Tumgik
#hehe I love talking about them
timaeusterrored · 1 year
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22 and 23 for Kerry and V!
22. What’s different about their backgrounds? Do those differences affect the relationship?
V is a StreetKid raised by mercs and a ripperdoc, Kerry was already at the top by that time. V could only dream of having a nice house like the ones the two live in now. But it also taught him how to be a bit rougher around the edges, but he forgets Kerry wasn’t born with a silver spoon in his mouth. That Kerry doesn’t mind getting down and dirty when needed, that V living in a tiny apartment isn’t a big deal to him, because Kerry was already being called a corpo sellout by the time V was into his music, not knowing how he grew up and how almost.. similar they could have been.
It does affect them in a way that Kerry desperately wants to spoil V, but V is happy with a roof over his head and a comfortable bed to sleep in. V only uses money for cars, his apartments, and guns and chrome. Kerry WANTS to use his money on V, and V is like “I don’t need it.” And Kerry is like “but you want it. And you drive me fucking insane.”
23: What was their first impressions of each other?
V is a known Kerry Eurodyne lover by his friends, Jackie used to make jokes that if V made it big, maybe he had a shot. So obviously when he comes too and Kerry is like two inches in from his face and touching him, he’s close to losing his shit, but he was closer to dying and was more worried about making Johnny happy, not thinking he really had a shot with THE rock legend.
Kerry saw him as an obstacle. V was dying so that meant when he died, maybe he could have Johnny back. He was cute sure, and he could see the starstruck look in his eyes when Johnny left. But he saw him as a person to help him, help get samurai back together, help blow up the van. He was a merc getting paid to do what Mercs do and make Johnny happy.
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geodenes · 3 months
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can someone PLEASE be insane with me about them
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sysig · 5 months
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So much experimenting to be done, where to even start (Patreon)
#Doodles#Handplates#UT#Fellplates#Gaster#Papyrus#Sans#Mostly silliness :) Mostly :)#It's still fun to draw these two Gasters next to each other hehe ♪ Even interacting!#They're more similar than I think either of them would admit haha - ''No clearly we have very different ideals'' sure but you're both Gaster#I like the idea of classic being So Annoyed at any iteration of himself thinking positively towards humans haha#I mean it would probably hurt - that's a big piece of his trauma! - but on the surface it's just Ugh I can't believe this -.ó#I feel like they'd have a lot more common ground when it comes to their experiments tho - not a perfect Venn Diagram but enough!#Maybe even just different enough to offer a new perspective - enough to give them new ideas! Uh oh that's never a good thing lol#I do love Fell!Gaster just so pleased to be having a conversation haha so smiley - classic still not smiling but interested!#Cute face <3#It was after making the Toriel comic that the thought Really occurred to me - like obviously I saw so I knew they were still in the gowns#But it took a bit for that to strike me as odd since I mean that's just what they wear! That's normal! For Handplates anyway#He talks a lot about isolating whatever it is in Monsters that Make Them Like That - what does that entail#Gaster no seriously what are you doing to them don't just smile actually reply#And as much as I like the boys being a bit more Fell-ish I've always been of the opinion that no matter what they're brothers!#They love each other <3 And in Fellplates they'd have to rely on each other even more than regular Underfell#If anything would cause some codependency it's the Handplates setup - no matter what version you throw at it!#They're still both delicate little things - they need each other to survive ♥ If Gaster is sometimes kind to them well...#Similar to Mercyplates but Not Quite hmmmm#At least sometimes doing cute and harmless things tho! Studies how they react to flowers and teaches them to make chains hehe ♪#There's also that Underfell thing of Sans calling UF!Papyrus ''Boss'' rather than ''Bro'' yeah? Doodling ideas around that haha#An opportunity to teach! Sans only came away with the basics tho it probably annoys Gaster lol#The idea of them doing cute harmless little things and /that/ being what gets under his skin hehehehe#And ending with a Babybones! :D Surely he'd have no problem being attached since they're meant to be good...? Surely
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merakiui · 7 months
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leona fucks harder when he's jealous so let him catch you flirting with malleus :)
If you're going to flirt with anyone, at the very least let it be Vil (arguably a more tolerable rival, but just barely). Because at least Vil won't get hard at EYE CONTACT. You give Malleus one amorous glance and call him the cute nickname you picked for him, and all the blood is going below the belt. Leona cannot believe you would show a modicum of interest in that lizard when he's around. >:(
Naturally, he has to fuck all thoughts of Malleus out of your head. You'd think it was breeding season the way Leona fucks nonstop. All of the sleepy and chill laziness from before is gone and now his priority is to have you speared on his dick and crying from your nth orgasm. It doesn't matter if it's dry by now; he's not letting up until your mind is mush!!!!! Determined lion!!! >:)
You're going to have Leona's scent on you for a while, and it's so strong that Malleus almost pulls a nasty face when he catches it on you at lunch until Lilia reminds him to be cordial. T_T how can he when his rival is laying with his beloved Child of Man? :( sad tsunotarou hours...
