EVERY SINGLE DAY there are MILLIONS of characters in their late 20s who get falsely accused of being father figures to teenagers when in reality the description of "weird older cousin" or "step-sibling that moved out before you were born" is 1000000x more apt
[ID: A colourless, digital Trigun comic of Vash and Wolfwood talking about Wolfwood's scars. They're both laying in bed and topless. Vash lays on top of Wolfwood, playing with the rosary around his neck. Then, Vash kisses a spot on Wolfwood's chest. Wolfwood asks, "What are you doing?" Vash smiles sadly, "You got shot here. In the last town we visited. You didn't even bother moving."
Vash props himself up over Wolfwood, who frowns slightly. Wolfwood is quiet for a moment before he says, "You remember that, huh?" Vash grabs Wolfwood's left wrist and brings it to his face. "And here." He kisses another spot there. "When you helped free the hostages from that robber..." Wolfwood dismissively says, looking away, "Was a lucky shot." Vash huffs, “Don’t brag. Jeez.”
Half of Wolfwood's expression is shown, eyes returning to Vash who is now sitting up, continuing to say, "And..." Vash goes on and kiss Wolfwood's right palm. "You got cut here, even though that girl was aiming at me." A moment from the past flashes, of Wolfwood grabbing a knife aimed at Vash, his hand bleeding.
At present, Vash moves down and puts another kiss on Wolfwood's right shoulder. "And here, from watching my back." Another memory flashes of Wolfwood and Vash back to back. Vash looks back as Wolfwood grins while holding Punisher, bleeding from multiple gunshots in his shoulder.
"And," Vash combs up Wolfwood's hair to reveal his forehead, "Here." A final memory shows Wolfwood with a regeneration vial in his mouth while getting shot on his temple. The next panel is framed in blood with Vash at the center, eyes wide and stunned in horror. The next panel is a closed up shot of Wolfwood's eye, locked on Vash's face.
Back to present, Vash’s head is bowed down as Wolfwood raises a hand to his nape and says, “Spikey.”
Wolfwood looks serious and frowns as he says, "We talked about this. Those were my decisions. They're not there anymore. Forget about them." Vash looks very sad before he smiles ruefully and says, "I still see them. All the time." He leans down so they touch foreheads. Wolfwood’s sorrowful expression can be seen as Vash says, "You protect so much. I could never forget what you've done to me. And many others..."
In the last image, they're drawn more cartoonishly. Wolfwood sweats and asks, "You don't actually remember every wound, right?" Vash points at a spot on his chest. "Kuroneko left a scratch here 7 times." Wolfwood, startled, says, "Why the hell are you keeping count—" End ID]
[A sad violin song plays over an image of a sad hamster]
Pac: This doesn't have anything to do with me – I wear a blue sweatshirt, you're crazy, this mouse doesn't even have a sweatshirt, this hamster! [Reading chat] Am I a depressed hamster?
[ Transcript continued ↓ ]*
–
Pac: Actually– that's fine! I embrace that idea – of course I'm going to be depressed, are you crazy? [He hits his desk, then starts counting off people on his fingers] Fit is gone, Richarlyson is gone, Ramon is gone, Bagi and Empanada who were always there when we were there are also gone, I haven't seen them! It's just me and Tubbo, and sometimes Philza shows up.
Pac: I lost Chume Labs, I lost the Favela, I lost Murder Mystery, I lost Ilha Chume Labs, it's crazy! Look at how much I've lost, and I've gained nothing! Of course I'm going to be depressed, are you crazy?! How am I supposed to be happy?!
Pac: [Reading chat] "You have us Pac," that's true, thank you. No, that's true, sorry.
* NOTE: Please note that this is an incomplete transcript, as I was primarily relying on Aypierre's translation mod at the time and if I am not confident of the translation, I do not include it. As always, please feel free to add on translations or message me corrections.
there's a post floating around on here somewhere about a ceramics class where half the students were instructed to make as many pots as possible no matter the quality, and the other half were instructed to make only one high-quality pot. by the end of the class, the students who had made lots of pots were making better pots than the ones who were supposed to make one perfect pot, and the lesson there was that you get better at things by making more things and letting yourself be bad at it, rather than trying to make one perfect thing.
you have to make shitty things because you have to make things, because making things at all is more important than making good things, because making shitty things is how you make better things.
a friend made the joke that "maybe not THAT shitty though, like that's not even a shitty pot anymore that's just a plate," and while i kind of agree (that's a whole different post), i also immediately went another layer deep with the metaphor: even if it's not a pot, a plate will still teach you things. a plate has its own purpose, independent of a pot - it's job isn't to be a pot, it's not going to teach you the same things that a pot would, but it has a purpose too. just because it's not what you wanted to make or meant to make doesn't mean it's not useful! nothing made is ever wasted.
