The real truth is that every single Jason Todd ship exists only for his benefit, and not his partner's. It's not just Jayroy, though that may be the most extreme example of it alongside jaytalia. Any character who is romantically involved with Jason has to be bastardized to some level, either because their morality would make it impossible for them to be with Jason (Roy, Kyle, Kara, Steph, Barbara, etc) or because Jason's character would go entirely against what their character needs/is working towards (Rose, Artemis, Kori, Slade, etc). It's always about what Jason needs and what Jason could get from that potential relationship, because he doesn't really... have anything to offer. Jason as Red Hood centers his story in violence and self-isolation. Even in his current The Hill run, where he's learning to trust people yada-yada, he's lonely. Because he chooses to be. And that's why every Jason Todd ship feels forced if you're a fan of whatever partner of choice, because Jason isn't at a point of himself and his life where he can offer anything in a relationship. Idk word vomit sorry
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La Mode nationale, no. 7, 19 février 1898, Paris. Nos patrons découpés (Grandeur naturelle). Capuche, sortie de bal ou de théâtre, & cravate fantaisie. Bibliothèque nationale de France
Explications des patrons découpés:
Capuche sortie de bal ou de théâtre. (Theater or ball hood)
Ce modèle de capuche est très pratique tout en étant très élégant pour sortie de bal ou de théâtre. (This hooded model is very practical while being very elegant for going to a ball or theater.)
Il se fait en 3 morceaux. (It is made in 3 pieces.)
No. 5. — Fond (en entier); se taille en linon et se recouvre de faille ou satin. (Background (in full); It is cut from lawn and covered with fault or satin.)
No. 6. — Passe (en entier); se faille également en linon, se soutient par des laitons et se recouvre comme le fond avec de la faille ou du satin. Ce morceau se rattache au fond à FGH. (Pass (in full); is also made of lawn, supported by brass and covered, like the bottom, with wool or satin. This piece is basically linked to FGH.)
No. 7. — Bavolet (par moitié); se taille en faille ou satin, se double de surah avec ouatine entre étoffe et doublure. Ce morceau se raccorde à la passe à I, au fond à J. (Bavolet (half); can be cut in faille or satin, doubled as surah with wadding between fabric and lining. This piece connects to the pass at I, basically at J.)
Cette capuche toute montée se double de florence, se garnit de ruchés de mousseline de soie, un ruban entoure le bavolet et sert de bride. (This ready-made hood doubles as a florence, is trimmed with silk muslin ruches, a ribbon surrounds the flap and serves as a strap.)
Avec 1 mètre de faille en 0m.55, 6 mètres mousseline de soie sur 0m.05 et 1m.20 de ruban no. 12 l'on peut confectionner ce gracieux modèle.
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Cravate de fantaisie. (Fancy tie)
Cette garniture, tout à fait nouvelle, peut se faire en mousseline de soie et faille, taffetas ou satin. (This completely new trim can be made from silk chiffon and faille, taffeta or satin.)
Elle se compose de 4 morceaux. (It consists of 4 pieces.)
No. 1. — Cravate; se taille double sans couture. devant. Cette garniture s'agrafant derrière, elle se taille en toile gommée ou toile de tailleur et se recouvre d'un plissé de mousseline de soie dépassant de 2 centimètres le pointillé marqué sur le patron. (Tie; fits double size without sewing. in front. This trim is stapled behind, it is cut from gummed canvas or tailor's canvas and is covered with a pleat of silk muslin extending 2 centimeters beyond the dotted line marked on the pattern.)
No. 2. — Draperie; taillée en faille, taffetas ou satin. Ce morceau descend de long du pointillé de la cravate, il s'y raccorde à ABC. (Drapery; cut in faille, taffeta or satin. This piece goes down along the dotted line of the tie, it connects to ABC.)
No. 3. — Pan du même tissu que la draperie; quelques plis le rétrécissant dans le haut. Il s'ajuste à la cravate à AD. (Panel of the same fabric as the drapery; a few folds narrowing it at the top. It adjusts to the tie at AD.)
No. 4. — Passe; ce morceau cache la couture du pan et de la cravate; quelques plis l'ajustent. Elle se raccorde à la cravate à D, au pan à DE. (Pass; this piece hides the seam of the tail and the tie; a few folds adjust it. It connects to the tie at D, to the tail at DE.)
Il faut 0m.50 de soie en 0m.55, et 0m.30 de mousseline de soie sur 0m.30 pour faire cette jolie fantaisie.
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jason was 12 when roy first met him
Idk what you want be to do 'bout that ima be honest, to be clear tho if anyone must know I ship them as FULL GROWN ADULTS not as children, btw i'd appreciate it if people did not fill my inbox with critiques about two fictional men a find fun together
also I hate it when people are like hating on a ship (not trying to acuse anon of anything) or a specific dynamic when its lgbt+ like I see people going on and on about the big brother's best friend dynamic/trope and how the age difference is fun and cool, but as soon as this dynamic is between two people of the same gender or part of our little rainbow community they switch up suddenly it's wrong and disgusting also known as being a hypocrite
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How to Sew a Long Coat with Hood for Cold Time | Free PDF pattern Included
Hey, ! I have some awesome news for you. I have posted a new video on my YouTube channel, where I show you how to sew a long coat with hood for cold time. This is a super easy and fun project that will make you look fabulous and cozy in the winter. And guess what? I have also included a free PDF pattern in five sizes that you can download from the video description. So, go ahead and check out my video and learn how to sew a long coat with hood for cold time. And don’t forget to follow me on Tumblr for more sewing updates and inspiration. Thank you for your support and happy sewing! 😊
Link to video
Link to detailed post with measurements and coat sizes
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