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#his perspective will never not be compelling to me
myfairkatiecat · 2 months
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Having Fitz Vacker feelings right now. @ahoyimlosingmymind this ramble is dedicated to you.
Say what you want about Fitz Vacker but he’s trying. And it’s excruciatingly hard because he made it so important to his identity when it was easy.
He was the kid from the perfect family. Styling his hair and keeping his clothes straight was only a small amount of time in the morning. He’s super good-looking and all the girls knew it. He manifested extremely young and blew everyone away. He was top of his class without even being able to attend all the time because he was off doing classified, important things for his important father.
The Vacker name was handed to him.
He was attractive without having to try, so all he had to do was gel his hair into place and go about his day.
He manifested at 12. Everyone was amazed. Of course he was a prodigy. He didn’t have to ask or try for that, either.
His nexus came off at a young age because of his amazing concentration.
He was Important. That was why he often wasn’t in school and everyone knew it, though they didn’t know the details.
He was smart. He was top of the class.
He was effortlessly perfect and that was what made him Fitz Vacker. He got comfortable with it. It was all he needed.
But… balancing schoolwork with searching for a hidden Elvin girl got difficult, so he started having to put in a little bit of effort. But he did it behind closed doors. To everyone else he was still effortlessly perfect. The late nights studying were his little secret.
He still had everything going for him, naturally.
Then he found Sophie. Sure, she… might have manifested younger than him, but she doesn’t count. And she’s the only one who can block him… but she doesn’t count. She DOESN’T. She has altered DNA, obviously, so he’s still the best young telepath. He IS.
And this is a good thing, because now everyone knows what he’d been doing. What an important kid at such a young age. Fitz can’t help but be proud.
But things aren’t always easy.
And they keep getting harder.
His classes get harder, but so does his life. Alden’s mind breaks and he doesn’t have it in him to be nice to everyone. He says things he regrets… especially to Sophie. She doesn’t deserve that. He tells her. (He’s forever grateful she brought him back.)
(….why couldn’t he bring him back?)
Does anyone notice his slightly lower grades? Probably not. He has an image everyone probably assumes is still true. And besides, he’s involved with things so much bigger than school now… obviously he’s still Perfect…
He starts to develop feelings for Sophie. He cares about her, and… so does his best friend. His best friend who is Imperfectly Perfect. The boy who manages to be just as popular and appreciated as him without having to always look put together. He starts to resent being put together.
(How does Keefe not go to class and still do amazingly on all his exams, just because of his stupid photographic memory, while Fitz has to study and study between his insane life and pay rapt attention in every class and just pretend it’s easy for him?)
(Why is Keefe the one who skipped a grade? Fitz should have skipped a grade. Why didn’t he? He should have. What a good idea.)
(Fitz makes it look like he’s effortlessly perfect. Keefe IS effortlessly perfect.)
(Keefe’s “effortless” looks better than Fitz’s “effortless.”)
(It would be insensitive to say Keefe has it easier though, of course. Fitz knows what his home life is like…)
Fitz worries that, of course, Sophie will go for Keefe, but he doesn’t say anything. He waits.
He joins the Black Swan.
No more Foxfire.
He’s a rebel.
(He’s fine with that, really.)
He and Sophie are cognates!!!!!!!! That’s a good thing, that’s special!!
They get banished from the lost cities.
(He’s a Vacker.)
(Does that even matter anymore?)
He goes to exillium.
(What does it mean to be Fitz Vacker anymore?)
He can’t even really protect Sophie. And there’s just one thing she won’t tell him in their trust exercises. (Does she like him?? Surely not. What is she hiding? Why doesn’t she trust me? ……Does she like me?)
Alvar. Is. A. Traitor.
(What does it even mean to be a Vacker anymore?)
His family name was handed to him, but now he has to make it for himself. People aren’t so sure about the Vackers anymore.
His special ability and its strength was handed to him, but now there’s Sophie. (Do they even need him? Does the cognate relationship even benefit Sophie, or only him….?)
School is light years away. Even when they return to foxfire it isn’t really the same. He’s been to exillium. He can’t go back to being the quintessential top student.
So… what is he?
Who is Fitz Vacker anyway?
It feels like everything he defined himself by is slipping away, but he can’t give it up now. He can’t try something like Keefe tries. He has to be Fitz Vacker. He has to keep it up.
(Sometimes his mask slips a little and he’s terrified people are going to see that there’s nothing underneath.)
He wishes he never decided to be effortlessly perfect.
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latinokaeya-moving · 1 year
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ok i gave myself 48 hours of no hating bc it was that thing’s bday but i gotta say it now. i honestly hate like 95% of ragbros content it’s so overwhelmingly extremely basic and shallow ‘sibling’ content made by people who seem to be unable to conceive of sibling relationships that don’t fit the cookie cutter ideas that r most palatable to fandom it’s boring it’s so so boring to me !!!
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tyrian-callowz · 1 year
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bees kiss tryna cover for how painfully mid the whole “alyx and the cat are evil” twist is
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fuckyeahisawthat · 3 months
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Controversial opinion among Dune book fans maybe, but I loved the changes they made to Chani's character. Making her a fedaykin who is already an experienced fighter before Paul arrives was a brilliant choice. Dune Part Two is a war movie, and this puts her at the center of the action, side by side with Paul, and gives her a much more active role than she has in the book.
We got a hint of where things were going in the beginning of Dune Part One. The first thing we ever know about movie Chani is that she's a fighter. She serves as a voice for the Fremen, telling us the story of their struggle from her point of view. I wrote here about the difference this change makes compared to other adaptations of Dune, what a perspective shift it is to have the world of Arrakis introduced not by an outsider, describing it as a dangerous but valuable colonial prize, but by one of its native inhabitants, who tells us before all else that it's beautiful, her home that she's fighting to liberate. I am so, so glad that the second movie followed up on this characterization.
I never found Chani and Paul's love story in the book particularly convincing, because why would this woman, who already has a prominent and respected place in Fremen society, even give the time of day to her deposed would-be colonizer, let alone fall in love and have children with him? Without a compelling reason for Chani to love Paul, she ends up feeling like a prize to be won, and "indigenous culture personified as a woman to be wooed (or conquered) by the colonizing man" is a trope we've seen and don't need to repeat.
But as soon as you tell me it's a barricade romance I get it. Cool cool cool, I know exactly what this relationship is now and it makes sense. Movie Chani doesn't respect or even particularly like Paul when she first meets him, and she doesn't think he's the fulfillment of any prophecy. She comes to respect him, and eventually love him, through his actions. He's brave--sometimes recklessly so. He fights well. He's willing to stick his neck out on the front lines with the other Fremen fighters. He can (after a little help) hack surviving in the harsh desert environment. He's not too proud to learn from others. He seems to genuinely want to be her equal in a common political struggle. All these qualities make sense as things she values.
Fighting side by side as equals is just about the only way I can see movie Chani falling for Paul. And it fits perfectly with the film's pattern of reversals that Paul's capacity for violence would initially be one of the things Chani likes about him, only for her to be repelled later when she sees what he becomes.
And as for Paul, well, he's had people deferring to him his entire life. Someone who doesn't take any shit from him is probably refreshing. He seems to like people (Duncan, Gurney) who challenge him and engage in a little friendly teasing--and aren't afraid to go a few rounds in the sparring ring.
It's easy to speedrun a romance when you're spending all your time together in mortal danger fighting for a shared political cause. Especially if you then start winning in a war your people have been fighting for decades. Are you kidding me? That is the perfect environment for intense battle camaraderie to turn into romantic love, and lust.
It makes sense that this version of Chani never believes Paul is any kind of messiah. Of course a character like movie Chani wouldn't believe in or trust some outside savior to liberate them. She's been working to liberate her own people for years. The more Paul invokes the messianic myth, the more he starts sounding once again like someone who plans to rule over them, and the more uncomfortable Chani becomes. In this way she becomes a foil to Jessica, the two of them representing the choices Paul is pulled between. It's a great way of externalizing the political and philosophical debates that often happen within characters' heads in the book.
And of course this version of Chani would leave Paul at the end of the film. It's not just the personal, emotional betrayal--although that stings. What common cause does she have with someone who just declared himself emperor and is sending her own people off in a war of conquest against others? Given the important role she plays in Dune Messiah, I am super curious to see how they get her back into the story, but girl was so valid for being willing to just gtfo. Given that she has the last shot of the whole movie, I'm sure she'll be back somehow, and I can't wait to see what they do with her character in any future installments.
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comradekatara · 2 months
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Your atla analysis is the best so I wanted to ask your opinion on something I've found the fandom fairly divided on - what did you think of Azula's ending within the show proper? Unnecessarily cruel or a necessary tragedy? Would you say that her mental breakdown was too conveniently brought about in order to 'nerf' her for the final agni kai? Also, do you think it was 'right' for Zuko to have fought with his sister at all or would it have been better for him to seek a more humane way to end the cycle of violence?
okay so im saying this as someone who loves azula to death like she has always been one of my absolute favorite characters ever since i was a kid and i’ve always vastly preferred her to zuko and found her to be extremely compelling and eminently sympathetic. i am saying this now before the azula stans come for me. i believe in their beliefs. but i also think her downfall is perfectly executed, and putting aside all the bullshit with the comics and whatever else, it’s a really powerful conclusion to her arc. obviously that isn’t to say that she wouldn’t continue to grow and develop in a postcanon scenario (i have a whole recovery arc for her mapped out in my head, like i do believe in her Healing Journey) but from a narrative perspective, her telos is in fact very thematically satisfying.
no, she wasn’t nerfed so that they could beat her in a fight. the fact that she falls apart is what makes them feel that they can confidently take her on (although i do think in a fair fight katara could win anyway), but the whole point is that it’s not about winning or losing in combat. the whole point is that zuko and azula being pitted against each other in this gratuitous ritual of violence as the culmination of their arcs is fundamentally tragic. yes it’s a bad decision to fight her, and zuko should have chosen another path, but the whole point is that he’s flawed and can only subscribe to the logic he has spent his whole life internalizing through violence and abuse.
that’s why aang’s fight against ozai, while tragic in its own way, is also a triumph for the way in which his ideals prevail in the face of genocide, while zuko and azula’s fight is very patently tragic. there is no moment of victory or triumph. even as zuko sacrifices himself in a beautiful mirroring of “the crossroads of destiny” and as katara uses the element of her people combined with techniques across other cultures to use azula’s hubris and ideology of domination against her, it’s presented as moments of personal growth occurring within a very tragic yet inevitable situation. it was inevitable because azula had always been positioned as an extension of her father, and thus to disempower ozai also means disempowering azula, his favorite site of projection, his favorite weapon.
yeah, it does rub me the wrong way when zuko asks katara whether she’d like to help him “put azula in her place.” it’s not a kind way to talk about your abused younger sister. but it’s also important to understand that zuko doesn’t really recognize his sister’s pain, despite the fact that they obviously share a father, because he’s always assumed that she was untouchable as their perfect golden child and thus never a victim. and he’s wrong. zuko and katara expect a battle of triumph and glory, noble heroes fighting valiantly so that good may prevail over evil. but as they discover here, even more so than their previous discovery two episodes prior, a battle is not a legendary event filled with bombast and beauty until after it has been historicized. often a war is simply fought between pathetic, desperate people who see no other option but to fight.
aang’s ultimate refusal to fight despite having all the power in the world is what makes him so important as the protagonist. but katara and zuko both share a more simplistic view of morality and what it means to be good. and zuko assumes that by fighting azula, he can only be punching up, because she has always been positioned as his superior, and she (in her own words!) is a “monster.” and then azula loses, and his entire worldview shatters. joking about putting her in her place makes way for the realization that behind all her posturing and lying (to herself more than anyone) and performance and cognitive dissonance, azula has always been broken, perhaps even more than he is.
azula says “im sorry it has to end this way, brother,” to which zuko replies “no you’re not.” but i think azula is truly sorry, because in her ideal world, she wouldn’t be fighting zuko. she doesn’t actually want to kill him, as much as she claims to. she’s already reached the conclusion that zuko will only truly reach once their fight is over. she lacks a support system, and she needs one, desperately. if she could somehow get her family back, do everything differently, less afraid of the consequences, she would. she’s smirking, she sounds almost facetious, but really, she is sorry. as of this moment, she really doesn’t want it to end this way. but zuko cannot accept that, because in his mind, azula is evil. azula has no soul nor feeling. azula always lies.