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hooned · 9 months
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heejake lore unlocked ⭐
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touchmypixels · 1 year
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did i build an entire house based on @softerhaze‘s arts n’ craftsman walls? perhaps >.>
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extravalgant · 22 days
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speaking more from my last post about shadow magic and its just. so interesting tbh. like the first mention of shadow magic comes from khrysalis when we enter the eclipse tower and it gives us interesting looks into how shadow magic as a whole is regarded in the spiral...
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its so insane to hear that its a forbidden magic and that grandmother raven and BARTLEBY of all people forbade it to be taught. raven i could probably understand, but considering we are now bartlebys scion... it's hard to think about the possibility that he didn't trust us before. an outsider from the spiral learning a forbidden magic...
i think what's also interesting is the fact that the shadow magic the wizard learns is a wholly unique one. shadow magic corrupted the moon magic inside the tower, so there's a possiblity that our wizard only knows this specific subset of shadow magic—one that's been permanently altered by moon magic in the eclipse tower, and one that can only be taught by sofia darkside.
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it makes me wonder if velma knows the same kind, or if hers and the wizard's shadow magic is different... is one more volatile than the other? or if there's no difference at all and im looking into it too much lolol
knowing this and knowing raven forbade anyone in the spiral from ever learning shadow magic, it would make a little bit of sense for how hostile she initially seems towards the wizard... if we take what we saw from the book of secrets, then we know that magic law states that nothing is an accident—magic is reactive and 'sentient' to a certain degree, so there was no mistake in the wizard freeing grandfather spider from his prison using magic, because that's what they wanted.
granted it was for other reasons... but it doesn't paint a pretty picture of any of us. the wizard learns shadow magic, the wizard frees spider, and then spider goes on to say that theyre his favorite.
i think what makes this particularly more tragic is the fact that the wizard didn't even have a choice. sofia says this herself!
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they need to learn it. the sword of kings isn't enough. being a child of prophecy isn't enough. they failed once before, and theyre not eager to fail again. theyll try anything, and everything, and that includes... freeing grandfather spider.
which, you know, speaking of backlash... sofia mentions it too lol.
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which is interesting to me... i always complained that the morganthe fight needed a bit more oomph—which, i still believe it does, to some extent—but i think how she died was a fitting end to her. crushed underneath the weight of her own powers, her own shadow—her backlash. she was the instrument of her own defeat, and, well... that could have very well been the wizard. she's our reflection, our parallel. i think it's why the wizard never mentions or claims that theyre the one that did her in—because they technically... didn't, but they also did. which is cool!
much to think about....
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feroluce · 1 month
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So I spoke somewhat about my thoughts on Emanator Sampo here, but I never really thought of it from a design point of view or what kind of powers he would have until just recently. But I actually kind of love leaning into it from a "stage hand" perspective?
Because like. Aha's body in THEIR official art is completely black, giving attention to all the fun brightly colored things around THEM. And that's so fitting for Sampo! He usually prefers to be a side character. He likes to act from the shadows. His is a much more subtle hand.
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So I wonder if as an Emanator, a lot of his clothes are actually very dark? Not necessarily plain, still extravagant and needlessly detailed in things like cut and quality with lots of different fabrics and textures and ornamentation, but dark. Or maybe even his skin itself becomes blackened further down his body; his hands in particular are dark, as a sort of sleight of hand reference.
The motif of a lot of straps wrapped around him like in his canon design is still present, but they're all loose and flowing off of him like paper streamers now instead of restraining him or holding him together. He is no longer contained! Or maybe they're still a bit more rigid/heavy, but just draped more like red stage curtains!
And this is like. Fully self-indulgent, but I love inhuman designs, and there's nothing in canon to say I can't do this, so screw it! Go for broke!! Maybe it's not visible to normal people, but Sampo having a second set of arms would be really cool, as further sleight of hand reference. One set is almost normal looking, but his hands are a bright, attention-drawing white, and the other is dark, set almost in the shadows of the first arms, to act less noticeably.
He also has something of a broken heart design to him in canon (the front of his black shirt with its jagged shape down the middle; his coat looks like a full heart shape in the back), and I actually like him keeping that element as an Emanator, because I think it suits him. Sampo says his taste in aesthetics and views on Elation involve human dignity,
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and the story he helps create in Belobog involves the long and winding road of resistance and survival and eventual triumph in the face of some very adverse, oppressing odds. (I'm pretty sure I heard he once called Wildfire "artless" though, plus the man acts like he thinks Shame is some kind of dessert, so like ndkdjzjskkd) But the point being!!
