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virtue-and-beneviolence · 1 year

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Shuji and you having your first baby and in the middle of the night you both fall into bed, no sleep for days, he's full of drool and red marks from the baby pinching him and you weren't able to wash your dirty hair nor change your wet clothes from bathing and when you look at each other he goes like "I want another one"

this was gonna be cute and playful and a tad spicy but it ended up full of feelings and for that i will never apologize. i will apologize for it being kinda rushed and unproofread tho. i just got SO EXCITED

You can't help but break into laughter that doesn't quell easily and you know that if you could see through your laughter tears shuji is pouting at you. He tsks and snakes his arms around your waist to pull you close. Braving the dampness of your hair, he nuzzles his face into the crook of your neck and then Hanma Shuji, ex Yakuza, the infamous Ikebukuro reaper all but whines your name, "M'not kidding."

"No! No-i know I just-" you struggle to contain your laughter. You match you husband's embrace and let the pads of your fingers crawl up his neck into the too-long hair at his nape. He smiles into the juncture of your neck and shoulder and shushes you even though your laughter and the gentle bounce of his head from your giggle fit fills him with more love than he could hope to express. And, well, of course he shushes you because neither of you can risk another sleepless night by waking the little newborn Shuji finally got to go down. "Shu," you finally manage to get out, "Don't be in such a rush! We hardy know what we're doing with him!"

"We'll figure it out." He says but catches himself. "We are figuring it out!" Your heart stops at how earnest he sounds. You hold him a little tighter. "Besides, there's nothing that you can't do while I look pretty on the sidelines." His tone is teasing and you swat his back playfully. You hope it's a joke. He's nothing if not an extraordinarily attentive father and husband.

You place a kiss to his forehead and trace your words with your lips along his temple. "Sidelines? More like frontline. You know I couldn't do this without you, Shuji."

You can't be sure, but you think you feel his breath pause on your neck before he starts peppering your neck and collar bone in sugary sweet kisses. "And I can't give my son a sister without you." He fires back once he recovers his emotional footing.

He earns another huff of laughter, "Shuji-"

"C'mon, he needs someone to figure life out with. He needs someone to play with and tease. Ideally someone who'll give it right back too - that'll be her mommy's influence of course." Shuji's words all mix together and his ideas flow into the most wholesome speech you swear you'd ever heard. He shifts up and leans on elbow to hover inches from your face giving you the perfect vantage point to see his gold irises alight with every tender emotion.

"And...and he needs someone to always have in his corner. Someone who can be there for him when we can't. You know, we won't be able to be there all the time! He needs someone he can rely on and learn to be reliable for. He needs to learn how to protect and be protected." His eyes, you realize are shiny with misty tears. "He needs someone he can be his full self around. Someone who won't look down on him for feeling...anything."

He goes silent and you mutter a little "c'mere," and pull him into your arms. The dampness on your chest is fresh, not from your hair, but from the love of your life blinking sudden emotion into your skin.

After a moment of holding your husband you feel his deep voice whispers into your chest "Wanna braid her hair too."

You giggle as you pull Shuji's face to yours to kiss him and mumble an "Of course, baby. Let's give him a sibling, but giving him a sister is kind of on you."

A few exited kisses later, you were falling asleep on his chest, promises to start preparing for a second kid soon. As soon as possible (read: as soon as you both could recover a bit of sleep, maybe). You lay there, fingers trailing up and down the column of Shuji's throat absently, ready to do anything to give your son everything that Shuji never had. Love. Stability. Safety. And now, even a little sister to take on the world with.

Well, a sibling, at any rate.

#ERIS ERIS ERIS WHAT HAVE YOU DONE #I MAY NEVER RECOVER FROM DAD SHUJI #please im sorry i made it sad and made him maybe wayyyyyyy to feelingsy #bUT I JUST THINK HE NEEDED ALL THOSE THINGS GROWNIG UP #AND NEVER HADTHEM #AND HE WANTS BETTER FOR HIS KIDS #AND HE DOESN:T REALIZE IT AS OVERTLY AS YOU DO BUT HE WISHES HE HAD SOMEONE IN HIS LIFE THAT WAS A GOOD FORCE LIKE THAT #LIKE He'S SO LOYAL YOU KNOW?#AND I JUST KNOW HIS CHILDREN WOULD BE THICKER THAN THEIVES #US AGAINST THE WORLD VIBES #AND BE CONFIDENT AND MORE EMOTIONALLY WELL ROUNDED THAN HE HAD THE CHANCE TO BE #hanma shuji ~❤️#hanma shuji #hanma shuji x reader #hanma shuji x reader fluff #hanma shuji x reader angst #dad!hanma #lololm

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mxtomituck · 4 months

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I'M BEING EDGED

#I was not emotionally prepared for this #I may never financially recover from watching this video

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cmgirlie · 10 months

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made the grave mistake of listening to Gethsemane from Jesus Christ Superstar and thinking about mr. CM Punk.

