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#i'm not surprised anymore
hetchofficial · 8 months
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Accounts? As in plural?? How many do you need to have???
Look when you're The Guy Who Made Minecraft you gotta have multiple social medias. Any time a new social media becomes popular I hop on and reserve mine. Verifying them also is only natural so some dick can't come and claim you're fake too.
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auxiliarydetective · 1 year
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I posted 8,240 times in 2022
That's 6,732 more posts than 2021!
689 posts created (8%)
7,551 posts reblogged (92%)
Blogs I reblogged the most:
@badassbiburgerbob
@daughterofhecata
@darth-rhiannon
@mondfahrt
@literary-squagon
I tagged 3,552 of my posts in 2022
#hogan's heroes - 656 posts
#peter newkirk - 360 posts
#incorrect quotes - 317 posts
#the a team - 294 posts
#the orville - 264 posts
#die drei fragezeichen - 228 posts
#die drei ??? - 221 posts
#star trek - 193 posts
#quotes - 192 posts
#louis lebeau - 186 posts
Longest Tag: 139 characters
#aka vickey gets upset and says something that you can't really translate that well so newkirk translates her posh saying into cockney slang
My Top Posts in 2022:
#5
@florida-irl Clara/Balloracore! Definitely shows more of the Ballora side, but a possessed Ballora, so...
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48 notes - Posted January 27, 2022
#4
I made another animation. Or I extended this one. Psst... It has sound... Not really well-timed sound, but it has sound!
I now declare the Jelena purple vs yellow debate settled once and for all: Our queen gets both!
58 notes - Posted February 6, 2022
#3
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Tada! Finally!!! Please click on the image for better quality.
This is my fanart for @sketchinarkomana's Toxic Boy AU! Sanji meeting Inari!
This took me so long, you have no clue... I can't figure out anatomy, not any day, so I have to rely on bases. I had to think a few days on how to get this done because I couldn't find just one base that would work. Finally, I settled for a little comic and edited three bases to fit it.
The little story behind this is: We're sometime after WCI timeline-wise. Inari is just relaxing, waiting for her crewmates and... Well, this isn't the Sanji she expected. Sanji meanwhile halfway panics because he mistakes Inari for her twin sister Pudding. A little bonding time over their similar childhoods later and they're besties now.
Now, for the colors. I originally planned for this to be directly after the timeskip, which is why Inari's hair is pink - she's bound to Big Mom. But this would also be the case after WCI. I've always loved those three-eyed sunglasses and this base just screamed for me to finally draw one! You might think Inari's outfit is familiar - that's because it's heavily inspired by Pudding's outfit during her first appearance in the Fishman Island Arc. As for Sanji's outfit, I realized there was sort of an old version (dress shirt, keychain, high-waisted pants) and a new version (t-shirt, no chain, low-waisted pants), so... I fused them! I was too in love with the chain not to
For Sanji, I had a bit of creative freedom because all the references I had were in black and white. I asked about what color scheme to use and went from there. His outfit colors were set but I took liberties with the rest. I intentionally used different color palettes for Regular!Sanji and Toxic!Sanji, with Regular!Sanji looking more like a normal human and being more tanned and Toxic!Sanji being paler. That just felt right. Yellow is a warning color so, even though I usually don't like it when people make his hair lemon-colored, I made it a bit more vibrant. The jump to the purple eyeshadow came pretty quickly then because yellow and purple have a great contrast.
Finally, there was lots of dead space in the bottom panel, so I filled it up with the names of Inari and Sanji's devil fruits and their names. This is my third color scheme for the Kami Kami no Mi, oops... Again, there were no colors for the Duku Duku no Mi, but I always associate poison with purple and then I went for purple and yellow again.
Bases by Louane-Knight and Asta9 on DeviantArt
66 notes - Posted April 20, 2022
#2
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Has anyone done this before?
192 notes - Posted May 17, 2022
My #1 post of 2022
Dear Hogan’s Heroes fandom, there is a scene in "Is There a Traitor In The House" where Klink says "Schultz, turn on the speaker." It has MAJOR vibes of "Pull the lever, Kronk!" Please, I beg you, tell me I'm not the only one who hears that and someone make this a thing. I do not have the skill
192 notes - Posted February 21, 2022
Get your Tumblr 2022 Year in Review →
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gotchibam · 4 months
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Commissioned piece for Gabriel!
