the thing you need to understand about brienne and jaime’s white sword tower scene is that it’s their first date

loras is their waiter

I always get a little bothered when Sansa is used as the scapegoat for Ned Stark’s death because she went to Cersei saying she didn’t want to go back to Winterfell, or that she’s reduced to a stupid little girl.

Like, wow, Sansa, a 12-13 year old girl, made mistakes and is obsessed with stories of knights and maidens and becoming a queen and having babies? Color me shocked that she didn’t understand the implications of what she had done.

As if Ned himself didn’t go tell the two worst possible people what he knew and was going to do, trusting that they, the two worst people, were going to be honorable and do the right thing. Sansa’s ignorance gets a pass since she’s a literal child with no experience in the Game. Ned, however, should’ve known better.

Jaime Lannister refusing to name his horses because horses die in combat as a matter of course is something I think about a lot

i’m organizing my camera roll so here are some random lockscreens i’ve made, dear tumblr users 🫶

RIP Annabeth, I just know Percy sacrificing himself for you, after knowing you for a week, after telling you that you’ve done more for him this week than his father ever has, is permanently altering the brain chemistry of your avoidant attachment self

I love you violence I love you descent into madness I love you transformations into an unrecognizable self I love you monsters who were human I love you questioning if I’ve changed or been like this all along I love you being scared I love you secrets I love you twisted coming of age stories

Another reason I dislike Les Mis adaptations that make Jean Valjean constantly openly angry/violent is because they miss that Jean Valjean is not allowed to be angry. The fact he is forbidden from expressing anger is, I argue, actually a very important part of his character in the novel!

One of the subtler political messages of the story is that some people are given freedom to express anger, while others are forced to be excessively meek and conciliatory in order to survive.

Wealthy conservatives like Monsieur Gillenormand can “fly into rages” every five minutes and have it treated as an endearing quirk. Poor characters like Fantine or Jean Valjean must be constantly polite and ingratiating to “their superiors” at all times, even in the face of mockery and violence, or else they will be subjected to punishment. If Gillenormand beats his child with a stick, it’s a silly quirk; if Fantine beats a man harassing her, she is sentenced to months in prison.

(Thenardier and Javert are interesting examples of this too. Thenardier acts superficially polite and ingratiating to his wealthy “superiors” while insulting them behind their backs. Javert, meanwhile, is completely earnest in his mindless bootlicking. But I could write an entire other post on this.)

The point is that….Jean Valjean has to be submissive and self-effacing, or he puts himself in danger. He can’t afford to be angry and make scenes, or he will be punished. The only barrier between himself and prison is his ability to be so “courteous” that no one bothers to pry into his past.

Jean Valjean is excessively polite to people, in the way that you’re excessively polite to an armed cop who pulls you over for speeding when you secretly have a few illegal grams of marijuana in the your car trunk. XD It’s politeness built on fear, is what I mean. It’s politeness built on a desperation to make a powerful person avoid looking too closely at you.

It’s politeness at gunpoint.

Jean Valjean has also spent nineteen years living in an environment where any expression of anger could be punished with severe violence. That trauma is reflected in the overly cautious reserved way he often speaks with people (even people who are kind and would never actually hurt him.)

So adaptations that have Jean Valjean boldly having shouting matches with people in public and beating cops half to death without worrying about the repercussions just make go like “???”

Because that’s part of what’s fascinating about Jean Valjean to me? On one hand, he is a genuinely kind compassionate person, who cares deeply about other people and behaves kindly out of altruism. But on the other hand, he was also “beaten into submission” by prison, and forced into adopting conciliatory bootlicking behaviors in order to survive. And it can sometimes be hard to tell when he is being kind vs. when he is being “polite” — when he is speaking and acting out of earnest compassion vs. when he is speaking and acting out of fear.

The TL;DR is that I think it’s important that even though Jean Valjean is very (justifiably) angry about the injustice that was inflicted on him, his anger is harshly policed at all times— by other people, and by himself. He has been told his anger is wrong/selfish so often that he believes it. His anger takes weirder more unhealthy forms because he has no safe outlet for it. His rage at society becomes a possessiveness towards Cosette and silent hatred of Marius, but primarily it becomes useless self-destructive constant hatred of himself. And while I might be phrasing this wrong, I think that’s what’s interesting about Jean Valjean’s relationship with anger— the way his justified fury at his own mistreatment gets warped into more and more unhealthy forms by the way he’s forced to constantly repress it.

nobody is more delusional than reddie fans. somehow, the ENTIRE fandom decided that eddie kaspbrak is alive and well, despite the fact that his death was written in the novel almost 40 years ago, and i hardly ever see reddie content/it content awknoleging that eddie is dead. we all just pretend that never happened.

running around in circles. nimona and ballister. do you get it. she wakes up from a nightmare and immediately calms down when he comforts her because she trusts him. he quite literally jumps off a balcony because he knows she’ll catch him. she tells him what shapeshifting feels like. lets him bandage her leg. he’s absolutely overjoyed when he sees her again at the end. he goes from rejecting her to accepting her to begging her to come back to rejoicing when she does. not only does she come back to life but she comes back to HIM. to her HOME. SHE FINDS HIM AGAIN IN ANOTHER LIFETIME. SHE GOES BACK TO HIM ON PURPOSE. DO YOU GET IT.

I think the reason lwj is so quiet around wwx is because he goes completely fucking stupid when wwx is around. Like full on no thoughts head empty (except for gay thoughts). He can’t open his mouth because he cannot predict what kind of garbled disaster of syllables will spill out if he does. Everything he says in canon has been rehearsed in his head and whispered under his breath fifteen times at minimum before he can even dare to try to say it, lest he accidentally looks into wei ying’s eyes at the wrong moment, causing him to forget everything he was just about to say and also how to walk in a straight line.

Just. Give me stupid lwj.

What could go wrong

(12 year old me voice) hey does anybody wanna talk about percy jackson

the history book on the shelf, is always repeating itself.

child of dawn

“Social media has made this generation so narcissistic and self centered everyone’s always posting selfies and posting about everything they do during the day” shut up. The human desire to show you exist and you were here is innate and we’ve been doing it since the days we were leaving hand prints on cave walls

I love how everyone’s reaction to this guy is like “omg look it’s that mysterious drow ranger Drizzt Do’Urden….. he’s so cool……..” meanwhile he only has his hood down like that because he can’t see shit in the sunlight