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#i thought belos was going to turn out like
qcoded · 6 months
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Honeyed Words.
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fuckyeahgoodomens · 4 months
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The Good Omens Musical Masterpost🎵❤
How it started :)
Some time before 2013: Vicki Larnach, the australian composer and lyricist, read the Good Omens book, imagined figures dancing on stage with brilliant music and thought, ‘Ah, I’m gonna ask Terry Pratchet and Neil Gaiman if I can turn it into a musical.’ and sent an email to the publishers. The next day she got an email saying, ‘We don’t want a musical but Terry’s coming to Australia, so come and say hello and tell us what you got.’
Rob Wilkins came down to meet Vicki and Jim Hare - Vicki's husband and writer - and took them to meet Terry. They spent an hour and a half with them where Terry asked ‘piercing questions’, had tea with them and they showed Terry a song that Vicki wrote (about the Chattering Nuns). Terry said to Rob, ‘Rob, write and email to Neil, “Dear Neil, this is Terry. I’m sitting in front of two hippies from Sydney and they want to make a musical out of Good Omens and I’m tempted to let them do it.”’ which was the best email they ever heard and then Terry said, ‘Okay, you have me curious.’ - it was because of the Nuns song which sounded like the book. ‘I’m gonna give you six months, come back with a first draft libretto and five songs.’
They then sent it to Terry who sent it to Neil. Terry said, ‘I really like it, you’re moving story, you’re doing all the right things, but where’s showstopper, where’s the toe-tapper, you know I need people to go to intermission just snapping their fingers with the song they just can’t get out of their head, and I haven’t heard that.’ - and they realized that they were so busy serving the story they forgot to do the wow-factor, but found it very encouraging from Terry that he wanted to make it better.
They went through the whole book again to find a centrepiece - and they found it  when Warlock is growing up and Aziraphale and Crowley are with him, and spent months working just on that one thing and called ‘All Living Things’ [the song at the start of this post :)] which is a line from the book.*’ Terry gave that song to a person he knew and asked him to play it to his wife with no context and when the next day the person said that his wife woke up still singing the song Terry said to Vicki and Jim: ‘Well, that’s what I asked you to do.’ 
* [“This here’s Brother Slug,” the gardener would tell him, “and this tiny little critter is Sister Potato Weevil. Remember, Warlock, as you walk your way through the highways and byways of life’s rich and fulsome path, to have love and reverence for all living things.” “Nanny says that wivving fings is fit onwy to be gwound under my heels, Mr. Fwancis,” said little Warlock, stroking Brother Slug, and then wiping his hand conscientiously on his Kermit the Frog overall.]
Vicki and Jim got the permission to being adapting it as a musical in 2013.
Vicki and Jim on it a couple of years ‘fumbling about’, took it as far as they could and decided to bring another person into it: Jay-James Moody
In 2015, Jay James-Moody joined the collaboration initially as a dramaturge and directorial eye, eventually evolving into co-book writer. Vicki, James and Jay have continued to evolve through countless more revisions and a number of private development readings with the support, time and talent of numerous wonderful Australian performers testing the material.
In November 2017, the musical was presented in its then-current form and entirety for the first time before an audience of over 500 eager attendees. The cast included Luke Joslin, Lachlan O’Brien, Nancye Hayes, Barry Quin, Brett O’Neill, Lauren McKenna, Nicholas Craddock, Paul Capsis, Rob Johnson, Amy Lehpamer, Debora Krizak, Blake Erickson, Nat Jobe, Ana Maria Belo, Jordan Hare, Bella Thomas, Anthony Abrakmanov and Samson Hyland.
Following a rapturous response to this reading it continued to be refined and developed.
In 2019, ten days before the show came out they did their last presentation, since then they’ve been to London and shown a videotape of that workshop to Neil and Rob which was ‘a pretty heartstopping experience’ but both Neil and Rob were ‘so lovely and very generous with their time’ and they were showing it to them and in the intermission Neil said ‘I wish Terry could have seen this.’ (see here :))
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Differences between the musical and the book
The ending of the musical is a bit different, they were worried about it but Neil said, ‘I totally understand, the ending of the TV series is different, because I had something that was book-shaped and I needed to make it TV-shaped. And you had something that was book-shaped and you needed to make it stage-shaped.’
It opens with the burning of Agnes Nutter and Aziraphale and Crowley are introduced there. 
Act One ends with them ‘essentially breaking up’ because of a huge argument and they dissolve their friendship, Act Two starts with the first time they meet.
The Future?
What is the future for the musical: in 2021 they said that they need to work on some things and then they hope to do another run, initially in Australia.
There will be a CD of the soundtrack available when the show is produced in it’s full version.
Videos
Vicki, Jim and Jay talking 46min about the musical (this video was shown at the Ineffable Con 3 in 2021 :))
Sizzle Reel 6min
Anathema singing The Perfect Place
Crowley calling Dagon to check on the hellhound
Shadwell and Newt
Aziraphale vanishing Hastur 👀
Links
Webpage
Instagram - a lot of more bts videos and pics :)
How to support?
Subsribe to the instagram page and like and comment that you want the musical on posts :)❤. If you want to be a sponsor or donor, there is contact on their webpage.
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muppet-on-a-spit · 11 months
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i KEEP seeing the take that the ending of the owl house turned luz into "god's specialist boy/chosen one" and that took away from her arc but!! gotta disagree bros. The final three episodes of The Owl House leaned into the parallels between Luz and Belos, and Luz's own awareness of them. And she's terrified that she's going to share in his arrogance, or his disregard for others, or that she'll continue to aid his destruction of the isles. But she didn't end up like him, and it's not because of random chance. She chose not to end up like him.
Belos thought he was chosen by god because he ended up in the demon realm, surrounded by witches that he decided he had to eradicate. Luz spent a few episodes thinking she had been chosen because she ended up in the demon realm, before realizing that no world works that way, and that she'll have to carve out her own place here. And then she spends 2 seasons doing just that! Making friends, connecting with the natural world, learning the language of the Titan.
Luz was only chosen by the Titan because *she* chose the Titan first. She devoted herself to learning from him, and respecting him, and spreading that knowledge to help other people connect with the isles and with magic. Which sounds a lot more religious, written out like that, than it was. Belos tried to make it look religious, to make it seem like the Titan was an old god, in order to manipulate people. But the Titan is not a god, he's just a huge kind of alive corpse with magic, which witches also have, but Luz doesn't. Luz has been borrowing his magic, just like Belos has. But Belos was using it to destroy the Titan and the life that depended on him, and Luz wanted to keep it alive. So! The Titan helped her! She earned that! She forged that connection with him over months and months of hard work and self-reflection and compassion. Before the Titan died, they had a reciprocal relationship, so of course the Titan wanted to meet her, and use the last of his magic to help her finish what she started.
She was not Chosen (capital C) she was just chosen. As a friend, a human, and a witch, because she chose to be those things herself.
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captainmera · 4 months
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My God I love your depiction of the Wittebane brother ❤️
Do you think there might have been a chance that your Pip wouldn't kill his brother when Calec goes to Demon Realm? He seems way more tolerable of weirdness and is actually curious about the taboo things. That it makes me wonder if other steps were taken by people around him, maybe he would make different choices and not turned into a brother-killing genocide goop man. Obviously, the blame is still his for what he did, but I can't stop wondering what if.
And him getting along with Evelyn instead of hating her right of the bat is really cute.
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Thank you! :D <333
He grew up with this theatrical bisexual of a brother. Pretty sure the reason Belos didn't give a hoot on the Boiling Isles about queer stuff is because he kinda knew, and accepted, that Caleb was kinda queer. In some cases, people can ignore or bend certain rules for people they love. Even disregard them or pretend they don't apply or exist.
(long rant about writing and narrative foils and blah blah under the cut)
Unlike Caleb, I think Philip is the sort that only picks-and-chooses whatever rules he feels will supports his personal wants/thoughts and tosses the rest.
Caleb was not hiding it as well as he thought he did. lol.
I think that, sure, there was probably a turning point for Philip.
And absolutely, people around him influenced him. He's just a kid, a vulnerable one at that, in a protestant Christian cult.
I kinda like to think of it as a corruption arc. Mostly because it seems (to me) that the whole reason Luz was meant to have a depression-arc and Philip getting all "YoUrE JuSt LiKe Me!" thing was because.. There was supposed, I think, to be similar beginnings for them.
But Luz, in season 3, got depressed and felt a lot of guilt, so her arc is going from this happy-go-lucky kid interested in different things, to a depression arc where she questions herself. While Philip has a corruption arc, where he gradually goes from a well-meaning kid interested in different things, to evil and delusional.
I am also combining Luz, King, and the Collector into Kid-Philip's themes.
King is fascinating as a pre-narrative foil for kid-Philip. I think. As King was very clingy to Luz and didn't want her to leave, he too had a delusion about his own importance (disregard that it was kinda true in the end there). King tried to dictate (in that book episode) about what his and Luz' book should be about, how it should go, and it really hurt Luz' feelings. In the end, they solved it. But as a narrative foil, I think for the Wittebanes, they probably had a similar struggle on a larger scale, and it didn't get resolved.
