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#i was taking screencaps for another gif
saryasy · 9 months
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Aziraphale post-kiss: a closer look
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#Michael Sheen needs to answer for his crimes
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The King is dead. Long live the Queen! Merlin S5E13 “The Diamond of the Day Part 2″
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whumpypepsigal · 2 years
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MY HEART IS MOURNING. I AM NOT OKAY. about to vent my feelings out. 
stranger things vol 2 spoilers ahead…
“I think it's my year, Henderson. ( struggling ) I think it's finally my year. I love you, man.”
eddie did not fucking deserve that ending. what was the purpose of killing him off like that? other than the duffer bros wanting to stick with their formula of killing off beloved characters they introduce in every season. like he didn’t need to redeem himself to die a hero like some sort of ‘heroic sacrifice”, he didn’t need a redemption arc. the man was GOOD-HEARTED from the get-go. as evident by his interaction with chrissy in the woods, his adoration and care to his club members of hellfire, he was a big bro to the hellfire kiddos, he just wanted to graduate and pass on his hellfire leadership to the kiddos, he went along to the upside down to help his friends, kill vecna, avenge chrissy and then clear his name. LIKE WHAT THE ACTUAL FUCK DID HIS DEATH SERVE?
AND THIS LINE BROKE ME! BROKE! HE RAN AWAY FROM PROBLEMS HIS WHOLE LIFE AND THE ONE TIME HE DIDN’T THE ONE TIME HE DESERVED TO FEEL GOOD ABOUT HIS BRAVERY, INSTEAD HE GOT AN UNTIMELY DEATH? FUCK THAT SHIT, YOU HEAR ME DUFFER BROS? FUCK THAT. HE LITERALLY SACRIFICED HIMSELF FOR A CITY THAT HATED HIM.
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the desperation and sadness from dustin, he was losing his big bro, I FELT HIS PAIN!
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dustin breaking down after eddie becomes unresponsive— i cried, cried and cried. i don’t remember the last time cried this much tbh. (don’t get me started on that lucas and max scene, oh my heart! somebody sedate me!)
you know what angers me more? eddie didn’t even get a funeral. no one got his body from the upside down? i don’t get it. everybody seemed to move on quickly? the more i think about, the more it angers me. no one mourned for eddie except for dustin and his uncle wayne.
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are they gonna bring him back like hopper? my gut says it’s final eddie is gone gone but my heart thinks it might be a s03 hopper situation. i’m clearly still in the denial stage. yeah, i am delusional. I JUST WANT EDDIE BACK.
it’s the way they get us attached to characters like alexei, bob and eddie just to kill them right after they are introduced and rip our hearts out. THIS IS NOT OKAY. THIS IS BULLSHIT.
vol 2 is such an emotional rollercoaster, jonathan being the emotional support overprotective big bro to will, max saying she is not ready to die and lucas cry-screaming for erica to call help, eddie dying, dustin crying and holding eddie till his last breath, dustin and uncle wayne mourning for eddie. yeah, what is pain.
in summary, I AM NOT OVER EDDIE’S UNTIMELY DEMISE. IF MAX IS ALIVE AFTER GETTING HER BONES BROKEN IN MULTIPLE PLACES AND HER HEART RESTARTED, EDDIE CAN SURVIVE FROM BEING MAULED BY DEMOBATS FOR FUCKS SAKE. I HAVE A TINY HOPE DURING THIS GRIEVING PERIOD. AND THAT HOPE SHALL SUSTAIN ME UNTILL MY HEART HEALS AND I COME BACK TO REALITY. p/s: joseph quinn did a beautiful job. he turned eddie into a beloved and an unforgettable character. not only good-looking and have the most beautiful big ol’ brown eyes, he is very very talented actor. hope he continues to flourish and get more acting gigs. i’m gonna go search and watch his other roles… that might help mend my heart me thinks.
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intuitive-revelations · 5 months
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FLUXES [Celestis: Engineered Participants / Technologies] Example: "DOCTOR, The"
[Image description, courtesy of @quailfence: a series of pictures of text, alternated with screencaps and gifs from Doctor Who.
1: Text: Fluxes: [Celestis: Engineered Participants/Technology] Individuals transposed backwards in time but not too far in space, using a very high chaotic limiter setting and tied to their home period by a thread of biodata
2: The Eleventh Doctor stands in the future corpse of his TARDIS, looking and a pulsing stream of light that has replaced the console. He says, "That is the scar tissue of my journey through the universe. My path through time and space."
3: Text: He raised a finger. 'Look. There.
Now she could just make out the thread in the moonlight. It was just a faint reflection, maybe a foot or two long, about a metre off the ground. A taut strand of spiderweb hanging in the air, not attached to anything.
'What is it?' Fitz asked.
'It's only partially rotated into three dimensions,' he said. He pushed his finger right through the glimmering line, without affecting it. 'That's why it looks one- or two-dimensional. The rest is still perpendicular to what we can see - woven into higher space, or the time vortex…'
'Yes,' said Fitz, 'but what is it?' 'It's what your friend mistook for a ley line.' The Doctor was scuttling around the silver thread, peering at it from every angle, getting more and more agitated. 'It's part of the fabric of space-time itself. What DNA is to your genetic code, this stuff is to biodata. And it's all just exposed here now. Personality, history, memory, perception, all vulnerable…'
'I'm going to have to ask you again, aren't I?' said Fitz.
The Doctor said, 'It's me.'
4: The Fourteenth and Fifteenth doctors in the TARDIS. 14: "But you're fine?" 15: "I'm fine, because you fixed yourself. We're Time Lords, we're doing rehab out of order."
5: Text: The subject is turned loose in his or her own history, and the limiter setting allows tiny actions taken by the future version to have considerable effects on the past version. The biodata link then transfers these changes to the future version, which alters it, and thus alters the changes made to the past version. Therefore, the individual's history is kept constantly in flux.
6: The Fugitive Doctor says, "Let me take it from the top: Hello, I'm the Doctor."
7: Text: Let me finish. Think back to that time when you went to see your previous selves.
8: Ten, Eleven, and War talk to each other. Ten: "You're not actually suggesting that we change our own personal history?" Eleven: "We change history all the time. I'm suggesting far worse."
9: Text: 'Maybe there's no one home on Gallifrey,' said the boy softly. There was just the one of him.
The Doctor looked at him, cupping the small white cube in his hands. The boy said, Maybe they all left. Or maybe the whole planet's being destroyed, and undestroyed, and destroyed, and you just caught them at the wrong moment.
10: The TARDIS by the ruins of Gallifrey
11: Text: 'It's impossible,' said the Doctor. 'It's impossible for my people. Our past is unreachable. What's written can't be unwritten.'
'Who said your history can't change?'
Another boy answered, 'Someone from his history.'
And another: 'Maybe it's the second-biggest lie in Time Lord history.'
12: Dhawan!Master tells Thirteen, "You are the Timeless Child."
13: Thitreen stares at a ruined house. Swarm whispers in her ear and tells her, "All the memories you've lost, all the people you've been. It's all in there, contained within that house."
14: Text: And it was like the Doctor's home. As if his ship understood the loss of the House and had compensated to fill the emptiness. Shadowy corridors, alcoves and stairways, a secret at every turn. Like being in the Doctor's head. Like his life, for that matter, the details of which were strewn like flotsam across the floor.
15: Text: 'Sweet,' said the little boy. 'That's my favourite of your origin stories, too.'
The Doctor opened his eyes. He had been laughing, he realised, he felt that lightness in himself. The boys had all moved away, behind him, leaving him facing the empty dark of the warehouse.
'What do you mean?' he asked. His voice sounded very small.
'Is this the version where they banned all mention of his name, and yours, for consorting with aliens? Or the one where he got every record of himself deleted from the files?'
'Feel free to believe either of them,' snapped the Doctor, 'or both of them, or neither of them. If you're curious about my past, I want there to be as many wrong answers as possible.'
16: The Eighth Doctor tells someone, "I'm half human. On my mother's side."
17: Text: 'Well he's a hybrid, you know that. A Gallifreyan not born of Gallifreyan, the one who unites the two races and brings good old human niceness into their alien society. Aliens need that, y'know.'
'A human hybrid? She saw the contempt in his curling lip. 'Pseudoscientific nonsense. There's no evidence,' he repeated.
'He's allowed to be different. He's got a prophecy and everything.'
18: Lady Me says, "By your own reasoning, why couldn't the Hybrid be half Time Lord, half human?"
19: Text: Someone giggled. 'Let's play pin the tale on the donkey.'
'Maybe you didn't use to have a father.'
'Maybe you're living in the middle of a time war. Maybe there's an Enemy out there -'
The Doctor shouted, 'I'm not listening!'
'- who's rewriting you when you're not looking!'
'Maybe you weren't always half human.'
'But now you've become always half human.' 'Maybe you weren't always a Time Lord.'
But now you've always been a Time Lord.'
'Maybe you originally came from some planet in the forty-ninth century. Fleeing from the Enemy who'd overrun your home -'
'I said I'm not listening! Laa laa laa laa laa -'
'- and you've just been written and rewritten and overwritten, ever since.'
'Pin the tale!'
'How d'you know it's not true?'
'How could you know it's not true?'
The voices crowded in. 'How would you know, huh?'
'How would you know?'
'How would 'How would you 'How 'How would you know? you know? you know? know?'
'Why would I care?' shouted the Doctor.
The boy fell silent.
20: Lady Me asks, "Am I right? Is it true?" Twelve replies, "Does it matter?"
21: Text: However, the one group from the Homeworld which has excelled at flux-engineering is the Celestis.
22: Two asks the Time Lords, "Now then… what about me?"
23: Tecteun tells Thirteen, "Which is ehy we engineered the Fluyx: Shut the universe down and you within it."
24: Text: Even Mictlan itself can be considered a kind of enormous flux, an endlessly-shifting realm so cortosive to the rest of history that its heartland has to be kept on the outer skin of the universe
24: The Fourteenth Doctor tells Donna, "I invoked a supersition, at the edge of the universe, where the walls are thin and everything is possible."
25: The space station from Wild Blue Yonder
26: Text: There are suggestions of a stable middle-ground between the two fates, in which the physical matter of the flux is lost but the meaning of the subject/ victim is retained, a series of memetic connections with no flesh to support it. Yet this entity exists only on a purely theoretical level, relying on the perceptions of others to survive at all.
27: The Twelfth Doctor walks up to the TARDIS console. He says, "Can't wait to hear what I say." Glancing at the viewer, he adds, "I'm noting without an audience."
28: Text: You know what Sam represents. If a tree falls in a forest and no one's there to hear it, does it make a sound? Stop me if I'm getting too abstract here, but if a Time Lord saves the world and nobody witnesses him doing it, does history care? She's your witness. The thing you need to make you whole.