I think Sampo is someone who can appreciate heartbreak and angst and tragedy in a story, because it makes the victory at the end all the sweeter. And this would be another thing he shares with Aha, because I think THEY did bless the Mourning Actors partly just to be a little shit, but also because Aha does recognize tragedy as part of THEIR Path, too, and you can see it in some of the game. So a broken heart motif can still suit him, and I like him having elements of both comedy and tragedy. Like his clothing having a happy sun/sad moon (like the moon in Aha's art) or him having both of the traditional comedy/tragedy masks in his design.
And as Emanator, Sampo can maybe play with the stage settings environment, too. Like lights sometimes behave strangely around him, appearing blindingly bright to someone or dramatically dark. Sampo wills it and suddenly there seems to be a metaphorical spotlight right where he wants everyone to look. And when he doesn't want to be noticed, his face seems to be cast in shadow, he seemingly just fades into the background, no one notices or recognizes him and he sneaks away easily. He can create smoke or fog literally out of thin air without his bombs now, too, the air will just suddenly thicken until his stage is obscured, and Sampo can set the scene as he pleases or disappear without a trace.
And in line with being a stage hand, Sampo can direct attention like no other. He was already extremely good at this as a normal mortal, and becoming an Emanator only took it up to 11, past human limits. Sampo points, and all present feel compelled to follow his fingertip. He looks away, and they all follow his gaze. He can even affect the mood of an audience; he can influence everyone to be calm and placid or he can whip them into a feverish frenzy. Sometimes a crowd will start to become unsettled, agitation stirring until it boils over, until it incites a full on violent mob.
And in the middle of all that chaos will stand one perfectly calm figure, face cast in shadow, until they quietly slip away out of sight.
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findafight · 1 year
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Au idea I'll probably never write:
Steve as seven au, BUT he escapes at the same time as El in season 1. They get separated after Benny's, when seven tells eleven to run and definitely kills a couple government agents to give her more time.
So the a plot of will being missing and Mike finding El? Standard canon except El is ALSO looking for her brother and is worried about him. She sees that he's mostly safe and tries to help find will but also insists she go to her brother soon.
B plot of barb and Nancy...idk I haven't really thought about how that'd work without Steve's kickback. Maybe they go to a party (like actual party not the five person hangout) together and get separated and no one notices barb disappear from the edge of the lawn. Idk
The C plot is seven, kinda bloody and definitely cold, wandering out into the middle of the street, and one Robin Buckley almost running him over with her bike. She immediately clocks "guy who seems pretty fucked up" about him, and offers him a ride to her house. But Robin has never been the most coordinated of people and biking with a(admittedly probably too skinny) teenage boy sitting in her package rack is hard, and combine that with a guy driving like the devil's after him, they end up swerving of the road.
Eddie steps out, apologizes profusely, and offers them a ride. seven is sceptical, especially when both of them pause when he tells them his name, but does end up in the van. He finally gets a chance to breathe once they get to the Buckleys', and Robin gets him some leftovers.
He sits in front of the tv set to a blank station, tucks his head into his shirt instead of blindfolds, and tries to see El.
He sees her older, with flowers braided through long hair, laughing. Too far. He sees her with short curls, a patterned button down, eating something in a cone beside a mustachioed man. Too far again. He sees her tiny, scared, holding his own small hand. Not far enough.
Finally, finally, he sees her as she knows her now, mostly, standing beside a group of children and in front of a monster in a large room.
Eddie and Robin have no idea why their new friend? Has turned the tv on to static and is hiding in his shirt, but figure he's had a rough day. He pops his head back out, blood dripping from his nose, and grins, telling them he knows where his sister will be.
Anyways blah blah blah El sees where people ARE Steve sees where people have been/will be (based on where/who they are right now. Futura is constantly in motion etc).
Idk season 2 would happen very similar as canon minus stancy break up (they never date and are just friends) (also Steve tells Robin and Eddie he and El are safe and they pass it on to the kids) El finds Kali, Steve fights demodogs, etc etc.
But I want a (pre?) season 3 scene where Robin and Steve are hanging out as soulmates do, door closed because they are discussing Sensitive Subjects (gay shit) and giggling like schoolgirls. Hopper, in all his disappointed dad glory, opens the door and starts in on a rant about keeping the door open three inches.
Steve, bitch that he is, just tilts his head to the side and says "but that is for when we are with people we date. I am not dating Robin."
Hopper, not yet picking up what's happening, sighs. "Kid. It's about propriety. You can't be alone with Robin, because what if you do start dating. Then it's. You have to set an example for El!"(it would be a nice move bringing up Older Brother Responsibility, except...well.)
