay if I join you for lunch?" His eyes visibly widen at your request.
"I just really like the atmosphere in the garden, but I don't want to interrupt you."
He seems to contemplate it for a moment, emerald eyes shut and eyebrows furrowed. But when he opens his eyes again, there's a certain softness to them.
"Hmph. Do whatever you want." he says, turning around to leave, his tag swishing back and forth once again.
Masterlist
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if you liked this post, don't forget to reblog!
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