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#i have One (1) thing i'm considering working on more but it's not even that funny. it's just the only thing i can think of LMAO
seiya-starsniper · 1 day
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Rating: Teen || Chapters: 2/5 || Word Count 3.5k/??
Summary: The Dead Boy Detectives run into a familiar pub while out on a case, and Crystal has to contend with an unfortunate event from her past.
AO3 Tags: POV Multiple, Hob Gadling gives live advice to a bunch of teenagers, while helping them solve cases, that's it that's the fic, also he maybe plays matchmaker for his hot mess bestie
Chapter 1
Read Chapter 2 below, or using the link above on AO3!
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Hob Gadling considers himself to be a rather open minded man. He's lived hundreds of years, and seen thousands of strange and unusual things in that same amount of time, so the chances of something catching him completely off guard are rather slim in the year 2024.
The last few days, however, have proven that there are still many, many things that can surprise him. 
One of those things being one Charles Rowland, who is currently waving at Hob from the entryway of the New Inn.
Hob normally doesn't like to get involved in anything having to do with the supernatural, and especially not anything related to the type of work that Edwin and Charles do. He'd met them purely by chance after some asshole with delusions of grandeur had tried to frame him for a series of murders. He’d sent Edwin and Charles on a wild goose chase in a poor attempt to cover his own tracks.
Hob thought that once they caught the real murderer together and cleared things up, that would be the end of things. But then, Hob kept getting involved in their cases over the years, all of them entirely on accident. Eventually, somewhere between the fourth and fifth poltergeist, Hob decided he might as well figure out how to defend himself against supernatural entities, and maybe make himself useful for these poor boys too. They certainly needed all the help they could get.
Hob had been glad to hear that Edwin and Charles had recently gotten some sort of amnesty in exchange for continuing to help ghosts and other souls move on. It was good work, what these boys did. Hob has seen ghosts that haunted the same places for centuries finally be to pass on into the afterlife thanks to them. And now, they not only had permission to keep going, but had gotten more help to do it too.
The addition of Crystal to their little crew had been a surprise, and Jenny an even bigger surprise, though the latter seems less interested in solving cases, and more in making sure Crystal doesn't get herself killed in the process.
Still, Hob's only ever seen the teens all together in some sort of group, never alone, and he's definitely never seen Charles without Edwin. From the moment Hob had first met the two ghost boys, they’d always been a singular unit in his mind. And yet here Charles was, alone and looking strangely expectant while trying to appear casual as he waits for Hob to close out the tabs on the last remaining lunch hour patrons.
“Everything all right?” Hob asks when Charles approaches him once his last customer leaves. 
“Of course!” Charles answers, his signature smile bright on display. “I was just in the neighborhood and wanted to say hello. And to thank you again for the assist the other day.”
As a ghost, Charles is technically always in the neighborhood, so Hob knows that that’s not all that there is to his visit. It also hasn't escaped Hob's notice that Charles specifically picked the one day Jenny wasn't working the kitchen this week to drop by the pub. He clearly doesn’t want anyone to know that he’s here.
But Hob knows by now how to deal with skittish teenagers. Even dead ones.
“Well I'm almost done here and then I'm gonna head upstairs for a cuppa,” Hob says. Mark’s going to be here soon to relieve me of duty. Happy to have some company if you have the time to spare for an old man.”
“Oh! Yeah sure, I'm not busy,” Charles says, and cute that he’s still trying to pretend that he hadn’t come here with a purpose, when his eagerness is so clearly written all over his face. “Don't need any food though, as you know.”
“Sure, sure,” Hob replies, waving his hand dismissively so Charles can head upstairs ahead of him. He's going to make a cup of tea for Charles anyways. The boy always seemed to love the steam that came out of the mugs, even though he’d never admit it out loud.
Mark comes in exactly at 2:00pm, and Hob chats with him for a few minutes, before he clocks out and heads upstairs to his flat above the pub. Charles is already waiting for him in the living room, and Hob immediately sets to the task of warming up some hot water in the kettle and grabbing some mugs for tea.
“So how are things at the agency?” Hob asks as he waits for the water to heat. “Busy as ever, or more so now that you’ve got yourselves a psychic?”
“Definitely busier,” Charles says. “Crystal’s been a massive help with our cases, we're solving them even faster than before.”
“Good,” Hob replies, just as the kettle clicks, letting him know the water is done. “I’m glad she’s using her powers for good nowadays,” he adds as he brings the two mugs over to the couch. Charles looks surprised by the extra mug, but accepts it without a word. Hob doesn’t expect him to drink any of the tea, of course, but as predicted, Charles seems to fall into a trance watching the steam rise out of the cup.
“Thanks for not giving her too much of a hard time,” Charles says when Hob sits down in the recliner across from him. “She’s been really down on herself lately for everything in her past.”
“I can only imagine,” Hob agrees. He knew a thing or two about wanting to reinvent oneself and burning away the past. He’s had hundreds of years to do so after all. In fact, it could even be argued that Crystal was far ahead of where Hob would’ve been had he been in her shoes. The girl he’d met a few nights ago was so different from the one he’d met a year ago in court that Hob would’ve thought she had a twin instead. 
“Seems like you two get along well,” Hob notes after a brief silence has passed. Charles perks up immediately, taking the opening in the conversation.
“We do,” Charles replies, a small smile tugging at the corner of his mouth. “She’s amazing.”
“Yeah? So are the two of you a thing then?” Hob asks, and would you look at that, turns out ghosts can blush after all. 
“I—maybe?” Charles says, his voice pitched higher with uncertainty. “I don’t know, actually. I mean, it's, well…complicated I guess?”
“How so?” Hob asks. He’d suspected there had been something going on between them, it was obvious in their body language, and how they gently teased one another throughout the night after the banshee had gone. Now Charles is talking like a man newly in love and completely besotted.
“Is she giving you mixed signals?” Hob follows up when Charles doesn't answer.
“No!” Charles exclaims, shaking his head. “It’s me really, I’m—I don’t know.” He sighs in frustration and runs a hand through his hair. “I thought for a while that’s what I wanted and then Edwin—” he suddenly cuts himself off, a small amount of panic now crossing his features.
Ah. Now the reason for Charles' visit suddenly makes itself clear. Crystal clear even, but Hob keeps that terrible pun to himself. 
“So Edwin finally told you how he felt about you?” Hob asks, deciding to rip the bandage off now and quell the strange awkwardness in the room. Charles’ head whips up so fast Hob feels his own neck start to cramp up in sympathy.
“You knew ?” Charles asks. “But Edwin said he’d only figured it out when we were in Port Townsend!”
Hob shrugs. “Sometimes, things are easier to spot when you’re not in the middle of them,” he replies. “But it was pretty clear that, at the very least, Edwin considered you the most important person to him. It's not surprising he fell in love with you too.”
“You really think so?” Charles asks. “Because I don't—I’d never really thought about it before, you know? He's my most important person too, but I never thought that we would be more than that. But now that he's said it, I can't stop thinking about it.”
“Yeah?” Hob asks. “Does it bother you that he feels that way?” A shake of the head. Good. “Do you ever think you could return those feelings?”
“I don’t know, and that’s the problem!” Charles cries, his voice pitching near to a whine. He stands and paces around Hob’s living room, and Hob has to try not to laugh into his tea. Teenage problems were always the same, whether a live or dead.
“To be honest, I’m still really into Crystal,” Charles starts, “...but then after everything with Edwin, and what happened to Niko, I started thinking, well, how long will that really last? Crystal’s alive, I’m not. She’s going to—she won’t—she’ll eventually—”
“Grow up?” Hob offers when the teen can’t find the right words. “Grow old, hopefully? Live a fulfilling life with someone else that’s flesh and blood?”
“I—yeah. Ideally yes,” Charles replies, though it's clear the thought bothers him by the way he scrunches his features. “But also, what if us being together puts her in too much danger? What if she—if what happened to Niko happens to her, I couldn't bear it, Mr. Gadling.”
“Hob,” Hob corrects the boy gently. “I've told you before that you don't need to call me Mister anything, makes me feel way older than I already feel,” he adds with a laugh. Charles gives him a half smile and just shrugs helplessly. Some habits were impossible to break, it seemed.
“And those are perfectly reasonable fears to have,” Hob continues. “Crystal is her own person though, and you need to take into account that she might find the risk worth it. And to be honest, I feel like the risk to her life is the same, whether you two are romantically involved or not.”
“Yeah, I suppose you're right,” Charles agrees, flopping back down onto Hob’s couch and staring back into the still steaming mug of tea. “So do you think we should give it a go, then?”