"but we aren't. I am dating someone else?"
"still need the door open three inches, pal. When El is home, at least"(El is almost always home)
"we do! And you complain about the loud music!"
"wait. Who are you dating? I thought Nancy was dating Jonathan still. She barely comes over." Hopper please pick up what Steve is putting down oh my god.
(hop has forgotten Robin is there and she is trying very hard not to make noise but Steve keeps meeting her eye sometimes because dear god. truly an iconic moment in friendship history.)
"yeah obviously. Eddie comes over all the time, though."
"what does Ed- oooh. Ah. I see. That's why you keep the door open even though he complains."
Steve nods like Hopper is the dumbest man on the planet. He might just be. "Yes. Because you said El had to and she asked why I didn't have to so then I started to leave it open when Eddie was over. At least Eddie doesn't laugh at you to your face"
"Eddie laughs behind my back?"
"he said you didn't know we were dating but I told him of course you knew, the door is open three inches."
Hopper clasps Steve's shoulders and looks him in the eye. "Steve, I need you to keep telling him that. And not mention this very awkward conversation we had."
"because he was right."
"he doesn't need to know that."
That's all I got lmao (also check the tag ramble I added lol)
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wexhappyxfew · 6 days
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and then i breathed
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(a/n): AND SO I JUST STARTED TYPING (enter danny devito meme). basically, i started with an idea for this and couldn't help but keep writing so please enjoy!! serving up a nice view of kennedy x bucky in the stalag because that's where we really see the most development from them, more than anything. and to say the least, i am majorly misty-eyed over this and especially kennedy's character. when first developing her character, i didn't realize how much she'd develop up until this point and i am absolutely loving every bit of her in this angsty, hurt/comfort perspective. and of course, bucky makes the perfect person to put opposite her in so many ways. someone who equals her in humor and dialogue. i sincerely hope you all enjoy - this is almost a love letter to the kennedy x bucky girlies. thank you!! :D
The sound of the plane breaking in half had hit her like a slap in the face.
She remembered the sound so vividly that when the silence consumed her, her mind became overwhelmed by that very sound - the intrepid ripping of metal straight in half as she launched herself out of the belly of the plane, pulling the cord on her parachute, swinging through the war-torn sky alive with flak, enemy fighters and bullets, dangling out in the air, half-hoping something killed her right then and there.
She could hardly remember the feeling - landing in the middle of Germany, mind an absolute wreck, looking around for signs of Lieutenant Bradshaw or Lieutenant Carlisle or even some of the boys who'd been deposited into Silver Bullets after the 100th had run thin and they'd split the girls up.
Jenkins, their co-pilot, Hefner, their bombardier, Thillburn, their radio ops, or their turret ball gunner, Stalinker, their other waist gunner, Klinger, and tail gunner, Gronkowski.
None of them had shown.
She was half-hoping Margie was somewhere nearby, but had come up empty-handed.
She remembered the words that had come through the comms when Lieutenant Bradshaw had said they needed to bail out.
The ringing of that fucking bell.
The sound still wrung around in her head when she wasn't doing something to keep her mind distracted. She remembered it like a stop-motion picture. Flashes of moments that she wasn't sure were even real, but were true enough that her body reacted in ways she couldn't explain.
She watched herself stand in the belly of the plane, pulling the wounded Thillburn over, and attempting to wrap his crooked arm that was knocked into the worst possible position, the blood coating his shoulder and chest, soaking through his coat and covering her hands in a sticky mess.
She remembered him yelling, his words clouded by fear, nothing but a blank thought in her mind - what had he been yelling? What had he been trying to tell her? Were those his last moments of human contact before she helped to plunge him out of the plane? Was he alive? She'd known the kid for a few weeks, with only a few missions run alongside him, but had he been dropped out of that plane and lived? He had family back home, he had a life, a girlfriend he'd been writing to. Was he alive?
The look in his eyes sometimes came back to her a night, when she settled into her bunk and stared up at the wooden ceiling; it came back like a bad dream each night. His eyes boring into hers, begging to keep him alive. The thought made her skin crawl, it made her heart race, it made her want to lose it, trapped in this stupid excuse of a camp.
"You gotta stay with me, Thillburn!" Kennedy had yelled, her throat hoarse practically, her hands slick with blood as Thillburn writhed there on the ground, the whole plane creaking and screaming through the air, parts flying off and exploding off behind them, the yelling in her comms enough to make her vomit, the bell ringing overhead, the entire plane contorting and spinning through the air like the nightmare it had been. Over and over. Thillburn screaming.
Jenkins yelling to bail out, his form appearing in front of Kennedy, as he pointed and yelled to the opening. Her wide eyes filled with terror as she watched Jenkins pull Stalinker up from the ball turret, half-dead on his feet, blood dripping down his face, a giant piece of flak hanging out from his chest.