her breakdown doesn’t come out of nowhere, either. it’s precipitated by everyone she has ever cared about betraying her. first zuko betrays her, then mai, then ty lee, and then ozai — the person she has staked her entire identity to and to whom she has pledged her undying loyalty and obedience, become nothing more than a vessel for his whims — discards her because she had the audacity to care about someone other than him. what i don’t think zuko realizes, and perhaps will never realize, is that azula betrayed ozai by bringing zuko back home. he was not supposed to be brought back with honor and with glory. azula specifically orchestrated the fight in the catacombs to motivate him to join her, and it’s not because she’s some cruel sadistic monster who wanted to separate a poor innocent soft uwu bean from his loving uncle, it’s because she genuinely believes that she’s doing what’s best for him. she believes that their uncle is a traitor and a bad influence, and she believes that bringing zuko home with his honor “restored” is an act of love. to her it is.
yes, she claims that she was actually just manipulating him so that she wouldn’t have to take the fall if the avatar was actually alive, but also, she’s clearly just covering her own ass. she didn’t know about the spirit water, and only started improvising when zuko started showing hesitation. but even if she was only using zuko, then that was an insane risk to take, because either way she was lying directly to ozai’s face. and zuko admits it to ozai while simultaneously committing treason, so of course ozai would blame azula, his perfect golden child who tried to violate his decree by bringing zuko back home a prisoner at best and dead at worst, and instead found a way to restore his princehood with glory.
we only see ozai dismissing and discarding azula in the finale, but it’s clearly a tension that’s been bubbling since the day of black sun. and we know this because we do see azula falling apart before the finale. in “the boiling rock” she is betrayed by her only friends. in “the southern raiders” we see that this has taken a toll on her, that she is already somewhat unhinged. she and zuko tie in a one on one fight for the first time. and she takes down her hair as she uses her hairpin to secure herself against the edge of a cliff. unlike zuko, who is helped by his friends and allies, who has a support system. it’s a very precarious position; she’s literally on a cliff’s edge, alone, her hair down signifying her unraveling mental state. azula having her hair down signals to us an audience that she is in a position of vulnerability. she is able to mask this terrifying moment wherein she nearly plummets to her death with a triumphant smirk, but it should be evident to us all that her security is fragile here.
and the thing is, even though she’s always masked it with a smirk and perfect poise, her security has always been fragile. azula has never been safe. azula’s breakdown is simply the culmination of her realization that no matter how hard she tries, she will never be ozai’s perfect weapon, because she is a human being. she is a child, no less. and there is no one in her entire life who loves her for nothing. zuko has iroh, who affirms to him that he could never be angry with zuko, that all he wants is simply what is best for zuko. but azula doesn’t have unconditional support in her life. she doesn’t even have support.
everyone she ever thought she could trust has betrayed her, and so she yells that trust is for fools. because she feels like a fool. of course fear is the only way; it’s what kept her in line all these years. azula is someone who is ruled by fear, and who is broken by the recognition that fear isn’t enough. her downfall is necessarily tragic because her worldview is wrong. the imperialist logic of terror as a tool for domination is her own undoing, just as ozai’s undoing is losing the weapon he has staked his national identity to. it’s a battle of ideals. aang v ozai: pacifism v imperialism. katara and zuko v azula: love and support v fear and isolation.
zuko is unfair to azula, it’s true. he tries to fight her even as he can clearly recognize that “she’s slipping.” instead of trying to help his little sister, he uses that weakness to his advantage, tries to exploit her pain so that he can finally, for the first time ever, beat her in a fight. it’s cruel, but it’s also how siblings act. especially considering the conditions under which they were raised, and how zuko has always viewed her. and in zuko’s defense, she has tried to kill him multiple times lately, both in “the boiling rock” and in “the southern raiders.” zuko is someone who gets fixated on a goal and blocks out everything else, including recognition of his surroundings or empathy for others. so of course when he’s promised to put azula in her place he’s going to exploit her weaknesses to do so. after all, isn’t exploiting his weaknesses exactly what azula does best? so he allows himself to stoop to her level, and in fact only redeems himself through his sacrifice for katara. but it is when azula is chained to the grate and zuko and katara, leaning on each other, look down and observe the sheer extent on her pain, that zuko realizes that “putting azula in her place” isn’t actually a victory. it feels really, really bad, actually.
they’re in a similar position as they were when they faced yon rha. and now it is zuko’s turn to understand that he is not a storybook hero triumphing over evil, but rather a human being, facing another human being, in a conflict that is larger than themselves. to “put someone in their place” is to imply a logic of domination, of inherent superiority, that someone has stepped out of line and must be reordered neatly into the hierarchy. but aang disputes the notion, ozai’s notion, that humanity can be classified along these lines, that there exists an ontological superiority among some and not others. so operation: putting azula in her place was always going to be flawed, even if she was performing competency the way she always does, because they’re nonetheless subscribing to her logic.
of course they should be helping azula, of course they should be reaching out to abuse victims through support instead of more violence. but first they must recognize her victimhood. first they must come to understand that they didn’t get lucky, and they didn’t dominate her because they are more “powerful,” that they weren’t “putting her in her place.” they must understand that they are not heroes fighting villains in a glorious trial by combat. that the logic of the agni kai is flawed. that they are all victims. that they are all just scared, hurt children who are still grieving their mothers.
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the-returnofartemis · 6 months
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/ASTRO OBSERVATION 1/
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i'm excited to share my first astro observation! i'm still new to all of this but i’ve picked up on some things that i feel compelled to share. however, i do want to emphasize that my thoughts may not apply to everyone.
okay, so i recently remembered that as an INFJ, we are considered to be the rarest personality type. this got me thinking and i realized that most INFJ’s are either water dominant (cancer/scorpio/pisces), possess fixed sign placements (leo/scorpio/aquarius/taurus) in prominent planets or have prominent water houses (4H,8H,12H) in their big six. coincidentally, i happen to know to other people who are also INFJ’s, and we all have prominent cancer, scorpio and aquarius placements. 
✧ j-hope from bts is a well-known INFJ. although the accuracy of his birth chart is uncertain because there is no actual birth time, it revealed intriguing aspects. i mean, hobi’s chart indicates prominent water placements (scorpio and pisces stellium), alongside his aquarius sun!
yes, it is interesting to observe how neptune in the first house has a unique ability to draw in copycats but those with this placement were once copycats as well lmao.
‘the copycat becoming the one being copied’ trope is quite funny to witness actually
this behavior may stem from their struggle with their personal identity and appearance, leading them to shape-shift into the aesthetic or persona of someone they admire in that moment (this tendency is very short-lived by the way lmao). rather than taking the time to define their authenticity and discover their true selves, they find it easier to adopt the persona of another individual. sometimes, they rely so heavy and get caught up on external influences, that they lose the plot SO fast. but as individuals with this placement mature and come into their own, they come to understand that it’s fine to draw inspiration from others but recognize the importance of embracing their unique qualities and traits. it is this self-acceptance that allows them to become pioneers and set remarkable trends. 
✧ ariana grande: y’all can never make me hate her, i am so sorry lmao but of course, there is no denying that she has faced many accusations of being a ‘mariah carey copycat’ but it is important to acknowledge that she has now cultivated her own distinct singing style that has garnered widespread acclaim and popularity. in all honesty, she has become the epitome of having copycats, even to this day lmao. the sheer number of women/fans/people in general imitating her, from her hair to her fashion sense to her mannerisms, is just WOW. like, the way how she has garnered immense adoration needs to be studied (i mean not really because her scoprio midheaven + neptune 1H undoubtedly contribute to her appeal but still!) 
✧ kim kardashian + kylie jenner: when it comes to these two, there's not much that needs to be said lmao like their influence and presence in media speak for themselves. they have managed to create a significant impact, and it’s hard to ignore but let’s remember their roots and who they took their influence from.
✧ megan fox: she’s taken on MGK’s entire aesthetic. she has embraced his style and persona, and it’s interesting to see how it has influenced her own image, considering the fact that she is THE megan fox. even now, the timeless looks that she gave us in the late 00's are still being imitated!
in reference to my previous point, on astrology twitter, jade mentioned an interesting perspective that i completely agree with and feel compelled to share with all of you: having 12H placements can lead to losing the plot SO fast, so it’s crucial to be mindful. although the 12H is widely regarded as the most intuitive, spiritual, and governing the subconscious, it also represents the potential for self-sabotage and lose one’s sense of self. the influence of neptune, the ruler of the 12H, can create a distorted illusion and a tendency to view circumstances through rose-colored glasses. so, 12H placements, it’s essential to always stay grounded, and more importantly, maintain a strong sense of self to avoid losing sight of the goals and aspirations!
✧ an example of this is a 12H sun becoming egotistical and subsequently losing sight of their goals and aspirations, ultimately hindering their progress in life. 
(get well soon by ariana grande just came on and i dedicate this beautiful song to all, but more importantly to those with 12H placements. remember that you are strong and capable of overcoming any challenges that comes your way – you can conquer anything. stay positive and always take care of yourself. you got this! — sincerely, a fellow 12H 🫂) 
scorpio/8H moons are often labeled as “mysterious” due to their tendency to keep their emotions hidden from others on a daily basis. in truth, they rarely feel comfortable expressing their feelings, even to those they trust, as they fear burdening others. this tendency may have developed during their childhood, where they may have not felt safe or at ease in sharing their emotions, leading them to learn how to control and suppress them. however, if you manage to break through the walls of a scorpio/8H moon and they confide in you, it is significant sign that they felt truly seen and understood by you. this can lead to a strong desire to be in company of that person, as their energy provides a sense of comfort and less isolated. so, if you have a scorpio/8H moon in your life, they value you and treasure the connection you share. 
the infamous 22nd degree, commonly referred to as the “to kill or be killed” degree, is often associated with rare and extreme circumstances. being a capricorn degree, it genuinely has a favorable influence, especially in terms of one’s professional life. but, individuals with this degree in their chart may encounter ongoing challenges and be vulnerable to gaslighting. overcoming these challenges serves as a constant reminder to nurture their self-awareness and resilience.  
✧ example a: according to her birth chart, beyonce is believed to have three planets (neptune, pluto and chiron) positioned in this degree. in her latest film, “renaissance: a film by beyonce,” she courageously shares all the moments that highlight the constant challenges from those around, particularly her production team, who questioned her credibility and knowledge – she expressed that she always had to prove herself and felt undervalued in terms of her opinions.
i also just want to say that bey became artist that she is today by perfecting and learning every aspect of her craft throughout her extensive career. she has taught herself everything there is to know about showmanship, and to discredit her knowledge, especially to her face, is just crazy to me. her success is a testament to her hard work, dedication, and talent and she deserves all the recognition she has received.
✧ example b: chlöe (chloexhalle) has the degree on her lilith. unfortunately, chloe has faced relentless scrutiny and gaslighting since she entered the public eye. the placement of the degree on her lillth has made her a target for heavy negative judgement and projection, particularly in regard to her expression of her sexuality and individuality.  
i mean it when i say that it is truly remarkable to witness her immense talent and undeniable beauty, along with her incredible kindness. i honestly feel like the public wants to keep her in a box, hindering her from fully blossoming into the person she aspires to be. she needs that space and freedom to embrace her own journey of self-discovery and personal growth.