#and this may be a mistake I will never emotionally recover from

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opalsiren · 1 year

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the succession AND ted lasso series finales airing within a few days of each other is an insult to me personally

#i may never emotionally recover from either #.txt

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verysium · 5 months

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some thought on us/reader/yn (i don’t know how to address it lol 😭) and seeing ex-boyfriend, who preferably myb cheated and now is dump struck how we got a new boyfriend/it’s been some time since last seeing ex)

um.....i'm assuming the bllk boys are the new boyfriend for this. hopefully, that's what you meant, but here you go anon:

kaiser absolutely thrives off this situation. this is the perfect chance to stroke his ego, so he's going to take full advantage of it. definitely notices your ex before you do and tugs you closer, arm wrapped around your waist, nose buried in your hair. obviously, you can't see his facial expression, but you can tell by the way he's smirking that he's definitely up to no good. when your ex finally realizes that your new boyfriend is THE michael kaiser, he's like... 😏 that's right bitch. keep ogling. y/n's doing so much better without you. even better if your ex is actually a fan of kaiser. his sadistic ass will not let that go. you want my autograph or something? oh wait...sorry i don't give out autographs to losers. deliberately sets out on a mission to make your ex's day an absolute hell, and he's smug about it too. once your ex is gone, he looks back and asks...so did i do good? no, you don't need to thank me. i'm already thanking myself. (he's so stupid....i love him.)

sae's reaction is encapsulated in one word. side-eye. he won't actually say anything, but the judgmental aura leeching off him is already enough to send your ex running in the opposite direction. i don't even think your interaction is going to last more than one minute because sae is just so intimidating. the entirety of japan already knows who he is, and compared to him, your ex is an absolute nobody. poor guy will probably never recover especially after seeing you and sae on the front of every tabloid, magazine, and news channel. his ego is broken, masculinity in ruins, reputation in tatters. and honestly.....serves him right.

rin holds an even stronger grudge than you do. he never lets any personal slight go without consequence. probably still holding every single mistake your ex has made in the past five years over his head. what did you even see in him? he's a lukewarm piece of shit. again....like sae, i don't think you would even need to say anything because rin's death glare already says enough.

shidou needs a restraining order because i don't think your ex is going to make it out alive. probably goes straight for the throat too. he genuinely enjoys seeing other people in pain whether physically or emotionally. will probably make out with you right in front of your ex just to fuck with his mind a little bit. hand placement is key. he places one hand behind your head and the other one grasps your ass. uses a lot of tongue. leaves you winded with starry eyes and swollen lips before he maniacally grins at your ex. he definitely enjoyed that a little too much.

barou has a quiet but menacing aura. he's very tall, so i think he would likely tower over your ex. and uh...have you seen his physique? he would probably cross his arms, and his biceps would bulge, and he would whisper in the lowest, most chilling tone: you got a fucking problem? and that's about all it takes because your ex may be a wimp but at least he has enough self-preservation to know you don't mess with someone like barou. probably kisses you on the forehead after that and his voice softens just tad...you okay, baby? (dfhkjsdhf i just blushed)

nagi wouldn't really care. nothing fazes him, especially not your ex because he's in the past now and that makes him irrelevant. but he definitely does not back down from subtly throwing some insults. oh...him? he's just y/n's ex. a weak guy not worth the hassle. don't bother. if your ex is stupid enough to actually confront him though....he's not going to hold back. shut up. you sure bark a lot for someone with no bite. pet store's two blocks away. maybe you should check out a new collar. lmao nagi can be painfully rude when he wants to be.

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w0rmm1lk · 4 months

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May I request the class 1A boys (if u write for multiple in the same fic) reacting to their gn! S/o (who’s normally insanely calm and patient) finally snapping and ends up nearly killing a villain? Like reader snaps during a fight against a villain or smth because the boys (seperate but yk) got hurt and stuff? Sorry if this doesn’t make much sense, I suck at explaining things 😭

hi! i didnt end up doing all the boys but I did the ones I think I would b able to write for best hehe, for future posts probably gonna limit it to 5 characters per post!

characters: Tenya Iida, Denki Kaminari, Eijiro Kirishima, Mezou Shoji, Shoto Todoroki, Katsuki Bakugo, Izuku Midoriya.

reader: Gn

summary: the very well known 1a student (reader) who is known for being calm and understanding almost fucking kills someone.

warnings: blood mentions, near death experience, swearing, injuries.

other details: 1A!reader, reader quirk not mentioned but they use their bare fists to beat the shit out of the villain, villain is not any specific one.