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It’s genuinely annoying how many people want Jews to think about Palestinians during our Saders.
Well, my family, and I will not.
It’s terribly sad what’s happening in Gaza, but don’t expect Jews on a holiday where we celebrate our liberation and remember our suffering to turn it into another group’s tragedy.
No, that’s not how it works.
Sorry, not sorry.
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chirpsythismorning · 3 months
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Can we talk about how Jonathan might've been able to clock Mike simply because of what happened with him and Nancy in season two?
This will be a long post, so you might want to strap in or save it for later.
In Will and Mike's case, it would obviously be much different from Jonathan and Nancy's situation, given that you know, they're gay. But we still have Jonathan arguably going through a similar experience as Will, while Mike is going through a similar experience as Nancy.
In s2, we see Nancy confront Jonathan about how she waited for him before getting back with Steve, which is a revelation to him. Then they're at Murray's and she's struggling to say she loves Steve, after a handful of moments between them that felt like she might return Jonathan’s feelings. And you can clearly see it in his eyes, listening to Murray imply that they have feelings for each other, with him looking back and forth sort of in awe of what's happening, like he's starting to question if she might actually like him back.
Will doesn't have that same affordance as Jonathan to really hope, at least not anymore. Which is why these relationships in s2 and s4 end differently for these two brothers.
Based on all the signs he was seeing that Nancy felt the same, Jonathan decided to take the plunge to admit to Nancy how he felt, and at that same moment Nancy had the courage to show how she felt. In Will and Mike's case, Will wasn't ready to take the plunge to admit to Mike how he felt, at the same moment Mike didn't have the courage to show how he felt.
What's so painfully hilarious to me about all of this though, is that Jonathan arguably starts the season in the same shoes as most of the audience, where from his perspective, it's becoming obvious to him now that Will like's Mike, but that Mike does not feel the same way.
First at Rink-O-Mania, Mike appears a little uncomfortable upon hugging Will. Then as the happy couple continues on their adventure into Rink-O-Mania, he watches Will lagging behind moping. And then unfortunately he's out of commission for the rest of the evening...
But once he's sober and back to being an attentive brother the following morning, we see him watching them at breakfast, with Mike barely sparing Will a glance, all while Will is blatantly staring, almost like he's waiting for Mike to look back, only for Mike to get up and walk away.
All of these instances gotta be SCREAMING unrequited gay love to Jonathan. He's already gotten signs for years that Will is gay, these are now just the signs that are instilling his suspicions that Will has feelings for Mike. He could have easily interpreted their relationship in the early seasons as young best friends, with Will seeming to have a crush on Mike, and with them growing up and that potentially including Will's straight friend distancing himself from him because he doesn't feel the same. It's not the most unexpected thing in the world considering.
But then there's a shift.
Suddenly he's creeping up on them talking in his room. And we know he was listening in on the conversation because he brings up Owens when he sits down. As he's eavesdropping, he's probably thinking something innocent like Aww they're making up! And like, hey! Even if Mike doesn't feel the same, which is okay and entirely expected honestly, at least he still cares about Will enough to make things right after acting so out of character. Still, I'm not gonna lie, that sounded a lot like flirting to me--
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Then he's knocking on Will's door like 30 minutes or less later only to find Mike and Will back on their bullshit. Mike suddenly isn't going out of his way to ignore or put Will on the back burner. In fact, he's on his bed and they're talking, again! The door is even closed this time, which is interesting. This has gotta be a good sign in Jon's eyes. Nothing to worry about! Right? Right...?
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But then suddenly this shift continues, going in a direction he probably didn't expect.
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I mean, this is literally an identical jancy parallel we have here with byler on the hood of the car, with Jonathan right there to witness it. Despite him maybe only now subconsciously picking up on the similarities between Will and Mike to him and Nancy here, he's at least taking note (I mean he's even got his gay map out and everything).
It isn't until the van scene happens, that I think Jonathan starts to genuinely consider his suspicions, which is that Mike might actually like Will back.
EVERY time we get a shot of Jonathan looking back at Will and Mike in the van, followed by a shot of his POV from the rearview mirror, we're faced with Mike looking at Will while Will is looking away.