Kennedy remembered looking up and seeing Lieutenant Bradshaw dropping down from the cockpit, landing with such precision and calculated gusto, that Kennedy was sure that only force on the plane that had kept her level-headed in that moment was seeing Lieutenant Bradshaw come towards the group and calmly manage the situation.
Moving the frantic Jenkins towards the opening and telling him to go, hastily removing tags from Stalinker, and helping Kennedy to guide the flailing Thillburn to the belly of the plane to drop out.
Kennedy remembered the look in Annie's eyes; fear bathed in absolute horror and uncertainty - yet shoving it aside for the crew. To uphold command pilot the best she could. Kennedy remembered hearing Thillburn screaming for her as he went flying out of the plane, like a rag doll in his parachute begging for mercy.
"Kennedy!" he had screamed out into the open air, "Kennedy!"
And that's when she shot awake, her whole body in a damn-near paralysis, as her eyes locked on the wooden bunk above her, the sudden realization of the silence succumbing around her and where she was, along with the pounding of the blood in her ears, racing - over and over.
Slowly, she shifted her gaze away from the top of the bunk and towards the tiny room, all the members of the 100th that were there, completely and entirely asleep. It brought her a slice of comfort to see Lieutenant Bradshaw curled up on the bunk beside Captain Brady, her tiny bit of dirty-blonde hair hardly visible with the current hold Brady had on her there.
Annie put out so much for Silver Bullets that having her safe there in the arms of someone who would lay down his life for her, was a comfort. She could see the laden forms of Major Cleven, Bessie, Crank, Murphy, and Hambone around the place, along with Benny who was in the bunk above Margie, who nearly lay on death's doorstep on a bad day. Days of her current state had left her barely alive, but she was slowly improving.
Slowly, Kennedy brought her gaze towards the window and felt her heart nearly launch out of her chest. Bucky Egan was stood there by the window, his form unmoving, and his head slightly hung downward, his hair looking as if he had tried to get it into some sort of conformed place, but had failed. He looked so much more….quiet, in this light. Where he looked as if he was the only person awake in the room, trying to come to terms with whatever the hell they were currently in. His broad shoulders were still pronounced and held high, but there was something distant and withdrawn about his form that she was sure if she kept staring, he'd fade to black.
"You okay?" Kennedy locked her eyes on his form by the window and swallowed, "I know you're awake, Farley." Kennedy slowly reached her hand up to her chest, attempting to calm her racing heart and keep quiet. She felt if she tried to talk to him now, her heart would pound out of her chest fully and her words would get clogged in her throat enough to make her physically sick. And Bucky would see right through her like she was glass. In the cover of night, she let her walls down for herself and she didn't want another soul to have to see her like that. Broken and vulnerable and cracked all over. Bucky didn't need that. None of them did.
"You were mumbling in your sleep." Bucky whispered quietly again from the window and she heard him shift a bit, like he was moving his weight from one side to the next by the window, his voice still muffled - he wasn't looking at her. Kennedy swallowed.
"Bad dream." she whispered out, her voice unsteady, "I'm fine." She heard Bucky let out a quiet puff of air that sounded a bit like a breathy laugh, but she didn't bother. It seemed by this point, despite all efforts, Bucky could read her like an open book whenever he pleased.
"You sure?"
"Positive." Kennedy answered back, softly and quickly, an uncontrollable pinprick of a smile on her lips, "You get that sorta stuff in your mind with the shit we've all been through." She was playing it off, she was trying to make it seem like it wasn't a big deal - even if she could still hear the bail-out bell ringing in her mind. Over and over. Again and again.
"What was in it?" Bucky asked her, a genuine softness to his voice that made her heart give a dull pound, "Your dream?"
"Nothing." Kennedy said quickly, louder than she wanted - she heard someone shift on a bunk across the room a bit. She blinked a few times as her heart began to race.
For a moment, lying in that bunk, with the only person awake in that room being Bucky, she wanted nothing more than to be standing beside him, reveling in his presence and his body heat and his tall form, telling him everything in that dream and letting him tell her they were fine, that things would be okay, that in a way, it wasn't real. Even though it was. But she felt glued to that bunk. Frozen.
"Nothing?" Bucky said, a hint of a smile on his lips - she could always tell when he was smiling through his words and she couldn't see him. His voice became a bit deeper, and a bit lighter all at once, with a slight hint of surprise and hidden joy he didn't want you seeing. But she heard it every time. "Nothing at all, huh?"
"Serious." Kennedy offered back, "I'd tell you if it was bad. I'm fine." Bucky let out a soft laugh as she continued staring at the top bunk, her mind slowly crumbling into shambles. She wanted to be there beside him, she wanted some form of comfort that wasn't a wooden bunk and the bitter cold. She wanted him.
