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#i have a good feeling about this draft
irritablepoe · 9 months
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ok i wrote a little over 1k words today, somebody tell me they're proud of me :')
#THE TAGS ARE LONG SO BE WARNED!!!#and it's mostly ramblings so not a vent post#i have a good feeling about this draft#i mean i just started a new one but i have kind of a much clearer idea what i'm doing now#i have a notebook where i put a timeline of all the events and it's so helpful#though i have SOOOOO MUCH fantasy names and shit that i invented like a year ago and even though i have all the origins of the names noted#i have little idea how i got there#i even invented a whole calender that i'll use in this story (hopefully) and i'm so proud of this omg#i hope i get this draft finished one day bc it would be a really cool high fantasy book if i do it right yk#AND I'M SO PROUD OF MY MAGIC SYSTEM#it's reaaaaallly complex and i spend weeks figuring it out#though it's been a while since i wrote anything in this project and i don't have all the information on paper (in the notebook) yet#so the information is kinda spread throughout all the documents that i started for like little oneshots scenes and beginnings and stuff#and i have to find them all :')#but creating is soooo fun#but writing is a pain since march for some reason#i had a lot on my plate but also... that normally helped?#well i hope i'll get to write in september bc of semester break#i looked at my progress chart-thingy over the year and i wrote so much in feburary ;-;#i want this back plsssss#nowadays i only get to do like one poem in 2-3 days (and not even that!) and 90% of them are shit#ANYWAYS#thank you for reading all this if you did <3#this was just me rambling lmao#i haven't posted much today aaaahhh but well i'm very tired and in pain :(#i wish weekends were longer man#period.cramps.are.shit.#personal
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joycrispy · 8 months
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Awhile ago @ouidamforeman made this post:
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This shot through my brain like a chain of firecrackers, so, without derailing the original post, I have some THOUGHTS to add about why this concept is not only hilarious (because it is), but also...
It. It kind of fucks. Severely.
And in a delightfully Pratchett-y way, I'd dare to suggest.
I'll explain:
As inferred above, both Crowley AND Aziraphale have canonical Biblical counterparts. Not by name, no, but by function.
Crowley, of course, is the serpent of Eden.
(note on the serpent of Eden: In Genesis 3:1-15, at least, the serpent is not identified as anything other than a serpent, albeit one that can talk. Later, it will be variously interpreted as a traitorous agent of Hell, as a demon, as a guise of Satan himself, etc. In Good Omens --as a slinky ginger who walks funny)
Lesser known, at least so far as I can tell, is the flaming sword. It, too, appears in Genesis 3, in the very last line:
"So he drove out the man; and placed at the east of the garden of Eden Cherubims, and a flaming sword which turned every way, to keep the way of the tree of life." --Genesis 3:24, KJV
Thanks to translation ambiguity, there is some debate concerning the nature of the flaming sword --is it a divine weapon given unto one of the Cherubim (if so, why only one)? Or is it an independent entity, which takes the form of a sword (as other angelic beings take the form of wheels and such)? For our purposes, I don't think the distinction matters. The guard at the gate of Eden, whether an angel wielding the sword or an angel who IS the sword, is Aziraphale.
(note on the flaming sword: in some traditions --Eastern Orthodox, for example-- it is held that upon Christ's death and resurrection, the flaming sword gave up it's post and vanished from Eden for good. By these sensibilities, the removal of the sword signifies the redemption and salvation of man.
...Put a pin in that. We're coming back to it.)
So, we have our pair. The Serpent and the Sword, introduced at the beginning and the end (ha) of the very same chapter of Genesis.
But here's the important bit, the bit that's not immediately obvious, the bit that nonetheless encapsulates one of the central themes, if not THE central theme, of Good Omens:
The Sword was never intended to guard Eden while Adam and Eve were still in it.
Do you understand?
The Sword's function was never to protect them. It doesn't even appear until after they've already fallen. No... it was to usher Adam and Eve from the garden, and then keep them out. It was a threat. It was a punishment.
The flaming sword was given to be used against them.
So. Again. We have our pair. The Serpent and the Sword: the inception and the consequence of original sin, personified. They are the one-two punch that launches mankind from paradise, after Hell lures it to destruction and Heaven condemns it for being destroyed. Which is to say that despite being, supposedly, hereditary enemies on two different sides of a celestial cold war, they are actually unified by one purpose, one pivotal role to play in the Divine Plan: completely fucking humanity over.
That's how it's supposed to go. It is written.
...But, in Good Omens, they're not just the Serpent and the Sword.
They're Crowley and Aziraphale.
(author begins to go insane from emotion under the cut)
In Good Omens, humanity is handed it's salvation (pin!) scarcely half an hour after losing it. Instead of looming over God's empty garden, the sword protects a very sad, very scared and very pregnant girl. And no, not because a blameless martyr suffered and died for the privilege, either.
It was just that she'd had such a bad day. And there were vicious animals out there. And Aziraphale worried she would be cold.
...I need to impress upon you how much this is NOT just a matter of being careless with company property. With this one act of kindness, Aziraphale is undermining the whole entire POINT of the expulsion from Eden. God Herself confronts him about it, and he lies. To God.
And the Serpent--
(Crowley, that is, who wonders what's so bad about knowing the difference between good and evil anyway; who thinks that maybe he did a GOOD thing when he tempted Eve with the apple; who objects that God is over-reacting to a first offense; who knows what it is to fall but not what it is to be comforted after the fact...)
--just goes ahead and falls in love with him about it.
As for Crowley --I barely need to explain him, right? People have been making the 'didn't the serpent actually do us a solid?' argument for centuries. But if I'm going to quote one of them, it may as well be the one Neil Gaiman wrote ficlet about:
"If the account given in Genesis is really true, ought we not, after all, to thank this serpent? He was the first schoolmaster, the first advocate of learning, the first enemy of ignorance, the first to whisper in human ears the sacred word liberty, the creator of ambition, the author of modesty, of inquiry, of doubt, of investigation, of progress and of civilization." --Robert G. Ingersoll
The first to ask questions.
Even beyond flattering literary interpretation, we know that Crowley is, so often, discreetly running damage control on the machinations of Heaven and Hell. When he can get away with it. Occasionally, when he can't (1827).
And Aziraphale loves him for it, too. Loves him back.
And so this romance plays out over millennia, where they fall in love with each other but also the world, because of each other and because of the world. But it begins in Eden. Where, instead of acting as the first Earthly example of Divine/Diabolical collusion and callousness--
(other examples --the flood; the bet with Satan; the back channels; the exchange of Holy Water and Hellfire; and on and on...)
--they refuse. Without even necessarily knowing they're doing it, they just refuse. Refuse to trivialize human life, and refuse to hate each other.
To write a story about the Serpent and the Sword falling in love is to write a story about transgression.