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As Jonathan is hearing Will confirm his suspicions about his feelings for Mike, he's simultaneously witnessing Mike not looking at Will with disgust, but something more akin to reverence. All of those moments in the van that we witnessed, including all the ways Mike looked at Will and everything that was said, Jonathan was right there.
And what's even more insane about this scene, is that it circles back to Jonathan as a character himself.
I remember when people were talking about how odd it was that we never saw Jonathan with a camera in s4. After 3 seasons in a row of making his passion for photography a big part of his identity, that part of him was apparently absent entirely this time around... But was it really?
This is the same guy that said, "Sometimes, people don't really say what they're really thinking. But you capture the right moment, it says more."
Jonathan might not have had his camera in s4, but this was without a doubt one of those moments where he captured something more.
Something that I also think get's highly overlooked about this scene, especially when it comes to Jonathan looking back at them, being followed by a shot of Mike staring at Will, is that he could see both of their reactions the whole time, from beginning to end. Will nor the audience had the affordance of knowing because Will was facing the other way at the end, while we on the other-hand were blurred from even having the chance, despite Mike literally being in the frame. But not Jonathan. He even lets us see what he sees, a few times, but not at the very end, which would have been nice after they didn't let us see Mike's reaction seconds before this.
Let's just stop right there for a second though and circle back to what I consider to be the first time Jonathan really picked up on Will's feelings for Mike, which was at the end of s3, in a sequence that is a little too relevant to the van scene if you ask me, given that they are almost direct parallels.
While these parallels are pretty spot on visually, they are also near spot on narratively when it comes to the evolution each of these characters are experiencing.
For Will in the first scene, it's sadness that he's moving away from his friends in Hawkins and also feeling like he's losing Mike, after what looks like him and El making up, which makes him scared he'll distance himself again. For Jonathan, it's sympathy for his brother who appears to have some very deep feelings for his friend, feelings he can't quite grasp yet but soon enough will.
For Will in the second scene, it's heartbreak that he has to accept that Mike will never feel the same, knowing that supporting his relationship with El (encouraging it honestly) will likely turn out just as it did last time, with him losing Mike all over again, for the last time. For Jonathan it's sympathy for his brother who has now confirmed his suspicions that the feelings he has for Mike are more than just that of a friend.
Given that this parallel reinforces the same feelings Will and Jonathan had in s3 to now, why would this not also reinforce those same feelings that Mike had in s3 to now?
In the first scene, Mike was visibly distraught, with dialogue from Hopper in the background applying a little too perfectly with what he was feeling in that moment, which was scared. He’s apparently back together with El now, despite them doing just fine as friends for the last 3 months, as well as him and Will just having finally gone back to them being on good terms again. But now, it’s like he’s right back where he started at the beginning of s3, feeling obligated to be the perfect boyfriend to El, and as a result, having no choice in his eyes but to distance himself from Will. Mike then walks into his house looking like a zombie, almost emotionless stepping into his mother's embrace.
Now, I say almost emotionless because it looks like Mike was trying to hold back showing how he truly felt in this moment. He's not crying like he did in s1 when he lost Will that first time. Time has passed and things have changed (he doesn't want things to change). And he's trying his best to keep it together. But the in-focus close-ups make it clear that he is definitely not okay.
What's so impactful about these parallels is that it presents the inner struggle both of these characters are having, both queer and experiencing doubts, but in different ways and for different reasons.
Will is the one who covers it all up with lies, hiding the tears in his eyes, because boys don't cry.
Mike is the one who has never cried to them, just to his soul (RUN AWAY! TURN AWAY! RUN AWAY! TURN AWAY! RUN AWAY!!!).
If you actually try to get a gage on Mike's in-focus emotions in that first scene vs. his out-of-focus emotions in that second scene, well they're not that far off from each other.
We go from Mike smiling vibrantly at Will, to him now slowly turning away to look back down at the painting, with whatever the hell emotion this is...
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It's near impossible to catch because of how out-of-focus it is, but looking a lot closer, it honestly appears like Mike is feeling something akin to sadness that he's trying to mask. For a moment it even looks like he turns his head to wince emotionally, only to correct himself.
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And call me crazy, but these shots also low-key parallel each other. Mike looking down trying to keep his emotions in check and failing miserably, only to look up and meet eyes with someone whose witnessing it.
With each shot before this of Jonathan observing Mike looking at Will, with him showing all the emotions Will never got to see and everything else in between, I wonder what Jon saw this time? Probably another thing he didn't expect.