29: The First Doctor looks at the viewer and says, "Incidentally, a Happy Christmas to all of you at home!" End description.]
[Plain text: Fluxes [Celestis: Engineered Participants / Technologies] Example: "Doctor, The". End plain text.]
@dw-described
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𝙎𝙦𝙪𝙞𝙧𝙢 | sᴏᴜᴘ
Read part one here - Squirm...
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screencaps and gifs : @din-jarring they are amazing, literally brainwashes me every single time she posts, love you pook 🫶🏻
Pairing: dark!Raider!Joel Miller x dark!Raider!Tommy Miller x dark!Raider!Tess Servopoulos x fem!reader
Warnings/tags: MDNI 18+, DEAD DOVE DO NOT EAT, BLOOD, VIRGIN READER, UNprotected sex wrap it before you tap it kids,food, hunger, kidnapping, degradation, praise, mean!Joel, toxic!Joel, mean people, toxic people, fear, waterboarding (with soup), choking, gagging, talks of sex, talks of anal sex, voyeurism, being held down, ripping off clothes, groping, kissing, spanking, crying, begging, masturbation M and F, Death threats, Guns, Gun insertion (mouth and vaginal), stripping, cum, cum description, hand jobs, blowjobs, orgasm,cum play kinda, THIS IS A WORK OF FICTION, YOU ARE RESPONSIBLE FOR THE CONTENT YOU CONSUME
Summary: Caught and brought to a new place you meet new faces and feelings.
WC: 4.2K
A/n : Sorry, I was a little late to post pt 2, but enjoy 🫶🏻
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He had brought you to a house that barely felt like a home, its cold and unwelcoming atmosphere, a stark contrast to any sense of familiarity. The faces inside offered no solace, just a chilling reminder of your isolation from the man who had violated you. You pushed away thoughts of the horrifying event, trying to focus instead on the bowl of soup before you. Hunger gnawed at your insides, but the thought of not nourishing yourself felt like a silent protest against your dire circumstances.
Seated beside you was the man who had taken you, his presence a constant source of discomfort and fear. It struck you suddenly that you didn't even know his name, adding to the weight of your unease. To your left sat a woman with long brown hair, older than you and marked by scars. You stole glances around the table, avoiding prolonged eye contact with anyone. In the midst of the bustling room, a man's striking resemblance to your captor left you feeling unnerved. You resisted the urge to dwell on the chilling familiarity, instead turning your attention elsewhere.
As you sat there, wrestling with your own inner turmoil, your captor's impatience grew palpable. "What's the matter with you? Why aren't you eating?" he demanded, his voice sharp with irritation.
You flinched at his tone, feeling his eyes bore into you with an intensity that sent a shiver down your spine. "I-I'm not hungry," you stammered, your voice barely above a whisper.
"Not hungry?" he repeated, his voice rising with anger. Without warning, he reached out and grabbed a handful of your hair, yanking your head back roughly.
Pain shot through you, and you couldn't suppress a gasp of pain as tears pricked at the corners of your eyes. "Joel, calm down," the woman beside you interjected, her voice firm but gentle. "You don't want to scare the girl too badly."
Joel's grip on your hair loosened slightly, but his anger still simmered beneath the surface. "Fine," he growled, releasing you with a shove that sent you reeling. "But don't think you can defy me and get away with it."
You swallowed hard, trying to steady your trembling hands as you reached for the spoon, your appetite vanishing in the face of Joel's wrath. It was just another reminder of the power he held over you, a reminder that escape seemed increasingly impossible.
Joel's anger seemed to intensify with each passing moment, his frustration boiling over as he glared at you. "Eat!" he barked, his voice echoing through the room.
Trembling, you forced yourself to take a spoonful of the bitter soup, struggling to swallow it down past the lump in your throat. The taste was nauseating, but you dared not refuse, knowing the consequences would be dire.
As the man who resembled your captor, Joel, leaned in closer, a chill ran down your spine. His eyes bore into yours, filled with an intensity that made your blood run cold. "Who are you?" he demanded, his voice sharp and demanding.
Panic surged within you as you struggled to find the right words. You glanced around the table, seeking a lifeline, but found only unfamiliar faces staring back at you. Joel's twin sat across from you, watching the tense exchange with keen interest.
He noticed your fear. "I'm Tommy. What's your name?"
Feeling the weight of Joel's wrath bearing down on you, you stammered out a response, your voice barely above a whisper. "I-I'm..." After Joel yelled at you, you gave him your name, hoping to appease him in some way.
Joel's eyes narrowed as he watched you, a dangerous glint in his gaze. "It's not hard to behave, is it?" he sneered, his voice dripping with disdain. "Now eat your soup and stay quiet."
His words sent a shiver down your spine, and you obediently brought the spoon to your lips, forcing yourself to swallow another mouthful of the bitter concoction. Each swallow felt like a battle against the rising tide of fear and revulsion.
As you struggled to maintain your composure under Tommy's scrutiny, a sudden text message from the woman beside you caught you off guard. "What's your plan for her?" it read, and before you could react, Joel shot you a smirk.
"Well, Tess..." he drawled, leaning back in his chair. "I fucked her in the van, and the damn thing bled so much she was probably a virgin. But you see, she's real tight in the pussy. I wonder how tight she is in the ass.”
The crude words sent a wave of horror coursing through you, and you felt your heart pound in your chest. The laughter that erupted from the rest of the table only added to your sense of dread.
"NO!" you cried out, unable to contain your fear and revulsion any longer.
Ignoring your protest, Joel turned to his men with a dismissive wave of his hand. "Leave. All of you, except Tommy and Tess," he commanded, his voice cold and commanding.
The men exchanged glances before filing out of the room, leaving you alone with Joel, Tommy, and Tess. The tension in the air was palpable, and you had a nagging feeling that something bad was about to happen.
With a cruel grin, Joel grabbed your arm roughly, his grip like a vise as he forced the bowl of soup to your lips. "Drink it," he growled, his breath hot against your face.
You recoiled, the bitter taste of the soup making you gag, but Joel's grip only tightened, his fingers digging into your flesh painfully. "I said drink!" he hissed, his voice dripping with malice.
Tears welled in your eyes as you choked down the revolting liquid, each swallow feeling like a betrayal of your own dignity. Joel's laughter echoed in your ears, mocking your suffering.
He didn't stop, continuously pouring the soup into your mouth, the liquid spilling down your chin and soaking your clothes. You coughed and sputtered, struggling to breathe as he relentlessly forced you to consume it.
When the bowl was finally empty, Joel shoved you roughly onto the table, your ass in the air, the dried remnants of his cum and your blood staining your dress and leg from the van. You struggled against him, but his strength was overpowering, pinning you down with ease.
"Look at her," he sneered, his hand gripping your hair as he forced your head up. "A pathetic little whore, just begging for it."
You whimpered, the humiliation and shame crushing down on you like a weight, suffocating you. You felt dirty, violated, and utterly helpless in the face of Joel's cruelty. All you could do was pray for it to be over soon, to escape this nightmare and find some semblance of peace.
"Tommy, Tess," Joel's voice sliced through the air, authoritative and unyielding. "Hold her down."
Tommy hesitated, his expression conflicted as he glanced between you and Joel. "Joel, come on, man. This ain't right," he protested, his voice tinged with uncertainty.
Tess scoffed at his hesitation. "Oh, please, Tommy. It didn't work on the last girl Joel brought home. What makes you think it'll work on this one?" she interjected, her tone dripping with sarcasm.
Tommy's jaw tensed at Tess's words, a flicker of frustration crossing his features. "Yeah, well, no shit it won't work now," he muttered under his breath, his bitterness palpable.
With a resigned sigh, he reluctantly reached out to hold your arms down, his touch firm and unyielding. Despite his initial resistance, there was a chilling resolve in his eyes, a silent acknowledgment of the brutality of their actions.
You instinctively tried to wriggle free from their tight grip, but their hold was unyielding, suffocating in its grasp. Joel's hand trailed between your thighs, his touch invasive and mocking. "Did I forget to rip these?" he jeered, his words dripping with contempt. "Or did you put them back on so you could save all my cum that was dripping out of your pretty pussy?" With a swift tug, he tore at your panties, the fabric ripping with a sound that echoed through the room.
Your breath caught in your throat as Joel's lips trailed from your calf to your lower back, his touch igniting a firestorm of revulsion and fear within you. His hand slid up your dress, each movement leaving a trail of dread in its wake.
Before you could protest, his palm connected with your exposed flesh, the sharp sting of his slap reverberating through your body. "You need to learn, sweetheart," he growled, his voice dripping with malice. "What I say goes."
As the sting of his slap lingered on your skin, Joel's grip tightened, his dominance palpable in the air. "Count them," he commanded, his voice cold and commanding. "For every spank, I'll give you a rule to remember."
You swallowed hard, the weight of his words sinking in as fear coursed through your veins.
"One," you gasped, your voice barely above a whisper, as the second spank landed with brutal force.
"Rule number one," Joel's voice cut through the air like a knife, his tone chillingly calm. "You belong to me now. Your body, your mind, everything. Remember, sweet pea, I control whether you live or die."
"Two," you whimpered, each strike sending waves of pain through your trembling body. Fear gripped you tightly, knowing that Joel held the power to end your life in an instant. But in that moment of terror, a glimmer of relief washed over you as you realized he spared your life.
"Rule number two," Joel's voice was a sinister whisper, his breath hot against your ear. "You speak when spoken to. Your voice is mine to command."
The relentless rhythm of his slaps echoed in the room, each strike sending shockwaves of agony through your body.
"Three," you gasped, tears stinging your eyes as the onslaught continued.
"Rule number three," Joel's words were a cruel taunt, his laughter mingling with your cries. "Your desires mean nothing. Your only purpose is to obey."
The sound of his hand meeting your skin became a symphony of pain, drowning out any semblance of resistance.
"Four," you choked out, your voice trembling with each syllable.
"Rule number four," Joel's voice dripped with malice, his grip tightening as he relished in your suffering. "You forget who you were. There is only me, and there is only now."
The world around you seemed to blur as his assault persisted, each strike eroding away at your sense of self.
"Five," you managed to gasp out, the agony threatening to consume you entirely.
"Rule number five," Joel's words were a final decree, his dominance unyielding. "You will learn to love the pain. It's the only thing you'll ever know."
The onslaught of blows came faster now, each strike landing with brutal precision, leaving your flesh ablaze with searing agony. You squirmed helplessly against the iron grip of Tommy and Tess, your cries stifled by the relentless assault.
Joel's laughter cut through the air like a knife, mocking your pain as tears streamed down your cheeks, mingling with the sweat and blood that trickled down your back.