Not just in the sense that they are a demon and an angel, and it's ~forbidden. That's part of it, yeah, but the greater part of it is that they are THIS demon and angel, in particular. From The Real Bible's Book of Genesis, in the chapter where man falls.
It's the sort of thing you write and laugh. And then you look at it. And you think. And then you frown, and you sit up a little straighter. And you think.
And then you keep writing.
And what emerges hits you like a goddamn truck.
(...A lot of Pratchett reads that way. I believe Gaiman when he says Pratchett would have been happy with the romance, by the way. I really really do).
It's a story about transgression, about love as transgression. They break the rules by loving each other, by loving creation, and by rejecting the hatred and hypocrisy that would have triangulated them as a unified blow against humanity, before humanity had even really got started. And yeah, hell, it's a queer romance too, just to really drive the point home (oh, that!!! THAT!!!)
...I could spend a long time wildly gesturing at this and never be satisfied. Instead of watching me do that (I'll spare you), please look at this gif:
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I love this shot so much.
Look at Eve and Crowley moving, at the same time in the same direction, towards their respective wielders of the flaming sword. Adam reaches out and takes her hand; Aziraphale reaches out and covers him with a wing.
You know what a shot like that establishes? Likeness. Commonality. Kinship.
"Our side" was never just Crowley and Aziraphale. Crowley says as much at the end of season 1 ("--all of us against all of them."). From the beginning, "our side" was Crowley, Aziraphale, and every single human being. Lately that's around 8 billion, but once upon a time it was just two other people. Another couple. The primeval mother and father.
But Adam and Eve die, eventually. Humanity grows without them. It's Crowley and Aziraphale who remain, and who protect it. Who...oversee it's upbringing.
Godfathers. Sort of.
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ineffectualbookseller · 8 months
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The way Azirphale is underestimated and practically infantalized by heaven is so closely tied to his femininity and I think we should talk about it more because I just want to shout about how relatable the way he's treated in his workplace is as a woman working in a traditionally male field
It's in all the little niggling comments from your boss about personal things that hold no bearing on your work
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and the assumption that what you're doing must be simple if it was assigned to you
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your work is trivialized
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and you get these the placating smiles when you're told plans and proposals are rejected and passed over
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or when your complaints are dismissed
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and you get more of the same from upper management
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it all feels so frustrating and draining but you're at work so all you can do is take a breathe put on that mask and move on with your day
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It is all so deteimental to your emotional well being and textually, so much of this is tied to Aziraphale's softness, his gayness - his femininity
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The thing about working in an environment and gives you this feeling - of being simultaneously destrought watching your belief in yourself get chipped away but also just so irate becuase you know you don't deserve it - is how it builds. It sinks under your skin and feeds into this indignant dejection until you can have a moment of release - but Azirphale doesn't get to bitch about it over drinks with friends, he doesn't get a lunch break where he can go for a walk and listen to an angry scandi death metal playlist, he doesn't even get the chance to cry about it in the bathroom for 5 minutes before confronting it again
(And I talked a little bit about it in the tags of this beautiful photoset but this all comes into play whenever Crowley dismisses his plans or calls him an idiot. These are purely emotional reactions; I really don't think Crowley means much by it - he respects Aziraphale's opinion and genuinely thinks he's brilliant - but Crowley is so quick to use this terminology when Aziraphale is making a decision Crowley thinks is wrong and he doesn't know how much this hurts Aziraphale. Just like Aziraphale doesn't understand the true impact the Fall had on Crowley, Crowley doesn't understand the ways heaven has been tearing away at Aziraphale's self worth)
Aziraphale has been facing this constant drip of denigration since before the beginning of time and has never released the pressure valve. At this point, he's a bomb waiting to go off
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zilabee · 6 months
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I love how ridiculously warm John would feel about the fact that Paul still loves him so much and sings with him at concerts and wanted to finish another song with him after all this time, and I love how John would kind of just feel it all behind his beautiful face, looking down, trying to be nonchalant about it.
The way that Paul loves John, so absolute and steady. The way that John didn't feel loveable like that, but craved it, but didn't recognise or trust it, and the way it was there and real anyway despite him. I don't know. I like that Paul is so relentless in loving him.
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happyheidi · 1 year
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viperwhispered · 1 month
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Rest
Guess what? I've got more Jamil x reader for y'all. You can also find this on ao3. No warnings, just 866 words of kinda fluffy(?) caretaking stuff with gender-neutral reader.
At this point, you know Jamil’s schedule almost as well as he does. So, when you have the chance, you head to Scarabia’s kitchen, hoping to spend some time with Jamil while he and the other students prepare dinner. 
However, when you enter, it takes you but a moment to notice Jamil’s uncharacteristic fumbling and the tired look in his eyes. The way Jamil’s chopping the vegetables has you worried about him cutting himself with that knife he’s usually so adept with, and it seems it’s only force of habit that’s keeping him on track.
You frown, and when your eyes meet Jamil’s, you can already see him put his guard up.
So he knows what state he is in, huh? And still, here he is.
It seems Jamil is reading your thoughts, all of him telling you drop it before any words are even said.
At least he still lets you lean in and give a quick kiss to his cheek in greeting.
“Hello love. Do you still have a lot on your agenda for today?” you ask, keeping your tone low for at least some semblance of privacy in the busy kitchen.
“Nothing I can’t handle,” is the response you get.
Of course.
It takes a little more pestering before Jamil actually answers your question. Your lips purse. That list is far too long to your liking.
You take a moment to think, juggling your own plans and to-do list against the urgency of the things Jamil mentioned.
“Will Kalim be eating from that?” you ask, pointing at the food Jamil is preparing.
“Yes.”
“Alright, I won’t be touching that one, then. I’ve gotta do a few things but I’ll be back when you’re done here.”
“Don’t,” Jamil says with a glare, clearly aware of what you’re thinking.
Yet even his disapproving look doesn’t have the usual weight behind it.
“Yes. I will,” you say firmly, even as your heart curls inwards with another bout of concern.
Really, when did he get so tired?
And how did you not notice it earlier?
You leave the kitchen before Jamil can protest further, hurrying through the dorm corridors to find Kalim.
Soon you have an enthusiastic – and concerned – supporter for your plans. You have Kalim point out a few reliable Scarabia students to help with a few of the most urgent matters Jamil mentioned – cleaning up the common areas, delivering some paperwork to Crowley, preparing some dorm-wide notices – while you see to Kalim getting his school supplies in order for the following day. You even recruit a couple of third years to help Kalim with his homework.
You’ll see to the rest tomorrow – after all, you do also have a boyfriend to look after.
Your conversation over dinner can hardly be called anything else than an argument – despite Kalim’s best attempts at acting as a moderating force between you two. It is very tempting to ask Kalim to tell Jamil to take the rest of the day off – it’s not like Jamil would be willing to openly disobey a direct order. Still, you really don’t need to remind Jamil of his position on top of everything else that you’re already doing more or less against his wishes.