^ 1: Ink-the-artist, I will remove my teeth / 2: Margaret Atwood / 3: C.S. Lewis, The Horse and His Boy / 4: Mitski, I’m your man / 5: Ojibwa, I love you like a rotten dog / 6: KotOR II / 7: Stardrop, Everything that’s ever been mine is covered in teeth marks / 8: Sodikken, People Eater / 9: Mitski, I’m your man / 10: maxime., The life and death of a dog / 11: Mitski, I bet on losing dogs / 12: maxime., The life and death of a dog / 13: hun, I did not bite with Malice / 14: C. Michael Davis, Don't Pet the Dragon / 15: Mitski, I’m your man
v 1: Early versions of the myth as in aeschylus orestes / 2: Ink-the-artist, I will not remove my teeth
Thomas family dinners, everything from lazy meals on TV trays when everyone is too tired to cook to extended family meals for holidays, memories stocked to the brim with laughter filled kitchens and food made with love, dinners of hope and recovery and mourning and joy
duke who feels awkward and alone even surrounded by other bats because where is the warmth and love? duke who still now feels like an outsider because he is reminded that this is not his family, that his family may never come back
Thomas family dinners in the recovery process, the tentative poking around each other's new found traumas turning into a new familiarity, a new kind of living, a living that has his fellow ex robins and his parents and some of his fellow bats all milling around cups of kool aid in hand as his dad regals a gaggle of teens with his stories
people so often interpret sazed as taako’s ex, which like, to each their own obviously, nothing wrong with that, but i think its so so much more interesting to interpret him as taako’s apprentice instead. and like all we have to go on is that he really looked up to taako who sort of taught him how to cook. “thought taako hung the moon and stars” or something like that iirc. which brings so much more depth to taako’s relationship with angus if sazed was to taako then what angus is to taako now, someone who idolized him and saw him as a mentor.
it puts some of the conversations taako’s had with angus into really interesting context. like the fact that the first person taako’s (ever?) told about what happened at glamour springs (which he didnt know at the time, but was sazed’s fault) is angus. does he tell angus because he doesn’t want him to be betrayed (like he assumes sazed was, since he ran away)? or because he doesn’t want angus learning from someone so clearly unfit to be a mentor (both since he was unfit to be sazed’s, because he was dismissive to him, and because he believes himself to be a murderer)? he teaches angus magic and cooking. when he implies that angus might become as or more skilled than him he jokes about striking him down. which is exactly what he did to sazed when he wanted equal share.
but taako redeems himself with angus. he mistreats angus in the beginning, bullying him and dismissing him and generally being a dick, but as angus becomes taako’s apprentice, he’s more open and a little nicer. still “open” and “nice” in his own way, but definitely more than he was before. learning from his mistake, letting angus in and being encouraging and honest in the way he wasn’t with sazed.
idk. i think it’s so interesting and so rarely explored
i think the reason izzy can be so blasé about his relationship with ed is not because hes taken to blaming a shark instead, but because hes actually already done a lot of the processing in the previous episode.
hes mourned his leg, hes had his drunk crying rants. hes gone through the five stages of grief. and then? the crew reaches out to him, offers him their support. they make him a new leg, they nominate him their new figurehead. when he stands there on the prow of the ship, leg on, letter in hand, thats his acceptance, thats his moving on.
It is immensely fucked up that Vash just talked with Wolfwood about needing to leave the girls to protect them, that leaving people has always been the only way that Vash has known how to protect anyone
And then Meryl and Milly, who have chosen to follow how despite everything, in a way that has clearly affected and moved Vash deeply, are targeted and hurt specifically because he'd left and hadn't been there to stop it. Because the girls kept choosing to love and be a friend of Vash the Stampede.
I doubt Vash has ever had to deal with caring and being cared for like this in a very long time--and the pain that inevitably comes with that, being the Humanoid Typhoon
ive never liked powerless saiki aus because the entire conclusion of the series is him accepting his powers as being a part of him that he cant change so like.. in aus where the power remover works, half of his development is erased..
if he had been "powerless" for longer, we wouldve gotten to see him realize this himself and im genuinely sad that we didnt.. we got to see him realize that being powerless wasnt the change he wished it would be and that its something he cant change, but its literally over a two day long period and we miss out on sooo much potential development..
and then in aus where hes born powerless, people think he would have the exact personality and development that he THOUGHT he would if he got rid of/didnt have his powers, like NO ? "without powers he would be another satou-" NO he would be a shy, borderline flamboyant, weird, awkward, genius LOSER.
he would have a more normal relationship with his brother (still probably competitive but in a way more average sibling way and kusuke wouldnt have had the motivation to become so murderous) and he would probably be even more friendless but with less trauma.. he may or may not have ever befriended akechi at all, and the classroom incident wouldnt have happened.. even some of his current friends might not be around if not for coincidences due to his powers or direct involvement from his powers.. (nendo and kaido would for sure still be there though, but this only ensures the idea that he would be the biggest fcking loser ever)
he would still be saiki, but. his powers are a key part of him. he would be totally different without them, but NOT in the way he thinks he would..