"There's a good girl," he taunted, his voice dripping with sadistic pleasure. "Let it out. Let me hear you scream."
With each strike, your resolve crumbled, your spirit shattered by the merciless brutality of his punishment. You cried out in anguish, the pain consuming you whole as Joel's cruel laughter echoed in your ears, a haunting reminder of your helplessness in the face of his relentless dominance.
As the onslaught of blows began to slow, Joel's strikes became more calculated, each one landing with precision on your already battered flesh. The pain was excruciating, every impact sending waves of agony coursing through your body.
"Enough," Joel commanded, his voice cold and commanding. "Let her go."
Tommy and Tess released their grip on you, allowing you to slump forward, your body trembling with pain and exhaustion. Joel pulled you into his lap, his jeans rubbing against your raw, beaten skin, sending fresh waves of discomfort radiating through you.
"Good girl," he murmured, his tone disturbingly gentle compared to moments before. "You're learning. Remember, what I say goes. Always."
Joel's gaze shifted to Tommy as you squirmed uncomfortably in his lap, desperately seeking a spot that wasn't ablaze with pain. "Tommy, fetch my pistol," he commanded, his voice cold and authoritative.
Tess and Tommy exchanged shocked glances. "Joel? Before we've even gotten a turn?" Tess protested, her voice tinged with apprehension. Fear clenched at your heart at the mention of the pistol. You didn't want to die.
"I didn't say to shoot her, goddamn it, y'all are sensitive," Joel snapped, his frustration evident in his tone. He sighed heavily before continuing, "Just get comfortable, and you," he grabbed your face roughly, forcing you to meet his gaze, "it's not supposed to be comfortable. Now stay still."
Tommy hurried off to retrieve the pistol, while Tess positioned themselves in front of Joel's chair, obediently following his orders to watch. You sat still, trying to suppress the sobs threatening to escape as you braced yourself for whatever came next. As Tommy handed the pistol off to Joel and positioned himself next to Tess.
Joel's laughter filled the room as he accepted the pistol from Tommy, his eyes dancing with sadistic amusement. With a menacing smirk, he pressed the cold metal barrel against the neckline of your dress, causing your breath to hitch in terror. The fabric stretched under the pressure before snapping back into place, sending a shiver of fear coursing through you.
Glancing between Tommy and Tess, Joel's expression dared them to act. After a tense moment, Tess stepped forward, her hands confident as she reached for the hem of your dress. With a swift motion, she began to peel the fabric away, revealing the vulnerable skin beneath.
Meanwhile, Joel moved behind you, his fingers deftly unhooking your bra with practiced ease. As the garment fell away, leaving you exposed and vulnerable, Joel's gaze hardened. "No touching," he commanded, his voice laced with a dangerous edge. "She hasn't had my dick in her ass yet, so there's no point in sharing yet. Just watch."
Turning his attention back to you, Joel's eyes bore into yours with an intensity that made your blood run cold. "Give them a show," he ordered, his tone dripping with malice. With a cruel grin, he began to trace the path of the gun along your skin, sending shivers of fear down your spine.
With every inch of exposed skin, Joel's sadistic grin widened. He traced the contours of your body with the cold metal of the pistol, his touch sending shivers down your spine. "Such a pretty little thing," he taunted, his voice dripping with malice. "All naked and vulnerable."
As he continued to torment you with the gun, his words grew more depraved. "Bet you're wondering what I'm gonna do with this," he mused, his tone filled with sickening excitement. "Maybe I'll use it to fuck you in the ass."
Your heart hammered in your chest as you braced yourself for whatever twisted game Joel had in store. The weight of the pistol against your skin felt like a ticking time bomb, each moment dragging out the agony of anticipation.
"Maybe I'll use it here," Joel's voice dripped with malice as he suddenly pressed the cold, hard barrel of the gun into your mouth. The metallic taste was overwhelming as you complied with his command, the weight of the weapon heavy on your tongue. Your cheeks burned with embarrassment, and a rush of adrenaline flooded your veins.
Glancing over at Tess and Tommy, Joel's eyes gleamed with sadistic pleasure at their reactions. Tommy's hands were shamelessly buried in his pants, indulging in his own depravity, while Tess, stripped down to her bra, caressed her breasts with a sickeningly soft touch.
Returning his gaze to you, Joel's grip on your neck tightened, forcing you to look upwards. Your throat constricted around the gun barrel as he pushed it deeper, eliciting a gag reflex. His laughter echoed through the room, a chilling soundtrack to your degradation. "Come on, take it. Come on," he taunted, his voice laced with perverse excitement.
With a cruel twist, Joel abruptly removed the gun from your mouth, leaving you gasping and coughing for air. The taste of metal lingered on your tongue as you struggled to regain your composure, tears stinging your eyes from the violent intrusion.
Ignoring your distress, Joel's eyes glittered with amusement as he admired the effect of his torment. "Pathetic," he spat, his tone dripping with disdain. "You can't even handle a little gun in your mouth."
Joel roughly turned your head to face Tess and Tommy, positioning you back-to-back with him, creating an unsettling image of depravity. Tess had her hands buried in her pants, mirroring Tommy's lewd actions. Meanwhile, Joel's touch grew more invasive as he groped your body with the cold metal of the gun, each touch sending a shiver of revulsion down your spine.
"You like that, huh?" Joel taunted, his voice dripping with contempt as he pressed the gun teasingly close to your trembling body. "Bet you've never had anything like this before."
You squirmed uncomfortably under his touch, feeling exposed and vulnerable as he continued to taunt and degrade you in front of Tess and Tommy. The weight of their lecherous gazes only added to your sense of shame and helplessness.
Joel's grip tightened around the gun as he abruptly thrust the cold metal barrel into your pussy without warning, causing you to gasp in shock and pain. The sensation was overwhelming—a mix of burning agony and icy coldness that made your entire body tense with discomfort.
Despite the searing pain that coursed through your body, there was a perverse and unsettling sensation that accompanied Joel's crude violation. It was as though amidst the agony, there lingered a twisted form of pleasure—a dark and forbidden allure that sent conflicting waves of desire and revulsion washing over you.
As the cold metal of the gun's barrel plunged into you with each merciless thrust, there was an undeniable arousal that stirred within you, mingling with the anguish and fear that consumed your senses. It was a sickening realization, one that filled you with shame and self-loathing even as your body betrayed you with its traitorous response.
Each jagged edge of the gun's barrel seemed to ignite a primal fire within you, awakening sensations that you had never dared to acknowledge before. Despite the brutality of Joel's actions, there was a part of you that craved the twisted pleasure that he elicited—a part of you that hungered for the forbidden ecstasy that danced on the edge of pain.
Amidst the torment, your body pulsed with unfamiliar sensations, a tumultuous symphony of pleasure and agony that left you trembling on the edge of surrender. Every gasp and moan that escaped your lips was a testament to your body's betrayal, succumbing to Joel's relentless domination.
As the gun's barrel thrust into you, each movement ignited a storm of conflicting emotions within you. Pleasure and pain intertwined, blurring the lines between ecstasy and despair. It was a descent into madness, a journey into the depths of your darkest desires, where every sensation threatened to consume you whole.
As the pressure of Joel's grip on your face intensified, his fingers digging into your cheeks, you felt a surge of panic rising within you. You desperately tried to look away, to escape the lewd scene unfolding before your eyes, but Joel's iron grip held you in place.
Tommy and Tess, lost in their own world of ecstasy, moved with a frenzied urgency, their bodies writhing in pleasure. Their hands roamed feverishly over their skin, eliciting moans of delight that filled the room. The air crackled with anticipation, heavy with the heady scent of arousal.
Meanwhile, Joel's touch on your clit sent bolts of electricity coursing through your body, each stroke igniting a firestorm of sensation. You gasped for air, your body trembling with a mixture of pleasure and pain.
"You enjoying this, huh?" Joel's voice dripped with sadistic amusement, his words laced with cruelty. "Such a filthy little slut, aren't you?"
Your heart raced as Joel's fingers continued their relentless assault, pushing you closer and closer to the edge. Just when you thought you couldn't take any more, he thrusts the cold metal barrel of the gun into you with a force that stole your breath away.
"Please...stop," you gasped, your voice strained with desperation. "I feel...I'm gonna pee."
The sensation was overpowering, a torrent of pleasure flooding your senses, leaving you gasping for air. You cried out, a primal sound of ecstasy mingling with the moans of Tommy and Tess, who watched on as if entranced.
Joel chuckled darkly, his eyes alight with sadistic glee. "You're not gonna pee, sweetheart," he taunted, his voice dripping with malice. "You're gonna cum."
Tommy leaned in closer, his eyes glazed with lust as he watched your writhing form. "Damn, she's really getting into it," he remarked, his voice barely above a whisper.
Tess nodded in agreement, her fingers tracing lazy circles over her own body as she watched the spectacle unfold. "She's a natural," she murmured, her voice tinged with envy.
Meanwhile, Joel's grip tightened on your body, his touch both rough and possessive as he continued to manipulate your pleasure. "That's it," he coaxed, his tone sickeningly sweet. "Give in to it. Let it consume you."
As the waves of ecstasy crashed over you, you felt a sense of shame wash over you. But amidst the shame, there was also a strange sense of liberation, a feeling of being utterly and completely consumed by the moment.
The room fell silent, save for the soft, rhythmic grunts of pleasure emanating from Tommy's direction. In the shelter of Joel's arms, you watched as Tommy's release painted his shirt, his outstretched hand halted by Joel's stern intervention. With a deft motion, Joel retrieved the pistol from its slick haven within your body, aiming it unwaveringly at Tommy's head.
"I said no touching," Joel's voice was a low growl, his eyes flashing with dangerous intent. Tess's moans were abruptly cut short as she, too, succumbed to her climax. Joel rolled his eyes in exasperation, his patience wearing thin. "Both of you...leave. NOW!"
As Tommy and Tess hurriedly obeyed, Joel's demeanor shifted, his hand gentle as it patted your head. It was a startling contrast to the violence moments ago. "You see, if you follow my rules, I protect you," he explained, his tone almost soothing. But as he gestured with the gun beneath your chin, the underlying threat was impossible to ignore, casting a stark shadow over his words.
"Now, it's time for you to show your gratitude," Joel's voice was cold, his eyes boring into yours with a predatory gleam. "You owe me, and you're going to thank me properly."
His demand hung in the air, heavy with implication. You felt a chill run down your spine as you realized the extent of his control over you. With trembling hands, you struggled to find the words to comply with his twisted request, knowing that defiance would only invite further punishment.