Eventually, however, Jamil’s had a square meal, the most urgent things on his to-do list are being taken care of, and you’ve managed to drag him to his bed.
“I really wish you wouldn’t push yourself so hard,” you murmur, your arms wrapped tightly around Jamil. You’re telling yourself you really do just want to cuddle, to offer some respite to Jamil. Still, there might also be a part of you worried that if you were to let go, he’d just jump up and get back to working himself to the bone.
Yet, for all his protestations, just the fact that you’ve gotten Jamil to lay down with you speaks volumes of his current exhaustion.
“I can’t just leave my duties, albi. You know this.”
“Making yourself too indispensable, is what you’re doing,” you protest.
Oh, you know it’s not so simple. Not with his background, not with all the expectations and assumptions.
But sometimes you really wish it would be.
Jamil merely scoffs in response to your words.
Still, it is undeniable that he is slowly beginning to relax in your arms, slowly bringing his head closer to yours. His eyes are starting to flutter, too.
“I will still need to help Kalim with his homework, at the very least.”
You wonder who he is trying to convince more, you or himself.
“Amin and Khalil are helping him. They’re basically top of their classes, aren’t they? I’m sure they’ve got it.”
Still, Jamil frowns.
You sigh. He really is not letting go, is he?
“Do you want me to go supervise?” you ask.
And leave you, unsaid yet hanging there right after your words.
“Don’t,” Jamil eventually says, the word barely more than a breath.
It seems he has accepted his fate.
You softly caress Jamil’s hair, listening to his softening breathing.
And when you wake up, wholly unaware of having been lulled to sleep in the first place, it’s to the lightest of touches from Jamil’s fingers.
Tagging @diodellet @twstgo @crystallizsch @jamilvapologist @jamilsimpno69 as per request If you'd like to be tagged for any future works, let me know!
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tatck · 8 months
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currently redrafting a scene for like the 4th time
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TD World Tour AU, where Noah doesn't tell Owen that Alejandro is an eel in London... In Area 51, Noah is accidentally splashed with an alien truth potion (which wears off after a few days) and he talks to Owen... Owen asks Noah what he truly thinks about Alejandro, and Truth-Potion Affected Noah says this: "I have mixed feelings for Alejandro. He's a brilliant, interesting guy and I like him, but I don't trust him. He's like a slippery eel dipped in grease, swimming in motor oil. Basically, Heather with social skills. Wait a minute, why am I telling you this?!"... What if Alejandro secretly heard Noah call him all those conflicting things + Alejandro also learns that Noah is affected with an alien truth potion? 👽
Alright, you got me. I'm an absolute sucker for truth potion plots, especially when the character(s) effected by them are usually either pathological liars or incredibly secretive- of which Noah absolutely falls into the second category, given he shares so little personal information.
I'll gloss over why Noah declined to shit-talk Alejandro in London (though there's so many ways this change in behaviour could be justified) since the focal point of this hypothetical centred around their time in Nevada, so let's start from the beginning of the Area 51 challenge.
Area 51:
Before we start, it'll have to be established that no one was eliminated in London. Let's say that the majority vote went towards Duncan (team CIRRRRH voted him out immediately because they found his re-admission to the competition unfair, I guess. I imagine he'd also vote himself, if not as a plan to escape the competition he'd been actively skiving from, then just as an act of spite) but Chris instead claimed it was a rewards challenge- much like he does in Greece- because he doesn't want to let Duncan slip away again so soon.
I see no reason to alter the first part of the challenge- the sneaking into Area 51 portion- since team CIRRRRH's course of entry is fairly straightforward. Noah's presence doesn't make much of a difference to how it would play out; the majority of them throw their rocks and run, Owen gets lasered over the fence and Owen-napped, ect ect.
When both teams have managed to make their way into the Black Box Warehouse, Noah immediately suggests they should prioritise rescuing Owen. Tyler's quick to agree, since he's a firm believer in the "no man left behind" mentality (and he probably makes a not-so-subtle jab towards Noah for his chance of tune compared to London, where both he and Owen did leave Tyler behind) leaving Duncan and Alejandro to split from the group- Duncan in search of Gwen, and Alejandro just takes the opportunity to finally be free from his 'incompetent teammates' and prioritises finding an artifact.
Noah and Tyler come across the contraption Owen's trapped in, Tyler punches it in a futile effort to break it open, and the face hugger cube drops into Noah's hands. This is where the point of divergence comes into play; Tyler has his E.T. moment with one of the face huggers, but Noah- who's a tad bit more observant than Alejandro, and used to dodging surprise attacks from his various older siblings (and Izzy)- anticipates his own face hugger attack and promptly starts a game of cat-and-mouse with a taser alien hot on his heels.
The commotion of which attracts the rest of his team. Alejandro and Duncan arrive on the scene to see Tyler being electrocuted by an alien and Noah running in circles evading another.
Duncan attempts to rip the face hugger from Tyler's face, finding success at the cost of sending Tyler trampling into Owen's captive contraption (essentially taking Alejandro's canonical place in this scene) and inadvertently freeing Owen.
Meanwhile, Alejandro swipes up the nearest box he can find and snags the alien chasing Noah, who's still very loudly panicking as he flees, and succeeds! The alien is swiftly captured into the box, netting team CIRRRRH their artifact, and Noah promptly goes careening into the nearest tower of junk in his face hugger-fuelled hysteria. This causes another box to topple from the peak of the tower, landing directly on Noah's head and spilling its contents onto the bookworm- glass vials filled with a mysterious, luminescent cobalt blue liquid shatter into pieces drenching Noah in whatever they contained. (i.e. truth potion.)
Owen has his false-amnesia moment, characterised by his Joker makeover, and Alejandro enacts his revenge post-hypnotic suggestion after being addressed as "Al" one too many times.
Noah, understandably, swiftly objects to Owen's treatment and demands that Alejandro snap him out of it. Alejandro concedes, and Owen's brought back to himself. At least, for a moment, before the fatigue of having his mind messed with sends Owen into near-catatonia (the same as canon), meaning he has to be ferried through the Warehouse and back to the Jet by Alejandro and Duncan.
Things carry on canonically from there; Noah's just sort of there for the most part, though there'd be a minor hint to his newfound proclivity for honesty. Something along the lines of him giving an uncharacteristically honest answer to Owen as to who he's voting- Tyler, of course, since he was the one who ultimately threw the challenge for them... and also because Tyler still holds some resentment towards Noah for what happened in London, and Noah feels guilty about it every time he looks at the jock. Wait, why did he say that?
Sometime between this and the elimination scene, Noah wipes the truth-goop off of himself, but not before the effects have already started.