✧ example c: jungkook from bts has the degree on his sidereal venus – the degree on his venus suggests he might face challenges related to low self-esteem and lack of confidence in his own attractiveness. also, this placement can also indicate that he may experience situations were power dynamics within his relationships come into play. while details about his personal relationships are scarce, as they rightfully should be, it is evident that he faces an alarming level of compromise to his safety due to the actions of obsessive fans and stalkers. the behavior exhibited towards him, like, being mobbed at airports or these fans intruding his personal space by sending food to his house and even going as far as issuing death threats. as a relatively new fan, i can sense that this issue is more serious for him compared to other members. these fans seem to lack an understanding of personal boundaries and persistently push the limits, even after he has politely requested their respect, which is truly disheartening. 
it's quite likely that jimin and namjoon (other members of bts), also have this degree, given the challenging circumstances they have encountered and continue to face. 
i also learned that this degree can also symbolize power and the ability to have immense influence over others. those who possess this degree in their natal chart often hold positions of power and occupy the highest echelons of the social structure (hence the name, ‘to kill or be killed’). this degree is found in numerous royals, politicians, and highly influential celebrities natal charts: justin bieber, donald trump, kendall + kylie jenner, kim kardashian, barack obama, the british royals and more. here is a post that delves deeper into the theory behind the placement!
gemini placements 🤝 wearing different hats (exploring various interests). they cannot for the life of them confine themselves to a single pursuit, as it tends to become monotonous for them. this may seem unpredictable to others, but, for gemini's, it is a way of truly embracing life and ensuring that they savor every aspect of it, just as they should! 🤭
also, the gemini venus slander in the astro community is so ????? like, yes, an undeveloped gemini venus may struggle with indecisiveness and inconsistency, but it is important to know that a well-developed one can be an incredible partner and asset in a relationship. developed gemini venus partners are known for their unwavering commitment to nurturing a strong bond in their relationships. they will consistently strive to contribute in every way possible to ensure a lasting connection, thanks to the influence of their sidereal taurus venus (may not always be the case though). they value stability and security, and above all, understand the importance of forming meaningful relationships, especially when they feel like they share a profound intellectual bond with their partner – like, they would not take it for granted because they know that not everyone has the capacity or desire to engage with them in that way lmao. they will be there for you until they are convinced, based on their rational thinking (which also depends on the influence of other placements), that they have thoroughly explored every option and exhausted all potential outcomes. even then, it may take them some time to reach that conclusion because they will need to make sense of it all, so, they will make a point to have conversations with their partner to ensure mutual understanding before moving forward. building a strong and fulfilling relationship requires dedication, and a devoted gemini venus will their offer support in all aspects – whether it be physically, emotionally, or notably, mentally. honestly, they will go the extra mile to ensure that they’ll do right by their partner!  so, i beg, please, love us! 😪 lmao – sincerely, a gemini venus  
 also, a gemini venus + strong water placements (house/sign, especially in cancer/scorpio) … oh baby, just sit down and make yourself comfortable because you not leaving until there is a deep understanding of both the emotional and intellectual aspects 😭
the 3H, 6H, 10H and 11H are known as the GROWTH houses, where continuous effort is required to achieve meaningful outcomes.
3H → one must acquire skills, engage in learning and exploration, and find avenues to express the knowledge gained
6H → the importance of daily practice and consistent work on said acquired skills
when these houses are in alignment, they pave the way for recognition in 10H and 11H.
10H → gaining recognition
11H → benefits and influence that comes from being recognized
by pouring constant dedication into these houses, one can expect significant growth and positive outcomes!
jupiter aspecting ascendant/sagittarius rising/jupiter in 1H 🤝 bootylicious + hourglass curves! this can also manifest in having bigger than “average” features (example: big eyes, big smile, prominent thighs).
the “BODY SO TEA” phrase was literally made them lmao
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capricorn moons often tend to be the ones who frequently disappear without a trace. they carry a heavy burden of responsibility for all aspects of their life, and often possess a strong desire for control. when faced with a situation beyond their control, they can become overwhelmed with anxiety and allow their fears to take over, resulting in the ghosting. also, i noticed that they find it challenging to find any glimmer of hope in any given circumstance. even though it is widely believed that having the moon in scorpio is the most difficult, capricorn moons may have them beat. 
moon in 8H synastry is not for the weak—it is truly life changing. for this overlay to work, both individuals must have developed the ability to harness and channel powerful energy. without this, the relationship can feel unstable and unpredictable, with both individuals feeling like they're being pulled in different directions but haunted in love, in the best and worst way possible. it is worth noting that this overlay tends to have a strong impact on both individuals involved but it primarily affects the moon person.
✧ positive aspects: creates a deep emotional and psychological connection that allows both partners to truly understand connect with each on a profound level. this bond is so intense that it defies words and creates the desire to explore and uncover the depths of each other’s being. for instance, the 8H individual may possess an innate inclination to understand the moon and their innermost self, initially overwhelming the moon but ultimately embracing because of the sense of comfort provided by the 8H energy. this mutual willingness to explore and understand each other nurtures trust, openness and above all, an indescribable love within the relationship.
✧ negative aspects: gaslighting and power imbalance. the desire for control can create an unhealthy dynamic where both are constantly vying for power, leading to a breakdown of trust and emotional well-being. can also lead to being possessive toward one another that will result in the individuals feeling trapped. the possessiveness can stem from a deep sense of longing for each other, which will only further perpetuate the cycle of unhealthy dynamic (lovers to enemies trope + make up/break up). 
one comparison that comes to mind is the tumultuous relationship between olivia pope and fitz in scandal. if you’re unfamiliar with these two, i recommend checking them out on tiktok (despite their toxic tendencies, their relationship was a guilty pleasure for the viewers because of the intensity and undying love they had for one another. like, i don’t know anyone who watched the show that wasn’t a fan of olitz lmao) 
i also had this overlay with a former partner, and my goodness, was it something. he was the only partner i’ve had who could evoke such intense emotions in me and i found myself completely vulnerable to his touch (in a good way). the chemistry was so powerful, i really believed he was the one for me. but like i mentioned, as with any intense relationship, there were both positive and negative aspects to the connection. while the positive side was truly otherworldly, the negative ultimately won out and caused the relationship to come crashing down. i plan to delve deeper into this experience and share the do’s and dont’s of this synastry in a future post.
understanding astrology can be a valuable tool in gaining insight into your true self. to get a sense of the practice, i feel like it is essential or to at least explore “traditional” western (tropical + sidereal) and vedic astrology. each chart offers a unique perspective on your personality and life path, and by studying them, you can gain a more comprehensive understanding of your place in the world!
i have so much more to share but i’ll save that for another post. please remember that this only for entertainment purposes only and based on my observations! i’ve also linked the findings in case you want to read for yourselves. thank you so much for reading!
sending all my love, 
artemis x
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tobi-smp · 6 months
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you know, with hindsight now what it is I really do think a more literal reading of c!techno's chat would have helped his characterization a Lot
and mind you, this was originally intended to be the case, and very well may have been intended all along even if it wasn't usually emphasized within the lore
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and don't get me wrong, I Get why it fell out of favor within the fandom. it coincides with a Very storied ableist trope that demonizes DID and disorders adjacent to it, and Can be spoken about in a way that is essentially indistinguishable from it depending on the word choice.
but the thing is ! not only does it not Have to be an allegory for DID, I straight up don't think it is At All.
because we Know what it's an allegory for. It's His Chat. there's technoblade playing the game, and there's the thousands of people watching with expectations and wants that he's compelled to meet (or, at the very least, pacify through Entertainment).
and this makes much Much more sense when conceived of as Supernatural. be that spirits, gods, demons, or anything that could fill that role. separate entities that, for whatever reason, only techno can sense the presence of and be affected by.
and of course, to an extent this is true for all creators. everyone had an audience that they were meant to entertain and the choices they made were influenced by that fact.
but technoblade came in with a Very distinct set of expectations that heavily impacted the choices he was Expected to make and the kinds of stories that he could tell. he was more or less a living legend in real life just as much as he was in roleplay, and these things were inherently connected.
and it's like !
when c!technoblade says he was peer pressured into killing tubbo at the red festival he Is technically talking about what happened within the roleplay. schlatt was demanding it from him, there's a sort of pressure there. but schlatt was also the dictator they were set to kill, and techno has never had any trouble fighting people he considered a dictator before, and certainly not Schlatt of all people.
but he WAS being peer pressured By His Audience. by thousands of people, most of which were demanding blood Because It Was The Expectation, because it'd be Fun.
out of universe technoblade made the decision he thought would be the most Entertaining, and he was right! consistently he made choices that would let him do the most bombastic Spectacles possible. And It's Great. he's Excellent at pulling dramatics and making a compelling scene that give other people room to work off of. in that sense I'd consider techno an Excellent actor, and I have to imagine that he was fun to work with.
the problem is when you then have to justify it from an in character perspective, grounded in those mushy things like Feelings with characters that can be traumatized and sustain lasting damage, Especially Without acknowledging the out of character incentive.
mind you, it's not Impossible to Create a backstory that could justify it. why a character as consistently powerful and feared as technoblade would feel pressured to kill an ally by someone he not only Can kill but Wanted To Kill. why a character as seemingly secure and in control as technoblade would lash out the way that he does to perceived betrayal, and yet consistently puts no weight onto having killed and permanently scarred an ally that trusted him.
what that'd need is tragedy. a storied history of being hurt and having to survive. building up To an untouchable god from a much much more vulnerable position. Long Lasting trauma that's lead to this deep insecurity and paranoia. and that's Possible and that's Compelling.
but it's just not in the text.
not only did we never learn basically Anything that c!technoblade was up to pre-series, we actually know Less by the end than when we started because of the sbi retconning.
it's a Theoretically Possible interpretation that's technically never Contradicted by canon, but would have to be created by scratch. it's a compelling idea for a fan fic (and one I'd like to read) and it's compelling for a theoretical recontextualization of the character, but it's just not In The Text.
meanwhile, we have the video above.
we have the Objective Fact that technoblade's decision making was often subject to the rule of cool (very Very effectively) to entertain his audience.
and most compellingly, these concepts Don't Need To Be Separate. in fact, in my opinion they're Stronger when you put them together.
because the thing is. it's Difficult to imagine techno as ever being in a vulnerable position. he is just Objectively more powerful than everyone else on the server, both in real life And within the lore. How could he have ever been afraid when he was stronger than anyone and everyone combined? when we saw with our own eyes that techno could face nearly the whole server at once and win.
but he Is a tragic character, at least he's meant to be. and that tragedy makes much Much more sense as something Inward.
technoblade as a character who Needs connection, who Needs stability, who Needs security, who Needs friendship and community and Love. but Lashes Out, Obliterates to the core of the earth, because of something that's not only out of his control but that other people Cannot Understand.
how do you explain to a child that you killed their best friend because a chorus of the undead called for his blood and you (in all the glory that he'd idolized) were unable to do anything but comply? how do you explain to that child that you beat him senseless in a pit as the restless dead jeered and laughed?
That's interesting. That's Compelling.
technoblade is idolized like a god, feared like a force of nature, and in an instant cut himself off from nearly everyone who'd considered him an ally. and that seems to be a pattern, over and over and over again. he's left isolated, and in return he faces retaliation, and in return he's always Waiting for retaliation.
and what do you say to someone who wants to kill you for being a monster? that it's Fine Actually because you only did what you did because you have a curse that compels you to? that the supernatural guided you to destroy their homes and kill their people? (rip jack manifold you will be missed)?
That Doesn't Quite Help Your Case.
technoblade as someone who is beholden to this literal cycle of violence and Loses those things that could ground him, community, stability, People, as a result. who Tries to overcome this very fact (to become a better person, in his own words as per the clip above), but is pulled back into it as a consequence of his own actions.
that's a tragedy !! that Makes Sense. that allows him to be Both this force of nature that other characters have to survive And A Person Who Is Hurt By The Same Conflict.
"I'm a person!" that fear of dehumanization makes So So Much More Sense when you see technoblade as someone who Already fears himself. who fears being a monster, who fears losing control, who has faced isolation again and again and again.
and, importantly, it doesn't have to be anyone else's Fault.
by making the source both Internal and Completely External (something that none of the other characters have any awareness or control over), you can Have techno as a tragic character without demonizing anyone else Or erasing the impact that c!techno had on them.
and in that sense, it Can be an allegory for mental illness, but not in that direct "oooooh how scary he hears voices" kind of way that people fear it looks. but in that sometimes people Will do things that can hurt others while not feeling in control. anger and mania and paranoia, things that you can't always Control and yet that impact that you have on other people still Matters.
and the answer to that is, often, vulnerability and accountability.
I think a lot about technoblade isolating himself so near entirely from the rest of the server, and slowly gathering a support system Back by the end. and I Really Do think that framing of it through this lens is a Very impactful way of breaking it down.
tubbo, tommy, wilbur, ranboo, niki, I think they'd All understand not feeling in control. lashing out, maybe even feeling justified in the moment, but hurting people they care about and furthering their own isolation.