The Collector, too! They're desperate to be close with someone, anyone, who gets them and wants to play on their terms. Kinda like Belos wanting him and Caleb to be witch hunters. Not accounting that Caleb is his own person outside of him-- Which, if you think about it, Caleb made his whole life (in my version anyway) about taking care of Philip. So I'm sure Philip felt like he really was Caleb's entire world. And then suddenly he wasn't. Because of a witch. The Collector, despite having this incredible power (just like Pip having his brilliant brain) is still a child and using their power in selfish ways. Not intentionally, I think, just out of a fear of abandonment or isolation.
I personally am in favour of nobody-is-born-evil-but-anyone-can-become-evil kinda thing.
I would like to explore how Philip gets corrupted.
I am slowly influencing Philip in my fanfic with little things that will, eventually, boil down to not so great moments.
The thing about delusions is that the person truly believes in it. Philip believing he's a hero has to make sense and feel believable.
Belos is a jerk. Philip isn't, yet. He becomes that jerk. But I don't want to write a sociopath. I also don't like using less-favourable mental illnesses as an "easy way out" to write why Philip became Belos and a genocidal maniac.
I have strong feelings about de-stigmatizing mental illnesses in writing, without romanticizing them or leaving out the really awful and less discussed sides of it. This includes diagnoses within all the clusters of the DSM5. I will not sit here and say I only support a diagnosis like Autism or GAD, and not things like Histrionic or Borderline.
And including people with MH issues and personality disorders is important, too, as well as not trying to downplay them.
People throw around Belos with things like Narcissism and Psychopath, without actually understanding what those means or what the different types there are. For example, is he a grandiose, oblivious or a fragile narcissist?
Yes, these disorders are looked down upon. A lot of people who have them aren't very nice people. But that doesn't mean they're evil or have no heart.
Lots of children can display early signs of these, and in a rough time like the colonial 1630s of America, it is not unthinkable that those rough times bred some dysfunctional people. I'm sure Philip has his own slices of pie as far as mental health goes, just like Caleb and many other struggling people.
But, I will not write from an angle that implies Philip just has darkness from the start in him.
There's a reason why I had Caleb go on a rant about being born evil in chapter 5. Because puritans, and Christians alike, at the time - truly did believe bastards were just... Half people. Did you know that if an orphanage found out a baby was a bastard, they wouldn't let it suckle the nursery goat's udders. Because they were afraid it would soil the milk and, in turn, might give the non-bastard babies bad influence. Somehow.
With that kind of logic in your culture, it's no rocket science that people would put nonsense together and think it made sense.
I'm much more interested in how puritanism and witch hunting culture influenced and corrupted Philip into becoming who he became, and why he refuses to budge on his beliefs to the point of murder.
As the owl house, the show, has commentary on systems influencing cultures in a bad and positive way. But in particular, the one Belos tries to influence the Demon Realm with; being a not-so-great way. So! With that as a clue: what made Philip turn bad, most likely, was partially the puritanism and its extremist ways. I think TOH is also a bit of a nudge at the HAYS-code of Hollywood and how it has trickled into most all the American culture-core. As it's both trickled into schools, morality, politics and other things outside cinema.
Just pointing at him and going "He's a sociopath because he became a genocidal tyrant" is, to me, cheap. Not only does it further stigmatising mental illnesses by implying only a disorder can make someone do such evil things. But it also disregards the most horrific truth of all; that the true monsters are people not at all unlike yourself. And that they, too, were children once.
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sepublic · 5 days
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The Owl House Pilot Leak!!!
            Oh my titan.
            The Owl House’s original pilot episode (basically a bunch of voiced-over storyboards) just got leaked and OMT. Watching it felt like experiencing the original magic of the show all over again… Reminding me what it was like to fall in love the first time!!! The hype and rush, the excitement to type down my thoughts after a new episode, analyzing and gushing over both big and small moments, the details!!! The pilot has reiterated all over to me again why I love these characters, from Luz's powerful earnestness, to Eda's chaotic demeanor! It’s like having the whole show open ahead of me, the possibilities endless when knowing this is just the beginning and we could go anywhere from here!
            What’s interesting is that Luz’s conflict with Camila doesn’t really exist here; In fact Camila isn’t present or mentioned at all! What brings Luz to the isles is Amity, who’s been learning in the human world, under the guise of being a human by disguising her ears! It’s alluded to that Odalia and Alador made her do it, though we don’t know why…
            But WOW that must’ve been so meta, doing S3 with Amity stuck in the human world with Luz, hiding her ears! It must’ve been a fun way to bring back the older concepts in new form! And indeed, we see a couple of stuff we’ve already gotten glimpses of, such as the storyboards of Luz offering her friendship art to Amity! I love that we get to see the actual scenario of how Amity accidentally defended Luz in the first place, since we heard that but didn’t get to see how it turned out.
            It’s interesting that Lumity is basically the inciting incident of the story, though I can see why the final version opted instead to emphasize Luz’s conflict with her mother. Especially with how she chooses to stay in the isles in the final draft, which leads to guilt over lying to her mom, having her ‘coming out’ moment that eventually occurs in Yesterday’s Lie, etc. So more agency when it comes to Luz losing her access to the human world. Plus in the pilot, there isn't the same emphasis on Luz trying to live out her dreams of being a witch, and her obsession with stories that ties back to Manny and forms the basis for a lot of other themes and arcs.
            That said, I also appreciate what this alternate take offers, and how Lumity helps tie everything together, it really is the queerness that is such a foundational part of the ‘weirdness’ theme that the show is about, and it’s intertwined with the pilot! God Luz being heartbroken when Amity dismisses the drawing… And then crying when Eda compliments it without realizing who it’s about! Or maybe she did, she could’ve recognized Luz there and figured out a way to stealthily make Luz feel better…!
            I love Luz routinely lock-picking her locker because she presumably forgot the combination! And it’s interesting that we have a setup of there being multiple dimensions that the Boiling Isles has access to, and not just the human world and Demon Realm. That plays a role in the climax, more on that later. Given we have what is basically an airport for different dimensions, I wonder if we would’ve seen Luz find her way back home much earlier on, under much less intense circumstances, in a S1A episode?
            The ‘Emperor’ is also alluded to in the pilot, which we didn’t get actual mention of until the fifth episode in the final show. He apparently dislikes humans and wants Luz brought over to him, is this still operating off of the ‘Pupa’ version of the character who claimed to speak on behalf of the true ruler, trapped in their metamorphosis by him? So maybe he wasn’t always human, or maybe this is Belos’ hypocritical way of ‘protecting’ humans by keeping them away and in blissful ignorance of the demon realm.
            We also establish Hexside much earlier! IIRC Hexside was always part of the show, but executives pushed for it to have more emphasis, which the crew continued to follow through on in S2 onwards because that had already been set up. Lilith is the principal, and I recognize the storyboards of her, including her bat transformation! We get a Tinella Nosa cameo, we see Amity, and there’s also a brief cameo of Willow too! Nice way to set her up before her proper debut.
            The ‘barrier’ containing King’s crown turns out to just be a regular human locker, which makes me wonder if the writers updated the final draft to make it a force field that only allows humans through, because of the whole Belos twist. Which makes me wonder if in this draft, Belos is Pupa, who never was human, or maybe they realized the opportunity to insert foreshadowing into a big twist regarding the main villain. Makes me wonder if the house we see Amity enter in the pilot, which is on sale, would've had any significance like in the final show. Love how Tinella Nosa is a student at Hexside, and also Dana having to occasionally insert lines for Wendie Malick and others was great.
            Lilith is a lot more openly adversarial, which is different compared to how her actual debut provides a softer side to her; I imagine this would’ve been apparent in a later episode of the ‘Pilot AU’, and her transformation has me curious; Was she originally the one with the curse, but then the writers changed it to Eda? Or did they both have a curse? Eda also has an owl form she can summon and control at Will, maybe all Clawthornes have a beast mode that’s less of a curse and more of a talent. Lilith ends up trapped in another dimension, which makes me wonder if she’d have a temporary replacement –possibly Pilot Bump- or if she’d return offscreen. We see the portal key get destroyed under much more casual circumstances, though it’s less as big of a deal for this and the established ‘dimension port’ we saw before.
            (Also, Amity recognizing Luz in the hallway… Everything to me!!!)
            Warden Wrath doesn’t exist and neither does the Conformatorium, it’s Lilith and Hexside. With her as principal and Amity as student, I wonder if we would’ve gotten more of their relationship in the pilot AU, if Covention was a way of carrying over that former connection since Amity would be a teacher’s pet in either version of the story. And speaking of ties to Covention, it’s interesting is that Eda’s chest gem seems to be linked to the Emperor’s Coven, as ‘Pilot Kikimora’ uses it to control her. Curiously, we have a scene at the end mirroring what we got with Lilith in the final draft of the show!