"C'mere, Farley." Kennedy slowly turned her head and found Bucky, for the first time, looking right towards her bunk, his eyes glowing a bit more in the darkness, reminding her, surprisingly, of Frank, Marianne's cat back on base. Watching her with that look in his gaze that drew her in enough to want to get up from the bunk.
Kennedy slowly shifted, and pulled her long legs over the edge of the bunk, before letting her feet slide to the ground. She stood there for a moment before turning to him and taking quiet steps towards his figure there against the window.
As she approached him, in this sudden quiet atmosphere, where it was just the two of them for once, not another soul awake, she felt every inch of his gaze on her. The moonlight outside reflected the side of his shadowed face enough for her to see that sad, far-off look in his eyes, and the hint of a hollow smile on his lips.
"What?" she asked him, regretting that she could get nothing better to come to mind when she was suddenly stood by his side. She watched Bucky grin at her in the darkness, from right there beside her and looked out the small window again and nodded.
"First time you see the stars out here?" She followed his line of sight and looked out the dusty window pane and, for the first time, just as he had stated, saw the stars. Glowing, twinkling there above them, ever-present and shining just as brightly as they had when she was a small child back home in Boston, staring up at them at night, praying for the future. For a moment, the world went still and she was that young girl again looking at the stars.
"Yeah, actually." she whispered back to him, looking up at the dark sky, before slowly glancing over at him, his full face illuminated in moonlight. For the first time, up-close, she got a good look at the scars on his face, underneath his eyes, the bruising (which was finally, slowly fading) and the way his eyes seemed more sunken in than she remembered. She swallowed.
"How long have you been awake?" she asked him quietly, watching as the corner of his lip curled upwards at her voice.
"Long enough." he whispered, and then shrugged, "Happens nightly. Don't get as much sleep as I want. Half the time, I stay awake because I don't need one of those German fuckers coming in here and pulling some shit." Kennedy stared at him, her heart pounding at the way his jaw had clenched and his eyes had gone dark.
"Nightly?" she asked him, resisting the urge to reach out and tenderly touch that face of his and tuck him into bed. These boys pushed themselves to the edge, it was no wonder all the girls were acting the way they were with these boys out here. They had no one but each other and youth brought a sense of maternal instinct to them all half the time.
"Yeah," Bucky said quietly, before glancing over at her, his eyes big like a puppy-dogs, "it's why I knew you were awake. You stopped breathing heavy - you hear that sorta stuff when you can't sleep at night." Kennedy watched him, her eyes flicking between his eyes and those scars on his face and she suddenly wanted nothing more than to wrap him in her arms and tell him in some way the world would be okay again.
"You've been up every night since you got here?" Kennedy asked him softly, "Bucky…." Bucky let out a soft chuckle and shook his head before looking at her.
"Kenny, it's fine." he said quietly as he leaned towards her slowly, that little nickname Judy usually called her rolling off his tongue with ease - it was always Farley, always, always Farley, what was this? "Never been better. Hey, I'd tell you if it was getting bad, alright?" Kennedy watched him sling her words right back at her and sighed slightly, her worry rising to levels she wasn't sure had been possible.
"So," Bucky said, glancing back out the window they were leaned up against, smiling slightly, "what was going on in that dream of yours?" Kennedy sighed and she heard Bucky laugh quietly.
"Are you seriously going to keep asking me that?" she managed out back to him, as quiet as she could.
"Maybe." he said with a humorous tone to his voice, "You get all passionate when I piss you off, so, maybe."
"I really wonder what goes through your head sometimes." Kennedy whispered back, with a slight bit of teasing in her voice, before she felt reality wash over her and she couldn't help but look to him again, regaining that feeling of wanting some sort of comfort. She couldn't work out the feeling of her nightmares, or that feeling of being alone in that bunk and trying to fight off her mind - it was making her go crazy.
"You wanna know?" Bucky asked her, gently nudging her shoulder, his voice suddenly more serious than she'd heard it ever before, sending her a quiet smile, "I'll tell ya." She watched him, her eyes unable to turn from his in a way that made her eyes glued to his.
"I'm really fucking scared of the way this place'll change me." he told her quietly, that smile on his face fighting to stay on his lips, like a part of him was trying to convince himself that he wasn't scared, that this wasn't what he was feeling, that this wasn't the reality, "That I won't ever get back to the person I was before getting dropped in here like a sack of potatoes." He let out a weak laugh and leaned against the window pane again, "Fuck." Kennedy watched him slightly from her tilted head and watched as he struggled to keep that smile on his face.