Hob shrugs. “I think you two like each other,” he replies, “but whether you think a relationship is worth it is up to you. Does Edwin know about you two?”
“He knows—some stuff yeah,” Charles replies sheepishly. “I had told him I liked her way before he, you know, confessed to me and all. And like, even afterwards, it seems like he’s fine, but I really don’t know if it’s all actually fine, or if he’s just trying to act like he’s fine just because I look fine but he’s not really fine and what if I’ve mucked everything up or—”
“Hey, slow down, Charles,” Hob interjects, and the boy’s mouth clicks shut immediately. “From what I can see, nothing has changed between you, so I wouldn't worry about it,” he adds, trying to sound as reassuring as possible. “Besides, you and Edwin have been together this long now, you've got more than enough time to sort things out, one way or the other.”
“Yeah,” Charles agrees, his voice now wistfully soft and clearly full of affection. “When we were in Hell, I said that to him,you know. That we have eternity to figure it all out.”
“Did you now?” Hob asks, now smiling himself. “Sounds like you two are on the same page then, as per usual. Now you just need to make a decision yourself and Crystal.”
“Yeah…yeah you're right,” Charles says, seeming to come to a decision. His back straightens and he sits up, his signature smile back on his face. “Edwin and I may have forever, but Crystal doesn't and it's rude to keep a lady waiting right?”
“Absolutely," Hob replies.
Charles leaves shortly after, promising not to overthink everything and let his feelings come naturally to him. Hob is fairly certain he knows where things will land eventually, and he's sure Charles does too. It doesn't make the journey to get there any less worthwhile.
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bruhstation · 1 day
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You seem like a Train Professional so where would one begin in order to get into the funny little talking train show?
these are all my own opinions so take it like a grain of salt -- the common go-to would be the thomas and friends tv show. start off from season 1 then work all your way up to the top (not actually really. you can skip some later seasons like s17 if you want to). the model seasons are considered to be some of the greatest because 1) they set the foundation of the cast (besides the railway series books) 2) they contain some of the most iconic scenes from the show like gordon's ronan kirk crash, the flying kipper accident, james and the shoelaces, etc and 3) they're the originals so you know what their personalities and relationships to their peers were like and how their characterization was supposed to be like before the cgi era flip flopped them up
also check out the railway series books in the meantime! the funny talking train show was based on the book series created by reverend awdry for his sick son! the first book feature edward, henry, and gordon. thomas appears in the second book. fast forward decades later and britt alcroft created a tv show called thomas the tank engine. there are many eras of the show, from models, to model/cgi hybrid, to computer animations where the show gets passed around like a volleyball from studio to studio
here's a google spreadsheet that contains all the thomas and friends episodes in various languages. feel free to watch the show for yourself and decide which seasons you like the most
some more of my thoughts under the cut
I recommend you steer clear of the big world big adventures seasons and specials because it's probably the most controversial seasons in the fandom. replacing two of the core cast members, "pandering" to certain audiences, putting in lackluster representation for the sake of selling toys, SAID representation turns out to be racist depictions, all of it reflected the current state of mattel when handling thomas and friends. they also didn't contribute anything to the overall show, like by the time the bwba seasons were out, people dgaf and just focused on the older seasons. you can ignore bwba and you won't miss anything important about ttte. not that I'm stopping you! you have your own free will.
the thing about ttte that made many adults get into it (if not for train autism) is how ttte was a show grounded in reality. idk if that makes sense but basically despite being a show about mean talking trains for little kids, reverend awdry and britt alcroft handled the characters with care. they gave the engines so much charm by making them bicker with each other like the cranky old engines they are BUT they're not reduced to singular personality traits too. thomas is cheeky and kind of a meanie but he wants to prove himself useful. edward is old and acts as a mentor to thomas but he also wants to show that he still got it despite his old age. gordon went from being a pompous grand young express engine to a humble old engine being a mentor to the newer ones and so on! they also put a lot of historical references related to the engines' basis too and tie their backstories in (henry's a stolen faulty design hence his cynical, miserable personality at the early seasons of the show). there's even irl engines mentioned in both the books and show (flying scotsman and city of truro) and it's just neat!!! because awdry cares about history so much!!!! that he even made an "encyclopedia" about sodor, its railways, and its history
the books and the earlier seasons of ttte didn't shy away from themes of death and usefulness and all that (the story of godred, henry being a faulty engine and getting cask of amontillado'd for being uncooperative, all of gordon's siblings scrapped sans flying scotsman) because the thing about them being engines are important to them. it's their reison d'etre. they get scrapped if they cannot be of use anymore, because that's how things have always been. they get into accidents often because their ego got to them. dieselization is starting on the island of sodor and the diesels are asserting their dominance over the oldschool steam engines. the engines just exist there. they just happen to have faces and talk. idk. I think it's interesting how they view life a bit differently than humans. thank you for listening to my ramble
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warsamongthestars · 2 days
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Ever notice how TBB, inspite of teasing a Clone story line, is not actually about clones?
Yes, we get new Clones. They are a joy, as any clone are.
Yes, we get a brief skim over the problems of having a Clone Army under a Corrupt governing force--especially if that Clone Armies secret objective had been the overthrow of the last governing force.
But name a clone, that isn't the super special awesome squad or the mary sue, that actually had impact here.
Lemme tell you, anything you answer results in:
They're dead now... and the survivor never got involved in the plot.
They only serve to keep the Super Special Awesome Squad out of any significant plot, and then they stay off screen.
They left and haven't been heard from since. (and their absense of exit or acknowledgement of thought processes, made it so that their impact was negligible at best.)
TBB, inspite of literally setting itself up to be the Sequel of the Clone Wars from the perspective of clones, does not, in fact, have a clone story line that contains Impact.
And I'm gonna tell you now--the Super Special Awesome Squad? Does Not Count.
You do not count the outlier of the statistic. These guys are the outsiders, they are design and specified to be outside of the norm for Clones.
Look, I love these boys, but they are literally introduced as the super special awesome totally original characters of the Clone Wars--The difference between them and the Donut Steel of TBB, is that the Super Special Awesome Squad did not take away from the main characters of the clone Wars, but actually added to them.
Their appearance left a lot of questions, and their writting left us wanting for more--the issue is, we did not get either in TBB. They do not have the set up necessary to make them capable of having a Post Order 66 Era Impact. ( IN fact, TBB does its damnest to ensure a total lack of impact at all. )
As their greatest strengths as characters that would push them to have impact and meaning, and into a greater storyline or series of stoyrlines--Their Character Dynamics--was destroyed episode 1 and would never be repaired in this show.
TBB show is not about Clones, which is an almost hilariously contradicotry thing, considering it features clones and parts of the aftermath of Order 66.
Because not a single one of them had impact beyond speculation.
And that also includes the Super Special Awesome Squad.
There is no impact here that doesn't involve cutting the tree down to save a single branch.
The show's actual intent is, making you watch other shows... mostly those who have Omega in them, and giving you just enough to keep going, but not enough to give any substance.
[ Surely, hat's totally why I want watched the Bad Batch--to see everyone but the Bad Batch. I sure do love watching shows that go out of their way to have nothing to do themselves. ]
Addendum:
Yes, we got a totally of 1 Episode dedicated fully to normal Clone Troopers and the aftermath of Order 66... but only from the perspective of the destruction of Kamino as opposed to the perspective of the Clone Wars. And while it was awesome; because it was actually focused on being what the Sequel of the Clone Wars would've / should've been. This episode, I'm afraid however, is the Spiders Georg of TBB here... And even then, it still holds the issues of TBB of attempting to be a self-contained alternate universe whilst also attempting to tie and bury everything and anything. (The Kanan comic, Dark Disciple, Republic Commando--frankly whoever has been writing here, has gone out of its way to insult and spit on other SW works by ensuring they rob all impact. TBB Writing isn't just poisonous to itself... it also actively poisoned the wells of other Works)
Project Necromancer doesn't count, because 1) Any Acknowledgement of the SW Sequels will already negate any meaningful impact of Star Wars period; and because 2) The TBB never got involved with the Clone Plot to begin with, beyond the Super Special Awesome Squad (Who didn't have the setup) and the Mary Sue. ( Whom we weren't here to watch. Some folks might've been drawn to her--But I wasn't and neither was the Trailer or the Clone Wars. I'm already here for a group of TCW OCs, I'm not here for an additional super special awesome donut steel... Her appearance literally robs the impact of Fucking Everything because Nothing has the Set Up to allow for her. She would've been a great character in Clone Wars, because Clone Wars had that backdrop to support her character--TBB doesn't. TBB went out of its way to avoid the TCWs foundations, so now it cut itself off from any meaningful story it could've made. )
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writergracethepanda · 10 hours
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🔥 choose violence ask game 🔥 Secret Shanghai Edition
the character everyone gets wrong
Marshall. He is canonically an excellent cook, s why are we convinced he'd set something on fire if left alone in the kitchen?
a compelling argument for why your fave would never top or bottom
no comment
screenshot or description of the worst take you've seen on tumblr
EVERY SINGLE DAMN TIME I have seen Alisa and Phoebe shipped (let aroace people live and bisexuals are still bisexual even in a seemingly hetero relationship) or those takes I've seen on TikTok of people shipping Rosalind and Benedikt and Celia and Marshall if I weren't on my computer I would put sooooo many barf emojis here
what was the last straw that made you finally block that annoying person?
luckily nothing yet I believe
worst discord server and why
mine with my friends its sooo annoying how we have incredibly amazing and intelligent and sometimes incoherent conversations like guys we're the worst (sarcasm)
which ship fans are the most annoying?
like I said, anyone who ships the above things needs to stay 10 feet away from me at all times and undergo intense media literacy training
what character did you begin to hate not because of canon but because how how the fandom acts about them?