            I feel it implies that Eda DID join the Emperor’s Coven with Lilith, if only for a brief moment, but then defected; But the chest gem is basically the pilot version of the Emperor’s sigil, except with the explicit function of being a shock collar. I find it interesting that Eda still has the mirror to contact the EC with, instead of just getting rid of the thing. Is she a rogue agent who hasn’t totally cut ties, because she can’t? Won’t?
And the fact that Pilot Kikimora can just shock Eda at will makes me wonder if the Emperor is low-key just letting Eda roam around, which makes me wonder if he’s aware of the familial connection, is using Eda to find Luz, already knows about her doing that because of the time loop, etc. We’d of course have gotten an episode where Luz finds out about Eda’s connection and helps her deal with the gem… I realize now that Luz learning Eda also wanted to join the EC with Lilith is a carryover of this idea.
I can see the ups and downs between both versions; The final draft sets up Luz’s conflict with Camila and the reality camp, which is foundational to her character arc throughout the whole show. Her pain over being ‘sent away’ is just so vital that I appreciate its inclusion in the first episode. But I also like the inclusion of Lumity and the earnest desire to be friends with someone who showed her, unwittingly, any kindness at all! We get explicit bullying from Luz’s peers in the pilot, but in the final draft we also get her thoughtlessness that plays a big part in her S1 arc. And Luz’s arrival in the isles is more intertwined with Eda and King in the final version, which also feels right; The show is about these three in particular!
All in all, this was wonderful to watch! The magic was experienced all over again, not just in watching an episode, but also commentating on one that was just ‘released’ as well? I thought the last time I’d do anything like this was with the series finale Watching and Dreaming… But as Luz said, it really comes full circle with watching the first episode all over again! So maybe we have other stuff to still look forward to after all… At the very least, we have an eternal anticipation with an unexplored universe ahead of us, that will never reach completion; So it's like our ever-lasting final gift from TOH, and a good last one. So until next time: BBBBBYYYYYEEEEEEEEE!!!!!!!
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ofaatuu · 1 year
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Similar, Tonowari x Poly!reader x Ronal
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(not my gif!)
part 1 here, part 2 here !
warnings: none 👍🏽 maybe a little angst
Bold / blue words are spoken in Navi!
summary: you meet the Tsahik and Olo'ekytan of the metkayina clan and have similar features. They found you interesting and watch you from afar.
(Reminder this is Polynesian and polyamorous!)
taglist for similar! @zoexme @ellabellabus07 @yeosxxx @im-in-a-pansexual-panik @manumanulau @belos-simp69 @ratchetprime211 @tojisleftarm @sakuuo
You land in the reef clan and jump into the sand, but today you are in your Avatar. You still have all your tattoos and such. But it feels so weird. You haven’t entered your avatar in awhile. You walk to jake’s marui, bouncing a little on the walkway
You enter and greet them “Hi Jake! Hi Neytiri! Hi kids!” You greet them and sit down “Hey y/n, I can’t believe you’re in your avatar! It’s been years.” Jake says surprised. You nod, you just didn’t want to feel small compared to them anymore. “Yup.. Don’t you still think it’s weird they gave me a reef Navi because I’m Polynesian?” You say still offended because that’s honestly not cool. “I think it’s funny. I’m still trying to figure out what Polynesian is. But hey atleast you fit in with them! You still have your tattoos.” He pokes at your arm and leg as you scoff “typical white man.” You hear someone enter the Marui and feel eyes burning into your head, you then hear a familiar hiss “Who is this?” You hear Ronal hiss at Jake as he explains who i am.
You turn around to face them and see their face soften for a bit then tightens. “Ronal it’s me. Y/n” she gasps “Sky demon?” She reaches up to touch your Navi features. “But you are metkayina?” She looks at you with widen eyes then turns around to tonowari who is already looking at her. They speak through their eyes and say goodbye. You turn around and look at Jake and Neytiri. “Can I just crash here tonight?” You don’t want to go back to lab because they would be pestering you with questions. “Yes. but you reek. You must go to the pond and rinse off. I will get a tweng from the Tsahik.” Neytiri says laughs as you roll your eyes and follow her out.
You reach the pond and strip from your t-shirt and shorts and dive in. You sit there waiting for Neytiri to bring your so called tweng for you to change into.
after your shower you hear some rustling in the bushes and out comes Ronal and Tonowari. “Oh..” you cover yourself and your cheeks flush in dark blue. You then reach out for the tweng and stand up “thank you.. I am going to change now.” They nod but do not move. Well thats new. You end up just moving backwards a bit and changing, you never leaving their site. “Thank you for the clothing.” You sign the I see you and start walking away but tonowari grabs your hand and whispers close to your face, “Come to our marui with your belongings. You are sleeping in our marui.” He looks at you tense. A shiver runs down your spine and you hesitate to answer but you just nod. Rushing you enter Jakes marui and tell him everything. “Holy shit! Do you think they like you? I mean they always had their eye on you but I thought it was because you’re human!” He rambled off as you hurry to grab your shit. “I don’t even know jake, but I trust them.” You say goodbye and walk towards the marui. Tonowari comes out from behind you and slips an arm around your waist. “come.” He says. “I will bring you to our home.” You walk with him tense as fuck because his damn buff ass arm is around your waist. You walk in and see Ronal and smile nervously. She smiles and pats the sleeping mat. “Come. We welcome you.” They seat you down and also give you very pretty Navi jewelry. Isn’t this a way of courting? I’ll ask Jake or norm. Right now I just need to focus on what’s happening in front of me..
god I fell. Hard.
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nerdykorgi · 2 months
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GRIMWALKER BIOLOGY & ANATOMY STUDIES [pt 1 / ?? ]
(aka, my ideas and thoughts on how these bad but sad boys work!)
with pictures :D !
ok for starters! I tried my best to make real life connections with actual biological stuff and yeah but there are some things ima have to bullshit lol
i hope yall like rambling
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[ ^ Basic ideas ]
Lets talk about anatomy!
From what i can tell from the grim walker ingredient book they have some pretty ... interesting ingredients...
GALDORSTONE:
Heart and Power apparently. What i can make of this is that the Galderstone not only powers and animates the non-organic materials but acts as a circulatory system, flowing blood and nutrients to keep the body stable by creating magical pulses of pressure that makes the blood flow. Blood is kind of ideal for homeostasis and living and om pretty sure we've seen hunter bleed at least once... Perhaps the Galderston can create an artificial vascular system to carry oxygen, magic, and nutrients throughout the growing body instead of just making veins from scratch. I want to say the Galderstone can generate energy for the grimwalker but that would mean they wouldn't need to eat, and I don't think that's true. I think its main purpose is just activate the magic materials and is like the generator to a car, keeping it running. If the Galderstone were to break or fail, the grimwalker probably come unglued and fall apart to its components (which would be pretty horrifying)
ORTET BONE:
Very key component! The ortet bone kind of helps form the blueprint for the species of the grimwalker, as well as supplying blood, a skeletal system, and components of DNA. The most basic definition of the word ORTET is as follows: the original plant from which the members of a clone have descended. Fun fact: since were using cloning terms, Hunter is to Caleb as Ramet is to Ortet (Ramet is an individual clone) I did research for cloning and as it turns out you kinda need a complete genome for cloning but for bullshitting reasons (which will be explained) we can clone with incomplete DNA and make synthetic dna from scratch! I hypothesis that the reason grims can look different from the ortet instead of just straight carbon copies is due to the bone that is used and how much of i there is. Like example a grimwalker made using just a toe phalange is going to look A LOT less like the ortet compared to a grimwalker made from something like the cranium and bigger bones and such. Basically smaller bones dont carry as much dna info and leads for room to fill in the blanks. Sadly this means alot of Grimwalkers had A LOT of health problems (this can range anywhere from immune system problems to liver failure which is quiet typical in clones, that and it is often that clones appear different from the ortet due to enviromental factors and influences)
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[ As the image above shows, subject #103 has a very close resemblance to the ortet due to the bones that are used ] There are pros and cons to using bones! Pros being that they can hold DNA for much longer than tissue, but the thing is bones can degrade really easy if not preserved, and i don't think belos had a bottle of hydrogen peroxide laying around that he could dunk Caleb in, so let's just assume he made sure his brother's corpse was well cleaned and kept. Biggest con is the human body only has so many bones (about 206) I believe that the reason Grimwalker can generate organs is by using the ortet and making the stem cells created from bone marrow. Stem cells are very important because they can turn into different types of cells like blood and tissue cells as well as repair tissue. I believe the process of growing grimwalkers is kind of like "Self-renewal" the process in which stem cells divide and make more of the body
STONESLEEPER LUNGS:
Im just gonna assume stone sleeper had very small lungs because aint no way those t rex lungs fit in a teenage boy. I originally thought The reason that Grimwalkers can stay underground for so long is because the lungs, similar to how a stonesleeper hibernates for centuries (kind of like how wood frogs can basically cryo-hibernate) by petrifying but a grimwalker IS growing and therefore needs resources to grow, like how a baby does in the womb. So it has to be actively getting said resources so it cant be petrified. I now think the reason that grimwalkers have these lungs is because theyre easily compatible to the galderstone, which needs oxygen for the blood and that they can be easily harvested and stored in stone form. But that does give room for cool adaptations like self-petrification! (which i will get into next time :D )
PALISTROM WOOD:
Ok its says that the wood is used for keratin, which is a fiberous protein which can make all kinds of things like scales, hair, nails, feathers, horns, claws, hooves, and skin! And since its also a plant means it can grow 4 times as fast as normal keratin can! This explains why hunters hair grew so ridiculously fast in season 3, was because his hair can produce its own carbohydrates and nutrients on its own... This means his skin and surface wounds can heal quite fast! (down side is it might give him something similar to PSS (Peeling Skin Syndrome ) ...) I think Palisman is very important becasue of several reason! 1 Like palisman, it can "animate" if you will, more or less help pull off the illusion that he is alive. 2 Like mentioned before, Grimwalkers need nutrients to grow and I believe the palistrom wood aids in that! Using a process called cellular diffusion, the grimwalker can take in nutrients from the ground around them (which i theorize to be highly fertilized) through THEIR SKIN! and into the veins and flesh of the grims 3 I believe that in the process of forming, the galderstone "activates" the palistrom wood, forming into skin or hair but this process of rapid growth leaves the skin all undone and fragile because a proper cutaneous barrier was not formed yet (which is useful for being malleable. This is why Hunter's ears are so 1 .god blessed big because they are fake and molded to look like that. Its also why The grimwalker Belos possessed fell apart so easily, like he said "It wasnt ready")
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SELKIEDOMUS SCALES:
This one kind of confused me because... well why do we need the seal flesh when the ortet can just regenerate it?? I think its kind of like the stuffing if you will, it also speeds up the process of producing flesh by a lot! Especially if you want to make grown grimwalkers! Im thinking that Grimwalkers don't have a set "age" theyre just as big as however many materials they are given to work with. Even though the book says they can start as babies, if you look closely there is a check mark towards the more adolescent figure, so im thinking that they are not ready to be unearthed until they reach a certain growth ima guess around the age of over 10-ish?? We don't know how young Hunter was pulled out of the floor but it seems like he was fairly young, or atleast younger. This means while Hunter appears to be 16, he might have only been living for around 5 years or so.