"Keeps me up at night. All this shit." Bucky said again, trying to do some more, further, convincing for himself, to make it all plausible. Kennedy felt so quiet beside him that she was sure she felt like a nuisance because of the fact she was saying nothing. But it felt like Bucky was saying things that he'd bottled up and was now forcing out because of the fact it was spilling over at this point. And he was trying to pull it all back in, but failing.
"You're still Bucky Egan to me." Kennedy said, her voice, for the first time in weeks, firm and confident. She looked over at him, with a nod. "You always will be." Bucky smiled at her, tender and gentle, and nudged her shoulder affectionately.
"Thanks, Kenny." he said quietly and she smiled at him with a nod. Then, both their gazes were set out the window pane again. But Kennedy was itching to say something, to get her voice to work. She felt like she needed to say something else. Almost awkwardly, she reached up to rub behind her neck before glancing at Bucky again.
"I was reliving when the plane got hit." Kennedy said quietly, causing Bucky to look towards her with a mixture of surprise and worry written all over his face, "The dream. It was like I was on the plane again as it went down. As Annie told us to bail. It happens all the time. At night, even when I nap. It's always in my mind. Those final moments." His eyes worriedly washed over her face as she stood beside him, suddenly any sort of stars or moonlight seemingly forgotten about and his focus solely on her.
"Every night?"
"Mostly." she offered, with a nod, "You get used to it. The bail out bell. The plane snapping in half like a toothpick. The screaming." Kennedy shivered, with a nervous smile on her lips.
"You could've woken me up." he offered to her and she shook her head.
"I usually just count back from 100 and then I'm asleep again," she told him quietly, "my mind's usually blank the second time I get myself to sleep anyway." Bucky stood frozen beside her, his body ridged and his eyes hard and narrowed. He slowly nodded, like taking in what she was saying was physically hurting him.
"Thillburn?" he asked her. She must've been mumbling his name on her lips at night. He must be dead.
"Radio ops." she said quietly, "He was half-dead when Annie and I got his parachute on him and got him out. Haven't seen him since."
"What happened to him?" Bucky asked, his voice distant.
"Flak got him…..I think. Came right through the side of the plane." Kennedy managed, as her eyes became misty, "He was begging for me to save him, ya know?" She looked over at Bucky and that moonlight bathing his face and sniffled slightly, before shrugging and looking back down at her fingers, knotted into one another, her thumb rubbing in that same spot over and over when she was worried. She let out a shuddering breath.
"Kennedy, Kennedy, he yelled, over and over. Don't know if I even did anything to save him." Kennedy managed out, "I just hope he landed somewhere…..and if he went, it was peaceful. Ya know?" She looked to Bucky and watched him nod firmly at her - even just seeing him acknowledge her was enough to know in a way that she wasn't crazy deep down. That someone was listening to her and she didn't sound like she was talking out of her ass to him.
"Stalinker. Ball turret gunner," Kennedy offered looking over at Bucky, "must've died on impact. Flak got him." What if that had been Judy, Kennedy thought quietly, feeling her stomach turn.
"Jenkins, our co-pilot. He disappeared somewhere in the clouds." Kennedy said softly, "They were shooting at us after we jumped out. The Germans." Bucky's grip on the window pane made his knuckle turn white and she saw him glance over at her with a stern look in his gaze.
"It just…it lives in my mind. That moment, those 15 minutes of hell," Kennedy said softly, "it's so stupid, but I just can't get it out of mind. Thank God for Annie, hell she was the only stable one of us up there. She's the only reason I'm probably alive."
"Bradshaw's pretty good for that, huh?" Bucky said, his voice more strained than it had been and she nodded as she looked over at him, "She keeps us all going more often than not." Kennedy managed a shaky smile and nodded to him as her eyes welled with tears. He slowly looked towards her and noticed that look in her eyes, nearly quicker than herself and offered her a weak smile.
Bucky didn't take another second though to reach out to her shoulder, closing that small distance between them, rubbing his hand against her shoulder, in circles, over and over, allowing her to catch her breath for a moment, knowing he was right there beside her.
"It's not stupid, Kenny," Bucky said quietly, his thumb brushing against the bare skin on the back of her neck, "you know that. The shit we went through, how we all got here. It was all fucking hell. Thought I was gonna die out there. I'm half-surprised I'm even standing here talking to you now."
"I'm glad you are."
"Thanks, Kenny." She managed a watery smile his way as he smiled weakly back. They watched each other in the quietness for a moment, and she watched as Bucky smiled wider at her, which made her feel safer in that moment more than anything else.
"C'mere, Kenny." he said quietly, pulling with that arm on her shoulder to him. And with how weak and broken she felt, she took that small step between them, and let him pull her into his arms, collapsing into his warm embrace, her face breaking against his chest, as his arms wrapped around her, holding her up against his form.