Tyler's voted out, yada yada yada.
The Jet:
Thus begins the start of "Picnic at Hanging Dork". Team CIRRRRH, consisting of just Alejandro, Duncan, Owen and Noah, are slumming it up in the Economy Cabin. Alejandro tries to rally his team by asking how to break apart Courtney and Heather's tentative co-operation. Owen suggests having Alejandro seduce Heather, since it worked for both Bridgette and Leshawna. Duncan makes his "Babe Olympics" comment. Noah pipes up that playing with someone's feelings is pretty scummy, even for someone competing for a million dollars.
Alejandro takes Noah's reluctance towards his methodology poorly; he hadn't spoken up before, when Alejandro had utilized the same strategy against other girls- and even Owen noticed that, so surely Noah did too- so why was he to outwardly against him using the same tricks? Duncan agrees, and offers ''his'' idea of having Alejandro flirt with Courtney to throw both her and Heather off their games (since Heather has an obvious crush on Alejandro), and things follow canon.
Then, the scene between Alejandro and Courtney happens. Noah scoffs at the display from the side lines, prompting Owen to ask him why he's so against Alejandro's plan.
"I mean, you never said anything before, when he flirted with Bridgette and Leshawna." Owen comments, light-hearted in nature but with an underlying questioning tone.
Noah's eyes flicker with a cobalt glow, easily mistaken for a trick of the light, and he speaks without even thinking.
"Yeah, because I was trying to give him the benefit of the doubt. Bridgette was happenstance, and Leshawna's whole deal could've been a coincidence, or some massive misunderstanding. But this?" Noah extends an accusing hand out towards a smug looking Alejandro, then pans it over to a flattered Courtney, "He's outright toying with Courtney's feelings after she was cheated on in front of an international audience. It's scummy."
Owen nods in understanding, momentary contemplation evident in the pouted curve of his lips, and he chimes in.
"Does that mean you don't like Al?"
"I never said that."
"Well, how do you feel about him, then?"
Again, a flash of blue light against the hickory backdrop of Noah's eyes, and he responds thoughtlessly.
"I guess I have mixed feelings about him. On the one hand, he's slippery, like an eel dipped in grease, swimming in motor oil. He's like if you took all of the worst aspects of Heather, wrapped them up in a pretty package, and gave them social skills..." He holds his hands out before him in a scale-like manner, with the left tipped downwards and tie right raised by his chin. Then, the two hands swap positions.
"And on the other hand, he's brilliant. I've never met anyone as talented as Alejandro; he's smart, he's athletic, he's funny. It's almost unfair just how perfect everything about him is- even his face is perfect. It's ridiculous! Infuriating, even. It's so hard to dislike him, even when I know he's bad news, but that doesn't mean I trust him."
Owen stands slack jawed beside his best friend, both impressed and stunned at the raw honesty of Noah's tirade. Noah, now a little more aware of himself, realises that he's said more than he intended to- more than he thinks he's ever spoken in one go throughout the entirety of Total Drama. He's not usually one for speeches, after all, let alone honest ones.
He's always been the type to play his cards close to his chest, so why...?
"I, uh, didn't mean to go off like that."
And he also didn't mean to admit it, either. What was going on?
The look Owen gives him is, in a word, vivid. The blonde has a shit-eating grin stretching across his face, a sort of elated smugness practically glowing from his features.
"Sounds like someone has a cruuuush!~"
What? No? No! Not at all, where would Owen even get that idea?!
Noah splutters to correct Owen's assumption (to disastrous results, because he does sort-of has a crush on Alejandro, so the truth potion doesn't allow him to outright deny it), and in his preoccupied state he misses how a calculating pair of sage green eyes never seems to stray from him.
Alejandro has a lot to think about in regards to a certain cynic, it seems.
#I'd like to apologise for taking this idea and running with it.#Cutting myself off here before I breach 2k+ words or else I'll be here all day.#Sort of entered actual Writing Mode at the end there instead of Outline Mode but this idea is. So Full Of Potential I couldn't help myself.#But from here it'd basically be Alejandro using his newfound knowledge of Noah's crush on him to his advantage.#Whilst Noah's doing his best (and failing) to deny that he has any feelings for Alejandro.#Eventually leading to the two of them having a Bonding Moment where Alejandro gets Noah to divulge some personal information.#And in turn- or an effort to garner some trust (to be abused later)- Alejandro also lets himself be vulnerable towards Noah.#Something something Alejandro tries to use Noah as a pawn but ends up catching feelings of his own.#Then of course the potion wears off and Noah goes back to being just as prickly and standoffish as he was before.#A point of conflict maybe? Imagine bearing your soul out to someone only for them to close themself off to you not even days afterwards.#...Also imagine being practically forced to divulge information about yourself to someone you don't trust because of a truth potion.#Oh yeah. That's some good angst material right there.#Especially is you have Alejandro be- if not fully aware- than at least suspect that Noah's not being agreeable on his own terms.#Anon why have you given me The Thoughts?? I can't keep brainstorming AUs when I already have fics to work on!!#ophe's ranting in the tags again#total drama#td noah#td alejandro#team chris is really really really really hot#alenoah#-ish#silly ideas#other's ideas#long post#replies#kinda drafty in here (posts from the drafts)
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raisinushigher · 3 months
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i think one of the biggest factors for why the dynamic of tophabe is so addicting at least to me and Maybe other people who enjoy them is the way their motivations and needs as characters fit into eachother so perfectly. and i think the most basic summary of that is topher is very possessive of things and likes to be the one in control of things, and abe, while also wishing to be in a position of responsibility and authority, more often just wants to be accepted at all. any sort of relationship that topher has with anyone - apart from the bleacher creatures - is always doomed from the moment they meet because of how overbearing and entitled he is, however with abe, even after topher crossed him like he does with pretty much everyone at some point, abe holds pretty much no grudge against him because that’s just the type of person he is. abe’s absolute biggest weakness in the entire show apart from his cluelessness and naivety, is how he doesnt stand up for himself. this is probably going to be disproven since they haven’t even had a proper interaction at all since the whole thing so hold pretty much nothing to this, but not once has he said something like wait why am i talking to you?? you blackmailed me!! while talking to topher. abe’s whole thing is he never stops viewing people as his friends even when they mistreat him. once abe sees you as a friend of his there’s almost no turning back. and while im not entirely sure what he thought of topher during the time in season 2 where they appeared to be regularly talking to eachother, that seems to still hold true with them. tldr its the same features that hinder both of them from having truly good relationships and deter other people from them that really make them click as a duo
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lavenoon · 1 year
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@naffeclipse I don't know enough about cryptids to know if it's like. A Rule that they show up blurry in pictures, but it's definitely funny to assume that
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abarero · 2 months
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Mikoto Sena and Hope
So hey it’s 3am and I’m wide awake thinking about Mikoto’s character arc and how it perfectly captures the spirit of the original PMMM story. So have some word rambles on the subject.