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Now typically normal seals have a lot of blubber which is a thick layer of fat, also called adipose tissue, directly under the skin of a marine mammals. Its used for insulation. The thing is tho, it says Selkiedomus Scales, not flesh... Dont worry there are mammals that have scales like Pangolins but i dont know if these scales are like thick plated or small and stretchy. Magic bullshitting time, Im goin to assume Selkiedomus scales refers to a layer of scale-like flesh that protect the creature from boiling but is also highly malleable and easy to work with. Maybe the reason they can withstand such heat is due to unsaturated bonds of butadiene molecules mixed into the blubber that are highly heat resistant Selkie domus flesh is molded and into the relative shape of desired body and using the DNA of the ortet the flesh is reshaped and reused into the desired muscles shapes. The vascular system created by the galderstone spreads throughout the flesh and binds with it. healing together and becoming flesh, kind of like a speed up version of skin graft maturation! This is useful for growing them quickly because they don't have to grow an entire adult body from scratch so this speed up the process by eeeerrm 20 years or so lol
Thats only the basics for now, sooner or later i shall get into the more fun stuff, like adaptaions of Grim walker, the growing process, ad more!
Hope you guys enjoyed my ideas, if i got anything incorrect let me know, my research isnt exremly searched through.
last question ill leave you all with, it kind of stumped me while i was working...
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i have a theory but i wanna know your thoughts...
(i worked hard on all this btw, i really hope people read it lol /lh.)
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rfswitchart · 4 months
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Amity Blight and Her Broken Strings
So, on Twitter, I saw someone say something about Amity and Hunter's relationship (obviously platonic. People who ship them romantically are gross.)
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Naturally, I agree with this, as you've seen in my fics Kindness and Forgiveness as well as Road Trip. I feel like they share a best friend/basically sibling sentiment towards each other, and that Amity wouldn't bare ill will towards Hunter having been through the same things he has... HOWEVER, this also brought me to another thought, and it begs a question... Why was Amity, out of all of Hexsquad, able to move when she was turned into a puppet?
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Simply really, she was already someone's puppet before and she broke free of their control...
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Much like Hunter was because of Belos, Amity was being used, lied to, manipulated and controlled by Odalia. And think about how awful Odalia was to her. Forcing her to break her friendship with Willow, threatening to expel her friends from Hexside, coming between her and her girlfriend. Using her to test weapons and humiliating her publicly. And all so Odalia could have a 'perfect little girl' who was just like her. Amity never understood that things could be different, that she could choose her own destiny. In the care of her mother, she was little more than a puppet...
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And of course, we know that Amity's friends helped her realize that. Especially one who kinda became a little more than a friend...
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And of course, her understanding and realizing that her dream and goal being that she "wanted to choose her path herself" was what awakened Ghost and gave her a staff. Being able to control your own life, as a victim of child abuse, is so important, especially when you've gone through as much as Amity and especially Hunter. And that's why I think she was able to move on her own, because she is no one's puppet, not anymore. Amity Blight broke free of her chains and she is never, EVER, going to be shackled and puppeted again...
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cutesytwt · 2 months
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╭──────────.★..─╮
Alastor x Collector! child reader
╰─..★.──────────╯
(GENDER NEUTRAL READER!)
Also this takes place before Alastor lets his appearance after 7 years be fully known.
I will try to write more parts to this with more interactions of us with Alastor and other characters while trying to also continue the story 😭
@belos-simp69 let me know what you think so far
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⋅•⋅⊰∙∘☽༓☾∘∙⊱⋅•⋅ ⋅•⋅⊰∙∘☽༓☾∘∙⊱⋅•⋅ ⋅•⋅⊰∙∘☽༓☾∘∙⊱⋅•⋅
He wasn’t expecting to meet someone, a kid in fact, like you. He was curious. What was a shadow doing all the way down here in a cave within hell, with no person it belongs to? It seemed to be as if you were trapped.. which you were and he realized that.
⋅•⋅⊰∙∘☽༓☾∘∙⊱⋅•⋅ ⋅•⋅⊰∙∘☽༓☾∘∙⊱⋅•⋅ ⋅•⋅⊰∙∘☽༓☾∘∙⊱⋅•⋅
As he walked in the cave, lanterns illuminated, allowing him to see the scattered bones that littered the place. He walked deeper into the cave, meeting its end… but at the very center was a pedestal where a circular mirror lied with a crescent moon symbol in the middle.
“My my what’s this?” Someone with a radio static voice said walking forward before he was stopped in his tracks due to an unrecognized voice.
“Who said that!? Who’s there?” You yelled out, waiting to hear that voice again. It sounded interesting… fun.
Immediately, a shadow emerged from the mirror like object, traveling around the cave walls, stopping at a certain distance due to restricted movement.
“Well hello there little one!” The man turned his head to the wall the shadow stayed on tilting his head, smiling wildly. He held out his staff pointing it at you. You saw that it had a shielded microphone at the top.
You were surprised to get a response, even more surprised that he saw you. The lanterns that illuminated the cave were dull. Most people don’t see you because of that. Most people get scared and run back to the entrance of the cave wanting to get out as fast as they can.
You are a shadow…in a cave, after all.
You pushed those thoughts away quickly.
“A Person! Hi, hello! It’s been so long since I’ve seen someone!” You say extending and waving your arms. Your hands making a “hello” motion. Going a bit too fast though.
You saying that made him curious.
“Yes yes, a person! Now what might your name be?” He said getting closer to your shadow as he held his staff down. Un-tilting his head, but he was still smiling.
As he got closer, you could see that it looked like he had two long pointy ears on his head and small dear antlers…?
“Y/N! My names Y/N!” you say with excitement coursing through your voice
“What’s your name mister!?” You say questioning him back, waiting for a response.
“The names Alastor dear! Now that we’ve got past the introductions, what’s a little kid like you doing all the way in this cave?”
“Uh uh, I’m not answering another question until you play a game with me!” You say turning your head in the opposite direction of Alastor, turning your head to glare back at him right after before turning back.
“A Game you say? And what game is this?”
“Hide and seek! You know how to play hide and seek righhhttt?” You didn’t give him the chance to answer. “I’ll hide you seek! … and count to ten!” You say before you move from the wall to go to find a hiding spot.
Alastor decided to play along with you and play your little game of hide and seek. For answers. He was curious about why you were down here. Why you were a shadow, and just what was that circular thing with a moon in the middle you emerged from?