He guided you to the table, settling you onto the worn wood surface. The ache from the red marks on your ass made you flinch, but Joel silenced you with a gesture. "Shh..." His finger pressed gently against your lips. "I'm going to show you how to please me. Watch closely and learn.”
Joel unfastened his belt and let his pants drop to the floor, revealing his nakedness. He then took your hand and spat into it. "Make sure there's some wetness. If it's dry, it won't feel good," he instructed, his voice low and commanding. Guiding your hand with his, he began to stroke up and down his impressive length. His cock was large, the weight of it filling your hand as you struggled to wrap your fingers around it. "See, it's so simple," he grunted softly as he moved your hand along his shaft.
As you followed Joel's lead, your hand moved rhythmically along his length, slick with saliva and your own nervous sweat. His breath hitched with each stroke, his eyes darkening with lust as he watched your tentative movements. You focused intently on his reactions, trying to gauge what pleased him, all the while feeling a mix of revulsion and fear churn in the pit of your stomach.
Despite the discomfort and fear that pulsed through you, there was a strange sense of power in the act, a twisted form of control that you wielded over him. You couldn't deny the rush of adrenaline that surged through you as you brought him closer and closer to the edge, each stroke of your hand pushing him towards release.
And then, with a guttural groan, Joel's body tensed, his breath coming in ragged gasps as he reached the peak of his pleasure. Hot streams of cum erupted from him, coating your hand and spilling onto the floor below. As he finally released, you felt a sickening mixture of relief and disgust wash over you, knowing that you had played a part in satisfying his twisted desires once again.
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Hey, you. Yes, you. I'd like to have a minute of your time to tell you about a Blue's Clues character that Nickelodeon wants you to forget about. Buckle up, this is long.
Her name is Green Puppy, and this is what she looks like:
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[Image ID: An image of Green Puppy from Blue’s Clues. She is at school, sitting on a rug and surrounded by knocked-down blocks.]
See, isn't she adorable? In the original Blue's Clues, she and Blue met on a bit of a bad note. Green Puppy knocked down Blue's block tower in the episode "Blue's Sad Day". But during that episode, she and Blue made up and became friends, so you'd think that she'd be treated like any of Blue's other friends, right?
Well, as it happens, when the reboot Blue's Clues & You came along, all of Blue's classmates returned eventually. Magenta, Orange Kitten, Purple Kangaroo, even Periwinkle...but wait, where's Green Puppy?
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[Image ID: A photo of the Little Golden Book “Blue’s Clues School Day”. It is opened to a page where Blue, Josh, Magenta, Purple Kangaroo, and Orange Kitten are standing outside of school. The page has a line that says “All our friends are here”. I have circled the word “all” and drawn a red arrow pointing to it for emphasis]
Alas, Green Puppy wasn't included in the reboot.
But what about the episode where Blue's block tower gets knocked down? Surely, when they remade that episode, Green Puppy had to reprise her role?
Nope. They replaced her with Magenta.
Then, what about the episode "Colors Everywhere", where Blue wanted to add Green Puppy to her painting of friends? Green Puppy was the answer to Blue's Clues in that episode. So when they remade that episode for the reboot, she had to have come back in some capacity, right?
Magenta. They replaced her with Magenta again.
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[Image ID: Green Puppy and Blue are together. They are sitting in front of a painting. Blue is painting Green Puppy.]
Now, it might be easy to write Green Puppy off as "a little mean", given how she was introduced. But personally, I believe her existence as a character was very important. Almost everyone as a kid had a moment where they'd gotten a little overexcited about something, leading them to do something that accidentally hurt another kid's feelings. Green Puppy represents that.
Plus, she and Blue got along wonderfully after that episode. Like in the episode "Blocks", where Blue invites Green Puppy over just to knock towers of blocks over as a physics demonstration:
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[Image ID: A gif of Green Puppy unevenly stacking blocks on a tower, deliberately causing it to topple. When it falls, she looks proud.]
Or how about Blue and Green Puppy playing on the swing at school together?
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[Image ID: A gif of Blue using her long ears to push Green Puppy on a swingset.]
What about the holiday episode, where Blue gets her a self-knocking-over tower of blocks as a Christmas present?
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[Image ID: A screencap from the episode “Blue’s Big Holiday”. Blue is watching with excitement as Green Puppy opens her gift, which is a self-knocking-over tower of blocks. The blocks are now knocked over, and Green Puppy looks like it’s the best thing she’s ever seen in her life.]
Or when she celebrated fall with Blue and Periwinkle?
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[Image ID: Joe, Green Puppy, Blue, Periwinkle, Mr. Salt, and Mrs. Pepper are at an apple orchard. They are holding apples and wearing sweaters that match their signature colors.]
Or when she participated in the big parade with the rest of Blue's classmates?
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[Image ID: Blue, Green Puppy, and Magenta are having a makeshift parade using pots & pans, party hats, and a wagon. Orange Kitten, Mr. Salt, Mrs. Pepper, and Paprika are watching excitedly, cheering them on.]
Or Blue's Big Musical Movie, where Green Puppy gets to dance in the big show with everyone?
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[Image ID: A gif of Blue’s Big Musical Movie. Several of Blue’s housemates and classmates are on stage together.]
In the iconic episode "Blue Takes You to School", plus the tie-in book AND the tie-in PC game, Green Puppy was featured just as much as Blue's other classmates:
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[Image ID: Periwinkle, Orange Kitten, and Green Puppy are playing with boats in water together. Periwinkle, however, is holding a toy helicopter.]
If THAT’S not enough to convince you, Green Puppy even got TWO of her own books: “I’m Sorry” and “Green Puppy Goes to the Dentist”.
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[Image ID: An image from the Blue’s Clues book “I’m Sorry”, with the text edited out. A basket of strawberries, a hand drawn card, and a pile of flowers are sitting on the ground as Green Puppy and Magenta give each other a big hug.]
If that’s not enough evidence for you that she’s important, how about the fact she got her own figurine?
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Source (I AM NOT AFFILIATED WITH SELLER)
[Image ID: A figurine of Green Puppy. She is holding a blue lunchbox and an apple.]
She even got her own plush!
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Source (ALSO NOT AFFILIATED WITH SELLER)
[Image ID: A plush of Green Puppy. Her tongue is sticking out.]
So why was Green Puppy chucked out like trash when it came time for the reboot? Orange Kitten and Purple Kangaroo survived, and they're both considered "obscure" characters, just like her.
If I've gotten your interest now, and you want to know what you can do? Talk about her. Create fanart. Create memes. Together, we can make sure Green Puppy isn't forgotten.
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guzhufuren · 4 months
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love love LOVE your The Sign gifsets. im still a newbie in giffing lmao and your gifs are like reaaally pretty so i was wondering how you do your gifs? i really like how it's sharp and the colors pop up beautifully (only if you don't mind sharing ofcc <333)
bun this is the kindest thing you could have said to me, thank you so much <3 i wanted to write down my giffing process for a while in case anyone would find anything in it helpful, so thanks for giving me a push!
guzhu-furen's photoshop gifmaking process (kinda oriented on saving up time)
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1. Downloading a video. i prefer to download video files instead of making screen recordings because the latter usually leaves watermarks/captions and makes image quality lower. i will not be linking the downloading websites themselves directly, but they are all easy to find through search engines if you know what to search for! i download ql dramas from:
youtube:
if the video you need is above 1080p quality, search for youtube4kdownloader
if the video is age restricted, search for 9xbuddy
both these websites work for normal videos too!
mkvdrama usually has 1080p episodes of most asian dramas.
dramacool also has downloading options in case the show is not available on other websites!
2. Screencapping (i learned it through this tutorial)
i screencap using KMPlayer. here is the installer i used, but you can find versions of this program on various websites and torrents too! install the program and proceed.
screencapping steps: open KMPlayer > press "CTRL + G" to summon the Frame Extraction window > set identical settings to these:
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note which computer folder the screencaps will go to (it has a label "Extract to") > go to that folder on your computer and create a bunch of numbered folders there, for example ten folders named from 1 to 10, these would be our separate folders for ten gifs > write "1" or a name of another numbered folder after the backslash in "Extract to" bar in kmplayer > go the timestamp that will be the beginning of your gif in KMPlayer > press "Start" in the Frame Extraction window and press play on the video > when the moment you need to gif is over, press pause on the video and press "Stop" in the Frame Extraction window. great, you now have your folder of screencaps!
3. Importing screencaps to Photoshop
i use Adobe Photoshop 2023, but had used Adobe Photoshop CS5 for a long time before that, so you can use any version you have or find! it's available on various websites and torrents.
open Photoshop > Scripts > Load Files into Stack > press Browse in the "Load Layers" window that was opened
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open your screencaps folder (and pin the KMPlayer Capture folder for faster future access) > pick the screencaps you want for your gif by clicking on the first one, and then clicking on the finishing one while pressing Shift on the keyboard > click OK and let them load for some time! i have 65 screencaps loading at the moment
when the screencaps finish loading go to Window > press Timeline > press Create Video Timeline in the opened sidebar > press three dots that will say "Convert to frame animation"
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4. Sizing & making the base of a gif
next part will be automatic. i use actions for almost everything from this moment. download the basic action pack here and my additional action pack that we will need here. load them in your photoshop actions window (Actions > Load Actions).
play the Script action to create frames.
now onto sizing your gif. these are tumblr's width dimensions for 3 types of gifs
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my gifs are usually 540 px in width and 640, 400 or 345 px in height. i added a 400 px action (Sizing 400) in the action pack, you can use it! or you can follow the steps by hand:
Image > Image Size > put in the height you want and add 4-6 pixels there (mine will be 406 for a 400 px high gif) > OK
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now we need to crop the gif for it to fit tumblr's dimensions:
Image > Canvas Size > change Width to 540 (or 268 or 177) and take away the 4-6 pixels that we left in the previous step in Height
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when you figure out which gif dimensions work best for you, record an action and use it to save up time!
after sizing use the action Smart Object. now we have the base of our gif!
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you can move your gif left or right if you want! i will be doing this because i would like to show more hips in the gif.
press Ctrl + T > move the layer however you need (not in height though) > press Enter to save
i moved it to the right and my gif looks like this now:
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5. Sharpening (i use Tan's sharpening settings explained here)
i added two sharpening actions in the pack, they are called Sharpen Spicy and Sharpen Spicy 12. you can use one of them or you can sharpen your gif by hand, i will explain how to do it below.
Filter > Sharpen > Smart Sharpen > 500% amount, 0,2 px radius > OK
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Filter > Sharpen > Smart Sharpen > 17% amount, 10,0 px radius > OK (you can change 17% to lesser or bigger, depending how intense you want your sharpening to look. i use 17% for 4k footage and 12% for 1080 px or less videos)
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to smooth the sharpening a bit i use Gaussian Blur (this is optional, you can leave the sharpening as it is if you want your gif to be sharper).