There's Something There, and it's already In The Text. it just needs to be expanded on.
and why not do that ourselves now?
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galedekarios · 1 month
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gale, waterdeep & coinage
just musings on gale's means as well as waterdeep lore bc i love waterdeep:
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Gale: Believe it or not, but I witnessed a similar standoff back at the Yawning Portal. Of course, an establishment like that invites all sorts of outlandish entertainments. Player: What's the Yawning Portal Gale: An inn in Waterdeep. Never a dull moment there. Adventurers come from all over Faerûn to try their luck down the well: Leads into the Undermountain, you see - full of death, danger, and vast amounts of treasure. Hard to resist. Player: What was the standoff about? Gale: Oh, a drow, a dragonborn, and a cleric of Cyric walk into a bar. Your standard fare. Maybe someone was cheating at cards, maybe it was some weird lovers' quarrel. In any case, out came the crossbow, and a hush fell over the entire room.devnote Player: What happened next? Gale: I stood up and yelled: 'Shadowdark ale for everyone!' The crowd cheered, the tension drained into five dozen tankards, and soon all was well again. Gale: In a place like the Yawning Portal, the most powerful magic is calling for a round of drinks. Gale: Mind you, all I did was call for ale, but you went and stood in front of that crossbow. I'd drink to that.
i will definitely take a look at the yawning portal itself at a later date (as well as other points of interest within the city) bc it's very interesting as a focal point in waterdhavian history and society.
while we can only speculate about what gale's background in terms of means, wealth and standing looked like since things like tutors and even maids were not uncommon in waterdhavian society, it is interesting to note that he - whatever his personal means at the time this event took place - felt the need to defuse the brewing fight with 'five dozen tankards'.
we do actually know how much one such tankard costs at the yawning portal:
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[source]
17cp x 60 = 1020cp
this was interesting to me in terms of this meant in actual terms of coinage and wealth and money spent.
here's an overview of waterdeep's various coins:
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source: volo's waterdeep enchiridion
gale spent over a 1000 nibs/copper pieces that evening (or more than one sun/platinum coin) to de-escalate a potentially lethal fight.
to put that into perspective, i'm adding this reference of prices here:
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source: volo's waterdeep enchiridion
gale also attended blackstaff academy, with elminster as his mentor. the academy had costs attached with it:
Acceptance to the Academy was predicated on either demonstrating extraordinary magical aptitude (those who could not cast arcane spells were very rarely admitted) or having a particularly compelling personal history. Joining the Academy was free, however monthly dues were required to continue attendance. These fees started at 10 gp per month and increased as a student gained seniority and required more advanced tutelage. In addition, it was a requirement that any new spell that was discovered or researched by an apprentice had to be added to Blackstaff Tower's library. [source]
ten gold pieces per month as fees, although with gale being elminster's mentee, he may have chosen to assist gale and morena partially or fully with any costs that blackstaff academy may have charged.
it does sound, however his childhood may have looked like with a presumably absent father and a mother with her hands full with a young genius, able to conjure rabbits as a babe, summoning a tressym, a magma mephit who set a room on fire, as well as casting a level 3 spell (fireball) at age 8 or younger, that gale at least during the height of his career as a wizard, lived comfortably.
ending this with more food for thought and a banter between gale and karlach:
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Gale: They say wealth offers a form of magic. Alas, it's one I've rarely dabbled in. Karlach: Nor I. Never had more than a few coppers in the city, and any soul coins in Avernus went straight to Zariel. Gale: Make no mistake. Souls are sold for coins up here as well. All too cheaply, in most cases.
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ot3 · 1 month
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Just curious, what’s your opinions on Kristoph and Phoenix? I see you reblog ship posts about them sometimes and I’m really curious about your opinions on their dynamic both inside and outside of ship stuff, because I didn’t really know how to interpret Kristoph in particular. I think he’s one of the worse villains in AA tbh, it’s been a while so I may be misremembering, but I just didn’t… get that much substance from him?
kristoph is certainly a really hard character for me to fully develop an opinion on in isolation. i think the only area where i'm capable of saying anything about him i can back up with significant references to the text is in regard to his relationship with phoenix, because that's where the meat of his character interactions are. and more broadly because as a #phoenixhead my primary means of looking at the entire franchise is how things relate to phoenix. if you'd like to read about my interpretation of phoenix and kristoph's relationship more specifically i've got a post on that subject here. i think it's a character dynamic that has a TON going for it relative to the screentime if you're able to disregard fanon and look directly at what's in the text.
but more on kristoph individually
kristoph suffers from the same thing that all of aa4's major characters and plotlines do: not getting another game. there was clearly more to the gavin brothers' story we didn't get and will never get, and knowing that there's Something there we have absolutely no means of predicting or unraveling makes it hard to theorize. he kind of exists in a quantum state for me where i can see a ton of alternate perspectives on his character's complexities and just buy whichever one i'm feeling at a given moment. i personally wouldn't say he lacks substance because every interaction he has with any other character is, imo, very compelling and gives me a lot to chew on. but he's a character that's all questions and no real conclusions for sure.
i don't think he's a cackling machiavellian serial abuser. i think hes easily the kind of person who has the capacity to be emotionally abusive and manipulative to the people closest to him without being Pure Evil. because we have so little on him it's very easy to portray kristoph as the kind of sinister that provides whatever OP's favorite flavor of angst is. and i'm certainly no exception to that; i just happen to be a person who is into maybe some subtler flavors.
he's both one of ace attorney's most calculated villains, with poisoning vera's nailpolish being an incredibly cold maneuver that suggests a lot of foresight, and one of ace attorney's most brutal murderers, capable of getting aggressive enough in a moment to bludgeon a man to death with a bottle. i think kristoph can be understood as a character whose primary motivation is control, both over himself and others. there's that critical line in turnabout succession where he tells klavier he's out of control, and klavier says "whos control? mine, or yours?" his reputation is built on his ability to stay calm under pressure, and his ability to stay calm under pressure is built on his tendencies to preemptively engineer situations in his favor. the stuff with phoenix and the gramarye case represents what we can presume to be the biggest failure of his career.
i think this puts him very much in line with AA1's main villains. people like to compare him to dahlia a lot for obvious reasons and there's some fun to be had there but i think it lets people overlook how well he ties into AA1. redd white controlled the press and controlled the judges to get away with his blackmail ring. von karma controlled the witnesses to engineer his perfect cases. damon gant controlled the police and the evidence, and then controlled lana to control the prosecution. although those were all one-case villains i think kristoph justifies his larger scope in aa4 by the significant and longstanding personal connections he has to the rest of the main cast. kristoph represents the mirror image of those AA1 villains; aa1 shows the way the deck is stacked against the defense. kristoph shows what it looks like when someone tries to stack it in the other direction
i think kristoph plays an important part in the larger franchise by showing what corruption looks like from the defense's bench, and how this corruption takes a different cadence when it lacks the systemic power that the villains like gant had. i think his cold, calculated approach to defense works well as a foil to the type of defending we saw from phoenix who is all heart and charges in head first. i think apollo works well representing a sort of compromise between the two, being a little bit shrewder than phoenix but no less earnest. i think klavier, then, as a prosecutor who is much less aggressive than the previous 3 both personally and professional serves to further invert the expectations set by the trilogy in a way that's really satisfying.
is kristoph missing some pretty critical backstory that i would love to see? yeah. absolutely. but i think when you look at him as a story device rather than an underdeveloped character he adds a tonnnnn to the series. that said, i will die wondering.
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hollowtones · 19 days
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Hi Holly, whenever you take screenshots in steam games has me wondering if you take pictures of things that you come across in real life or is the video game environment something that has greater interest due to its non-physicality? (Sorry if this has been asked before)
I do photography IRL as a hobby, too! I like real pictures & video game screenshots for different but similar reasons.
For video games specifically there's something really neat to me about having a non-real space to explore. The suggestion of a space out of space and time, tangible but not physical, smoke and mirrors to suggest something that isn't there or to give form to something abstract that could never be. IDK! I've always found it compelling. That's less about taking pictures and more just me being fascinated by digital spaces & game development in general. LOL
At the end of the day just I like trying to capture a moment. Fun to think about different angles and different perspectives & how that changes how we feel.
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thursdaygxrls · 1 year
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Seeing Her
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summary - george might (maybe) have a small crush.
pairing - george weasley x fem!bookworm!reader
disclaimer - i don't own any harry potter property. this is unedited because i wasn't in the mood. i don’t own the gif fr.
warnings - just fluff. maybe a little ooc??
He never gave much thought to how full his mind had grown of her until McGonagall struck her desk with her palms. That noise - the searing slap of flesh meeting oak - knocked a sudden realization into the bubbling pot of his mind.
"I do hope you boys are satisfied with yourselves," the older woman chastised through permanently pursed lips, "Professor Flitwick's hair is green!"
"Not purple?" Fred spoke up from next to him.
"This is no laughing matter. You boys are lucky the Professor has a sense of humor. If it were Snape or me in his position, I hope you realize the consequences would be more drastic than detention." She replied. This conversation had fallen upon George's deaf ears, though; his thoughts were much more full of things other than detention:
It was like a dream the first time he saw her - and not just because he had a black eye. He'd just left quidditch practice (or rather, was removed after he and Fred had gotten into a small tussle with the Slytherin bludgers who didn't understand Gryffindor booked the field for practice) when he passed the courtyard. Eye swelling with the beginnings of a bruise, he noticed a hazy glint coming from a line of trees. He could see her; she was only a few meters away, rolling some sort of ring or watch around in a way that caught the light of the fading sun. There was a book in her hands, something with a bright, poppy color, that hinted at it being a pulpy mystery or romance. What caught him the most, though, was her expression; her brows were creased, eyes set in concentration, lips downturned into a frown. Whatever she was reading was pissing her off, and for some reason, the sight of this unknown girl becoming increasingly annoyed at her imaginary tale made his mouth curl into a smile.
George returned to his dorm with that same smile. Of course, though, he'd forgotten about the girl within the hour and found himself following the rinse-and-repeat routine of a mischief-less night. He'd still forgotten when he woke. And when he brushed his teeth. And when he messily knotted his tie.
The funny thing about her was her persistence. He had not even taken a step down the ever-shifting staircase when he saw her. She was far below him and growing farther with every second, but there she was, pulpy fiction novel tucked under her arm. This time, her face was adorned with a grin as she followed (who George could only assume was) her friend towards the Great Hall. This sight caught the boy off guard for long enough that he nearly tripped over his feet when the steps relocated to the right.
George was even more aghast to learn that she was in his potions class. He'd just set down his books next to Fred when an invisible force compelled him to turn around. Following its lead, he found the mystery he'd yet to even consider mysterious seated only three tables away. His eyebrows raised in small bout of surprise as he noticed the the cover of her novel had changed to reveal a more gothic image of a knotted tree: Wuthering Heights. He hadn't cared much to track her progress on the pulp book, but it was still a small shock to see her ready to take on another story. Again, he smiled, noting the title of the new book.
"What'cha looking at?" Fred asked him, interrupting his gaze.
"Nothing," he replied, turning away, "Trying to view things from my purple perspective." Fred let out a low chuckle, his bruised cheek raising as he matched his brother's grin.
It wasn't as if George was seeking her out or anything - actually, it was as though she were seeking him. He saw her everywhere, from breakfast, to the halls, to classes, to the courtyard. He even dreamed of her a few times - nothing special, just the image of her resting along the hazy vignettes of his mind. Throughout all this, he had taken a subconscious interest. She ate away at muggle books faster than he'd ever seen anyone do; she loved cheesy and classic romance alike, and no title was safe from her grasp; it was painful to watch her brows knot and furrow as she became increasingly frustrated with what she was reading; when she was around her friends, her eyes lit up like her ring hitting the sunlight. These were easy things to notice, though. It wasn't hard to see how her hands moved wildly as she explained some sort of crazy story to those at her table in the Great Hall. It was so easy, in fact, that George's studies moved from potions to her every time the class began.