⋅•⋅⊰∙∘☽༓☾∘∙⊱⋅•⋅ ⋅•⋅⊰∙∘☽༓☾∘∙⊱⋅•⋅ ⋅•⋅⊰∙∘☽༓☾∘∙⊱⋅•⋅
You laughed, you were having so much fun. Something you hadn’t had in a while. Your game of hide and seek turned into a game of tag.
“You caught meee!”
You started to sing
To you, who strayed to far from home!
To me, who’s trapped beneath these bones!
We’ll play forever me and you!
When you paint the land,
In nine bright hues!
You burst out laughing once again
“Trapped you say?” Alastor says, thinking. You were trapped? Why were you, a child even trapped down here? This intrigued him.
“Uh huhhhh.. I’m trapped.” You say sadly.
“We’re friends now, right? We played games together! You can help me get free right?” You yelled out expectingly, your mood immediately changing once again.
“I guess I could help you out a bit! …
but what would I get in return?”
“Anything! I’ll do anything! I just want out of this stupid cave!” You whined. You were willing to do anything if it meant finally being able to be free again.
“Anything? Then, let’s make a deal.” Alastor said, as the certain area in the room you both were illuminated in a spooky green color. You could now see that the deer horns that you made out to be on his head were getting bigger and his smiling grin got wider.
“I’ll help you get out of this cave, and free you, and in return for those two things, you can give me your soul! Do we have a deal?” Alastor said holding out his unoccupied hand.
You thought about it for a few seconds, letting out “hmmm” noises.
“Okay!” You agreed almost immediately, not knowing what you were getting yourself into.
His eyes widened and turned into radio dials…? Then green stitches appeared on his face.
“Wait, you’re not tricking me are you?! You promise to help me out?” You say as you grow suspicious and cross your arms. You’ve learned to not trust people too easily from past encounters.
“Pinky promise!” You said before moving your shadow from the wall to the ground so you could stand in front of him. You held out your pinky finger.
⋅•⋅⊰∙∘☽༓☾∘∙⊱⋅•⋅ ⋅•⋅⊰∙∘☽༓☾∘∙⊱⋅•⋅ ⋅•⋅⊰∙∘☽༓☾∘∙⊱⋅•⋅
• After you guys made your deal, Alastor helped you get out of the cave. Not too sure how to actually free you just yet. You told him how he could just carry around your moon mirror for now
“What?! But you said you could free me! You promised. We pinky swore!” You said throwing a tantrum
“I’ve fulfilled the first part of our deal, but I’m not too sure how to fully free you just yet. I’ll just have to figure that out dear!”
• People would give weird looks and stares to Alastor and you as he carried your moon mirror around and you would just be hiding behind him. Everyone looked to be shocked and afraid. Of you? No. Afraid of him.
“Isn’t that the radio demon? Wait, what’s that behind him?”
The radio demon?
“He’s back after seven years?”
“What’s the thing he’s carrying?”
• A few people would start recording with their phones but their phones would start to glitch out and overheat causing them to power off.
“What the heck?”
• Alastor took you to his radio tower where you stayed most of the time, was he even searching for a way to free you from your moon mirror?! It was pretty boring, and he would just barely make an appearance back at his own place. You found it weird. Just where is he? This was no different from being trapped up in that cave.
The doors of his radio tower opened and you came out from your moon mirror
“Where have you been! It’s so boring here, there’s nothing to do!”
“I’ve been out running errands,” he started before you cut him off
Betrayed, beguiled, alone, deceived!
I’ll have my revenge on… ugh. Unity is so hard to rhyme.
“Now now, I am not deceiving you nor am I betraying you. I’m still figuring out how to free you from this.. thing.” He says pointing at your moon mirror.
“In the time being, how about I take you somewhere new. It’s called the Happy Hotel. At the moment.” He says bending down and smiling while staring at you wide eyed.
“Would you like that? Think of it as my apology for keeping you locked up in here for so long.”
“Would I!? Yes yes yes yes yes! Let’s go, right now!” You said excitedly, circling him in your shadow.
“Well then let’s not waste anytime shall we?”
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jess-the-vampire · 1 year
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Philip's death didn't really work for me.
I see quite lot of people saying it's meant to be poetic, and its meant to be lackluster by taking him from high and mighty to pathetic and a mess.
But that's not what bothers me, what bothers me, is set up with no payoff.
And also confusing consistency.
Caleb got a decent focus these last two episodes, his story with philip is alluded to and slightly dived into, and with philip seeing him and having such heavy focus on his conflicting feelings towards his brother you'd kinda expect his ending to involve him to an extent?
Whether that be him going insane or being trapped with his worst memories for the rest of his life about caleb. It feels more thematic, more painful, to watch him suffer with what he did, that he killed his brother for nothing.
But caleb isn't even mentioned in this finale, he had nothing to do with Philip's death, he's not even shown at all.
And then on top of this, Philip supposibly is killed via rain and being stomped to death......but he survived being mega blasted into a wall by a God child via goo.
So he can survive that? But not being stomped? It's not as if there's no goo remains of him left, king even mentions him being between his toes.
Like I just can't buy this actually killing him when this didn't work the last time they tried it. If a God slamming him into a wall didn't work, how is a few normal people doing it better?
And somehow he turned into young Philip? Which, I don't know how he can do that, could he do that this whole time? ( his powers are really weird to me)
I dunno man, its not like he didn't get what was coming to him, but this doesn't fit with what the show was building towards, nor does it make sense?
The main reason most people thought trapping him forever was a good idea was because he'd suffer longer and because he could never come back or reform.
But like, not only was this more merciful then he deserved (even tho him begging for his life and trying to trick luz was interesting), but this ending doesn't really sound like something he couldn't recover from.
He's such a good villian that felt like he deserved a bigger climatic death that was an climax to all the bad deeds he did, like everything came to bite him since he hurt his brother.
But we just didn't get that, its like when we had so much interesting conversations about him wanting to go home to earth and his anxiety regarding it.......but then it never comes up when he's actually ON earth from him.
I dont even wanna be mean, cause I know what the crew faced, but this isn't something that I think can be entirely put on the cut either. At the end of the day, the team chose this to be how they took belos out.
And its just underwhelming.
Hes the villian. But he's a GOOD villian, with an interesting backstory, and I can't say this ending fits what we had set up for him.
If it works for you, great.
But not for me.
I was fine with him going out being pathetic and everything like a bug, its just that it feels like we were setting up something much more personal then we got, and the fact I don't buy that this would genuinely kill him is the cherry on top.
I'll have time to mull it over so maybe my thoughts could change, but right now, I'm getting strong Toffee flashbacks.
There is still great stuff in this finale, but I don't think his ending was one of them.
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kingarubin · 1 year
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I was thinking about Collector and remembered that episode from season one. It's similar but at the same quite different to what Collector is going through.
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Both King and Collector just want to spend time playing with their best friend, but things seem to never go they way. They are trying to have fun and it doesn't work.
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And even when they all are together they feel like they don't belong with the rest. The others seem to have so much fun together while they are being left out.
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Also, in both cases a villain took notice of their insecurites and use them to manipulate them.
But despite all these similarities there are major differences between those situations. And the most important one is the motivation behind King and Collector's actions.
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The problem that King was dealing with was that he wasn't anymore Luz's only friend on the Boiling Isles. At first it was just the three of them (with Eda being Luz's mentor, not equal) and now she was meeting more and more new people. King never had any close friends besides Luz so seeing her have less and less time for him was really difficult. King was scared of losing Luz to others.
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King was jealous of Willow and Gus. That resulted in him wanting to separate them from Luz so that she could spend all her time with him. He wanted to have her all for himself.
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That desire manifested in him being desparate to obtain friendship braceletes for them. He needed to have a proof that he is the most important person to Luz, that they really are best friends.
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But in the end the end King learned that it's okay that Luz has other friends. This was represented in frienship braceletes spiliting into four parts. Because you don't have to have one friend, you can have three or more. They all can be friends with each other.
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Meanwhile Collector's problem was that they never really had any friends. Archivists, Belos and even King just wanted to use them. Titans who were kind to him were gone. He never had a chance to learn how to play and be a good friend.
And from what we know it's safe to assume that their way of "playing" by turning people into puppets is something that they were taught by the Archivists.
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Collector was jealous of Luz because she had exactly what they wanted. She came to the Boiling Isles and managed to gain trust and friendship of a lot of people. Collector had no idea how to do that.
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And there was also her relationship with King. King was Collector's best friend, but Collector wasn't King's best friend. King didn't have any close friends before Luz came but Collector had no one (King at least had Eda). King was not only the most important person in their life, he was the only one they had. But Collector wasn't even close to being as important to King as he was to them.
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But unlike King, Collector was never trying to keep King for himself. He doesn't even seem to be a person who would get jealous easily. They released Lilith from the spell and they didn't want to turn Eda into a puppet, instead wanting to convince her to join the game. He wasn't trying to separate King from the others. Because in the end they just wanted to be everyone's friend. They just didn't know how.