Filter > Blur > Gaussian Blur > Radius 1,0 pixels > OK
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now change blending intensity to let only a bit of the blurring effect stay (you need to change this by hand if you used the sharpening action also).
press Blending Options (the highlighted place) twice > change Opacity to 10%
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this is what my gifs looks like with sharpening now!
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6. Colouring (i learned how to colour the way i do through this tutorial)
to make it easier for you to learn i will share my blank colouring file. i created it to save as much time while giffing as possible, so whenever i need to colour a gif i simply duplicate all the blank adjustment layers to the base of my every gif and start colouring! once you figure out which adjustment layers work for you best, i recommend creating a blank colouring file too to save time.
if you want to go the easy way, open my colouring file and duplicate selected layers to your gif file by Layer > Duplicate Layer > insert gif's document name
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if you want to learn by hand, create the adjustment layers that i will be naming in the process on your own, you can find them all in Layer > New Adjustment Layer
now we will use adjustment layers for our colouring from the bottom to the top! first, Exposure layer to add a bit of light to the gif. i don't always use Exposure because sometimes shots are bright enough on their own. i will, however, use it here. don't use it on your gif too much, because in the next few steps we will also be brightening the gif with other adjustment layers. i added +0,49:
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next, Hue/Saturation layer. i use it in gifs with neon lighting to color correct overly bright colours. for example if your characters are standing in neon pink, you might want to lessen Saturation in Magentas and Reds to make the final gif less pixelated, and etc. i will not use Hue/Saturation on this gif, cause it doesn't need it.
proceed to the layer Levels. this layer usually does most of my colouring. click on the lowest white dropper in your Levels window:
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now choose a light place on your gif and click on it with the white dropper. it works especially well if you use the white dropper on the lightened parts of face skin. you can play around by choosing different bright spots and seeing what works best. here is the spot i chose and the resulting colouring:
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this is too light, so now we need to balance it out with the black dropper:
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choose one of the darkest places this time and click it with black dropper! once again, you can play around and click different spot to see what works best. i will be clicking the highlighted spot and you can see what my gif will look like with this Levels settings
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as you can see, darkest places became darker and other colours were corrected a bit! now, this is still too bright, so i will be decreasing the opacity of Levels layer from 100% to a smaller number:
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i will have to continue in another post because tumblr only allows 30 pictures per one post in the new editor now and i'd like to explain everything in visuals. click to continue
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housewifebuck · 7 months
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hi everyone! I've gotten several requests to make a tutorial on how to make gifs for someone just starting out and I finally got around to slapping a tutorial together.
This tutorial will cover:
software recommendations
choosing what to gif
creating a gif step by step with probably a lot of unnecessary detail
some tips and tricks:)
(This particular tutorial will not cover how to find tv and movies to download and gif, or any specific instructions on coloring. only the basic gif making process.)
so for the purposes of this tutorial, we will be using Adobe Photoshop, which is the most common program for making gifs, and the one I recommend. the version you have doesn't make a major difference in terms of capabilities but the interface may be slightly different looking if you have an older version or a different type of device. you cannot make or edit gifs in any mobile version of the photoshop application. Optionally, we will also be using Adobe Premiere Rush/Pro or another video editing software of your choice. wherever you are downloading Photoshop, whether from Adobe or a third party, you should easily be able to acquire Premiere as well. I am aiming to be as detailed as possible in this tutorial, so it may sound more time consuming than it really is. once you get the hang of things, it goes fast. the most time consuming part by far is the editing and coloring. in my opinion, one thing that majorly saves time while giffing is knowing your keyboard shortcuts and using your mouse/trackpad as little as possible. I will be going over these in this tutorial as well.
before we begin, some general tips:
gifs of single shots that do not cut between angles or subjects generally will look the best, barring exceptions
for a single gif set, choosing scenes and shots with similar lighting will be easiest to get to look uniform when compiled together, since editing wildly different looking scenes to have similar coloring and lighting is hard and takes some practice!
avoid shots that will require you to majorly crop or zoom to properly frame the subject, as this will greatly diminish quality
speaking of quality, gifs will look best using 1080p video, but you can get away with 720p as well. I would not recommend giffing with anything lower resolution than that
Tumblr's upload capacity for image and gif files is 10mb. be sure when exporting your finished gif that it is under that size. if it is a bit over, you can try trimming a few frames off your gif in the video timeline.
if you get frustrated, don't give up! giffing is hard and complicated especially if you are new to photoshop. I tried to make this tutorial as detailed as possible so it's easy to understand (although im sure I still forgot some stuff)
ok onto the tutorial!!!
STEP ONE: choose what range of frames you want to gif, and how.
once you have decided what you want to gif, there are two main way to convert your episode into a range of frames to make into a gif. the first is by screencapping. this involves downloading a program like mplayer or vlc which can be used to convert video files into "stacks" of screencaps, which can then be separated into whatever range of frames you want and imported into photoshop. this is seemingly by far the most common method I have seen amongst gifmakers*, but personally I don't care for it and I think it's more confusing and time consuming overall, so I will be explaining the second method: importing video frames to layers.
now, normally what this would mean is opening the full episode in photoshop and using the pathetic little playheads on either end of the scrub bar to trim the file into a clip. this is where your video editing software comes into play.
open whatever episode or movie you want to gif in your program. if it is a large file like a long movie in 1080p, this may take a few seconds. like I said, I am using Premiere Rush. I will be using a random episode of 9-1-1 for my example gif.
in your media browser, hover over whichever episode you want (you can also just add the whole episode to your project and scrub through, but that can take longer unless you know what time stamp you're after). click the fullscreen button by the bottom righthand corner.
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now you can scrub through and trim the episode before you even import it to premiere. this makes trimming your clip even easier.
use the trim bar (yellow outlines) to trim as close as you can around the scene you want to gif.
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then click this plus, and then "add" below. this will add the clip to your project.
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now, move the blue playhead up to the frame you want your gif to start on. then, use the scissors button off to the left to slice the clip. select the portion before the playhead, and delete it.
now move the playhead to where you want the gif to stop. a good length for most gifs is around 1.5-2 seconds in my opinion. some may be shorter depending on how long the shot is, or longer if you plan on making them smaller (remember, the uploading capacity on Tumblr is 10mb per file.) trim again, now delete the portion after the playhead. you can also use the left and right arrows beside the play button to move frame by frame, and you can adjust the side of the horizontal scroll bar below your clip to “zoom” in on it and make scrubbing easier.
once you have your clip, go up to where it says "share". your clip will be rendered, and then you can click export to save it.
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repeat step one as many times as you want for each gif. I know this may sound complicated, but like I said above once you get in the rhythm this step takes only a few seconds.
STEP TWO: create your gif!
close premiere. open photoshop. head to the control bar at the top. select file > import > import video frames to layers.
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navigate to whatever folder you exported your clip to. select it, and hit enter. a second popup will appear asking you to select your range of frames. since you have already trimmed your clip to your liking, simply hit enter a second time.
now your screen looks like this, and we are going to crop and resize our gif! (troubleshooting: if you do not see the timeline bar at the bottom, select window from the control bar, scroll down, and make sure timeline is selected as part of your workspace. Adjustments and layers should be there automatically but if not add them too).
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Tumblr posts are 540px wide, so in order to make my gifs as small as possible while maintaining quality, I typically crop my gifs to be around 550-600px wide, with varying heights depending on what shape I want the gif to be. experiment with this a little and decide what works for you. just don't make the width lower than 540px. once you have the portion of the frame you want inside the cropping grid, hit enter again. sometimes you have to hit it twice.
here are the measurements I am using for this gif
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now in your timeline, select frame 1. hold down the shift key and scroll to the end to select the very last frame, thereby highlighting them all. from here we will edit our frame delay rate. photoshop will automatically set it to .03s, which will make your finished gif awkwardly fast. I typically use .05s, or .06s if I want a gif to be subtly slower (this comes in handy if the shot you are trying to gif is very short). anything longer than .06s will look weird though. choose "other" from this menu and type in your delay rate. make sure not to miss the zero after the decimal.
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once you've set your frame rate, go to the other end of your timeline and click here to convert your frames into a video timeline.
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then press option + command + A (on Mac) or windows + alt + A (on PC) to select all layers. then right click (control + click with a trackpad) on any one of the highlighted layers in your layers tab off to the right. scroll down in the popup menu and select Convert to Smart Object.
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THAT'S IT!! CONGRATULATIONS!!!!! WE HAVE GIF!!!
from here comes the fun part!! you will begin adding action filters like sharpening as well as adjustment layers to color and edit your gif. experiment with different adjustments and styles until you find something you like. too many adjustment layers will up the size of the finished gif though, so I tend to keep mine to 3-4 layers max unless its a really hard to color scene. if anyone is interested in a separate coloring tutorial, please let me know!
once you are finished editing your gif, click file > export > save for web (legacy) OR hit shift + option + command + S. play your gif in the export window to make sure it looks okay, and then hit save!
I hope you guys find this helpful and informative! please hit up my in box if you have any questions or if anything doesn't make sense. happy giffing!!!
*one reason people seem to prefer screencapping to this method, is saving all the individual clips as video files does take up a lot of space on your scratch drive, which in turn can cause your computer to work slowly or crash programs. this can be rectified by making sure to delete the clips from your computer once you are done making the gifs. another space hoarder to look out for is the proxy files of your episodes that will be automatically saved to your hard drive whenever you add an episode to your project in Premiere. Periodically, go through your storage and delete all the .proxy video files. this will not delete the original episode files, only the proxy files created by Premiere.
tagging some mutuals to sb hehe: @shitouttabuck @lover-of-mine @honestlydarkprincess @eddiediaaz @compactdiscmp3 @eddiebabygirldiaz @bigfootsmom @callaplums @athenagranted @firemedicdiaz @sibylsleaves @loserdiaz @buck2eddie @diazass @eddiediaztho @giddyupbuck @monsterrae1 @icecreampotluck @sunflowerdiaiz @swiftfootedachilles @singlethread @aziraaphales @911onabc
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for-a-longlongtime · 8 months
Text
On Dieter, Goya's Black Paintings, and Pedro on Talk Art 
Alright y'all, it's Saturday evening, I have nothing better to do (I actually do but I don't feel like it), so welcome to my mini TED Talk about 'how to pay too much fucking attention to the Pedro cinematic universe'. None of this is new, and maybe everybody already knew about this, but I didn't... so here's a nerdy tangent courtesy of googling/wikipedia-ing.