Though George had given plenty of thought to her, he hadn't realized just how much thought he'd donated. At least, not while he and Fred were plotting revenge. Though the bruises on the twins' faces healed over a month or so, their egos had yet to heal. They'd planned their revenge perfectly. The Slytherins who'd given them the shiners left dinner around the same time each night. The twins concocted an elixir that, with just one small drop on a person's head, would dye their hair for days. They'd positioned themselves on a balcony above the route which the Slytherins normally took. It was perfect - but, it wasn't. George took in the hall below him, scanning for the unsuspecting students, when his eyes caught something else. Her.
She was in the hall alone, book in hand, but unopened. It was odd. Normally, if she was by herself, she'd be focused intently on a book. But she wasn't. She was gently thumbing the pages of the novel, looking around the hall inquisitively. Was she waiting for someone? Or maybe she was-
Her eyes met his. His eyes met hers.
Not once in the weeks he'd taken up his sudden interest had she actually looked at him. And now she was. No - she wasn't just looking at him, she was seeing him, and with those eyes. They were so much brighter when they met you head-on - deeper, too. They held indescribable emotions. Curiosity? Maybe - he didn't know, nor did he really care to, because for five seconds, they saw each other. Then, George dropped his vile of elixir right onto Flitwick's head.
"Anything interesting going on up there?" Fred poked George's head. He hadn't even realized they'd already left McGonagall's office.
"Huh?" He mumbled, flicking his eyes around at his surroundings.
"She's got you bloody whipped, eh?" Fred showed off a toothy grin.
"What? Who?" George nearly scoffed at this sudden accusation.
"The girl you've been ogling at in potions. Your neck is gonna get stuck if you keep turning to look at her." He laughed. George scoffed, shoving into his brother.
"Just ask her to go to Hogsmeade with you. Take her to the Leaky Cauldron, get in a quick snog, and get over it already." At Fred's words, George let out a dry laugh and shook his head.
"Fred, you're mental." He let out a breathy chuckle.
"Nothing else? That's all?" Fred cocked his head, "She must've got'cha good. Maybe a couple quick snogs'll do it."
It was going to take more than a snog or two to get this off his mind now. He didn't even know her name - it was nothing. Just a couple stolen glances. But Fred noticed. When the hell did Fred notice anything? Maybe more people noticed. Maybe she noticed. George squeezed his eyes tight as he lay in bed that night - this strange, twisting anxiety had overtaken him and was turning his entire body inside out. Did he want her to notice?
George decided, as he woke up, that whatever it was he was dealing with, he had to get it over with. Before he did that, though, he would have to start his day. Pushing his toothbrush past his lips, all he could think about was her smile, or the way she frowned, or her lips pressed into a line every time she concentrated. When he tied his tie, his thoughts traveled to her wide eyes, full of laughter. He didn't even know her name.
He had a plan. He was going to talk to her - actually talk to her. He'd show up to potions early, ask her about her book, finally figure out her name. He was so focused on his preparations that when he began to descend the stairs, he didn't notice the oncoming pedestrian traffic, and - boom.
George stumbled back, quickly recovering from whoever he'd knocked into. The recipient of his force, though, wasn't as lucky: they ended up straight on their arse.
"Sorry!" He spoke quickly, "Didn't realize the stairs move." His smile (which had formed only a moment ago) faded entirely when he realized who he bumped into. Her. It was her, and she was early for breakfast.
"They tend to that," she replied, picking herself up. If he were a bit more suave, he might've helped her to her feet. Instead, he watched her stand, almost awe-struck by her movements. His gaze moved bashfully, eventually landing on the book that fallen to the floor along with her.
"Your book." He motioned to it quickly. In an attempt to make up for his lack of courtesy in helping her to her feet, he dove for the novel. And so did she. Their foreheads met with another smack, and they separated themselves before either could retrieve the object.
"Two for two, huh?" She let out a small laugh as she rubbed her head.
"Sorry," he repeated with sincerity as he successfully acquired her book from the floor. Once again, they were looking at each other. Seeing each other. George's lips parted.
"I'm George," he spoke, losing every ounce of confidence he normally possessed.
"I'm Y/N," she replied, "Could I have my book back?" George acquiesced almost immediately. He flashed a small smile that she quickly returned. Then, as the steps shifted once more, she began to walk away.
"See you in potions, George!" She called in an earnest tone. George grinned to himself. It was, after all, somewhat of a success. Even if he did - did she just say 'see you in potions'?
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gale-force-storm · 2 months
Text
New Perspective
Rating: E Pairing: Gale x female!Tav Additional tags: pwp, face-sitting, breathplay (not intentional, Gale just gets a bit carried away) Word Count: 1.3k
Read it on AO3
"I hoped you might indulge me in something.” “Of course, my love. What is it?” she asked, excitement clear in her eyes. “I was hoping to taste you.” Tav's brows furrowed and she opened her mouth, doubtless to say that this request was nothing new. “I was hoping,” he interjected before she got the chance, “to do so from a... different angle than usual.”
Literally just 1300 words of face-sitting
It was lovely, these slow, heated moments together. Laying side by side, kissing, hands trailing where they pleased, clothing long discarded. Gale grasped Tav's waist firmly and rolled, pulling her on top of him. She happily followed the movement, settling in above him and grinding appreciatively onto the hardness now pressed against her core. The movement didn't last long though, as Gale gripped her hips to hold her in place.
“Wait,” he breathed against her lips. “I...” He hesitated, eyes glancing quickly to and away from her.
“Yes?” she prompted after a moment.
“I was- that is to say, I hoped you might indulge me in something.”
Tav's eyes lit up. She'd been trying to get him to ask for more in bed for ages, claiming he was too generous (as if such a thing were possible). He wasn't entirely sure what he was afraid of, if he was being honest. He knew by now that she wouldn't be upset over a simple request. Especially not when she'd been directly asking him to make more of them. But old habits died hard, and old anxieties and insecurities lingered. Still, a thought had been forming in the back of his mind, spurred on by faded yet compelling memories of youthful dalliances. Compelling enough for him to brave asking for it.
“Of course, my love. What is it?” she asked, excitement clear in her eyes.
“I was hoping to taste you.” Tav's brows furrowed and she opened her mouth, doubtless to say that this request was nothing new. “I was hoping,” he interjected before she got the chance, “to do so from a... different angle than usual.” He pulled on her hips, trying to move her up his body. He saw her eyes widen as she took his meaning.
“Are you sure? I don't want to hurt you.”
“Absolutely positive,” he replied, this time without any hesitation. “I...” he paused again, glancing away. “I haven't had the opportunity in quite some time, but I have done it before and I remember finding it quite enjoyable. Though of course if you would rather not-” He was cut off by a kiss, warm and affectionate.
“If you're sure,” Tav murmured against his lips, “and you truly would enjoy it, then I would be happy to oblige.”
Gale's breath caught and his fingers dug more firmly into her hips. He looked up at her and could almost feel the hunger in his own expression. He licked his lips and pulled at her again, and this time she followed. In moments she held herself above his face, bracing against the headboard as his hands trailed from her hips down to grip and knead at her thighs. He leaned up and kissed the inside of one, then nipped at it, startling a pleased little sound from her.
“Perfect,” he murmured. He pulled down on her thighs and she slowly lowered herself until she was barely an inch from him, his breath fanning over her already wet folds and making her shiver. He would never get used to how eager she was for him. How easily he could coax her into arousal. It was a gift and a wonder every time.
He wasted no time, briefly nuzzling against her folds before licking a broad stripe from her entrance up to her clit. Tav gripped the headboard tighter, her legs shaking slightly.
Gale was in paradise. Tav's thighs, so strong yet soft, surrounded his head. Looking up he could only see her cunt, already glistening for him, and the long lines of her torso leading up to her breasts. Her warmth and scent surrounded him, his whole world reduced down to only her. He moaned as he licked her again, savoring the sweet, salty, musky taste of her. He moved his hands, one drifting down so he could spread her open with his thumb, the other sliding back to grip her delightful backside and urge her further onto him. He licked down from her clit, sliding his tongue into her once he reached her entrance, and she moaned, her hips twitching towards his mouth. Gale hummed his approval and thrust into her with his tongue, hoping she would do it again. He licked deep, letting his nose nudge against her clit, and was rewarded with a whine and another twitch. After a minute or two he changed tactics, the hand holding her open moving down so he could slide one, then two fingers into her while he eagerly lapped and sucked at her clit. This got the reaction he was looking for: her hips grinding down as she rode his tongue. Her moans were almost drowned out by his own, muffled though his were.
He pulled away just enough to pant “That's it, love. Just like that,” before diving back in, burying his face in her warm, slick center. He relished every sound she made. Every grind against his enthusiastic tongue. Every clench of her core when he did something she particularly liked. She was everywhere, overwhelming, and he never wanted to be anywhere else. He felt almost dazed as he licked at her, chasing her pleasure. Nothing else mattered. He didn't need petty things like air, he only needed more of her taste, her scent, the soft slickness of her against his face, and her beautiful moans showering down from above him. Moans that might have been breathtaking if he hadn't already been a bit short of breath as it was. He didn't mind a bit. His own gasping breaths and the slight lightheadedness only served to enhance his pleased near-delirium. Stars burst behind his eyelids, and he genuinely didn't know if they were from pleasure, lack of air, or both. He thought he may be able to get off on this alone, and was more than eager to test that theory.
As it stood, though, he could tell that Tav was reaching her limit. Her moans had morphed into whimpers, and the rolling grinds of her hips had turned into desperate, arhythmic thrusts. He slid his fingers into her as far as he was able and drew her clit between his lips, flicking the very tip of his tongue against it as he sucked. She arched above him, her thighs clamping around his head and shaking as she crested her peak, moaning his name in a way that nearly had him tumbling over that edge with her, still untouched. He coaxed her through it with gentler movements of his lips and tongue, savoring her pleasure. He couldn't help his whine as she rolled off of him, though given the slight burn in his lungs as he gulped in a breath, he had to admit it was probably for the best. Besides, he couldn't complain about the way she moved to lie next to him, grabbed his face, and kissed him fiercely, licking and kissing her own wetness from where it had essentially coated his face from nose to chin.
“Are you alright?” she asked. “You got a bit quiet there towards the end.”
“Much more than alright, my dove,” he panted, grinning. “That was...” he trailed off, trying to think of how to adequately describe what he was feeling.
“Everything you hoped for?” she proposed after a moment.
“And more,” he confirmed. “You are magnificent. Wondrous. Perfection itself.”
Tav shook her head slightly, but she knew better than to argue with him when he got this effusive.
“So, I take it you want to do this again sometime?”
“Gods yes. I-I mean, if you are amenable, of course,” he added, catching up to his own overeager tone. Tav simply smiled, leaning in for another kiss.
“I would be very amenable,” she replied. “Though for now...” she reached down and slid a couple fingers lightly up his shaft, making him shudder. “How would you like to finish? My mouth? My hand? My breasts? My cunt?”
Gale groaned, rolling his hips into her touch. “However you want me. You've indulged me once already this evening, it's your turn to choose.”
Normally Tav might have argued, but instead she simply hummed thoughtfully. “That's true. I suppose I can give you this one. And in that case,” she said, kissing her way down his body, “I'd like to take my turn tasting you.”
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commsroom · 6 months
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as an extension of how hera reads as trans to me, hera/eiffel resonates with me specifically as a relationship between a trans woman and a cis man. loving hera requires eiffel to decentralize his own perspective in a way that ties into both his overall character arc and the themes of the show.
pop culture is baked into the dna of wolf 359, into eiffel’s worldview, and in how it builds off of a sci-fi savvy audience’s assumptions: common character types, plot beats, or dynamics, why would a real person behave this way? how would a real person react to that? eiffel is the “everyman” who assumes himself to be the default. hera is the “AI who is more human than a lot of humans,” but it doesn’t feel patronizing because it isn’t a learned or moral quality; she is a fundamentally human person who is routinely dehumanized and internalizes that.
eiffel/hera as a romance is compelling to me because there is a narrative precedent for some guy/AI or robot woman relationships in a way i think mirrors some attitudes about trans women: it’s a male power fantasy about a subclass of women, or it’s a cautionary tale, or it’s a deconstruction of a power fantasy that criticizes the way men treat women as subservient, as property. but what does that pop culture landscape mean in the context of desire? If you are a regular person, attracted to a regular person, who really does care for you and wants to do right by you, but is deeply saturated in these expectations? how do you navigate that?