👓Tenya Iida👓

👓- Iida was fast but damn the villain was faster.

👓- this resulted into iida now basically completely motionless on the ground yet still concious.

👓- usually if it was any of your other friends you would just take a deep breath and anylis whats going on to make sure things are delt with properly.

👓- but that iis not the case this time.

👓- it was almost like something snapped.

👓- nobody could actually figure out how you managed to catch the villain, especially with their speed.

👓- but bystanders were more focused on the fact that you were now repeatedly slamming their face into the sidewalk.

👓- honestly a miracle the villain survives that shit, but they 100% had brain damage afterwards.

👓- normally iida would step in but he could only really stare at you.

👓- partly due to the shoock, but also the fact that he straight up couldn't move from his injuries.

👓- after everything calmed down and iida recovered he gave your ass a huge lecture.

⚡Denki Kaminari⚡

⚡- he was shocked.

⚡- pun intended but also he was just straight up in shock.

⚡- first off, surprising he got these many injuries without short circuting.

⚡- guess his training rlly payed off.

⚡- well at least his quirk training.

⚡- thinks its sick as hell how you just beat the shit out of the villain.

⚡- their face will never be the same again.

⚡- hes kinda into it tbh.

🪨Eijiro Kirishima🪨

🪨- literally just makes the :o face

🪨- this man got one hit that actuqally injured him at you just cut loose.

🪨- he felt like not even he could do that much damage in unbreakable. (he totally could do worse but hes just having a moment leave me alone.)

🪨- aftwards will literally beg you to spar with him.

🪨- unfortunatley never gets to fight you while ur that pissed off.

🪨- honestly when he saw how beat up the villain was he thought that it was bakugos doing for a hot second.

🐙Mezou Shoji🐙

🐙- the way you reacted to him getting hurt lowkey reminded him of dark shadow during the training camp.

🐙- very similar situation tbh.

🐙- it was just one of his extended limbs that got injured, yet you reacted as if he had just been decapitated.

🐙- froze up for a second when he watched you just immediately run up to the villain you have been fighting for at least an hour and just absolutely demolish then within a few minutes.

🐙- had to restrain you a bit to stop you from actually murdering them.

🐙- was a little shocked at the sudden swap oof personality for that short time but was more focused on stopping you from being charged with murder.

❄️Shoto Todoroki🔥

❄️🔥- ^that face.

❄️🔥- like that is just his reaction tbh.

❄️🔥- i mean its not everyday you see the person thats just a slightly more emotionally available version of you almost kill someone.

❄️🔥- especially over a small cut.

❄️🔥- the cut wasnt even caused directly by the villain, it was a broken piece of glass that was flying around with other debri./

❄️🔥- i mean-- at least you caught the villain?

❄️🔥- and almost killed them.

❄️🔥- along with free medical debt.

❄️🔥- or no medical debt?

❄️🔥- idk how that stuff works in japan bruh.

💥Katsuki Bakugo💥

💥- fight me all you want but

💥- he just straight up finds it hot.

💥- like if you look close enough this mf is blushing.

💥- who knew that the one time someone makes bakugo blush is his partner attempting murder.

💥- originally wasnt going to hold you back.

💥- the longer he watched you beat the shit out of this guy he started to genuinley think you were going to kill them.

💥- once everything settles down you started back to you normal calm persona.

💥- bro was just like ????

🥦Izuku Midoryia🥦

🥦- panic.

🥦- like you dont even have to look at him, you just need to be near him and you can basically feel how panicked he is over this.

🥦- lots of panicked words, you can barely even tell whats he's saying through the rage but also the pure speed he's speaking at.

🥦- few words that were mostly intelligable you could tell he was saying you should stop.

🥦- even if you wanted to stop your body wouldnt let you.

🥦- ended up needing to use blackwhip to get you off.

🥦- not that it did much being the villai already had a broken nose and multiple broken ribs.

🥦- probably missing teeth aswell.

🥦- izuku is lowkey terrified to somehow piss you off now.

theyre all a little short but i think I slayed

#bnha x reader #mha x reader #bakugou x reader #bnha x gn!reader #mha x gn!reader #iida x reader #denki x reader #shoji x reader #kirishima x reader #izuku x reader #todoroki x reader #x gn reader

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yandere-wishes · 6 months

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Long ramble anon here, I'm happy you liked my long ask I was just concerned that I put way too much as I have a tendency to hyperfixate snd overexplain, hence the tldr at the end. To be honest ever since seeing the fox beastman I've been on a bit of a kick with theorizing things for him. (Did the same thing with Rollo hehe) Anyway, if you want some more of my takes I'm happy to share.