Can you just try to imagine the silence in this van, accompanied by Will's muffled sobs, and then try to imagine Mike turning to look down at the painting, only to sneak a glance, and then go right back to looking at the painting, IN SILENCE, and then try to tell me how the assumption that Mike didn’t notice Will crying makes any sense, like realistically?
Yeah me and Jonathan are confused too.
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Right now, Jonathan's probably wondering why Mike was acting a little fruity and repressed during the painting reveal. And that although he may have a penchant for being able to 'capture the right moment', Mike is sticking with his story (despite all the stalling and doubt). He is 100% straight!
And so maybe this is where Jonathan tries to accept what is being presented to him as the truth, despite the contradictions in front of him. It's likely that despite the way Mike looks at Will and acts around him, in ways he would have assumed coming from Nancy in s2 would've been evidence that she felt the same, it probably doesn't apply to Mike.
Maybe Jonathan's ready to accept that it's a lot more likely Will is experiencing unrequited love as a gay kid growing up in a small town, the most predictable experience a gay kid could go through, and in contrast Mike just feels too bad to let Will down easy.
Or who knows, maybe Mike could still be a little bit gay too...
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But it doesn't matter anyways. Mike seems to be adamant about this and so there's really nothing else Jonathan can he do besides tell his brother he'll be there for him no matter what. And so he does just that.
But then Mike just has to surprise him one last time.
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For those that don't know, the line Mike gives here in his monologue was in part pulled from Will's monologue in the van. Most don't know this because this line didn't make the final cut for the van scene, but in the official script the writers posted, what we find is an almost a direct parallel.
Which makes the reaction shots of Will and Jonathan directly after Mike says this all the more epic.
From Will's end he was probably hearing Mike say this and just thinking 'Damn. Well, that's what you get for using your feelings to inspire Mike to profess his love to El.'
But from Jonathan's end, I don't think his outside POV of these events overlapping was nearly as naive as his brothers understanding of the events. Because why the fuck would Mike need to use Will's feelings to inspire him to profess his love to El in the first place? Is this what Mike has been struggling with? Really? Why before every moment Mike takes action in this scene, is Will's hand literally pushing him into it? Why is Mike being so dramatic about saying I love you, stuttering and rambling about her being a superhero, not saying nearly as meaningful of things as what Will said in the van?
And then it hits him.
Mike is reminding him a little too much of another Wheeler right now...
Nancy Wheeler, who was afraid of what would happen if she accepted herself for who she really was, leading her to retreat back to the safety of Steve. Because Nancy liked Steve, but she didn't love Steve.
And now here is Mike Wheeler, who has went from being incredibly distant with Will after reuniting with El, something that is very unlike the Mike he knew in previous seasons, to something more himself again after they make up, with him looking at Will with adoration after hearing his words in the van, only to turn away and look heartbroken. Mike who is now struggling to simply tell El he loves her with Will right behind him literally yelling at him to do it.
And now it's like all those little moments are starting to add up to Jonathan.
Suddenly all those signs he picked up on from Will when he was younger are now blending in with moments Will shared with Mike. It was Mike who jumped in after him and his mom's speech to Will in the shed in s2, with tears in his eyes recalling the day that they met (without being asked, let alone pushed to). And it's Mike who is now looking like he's at war with himself as he attempts to give encouragement to El, just like he did with Will in s2, but this time he needs someone to push him to do it, and that person just so happens to be Will. After just finding out about Will's feelings and also while assuming El wants him to love her that way still, Mike is stuck.
I don't think it's takes a genius to consider Jonathan is capable of realizing how fucked they all are in this situation.
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As much as Mike isn't ready for a sleuth of reasons, Will isn't ready either.
This provides a huge contrast between the bylers ², because while Jonathan and Nancy went through a similar experience to Will and Mike, them being ready to accept it and act on it didn't involve nearly as many factors and risks. Will and Mike also have the added barrier that is homophobia.
Will's internalized homophobia lies in part with assuming Mike could never feel the same based on some of the words he said in their last two fights, with parts being painfully reminiscent of the things his dad and bullies used to say about him. These are also words that contradict Mike's own words and actions from the previous seasons, things that did once give Will hope. The shame and guilt that comes with falling for your best friend, who you now know will never feel the same after being foolish enough to believe it not too long ago, and who might not even want to be your friend anymore upon finding out the truth, is understandable. He can't have hope like Jonathan can. It's just not the same.