I was reading a Dieter!fic (this one right here by @chaoticgeminate - go read her writing!) earlier today, which refers to the 'Saturn Devouring His Son' painting - that giant mural Dieter is working on in The Bubble:
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(his brush isn't even touching the wall tho, ha)
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The original 'Saturn' by Goya
The fic mentioned its part of 'The Black Paintings', so I got curious and started googling. I'm no art major or expert, so please allow me to just paraphraze the Wikipedia page. 'Saturn' is part of a group of 14 Goya paintings that are called Pinturas Negras/The Black Paintings. They "portray intense, haunting themes, reflective of both his fear of insanity and his bleak outlook on humanity" --this was late in Goya's life, and was connected to several illnesses he had experienced (and the fear of relapsing) and political turmoil in Spain at the time (post-Napolean war, changing Spanish government, etc.
Trivia fact 1: Goya actually made these paintings right on the walls of the Quinta del Sordo (so-called Deaf Man's villa) where he was staying -- so I love that Apatow had Dieter also paint right on the walls.
Trivia fact 2: while Goya was living in this villa, he actually became gravely ill (again) - not by a pandemic obviously, but it's hard to not link that loosely to the COVID period. He had never intended for these 'Black Paintings' to become public; "these paintings are as close to being hermetically private as any that have ever been produced in the history of Western art" (the murals were eventually transfered to canvas by other folks once he had moved out of the villa). Switching back to The Bubble -- I love how the tragic influence of Goya's illness(es) and art/things 'made at home away from the world, not intended for an audience' (so obviously, in a bubble) has that connection to the COVID experience and how many folks were suddenly homebound, along with the burden of illness in many ways (lord knows this all did a serious number on our mental health). In the movie, Dieter and the others do not want to go into isolation again, but that solitude is what eventually led him to painting on the walls in his room. This is not a 'grand discovery' of any kind, but I got a kick out of the parellels once I read up on it - and honestly makes me appreciate the movie a bit more, haha.
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Not happy about another quarantine period.
Alright, more hyperfocusing after the cut:
Some googling led me to a post from last year by @nicolethered (gifs in this post are hers), and she included screencaps of the walls of Dieter's room (during that drug scene), which I hadn't even noticed while watching the movie. Upon taking a closer look, I noticed they're outtakes from other pieces of Goya's Black Paintings! I thought that was really cool, they sure worked on the details with that set (there's one more that's shown in a different shot but I can't exactly figure out which outtake that is):
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First one is a mirror image from Two Old Men Eating Soup and the second one is basically Satan aka 'The Great He-Goat' from the Witches' Sabbath painting. Which IMO makes for fucking hilarious perfection a.k.a. trivia fact 3 -- because we all know about Dieter and his little emotional support goat, LOL. Excellent connection.
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*insert sound bit from Hot Ones interview* : "Just let me love you!"
Anywaaay there's more. The Bubble was shot during Feb 22, 2021 to April 16, 2021, right? Pedro has spoken about how his input in shaping Dieter was mostly regarding his outfits (the Crocs, the robe, etc). But then I suddenly remember the Talk Art interview he had done in 2018, and how he namechecks 'The Dog' by Goya - and lo, guess which painting is actually part of the 14 Black Paintings? Yeap - the dog! So I checked the podcast and he was asked, 'if you could be any painting, what painting would you be?' by Russell. Here is the painting, and below it is what he said on Talk Art:
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'The Drowning Dog' by Goya
"I think… it's a Goya. Yeah, old school. I think it's called 'Dog Buried in Sand' or something like that. It's so… I remember feeling it was such a visual representation of helplessness, in such a… come on, let's all admit that helplessness is a very recurring feeling for many of us, you know what I mean? When it comes to so many things. I guess… I was in Spain, in Madrid, and I was 20. And I went to the Goya museum. What's interesting about it is that the head of the dog is really quite small and sort of adorable, it looks like a stray mutt, and the painting - if I can remember it correctly - is very rectangular. There's so much above him, like the world just seems so big. It's quite incredible, isn't it? I know it's really sad, and sort of dark, and maybe I really like enjoy perceiving myself like..." (He gets interrupted by Russell, and then continues;) "Yeah, he's certainly not dying, it's sort of - it's a moment", (then interrupts himself with;) "Maybe he's totally dying, there's no way that dog is getting out of that. That dog is SO fucked. Anyway, that's the painting that represents my life". (All three of them burst out into laughing.)
If you're still reading this - I am impressed with your dedication to my silly little post, haha. Anyway, I just thought it was so striking that there basically is a straight line from the painting he mentioned in Talk Art to what Dieter is painting in the Bubble. Makes me wonder if perhaps he - or even Russell/Robert - had any input in that part of Dieter's backstory.
Thank you for attending my TED Talk on artistic analysis of Dieter Bravo during COVID, we now resume your regularly scheduled program for Saturday night. 🤪
(Have I been smoking because a local dispensary actually had 'Mando' bud? I sure as fuck have and I blame that for this post.)
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bylrndgm · 2 years
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i noticed something...
I was watching S04E01 (because I needed screencaps for an edit I made that I’ll post sooner or later) and, oh my, I had to share with you all.
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As soon Lucas says this, look at Mike’s reaction:
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To me it just screams: “yeah you’re right”. And there is even a little disappointment? And what about the last frames where he nods a few times as to convince himself?
I haven’t made a gif but seconds later he is nervously playing with the shoulder strap of his backpack.
We understand here, that they started high school with a goal: to make things better, to change, twist their lives for the best.
But then we see Mike and well... he looks disappointed, almost guilty, getting nervous, because he knows that for him things didn’t get better: new chapter but same book, same mindset, same everything. 
He nods, trying to convince himself that maybe, things will eventually get better.
Now fast forward to Mike and Dustin’s search for a sub for Eddie’s campaign. After search with no results, Mike proceeds saying this:
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If we assume correct the supposition that high school didn’t really provide Mike with the change he wanted to have, then, it’s understandable that he hates high school, and so, why keeping convincing himself that things will be any different?
Also, by saying hate it means that he’s still hoping things will change, he hasn’t given up on that already (when you say you hate something, means you still care, remember xoxo).
But again just notice Mike’s expressions a few moments later, because he’s either on the verge of crying or just out of breath.
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In this last one gif, to me, it’s pretty clear that is the first option: he’s on the verge of tears. I am feeling it in my bones, blame it on my water placements, but it couldn’t be any clearer.
So, my take on this, and I ought to kiss my meninges because for once in their lives have clicked on something, is that:
Will left, and Mike had to re-adjust his life, find another balancing point
No wonder he started playing DnD again, it’s like connecting with his inner child and keep Will next to him even if he’s far
However, as much as he wanted high school to bring some fresh air into his life that didn’t happen and Mike is left with hating high school because it didn’t bring any clarity, Will’s still in California, nothing has changed.
The only person that can actually substitute Lucas would be Will and the reason why he hates high school it’s that it had to help him not to think about Will being far, but here he is again, thinking of him.
I’d love to hear your thoughts on this, btw! Hope it made some sense!!
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ellsieee · 9 months
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I'm really going to miss SWM despite the sad ending. The actors really did a great job with what they had and could do. I knew the accident was going to hurt me, and that it would be a OE, but I did not expect it to be more like a BE. More about that later. At least we got a whole episode of happy boys before all the shit hit the fan.
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This scene really touched me. Su Yu pushes Wu Bi to achieve his dreams and is there to support him all the way. We also get another hint of what Wu Bi's time capsule wish is. My guess is that he wished for he, Su Yu and Doudou to always be together. Normally it's Wu Bi who is always saying he doesn't want to be separated from Su Yu, but this time, it's Su Yu telling Wu Bi not to leave him, pulling on Wu Bi's heartstrings. 🥹
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Why does Wu Bi have a picture of his and Su Yu's epic bike ride framed? Did his mother draw that? Did he get the idea from her? Wu Bi, I have so many questions...
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Su Yu wrote a wish card for Wu Bi too. 🥹 I am not ok. 😭
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One last shout out to the shipper girl. She knows. 🤭 I'm glad they didn't write her as a crazy person, inserting herself into Wu Bi and Su Yu's relationship and doing a bunch of weird stuff to get them together.
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Arghhhh the foreshadowing! When Su Yu said that, my heart filled with dread even though I already knew what was coming. No. They're going to ride their bike together forever ok. 😭
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Wu Bi is so completely smitten with Su Yu. It's all heart eyes, all the time. They are so cute. Was this the reward Su Yu was talking about? I thought it would be something 🔞, but taking Wu Bi on a date might motivate him even more. I mean what kind of equestrian center has prince charming equestrian outfits? 🤭 I think they look great, but this totally looks like a date (Doudou is just there to make it look less gay).
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Wait a minute... that's not what the director demonstrated! I wanted to see that peck on the lips! Please tell me they shot two versions and we'll see the uncut version later. 🙏
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Psycho alert! 🚨 Mo Yi was hella creepy here. I was a bit scared he would actually hurt Su Yu. You can feel all the resentment he has for Su Yu. First his ex-gf wanted to be with Su Yu rather than him. Second, Wu Bi has chosen Su Yu over him and is acting like a little bitch towards him. Not defending him, but I honestly don't think Mo Yi would have felt such hatred and resentment if Wu Bi hadn't started being really rude and bratty towards him after falling in love with Su Yu.
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The ultimate sacrifice. 😭 Wu Bi knew there was no way to stop the car safely so he chose to protect Su Yu by crashing the car on the driver's side. Even though I knew the accident was going to happen, it still hurt so much. Wu Bi will always protect Su Yu no matter what. I read some comments scolding Su Yu for sleeping even though he knew something was wrong with the car. My interpretation is that Su Yu wasn't sleeping, he was worried too, but he trusted Wu Bi completely, and Wu Bi told him to rest because he can handle it, so he did. The level of trust and confidence you need to have in your partner for that is just...
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I didn't notice this the first time watching because I was too busy wailing, but Wu Bi hugged Su Yu to protect him. FUCK. 😭😭😭😭 For all the unreasonable jealousy and temper tantrums, Wu Bi really is the best boy.
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This is so painful, I can't screencap bloody Wu Bi anymore. It killed me that Wu Bi woke up for a second to stare into Su Yu's eyes when Doudou called to complete their OT3, only to fall into a comma again.
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Argh this ending! Is Wu Bi alive or dead? I didn't notice that the doctor nods a little when speaking to Su Yu the first time around. Doctors usually only nod when the operation was successful, so I guess Wu Bi is alive but what about the empty house? Only Wu Bi's stuff is still there, meaning that everyone left him? How is this not a BE? 😭
Of course this makes sense as a set up for a season 2 but I feel like they still could have given us a conclusion. Something like Wu Bi lives, but Su Yu left because he knew Mo Yi was crazy and he wanted to protect Wu Bi. Then the new season would be about how the boys find their way back to each other. It wasn't necessary to leave viewers hanging and heartbroken. 😢 And with 24 episodes of 30+ minutes runtime, I felt the team had enough time to tell a complete story. It shouldn't matter that book 1 of the novel ended like the series because the drama should stand on its own outside of the novel. Besides, wouldn't it have been safer just to film the whole thing at once to avoid the risk of not being allowed to film part 2?