I think everyone's answer for this is Oliver. I'm so sorry we (especially me tbh) did you so dirty pre fhh I promise we've learnt our lesson!
common fandom opinion that everyone is wrong about
Oliver loves cats. incorrect. Cats are his entire life. there is a difference, and we need to recognize it.
worst part of canon
roma and Alisa's dad just disappeared before I could beat him up
worst part of fanon
we're too funny my stomach literally hurts from laughing too hard sometimes. Seriously though, the above ship takes that make my blood boil, as well as some complaints about how a lot of us talk about how we think certain characters are neurodivergent/disabled. While I think some of those are actually considered canon, I don't understand why people are so made that we (a relatively neurospicy bunch) are identifying the parts of characters we relate to and labeling them. We're doing you no harm and not interfering with your ability to enjoy the characters. Shouldn't it be a good thing that we're able to identify with the characters? Just mind your business. (also anyone who erases Rosalind's and Alisa's aroaceness that is indeed canon and I hope both sides of your pillow are too warm)
number of fandom-related words you've filtered
I don't think any
the unpopular character that you actually like and why more people should like them
I don't think anyone hates these guys, but why don't we ever talk about the couple from LVC? They were so sweet, and I'm kind of sad we didn't get any mention of them in FHH.
worst blorboficiation
I feel like a bad Tumblr user, but I don't know what this means. is this like uwu-ification?
that one thing you see in fics all the time
@typingwithmyhandstied 's GENIUS
that one thing you see in fanart all the time
Juliette always has the appropriate amount of knives thank you very much for that guys :)
you can't understand why so many people like this thing (characterization, trope, headcanon, etc)
I personally don't get into the Rosalind is a vampire thing, but I'm cheering you guys on from afar (im just not into vampires lol)
there should be more of this type of fic/art
idk I should probably work on my university au
it's absolutely criminal that the fandom has been sleeping on...
the fact that not only did she feel comfortable falling asleep around Orion (see one of @no-1-rosalind-lang-apologist 's recent posts) but Rosalind was also muttering in French in that scene. Her dominant language. She was both out of it enough/comfortable enough with him that she dropped the I was raised in American fake accent and just started speaking normally in this essay I will- basically we need to talk more about the use of multilingualism in the ss books
you're mad/ashamed/horrified you actually kind of like...
past me would be horrified to know that I like Oliver now
part of canon you found tedious or boring
I think TVD can be a bit boring sometimes, but that makes sense, since it was Chloe's debut, and she's grown immensely since then
part of canon you think is overhyped
the seagreen trio is overrated (they are literally my favorite characters)
your favorite part of canon that everyone else ignores
THE MULTILIGUALISM
ship you've unwillingly come around to
Olivercelia. Like I said, I was his strongest hater pre fhh. Now I see what she clearly sees in him.
topic that brings up the most rancid discourse
discourse on ss Tumblr is mostly joking. my personal favorite is when @marsneedstherapy and I pretend to yell at each other in different languages
common fandom complaint that you're sick of hearing
"no one appreciates x enough" I do. I love them.
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ronanlynchbf · 1 year
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haiiii question for the masses <333
#this is just a few things. i debated putting adam spends the whole summer wanting to break it off with ronan in here but ended up not#doing it bc while it IS considered ooc 2 me when u look at it straight on (adam would've def taken Everything into consideration before#choosing to start a relationship with ronan) if u look at it like adam is separating his academic and personal life and convincing himself#he can't have both or not allowing himself to accept happiness that does not come with pain or being too scared of the different directions#ronan and adam were going in and deciding to break it off bc he felt like eventually it would stop working anyway and he thought it was#best to end it now bc it would hurt less than ending it after a couple more years or even growing apart would...alas we do not get this#insight it is quite literally what i THINK was going on with adam and probably not actually what it meant. if maggie meant for option 1 to#be the truth then i consider it ooc. for the small chance that maggie meant for option 2 and just didn't rlly manage to make it come across#as explicitly so then it is not ooc i actually think that would be very like the adam i know so i didn't include it. and the poll was full#anyways. also there is a lot of declan ooc moments........#tfw u ask ur mom if u can have declan lynch & she says we have declan lynch @home & then the declan lynch @home is declan lynch in gw 😐#trc#dreamer trilogy#polls#SORRY i know all the gw dunking days r in the past sort of but i need to know i'm not the only one who thinks this.#greywaren#also sorry for the essay in the tags ✋
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maddy-ferguson · 8 months
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i was so ahead of the curve the curve became a sphere is literally me i skipped a grade and now my friends from high school are done with school and are getting their first jobs and stuff and i'm in school with people who were born two years after me. like i lost three full years lmaooo
#but i'm not that mad or sad about it because i don't mind not working like AT A JOB i'm even considering going into academia which would#mean even more years but like we'll see because i will have spent EIGHT YEARS in university when i'm done since it's five years to like. do#anything actually do something. only three more years to go yay#year 1: depressed year 2: not as depressed but i failed the classes i needed to pass to do the thing i wanted to be doing so i was kinda#stuck but i didn't know what else i wanted to study so i was like. i'll just do this get through my three years and then i'll do something#i like better. because i could have theoretically. except. i did not love it and i wasn't particularly good at it. also was still depressed#for like the entire first semester and my first year i passed for like my first semester so during my second year i had classes for year 2#during one semester classes for year 1 during another semester. it's actually easy but i don't know if that'll make sense the way i wrote#it. year 3 was 2020-2021 so covid and like i was saying the other day i was NOT working like i was kind of for the first semester but. oh#my god. my favorite class i learned like 60 pages like what we had to learn was 60 pages long and then you had to do like an essay or#whatever idk. no it wasn't even an essay but i czn't explain. i got like. a 3.5. OUT OF 20#so i was like yeah i'm not doing this anymore this is obviously not working for me so for the rest of the year (oh yeah we had class online#fully from november to well april when it ends) i was like. rewatching grey's anatomy and whatnot. that's when i rewatched grey's. also ahs#my not working semester in 2021 is also when i watched dawson's creek! because that's when they put it on netflix.#fun fact#good times honestly? but yeah#also i think about some of the things i learned a lot like it's very good to know i'm glad that i know it#i Am bitter but it's for other reasons#and like i say: brf slt#rory dropping out of yale is kinda so me if i had ever dropped out😁 which is why her graduating on time is very annoying and boring. her#ass should not have graduated on time...
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violentlydefending · 10 months
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i wish so bad i had more ideas for slam dunk fanart bc that shit is living in my head rent-free. like unironically it's just in the back there on loop. for forever now, i think, probably.