Alright so you know how beastmen retain some of their animalistic traits? Well my brain immediately goes to what this means for their romantic endeavors and courting behaviors. Not much is known about the courting process for foxes, but we do know that scent marking and loud vocal barking is used to attract a mate. How does this carry over to a humanoid fox? Well, my theory is that he will likely give his darling something like his coat, or spray whatever cologne he uses on their things or use more of it when he knows he's going to see them. As for the loud vocal barking you better believe my mind immediately went to him just belting out a serenade for his darling, regardless of how he actually may sound I think he's self-assured and prideful enough to believe this would definitely entice his soon to be mate.

Another interesting thing about foxes is that they are monogamous to a fault, rarely ever taking another mate after the passing of their partner, instead remaining loyal until their own passing (at least this was what I've read in my admittedly surface level research). To me this means two things, 1) once Fellow sets his eyes on a darling that's absolutely it for him regardless of how he has to get them by his side it is an inevitability so if they would just be a good dear and surrender early on everything could be so much better, and 2) should anything unfortunate befall to his darling he wouldn't ever fall for anyone else and likely never fully recover emotionally.

Tldr; The fox man would woo his darling with his surely illustrious (at least to him) voice and his cologne or perhaps natural pheromones, and once he woos them Fellow would never so much as look at another in the same light.

Don't apologize Anon!! I love it when people send in long asks about their hyperfixations!! It feels so endearing and sweet and makes me want to give you a big hug!! I'm literally the same when it comes to hyperfixate and overexplain, when I'm obsessed with something (TV show, movie, game, etc) I need to feel it in my veins!! Plus being able to chat about it with people on Tumblr is always one of the best parts!!

I can't stop laughing at the thought of Fellow sending his darling with loud obnoxious barking 🤣🤣 Bonus points if the reader is a regular human and just stares at him confused, while Leona, Ruggie, and Jack just nod in approval in the background (or in anger and disbelief, depends on the scenario). The idea of him sharing his cologne and jacket with Reader is actually really sweet. I like to think that some ways down the line if Fellow ever had to go away for an extended period of time. Reader would just cuddle into a corner hugging his jacket and spraying some of his cologne on herself. He'd be so delighted coming home and smelling his scent so strongly on his beloved.

I love this!! Just Fellow knowing that reader is the one from the first look 😍😍😍😍 He's so smitten and lays on the charm extra thick. Wanting them all so badly and doing anything to get them. If Reader should die (Lord forbid) Fellow definitely wouldn't get another partner BUT he'd also go the extra mile and try to resurrect them. Magic exists in Twisted Wonderland so I'm sure someone out there has the ability to raise the dead. He'd do absolutely anything to hold you in his arms again.

Look Reader is getting a really sweet deal here. A tall handsome man (+ bonus he comes with A SUPER FLUFFY TAIL AND EARS) with a smooth voice, and a charming personality. Willing to give her anything, do anything for her, and make sure she had the best life imaginable. He's physically incapable of cheating and would fawn over the reader like a lovestruck puppy. He's literally just perfect!! Ignoring the manipulative tendencies, obsessive behavior, and ability to maim someone with his teeth😊😊

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lurkingshan · 5 months

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Cherry Magic Thailand just floored me, y’all.

First of all

I may never recover from this secret smile. But above and beyond Tay Tawan’s beauty, this adaptation did so many things right:

Achi is more subdued sad than hyperactive self deprecating

The humor is pitched less zany and more within the realm of recognizable human behavior

As a result the relationships feel more genuine and less like joke set ups

They did a phenomenal job casting for all the roles

They’ve expanded the story in smart ways that fill in gaps, like Jinta finding the stray cat, and allow them to demonstrate the differences from the Japanese version, like Rock starting new with Achi orienting him

There is palpable physical chemistry between Achi and Karan and Achi is allowed to be more aware of it

As a result of removing the frantic energy around Achi’s character, he’s able to connect more fully with others and be a bit more emotionally perceptive

The swoon factor here is so high, I was having heart palpitations every time Karan appeared

Now I don’t want this to come across as taking digs at the Japanese version—that’s a great show in a style that only the Japanese do really well, which was my main concern about this adaptation. I needed to see them adjust the tone and style to fit better with Thailand’s strengths, and that’s exactly what they did here. New and Tay are fantastic in these roles and it’s all been recalibrated to suit them well. I’m so in!