There's a lot of doubt that S2 will actually happen, but someone asked Mo Yi's actor if there will be a 2nd season and he said that there should be. I'm not going to get my hopes up too much before there is official news that everyone is shooting again to spare myself any disappointment, but of course I am hoping for a second season. In the meantime, I hope cjd will release the uncut version of the series that she teased about before. I really do love this series so much even though I was disappointed with the ending. I'll have to treat SWM like MODC and skip the end. SWM only has 22 episodes. Yup. 🤡
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payidaresque · 2 years
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Gifmaking/general photoshopping tips and tricks for beginners (and not)
Hi all! Before we start, I’d like to tell that I’m no expert in any way and everyone should work they way they are comfortable with, these are just some things that I’ve collected over the years to make my life a little easier. And hopefully, yours too. There’s no particular order. I’ll try to keep this nice and short. Let’s get down the rabbit hole, weee! WARNING: IMAGE/GIF /TEXT HEAVY!
Tip #1: Use cropping presets Instead of typing dimensions by hand, use cropping presets for quick access. To do that, chose the Crop Tool, type in your dimensions, then go down the dropdown menu on the left and chose New Crop Preset. Tada! You saved your settings for further use. Here are some of mine
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Tip #2: If available, work with video timeline instead of frame animation I personally think that it’s much handy and saves you from a lot of unnecessary clicks, plus you can do a lot of effects (such as text animating etc) without too much trouble. It all comes down to personal preference tho, of course. Here's super useful in-depth tutorial on how to make gifs with video timeline
Tip #3: When working with colors (especially very vibrant ones), convert your document from 8 bit to 16 bit first I bet many of you come across this issue: when you work with colors and using brush tool, the visible stripes may appear and ruin your whole image/gif. Like this:
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It’s called color banding. Ugly, right? Without too much of technical terms banding happens when an image loses its colors after being digitized (e.g. screencaps, or basically anything that was captured using any capable device). Bad news is that you can’t fully fix it because you can’t restore what’s been lost for good (here’s a great and detailed walk-down on what banding is and how to fix it). But what you can do, is make it less visible. To do that, open your document, and before doing anything with it, go to image > mode > 16 bit. (32 bit is more advanced, i never use it because 16 bit is quite enough for my work) It adds more color depth (or should i say imitates it) to the document, so now when you work on your gifs, the color stripes won’t be as harsh. Another way to fix color banding is to add noise manually. But I prefer to switch image modes because photoshop does a better job at adding more natural kind of noise and it’s barely visible to the eye
Tip #4 (requires video timeline): when slowing down gifs, change the amount of FPS Sometimes when you slow gifs down they may look kind of choppy. A quick way to fix that is go to your video timeline, click on the three lines button, chose Set Timeline Frame Rate and change the number in the pop-up window. The higher the number, the smoother it will be, but don’t overdo it. I personally go from 60 to 120 FPS and see what looks best for my case. Some times it's barely noticeble, some times it can make a huge difference
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Tip #5 There’s no quick solution to anything Well it’s not exactly a tip, more of an advice actually. I know many of us want our work come to life as fast as possible, preferably, exactly in a way how it was in our mind. But for better or for worse, nothing in this like works like that. So when you make gifs, remember that there’s no «universal» psd coloring, sharpening, blend mode, texture, etc that works exactly the same in every case. Bc every scene is different, the lighting is different, the original color grading is different. As soon as you get used to that, it won’t be a problem anymore. So don’t get scared or discouraged when something doesn’t happen in a matter of «poof» — it’s completely normal. Don’t be too hard on yourself, don’t rush things, take your time and don’t try to be «like that person who’s gifs I like very much». It’s wonderful to get inspired, but try and discover your own tools and ways to work, something that will make your work unique and maybe even becomes sort of your personal signature. Most of the things I did came out of pure experiments i liked the end result of
Tip #6: Discover the power of blend modes and opacity Don’t be scared to play around with the layers you use, they don’t have to be untouched, on the contrary, they should be modified in ways to achieve interesting results. For example: original gif with only sharpening applied (16 bit mode)
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Colored with a whole bunch of Gradient Maps on different blend modes and opacity settings (also 16 bit mode. Not my best work but it pretty much illustrates the point)
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Tip #7: Uncheck the «Delete cropped pixels» option in Crop Tool Sometimes when you do gifs, you often find yourself wanting to reposition them because you feel they’re not quite in the right place, but this happens It’s because this option is checked and Photoshop deletes everything what’s outside of canvas once applied. When it’s unchecked, it just hides those pixels away, so you can freely move your image around whenever you want (not the best example but you get the idea)
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Tip #8: Use text boxes instead of individual text layers That’s pretty self-explanatory. It looks much, much better. Take your Text Tool, drag it across the document to create a box, then paste/type your text and you’re done! Here's a great and detailed guide on subtittles.
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And that's about it folks! Have fun being creative :) And if you have any questions, don't hesitate to drop 'em in my askbox.
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feudalconnection · 1 year
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The Nomination Period for the 2nd Term 2023 Inuyasha Fandom Awards is now CLOSED!!
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Hey everyone!
Below the cut you'll find a complete list of all the Fanart nominations received for this term!
The list of Fanfiction nominations can be found here!
Thank you to everyone who participated in this term for taking the time to do so. We hope you enjoyed your experience! If you do not see your nomination, please reach out to us as soon as possible!
We strongly encourage that when you view a work of art or read a fanfiction, please reblog or leave a review to let the creators know how much their work and talent is appreciated!
As a reminder, we are giving 3 weeks time to enjoy all of the creations. The voting period will begin June 5th and end June 20th.
In order to be able to vote, you'll need to register so we can keep it all neat and clear. We will be posting the link to the voting form on the first day of the voting session.
Got a question? Check out our FAQ or send us an ask. You can also message one of the mods directly!
Don't forget, we also have our Feedback Form open until the end of this term! We'd love to hear any and all feedback, suggestions, and recommendations!
Thank you to everyone who nominated for making this 2nd Term absolutely wonderful, and happy voting!
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Best Action/Adventure
“A quick sketch” by @cati-art
“Unnamed” by @amlli
Best AU/AR
“Phantom of the Opera” by @kalcia
“Valentine’s Day” by @sagiriti
“Hades & Persephone AU” by @m2moon94
“Orgullo & Prejuicio” by @m2moon94
Best Canon Universe
“InuKag” by @alasxeart
“Three years separation” by @len-barboza
“Oh Brother (Part 2)” by @mama-ino
Best Angst
“✨ Brothers ✨” by @xtaisanax
“Welcome Home” by @valgreys
Best Dark
“He’s angery” by @brain-rot-hour
Best Humor/Parody
“Magic in Bed” by @mamabearcat
“But I followed the recipe” by @daikiidokii
Best Kiss 
“Love languages” by @rubbesart
“Midnight Bribe Moonlight Bride” by @elevenharbor
“Welcome Home” by @katballesteros
“I Miss You” by @sayuri-liu
Best Character
“Naraku” by @soluryn
“Kagura” by @rhapeseuhans
“Hit the Mark” by @spiralofdragon
“Untitled” by @mama-ino
“Naraku from The Deadliest Sin” by @moonkissedart
Best Duo/Pairing
“By my Side” by @pachworldx-1
“Under the Moon” by @thepadawanartist
“Sleepy Journey” by @hycopank
“I felt him, Mama! He Moved!” by @katballesteros
Best Doujinshi
“Way of the House Demon” by @lucymorningstar257
“The Last Days” by @liquidashesart
“Nameless” by @heavenin--hell
Best Redraw
“Another redraw 🌸” by @angstiana
“Screencap redraw” by @bre-draws
“Live” by @thunderpot
“Untitled” by @geda-art
Best NSFW
“The Wolf” by @alicepupurred
“The Doubleganger” by @valgreys
“A Bit of Naked Inuyasha” by @kalcia
“Inuyasha’s Dream” by @geda-art
“Mermaid Service” by @sayuri-liu
Best InuKag Romance
“A letter from daughter” by @sollee-art
“記念日おめでとう” by @len-barboza
“Prometo Volver” by @pachworldx-1
Best SessKag Romance
“You and Me After All” by @thepadawanartist
“Welcome Home” by @valgreys
“Little Miko” by @milkfromcats
Best Romance
“She Will Always be Loved” by @elevenharbor
“Kagome Watching Like” by @brain-rot-hour
“Not to Her” by @classysassy9791
“Gift Exchange” by @izakimi
“Leap of Faith” by @ashleys-canvas
Best Lineart
“Inuyasha y Kagura” by @meliboquin
“Anyone has that urge to draw a webtoon” by @weeeting
“Did I watch Inuyasha when i was 8” by @il---re
“Sketchy sketch WIP” by @lucymorningstar257
Best Group Depiction
“Pictures of Happiness” by @memilylove
“Making Waves Family Portrait” by @clearwillow
“Oh Brother (Part 2)” by @mama-ino
“Thinking about Kagura” by @tmetta
“Happy Mother’s Day!” by @eliza-faust-diary
Best Overall
“Kagome” by @alicepupurred
“Kikyo” by @purilly
“Making Waves Family Portrait” by @clearwillow
“Under the Moon” by @thepadawanartist
“Moroha like Mutt Williams” by @nikelaos87
“Untitled” by @inumysuzue
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reputayswift · 10 months
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Hey, Taylor! Hope you’re doing good these days! I remember that some time ago you mentioned you wanted to change the way you make your gifs because they weren’t turning out the way you thought they would (or more like tumblr was helping decrease quality even when they’re in 4K? something like that) either way, I remember you were annoyed by the final result and wanted tips to change to another way to make gifs. I’m going through something similar so I decided to ask if you found a new way to gif that works well for you. And if so, is there a tutorial you’d recommend? Btw I love your gifs and think they look awesome, so there’s that! Take care 🫶🏻
HI ANON I LOVE YOU! I’m still not happy with the quality of my 540 px gifs but at this point I think it’s just a limitation of the programs I’m using (Photopea, mostly, but it’s still a REALLY strong substitute for Photoshop). It also might be the intensity of my coloring 🫡 but I can share some of the things I’m doing!:
Making my multi-column gifs 1 size larger than they need to be & adding a high pass filter (I go into both here)
Screencapping with MPVplayer (mpv.io) instead of uploading the clips directly to Photopea (tutorial on how to download it on Windows here) I think this has helped with my quality a bit but it also makes my editor crash if I use too many frames :’) Firefox seems to handle it best. Here’s a tutorial on how to upload frames as a stack in Photopea (about midway through the tutorial) and I’ve used a handful of the tutorials they list under “other helpful tutorials” as well! (take a drink every time I say “tutorial”)
And here are some of the ways I've been "correcting" blurry gifs:
*note: major flashing gif warning + in the actual set I used a raster mask to sharpen the middle scene more gently, I want you to mostly focus on the background here!
no sharpening: background scene taken from 4k footage
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smart sharpen filter only: amount = 150%, radius = 1.0 px (this is the default for Photopea)
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high pass filter only: radius = 0.2 (I usually stay between 0.1 and 0.2, otherwise you start getting dark, blurry edges)
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smart sharpen + high pass: same settings as above and using this method here
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smart sharpen + high pass + reduce noise aka my newest method: sandwiching! I prepare my smart sharpen and high pass folders using the above method then BEFORE MERGING duplicate the sharpened folder and apply a reduce noise filter, strength = 5, protect detail = ~70% and adjust the opacity as needed
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this can help soften the sharpening, but I'm still seeing some colorbanding happening behind her in the middle scene. so when the tumblr size limit allows me my ideal method is...
smart sharpen + high pass + reduce noise + add noise: BEFORE MERGING, I take that "smart sharpen + reduce" folder and add a noise filter, 1%, distribution: uniform, monochromatic. Yes, this seems counterintuitive but compare the water behind her in this gif versus the last two!