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Both King and Collector know what it's like to feel unwanted and alone. They both know the feeling of wanting to spend time with a person that they consider to be their best friend, yet having trouble doing that. And they both know what it's like to feel unimportant to the person that is important to them. Although the circumstances and problems they were facing were quite different.
It turned out to be much bigger analysis that I expected, haha. At first I wanted to just point out similarities that I noticed (since King and Collector are very similar), but then I thought that if I'm comparing those episodes I can also take some time to look at the differences between them. So that would be it. Thank you for reading my thoughts!
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rex-shadao · 1 year
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The Lonely End of Belos
Or why Hunter, Caleb, Evelyn, Lilith, Collector, or anyone that Belos personally wronged didn't get to be the witness to his demise.
I admit, I was a bit unsatisfied with Belos' demise. After all the build up with Caleb hallucinations and Grimwalker bones, I thought he would fall into the graveyard pit, see the ghosts, and realizing all too late it's his fault before he melts into a pile of bones.
Prior to that, before Thanks to Them, I speculated on Belos' fate would be him being hunted down by an angry mob of humans led by Jacob Hopkins believing him to be some kind of cryptid monster either threatening the town... or offer a rare opportunity to get rich on the news. And then he falls apart like an animal.
And when Watching and Dreaming trailer hinted at Belos possessing the Titan, I wondered how they were going to defeat Belos without resorting to revenge or poetic irony (since Belos is this big final boss that the heroes would blow up like with the core). I thought perhaps they would turn Belos into a Palisman tree and make him give back all the Palisman he devoured in a twisted form of redemption. Perhaps they'll remind him of his past and start a mental collapse that causes him to lose control of the Titan as he sees images of Caleb. I was pretty sure Caleb would show up just before Belos dies, giving him the realization that he's damned.
But his actual demise... feels empty. He did fall apart as I expected and there's sense of loneliness in his demise, but... no Caleb. No Evelyn. Nothing hinting to his past. Heck, I don't think the name Philip is even brought up once. It feels like we've been cheated out of a cathartic demise, and I spent the hours since the special aired trying to make sense of this choice and why. Why is there no Wittebane lore.
And ultimately, I make this conclusion:
Belos refused to open up about his past. It's quite telling the Collector spilled everything of his Freudian Excuse from being bullied by the Archivists to being wrongfully imprisoned by King's Dad to his desire for friends and being accepted. Him opening up communications of his insecurities allowed Luz, Eda, and King to empathize and help him. To teach him kindness and forgiveness. To teach him the value of life through death. And through their teachings does the Collector become better and ultimately redeemed.
But Belos? We know he had a traumatic past and a lot of insecurities with his brother. We know he's a lot like Luz and the Collector when he was a child. But unlike them, he never opened up about his insecurities. He forcibly molds them into abstract ideas and rules. For the greater good of humanity. For the good of your souls. He always tries to make it non personal, thinking it makes him selfless and pure.
But what he ends up creating is a caricature of himself. A shallow representation of his former human life. The Hollow Mind portraits released this week on Twitter shows tragedy with the happy memories being free of scratches and burns. Those were the original looks. But in the actual episodes, even the happy memories were scarred and burned. As Understanding Willow reveals, if you burn the memory pictures, you essentially erase them from existence. This means that Belos barely remembers his past. Now that I think about it, Belos never actually used the word brother at any point. Just an old friend. At first, I thought he was trying to avoid triggering trauma memories regarding Caleb's murder, but now I wonder... did he actually forget Caleb was his brother?
Because if he did, then it explains why he never seem to make the connection that Eda and Lilith may in fact be the descendants of Evelyn and Caleb. He only remembers Evelyn's first name but can't remember her face or anything that would link her to the Clawthrones.
And then it hits me. Despite being the big main antagonist of the series... Belos has only one personal connection to our main trio: Luz the Human. Eda, he dismisses her as an Owl Lady outlaw who isn't important in the grand scheme of thing. And King, he thinks it's a weird dog demon, not a baby Titan. But Luz, he's obsessed with because A) she would help him learn the Light Glyph and find the Collector and B) she's the first human he has seen in centuries.
Thus, it is Luz that Belos focuses on the most. It's Luz that Belos wants to form an actual connection since Caleb's death. And when you think about those witnessed Belos' demise... Luz is the only one that Belos has any genuine interactions with. Eda, King, and Raine... they were all background pawns or obstacles, not even worth specializing personal grudges towards like he would with Lilith, Hunter, Evelyn, or even Caleb.
So in spirit, Luz is the last lifeline for redemption and forgiveness. And Belos blew it. He was so obessed with Luz due to her human status but he never gave anything about his past to her (Luz only got Belos' backstory from Masha). He assumes that being human alone is sufficient enough for speaking terms. And he choose the best looking human look for her: A non-broken nose Philip Wittebane. Just as how she saw him in Elsewhere and Elsewhen. The ideal adventurer and hero of the 17th century. He evidently forgot that this bearded Phillip destroyed Luz's respect for him. This Philip lied to her and betrayed her and Lilith. This Philip was not the hero Luz envisioned. After all, the Philip she idolized in the diaries was clean shaven. He could have chosen that form... if he actually remembers that.
And then he sloppily try to make himself sound like he's freed from a curse, sloppily using the term dark magic instead of wild magic, and taking great pains to even say that he did horrible things, even under the excuse of a curse. He has no idea on how to make himself relatable when it's all there within him deep down. He just uses the surface-deep level of relatability and Luz doesn't buy it. And the boiling rain melts away that skin deep humanity, revealing a rotting ghoul barely clinging onto life, screaming of how witches are evil and unforgivable as he crawls to Luz. Notably, he still doesn't give a reason as to why he thinks they're all evil. We all know what it likely is, but Belos never confirms it to Luz.
Belos is virtually on autopilot, repeating the mantra of humans are superior and witches are evil. He never speaks about how Caleb was "stolen" from him by a witch. He never speaks about how Gravesfield taught that witches are evil. His memories almost completely erased by his self-inflicted denial, all he can think of is wiping out witches and saving humanity. A caricature of his former self.
And by failing to swayed Luz, he's completely alone. There is no Caleb now. No Evelyn. No Hunter. No Lilith. No Grimwalkers. No Flapjack. Just Luz whose connection he tries to forge is now a shallow parody because of how much he doesn't understand her at all. But she wouldn't kill him since that would give him a known company at his last moment. Instead he meets his end by those that he doesn't even see as personally important beyond pawns. Though they have a lot of personal grudges against the former Emperor and tyrant, Belos only sees strangers at the end of in his long life.
Philip Wittebane is nothing more than a faded memory of a bygone era. He died with his brother Caleb, regulated to just folklore ghost stories told in Halloween of Gravesfield. To some, they may never really exist in the first place since 1613 is a very long time.
The creature that resembles Philip is just Belos and he is little more but a parody of a man, full of sound and fury, signifying nothing.
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whoistrash · 7 months
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Why change matters and how Amphibia did it better than The Owl House.
"Watching and Dreaming" made me cry a lot during its premiere. I was amazed and, I'd say, dazed by it. Then I forgot about it for a while. Now I finished re-watching Amphibia for the first time since TOH ended. My hype died down, and I have some thoughts. A lot, actually.
Amphibia's ending was incredibly painful and made me sob like a baby for two whole weeks the first time I watched it. That's because it was not only beautiful and heartbreaking, but truly GOOD. Brilliant, actually. I absolutely agree with a statement that any other ending would literally be a contradiction to the whole main plot, especially Anne's arc. The girls had to learn to let go in order to grow as individuals - the thing they had the biggest problem with. Saying goodbye was the only logical option, plot-wise. It still hurt like hell, though. Separating the multidimensional, against-all-odds relationships (especially my beloved spranne. Ouch, ouch, ouch). The Owl House does no such thing - everybody stays together. They live happily ever after.
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Paradoxically, I think that it's the main reason why I'd choose "The Hardest Thing" over "Watching and Dreaming" every single time. I know we shouldn't really compare them in EVERY aspect, since TOH had way more things to deal with in the final episode, but the fact that Luz got to not only stay, but to freely travel between worlds as she pleases really took the whole "growing up and finding your true self no matter what the other people do/say about you" thing out the door. Luz from season one, episode one, and Luz from the finale are not really that different. Well, she certainly became more traumatised and depressed than before, but in terms of personal growth? Nope. Luz - from the very beginning - was cheerful, open, caring and very selfless, willing to literally help every stranger she met no matter how it would affect her. She had little to no boundaries, but, well, you can't argue that she was A GOOD, SELFLESS PERSON. Now, we could say that her arc here would be learning that sometimes you should put yourself before others, that you can't save everyone, that you can't trust every person you meet. And she learns it! She fucking does! She helps Philip not knowing who he will become, and then suffers from the consequences, because she helped the wrong person. And then it's all erased, when she saves Collector's life and meets Papa Titan (or whatever we call them).