Spoilers for Magia Record Arc 2, Sayonara Storage and Memory Drops.
The miserable have no other medicine
But only hope:
I have hope to live, and am prepared to die.
- William Shakespeare (Measure for Measure)
Madoka (as a character and as a story) is a story about despair and a story about finding hope despite that.
Enter Mikoto Sena into this universe, where it seems from day one she’s cursed to be in despair, always. Her family life is miserable at best and abusive at worst. But she puts on a cheery smile and tries to hide that from the world. She spends all of her years up until age 15 playing that part, becoming a shallow copy of herself that looks and acts as if nothing is wrong. Even before she contracts, she’s broken.
Enter Kyubey and what seems at first to be a ray of hope in an otherwise terrible tale. She makes a wish and suddenly her life gets a little better. Her wish makes her father leave the family and for a while, things improve. Then once more, despair kicks in; her mother begins to do the same things her father did and things begin to shatter. Because what little hope she had disappears so easily, Mikoto begins to crack. She decides it’s not enough to just fake it on the surface, now she’ll use her magic to convince people to follow along with her mirrored life. She begins using her suggestion magic on another family, desperate for any kind of affection, and even that plan has its flaws. Because the wife and husband still mistake her at times for their real daughter.
Enter into this, Hanna Sarasa. The very first magical girl Mikoto encounters, and one Mikoto is very determined to impress. She’s never had any real friends, so this chance feels like it’s everything to her. And so she does what she’s learned to do best: she lies. She lies about her family, her home life, her school life. She paints a picture of perfection. She’s so desperate she even invites Hanna over to her fake family’s place.
Unknowingly, Hanna becomes Mikoto’s only hope. She’s the one thing she doesn’t want tarnished, the one thing she most wants to protect, so she keeps using her magic to make all her flaws disappear. Of course, with this much extra use of her magic, her soul gem darkens and she witches out.
Hanna, thanks to her own copying magic, is able to save Mikoto. But just barely. Just as a parasite that only she can see and hear. But by this point, both of them are broken, shattered versions of themselves. Hanna broke on seeing her only friend turn into a witch. And Mikoto, now part-witch and with nothing but a life of misery up until meeting Hanna, becomes a destructive force.
Hanna tries. Like she does so much to try and save Mikoto, but at the end of things, Hanna’s dead. And that’s the only thing Mikoto can come away from it with- that her one single hope is gone.
So of course she begins to plot destruction. Kamihama, the world- let it all burn down. There’s nothing left for her to care about. She strings Alina along for the ride, and almost succeeds destroying things multiple times before someone stops her.
Iroha tries, really truly does, but Iroha is not Hanna. Iroha can stave off Mikoto’s destruction but she cannot save her. She can remind her of hope, but she cannot give that hope back to her.
In the end, fittingly, Mikoto our child of despair decides to give up every semblance of life for one last chance at hope. Her hope, the only singular hope she’s ever had that hasn’t betrayed her: Hanna. Mikoto creates Uwasa of herself and Hanna, and she thinks for once they can be at peace.
But despair rears its ugly head again. The Uwasa begins to chip away at Hanna’s self, and Mikoto, desperate to preserve her only friend, takes the burden of the darkness onto herself. In doing so, she begins to have periods of time where she’s out attacking people and Hanna begins to notice. But just like before, Hanna is willing to go down with this ship.
After all is said and done, they lie together in the snow. Both of them are slowly dying, losing what remains of their self, and Mikoto decides it’s okay. She accepts this end because Hanna is there. She accepts this because she has her one hope left, there, holding her hand. It’s not a happy ending, but a peaceful one. A hopeful one.
Because sometimes hope isn’t something you can see, but someone you can believe in.
Don't forget. Always, somewhere, someone is fighting for you. As long as you remember her, you are not alone. - Madoka Magica (Episode 12)
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cohlumbo · 2 months
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Rust 'Dead Daughter' Cohle continues to have a normal one while working as Crash
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spacedlexi · 2 months
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people dont talk enough about how heartbreaking the marlon betrayal mustve been for clem too,,
this dude saves the life of her and her kid. takes them in has them patched up gives them their first hot meal in who knows how long. gives them a safe place to stay. possibly permanently. confides in her that hes trying to be a good leader but feels like and fears that hes failing. asks her to help him take care of the rest of the group. helps her get over her fear of dogs by asking her to trust him. and things go well. she feels safe. like this place could really finally be the home shes been looking for
but as soon as she finds out what happened to the twins. that marlon planned on giving up her and aj too. she immediately becomes a liability to him and he attempts to kill her for it. locks her in the basement to die by walker. then tries to turn the group against her so he can shoot her instead when the first method fails. and he nearly succeeds
then a majority of the group turn against clem the minute aj kills marlon. ignoring marlons mistakes but condemning aj for his. like clem wasnt betrayed by marlon in the exact same way he betrayed the twins. like she literally wasnt almost killed twice? and how long had he been considering giving her up? was it always some contingency he planned? did he truly want to keep them around and things only changed when he feared the raiders had returned? she'll never know
#i think about this a lot... the betrayal... clems deep trust issues... then they all want to kick her out (except vi aasim and tenn 💕)#when she was just as impacted if not more so than the rest of them. since she was the only one with her Life on the line#thats why violet fighting so hard for them to stay is so important imo and would MEAN SO MUCH to clem too#vi and aasim are the only ones who can see past the bullshit and realize that theyre safer with clem around#while the rest would rather kick her out so they dont have to acknowledge their confused feelings about marlon#like first marlon betrays her then the rest of the group tell her to get fucked and die. dont come back. we never want to see you again#but she does. and she saves them#personally i do think marlon had 'good' intentions but he was a scared and fucked up kid who made bad decisions#and continued to make bad decisions to cover for his previous fuck ups#but that just makes him interesting :)#and i like teaching aj the difference between people like marlon and people like lilly#all of clems 'wow i feel so safe here :) and these guys seem smart :)' personal dialogue around ericsons makes me 😭#she was so happy to be at ericsons. and they turn against her so fast when she was more of a victim than any of them#aj is a literal baby. do not treat him like an adult who can make fully rationalized decisions. hes a baby and he only knows survival#at least they slowly get over it after clem comes back (some take longer than others...)#but the lack of compassion in voting to kick them out is heartbreaking. she was heartbroken#and thats not acknowledged as much as it should be#posting this old drafted post now cuz it expands my feelings on clems broken heartedness about the marlon situation#it speaks#twdg