I think that, in itself, is an aspect of communication worth exploring. sometimes you won’t get it. sometimes you can’t. and that’s not irreconcilable, either. it’s something wolf 359 is keenly aware of, and, crucially, always sides with hera on. eiffel screws up. he says insensitive things without meaning to. often, hera will call him out on it, and he will defer to her. in the one case where he notably doesn’t, the show calls attention to it and makes him reflect. it’s not a coincidence that the opening of shut up and listen has eiffel being particularly dismissive of hera - the microaggression of separating her from “men and women” and the insistence on using his preferred title over hers. there are things eiffel has just never considered before, and caring for hera the way he does means he has to consider them. he's never met someone like hera, but media has given him a lot of preconceptions about what people like her might be like.
there’s a whole other discussion to be had about the gender dynamics of wolf 359, even in the ways the show tries to avoid directly addressing them, and how sexual autonomy in particular can’t fully be disentangled from explorations of AI women. i don’t think eiffel fully recognizes what comments like “wind-up girl” imply, and the show is not prepared to reconcile with it, but it’s interesting to me. in the context of transness (and also considering hera’s disability, two things i think need to be discussed together), i think it’s worth discussing how hera’s self image is at odds with the way people perceive her, her disconnect from physicality, how she can’t be touched by conventional means, and the ways in which eiffel and hera manage to bridge that gap.
even the desire for embodiment, and the autonomy and type of intimacy that comes with it, means something different when it’s something she has to fight for, to acquire, to become accustomed to, rather than a circumstance of her birth. i suppose the reason i don’t care for half measures in discussions re: hera and embodiment is also because, to me, it is in many ways symbolically a discussion about medical transition, and the social fear of what’s “lost” in transition, whether or not those things were even desired in the first place.
hera’s relationship with eiffel is unquestionably the most supportive and equal one she has, but there are still privileges, freedoms, and abilities he has that she doesn’t, and he forgets that sometimes. he will never share her experiences, but he can choose to defer to her, to unlearn his pop culture biases and instead recognize the real person in front of him, and to use his own privilege as a shield to advocate for her. the point, to me - what’s meaningful about it - is that love isn’t about inherent understanding, it’s about willingness to listen, and to communicate. and that’s very much at the heart of the show.
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It's hard to concisely explain my full thoughts and feelings around how hard the clone rights narrative arc slapped for Kon in the wake of his mentor Jim Harper's death.
The lack of autonomy placed on his mentor, the governmental involvement in the subjugation of Cadmus clones, Kon's attempts to protect his mentor from those who were going to exploit him for another life, Waller's persistent dehumanization, and his connection with Cherub when he revealed that they can be more just hit harder than any other arc to me.
When I read it the first time I finally felt like everything that Kon had been and seen was leading up to this arc, and in a way it did when he took out Amanda Spence who was behind most of his pain. However there was no followup, as the events on Apokolips with Young Justice and being traumatized by Bart's 'death' came immediately afterwards then his (brief) homelessness.
The way how Kon's series ended in chaos as he desperately tried to live a normal life on his own without depending on anyone, only to have it fail entirely explored from the perspective that Kon just hit rock bottom emotionally from the previous arc makes it a more compelling final arc for a compelling series, if it were not written the way it was.
Superboy '94 is a story of exploitation and one that never quite wrapped up satisfactorily, always missing the punch line. Still however it is a compelling series if you can tolerate the more triggering themes.
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Synopsis: Being in love with Coriolanus Snow is putting her life in his hands. She trusts he'll treat it kindly. She trusts wrong.
aka: reader has hanahaki disease for a man she's not sure is even capable of having feelings.
Pairing: Coriolanus Snow x Reader ; third person perspective
Words: 5.7k
18+, mdni
tw: author's first smut, brief mentions of vomiting, suffocation, mentions of blood, unrequited love, death, angst, handjobs, oral (male receiving), headpushing, minor humiliation, nipple play, nonconsensual oral (female receiving) if you squint (reader gets overstimulated and wants to stop, coryo doesn't), piv, unprotected sex, creampie, minor orgasm denial
a/n: please let me know how this is, i have never written smut in my life but this man deserved it.
_________________ ✾✾✾ _________________
Roses.
What a lovely flower. The overlapping intricacies of the petals, the meadow honey musk that filled the air in their presence. The romantic connotations. The connotation to him.
What a lovely flower indeed.
She’d found they were awfully persistent too. Her knees were raw and red from the recurrent contact on the cold marble floors of the Academy bathroom. Bloodied petals littered the water of the gaudy gold toilet bowl, an attempt of the Capitol’s to show off wealth they’d only just regained after the war.
Her trembling frame lurched forward once more with another fit of coughs mixed with the sickening feeling of needing to vomit. She was well aware that nothing from any of her meals would find their way back up, but the nauseousness in and of itself was enough to find herself desperately wishing the agonizingly long school day would be over. More than anything she wanted to curl into her plush mattress and excessive amount of blankets and drift off to a slumber full of dreams of a better life.
Maybe a life where she wasn’t plagued by unrequited love. Crushes, she’d dealt with. She wasn’t exactly used to rejection, but she was certainly able to realize when she wasn’t someone’s cup of tea and excuse herself. Crushes weren’t the same thing as being in love though. That was something she was well aware of.
To fall in love was to put your life into another person’s hands. In fate’s hands, even. A good person would cherish and appreciate the paramount responsibility that had been placed upon them and do anything in their power to ensure that no harm was caused. Unfortunately, even the best of people can’t compel themselves to truly love someone that they don’t harbor genuine feelings for.
So in the grand scheme of things, all she could really do was force the remaining petals up her throat and into the water below her tear streaked face, rise to her feet, and flush the toilet on the way out of the stall. She stopped for a moment when she caught a glimpse of herself in the mirror, drudging forward until she was face to face with herself.
She wasn’t sure if she still recognized that woman. The dark circles under her eyes, the smear of red at the corner of her lips. The light in her eyes drained to a pitiful dullness. She turns the sink on, wetting her thumb and dragging it along the corner of her mouth. At least that was something she could fix.
Her hands smoothed out the skirt of her uniform, and she did an unsteady spin in front of the large mirror to ensure that she was looking, at the very least, presentable. When she was tolerant of her appearance, she pushed the large wood door open, scampering back into the hallway and back to a class she hadn’t been able to focus on for the last week and a half.
A dozen eyes flickered to her face when she came in through the side entrance, though she found only one lingered on her after all the others had returned to the papers on their desk.
There was an entire ocean in that gaze. An entire sky. The entirety of the very planet they stood on swirled in the orbs that followed her from the door to her seat. His thin lips curled into a polite smile and she felt her heart skip a beat, accompanied by that ever familiar itch in her throat. She pressed the back of a shaky hand to her lips and muffled a cough, hoping to ease the feeling.
Coriolanus Snow was beauty incarnate. Platinum blond curls that fell in his face when he was deep in thought, sharp features that softened when he spoke about something that excited him, and those eyes. She could get lost in them. Some days she was sure she already had.
Ever perceptive, she watched as the blond cocked an eyebrow at her, a silent question. She waved him off with a less than convincing hand movement, which only caused him to cock his eyebrow higher.
Her second attempt was slightly more convincing with a jesty eye roll and a significantly more convincing wave of her hand, which she’d finally managed to subdue the shakiness in.
Still, it was no surprise that when the class had been dismissed and she’d finished collecting her things, Coriolanus was waiting outside of the classroom for her. His large hand found the small of her back, easily guiding her into the divot between a classroom and the hallway. She shuddered as the pad of his thumb brushed against the corner of her lip, the feeling quickly bringing on a coughing fit she had to turn away from him to subdue.
“You’d flounder as an actress.” His voice fills the air, and her body stiffens. He was far from stupid, and she’d known that from the beginning. Still, she’d thought at this point that she was doing well enough to hide it so that she’d be able to finish out the school year.
She turned to him, heart so far into her stomach that she could feel it thudding there, only adding to the nauseousness that was flooding her system once more.
“I never claimed to be a good liar.” She responds, her eyes falling to the crimson liquid pooled on his thumb. Delightful.
“Why didn’t you tell me?” He asks, taking a step forward, and she takes a step back on instinct. The muscles in his arm flex like he’s holding himself back from doing something, and she finds herself wishing he’d either touch her or go the fuck away.
There’s a tone to his voice that she doesn’t quite recognize. It’s certainly not loving, but it’s not feeling like rejection either. She tries to clear her throat, (easier said than done), before she croaks out, “I didn’t think you’d want anything to do with me.”
To be fair, her reluctance doesn’t come from any form of self depreciation. She knew Coriolanus though, and she knew that in the entirety of the time she’d known him, he’d never shown interest in any of their fellow classmates. He always seemed too busy to bother with the base instincts of attraction. There had even been a rumor at one point that the Snow heir had been asexual, far too logical to indulge in senseless behaviors such as romance.
His voice dips lower for a moment, “Assumptions are rarely beneficial.” The words come out in a drawl, or at least, they replay in her head that way. He takes another step forward and her back hits the walls roughly, unaware that she’d run out of space.
“Let me walk you home. We can talk about this more in private.” He offers his hand, long nimble fingers stretched out in a proposition. She takes it carefully, each one of her manicured fingers individually slotting themselves between his. The feeling sends warmth through her frame, spreading out through each and every nerve in her body. She finds herself squeezing it idly, almost in an attempt to reassure herself that the events were grounded in reality. When he squeezes her smaller hand back, she allows some of the tension to flood from her body.
Coriolanus is nothing short of a gentleman the entire walk home. He opens the doors for her, walks on the side of the sidewalk nearest the road, and pulls her closer when they walk past a group of men that he surmises makes her uncomfortable. Her heart pounds so wildly that she makes him stop halfway to her family home so that can clear her throat of the abundance of silky petals that had jammed themselves in the soft tissue.
She’s surprised at how gentle he is with her, the way his hands collect her hair and hold it out of her face, how his free one strokes up and down her back to comfort her. She has to stop him despite her appreciation when it only causes more coughing.
It’s not unusual when she finds her home empty when they finally arrive. Her parents, ever busy people, tended to not return until sometime in the late evening when her mother would throw a meal she’d prepared into the oven, and they’d have a silent and often uncomfortable family dinner. A true Capitol tradition, if her friend’s accounts were to be believed. She found herself wondering if anyone in the “happiest place in Panem” actually even liked each other.
When she wiped her lips and felt the sticky, hot blood transfer to the back of her hand, she was reminded of why so many affluent names might stifle those emotions.
“Can I get you anything? A water? Some apple juice?” She knew that was showing off by her offer of fruit juice, still such a scarcity in the Capitol. Agriculture had been hit hard in the war. But Coriolanus was in her home, and she was going to pull out all of the stops.
His lips twitched up into a smile, and her heart fluttered once again. “Water is fine. I won’t waste your delicacies.” He responds modestly, and she’s reminded again of what a gentleman he is. She knew that her parents would approve. Now she just needed to play her cards right. Nothing in the world sounded quite as sweet as being paraded on the arm of the young man of Snow.
She happily pours him a glass of water, the thick engravings of their family crest sparkling in the ray of sunshine that slipped through the silk curtains. Wealth was something her family far from lacked.
Love, however, was scarce.
She hoists herself onto the marble counters, watching him as he sips from the glass. She can’t help but to think to herself that she could sit here for the eternity of the day, watching his lips part around the cup and his Adam's apple bob with each sip.
The silence should be awkward, and she worries that it is for him, but she finds herself woefully unable to figure out where to begin a conversation like this. She lets out a breath of relief she hadn’t even realized she’d been holding when he rises to his feet, sets the water on the dining room table, and begins speaking for her.
“I’m astounded that someone as beautiful as you could be fearful that a man would not reciprocate their feelings.” He says, and his voice is so hushed and he’s suddenly so close to her that she can feel her throat close up in a mix of anxiety and absolute and utter infatuation.
“You always seemed so preoccupied and I feared that perhaps romance was something that didn’t cross your mind, and-” She cut herself off when she realized she was blabbering on, the words dying suddenly in her throat. She feels like a fool around him, as if her brain is no longer connected to her mouth. She’s convinced something in him causes her entire body to short circuit.