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sanstropfremir · 2 years
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I love the fact that Yunho stayed true to his artistry throughout the years. Sadly the same can’t be said for younger male idols like Taemin or Kai, in my opinion, who strayed so far away from what we saw of them doing in their groups. And it got me thinking; how much of it is them and how much of it is SM’s marketing strategy? How can their group self and solo self be soooo different? For me they’re not selling their solo self well enough to convince me that that them you know what I am? It feels almost like they’re acting (yes, every performer acts a little bit) but with Kai and Taemin it looks like they’re both playing a role…
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#i genuinely do not know how to answer this sldkfsdkljfsldkjf#but you probably should have read more than one post on my blog before you sent this#considering i 1) have several of the top posts in the taemin meta tag#and 2) one of the things i talk about quite frequently is about HOW ACTING IS IMPORTANT TO GOOD PERFORMANCE#unironically: do you think every idol is totally genuine in their performances? and that 'playing a role' means something is bad art??#bc if you do you need to get a grip real quick darling bc i can guarantee that even yunho is 'playing a role'#...do you not think that human beings have depth??? that they can want to portray more than one thing in different performances???#look. if you dont like taemin and kai's solo work that's totally fine. you are allowed to have your opinions and disliking things is fine#but to say that neither of them are 'selling' their work well enough to you bc it 'looks like theyre acting'??????#kindly but what the fuck is wrong with you#what the fuck else do you want them to DO????????#taemin especially has talked a LOT on many separate occasions for many years now about how much artistic input he has and how he makes work#also also: literally WHO CARES if its sm marketing??  i'm here for the music and for the performances not some weird parasocial shit#i am under no impression that i know anything about these artists' personal lives or what theyre really like and i dont care to know#all i care about is the work that gets produced and if its good or not#text#answers#i cant believe someone had the audacity to send ME. A TRAINED THEATRE PROFESSIONAL!! the phrase ''yes every performer acts a little bit''#do you hear yourself. do you.#i almost thought this was bait bc you literally managed to hit every point i would strongly disagree with you on#like some kind of perverse internet argument bingo. i feel like i should applaud you. well done!#hall of fame asks
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getvalentined · 11 months
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An open letter to @staff
I already submitted this to Support under "Feedback," but I'm sharing it here too as I don't expect it to get a response, and I feel like putting in out in public may be more effective than sending it off into the void.
The recent post on the Staff blog about changing tumblr to an algorithmic feed features a large amount of misinformation that I feel staff needs to address, openly and honestly, with information on where this data was sourced at the very least.
Claim 1: Algorithms help small creators.
This is false, as algorithms are designed to push content that gets engagement in order to get it more engagement, thereby assuring that the popular remain popular and the small remain small except in instances of extreme luck.
This can already be seen on the tumblr radar, which is a combination of staff picks (usually the same half-dozen fandoms or niche special interests like Lego photography) which already have a ton of engagement, or posts that are getting enough engagement to hit the radar organically. Tumblr has an algorithm that runs like every other socmed algorithm on the planet, and it will decimate the reach of small creators just like every other platform before it.
Claim 2: Only a small portion of users utilize the chronological feed.
You can find a poll by user @darkwood-sleddog here that at the time of writing this, sits at over 40 THOUSAND responses showing that over 96 percent of them use the chronological feed*. Claiming otherwise isn't just a misstatement, it's a lie. You are lying to your core userbase and expecting them to accept it as fact. It's not just unethical, it's insulting to people who have been supporting your platform for over a decade.
Claim 3: Tumblr is not easy to use.
This is also 100% false and you ABSOLUTELY know it. Tumblr is EXTREMELY easy to use, the issue is that the documentation, the explanations of features, and often even the stability of the service is subpar. All of this would be very easy for staff to fix, if they would invest in the creation of walkthroughs and clear explanations of how various site features work, as well as finally fixing the search function. Your inability to explain how your service works should not result in completely ignoring the needs and wants of your core long-term userbase. The fact that you're more willing to invest in the very systems that have made every other form of social media so horrifically toxic than in trying to make it easier for people to use the service AS IT WORKS NOW and fixing the parts that don't work as well speaks volumes toward what tumblr staff actually cares about.
You will not get a paycheck if your platform becomes defunct, and the thing that makes it special right now is that it is the ONLY large-scale socmed platform on THE ENTIRE INTERNET with a true chronological feed and no aggressive algorithmic content serving. The recent post from staff indicates that you are going to kill that, and are insisting that it's what we want. It is not. I'd hazard to guess that most of the dev team knows it isn't what we want, but I assume the money people don't care. The user base isn't relevant, just how much money they can bring in.
The CEO stated he wanted this to remain as sort of the last bastion of the Old Internet, and yet here we are, watching you declare you intend to burn it to the ground.
You can do so much better than this.
Response to the Update
Under the cut for readability, because everything said above still applies.
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I already said this in a reblog on the post itself, but I'm adding it to this one for easy access: people read it that way because that's what you said.
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Staff considers the main feed as it exists to be "outdated," to the point that you literally used that word to describe it, and the main goals expressed in this announcement is to figure out what makes "high-quality content" and serve that to users moving forward.
People read it that way because that is what you said.
*The final results of the poll, after 24 hours:
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136,635 votes breaks down thusly:
An algorithm based feed where I get "the best of tumblr." @ 1.3% (roughly 1,776 votes)
Chronological feed that only features blogs I follow. @ 95.2% (roughly 130,077 votes)
This doesn't affect me personally. @ 3.5% (roughly 4,782 votes)
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petitjury · 5 months
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hey friends!! when i'm finished reading this current book (the trauma beat by tamara cherry), which one should I start next?? :)
thanks!!!!!!!!!!!
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gotham-daydreams · 8 months
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Not Tonight
[Platonic! Yandere! Neglectful Batfam × Gender Neutral! Sibling Reader]
[Warnings: Mentions of Neglect, Reader generally not having a good time.]
(Not proofread. Not too much Yandere shown. Mostly angst with Reader. Set up(?))
2nd chapter here. Chapter 3 Pt. 1, Pt. 2. [Series Masterlist]
๑۩۞۩๑————————————————————๑۩۞۩๑
How many times have you heard them say that? How many times have you tried to do something with them, to share your passion — or even just have some coffee with them, only to hear them say that phrase time and time again.
"Not tonight."
Well, what if you didn't ask them during the night? What if you asked them in the afternoon, or just when they were already up and about?
"Sorry! I can't right now, patrol reeeally kicked my ass last night. Besides, I have some other things that I have to get done, but maybe next time! For sure!"
Okay, right. That makes sense. Sometimes their line of work can be tough and draining, especially when someone is trying to run Gotham to the ground that night. So what if you just try to ask them when they aren't so busy? It may really limit the times you can ask... but you'd still try. Maybe it could also help if you asked for smaller things, like if they'd just like to spend a little time with you before going out again, or if you could just hang around them for a while? Nothing big, and anything was fine. Even if it was just sitting next to them, and having some small talk. Or maybe just the sitting part if talking was too much.
You'd take anything at all.
"I'm actually heading out right now, so I can't stick around. Go ask someone else."
"Can't you see that I already have enough compang with Titus here? Go bother Drake or something, I don't care."
All you could hear was snores past the door when you went to ask. So you moved onto someone else, hoping for a yes as your heart began to squeeze.
Someone had to agree eventually, right?
You begged the Gods as you traveled down the long halls. The chills of reality creeping up on you.
"Sorry, I'm going out to hang with some friends, but maybe next time!"
"..." She just looked at you before shaking her head, and taking her leave.
"I've got something to do at the moment, sorry, but hey, maybe you could ask your old man? Oh! Or maybe Alfred. That's a good idea."
Dick was out in Bludhaven, and you didn't want to bother Barbara considering how bisy she must've been the other night. So, you had no other choice. You asked, heart bleeding from how hard it squeezed.
"Not now."
Simple, to the point, and sharp.
Bruce's words were as cold as ever, and yet the echo in the cave only seemed to make the gap between you and him feel so much bigger. Even as you just nodded, eyes pointed to the floor. Taking your leave with a soft sigh that barely escaped you.
The elevator ride was longer than you remembered. The cold chill in the air grew freezing even as you stepped out, and now stood in one of the many halls in the Wayne Manor. Portraits and pictures decorated the walls, their painted and photographed eyes staring at you. Their gaze far from soft, but at least it was present. At least they, in that way, felt present.
You swore the only times they ever smiled at you that wasn't faked, or just for the sake of appearances was in those paintings and photos. Honestly, it was also probably the most times they've even looked at you too, and as sad as it is — you did say you'd take anything, right?
A 'no' or 'maybe' was part of that anything, technically. It's just not what you were hoping for.
Sighing again, you stared up at one of the portraits, eyes shinging under the lights as everything you refused to say made itself so clear for a moment. You didn't want much, and never asked for more than what you were given. You didn't think so anyway.
You always followed the rules, you did more than just excel in all your classes no matter how hard it was for you to understand certain things, and you even tried to get into things your family seemed to enjoy without pushing too hard.
You studied up on all the pets Damian had so that you could not only care for them properly, but maybe even take care of them with him some day. You played games and read reviews on games you saw Tim play just for a chance that maybe you'd get the opportunity to play with him. You picked up boxing and have even been practicing your aim with an airsoft gun, and have also been going to certain place when you could to practice using real guns and learn about them just so you'd maybe be able to have a conversation with Jason, and even connect with him in some way. You even read nearly all the books in the library just to have a sliver of hope for something, anything.