I have so much to say about this. All of TOH's "villains" (Amity, Lilith, Hunter, The Collector) that were given a redemption arc literally get turned into lifeless, edgy trauma dumpsters, that suddenly loose all of their previous character, quirks and sass (well, maybe except for Lilith, she just started to express them differently, I think, but still, it was WAY too big of a change). I won't dwell on it (since many, many fans called it out already - as they should), and will focus on something different. The only one marked as irredeemable is Belos. Good. Okay. He's irredeemable, because he's a white, christian puritan who won't listen to anyone but himself. Also a genocidal maniac. That's the lesson for Luz here. "You can't save everyone. Some people are just straight up evil". And it's very, very true. But.
From all of the "villains" I mentioned before, Belos is the one that had the most reasons to, let's say, take a dark turn. Those reasons are what makes him irredeemable - he's just too convinced he's right, because, in his mind, he has evidence to prove it. But how do we learn about this? Maybe by seeing his part of the story? Maybe by learning about his brother and Evelyn, about their relationship? It couldn't be straight up awful, since Philip literally brought his brother back to life over and over again, he wanted his brother, or at least the picture of Caleb that satisfied him the most. There was more to it than only "you betrayed me and now I will hate you forever". Do we get to see any of that? No. Instead we get an all-knowing, all-doing being that literally choose Luz as "the one" for being kind and trusting, that convinces her that Belos is, indeed, a lost cause. Do you see where I'm going with this?
Luz, the person that on the literal episode two was told that there is no such thing as a "chosen one" and that she can't always hop into action to save everybody, because, it's, well, not always possible, DOES EXACTLY THAT in the finale by taking a bullet for The Collector, the, you know, very freshly redeemed and suddenly cute and funky villain, whom Luz trusts immediately. AND SHE IS REWARDED FOR IT BY BEING MADE THE CHOSEN ONE. BY A GOD-LIKE BEING THAT CLAIMS TO BE ALL-KNOWING AND CAN DECIDE WHO IS RIGHT AND WHO IS WRONG, BECAUSE OF PERSONAL (King) REASONS. Just like, you know... Belos? The irredeemable villain? And then Luz lets go of the moral dilemmas that's been keeping her up at night for the past months, makes up her mind, defeats the bad guy, learns nothing, and gets to stay in the Boiling Isles and on Earth. With her beautifully redeemed girlfriend and friends whom she kept secrets from and lied to out of fear of being ostracised (you see the pattern here, right?) for, again, months.
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I love Amphibia. I love The Owl House. But Amphibia handles it's "villains", generally wronged characters and the whole change/no change thing way better. Well, maybe besides the Core - they got a bit wasted in my opinion. But still. Sasha. Grime. Marcy. Andrias. Anne herself. They learn and change. And more importantly, they face consequences and come to understand and accept them. There's no "chosen one" here. Anne gets the proposition because she's the first one to use the music box for good in literal millenia. A fact, plain and simple (not an opinion based on personal motivations), that makes sense plot-wise, and adds so, so much to Anne's arc. Because Anne from season one, episode one wouldn't care. The one from the finale cares very damn much. And that's the biggest difference.
Saying goodbye makes the message way stronger. The more I think about it, however, the more I'm starting to be afraid that there's no The Message in The Owl House to begin with. Luz learns very little, yet ends up with everything she ever wanted. There's no power behind it. The "find the right people and choose to trust them, not everyone will be your friend" and "some things are out of your control, some people are just bad" aspect is even weaker, as proven by basically the whole season 3. I will end it by my favorite quote from Amphibia, that I think about on daily basis. Have a good day, y'all.
"Change can be difficult, but it's how we grow. It can be the hardest thing to realize you can't hold on to something forever. Sometimes, you have to let it go; but, of the things you let go, you'd be surprised what makes its way back to you."
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oddshroom · 1 year
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a headcanon i really like is that since hunter is a grimwalker and made with stonesleeper lungs, he has the stonesleeper trait of liking to be scratched behind the ears lol. would love to see a oneshot about that ^^
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A/N: That sounds really adorable
TW: Mentions of past trauma
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You had been sitting on the couch watching tv until midnight with Hunter. It was almost 11, and you wanted to go to bed. You weren't very tired yet, but you were going to get there soon enough. You could feel your eyes drooping as your head fell back against the couch, and your gaze settled on Hunter. He was sleeping peacefully on his side in front of you.
It had been a while since you and the others found out that he was a grimwalker. However no one treated him differently, you continued to flick through channels and decided to turn off the tv. Making a mental note to find a good show to watch later.
The night before you and Hunter had decided on something else, however as usual Hunter insisted that you choose what you wanted to do. You knew belos’s actions had left an imprint on Hunter, always asking what you wanted to do and never what he wanted to do.
You let out a sigh, throwing your head back on the couch as Hunter continued to snore. ‘Hm, if I remember correctly..Hunter has the trait of a stonesleeper’, you thought to yourself. Without realizing you had brought your hand to the back of his cut ear.
As you did, your mind traveled back to the first time you saw Hunter for the first time, when you had been fighting him to free the palismen. “So…how did you get those scars? Never seen anything like them.” “You humans talk a lot, don’t you?', he said completely ignoring what you asked.
You couldn’t help but scratch the back of his elf like ears. They were so cute. You watched as Hunter shuffled around a bit, you decided to pull the blanket more over him. As you went on with scratching the back of ear, you watched how it twitched just from scratching.
A soft sound of content escaped Hunter's lips and you felt butterflies in your stomach. The smile came naturally, and you couldn't stop yourself. If you could describe his actions when being scratched, it was almost cat-like.
You couldn't stop rubbing his ears until you got tired. It didn't take long for you to finally stop, but you made sure not to wake him. Leaving you to your thoughts, ‘grimwalker or not, his reactions are everything when sleeping’. You rubbed the under of his eyes, he really needs to sleep more. ‘Maybe I should teach him some skincare’, you thought thinking how it would be a nice way to bond together.
You squeezed him slightly before placing a kiss on his ear, only for it to twitch and turn a shade of red. You pulled back and laughed softly, he was so adorable, even after having been asleep for an hour. You leaned down and kissed his cheek gently and then gotten comfortable, only to wrap an arm around his waist. ‘Goodnight’, you whispered before drifting off to sleep.
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wackulart · 1 year
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Reader goes into the tide pools and meets Belos like with Lilith and Luz in that one episode
giving me an excuse to rewatch Elsewhere Elsewhen AND write 1600s Philip? IM ON IT.
Part 2
Philip Wittebane x Reader
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You didn't think the time pools would actually work.
The topic of them came up during a conversation you were having with a store owner and reminded you of the days you used to pretend to find them. You had some makeshift toy that didn't really work, you would crawl into one side of a hollow log and exit out the other side acting like you were in the future.
It was fun as a kid so you thought to go back to that place and revisit those memories. You didn't expect to fall into the sand and end up centuries into the past. Your immediate reaction was to hop right back in and back away. As you scrambled out of the time pool you took a second to breathe.
Once the initial anxiety had died down a bit, a thought crossed your mind.. why not?
How many witches could really say they had been in a time pool? Most demons you knew didn't even believe in them and that included you until now. You had considered the risks, but the tide wouldn't be coming quite some time.
...Fuck it.
You stood up and peeked your head back in. The beach hadn't seemed to different too the one you were currently on, yet you had spotted a group of witches celebrating something. With what you remembered from your days at school you recognized the outfits as those from the Deadwardian era.
Then you realized you'd probably stick out a bit with your modern clothing, not to mention the bloody fly effect.
After you pulled yourself through the portal, you moved to the trees to grab a few large leaves and makeshift yourself a hat. Once you adjusted your clothes to look a little more aged and you were satisfied, you headed into the town.
It was so surreal to see things that you had only read in history books. What was even stranger was how calm and kind things were in this era. You were pretty sure that these were considered the savage ages, wasn't wild magic dangerously rampant?
Before you could dwell too much on the thought, the sound of a door slamming made you turn swiftly in the direction. You looked to see a man kick at the door before stumbling back and yelling at the person inside. He adjusted his jacket and began stomping off, too angry to notice that he had dropped something.
You rushed over to pick it up and tap his shoulder. The man audibly groaned before turning to you and as you held out the pen that he had nearly lost, your eyes widened.
"You're human." You spoke before you could stop yourself.
He paused before sighing and taking his pen from you harshly. "Here to poke fun? I'll have you know that I have no intention in wasting my time-"
You waved your hands panickedly. "No, I've just never met a human before." You couldn't help but have a genuine fascination in meeting someone from a completely different world.
There was a look of confusion, maybe conflict before it fell and he turned away. He wasn't sure what you were looking for from him but he wasn't going to fall for those sparkling eyes. There was clearly ill intent behind them, even if he couldn't see it just yet.
The man forced a smile and turned to leave, not expecting you to follow him. He looked over to you as you shoved your hands towards him and told him your name.
The human stopped, staring at you hard. He could see a determination in your eyes that told him he wasn't getting out of this easy.