“No one else seemed worthy of distraction.” He replies when the silence hangs in the air for a moment too long, and she’s thankful for the words, not just because of the way they make her heart swell and her limbs feel electric, but also because it gives her a moment to regain her footing instead of opening her mouth just to verbally tumble around the floor once more.
“I’m nothing special,” She replies humbly, her eyes trailing to the floor. It was not as if this was her first time being courted, but it was certainly the first time she felt inclined to accept. Still, she knew there was a game to be played here. Everything in the Capitol seemed to be a game of some sort.
“You can skip the modesties with me,” He begins, lithe fingers reaching forward and gripping her chin softly, forcing her eyes to his. She found herself getting lost in the oceanic pools once more. “I can see right through them. I much prefer honesty.” He finishes his thought with a finality that cuts her denial from her lips before she can even speak it.
“May I kiss you?” He asks before she can even right herself on this new playing ground, but after a moment, she nods, stricken wordless even further. He wastes no time in pressing his lips to hers, and she finds that he’s not nearly as gentle as she would have imagined. His lips are forceful and she’s jolted back slightly by the force. In response to this, his hands find her hips, fleshy and pliable, and he pulls her forward again, devouring her whole. There is no fighting for dominance, she needs no verbal cues to know it would be pointless. Despite this being her confession, she is clearly no longer the one in charge.
The room seems to be spinning for a moment as her brain struggles to catch up to the rushed intimacy, and when she finally regains her footing, her hands desperately reach out for his broad shoulders, digging into the red wool of his Academy jacket. He peels himself away from her to shrug it off of his shoulders, letting it pool on the kitchen floor beneath their feet. He stares at her face for a moment, stroking his thumb along her flushed bottom lip, and she parts them instinctively.
He falters for a moment before he shoves the digit into her mouth, stroking across her tongue. Her lips seal around the digit, her tongue moving to explore every centimeter of his salty skin. Coriolanus grunts at the sensation, his eyes flickering back and forth between her lips and her eyes, shifting slightly to accommodate the tightening in the front of his pants.
Emboldened by his response, she eagerly sucks at the pollex, letting her eyes fall until half-lidded, imitating acts she was sure they’d find themselves in relatively soon.
With more restraint than she’d previously given him credit for, he pulls his thumb from her lips and dives back down to encapture them once more, bending and molding her until she’s not sure where she ends and he begins. Her teeth clash against his once and he grunts at the unpleasant feeling, his hand moving to her jaw and keeping her steady as to ensure that he could take what he wanted without her petulant, inexperienced movements.
His roughness is unprecedented, so unlike the gentle hesitant touches from any of her prior romances. She finds it’s not unpleasant, though slightly surprising. The unfamiliarity of it doesn’t stop the heat that continues to pool between her thighs, especially when his pearly white canines sink into her bottom lip, drawing a cry from her throat before her brain has even finished fully processing the feeling.
The residual stinging was clue enough of a puncture in the sheer skin, only proven further when he pulls away and the carmine fluid has tinted his teeth. His pink tongue glides over them effortlessly, and her mouth falls agape slightly when his azure eyes flutter shut and he groans at the taste, his hips stuttering forward just enough to catch her attention.
It’s clear he’s growing impatient with the lack of true intimacy, especially when he wraps a hand in her hair, guiding her roughly to the tiled floor in front of him. She resists slightly as her bottom slips from the high counter, and as a result, she hits the ground rougher than she’d intended.
He seems to find it no priority to ensure she’s okay, instead spending the time eagerly pushing down the flowing kilt like fabric of his uniform, followed by the slacks beneath them. His eager cock twitched behind the cotton fabric of his briefs, and despite her discomfort on the way down to her resting place, she finds herself reaching out wantonly, her hand trailing over the thick outline in the fabric.
The man above her sucks in a choked breath at the sensation, and it encourages her to continue on. She crawls forward on the cold floors, her fingers hooking into the elastic waistband and helping the fabric bunch at his knees where the rest of his clothing resided. His cock sprung up, heavy and leaking, hitting his stomach and leaving a smear of precum on the blue undershirt of his uniform.
She reaches up, hand curling around the velvety length, solid and hard at its core but oh so soft and smooth as her hand glides along the skin. She pulls her hand back, spitting on it eagerly. Saliva runs down her chin slightly, but she finds it easy to ignore as she slathers the makeshift lube over his erection.
“Fuck, darling.” He hisses, and she finds herself wondering if the exclamation is at the sensation or at her eagerness. She decides she won’t deprive him of either, just in case. Her hand slides up and down his dripping cock, collecting what she can of the precum droplets pooling on top to help the slickness of her ministrations. When she finds there’s no resistance to her movements, she tightens her fist around him, speeding up the strokes around his velvety shaft. His hips stutter a few times in an attempt to find her rhythm before he’s fucking her hand, hunched over as his nails dig into the thick fabric of her jacket. Every jut of his hips pulls a soft grunt from his lips, his eyes falling closed as he enjoys the pleasure that she’s happy to give him.
When she’s sure he’s sufficiently hard, and his length is throbbing eagerly in her soft palm, she gently pulls her hand back. His hips thrust into the empty air once before he realizes she’s not got her hand curled around him anymore, and he whines, oh god, he whines, at the loss of contact. The noise sends heat directly between her legs and she unconsciously shifts in an attempt to lessen the sudden increase in pressure.
She eagerly sits up on her haunches, sticking her tongue out as far as she can as she moves forward, letting the heaviness of his cock rest on the pink muscle. His fingers curl in her hair and attempt to guide her forward, but she glances up at him with a look of warning, pressing gently into his hip bone to keep him from sliding any deeper. She was going at her pace, and he’d find a way to respect that.
She slowly dips her head further down his shaft, taking him in centimeter by painfully slow centimeter as his nails dig into her scalp punishingly. She finds his lack of patience almost comical in a way. How a man so poised and level headed in most circumstances can be brought to primal nature by the minutest amount of pleasure. A man is a man, after all.
It doesn’t take long for her to crave more from him, desperate to see him crumble at her hands. He’s so incredibly prepossessing, and she finds that this is better than anything her clearly uninventive mind could have conquered up. The way his blond curls cling to his forehead encourages her further, and she wraps her hand around the base of his dick to ensure she doesn’t get too eager and choke herself on his length. Her cheeks hollow when she begins to bob her head, spit quickly budding on the edges of her lips. Coriolanus groans above her, his grip growing tighter in her hair. Her eyes widen when his hips snap forward, her lips meeting her wrapped hand in less than a second. She gags suddenly, hints of sickness swirling in her stomach as tears prick her eyes. His cock twitches in her throat, and she notices the way the veins in his wrist bulge with how roughly he’s gripping onto her.
She’s just managing to gather her bearings when his patience seems to fade completely, and his hands move to the back of her head, shoving her hand away from his shaft before thrusting forward once more, her nose pressing into the course curls of his pubes. Her stomach heaves and she struggles to swallow down the much stronger surge of nausea. He wastes no time in pulling himself back out until his tip brushes against the inside of her lips before he’s back down her throat once more.
He leans over her, the tight V of his adonis belt pressed into her forehead as one of his hands rests on her shoulder to keep him upright. His groans fill the air around them, accompanied by the noise of her gagging around his cock with each thrust. Spittle drips down her chin, dirtying her uniform. She has no time to swallow any of it, instead focusing on staying alive as she’s used as a living sex toy.
“Such a pretty mouth, baby. You’re doing such a good job,” Coriolanus chokes out between licentious groans, and just that smallest amount of praise seems to make his rough treatment that much easier to handle. His dick leaps in her mouth, once, twice, and then he’s pulling out of her mouth, his hand wrapping around the base of his shaft so tightly that she watches as the color drains from his fingers. He leaks precum so heavily that it drips to her tiled floor, and a few moments later, when he seems to have effectively staved off his impending orgasm, he pushes her head down towards it.
She cocks an eyebrow, looking up at him in confusion. “Lick it up, doll. Don’t want any of it to go to waste.” He smirks, shoving her head down once again. Her face blossoms into a blush, humiliated by the thought of licking something off the floor like a pitiful dog, but she leans down, pink tongue dragging across the porcelain flooring. The thick liquid is salty and clings to her tongue, lingering behind no matter how many times she attempts to swallow it down.
His fingers grip her chin gently, a sharp contrast to the way his hips brutalized her mouth moments before, and tilts her face up. Her eyes meet his icy orbs, and his lips curl into a soft smile. “What a good girl. So obedient.” He hums, and her dripping cunt clenches around nothing.
“Let’s get you undressed, hm?” He supplicates, and she nods, swallowing heavily, the saliva soothing her sore throat as he helps her to her feet, guiding her until her back hits the closest wall. He guides her jacket off her shoulders, letting it fall to the floor in the pile with his. His agile fingers easily undo the buttons of her shirt, and his head dips down, placing kisses on each expanse of newly exposed skin.
When the final button is undone, the fabric bunched up around her arms, he shoves it away eagerly. Her bra is unclasped with such ease that she has no doubts that he has some form of experience with them, and the realization causes a confusing heaviness in her chest. She does her best to shove it down, especially when his pale lips find the soft flesh of her breast, white teeth nipping hard enough that it draws a yelp from her. He quickly drags his tongue along the reddening flesh before his lips suction around it, sucking harshly. She writhes between him, pleasure blossoming in her lower stomach. Her pussy throbs needily, soaking the pink cotton underwear hidden beneath her skirt.
His nose drags against her sensitive skin as he makes his way down to her nipple, the bud already hardened by her arousal and the cool air. His tongue brushes against her and her back arches slightly, her mouth falling open in a soft whimper. She opens her mouth to implore him to continue, but before words can even fall from her lips, he’s picking her up, carrying her back over to the counter, settling her on it before his large hands drag her pants down her legs, growling under his breath slightly as they get stuck on her shoes, impatiently tugging until both her shoes and burgundy pants fly halfway across the room. He doesn’t even bother with her skirt, simply shoving it up until it bundles around her stomach.
She bashfully closes her legs, embarrassed of the slick arousal that’s soaked a nearly transparent oval into the crotch of her panties. Snow’s lips turn down at the corners, glancing up to meet her eyes before he’s pulling her thighs apart, his tongue running across his bottom lip as he takes in the sight. He runs a finger down the front of her underwear and she squirms, her canines biting into the soft skin of her bottom lip.
He shoves her panties to the side, exposing her glistening cunt to him. He groans deep in his throat, his head falling forward slightly. “Shit, darling, all this for me?” His voice is deeper than she’d ever recalled hearing it, and it only serves to get her more excited, legs spreading slightly wider to give him a better view. He whistles lowly, a seductive grin climbing his lips before his hands find her thighs, pushing them even further apart as he leans down towards her. His tongue meets her clit immediately and she jolts slightly, the sudden, intense pleasure too much to handle right off the bat. Her reaction only seems to fuel his enthusiasm, and he begins to lap at her bundle of nerves like a dehydrated dog. She undulates frantically, attempting to escape further up the counter but held in place by his strong hands. The sensation is overstimulating, overwhelming, far too much far too fast.
“C-Co-Coryo!” She cries, tears beginning to bud in her eyes as she writhes in desperation. Her hands shove at his head, trying to push him off. His gorgeous blue eyes glint as he stares up at her, taking in every movement, every reaction. He doesn’t stop, doesn’t even slow down. If anything, his grip tightens on her legs, delving further into her sopping heat.
The coil in her stomach tightens in a way that’s so intense that it hurts, her legs shaking as he continues to eat her out like it’s the last meal he’ll ever have in his life. Her vision goes black when his lips wrap around her clit and his lips form a suction that’s so pleasurable that she sees stars, and she’s not entirely sure she hasn’t died on the spot. Her hips jerk uncontrollably, her protests devolving into nothing but incoherent babbling as she orgasms so violently that it genuinely hurts more than it brings her pleasure. She doesn’t even realize she’d been crying until she’s in a coherent mindset again and finds that her cheeks and neck are drenched in the evidence of just how overstimulating his mouth had been.
In the time it had taken her to come back to some semblance of reality, Coriolanus had already spread her juices over his dick, the angry red cockhead and shaft glistening in her arousal as his hand pumped over it a final few times.