#cherry magic th #cherry magic thailand #thai bl #shan shouts into the void

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crooked-wasteland · 5 months

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An SA Survivor's Reading of Stolitz

I don't believe that creators should be confined to telling one type of story. The beauty of fiction is to explore worlds, emotions and scenarios that are by definition unreal. It gives a safe space to interact with extremes that we would never necessarily wish to experience in our real lives with the ultimate safeword of no longer engaging with the material.

That being said, as creators, there is an ethical awareness that must be maintained in order to tell stories of things like trauma and abuse. Being alone in a cabin in the woods with a killer, that scenario is not a pervasive subculture in our society. Whereas cases of child abuse, sexual and domestic abuse are not only real, but common. And the complexities of psychological damage that perseveres long after the traumatic events are necessary aspects to telling these stories.

If you are not consciously aware and attentive to the lasting impact these events have, you run up against the horrific possibility of retraumatizing an individual unprepared for the callous invalidation of their experience.

No one should ever be shamed for engaging with media that depicts trauma they themselves may have experienced. For many, engaging in the fiction of it is a way of processing and validating their experience. Frankly saying, if you wish to write about trauma at all, you should be writing for that audience in specific. Otherwise you are simply exploiting the horrors that real people live through and struggle with every day for some cheap drama at the risk of triggering someone whose story you are inadvertently telling.

And much like most therapy speak, the term Triggered has become appropriated and misused to the point of losing all meaning in the lexicon. According to the University of North Carolina, "A trigger is a stimulus that elicits a reaction. In the context of mental illness, "trigger" is often used to mean something that brings on or worsens symptoms. This often happens to people with a history of trauma or who are recovering from mental illness, self-harm, addiction, and/or eating disorders."

The university breaks down the types of triggers as well and gives examples as to what those subcategories mean. I highly recommend that even if you are not the sort to follow up on references, I do recommend going over the article. It offers coping suggestions as well for those who are at risk of becoming triggered and helps refocus the sense of control back to the individual.

With that said, this is where I came across the inspiration for this essay. I completely removed all information for this user because the last thing someone needs when expressing how the misappropriation of abuse triggers them is how it is their fault for being triggered. These are the original tweets this response was in reference to.

As such, I feel the empathetic need to write this essay as a sympathetic reading to this person and others who have experienced SA who find that Stolitz resonates in an undesirable and even harmful way. I think this person deserves to feel seen.

To make the argument that the relationship between Stolas and Blitz isn't fundamentally abusive requires an author-intent reading of the series. It necessitates massive leaps to fill in gaping plot holes that never clarify the story Medrano is intending to tell. This is plainly just a reading of the series as is with all the context that has been physically, actually, shown in the series and that alone.

Throughout the series, Blitz is depicted as emotionally volatile and unpredictable with low self-esteem and crippling loneliness. He is constantly hounding his employees through sexual harassment from a sense of envy over their loving relationship, and infantalizes his twenty-two year old adopted daughter through an abusive dynamic where she ranges from rude to outrightly cruel while he consistently sacrifices any personal boundaries and self-respect.

The relationship between Loona and Blitz in specific feels like a masochistic self-hatred on Blitz's part where he allows himself to be used and abused by a parasitic family member to feel wanted, showing a pure desperation to be desired by someone in any way. Loona is verbally and physically abusive to her adopted father, using terms of endearment like "Dad" as a tactic to control Blitz's behavior, rewarding him when he does something for her benefit and taking it away when she deems him embarrassing or unwanted.

Blitz's tie to Stolas in the main story comes when he is called in a vulnerable time. Hiding from Martha who is hunting him down, he explicitly tells Stolas that now is not a good time to call. Stolas, who has a visual of Blitz's situation, ignores all of it. He is unconcerned about the danger Blitz is in, instead viewing Blitz solely as a sexual object as he offers the trade of the book for sex.

Stolas is more keenly aware of Blitz's situation than even Blitz is aware of. He not only is told that the current moment is not a good time, and Blitz's tense tone portrays a sense of anxiety, but he can physically see Blitz. It exists entirely within reason that he chose this specific moment to call while he knew Blitz was in a difficult position, using the tension to leverage a quick response that would get Stolas his way without needing to intimidate Blitz himself. Using the threat of a third party to pressure compliance from Blitz.

Come Loo Loo Land, the interactions between Blitz and Stolas are simply outright hostile. Blitz actively does not want to have a sexual encounter with Stolas and is even so untrusting of the Goetia that he is repeatedly asserting the boundary that he is not at all interested in sex, which Stolas explicitly mocks by being openly sexually suggestive to him. Everything Stolas has to say to Blitz is steeped in objectified sexuality as Blitz asserts his person, dehumanizing him to the point that Blitz is first and foremost an object of gratification. Even to the point of neglecting and humiliating his daughter, Stolas uses the excuse of spending time with her as a means of leering on Blitz.