You learned sign language in three different languages and tried to find out what Cassandra was interested in, just to have some kind of interaction with her. Even writing on small note cards in serval other languages in hopes she'd give some kind of response, even if you forgot to put your initials and such more than several times. You participated in gymnastics in hopes of getting closer to Dick. You tried to find out what Barbra was into so you could also hold up a conversation with her if given the chance. You've tried to match Stephen's energy and do things she likes and have even taken up material arts as a means to maybe be a little closer with everyone!
Yet it never seems like enough.
Your schedule was so packed and filled with activities and extra lessons of all kinds, just so that you could feel like you had something in common with someone in this family. So that, when given the chance, you'd be able to form a connection with one of them and your efforts and sacrifices wouldn't be in vain. Though that still had yet to happen.
You weren't even a vigilante as you tried to persue your own passion and dreams, and yet that one single thing seemed to be keeping you away from everyone else. The one thing you were unwilling to do for them just seemed to make the gap between you and the rest of the family grow bigger. They're constant and continuous dismissals only seemed to further that point.
Just... what were you doing wrong? Was you not being a vigilante and constantly putting yourself at risk every night really putting that much of a dent in your relationships? Did your dreams really get in the way of that? Just because you didn't want to put yourself in danger? Just because you wanted to pursue music instead?
You took up art despite not being super interested in it before. You've been reading all of your life. Your stretched, ran, exercised, cooked, cleaned, organized, sang, wrote, danced, and even sculpted. You picked up almost any hobby someone could have under the sun, even if it began to feel like a chore and a job to you, just so that you could have something, anything in common with this family.
Though now you've gone through countless 'hobbies', and dropped many more since nothing seemed to be working, it... it still didn't feel like enough. Like you had to be doing something more despite having lost countless hours of sleep, just to go through the list of hobbies you had written down that you had left to try. You even took up some sports you were somewhat interested in, and yet nothing clicked.
Though is that really surprising when no one noticed how many times you snuck out for lessons and practice, or how long you were out? When you'd even forget to return to the Manor sometimes, and anyone still had yet to notice you were even gone in the first place?
... You couldn't help the small chuckle that escaped you. It was broken in every way, and yet empty all the same. Maybe you were finally taking after Bruce, but you wouldn't get your hopes up.
You looked up at the painting as if it'd give you all the answers, and yet dismiss you at the same time. The disappointment you felt was normal to you at this point, but the aching pain that came after was always the hardest part. Yet you still stared at the painted faces as if they were your real family, and the people close to them. Looked at the calculated and skilled brush strokes as if they'd give you what your family couldn't. What they refused to give you at every twist and turn, no matter how much you tried to accommodate to them. To do things for them. To just feel worthy enough to stand by their side. To be closer to them.
Though in the end, it is only that. A painting. A well crafted piece that, no matter how skilled the artist, could never truly capture how distant and vague they felt when you were the one standing to the side. No matter how much experience the painter had, they'd never be able to express and show how this poor excuse of a family felt to you, because they were only like that around you.
Maybe you'd feel special if it didn't make you feel like you were wasting your life living like this...
Eventually, you were able to tear you eyes away from the painting. The moon beginning to rise as you were sure the Manor was becoming more empty than it usually was, as more of its visitors and residents left.
The painting itself was nice even if it was one of many that didn't include you, with the number of photographs without you in them being much higher. Honestly, it used to be one of your favorites despite how bittersweet you feel about it now.
You still remember that day, but that would be implying that you forgot the others.
Regardless, you managed to pull yourself away from the spot you had been stuck in for the few moments you were trapped inside your own head. You tried to make yourself feel a little better, and give yourself some reassurance that maybe tomorrow would be different some how, and if not? Perhaps the day after, and the day after that.
Yet it all failed as you passed by more and more memories. Some were events you had participated in, sure, but the pictures made it look like you were never there in the first place. Heartwarming moments littered the halls, but you only recall seeing them from a distance — or being aware that the moment had even happened only when you saw the picture be put up.
It was like the very universe was trying to send you a sign with your constant failures and your family's persistence, intentional or not, to keep you at a distance. You didn't even know if it was appropriate to refer to them as your 'family', and maybe it wasn't considering things, but you still weren't sure.
You had been fighting for a chance to talk with any of them about anything at all for the longest time, because you wanted to be a part of this family. You wanted to spend time with them and really give this 'new life' of yours a chance, but now that 'new' part of this life had worn off. It was hard and honestly more draining than it was rewarding at this point, but you still wanted to give it a try.
Sure, it had been years at this point and now you were just about to go into college, and when you had first arrived here you weren't even middle school, yet little to no progress had been made — you never gave up. You haven't given up. So maybe you could try for a little longer? Just... a little bit, not too much this time, and figure something out?
You almost felt a little sense of hope return to you, no matter how redundant and helpless this situation felt and seemed. Yet it all came crumbling down again when you passed by one of the rooms, and saw something taped to the door.
It was a flier for your performance. One that would be happening soon.
Since your siblings began to pay less and less attention to you as time went on, with your conversations with them growing even shorter, you opted to just tape fliers of your upcoming performances on their doors. Though only the performances you'd thought they'd enjoy, and just hoped that they would show up, if they wanted to, when you stepped onto that stage and approached the instrument you'd be playing for the evening.
You tried texting and other forms of communication at first, but those quickly stopped working and so you just opted for this, and of course it was just as effective as the others.
Alfred was really the only one who listened to your music when you performed, and you only knew that because you caught him playing one of the live performances you had done on the television one day. He not only going out of his way to record the performance, but also trying to find the channel it was broadcasted on.
Ever since you've tried to give him the correct channel number when you do live performances, but that still didn't feel like enough. You loved and appreciated Alfred from the depths of your heart and soul, but what would it take for one of your siblings or close family friends to notice you like that? What would it take for your supposed father to even care to listen to your music? To watch a performance? To not turn you away?
It was only in that moment did a new emotion fuel you. Crawling it's way up your spine as you carefully took the flier in your hands, looking it over before ripping it off the door.
This. This one small thing was all you wanted from them. Over everything else, you just wanted to see one of their faces, one time when you looked out to the crowd when you performed — but every single time, all you saw were strangers.
Every charity event, every gala, every party- that's all you were surrounded by, strangers. Even when you caught small glimpses of them, they were always doing something else, and completely off in a totally different world than your own. That distance along creating a large void-like gap between you and them, and yet it only ever continued to grow. Even when they stood next to you, it was like you couldn't be further apart.
The reality of everything was crushing. Near deadly as you could feel your chest and lungs tighten, with your fingers digging into the paper enough to tear it apart, and reaching your palms as they formed crescent moons, soon drawing blood. Yet nothing could compare to the weight of your heart, and how heavy it felt to carry in your chest.
As you finally moved on from the door, your mind raced. Memories and flashbacks filling your head as every word and notion flashed before your eyes. Barely even paying attention to where you were going, but not caring enough to pay attention.
Every dismissal and excuse thrown your way. Every head shake and blank look. Every confused look, and realization that you were standing there the entire time. Every birthday that passed with the same wish never being granted. Every celebration spent on your own. Every message left on read. Every note ignored. Every time you were forgotten. Every time you were left behind. Every time you brought yourself home, and every time they never noticed. Every night wasted, trying to come up with different things to do only for all of them to turn out fruitless. Everyday that 'maybe' never cones true. Every time you looked out to that sea of strangers, hoping to see someone you recognized, only to find none. Every hour you wasted trying to do something for them while they never once thought of you.
Maybe you'd cry if you could. Then again, maybe not.
You already had spent too many tears over failures you recovered and grew from, and hardships you faced and fought. You've already cried just a little too much during those night you just couldn't handle being so alone, in such a big place anymore. Besides, you've cried enough over people who've never once thought of you. Who never once tried to make time to even see one of your performances, or even allow you to spend a few minutes in their space.
You've given them enough, you think. Especially since after you spent years trying to just make it two thirds of the way — they couldn't even reach that one third of the gap you couldn't. They didn't even try, at least not anymore, and after you had tried to make it easy. Yet, you only hurt yourself in the end.
They never cared about you, and maybe they did once upon a time, but good does that do now when you're trying to go out of your way to make things convenient and easier for them, only for them to skip out on you anyway. No text, no call, no message, no indication, nothing. Just pure silence.
Maybe you were asking for too much, but was it really so bad to want to be loved? And by the people who are supposed to be your family no less?
Hah, who are you kidding at this point. You've just been living in a house full of strangers, and you're the only one who hasn't seen it yet. They've already long since cast you out, and it's only now have you come to truly realize it.
Especially now, as you stand in front of the foot of the door to the music room. Staring at the knob as if it'll turn itself.