Mike's internalized homophobia lies with assuming El wants him to love her, along with their relationship being expected and socially acceptable from everyone around him. Though unfortunately for her he feels abundantly more in love in the moments he shares with Will. Despite trying to make it work with El as hard as he could, because she's amazing and all any guy could hope for in a girlfriend, he can't ignore the fact that the feelings he has for these two people are different. The shame and guilt that comes with you, a boy, falling for your best friend, who is also a boy, and who is starting to show that he feels the same, all while you can't muster up the courage to break up with your girlfriend, nor can you muster up the courage to tell her that you love her, not when she's begging you, dying or even just simply at the end of a letter, is pretty understandable too. He can't have hope like Nancy can. It's just not the same.
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Spoiler: They were not ready.
PS: I'm still not over the fact that they low-key confirmed these events elsewhere in the story...
#byler#st analysis#pocketgate#lettergate#i'm aware this is a hot (big brain) take#but i'm like 76% sure mike understood will in the van scene#also why mike is gonna finally be dealing with some personal business in s5...#just want to add that this makes the scene at Nina hit harder#also#mike trying and failing to tell el he loves her or break up with her at surfer boy and stalling because he just can't fucking do either?#mike's face when will pushes him to profess his love to el right in front of him???#honestly i dont think mike would've gone through with his monologue if he didn't think this is what el wanted in large part#i think he thought that if he did break up with her she wouldn't need him at all anymore#or more specifically if told her the truth she might hate him for it and just not want to be in his life in the aftermath of that#this is why he struggled so much with being honest#it was either lie and suffer but get to keep her in his life most likely or tell her the truth and potentially lose her and still suffer#it's just that now he has literally no choice but to conform and be with her all while knowing it's not what his heart truly wants#the heart not being true to himself jumpstarted the apocalypse#everyone act surprised#byler getting jonathan’d in s5 can be something so personal#no but imagine jon getting even more signals mike feels the same 😭#and he tries to talk to will about it but will just gets upset like pls stop why are you saying this?#or imagine him talking about it subtly with Nancy and her being like no way#only to see it for herself#maybe then Nancy would try to talk to Mike about how he’s feeling#idk I could genuinely see byler just getting byler’d individually#but it’s clear at this point Jonathan is extremely suspicious#honestly all I think it would take is him having intel about their previous fights#if he found out mike defended his behavior by insisting that they’re friends…#jonathan would just be like… oh shit.. the first lie…
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genericpuff · 6 months
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I had a lot of fun reading your LO critiques and reading rekindled but now I'm just disappointed that you're slowly but surely going insane because of a comic
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hauntingjasper · 5 months
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I just remembered when I was scrolling through Gary's wiki before the Fionna and Cake spin-off came out and I encountered this
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When I tell you that I almost combusted
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you know, adora being the one who always made the promises that she would stay with catra, that she would bring catra home etc. just feels wrong to me.
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adora never left catra. as much as this series shows that catra is the abandoner, it loves to tell the opposite and do some victim blaming with adora. that second scene basically tries to tell us that "adora left catra and now is trying to save her back" when the series itself shows that adora never even left catra to begin with. about the promise, it simply was made to make people believe even more about what i said previously: "adora is the abandoner" (just like the first scene).
now, what did catra promise? absolutely nothing. she never even apologized properly for being an abuser and war criminal, why would she promise anything like adora does? it would be so much more meaningful if catra made a promise that, for example, she would change after properly realizing what she did wrong and actually fulfilled that, with a proper development, but that didn't happen.
because of course adora has to apologize for everything and carry this relationship in her back. i mean, it's part of her character to apologize for everything, but what exactly did catra do for adora that wasn't at least toxic? yes, she stayed with adora for once at the end and then proceeded to lie in her own confession, victim blame adora, and insult her as an idiot (thing that adora had internalized).
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misaothewitch · 1 year
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mah-o-daryaa · 4 months
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For a show that's progressive, one-of-a-kind, ground-breaking for its time, and relies on "Show, don't Tell" a lot throughout the series, it bugs me how ATLA (or, more specifically, Bryke) preferred to tell the audience that Aang is a master airbender without showing us why. I mean, Toph, Zuko, Azula, and Katara are all shown practicing and improving their mastery in bending (although Katara has become rather overpowered), so why can't Aang have the same treatment?