“You ready, pretty girl? I know you’re gonna take my cock so well.” He purrs, his lips still glistening with her fluids. She jolts slightly when his tip rubs against her entrance, her pussy sore and overwhelmed from his onslaught. The hand not guiding his cock presses into her lower stomach, keeping her stationary as he presses into her, her cunt clenching around him so tightly that she’s not even sure he’ll be able to stuff himself inside her.
His head falls forward, chin to chest as a strangled noise leaves his lips, and she watches as his knees buckle for just a moment. “You didn’t warn me you were so fucking tight.” He grunts, his eyelids fluttering as he struggles to gain control of himself. His hips snap forward in one, swift movement, and her fingers find the edge of the counter, a scream ripped from her lips. His palm covers her mouth quickly, his lips finding the shell of her ear as he shushes her, stilling as deep inside her as he can.
“It’s okay, baby. Just gonna hurt for a second. It’s okay.” He comforts, or attempts to, and she finds herself brought to the brink of tears for the third time during their encounter. She struggles to control her breathing, her toes curled tightly in an attempt to distract from the pain.
His impatience blossoms again, and rather than waiting for any semblance of approval from her, he waits until he’s no longer at risk of blowing his load like a preteen boy before he pulls out to the very tip, thrusting himself back into her roughly. She cries out in discomfort, but it seems the two noises sound similar enough for him to take the noise as assent.
He ruts into her with such force that her breasts bounce with each thrust, slapping against her skin roughly. Each time his cock sinks into her wet cunt, he lets out a strangled grunt, ever vocal of the pleasure her body supplied him with. One of his hands travels down her leg, gripping onto her calf. He forces it up and back up into the air, the angle letting his girthy cock press even deeper into her. His nails dig halfmoon circles into the soft flesh, marking her up. Pleasure begins to wind in her stomach as the pain subsides, and she whines wantonly, her forearms shaky as they pressed into the granite counter tops, keeping her upper body raised.
It’s barely been three minutes but she can already feel his cock twitching inside of her as his thrusts lose their rhythm, falling into a directionless pounding of his hips into hers. His breath comes out in pants, his free hand grabbing at any part of her he can reach, squeezing and groping her needily.
“Gonna… fucking hell, dar-ling, gonna cum for you.” He rasped, and not a second later, his hips stuttered as his cock pulsed inside her. She could feel each twitch of his fill her up with rope after rope of hot cum, the warmth radiating from inside of her before beginning to pour out of her aching hole, pooling on the counter below her. He stays inside her for a moment, hips pressed into hers before he slowly withdraws his cock, shuddering as the head slides out of her cunt. His eyes immediately fall to the combination of their fluids beneath her, and he collects them on her fingers, trailing them back up her sopping pussy before shoving it back inside her. She can feel the kindlings of pleasure die in her stomach, forgotten and discarded.
He pulls his fingers away, wiping them on her thigh before pressing a chaste kiss to her sweaty forehead. He helps her down from the counter before beginning to collect his clothing, redressing in a way that settles an unwelcome feeling of rejection in her stomach. “Are you leaving?” She questions softly, and he turns to her, a soft smile tugging at his lips.
“I have a project due, doll. Surely you understand.” He replies in a tone that she can tell should have been reassuring but was decidedly not. “Of course.” She swallows roughly, giving a polite nod of her head as he grabs his bag from her kitchen table. She pulls her clothes on with the unsteadiness of a baby deer, watching him collect his things as if nothing had happened.
“I’ll see you tomorrow then?” She asks, looking up at him pleadingly. He places a kiss on her cheek, running fingers through her messy hair. “Wouldn’t miss it for the world.” He replies before he’s out the door and heading in the direction of the Corso.
The relief from impending death doesn’t feel as good as she’d imagined. Requited love feels like soreness between her legs and a heaviness in her chest. She chokes down the feelings, busying herself in cleaning up the kitchen. Her parents would be the cause of her untimely death if they found what she’d done.
She finds that despite the sun being out, she’s dreadfully tired. She vows to wake up early in the morning to finish her homework, and stalks up to her bedroom, burying herself in the plush sheets of her overly expensive bed. She doesn’t know when she starts crying, but she knows it doesn’t end until she’s exhausted herself asleep.
_________________ ✾✾✾ _________________
She’s startled awake gasping for air. It doesn’t matter how many times her mouth opens, she can’t suck in air. She flails frantically, falling off the side of her bed with a thud on the carpeted floor. She wrestles with the blankets, suddenly killer constrictors. Panic rises in her chest, and she coughs, swallows, heaves frenetically. She crawls, hands and knees to the in suite bathroom, hunched over the toilet.
She shoves her fingers into her mouth, desperately attempting to clear her airways. It triggers her gag reflex but nothing comes up. Her stomach heaves, tears streaming down her face. She can see the darkness of death begin to seep into the corners of her vision. She tries to scream but the sound dies in her throat with her breath.
She continues to shove her fingers down her throat, increasingly frantic as she feels herself growing weak at the lack of oxygen. She heaves again, and finally, she feels the object loosen. Her fingers brush against it the next time she shoves her fingers down, and finally, she gets it up, accompanied by such an excess of blood that she’s not sure how she’s still somewhat upright.
Lying in that puddle of blood is a full rose, stem and all. The thin stalk of the flower is littered in thorns, the petals covered in droplets of crimson liquid. She doesn’t understand. This should have been over. He’d loved her back.
Her hands move to her throat suddenly, the suffocating feeling returning. Her hands clench into fists, pounding on the granite flooring. She knows this one isn’t coming up.
She finds that more than anything, she’s tired. She curls up on the cold floor, fingers curling around the rose. Her cheek presses into the warm puddle of her own blood. The thorns on the rose draw more from her shaking hand. Coriolanus Snow was just like his roses - beautiful.
Beauty - a deceitful bait with a deadly hook.
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bananasfosterparent · 22 days
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The difference in AA is his soul being irreversibly gone. That is the point and this is what Larians writers have been hinting at and this is what irks people about AA. The oversexualisation and erasure of his trauma, effectively erasing him as a person. I know we're talking about a fictional character, but if we're gonna go off on the topic, saying something "doesn't matter" is just a cop-out. Astarion didn't need to be "fixed" to the point of emotional lobotomy.
I don't think it's wrong to like or prefer him, but I think it's valid to have opinion on the matter, much like you have yours.
I started to apologize for the length of this, but honestly, since you sent the message, I'm going to respond to every part of it. I'm not sorry for the rambling lol
"The difference in AA is his soul being irreversibly gone."
Okay, show me the quote/scene/dialog in-game where this canonly is said and confirmed? Where does it say the ritual will ever touch his soul or any part of the game talks about his literal soul?
And if by soul you mean the "lose who you are inside" as a metaphor, that's still a matter of opinion and not actually canonly what happens. Astarion is still himself. The "changes" in his personality are shifts to simply adjust to the company he is around. He's essentially code switching.
That is the point and this is what Larians writers have been hinting at and this is what irks people about AA.
Got it. So the point of Astarion's romance is for Larian to write a singular story that has one ending you're "supposed" to enjoy with a "morally good" conclusion, and one ending that's fun and sexy, but "supposed" to be a cautionary warning of how things "shouldn't go". Because that makes sense for a "choose your own adventure" game and that's why the romance stops with AA as soon as you ascend him, and he enslaves and compels your character and you can't continue the romance with him--OH WAIT.
The oversexualisation and erasure of his trauma, effectively erasing him as a person
"The oversexualization".... So you know my Tav's personal motivations and why she chose to ascend him? And you're confident you know I made the roleplay decisions I made because you know it centers entirely and solely around it being to sexualize him?
Interesting.
Because that couldn't be further from the truth. My Tav has an entire story for why she chose to ascend him and it has nothing to do with how sexy it makes him. And it was a story I came up with well before I knew about any of this "sexualization" concept. And as a player, I didn't ascend him because I wanted a sexy vampire. I went into his romance blind and had no idea what would happen when I did it. I ascended him because it narratively made sense for my character and their relationship. But even then, if I wanted a sexy vampire, why is that a bad thing? He's not real.
And I find it so ironic that a lot of spawn fans who are anti-AA only enjoy AA for the sexual parts of that ending. Yet, we're the ones "oversexualizing" him lol
As for "erasure of his trauma"... where do I even start? What does that even mean? lol I'm not gonna lie. You sound young or unaware, but believe it or not, in real life there is more than one way to deal with trauma. And dealing with it in a way you don't agree with doesn't erase the trauma or mean the person is pretending it never happened. Ascended Astarion very much addresses his trauma and exercises a different form of healing.
In a fantasy world, you can actually explore those other options and have the outcome work FOR you, even if it wouldn't in real life. Accepting your fate and trying to align yourself with "morally good" choices is certainly not a bad thing and one way to go. In real life, that's what I agree with, as a Christian and believer in Christ. But Faerun doesn't have a Jesus. They don't have the same real world ideas of morals. They have their own gods, their own history, their own moral perspective outside of our world. Bringing in (your perspective of) our real world morals is a valid way to roleplay, but it's not the "only correct" way to roleplay.
There is the route of overthrowing what was meant to control and destroy you, and taking control of it yourself. Taking what was meant to be against you and making it work for you instead. For me, that's what Astarion's ascension means.
A smaller example of this is if you give Astarion Gandrel's crossbrow to use.
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This weapon was designed to work against vampire spawn. It allows for its user to possibly inflict Turn Undead on enemies and gives them advantage in a fight against monster types. And yet, Astarion can wield it and use it effectively. He can take what was created to hurt and destroy him and use it to work for him.
Ascension can be the exact same thing. It's not a matter of which opinion of ascension is morally right. It's a matter of which decision on ascension is right for your Tav and their story with Astarion.
...saying something "doesn't matter" is just a cop-out.
Can you show me where I said "something" "doesn't matter"? Cause it wasn't in any of my recent posts. Are you referring to one of my older ones?
Not only do I not know what part of what post you're referring to, BUT I also don't know what I was talking about, if I even said "something" doesn't matter. I don't know what that "something" is.
Astarion didn't need to be "fixed" to the point of emotional lobotomy.
I'm glad we agree on something. I've seen people claim ascension is "fixing" him (because it eliminates the negative traits of vampirism) and therefore it's weird to call anti-AA spawn fans "fixers". But the difference is trying to change(fix) his morals and view of the world to reflect a "good" worldview (the spawn ending) VS trying to change (fix) his circumstances and lack of control (helping his ascend).
AA fans do not want to change his personality or his mental/emotional state. We want to change his circumstances so that he has a place to be able to make those decisions on his own. And for most of us, Ascension provides that perspective.
Spawn fans want the same thing. But the approach is more to convince him from the inside out that he can make those decisions without ascension. And that's also true. But not more valid or the only way.
But his personality does not change in either ending. In one (spawn ending), he is able to find freedom in just being free of Cazedor and exist the way he always has with a newfound confidence and peace.
In another, he is able to find freedom in taking the helm himself, and holding all the cards to be the one on top. He finds confidence in having the power and being able to wield it, without fear of anything he's had to fear with the negatives of vampirism.
But in both, he is still the same person. He still gets joy out of the same things (killing people, having/causing/observing bloodshed, and causing some chaos), he still has the same personality. The difference is in his circumstances and how he presents himself.
I don't think it's wrong to like or prefer him, but I think it's valid to have opinion on the matter, much like you have yours.
You don't mean that. Because if you did, you wouldn't have a reason to send this anon message in the first place. You wouldn't care enough. It wouldn't matter. You wouldn't have this opinion. You would be able to see value in both endings and respect the positive perspective of ascension even if you don't understand it, without arguing headcanon points like "his soul is irreversibly gone".
Your entire message is literally you trying to tell me it's wrong to like him and that the opinion I have of him is invalid and wrong. I already respect your opinion on both sides of him. Because it's your right to how you roleplay and see him. If you respect mine, you're doing a really awful job at showing it.
Regardless, if that is your intention or not. That's what sending this message says. If you really want to say you respect AA fans for enjoying AA, then stop sending AA fans messages like this and either completely avoid AA and the fans or refrain from trying to argue against it. We can discuss it and not agree while also respecting each other's roleplay choices.
This is not a wrong vs right conversation. It's a "what's your preference?" conversation. Spawn vs Ascended should be like "what's your favorite Pokemon type?"
The sooner that is realized, the better off this fandom will be.
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