In this episode we see Blitz has a history of being overlooked and unappreciated. His act in Loo Loo Land went nowhere and we see the first hints of his failed performance career. Over the course of the series, this hint towards a crippling lack of self esteem masked by an extroverted exterior is reinforced.

In Harvest Moon, Blitz is genuinely flustered when given recognition by Striker. He is quick to devalue his relationship with Stolas because there genuinely isn't a relationship at this point.

After having gone missing for two episodes, Stolas returns, being slightly less sexual and slightly more affectionate. It is a sudden recharacterization, but it is only for this scene. The rest of the episode once again shows how Stolas values Blitz physically in a sexualized manner and claims Blitz through the use of a pet name he repeatedly requests not to be called. In the opening scene, Blitz vocalizes that he "doesn't mind" their arrangement for the book, which could be taken at face value in regards to the first season. He does have the option to reject the agreement at any time and return the book in the context of this episode. It's why, despite still being an abuse of power dynamics overall, the relationship itself doesn't tip over into abuse. Blitz has the same amount of autonomy as Stolas at this time, before the context of season two, he has just as much power to end the agreement.

With the addition of The Circus, this retroactively is a situation of placating one's abuser. Blitz assuring Stolas that he doesn't mind the sex would be a way of asserting Stolas' complete control over the relationship and that Blitz isn't necessarily threatening the status quo by his question.

They don't actually know anything about each other, they aren't friends and don't spend time together outside of their forced meetings. Blitz doesn't know anything about Stolas and questioning the need Stolas has for his book could very well be read as a means of interrogating the agreement as a whole and figuring out why this was the arrangement.

(The argument that Blitz had any opportunity to negotiate things comes from an audience bias. It is probably the dumbest thing I have ever seen put into writing. Blitz doesn't know that he has any leverage in the relationship at all. He doesn't actually know Stolas has any feelings for him. That's kind of the whole point of the hot and cold romance slant that Medrano is trying to replicate.)

This is because the book is not the reason the relationship exists.

Blitz does not instigate sexual conduct, Stolas does by leading Blitz into a private room and locking them both inside with the impression Blitz would have sex with him. Blitz has no choice in the location or the isolation. He was caught trying to illegally break into the home for the explicit purpose of stealing the book. He was caught and is effectively at Stolas' mercy in every sense of the word. Not only is he still alive due to Stolas' whimsy, but if he tries to escape now after being shown this grace he could risk having the guards hunt him down and the second time will most likely not be so kind.

He literally does not know Stolas. They met for a day as a playdate and Blitz spent the whole time manipulating Stolas into facilitating his own robbery. There is no trust between them, there isn't even a relationship. While the doe-eyed pink vignette animated around Blitz shows that Stolas has an attraction to him, Blitz is entirely in the dark about this. Stolas' behavior is merely unpredictable and precarious from his position and limited knowledge.

(Just a side note, the argument that because someone decides to do something must mean they are not afraid is just asinine. Generally speaking, most people who commit crimes are in a state of fight or flight, it is more akin to gambling your actual life. Its a rewards and risks assessment, not a case of being sociopathically unafraid.)

It isn't until Stolas dramatically announces his desire for sex that Blitz realizes he has something that can be used to distract the Prince while he steals the book. And that's the issue with the argument that Blitz is the one willingly escalating the situation: it's not sincere. Throughout the entire sequence, Blitz isn't once sincerely interested in Stolas. He leans into the pretense to gain control of the situation, of which, might I remind you, he has had zero control over up to this point. Not only is he not interested in Stolas, but this is a bid for control from the position of helplessness. This way he is not relying on Stolas' unpredictable behavior, he is reclaiming power in the dynamic by playing into Stolas' desire.

("But Stolas says nevermind and Blitz keeps going!!"

Yeah, because he needs to maintain control of the situation. This is what power dynamics actually look like; there is a two-way push and pull. The only way he has any power is through the lens of sexuality. He needs to keep Stolas interested in him to keep his position. But throughout the scene, he is explicitly depicted as being put off by Stolas. In fact the entire reason he ties Stolas up is because he was becoming too into the act. He is shown to not be sensually performing bondage, he is trying to remove a problem.

And side-side note, I know I said I wouldn't lean into Medrano's intention or explicit dictation on how she demands her show be interpreted, but she was the one who said that The Circus and Loo Loo Land are connected in the timeline and Blitz's hostility in Loo Loo Land reads far more like a man who feels used and taken advantage of. So even the argument that Blitz was an enthusiastic participant is disproven by Medrano's own metacommentary and character interactions.)