You weren't surprised, honestly. Playing music had quickly become an amazing outlet for you, and you had always come here to seek out what little your family couldn't give you; comfort. So it was no wonder that as you collapsed mentally, you had subconsciously brought yourself here.
And yet, only one thought entered your head in that moment.
'They don't deserve to hear my music.'
Perhaps it was now that you decided they had lost the privilege to do so. After all, ever since you had started having performances, even ones in front of wealthy crowds, your 'family' had seemingly been avoiding them like the plague. Never daring to even attend one, for whatever reason, and sure you could understand why they didn't attend the ones you performed at night — but they couldn't use that excuse anymore. You have strictly been playing during the after noon, and at sunset at a push, for over three years now. You've been playing in front of crowds and releasing music for four.
So, you turned away, walking off to your room as your thoughts still stormed. Anger fueling you as you barely remembered storming into your room, collecting any valuables and belongings you had and stuffing them into a bag or two. Not caring about clothes, and only what you deemed important and meaningful to yourself as you just grabbed and shoved everything into a bag if you could.
You could clearly tell now that you obviously weren't wanted, and that no one here even wanted to do the smallest things with you. That even asking to just spend a few minutes with them was too much. So you were doing the only sensible thing, and getting the hell out of here. Moving so quickly that your breathing became uneven, but you didn't stop until you had packed everything you needed, or was important to you in some way.
You only really had a second thought about all this when you were at your window, just about ready to jump out until you paused for a second.
Looking back at the door to your room, you couldn't help but hesitate. There was only ever one person in this entire Manor who treated you like family, and actually put in effort to not only be with you, but to indulge themself in your passion. That met you at the half way mark, and even went a little over sometimes. Since even if everyone else had ignored you — Alfed was there, even if despite all of his efforts you still couldn’t handle this, and maybe that was also your own fault in some way.
You still didn't want to stay, you couldn't anymore, but shouldn't you at least say goodbye? Maybe? After everything... at least he tried.
...
You settled for second best.
Quickly, you grabbed a flashcard and wrote down something before pocketing it and moving back to the window. You may not have any equipment for this kind of thing, but you still managed to scale and work your way around the wall, and managed to reach the window to Alfred's room.
You took a little peak inside, and when you saw that he wasn't there, you opened up the window just a bit, place the small note on the windowsill, and closed it. Then, you skillfully and carefully made your way down, and snuck off to Gotham City. Making your way to a friend's place as you crashed there for the night.
Never once did you look back.
Nor did you ever feel inclined to.
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Later that night, when Alfred read the note, all it said was:
I'm sorry, Alfed. - Y/n
Just with that alone, it was like he understood everything despite the little that was said. All he could wish you was luck, and that you'd be safe wherever you went.
Suddenly, just like that. The nights where melodies would lull the residence of the Manor to sleep, and bring a temporary, mellow peace to all who heard such a tune, were long gone...
Guess they'll just have to find it, and bring it back.
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Kind of rushed at the end there, hope it isn't too bad for a first post. There's probably a lot of mistakes, so apologies for that.
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x-brik-x · 1 year
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I'm seeing a lot of people say that punk fashion is expensive and inaccessible, which is very wrong. here is a list of some ways you can make punk fashion easier, cheaper and more accessible for you, since that's... kinda the whole point.
others are encouraged to add onto this!! (just don't recommend corporations like amazon. not cool.)
1. patches!! you don't need to buy them. DIY patches are not ugly or boring. in fact, they are encouraged here!! DIY, in my opinion, is always the best thing to do when it is an option and is safe to do so.
2. speaking of DIY, spikes!! you can make them!!
cut the top and bottom off of an empty can. cut down the middle of the cylinder and flatten it, so it's just a flat rectangle of metal.
cut out a shape that is kind of a third of a circle, but around 3/4 of the curved edge is taken up by triangle shapes. (I'm not very good at describing, so here's a badly drawn picture)
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roll it into a cone, leaving the 4 triangles sticking out at the bottom. this bit is optional, but you can fill it with hot glue to make it more sturdy, just be careful touching the hot metal. I tend to hold the cone by one of the triangles with a bit of fabric wrapped around my fingers for this bit. cut 4 small holes in your fabric in this kind of shape:
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and put the spiky bits of triangle through the holes. fold the triangles in on themselves to secure the spike in place. boom. spike obtained. this is one I made and attached to a little piece of fabric to test this method out:
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3. battle vests!! (like the base jackets). the best places to buy these are charity shops and second hand websites in my opinion, but if anyone else knows any better options, please reblog with those!!
a good trick I find works well on eBay is to filter search results to your country (or state? can you do that in the US? idk) so that a: fast delivery because local, and b: all the sellers of everything that shows up are in YOUR TIME ZONE.
why is this important? when people sell something for really cheap, it goes FAST. check eBay at like, 2am or something. all the scalpers in your area are asleep. grab the cheap stuff while they can't.
4. sewing!! want patches, but can't sew for whatever reason? I've heard of a lot of people with joint conditions like arthritis complain about the inaccessibility of patch stuff, and that does sound extremely annoying, however:
safety pins!! while they are still a little fiddly, they're much less work so you don't have to fiddle about for long. if you can, you could even ask a friend to help, since it doesn't take long at all I'm sure someone will be willing to help out!! (I know I would, but that's just me, and I love this kind of thing). safety pins on clothes are also widely considered to be a symbol of solidarity, so if anything, you're adding some extra love and meaning to your patch pants/battle jacket.
if that's still too fiddly, fabric glue is always an option. unfortunately this means you won't be able to remove/reposition patches, at least without leaving a massive patch of residue, but if you're ok with that then fabric glue is probably your best bet.
for people who prefer sewing: as for where to get the thread, I've heard a lot of people recommending dental floss, as it's apparently much cheaper and works just as well. I haven't tried this myself so can't confirm that, but I thought I'd share it regardless.
5. where to get fabric!! old clothes. rip em up. you don't need any kind of fancy fabric from the craft store. my patches are made of old jeans that I grew out of.
don't have any old clothes and you don't want to waste any good ones? I'm not sure about other countries, but in the UK, as long as you're not on private property (trespassing), dumpster diving is perfectly legal.
I definitely ;) do NOT encourage ;) trespassing rich people's land ;) to steal from their dumpsters ;)
or tbh it doesn't matter too much how rich the person is, since it's all going to landfill anyway. if it's in the bin, it's free game, but you didn't hear that from me. ;)
please add onto this where you can!! and if I missed something or got anything wrong, add that on too!!
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bumblequinn · 7 months
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hi @sourpatchsquids! thank you for your question.
as an artist with ADHD, i know this struggle very well. unfortunately offering advice on this kind of thing can be tricky, because what works for me may not work for you (and vice versa!). nonetheless, i can try; take whatever works for you, forget the rest, or reshape any part of it as you see fit. :)
but before i offer any actual tools, i have one caveat. i want you to take a moment to reflect and consider if you should be:
changing expectations
the timing of this question seems fated, because just the other day i had a therapy session wherein i expressed my grief and frustration over struggling to work lately due to my seasonal depression. it's not fair that i'm struggling just because it got a little darker outside! i just want the spark i had in the summer! i was so much more consistent!
my therapist's response: nothing about human beings is consistent. we get sick, we get tired, we get hungry and thirsty (and thirsty) and sad and lonely and restless and stressed and overwhelmed. this all gets amplified for folks who are atypical in some way or another.
when my therapist compared our seasonal cycles to those of plants and other animals, who wilt and slow down and hibernate, i protested aloud that i wanted to be a perennial instead. at this she said: even perennials change with the seasons. rose bushes have to be pruned, sometimes down to half their height! it was a dose of perspective i didn't particularly want, but really needed.
so when you're struggling to work through executive dysfunction, burnout, or brain fog, it can help to first check in with yourself about a few things. what do you have the capacity for right now? do you need any accommodation? and if so, what changes you might make to accommodate yourself?
with practice and self reflection, i've learned a handful of specific routines that help me when i'm struggling with creative work, which i'll detail next. note that while your question is specifically about music and i am specifically a musician, i believe that all of these suggestions can apply to most any form of digital creative work.
with that in mind:
#1: work slower
when i'm at the top of my game, i can get a LOT done in a day. but when i'm depressed, fatigued, or distracted, i just can't go full steam. sometimes i'll try to convince myself that i can if i just push harder, but what actually ends up happening is that i'm just fiddling with settings and going in circles rather than moving forward.
instead of that, when i want to work a lot but can't, i try to work slow. how slow? however slow i need to. take four hours to figure out the melody for a single verse. take all day to figure out that drum groove. yeah, i take a lot of breaks in between. who says i have to be my Absolute Most Productive Every Day Or Else? that's the puritan work ethic talking. kill it. be kind to yourself.