He sighed before taking your hand and shaking it. "My name is Philip Wittebane."
You two had begun walking together, you were mostly taking in the sights while pointing at things you found interesting. He had tried several times to sneak off from you but you had stayed resilient.
Philip had decided to not waste his opportunity by asking you questions and you had plenty for him as well.
He wouldn't admit that he was sort of enjoying the company, it was simply a by product from traveling alone for as long as he had been.
That was it.
Philip had sat on a bench with you joining in the seat right beside him. You leaned into him and peeked at his journal, then you noticed that he was drawing the bird a few feet in front of the two of you.
You looked back and forth between it and then pointed excitedly at his sketch. "Hey, that's really good!"
He shot up and his voice stuttered. "Oh, uhm- Thank you."
It was a challenge trying not to react at how close you had gotten, he tried to force his focus onto his journal.
You seemed to be rather comfortable around him, the whole walk you spoke so passionately about everything you told him. He was trying to understand why you were so excited around him even when his answers had been cold and short.
Then he heard you gasp lightly and looked up to see what the issue was. He followed your eyes to a sketch he had done while you two had been walking. It wasn't anything impressive by his standards, a simple silhouette drawing of you and him.
"Is that me?" You questioned.
He nodded and felt his face grow red at the genuine smile on your face.
What is this?
What were you doing to him?
This curse that you had plagued him with forced words out of his mouth. "Do you.. like it?"
He didn't understand why he cared, in fact he shouldn't care what a witch had to say about his work. He didn't care.
He didn't have to force down a smile when you nodded and asked to see more drawings, he didn't purposefully scoot closer to you while you two looked through his book and he definitely did not sneak peeks at that adorable look on your face as you awed over his things.
Then came nightfall and you explained that you had to go and that you weren't sure that you could come back.
Philip nodded and held out his hand, he ignored the twist in his stomach and realized that it was for the best. Lest he fall to the temptation that had twisted his brother.
Instead of taking it, you pulled him in for a hug since you probably wouldn't see him again. The chance that you could find another time pool was incredibly rare and not to mention that this was four hundred years in the past.
You felt him slowly put his arms around you until you pulled away.
"Goodbye, Philip." You called out as you began to run towards the beach before the tide came in.
He waved to you, memorizing the sound of your voice and the look in your eyes. Perhaps he could not have you, as you were a demon and he would never see you again, but he could have your memory.
You made it to the time pools and took a couple tries before you had found your time and hopped back into it. As you got out to the other side and landed on top of the sand, you felt the tide hit your ankles. That was it then. You wondered if you could find something about Philip in the library somewhere.
Just to check if things had fared well for him.
The next week had been much calmer for you compared to the adventure you had gone on, but you still smiled at the fact that not only had you met a human but you befriended him.
No one would believe it.
As you carried your goods to the Emperor's castle and helped unloaded packages with a few other workers, you felt eyes on you. You looked behind you to see the Emperor himself, the fact that he had been there at all had surprised you.
It had even surprised you enough to miss the recognition in his eyes as he whispered your name under his breath.
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probablyhuntersmom · 1 year
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Hunter's Possession Scenes and the Theme of Enmeshment
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The usual warnings: explorations of trauma and abuse ahead.
Enmeshment happens when there is the lack of boundaries and lack of defined roles in a family system, and the party with more power, usually the parents/caregivers, prevents a child from becoming their own person independent of the family (this is called individuation or differentiation). Enmeshment leads to a low level of individuation/differentiation because the kid will suffer negative consequences if they try to do so. Which sucks, because we need to become our own person in order to truly love and be loved.
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Belos requires Hunter to follow a strict script
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and only operate within the confines of the role of Caleb (more accurately, how Philip wants Caleb to be...so, not the real Caleb, though Belos has told himself that's the true version of his brother).
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Amity went through similar with Odalia and has been in the process of breaking out of it too. I notice Luz and Willow also get a bit close to experiencing it with their parents: Camila initially getting Luz to conform, Willow's dads initially not allowing her to be on the Plant Magic track. But I need to make the important distinction where I think Belos and Odalia (with Alador enabling Odalia's behaviour while also being abused by her) really crossed the line, because they don't even allow the kids under their care to express their thoughts. They flat out dismiss whatever isn't fitting into their agendas, whereas I can trust that Camila, Gilbert and Harvey, who wound up remorseful about their actions and changing, at least allow their kids to voice their opinions safely and they are the kind of caregiver that'll at least say e.g. "I understand that you want X, but ______".
In enmeshment, the toxic parental figure does not know (or refuses to know) the boundary line where their own being ends and the being of their kid begins: this can lead to issues such as a parentified kid who has to manage the parents' emotions for them. Very sadly, this can also be why when these kids are well into adulthood, they are still terrified of their parents and regress into the same child-like responses they had as kids in their toxic parents' presence.
In the show, I think the two visual concepts that most strongly convey the concept of enmeshment vs. trying to break away from it, are Hunter seeing Belos in the mirror and Belos taking control of his physical body:
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Parental figures who are enmeshed with their child feel that their kid is them, has to be them, with the same desires, feelings, beliefs, perspectives...not a separate person. If not, the parental figure's own sense of security feels threatened. So if the child tries to create needed space or establish that boundary line by putting up resistance in any form, you get a tantrum/begging/manipulation/other toxic response from the parent (example: Hunter mentions wild magic in front of Belos and is physically threatened), which then aggravates the child's anxiety and wears down their mental health.
The parental figure takes up more space than they should have in the dynamic, while the kid is boxed in more and more. Obviously such treatment is hazardous and puts an awful strain on the person in the relationship who has less power.
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Which brings us to Belos getting desperate enough to possess Hunter.
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A.k.a. peak enmeshment, as Belos did not have any proper grip on his 'nephew' anymore, and turned things up to the max to exert control by literally inhabiting his physical being, giving him no choice but to do his bidding in the most forceful way possible:
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Put simply, you aren't you when in the midst of enmeshment. The worse the enmeshment, the more imposing the control of the toxic parent/caregiver. And wow when I first saw this scene unfold before my eyes, I immediately thought of how powerfully this concept was being visually communicated via fiction. So unnerving. The crew and of course Zeno Robinson have been so good at bringing his enmeshment-related behaviour to life onscreen. E.g. the contrast below...Hunter cracking under the terror in the first few days of truly breaking out of enmeshment in the left-side frame below, versus the right-side showing his post-possession (very literally translated as post-enmeshment) grief which was so painful that simmering, volatile anger rose up in him to keep the pain at bay:
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This gentle, kind-hearted kid never wanted this. The worst thing about going through that and resisting it by running away from the coven and the Isles, was that it culminated into losing his best friend.
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His way out of the loneliness and isolation of enmeshment was finding his tribe and leaning into it for support and healthy closeness. There couldn't be stronger symbolism for the tension in Hunter's whole arc, between isolation (the abuse he suffered) vs. feeling like part of a family (a healthy "tribe") than this:
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Wolves. Loving, nurturing pack animals. Who "make great parents". Yet we have the phrase "lone wolf" since wolves do occasionally navigate part of life on their own. Hunter is drawn to wolves because it strikes him right away, he sees himself (more accurately, the deepest desire of where he'd love to be) in the way such creatures usually live.
And the bonds in his pack became mighty. Hunter succeeded at building trust with the Hexsquad, getting nearer and nearer to the core of himself - while Belos didn't have a single trusting relationship with anyone and sunk lower and lower, getting further and further from himself as his self-deception only got worse. Hunter built up what can be referred to as "emotional equity" in his relationships, and he's so inspirational especially in the uncertain, risky early stages of doing this:
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It's like repeatedly depositing into a bank account (both sides in a relationship need to do this, in a manner that both can agree on as fair) and building up the amount in said account with positive experiences and investing effort and time into the relationship. Various difficulties and conflicts that come along will take small or big chunks out of that bank balance. More serious incidents will obviously threaten to break the relationship apart and empty the account or send the balance into the negative. The bond between Hunter and his friends was strong enough to withstand the eventual traumatic loss that they all suffered:
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In fact, he was already putting up a quiet resistance in Belos's absence (I'm relieved Belos didn't require that he be escorted on every single mission or be surveilled all the time in his own room, which would've granted him no privacy to express such thoughts), shortly after we saw him get unmasked:
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Unfortunately, wrenching yourself free from the violating nature of enmeshment comes at a physical and emotional cost. It can no doubt be a long journey, an injurious experience, damaging one's sense of discernment of who to trust. It doesn't magically become bright and easy post-enmeshment because grief, confusion, emptiness etc are still present, just in different forms. Hopefully it is the intensity of all that which is reduced and well-managed.
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The hope is that Hunter does not feel any impulse to want to over-isolate and hurt himself with concerning self-deprecating thoughts and engage in concerning behaviour (which could be a parallel to how he wanted to dig his own grave in Eclipse Lake), especially as he is still processing the moral injury of harming Flapjack and threatening the others while possessed.
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