Yes, Aang may be a child prodigy, and he did get airbending tattoos from inventing the air scooter, but I personally think that inventing an airbending technique (which demonstrates impressive ability and skill) is a way to gain the arrows prematurely, but isn't a requirement. Nothing in the show ever suggests just how far he's mastered his native element, let alone the other three. In the beginning of Sozin's Comet, Part 1: The Phoenix King (3:18), Aang says he thinks he still needs to practice his firebending more (which in hindsight makes sense, as he's just started relearning it from the dragons five episodes ago), and Toph notes that his earthbending could use more work too. Right off the bat, Aang is two elements away from complete mastery of all four, but later on he's seen practicing waterbending with Katara, implying he hasn't mastered it either.
We don't even see Aang practicing his airbending by himself post-iceberg, preferring to show off to random girls (like in Kyoshi Island). He just learns the elements, but doesn't really learn the philosophies behind each element. In this regard, he makes Kuruk and Roku look venerated in contrast. (To be fair to Aang, he had a specific deadline to master the four elements before Sozin's Comet that no other Avatar besides Wan had to deal with, but couldn't he try to make an effort to learn from the other nations?) Additionally, compared to Tenzin and Zaheer, Aang doesn't stand a chance against either of them (even though Tenzin is his son, but since Tenzin wasn't the Avatar, he could focus on upholding the Air Nomad culture and legacy). Even Jinora could go toe-to-toe with him at similar ages. He isn't really that impressive in any of the elements, to be honest; we've seen what a master of any specific element can do in both ATLA and LOK, as well as in the novels.
The main thing people often get wrong is that mastery isn't a final goal; it's a specific mindset. As in Pai Sho, what separates true masters from everyone else is that true masters always look for improvement in their strategy or skills. That's why Aang isn't a real master of the four elements: He always takes the easy way out, never trying to better himself or improve what he can already do.
I think this quote from Zaheer perfectly sums up what I've been saying: When you base your expectations on what you see, you blind yourself to the possibilities of a new reality. Even though it stems from his anarchist beliefs, it is genuinely one of the more insightful pieces of wisdom in the franchise because it promotes progress, a constant theme in life. Toph was able to invent metalbending because she wanted to "see" a reality where she could be recognized for her own talent in spite of her blindness; Zuko could learn firebending from the dragons because he could see a reality where he would regain his honor and fight alongside the Avatar, and so on. By contrast, Aang only takes things from surface-level, not putting any effort into understanding the true meaning of being the Avatar.
Speaking of Pai Sho, guess which Avatar constantly improved his/her abilities? Kuruk. Unlike Aang, Kuruk readily asked his companions, Jianzhu, Hei-Ran, and Kelsang, to continue teaching him, ever after he mastered the four elements that he was required to do, saying they would all benefit from the experience (the "true master" quote I mentioned above was actually said by him). Not only that, it was even inverted; sometimes they taught Kuruk, other times he taught them (which technically makes him the first known Avatar to teach bending to others). He was right, as during their lifetimes, they were the most powerful benders of their respective elements in the world!
Kuruk also had an intuitive connection to each of the four bending philosophies, which to this day remains unrivaled by any other Avatar, and was also one of the first people to suggest the idea that the four elements are connected (homeboy's literally a younger Water Tribe Avatar version of proto-Iroh, I'm honestly not going to be surprised if Iroh actually learned his belief from Kuruk during the former's visits to the Spirit World over tea and Pai Sho matches). If you ask me, Mone, learning the cultures and philosophies of the four nations is way more important than mastering the four elements, because the Avatar isn't just the bridge between the four nations; he/she is also the symbol of a unified world, and the franchise is saying that only one Avatar even bothered to do that? In my opinion, if we go by this rule, that easily cements Kuruk as the greatest Avatar in history!