i'm reminded of advice i once read about some super successful and prolific author (gaiman? king? pratchett?) who said they wrote only four hundred words every weekday. that's already less than the word count of this post, and i'm only—[travels into the future to check my final word count]... 22.8% of the way through writing it!
now, i don't think i could function that way, because ADHD means some days i'm hyperfocused like crazy, and other days i just have no steam at all (more on that in #4-6). but it seems to me that if even someone highly respected in their profession can achieve what they have with only a little bit of work on a regular basis, maybe i don't have to punish myself for not pumping out a finished work every single week.
doing less work per day means you're much less likely to burn out, which does a lot for working more consistently. if that consistency still doesn't look like a five-day work week, that's okay! as long as it helps you work even a little more often when you want to, it's something worth doing.
however, if you're still feeling truly stuck, all hope isn't lost. you can still try:
#2: switch projects
sometimes the reason i'm moving slow is because of a bad brain day, but sometimes the reason is that i just cannot muster the motivation to do the specific task i'm trying to do right now. ADHD is fueled by novelty and interest, and if i'm not interested in what i'm doing, or it's feeling stale, that's a sign that i need to switch gears.
this is why first it's helpful for me to have more than one project going at a time. this might mean completely unrelated works, or it might just mean related tracks as with the music for a game like SLARPG or susan taxpayer.
the idea here is not to start a dozen different projects and bounce around them like i'm playing whac-a-mole—though i have done that. (i don't recommend it.) the idea here is to have a manageable number of different projects i can be working on so that if i get bored or stuck on something, i have fallback options.
what that number of projects is depends entirely on the week. maybe right now it's two, maybe another time it's three. i would probably be getting carried away if i tried more than that, but that's just my own limit. maybe yours is different. that's something for you to think about.
but it doesn't have to stop there.
#3: switch focus
maybe there is this one project that i just HAVE to work on, but the task i'm trying to do at this stage just isn't coming to me. okay, well, why don't i try working on a different task?
let's say i can't figure out what i want to do with the melody in one part of the song:
what if i try jumping ahead to a different part of the melody? ...no, i'm stumped on melodies today. okay, how about working on the drums instead? ...hmm no, i think i'm just completely tapped out on writing parts right now. alright, what if i organized my tracks, making sure they're all grouped and named in a way that i can work with easily? what if i did a rough volume balance for the mix?
and so on. if that's not enough to shake the off stuckness, i might consider: what can i do to make this project more interesting to me?
what happens if i try using an instrument or effect that i almost never reach for? what if i try sampling something obscure? what if i bang out the drums using my midi keyboard instead of drawing it in on the piano roll?
any approach that breaks me out of my usual habits is bound to get that feeling of novelty and fun back when i need it.
or maybe i can't do any of that right now, and so i take the time to answer a question from a fellow musician instead. i consider that part of my work, too, in a broader sense. check in with yourself and figure out what you can do right now. the rest will still be there later.
but okay, let's say you try switching gears, and switching again, and again, and nothing is moving. you try new approaches, but that wall of awful is insurmountable in this moment. it happens! the next thing you might try is:
#4: learn something new
when you aren't able to make progress on your projects, you can still make progress on your knowledge and craft. i often find this stokes a flame of inspiration in me where there wasn't one before. and even when it doesn't, it still gets my brain out of that feeling of stuckness and dread and into one of thought and action. learning also benefits in the long term because it adds to the well of knowledge from which you draw for all your future works.
for all the awfulness that exists on the internet, it remains an absolute treasure trove of teaching. there's an endless ocean of videos, blog posts, and articles from which you might learn something about your craft. (and if you sail the seven seas, plenty of book PDFs as well. 🦜🏴‍☠️)
it's true that the quality and depth of information out there can vary wildly, but in my experience most resources get at least some things right. and the more you research, practice, and figure out what works for you, the better you will learn to differentiate between the advice worth keeping, and the advice to forget. (that goes for all of what i'm saying here, too!)
that said, since our shared focus is music, a few resources i would highly recommend are:
music theory and composition music matters, 12tone, charles cornell, music with myles, 8-bit music theory, and this introduction by andrew huang
mixing and production dan worrall (especially this series for fabfilter), kush after hours, red means recording, andrew huang, alice yalcin efe, in the mix
general inspiration nahre sol, ben levin, david hilowitz, game score fanfare, posy, jerobeam fenderson, open reel ensemble, and ELECTRONICOS FANTASTICOS!
(if any readers have their own helpful resources for creating music or any other media, feel free to share in the replies & reblogs! 💓)
of course, on an especially bad day, it might be a challenge to seek out information, let alone retain it. that can feel pretty bad, but remember: be kind to yourself. the next thing you might consider trying is:
#5: consume art you love
not just music. books. shows. movies. games. illustration. animation. whatever moves and inspires you.
but do it intentionally. don't just pull up some random thing the algorithm suggested! check in with yourself about what you want (or are able) to engage with right now. choose accordingly. if you get a little way into it and realize it's not scratching that itch, hit the bricks. check in with yourself again. wash, rinse, repeat, until you find whatever it is that speaks to you right now.
and do it actively, if you can. don't just let it go in one eye and out the other! really pay attention to the work. what do you like about it? what are its themes and motifs? what makes it work so well? what are its flaws, and how much do they matter? what might you do differently? you can write notes as you do this if it helps, but even simply noticing and thinking goes a long way.
what you don't want to do is come at this with a lens of shame or envy. you're not here just to say to yourself, "ugh, if only i could do THAT." it's okay if it happens. use that thought as a springboard for curiosity: "well okay, how DID they do that? do i have the resources for it? if so, how could i apply that to my own work? if not, how can i adapt it, or what do i need to learn?" keep your mind open and approach the work with a sense of wonder.
as a creative person, it's very easy to think, "i should be making something right now, not watching a movie!" but that thought forgets something vital: your art is a response in a conversation. of course the "language" you use is your own, and maybe if you're lucky you'll invent a new word. but most of the words you use have been around long before you were born. you're just one voice in a dialogue that spans continents and generations, and that's okay. it's even the whole point.
none of us is an island. we are profoundly social animals. just as we can't live without eating, we can't make without learning. so half of making art is consuming it. consider this part of the process as well.
and finally,
#6: rest, and live your life
let's say you're in really dire straits. you've tried working slower. you tried changing focus, you tried changing projects. you want to take in new information or actively engage with your favorite art, but you're not in the headspace for it. what now?
take a nap. take a walk. take a shower. eat a nice meal, or an okay one. talk to a friend. maybe even do that chore you've been putting off (you know the one).
it's human to always crave making, but you're not a machine—and even if you were, machines need regular maintenance, too! you wouldn't drive a car that's completely out of gas, and you won't do yourself any favors treating your body that way either.
i know that when you take a break it feels as though you're not accomplishing anything, but you are: you're taking care of your animal self. and while you do that, your creative brain doesn't stop working! much like windows, it has countless background processes running at any given moment, with inscrutable names like "cbdhsvc_692da" or "Microsoft Edge Update Service." it's true, i checked.
when you're stuck on a project and you step away to rest, your brain is still chipping away at your ideas unconsciously. i like to tell people, "it's percolating." much like waiting for a pot of water to boil, that idea is still heating up, even when you take a step away. just be sure to check in on it once in a while. the time will pass, and it'll be boiling again before long. :)
before i go, i'll leave you with one last thing to keep in mind as you try all of these strategies:
be kind to yourself.
being human is just about one of the hardest things you can do. let alone being a human trying to survive capitalism while living with disabilities! the last thing you need on top of that is to overwork yourself, talk to yourself negatively, or treat yourself harshly. there are plenty of other people in the world who do that to you—don't be one of them.
i'm not saying that you shouldn't try to challenge yourself, to test your limits and go above and beyond your ambitions, if that's what you want to do. just remember that hard work and self compassion are not mutually exclusive. so be careful not to bully yourself. take pride in the progress you make, even when it seems small. encourage yourself like you would a friend who's going through a hard time. and when you challenge yourself, be your own cheerleader.
i hope you find this advice helpful! remember, this is just what helps me, so don't feel like you have to follow any of it exactly. maybe taking time to learn new information helps break you out of your rut more than working slowly, so you reach for that tool first. maybe having multiple projects going at once is too distracting for you, so you prefer to stick to one at a time. whatever your needs are, feel free to alter and adapt these ideas to fit you.
thank you for reading, and i wish you the best of luck in your creating.
with care, bee 🐦
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emdeerm · 5 months
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I'm a Grandpa? Again?!