And ultimately, it all boils down to that last moment scene. Between willingly having sex with Stolas when he is tied up or the book, Blitz makes for the door to leave. He doesn’t willingly engage in sex with Stolas. Either you can read the scene as a form of pity sex, which in the context of Medrano’s timeline and Loo Loo Land, shows Blitz was not enamored with the encounter or you have to read this as being manipulatively pressured into it. There is no way to argue Blitz has any leverage in the situation and no grounds to argue that it was mutually enjoyed.

That doesn’t even start to cover the fact that all the way to Ozzie’s, Blitz is repulsed by Stolas. When calling, he openly shows that this is something he would rather not be doing. He doesn’t have feelings for Stolas and despite just using the man who is using him, just having to deal with Stolas is distressing for him.

This is not an equal or fair relationship dynamic. It is not a mutual relationship. This is a relationship of self-preservation and coercion. And the fact is, it could have worked with very small changes to The Circus. Having the dynamic be actually mutual would have been a great start, but just properly addressing the actual dynamic and having Stolas take ownership of what he's done, and validating the fact that coercion is sexual abuse. Because out of all the sweeping changes, retcons and inconsistencies, the one aspect that has persevered throughout the show is just how trapped Blitz feels.

In Truth Seekers, Blitz’s hallucination is contradictory in its attempt to be visceral, and that is not inherently a problem. Trying to be abstract, it is normal for people to experience contradictory emotions over something. It makes sense in that way, but it needs reinforcement in the expanded narrative to tell it's story. As such I am just going to give my reading on the sequence based on my narrative and state it as fact.

The clown costume shows that Blitz sees himself as a joke, feeding into his low self-worth that no matter what he does, he is always the clown being laughed at. The murky wasteland is a reflection of his life. Devoid of anything bright or good, it is populated by dead trees and the ground is a quicksand like sludge, showing how he devours the good and extinguishes it in his own life. He kills his own happiness. Moxxie exists as a critical voice Blitz hears, telling him how stupid and awful he is to everyone around him. Blitz rejects his own self-criticism, reaffirming his self destructive victim mentality that appears when faced with the consequences of his own actions.

It's when the characters of Fizzarolli, Verosika and Striker appear that Blitz gives his regrets, insecurities and resentments voice, poorly impersonating the voices of those who saw the real him. Striker mocking Blitz’s need for companionship, how he lies to himself constantly and presents himself as independent and assured when really he sees himself as needy and pathetic.

Fizzarolli adds to it, pointing out Blitz’s failures to make it on his own, however this portion of the series should probably be considered non-canon as the newest episodes established that Fizzarolli and Blitz have not had any contact with each other since the accident. The more important line Fizzarolli says “You're going to die alone”, have been written out of the show. There would have been no time or place for Fizz to have ever spoken this to Blitz.

Then there is Verosika, who brings up Blitz’s self destructive tendencies, showing Blitz’s own abusive behaviors towards characters like Moxxie. It also suggests an explanation to why Blitz tolerates Loona, because her constant rejection of him contradicts his reactionary need to push others away, as well as feeds his self-flagillation.

It is when he endeavors to flee the reflections of the worst parts of himself that he runs into Stolas. Perched atop a pristine staircase of gold, being fanned by two silhouettes of Blitz. This shows the power imbalance in every way. Blitz doesn't even walk up the stairs, but crawls. Himself just a faceless accessory to Stolas’ desires, but everything he has intrinsically tied to the power Stolas' exerts over him. This is shown explicitly by the chains around his hands and neck, Stolas' reeling him in as he bears a grimace of reluctance. It is the most explicit representation of being trapped between two bad decisions. Either he is just the joke, the failure, the asshole, the stupid piece of shit, or he is the pet, the object, the toy. Stolas mentioning Blitz being "afraid to love" is less a suggestion that Blitz has any feelings for Stolas, but instead his psyche convincing himself that the relationship is not so exploitive. That he is not being dehumanized and abused, but on some messed up level he is being wanted and desired, which is better than the wastes below.

Maybe one could say that Blitz is being elevated out of his situation for how the feathers removed the costume and sludge, essentially wiping him clean of his worst self, providing a sense of safety. But he only has this opportunity because of Stolas, and it isn't free as shown by the feathers also becoming the chains binding him. Because at the end of the day, Stolas isn't the prize at the end of the climb to self actualization, the stairs belonged to him in the first place. To escape the horror-filled wasteland below, Blitz has to play by the rules of the owner of the stairs.

And ultimately, that isn't a story that is off-limits.