Aang, on the other hand, never does this. Instead, he puts the Air Nomads on a high pedestal (which in turn causes him to place Katara on a high pedestal), and doesn't respect or learn from other nations' philosophies. He openly disrespects SWT culture and actively makes sure Tenzin doesn't have any exposure to the culture that Tenzin still belongs too, and worse, he pushes his own culture on other people's throats (remember the time he forced a homeless couple to "give up on hope because it's a big waste of time"? Or the time he forced Katara to not murder Yon Rha?) and values his own nation and values above the rest of the world (like the time he refused to kill Firelord Ozai because "all life is sacred", even though he has actually killed before, but if he doesn't kill Ozai, the latter's going to burn the entire Earth Kingdom to the ground!). That doesn't sound like something the Avatar is allowed to do, but Aang gets away with it anyway because ... hero?
There's actually another Avatar who focused on his/her own nation above the rest of the world. Avatar Szeto, Yangchen's predecessor, became a government official in his homeland, the Fire Nation. Under his tenure, the Fire Nation transformed from a fragmented, disaster-stricken state to the centralized, technologically-advanced nation we know of today. Unfortunately, this led him to neglect the other nations and, shortly after his death, the four nations were caught in a political event known as the Platinum Affair, which Yangchen had to deal with, eventually kick-starting the cycle of the current Avatar fixing their past lives' mistakes, while leaving problems for their future selves to fix. This problem might have even led to the growing ambition of Firelords Zoryu and Sozin as dictators, with the latter starting the Hundred Years War.
Aang not only valued his own nation's values above the others, he also forced said values on his non-Air Nomad companions; signed anti-miscegenation laws and tried to forcefully deport Fire Nationals from the colonies to return the land to the Earth Kingdom, even though they had already blended in with Earth Kingdom citizens, didn't wan to be separated from their families, and Zuko perceived the citizens of mixed heritage as his own subjects; refused to let his family practice SWT culture, even though his children could benefit from being members of both cultures, not just one or the other, and set an example for mixed-race families around the world; refused to teach Kya and Bumi Air Nomad culture because he thought they weren't airbenders and therefore "not real Air Nomads", even though they were just as Air Nomad as Tenzin was, if not more; and forced Tenzin to uphold the legacy of an entire nation on his shoulders. The fact that this was all written by complete accident is the cherry on top, representing just how badly Bryke screwed up.
... On a completely unrelated note, The Other Side of Paradise by Glass Animals (which is also one of my favorite songs) is definitely a Kuruk song. The last third of the song in particular sums up his tragic journey as the Avatar so well, and I always think of him while listening to it.
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sealrock · 4 months
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tell me, what makes a human?
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maskednerd · 6 months
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FNAF Movie parallel Theory/Incoherent Ramblings! (Spoilers ahead.)
Originally, I was gonna give my thoughts on the film but I'm bad at opinions so theory time it is! This is just for fun and to share my thoughts.
I've only seen the film once so I might have misremembered a few things here or there. But there's no harm looking for connections and parallel to the games/books!
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Since Mike isn't an Afton... his dad could be a subtle parallel to Henry Emily. Which would make Garett and/or Abby a parallel to Charlie.
Of course, the Schmidt family still has elements of the Aftons. But with all the changes to the lore, the Emily roles could have been added on rather than being non-existent like it seems.
Now, you may be wondering if I'm just desperately digging for any sign of Henry Emily in this film cus he's my favorite character (aside from Michael Afton). And to that I say-
...
Shhhhhhh... Pretend it's not that obvious.
Anywho, let's get to some of these parallels! Shall we?
Aunt Jane… Aunt Jen? Her name being a possible parallel to Henry's sister in the books.
Kinda a weak point here but I'll include it anyways. The Schmidt family is showed to be Christian, evident by Mike remembering them gathered around the table saying grave before eating. "For one of you, the darkest pit of hell has opened to swallow you whole, so don't keep the Devil waiting, old friend."
Mike mentioned that his father couldn't handle the lost of Garret, vaguely implying he took his own life. In both the books and the games, Henry committed suicide due to the lost of his child. Silver Eyes had the Suicide Bot and Pizza Sim had the fire. "I am remaining as well. I am nearby."
Garret's death happened before the Missing Children Incident. In the photo that Vanessa shows with her as a child next to her father as Spring Bonnie, she has the same toy plane Garret had when he taken. Which Mike notices. But, with that photo being at the Pizzeria, it's assumed it's still open during that time. Yet Vanessa mentions the Pizzeria was closed shorty after the 5 children went missing. That photo probably wouldn't exist in that form if the place was dealing with an police investigation and a threat of closure.