My brain got away from me. srry
This might be a horrible, horrible idea that will have so many butterfly and directs effects on the DC canon that I know nothing about but...
Consider this: Bruce is Danny's clone/test-tube baby.
Danny has lived for many, many years and somewhere along the lines, he got his DNA stolen again (in his human form mind you) by someone and they made a clone/baby (most likely cause the child would destabilise without more DNA. Human Danny is just 1/3 of the DNA he has). Maybe the League and Ra's is responsible. Maybe some other party I have no knowledge about. Maybe it was GIW. But it happens.
Anyway, whoever succeeded, had some intentions with the clone if it had powers. He did not. Was a failure and was dumped as a 3yo in Gotham. Tom and Martha Wayne found him and adopted the child.
Now, Danny doesn't know it. He just goes around, living his best life with his partner/(s), works somewhere new every 5-6 years or so, trying out new professions when he wants. When his DNA got yonked, he was a practicing cook. By the time Batman is old enough with all his kids he is a doctor or something.
Let's throw in the Ghost King for fun. Love the trope. Could be just him being a super strong and respected Ghost in the Realms who helps himself to Pariah's treasury. Not like the guy needed it anyway.
So, YEARS pass. All parties are unaware. Meta human protection happens. Ecto Acts get ruled out automatically by the Government somewhere in a list of all stuff that change. The Ghosts haven't been sighted for over 30 years. The Government disbanded GIW wven esrlier just cause they were a moneh draining leach. The JL didn't even pay that much attention honestly (let's say Batman wasn't there for some reason to check the final copy), just one more thing that changed for the better in their eyes.
So, Danny and his kind are now legally in the clear. Does he so something with it? Well, not much. Just uses his powers more freely. His rogues don't find the Living Realm all that interesting now and just come to Phantom to play. Except Sculker. That ass is still unbearable.
...
I got sidetracked from my original idea. Anyway-
...
Damian in school has to do the ancestory assignment. And finds out that he has a weird relation to this Random DudeTM. (Maybe Tom's and Martha's DNA was indeed used in the process of creation. Who knows, maybe it was their doing all along in the name of Doctor Science. Idk. All options are fun) Came out of nowhere. The relation is unclear too.
That gets brought up to Father. Father is surprised. Investigation happens.
The Bats are flabbergasted by the results.
Danny gets the news that he is a surprise Granpa again (Dani was the first one to come with a grandchild out of nowhere. Adopted. You know what? Let it be Cass. Let her have a traveling super mom).
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rivalsforlife · 11 months
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takumi posted about the showcase on twitter today (relevant tweet 1, relevant tweet 2) and from the sounds of it he delivered the speech in english because he heard the capcom showcase had more overseas viewers than japanese viewers last time. so he asked janet hsu to translate a speech for him and record it, and then listened to it morning to night for two weeks so he could repeat it by memory at the showcase. he even made notes to try and get the cadence of it down.
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(source tweet)
all for the experience of us turning on the capcom showcase and going "oh! I didn't know takumi could speak english!" and he can't he just memorized a script to pitch ghost trick in english because he thought it would be interesting to overseas viewers. this guy really operates on an entirely different brain level from most people and I have so much respect for him
EDIT: Have gotten a few tags now with people saying "I don't go here", so I thought I'd provide a little more information! You can view Shu Takumi's full speech and more elaboration on Ghost Trick in this video. It's a delightful little mystery puzzle game that is often considered one of his best works, and what he says in that video interests you I highly recommend checking out at least the demo and possibly the full game. You play as an amnesiac ghost with powers of the dead allowing him to turn back time and change fate. He seeks to save other people and uncover the truth behind his mysterious death, and his identity, before the morning comes and he's doomed to fade away.
As well, Shu Takumi's most well-known work is on the murder mystery visual novel series Ace Attorney, where you play as a rookie defense lawyer defending clients against a corrupt judicial system heavily stacked against you. You can find the first three games in the series (all written by Shu Takumi) in the Phoenix Wright: Ace Attorney Trilogy, which is available on all modern consoles and a total steal whenever it goes on sale. You can learn more about it through this trailer! I'm obsessed with those games and also super recommend checking it out if murder mysteries or visual novels are your thing.
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ozzgin · 5 months
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Girl I love Daitou but I'm ngl I need more of Yazuya😭 if you can, can you write headcanons about him please? I'd appreciate it thank you <3
I was wondering if he’d end up mentioned at some point haha. Most definitely I can. I might just turn this into HCs for both of them, since the story parts so far didn’t have much romance.
Yandere!Yakuza x Reader Headcanons
Ultimate dating guide and palate cleanser featuring the gangster boys (Kazuya and Daitou). For those that have been left hanging for proper romance.
Main story: [Part 1] [Part 2] [Part 3]
Tags: @swagbucksjester @lucienbarkbark @moonieper @nu-vino @vee-love @tamaki-simp @pinkazelma
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Kazuya
Kazuya was raised in a brothel, surrounded by women, so he is much more knowledgeable than the average man when it comes to feminine matters. Similar to someone who grew up having sisters, you can talk to him about anything and everything and not only will he be empathetic towards your problems, but he might offer tips and tricks you didn’t even know about. Not too shocking when he’s already heard multiple variations of whatever is bothering you.
The downside to his upbringing is that intercourse has always felt terribly transactional to him. He has a hard time associating it with intimate relationships. He will flirt a lot with you, but despite all the sexual innuendos, he won’t actually do anything until later in the relationship. He struggles with the irrational worry that sex will somehow taint the quality of your bond, making it feel cheap. Dating you has helped him realize that such things can be done out of love as well.
He is extremely affectionate and well mannered when dealing with you. Which may sometimes cause you to forget there’s a reason him and Daitou are good friends. While he isn’t as ill-tempered as his younger self, it doesn’t take much to anger him still. It’s a rare occurrence for you to witness it, but when he has it out for someone, he nearly matches Daitou in ruthlessness. He's very prideful and protective and will not hesitate to crush whoever challenges him or messes with you.
If you have a group of (girl)friends, you can confidently bring him with you with the only risk being that he’ll steal your spotlight. He can charismatically slide his way into any kind of conversation and you can hardly believe that this is the same man cracking gross jokes over his latest murder to his fellow criminal buddies. You might consider him a social chameleon, having no trouble adapting to any environment.
Smokes like a chimney and you have to slap the cigarette out of his hand sometimes because he’ll just light one up anywhere (including your bedroom).
Now this one is for the ones that are into it: God forbid you accidentally call him Daddy because he’ll ride that high until the end of time. He loves the idea and will tease about it with every opportunity. “Terrible weather today. Should Daddy drive you to work instead?”, or “Is that any way to talk to Daddy?” for when you’re out in public.
Daitou
One neat detail about being with Daitou is that you get to see a lot of things you took for granted in a new light. Whatever you assumed was a common experience for everyone, like having a picnic or going to the amusement park, is utterly foreign to him. He was raised by the Yakuza and barely interacted with anyone before meeting Kazuya; civilian past times were never presented to him. So you get to witness his shocked and delighted expression as he tries all these things with you.
Thankfully you don’t have to worry about teaching him the…intimate aspects of a relationship. Kazuya has that covered. And Daitou seems to be a rather fast learner, because he’s incredibly gentle and careful with you. Part of it is due to his own fear of messing it up. He’s only ever been good at breaking and killing people. Despite that, he loves you so much. He has to be the best boyfriend for your sake. Surely these hands of his can do more than just damage.
He might actually be a little too eager to learn the ropes. More than once you’ve walked in on him reading a graphic manga and nearly choked, mumbling an apology for interrupting his…activity. He’ll look at you with a confused expression, completely unbothered and wondering why you’re so embarrassed. He was flipping through the pages for ideas, given he’s never had any kind of experience himself. Ah. That explains the random kinky gestures he’s started doing without shame or doubt. You’ll have to do some tweaking in the near future.
This may come as a surprise, but Daitou is exceptionally good at household chores like cleaning and cooking. Registering with the Yakuza involves a mandatory apprenticeship of several years where you do menial tasks for your higher ups. Additionally, the time he served in jail has left him with a lot of discipline and organization. Somewhere between adorable and comical is how you’d describe the sight of him kneeling on the floor and carefully folding the kitchen towels while waiting for the stew to simmer.
Daitou isn’t exactly what you’d traditionally call jealous. His only frame of reference is Boss, thus he will treat you with the same kind of loyalty and dedication. You wouldn’t expect a mere nobody to walk up to the Head of the Family, so anyone approaching you will, similarly, be violently kept away until their intentions are clear. You are his most prized possession, after all. He’d do anything for you.
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