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I can't do much productively during the heat wave/health issue flare up/etc. like work on my games or anything where I have to sit at the computer/type for long periods of time, BUT.. I did passively sculpt a few tiny foods lol. I wanted to do one of my bigger usual sculptures, but those take so much more time and concentration, I thought something small just to keep my hands busy would be better.. close up photos look kind of weird and blurry from my camera settings or something, but overall they came out okay, especially in person.. Nearly the only reason I ever wanted to buy dolls as a kid was to get my hands on the miniature foods and plates and stuff that came with them, I've always just been obsessed with small versions of things like that, so.. why not make some! lol
#sculpture#ooops.. i could have posted this on the art blog but I forgor and do not feel like reuploading everything#into a new drafted post on a whole other blog.. not in this heat.. i have no patience lol#items are: tomato. asparagus. a four leaf clover (not food lol). some sort of folded bun or dumpling with meat inside (not based on#anything specific. I just wanted to fold a flat sheet of clay into a shape). pomegranate. cheese wheel. lemon slice. some sort of mushroom.#fish (not a real one. just made up. if it looks like any specific fish that'd be interesting). and fig.#I haven't been able to get many avocaodo pits to carve again. so sculpting. then is good for a tiny craft#WISH I COULD DO COSTUMES OR SOMETHING.. i have some pikced out. bundles of clothes laying on the floor of the closet#but GODS even before the heat wave it's just been so warm.. I know.. it's the summer. of course it's warm#but WHYYYyy............. what if it just snowed all year around and was awesome and beautiful and i was so cold and could wear 25 blankets#at all times.. what about THAT hmm?? .. the ideal..#anyway.. my favorite is the pomegranate and the mushroom maybe#The fig is hard because in the pictures of figs I googled a lot of them have that sort of white powdery type of thing on the outside#that grapes and plums and stuff have sometimes and it's hard to convey that weird like.. sheen.. plus the purple with almost powdery blue#and little lighter specks plus streaks of light green and a little orangey on some of them.#It's okay in person I think but this doesnt show up as much in pictures. The cheese also looks betterin person than images. you can't tell#the slight shine in the pictures lol. but the pomegranates look cool and also photograph decent.. hmm#I should have made toast with an egg on it or something. that would be a nice addition#OH ALSO ASPARAGUS MY BELOVED.. though they look a little wonky. the cuticle pusher tool that I sculpt with in leiu of any actual sculpting#tools has a kind of triangle edge that was suite for the little leaf details of the asparagus so that was cool. its like..ALMOST right lol
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wander-wren · 18 days
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small things to stop doing in your fics
(or any kind of writing, but i live on ao3. we begin with flat-out crimes and then slowly start moving into things that just bug me personally but aren’t wrong)
epithets. if i’ve said it once, i’ve said it a thousand times. you should only be using epithets for characters whose names we do not know. they can also be used VERY rarely to break up the repetition of names/pronouns or to emphasize characters’ relationships/viewpoints, ie “his boyfriend” or “the asshole.”
writing out accents. please stop. you can include a couple of small things, like “somethin’” or “ya” (for “you”), but even keep that to a minimum. specific turns of phrase/references go way farther imo to establish a character’s culture/background/etc. a little goes a long way, and doing it repeatedly can make sentences hard to parse. this also! applies! to children and babytalk! have you ever listened to a child speak? toddlers can enunciate pretty well!
not enough commas. put commas before names and titles. it’s not “Hey John” or “I’m on it captain,” it’s “Hey, John” and “I’m on it, captain.” also, put them after discourse markers/interjections such as “well,” “so,” and “now.” you should be writing “So, how are the kids?” not “So how are the kids?” even if your character is speaking quickly, you still want the commas because of grammar. it can occasionally be acceptable to omit them if you want to indicate extreme excitement/panic/anger/etc, but use it sparingly.
too many commas. i’m a comma fiend like the rest of you so i’m guilty here too, but we gotta at least stop with the comma splices. commas split and independent and dependent clause, meaning that one part of the sentence cannot grammatically stand alone. if all parts are complete sentences on their own, that’s a comma splice. try splitting it into two sentences, using a semicolon, or rewriting. this is usually fine in dialogue, though, that’s just how people talk.
also, using a lot of commas to denote panic is something i used to be HUGELY guilty of and now i hate it. instead of, “I, I, I don’t, I don’t know,” you can try, “I-I…I don’t—I don’t know!” probably not that much punctuation that close together, but for the sake of example. emdashes and ellipses, my beloveds 🫶
roleplay speak. i don’t know what else to succinctly call this? i’m referring to the tendency to be redundant and over-explain, especially in dialogue. it’s a phenomenon i see constantly in rp circles, usually because of post length requirements (and i have little issue with it there, it’s just the culture). things like:
“Surprise!” Adam shouted, popping out from behind the door.
“Oh my god!” Scott screamed, having been completely startled and not expecting Adam to be home yet.
yeah, we can guess that Scott is startled, right? because of the screaming? and clearly if Adam is surprising Scott it stands to reason his presence is unexpected? why are we stating this twice?
i believe this also comes from the mistaken idea that every line of dialogue needs a tag attached, which is….horrible. you can let the dialogue exist on its own sometimes, friends. you can also include an action beat without a tag. like above, i could have just said “Adam popped out from behind the door” and omitted the shouting altogether. we can assume he is being loud because that’s usually how people do surprises. anyway. moving on.
condescending to readers. this isn’t so much about writing as it is author’s notes and the like, and “condescending” may be a strong word, but i’m trying to be succinct. at any rate, please stop telling your audience to not read your fic? “do not read if sensitive to [blank]” or “if you have [disorder] skip this fic!” is a horrible way to trigger warn. people know their own boundaries. tell them what the work actually contains and let them self-select.
i also find “rest stop/check-in” type notes condescending, like “if you are reading this between the hours of 10pm-4am, go to sleep” and “STOP! have you eaten/drank/walked around in the past few hours? go do that!” again, we know ourselves. i’m not your kid, don’t tell me what to do. i don’t mind a polite, casual little “thanks for reading, remember to drink water and take your meds, bye” note, though.
the others in this category? i will straight up not read the fic over that on some days. ESPECIALLY because, in my experience, the people who are most intense about warning for every little thing are the ones with the mildest fics, and that’s not what i’m here for.
complaining about your own wrong tags. this is, admittedly, such a nitpick, and it definitely is more common in certain communities than others. but as longtime followers may know, i’m a bit obsessed with ao3’s tagging system and it drives me BONKERS when people use the wrong tags and follow it with “not actually but there’s no tag for xyz.” here’s the thing: you can still look at all the works that have ANY tag, just the non-canonized ones can’t be filtered on. and the best way to get a tag canonized is, guess what, to USE it! imagine that. also, if you’re using the wrong tag, you’re just going to clog the filter results and get people who don’t actually want to read your fic. just stop.