During Mike's dream sequences, Garret seems unnervingly calm. Almost as though he went willingly. Yet it wouldn't make sense, out in the middle of a forest, for William to be dressed in the SpringBonnie suit in an attempt to lure him. But, if William was a family friend and trusted by his father, it would be easier to get Garret into his car.
If Garret Schmidt was a random child he abducted and murdered on a mere whim, why would "Steve Raglan" recognize that last name? Unless he saw missing posters, the news of the disappearance, or was keeping track of the viticm's families, why remember that random child you killed back in the 80s? One that wasn't even a part of the Missing Children's Incident at Freddy's?
At the end credits, there's the "COME FIND ME" audio easter egg resembling "SAVE THEM." A minigame heavily linked to the puppet, despite the puppet making no appearance nor having a single mention in the movie.
As for Abby... that springlock suit she was almost suited in looked an awfully lot like Ella, one of Charlie's toys from the books. For a reference to Elizabeth, it could have been a clown or something looking like Circus Baby. But why that possible reference to Ella?
Haven't read Silver Eyes in a a good while, but isn't there a sequence where Foxy is chasing Charlie through an arcade? Where she hides behind one of the arcade cabinets, just like Abby does?
Are these just random references and easter eggs pieced together in an incoherent rambling? Indeed they are, thanks for noticing! But that won't stop me from pointing them out for no one else to read.
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inconclusionray · 6 months
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If I see one more "poor Izzy was in an abusive relationship for twenty years :'(" take I'm going to set this pirate ship on fire.
#you don't get to erase the gorgeous fucked up mutual toxicity of their consent-free sadomasochist trauma survival relationship on MY watch#they SAVED EACH OTHER and MADE EACH OTHER and FUCKED EACH OTHER UP and it was so so bad it was sooooo gooooooooood#like i know disk horse has trained us to think there can only be The Abuser and The Abused and one is always bad and one is always blameless#but babies sometimes relationships are fucked up and when it's fictional it can be so gorgeous like come on#izzy got so hard when fed his toe I'm surprised he didn't have an aneurysm and die right then#if you're gonna claim him as queer then let him be QUEER not an uwu sanitized self insert okay?#he was fine with losing his toe he wasn't fine with losing his playmate#and blackbeard came back WRONG#this thing the two of them created this fucked up dangerous pirate game called blackbeard wasn't about belonging anymore#it wasn't about the two of them surviving the cruelty of their former captain or the worse cruelty of civilized society#it was a caricature and it had to die#and it did in the end#and Izzy realized he didn't need it anymore#and Ed didn't need it#and he was so so happy about it#that was worth dying for#ugh I'm so in love with this story#anyway Izzy wasn't abused & he was abused & he was an abuser & he saved Edward & they were so bad for each other & they loved each other#learn to love complicated fucked up harmful problematic things babies#because you are one#and you deserve love too
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There's something that always bothers me about people saying "Barbara going back to being disabled" doesn't matter if it's positive, negative, or neutral. It's the "going back" part because it's just not true. She wouldn't be going back, she would just be without assistive medical technology.
In the closest real-life example, not everyone who uses similar technology is considered "cured" as the removal of the device would mean they are no longer enabled. In only a few cases have I ever seen "cured" but that's potentially dependent on injury/cause of disability where it was possible the device just made recovery easier and there are many different causes to SCIs/paralysis/similar conditions. Others have no chance of recovery but have a chance of being enabled. But still not fully becoming an able-bodied person. Even some of the ones who recovered their ability to walk were still limited in what they were capable of (and therefore still disabled)
So honestly now, it's just coming to me how bad representation the chip is of similar realistic treatment and disabled people who use that treatment. Before anyone is like "But Barbara's isn't real" I know that, but now I'm literally seeing people say the same shit about REAL PEOPLE who have had nearly THE SAME TREATMENT because they're letting poor representation in a comic book determine how they view this course of medical treatment.
TLDR: No Barbara Gordon wouldn't "go back" to being disabled without the chip. Writers and fans aren't good at writing disability and it shows
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hilacopter · 5 days
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definitely not salty that earth day is trending but passover isn't no not in the slightest
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morrigan-sims · 3 days
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Pirate Outfts
I was bored, so I started trying some different outfits on Zara... The last one might be my favorite, if only because I already used another swatch of the first one for Wolf, and I can't have them wearing the same thing... But I also love being able to see all her freckles in the 2nd one...
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