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I find that sandwiching the noise filter between my sharpening and high pass gives me some of the smoothing benefits of a normal noisy gif without the overwhelming grain (or file size)!
and here's how the gif turned out in my set! (I partially masked out the middle gif so it didn't get the full force of the sharpening + applied a smart sharpen filter to the painting before doing all that ^ but you get the gist!)
before & after
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starwarsotsource · 1 year
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About reposting gifs
As I mentioned yesterday, one of our gifs was reposted without credit on someone's blog, which I found through my tracked tags. I first left a comment on OP's post telling them the gif was mine, linking to the original post, and to please delete it. When I saw that the post was still up hours later, but my comment was gone, I left another comment repeating what I'd said, and I made a post here warning users about that blog. The blog is deleted now, so I wanted to talk a bit more about what happened.
➡️ Fanwork creators can do very little if our work is reposted on Tumblr
For those who don't know, it used to be that you could report posts to Tumblr as reposted content if you were the creator by providing a link to the original post - this extended to fanworks. Now, only copyright holders can request for content to be taken down. Tumblr has left fandom creators without recourse to protect our work, so the only thing we can do now is ask people to take down their posts when it happens and hope for the best.
I know that sometimes people repost gifs and fanart because they genuinely don't know that it's frowned upon. But there are also blogs filled to the brim with content they stole from other creators and are trying to pass as their own, unfortunately.
Blasting someone's blog like I did is not the kindest course of action, but by having my comment deleted, I assumed it hadn't been a genuine mistake. I also assumed that, after I left that second comment, OP would block me and that'd be that. I shared what had happened so people would know not to reblog that post, because that's the other thing - it's not just that our creations are now in someone else's blog, it's that they're going to be reblogged from that person and there's no way to stop it after that happens.
➡️ What I want to happen if you reposted my work
I woke up today to a private message from OP apologizing and saying that they would delete their blog. This is not what I'd asked or wanted, and I'm very sorry about it. I know I could have been kinder, but again, I had reason to believe OP simply didn't care, and I did the only thing I could think of to stop the damage.
I don't want you to delete your blog or leave a fandom if you mess up! I just want you to delete the post, apologize and do better.
➡️ Why you shouldn't do this
Saving someone else's gif that you found on Tumblr, or looking up gifs on Google, and uploading them into a new post on your blog along with other gifs you found is not cool. Like artists and writers, gif makers spend years learning how to use software and honing their skills; they spend their own time looking up screencaps, working on their ideas, and fine-tuning how gifs look; they create gifs for specific sets with specific ideas. It's our content. We don't want our credit to be erased, and we don't want our gifs to be part of gifsets we didn't intend them for. If I wrote a fanfic, and someone lifted a paragraph from it and inserted it into their own fic, that'd be bad, right? It's the same here.
And if that wasn't enough, there's been a huge decline for the past years in the number of notes we get, because less people use the reblog button now. Seeing our gifs duplicated doesn't help.
➡️ "What do I do if I want to..."
👉 Share this cool gifset I found on Tumblr? Reblog it! Using the reblog button is not the same as reposting - that is when you save a gif to your computer and upload it to a new post on your blog. We want you to reblog our posts!
👉 Share this cool gif I found on Google? Instead of immediately saving it to your computer from the results page, click on the image so you're taken to the source. If the source is Tumblr, you can reblog the post from there straight to your blog!
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I hope this was helpful!
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arcplaysgames · 1 year
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Actually, no. lemme recap now because I bet once I meet the Big Bad and beat them it'll be like 2 hours of cutscenes and dialogue.
Where did I leave off-- REALLY? THAT LONG AGO? FUCK ME.
Okay SOMEONE remind me LATER to sum up Empress, because I completed it. Note to self, it's around 12/2 in your screencaps.
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So Shido wins the elections because it turns out that no one saw the Thieves' big calling card for him, and those who did didn't remember it. There is obviously Some Shit going on with people's mass apathy syndrome.
Because Persona only has one theme and it's "people will be too lazy to pay attention to the truth, fucking sheeple," I guess.
/clucks tongue. I'm not really impressed by this turn of the story, I'm kinda Over the slow increase in apathy that winds up being the undoing of the world until we beat up a god and save everyone. This is the third time, I would have shaken shit up by having the Hidden Big Bad send the Thieves a calling card, demanding they come protect their Treasure, and then you meet the Big Bad and just gimme a villain with a motive, goddamn. It's a supernatural story, the sky's the limit!
I shouldn't kvetch too much yet. Anyway, Shido admits to his crimes, but the populace doesn't seem to care and still supports him.
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Shido's lackeys basically go "okay Shido had a major meltdown buuuuuut we can still carry his agenda forward bc if we don't, we're all going down with the ship here."
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Excellent question. In P4G I had a pretty strong idea what was doing that and here I do not, can y'all drop some hints?
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Morgana points out that the general public has a Palace and has a Treasure. It's Mementos. So if the crew wants to force a mass shift in the world's perception, they can do that. But like all other Palaces, when the Treasure is taken, Mementos will collapse, to be replaced with new, corrected cognition.
In the process, the crew will lose their powers. Oh and Morgana is gonna die.
The game hasn't said that part yet but if they didn't kill Ryuji, they're gonna kill Morgana, fucking bet.
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I love you, Morgana Notacat.
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This was actually where I got my idea of what Morgana is. Morgana's upgraded Persona is Mercurius/Hermes. Yanno, the god of messages, of thieves, of swiftness, and well-known classic psychopomp.
Morgana keeps remembering himself being born in Mementos. He's without a doubt some manifestation of humanity's rebellion against systems, the literally cognitive patron saint of Phantom Thieves. He's a mascot in the most literal sense, an emblem of good luck for the Thieves' work.
Even the fact he's a cat kind of fits in nicely. Cats are free spirits who opt-into being it other people. They are creatures of choice.
I'm gonna be big sad when Morgana fucking dies lemme tell you. I'm pretty sure he's, like, sustained by Mementos and the plan is to collapse it? Yeah, Morgana is fucked.
Goddamn HERMES, that's so cool. Morgana, our psychopomp into the bowels of the collective unconsciousness.
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GODDAMIT NOTIGOR WHAT DO YOU WANT, IT IS CHRISTMAS FUCKING EVE, YOU BETTER GIMME PRESENTS.
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I know that you know that we all know that this isn't Igor but sometimes it fucking floors me how much he isn't Igor, jesus fucking christ. Who tf is this guy. I hope he's the Big Bad somehow bc there ain't anyone else at this point.
Please don't pull another It Was The Gas Station Attendant, Persona, I'm fucking on my knees begging you.
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lmao i love the game poking the player to ensure they noticed Morgana is acting odd
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Deep in Mementos is... this..... uh..... thing. A bunch of otherworldly veins flowing down into the core.
/looks nervously around
so uh. is it a hot take to say that, uh, the last segment of this game here, the Mementos Depths, is the ugliest place in the game? Just wondering because wow working through this place, I was struck by how completely aesthetically unappealing all of this is. It should be mysterious and eerie but mostly I am finding it.... blurgh. I thought Kaneshiro's Palace was pretty unappealing too, but this is bad enough I feel the need to remark on it.
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/gestures at screen. What is all this????? oh god it reminds me of the Collector Base in Mass Effect 2. Except that game came out in 2010 for the previous generation console. /winces
Anyway.
The Depths of Mementos is a prison of complacency.
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All of the Shadows the Thieves defeated are in the prison cells. They are relieved to be there, where they don't have to think. Everything is taken care of for them.
Man, remember back in Persona 3 when it turned out that defeating all the Full Moon shadows was actually the thing that doomed the world? Wouldn't it be hilarious is the Thieves fucked all this up the whole time? l m a o.
I honestly don't know if that's what's happening here yet, I haven't reached, like, the Explanation, but it does feel a bit like alllllllll the way back at the start of the liveblog when I was contending with the ethics of the entire idea of stealing someone's heart and what it does. The game went out of its way to justify doing it with Shido's attempted suicide, but the bridge to far for me (and thankfully for Ann too) was killing these people.
But now what happens seems to be akin to ego death instead, and.... I dunno, man, is that much different than murder?
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SIGHS LOUDLY
okay is that true or is this another fucking situation where Izanami is like "WELL REALLY when you THINK ABOUT IT all I'm doing is giving humanity what they really want soooooooooo it makes you think huh, doesn't it make you think"
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MAYBE THE GAME WILL PROVE ME WRONG, I DUNNO YET.
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oh my god. oh my god.
IGOR!!!!!!!! IGOR IS IN THERE!!!!
LEMME IN!!!!!! LEMME IIIIIIIIN I NEED TO SEE HIMMMMM I NEED TO TALK TO HIM I MISS HIM sobs
yeah no, bet, it's igor's cell. which means Notigor locked him up? maybe Notigor is the final boss, that'd be great, it'd slot in perfectly with this place being a prison and Reverie having been stuck in the shitty Velvet Prison this whole time.
please igor help me, i'm so tired of the edgelord execution shit.
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PSYCHOPOMP MORGANA!!!!!!!!!!
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me pressing my face against the bars whispering I'll be back for you igor i love you
lol what if it isn't even igor in there can you imagine
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