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mirrortouchedsea · 20 days
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(CW for Suicidal Ideation)
Hinata’s breath was heavy as he landed the final move of their act. The tinny music playing from their speakers went quiet and the audience clapped politely. It was always the same song and dance as the crowd moved on with their day. A few of them tossed some yen their way but otherwise it was time for them to regroup for their next performance. Yuta knelt down by the hat with some coins and bills sticking out of it, counting their earnings thus far. 
“Hey aniki! We might be able to eat well tonight! There’s like 3,000 yen in here!” Yuta exclaimed. The idea of a filling dinner made Hinata’s mouth water. Oh what he wouldn’t do for even warm noodles not from a cup. 
Hinata turned to grab the iPod from its place on the speaker, choosing the next song to play. He put the phone back and turned the volume up a little more to play over the evening rush. The music started and he and Yuta moved in unison around their little stage, taking in the crowd. There were some regulars that Hinata recognized, the businesswoman who was perpetually tired but always stopped for their performances and a few kids who looked up at them in awe as their parents were trying to usher them away. There were always new faces too, of course people traveled across the country all the time or took new trains or moved cities, but there was something different about the boy with the bright red hair at the back of the crowd. His sky blue eyes pierced straight through to Hinata’s heart and made him stumble when their gaze connected with his own. 
“Hey, aniki focus! We’re almost done, don't fail on me now!” Yuta whispered, carefully shielding Hinata from the crowd as he regained his footing. Yuta was always so quick thinking. Hinata got back to his position and finished up the routine, eyes looking for that boy he had spotted earlier. He half hoped the boy would come talk to them afterwards while they were packing up for the evening, but when he finally saw that shock of red hair, it was moving away with the rest of the crowd. 
Hinata sighed, disappointed. Maybe that boy would come back someday. There was something about him that drew Hinata in. 
Someone bumped his shoulder, drawing him from his thoughts. “Hey, aniki, are you alright? You seem out of it today.” Yuta’s hand rested on his shoulder and Hinata couldn’t help but smile. Wasn’t it supposed to be the other way around, the older brother checking in on the younger one? 
“Hey hey everything’s fine Yuta-kun, don’t worry about me. I was just thinking about that delicious dinner you’re treating us too~” He playfully pushed back on Yuta, the red haired blue eyed boy all but forgotten now. 
“Hey! It’s technically our money so I’m not treating you to anything!” Yuta scowled but the smile in his voice was obvious to Hinata. 
“Hehe, then dinner’s on me! Say ‘thank you aniki!’” 
--- 
It was a week before Hinata saw the red headed boy in their audience again. He had all but slipped his mind, but those striking blue eyes were impossible to forget. Yuta was introducing their next performance which allowed Hinata to take a better look at the older boy who had made his way to the middle of the audience. He was tall and what Hinata could see of his outfit seemed ill-fitting at best, along with a headband holding his hair away from his eyes. 
Hinata scrambled to his position as the music queued up and let his instincts take over. Every so often he found himself glancing at the red haired boy, trying to see what he thought of their performance, but his face revealed nothing. 
Why was he so focused on this one boy? It’s not like they didn’t have strangers who watched them sometimes, and none of them had caught Hinata’s attention quite like this boy. He really couldn’t be much older than Hinata, maybe 17 at the oldest. Was he an older brother too? The boy’s eyes made contact with Hinata’s and it took everything in him to not look away. 
Once again however, Yuta snapped him out of whatever trance he had been in and everything was forgotten. 
“Are you really okay aniki? You’ve been out of it a lot recently…” Oh how it pained Hinata to see the concern on Yuta’s face. Nothing was even really wrong per se, but Hinata was distracted nonetheless. 
“I’m fine, Yuta-kun. Geez, can’t your older brother have some peace?” His mouth ran faster than his brain and he immediately regretted it. Yuta’s face flipped through several emotions; hurt, confusion, exhaustion. It wasn’t like him to hide things from his brother, so why was he doing it now? “Whatever, let’s get some dinner. My treat~” 
“It’s our money!” 
--- 
The boy continued to make appearances at the twins’ performances on the street, becoming something of a regular but disappearing before Hinata could flag him down. Hinata wasn’t even sure what compelled him to want to talk to the older boy, but he wanted to say something. He had even noticed that the boy seemed happier and his clothes fit a little better, not like they were just the first thing he grabbed out of a donation pile. 
Finally, after almost a month of trying to say something to the boy, Hinata saw him walk up to their hat on the ground and drop a few coins into it. 
“Thank you!” He said, walking up to the boy. “Hope you enjoyed the performance!” 
The boy froze as if he wasn’t expecting to be greeted like that. There was a slight flush to his face. “I-it’s nothing, don’t worry about it. You uh…you were great?” The boy seemed unsure of how to reply, though Hinata was happy with the compliment nonetheless. Maybe… 
“What brings you here? I mean--agh, sorry! I just mean…I noticed you don’t have a regular schedule?” The words were practically falling out of his mouth and Hinata wasn’t really sure what they were doing. “Like you show up a few days in a row but then go three weeks without stopping by at all!” He was just digging a bigger grave for himself! Great! 
“Ah uhm…I’m not from around here.” The boy scratched at the back of his neck. Maybe Hinata should back off. 
“O-oh, yeah of course. Duh. Are you visiting family or something?” 
“Not quite. I really should get going though. See you…later?” 
“Yeah, see you later.” 
“Hey Aniki, are you coming or not? The food’s gonna get cold!” 
“Coming!” 
---
It was almost a month before the boy appeared again. In the time between, Hinata had come up with a million different ideas for what his life was like. Was he a delinquent who skipped school to hang out on the street with gangs (how scary! But he looked strong enough to fit in)? Or was he a runaway from a city far away, somewhere Hinata only dreamed of visiting like Okinawa? Maybe he had a bad relationship with his dad and ran away, a thought that Hinata hated to admit had crossed his mind more than once. Or maybe he just passed through the city on the way to somewhere else. That seemed to be the most likely option, especially if he couldn’t come very often. 
When the boy did finally show up again, Hinata had to hold himself back from practically jumping him after the performance. Something looked…different about him though. His eyes seemed more tired? Like he hadn’t been sleeping well. Hinata thought of a fight he had with his dad a few weeks ago that made it hard for him to sleep and thought maybe this boy was the same as him in that regard. 
Hinata decided to wave him down after the performance, hat in hand (they had done pretty well! It felt heavier than normal and even without counting everything, they’d probably have enough for breakfast too). 
“Hey! You look tired, are you--did you want to get something to eat?” Please say yes please say yes please say yes--
The boy’s mouth opened, then closed, then opened again. Did Hinata mess up? Oh he overstepped and now there really wasn’t any chance of getting to know him. Why was he so interested in talking to the boy anyway? Hinata had been asking himself that for a while now and he still had no answer. 