The Stolas apologist argument is why the depiction of this dynamic is triggering and harmful, not the fact that it exists in the media. Just owning the scenario and having Stolas acknowledge that he has sexually abused Blitz would have gone a long way. Instead, Medrano and the fandom have insistently represented this victim-blaming interpretation where Blitz is responsible for his own abuse. And that will never be okay. This goes all the way back to my "Not All Victims are Survivors" post. Blitz is the victim in this and his bad behaviour and own abusive actions directly correspond to the fact that he is a victim with a victim mindset. He actively lives in the middle of his abuse and has formed maladaptive strategies through manipulation, harassment, verbal abuse, and self harm. These do not remove his victim status. There is no such thing as a "Perfect Victim". And he should not have to be any sort of way in order to have that experience validated. And the issue that is at the heart of this show is that the narrative and the fanbase require a victim to be framed as delicate and hapless to circumstance with a soft and gentle personality to be a victim. To come out of abuse aggressive and harsh with sharp edges is framed as being less valid. But this outcome is normal and it's a difficult battle to work on oneself to feel safe again. It's absolutely a story worth telling.

But you first have to be interested in telling a story.

#helluva boss critique #helluva boss critical #helluva boss criticism #vivziepop critical #spindlehorse critical #spindlehorse criticism #vivziepop criticism #tw self destructive behavior #tw sexulization #tw sa

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rollinouttahere-writes · 1 year

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After that one, I got another thought―

Platonic Yandere! Strawhats with Y/n likes to make DIY gifts? Like little bracelets with supportive and reassuring words, paper stars of different colors, handmade stickers and this kind of stuff?And one day , Y/n out of boredom made DIY gifts for each of crewmembers?

I swear, I even made samples.

Nami - Yellow paper ring with words "Best navigator"

Usopp - Paper bracelet with his name and with words "1# Sniper"

Chopper - Yellow with pink glitter paper medal with words "Best doctor"

Sanji - Another yellow paper medal but with golden glitter and with words "Best cook"

Zoro - Green thick paper bracelet with words "Best swordsmen"

Robin - Purple handmade paper bracelet with "Best archeologist"

Luffy - Red thick bracelet with words "The King of the Pirates"

This is super cute!

Nami loves her ring and only takes it off to keep it safe. She may have a preference towards high end clothing and accessories, but if anyone so much as looks at her ring funny, she's throwing hands with them. She'll buy you something in exchange, and she doesn't even add it to your debt to her!

Usopp, for all of his personal hype, is extremely caught off guard by this. Yeah, he tries to play it off that of course he's deserving of such a title, but he's self aware enough to know that he's got a long ways to go before he can live up to this. It takes a few tries, but he makes you a bracelet too. It says '#1 Usopp Pirate'.

Chopper is full on ugly crying from the medal. He loves it and hangs it up in the infirmary. As much as he wants to wear it, he's afraid that he would break it during a fight. He makes one for you too! It isn't perfect, and will be shedding glitter for its entire existence, but it's the thought that counts. He's very proud of it, so you better compliment the hell out of it.

Sanji is dead, you killed him. He's a crying lump on the floor while cradling the medal to his chest like it's his firstborn child. Once he recovers, you can expect to be fawned over (even more so than usual). You're getting all your favorite foods for the foreseeable future. He wears it constantly, only ever choosing to take it off when he bathes so the water doesn't damage it. He goes out of his way to make sure Zoro can see it while talking about how you made it for him.

Zoro looks at it, looks at you, back at it, then asks if you wanted him to give it to Mihawk or something because he knows he isn't the best swordsman yet. He's hesitant to take it even when you insist it's for him, but eventually caves when you suggest he can hold onto it until he can become the best swordsman. You never see him wearing it and question if he even kept it, but that changes when you see him fish it out of his pocket to look at when he thought no one was watching.

Robin smiles at the gift, but can't help but ask just how many archaeologists you know. She's just teasing though and absolutely cherishes it. You never see her without it after this. She makes you a very ornate bracelet herself that honestly makes yours look like it was made by a small child, but she still thinks the one you made is better regardless.

Luffy will never shut up about this. He wants everyone to see it and tells all of them that you made it. The bracelet is on the same level as his hat in terms of not wanting anything to happen to it... Which is unfortunate because he breaks it almost immediately. He is inconsolable, pitifully clutching whatever was left of it after he snapped it by stretching his arm. He doesn't emotionally recover from this tragedy until you make him a ribbon that can be added onto his hat saying the same thing. He makes you a bracelet too (with help), and while it may be the most misshapen thing you've ever seen, you can't help but wear your '#1 nakama' bracelet with pride.

#one piece #one piece x reader #yandere one piece #yandere #emtynessinmyworld #monkey d luffy #one piece x y/n #one piece x you #platonic yandere #zoro roronoa #nami #cat burglar nami #usopp #tony tony chopper #sanji #black leg sanji #nico robin

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