“I…I can’t. I need to go.” The boy turned and ran off before Hinata could ask more. He just kept messing up, didn’t he? Maybe he really was just a burden to Yuta and their dad and the restaurant owner. He shouldn’t have been born and Yuta would’ve been better off--
“Aniki! Sheesh, get your head out of the clouds. How much did we make?” Yuta grabbed the hat out of Hinata’s hand and quickly counted out the coins and bills. “Woah! We could eat a whole five course meal with this…” 
“Think with your head a little Yuta-kun. We’ve got breakfast paid for if we don’t blow it all tonight!” 
Yuta nodded before handing the hat back to Hinata. “So, my pick tonight?” 
--- 
Hinata signed the note, trying his best to keep the tears from dripping on it and smudging the ink. After his blunder with the red haired boy, he hadn’t shown up to their performances for over two months. Hinata was certain that he had messed up and was too forward. He didn’t even know the kid’s name! Why did he think the two of them could ever be friends? 
And on top of all of that, Yuta had become more and more distant from Hinata, as if Hinata just existing was dragging him back from his full potential. Yuta would have been better off as an only child and maybe Hinata deserved this life. Thirteen years living with their father, who had treated them as nothing but monsters, blaming them for their mother’s death and everything bad that had happened since, Hinata had resolved to run away. He’d make his way to the mountains and maybe he’d find someone willing to help him or maybe he’d slip into an endless sleep. 
Dear Yuta-kun, the letter had started. I’m sorry that I’m leaving like this, but I know that I’m just a burden to you. I’m sorry for that. I wish I had more to say but I just want you to be happy and maybe father will treat you better without me. I love you. 
The other letter, already folded and placed on the table, was much shorter, addressed to his father. 
Dear Father, I’m sorry I couldn’t be a better son. Please don’t take this out on Yuta-kun, it was my decision. 
The less words he spent on that man, the better. Hinata folded Yuta’s note and placed it on top before quietly exiting through the front door. 
---
Everything was cold. Hinata slumped against a tree, head between his knees in a last ditch effort to keep warm. Sleep should come soon and he could painlessly move on, at least that’s what he hoped. He barely registered someone approaching him, but didn’t look up. 
“Hey.” The voice was vaguely familiar, but where did he remember it from? A warm hand shook at Hinata’s shoulder. 
“‘M fine.” The words were barely a whisper. The other voice grunted before walking away. It was another minute before Hinata felt something drape around his shoulders and a cup shoved in his hand. Whatever was in it was steaming, warming his fingers. 
“Drink.” The voice said. And he did, the tea was very, very bitter. That voice… 
Hinata looked up, meeting a pair of bright, sky blue eyes. That’s where he recognized the voice from. Did he…live? In the mountains? The boy seemed to recognize him too. He was wearing a headband and what looked like very warm clothes that Hinata wished he had. Hinata finished the tea, trying not to focus on the flavor. It helped at least, in warming him up a bit. 
“Why are you here?” The boy finally spoke again. It sounded like he was unsure if he should be mad or concerned, or both, but he offered Hinata another cup of tea, which he accepted if only to warm his fingers up. He pulled the blanket closer around his body. 
“I…ran away.” Hinata looked downward, as if admitting this out loud was a cardinal sin. The boy gestured for him to continue. “I guess I just…I was dragging my brother down. I’m not really talented at anything like he is and I’m the reason our dad sees us as monsters. He shouldn’t have to deal with a brother like me.” Hinata wasn’t really sure why he was spilling this so easily. The boy was a good listener though, hanging on every word Hinata spoke. Was he shaking? He’d never admitted this out loud before and it felt oddly freeing to say it to someone. 
He waited for a response, anything to chase away the uncomfortable silence Hinata had created with his confession. He really fucked up, didn’t he. He should have just kept that to himself like he always did instead of burdening a stranger like this! 
“I…” The boy started, barely audible above Hinata’s racing heartbeat. “I’m glad you’re alive.” He sounded unsure of his words. Was he just trying to be nice? Of course he was, how else do you respond to a kid telling you something like this? 
“You don’t have to pretend.” 
“I’m not. When I saw you singing and dancing…I think I realized something--” The boy cut himself off, the suddenness of it making Hinata look up. A moment later he heard his brother calling out from the woods behind him. 
“Aniki! There you are!” Yuta tackled him to the ground, squeezing Hinata like he might just blow away in the wind if they weren’t careful. “You scared me! I can’t believe you’d do something like that!” 
Tears pricked at Hinata’s eyes again. “I’m sorry, Yuta-kun. I’m really sorry.” He buried his face in Yuta’s jacket. His nose started to run, from the cold or the tears he couldn’t tell. 
“You aren’t a burden to me. I don’t know what I’d do without you around Aniki!” Yuta pulled back, hands gripping Hinata’s shoulders. “Promise you won’t do something that stupid again.” 
Hinata wiped the tears from his eyes, sparing a glance where the boy had been. It was as if he had never been there at all and Hinata had just hallucinated the whole interaction. He looked back at his twin brother. “I promise.” 
“Now let's get you home and warmed up. Where’d you get this blanket anyway? It doesn’t look like one of ours.” 
“I…” The boy had been real, and he told Hinata he was glad he was alive (even if his explanation was cut short by Hinata’s brother rushing in). “I guess I just found it. There must be people living nearby or something.” 
--- 
The chatter of the night club died down for the night as everyone was getting ready to go home. Hinata’s feet were sore from running around, but it was satisfying to be back in a restaurant like this. It reminded him of his childhood working for the Chinese restaurant with Yuta. 
Rinne, the leader of Crazy:B who had wanted to get closer to Hinata, and by extension 2wink, slid a drink down the bar. It looked like a horrible mix of syrups and club soda, but one sip was all it took for Hinata to drink it all down. 
“Great job tonight Hina! You’re a real natural at this stuff.” Rinne was washing the other glasses behind the bar now as Hinata finished the rest of his soda. 
“Yuta-kun and I used to work in a restaurant so it comes pretty naturally to us!” 
“That so?” 
“Mhm!” Hinata slid the empty glass back to Rinne, who quickly dumped the ice and washed it before tossing the towel over his shoulder. The entire week they’d been working the club together, there had been something bugging Hinata at the back of his mind. “Hey, Rinne-senpai…did you ever watch our shows?” 
“Huh? ‘Course I have, vice prez wants us to work together so I’ve seen a few of ‘em.” 
“That’s not what I mean. I mean like…back when Yuta-kun and I did street performances.” 
Rinne paused for a moment. “Why’re you askin’?” 
“Oh, it’s nothing. You just reminded me of someone who used to watch them.” 
“Well I’m sure whoever it was is proud to see you singin’ and dancin’ on stage.” Rinne had come around the bar and stood next to Hinata, ruffling his hair. “Let’s get goin’ or I’m never gonna hear the end of it from Niki-kun.” 
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