Kennedy had become pretty good at crying without making a noise, but with each tremor that came from her body, she could hear her silent whimper in the back of her throat that was enough to make her fracture more.
The sound made her think of when she was younger, racing after her brothers on Main Street, unable to catch up to them because she was the youngest sibling and the shortest with the smallest legs. And she'd usually trip and split open her knee and be sobbing her heart out. And then her brothers would come back and coddle her and wrap up her knee with some fabric from one of their shirts and help her back home for her Ma to fuss over.
And soon enough, it happened all the time, and she was able to mask it all. She'd brush off her brothers and her Ma and she toughened up, so she could keep playing.
Eventually it became her way to hide everything from everyone.
But with the way Bucky was holding her, she knew he was looking through her like glass, like he always did.
Kennedy could feel his warm breath from his slow-moving breathing, washing down on top of her as his one hand stayed steady on her lower back and the other lingered between the back of her head and her neck, her unruly hair mused in his fingers as he continued to hold her there. A part of her told her to stand up, move away from his embrace and his arms and him; she was strong enough on her own, she could handle this. But her other half told her to stay there, let him hold her, in the cover of darkness, in the middle of the night - someone was willing to hold her there and not let go. No one had ever been like that towards her, no previous person in her life had been such a way around her.
Holding her in the cover of darkness to try to chase away any sort of nightmare like the ones she always had.
Slowly, she turned her cheek against his chest and listened to the soft pound of his heart in his chest. Her cheeks wet with fresh tears, her eyes itchy and no doubt beet red, she couldn't help but relish the feel of his arms around her - he was so warm, so present, just standing there. It was like the ocean waves had crashed over her, pummeling her down onto the sand, and were finally, slowly receding again, letting her breathe. Kennedy slowly pulled her face from his chest and looked up to search for his eyes again and found him already watching her with that quiet look of his; she attempted to smile.
"I'm sorry if the front of your shirt is wet. It's cold enough as it is," she whispered quietly, her voice sounding like she had been yelling for hours, "thank you, Bucky." Bucky quirked out that lopsided grin of his.
"I don't mind. Honored to have a woman like you wrapped in my arms," he whispered back to her quietly, a small laugh following, "I think we should do this more often." Kennedy sniffled out a small laugh, reaching her hand up to flick his shoulder in her weak attempt at protest that she always did with him. But with the way he was looking at her and holding her, she couldn't keep up their usual banter it seemed and just let him hold her.
"You think?" she whispered back, and then sniffled, smiling slightly, "You tell anyone about this and it's on-sight, alright, Major?"
"Yes, ma'am." he said, his voice low as she let out a small laugh and rolled her eyes at him, not entirely minding the feeling of his gaze on her and hands pressed onto her back. She watched him for a moment, before he cleared his throat.
"Hop in my bunk," he said quietly, "you'll sleep better. I'll be your knight-in-shining-armor or some shit. Fight off the nightmares." Kennedy watched him, her cheeks blazing, her eyebrows rising in surprise.
"Uh…really-"
"Yeah, yeah, seriously," Bucky said, "anyone's got questions, I'll give 'em their answers, alright?" Kennedy watched him.
"And to think you were heckling Annie and Brady because they were doing the same thing-"
"Kenny." Bucky said giving her a look and she couldn't help but chuckle softly.
"I punch sometimes in my sleep." she muttered.
"You can punch me whenever you need."
"Bucky." He let out a small chuckle.
"C'mon." he said softly, nodding his head towards his bunk. It was at least 10 degrees colder when she pulled from his embrace and they slowly trekked over to his bunk. She glanced at him and his tall form beside her and he nodded her on encouragingly. She pulled herself up into the bunk and rolled to the wall-side before shifting a bit and turning her head towards him, watching as he sat down and settled down inside the bunk beside her. He made a quick move of laying the blanket over them, keeping the few inches between them, very much a present and existing thing.
"Get some sleep, Kenny." Bucky whispered softly this time. She was staring up at the wooden ceiling of the bunk above her again and could feel her heart beginning to race. His body heat next to her was a help - with the wall on her other side. She felt comfortably cocooned in for the first time, knowing if the Germans were to come in, Bucky was right there.
Kennedy slowly shifted her head to the right and looked towards Bucky again and found him wide-awake, staring at the ceiling of the bunk above them, too. She couldn't help it. She rolled onto her side and then shifted closer towards him, causing his eyes to meet hers again.
That silent stare down lasted for a solid minute, before she pressed her body up against his side and wrapped her arms around herself before pressing her face against his arm and letting out a sigh, his warmth infiltrating her body and making her feel at peace for once.
And to say it didn't take long for his own arm to lift up and pull her closer, as she quickly snuggled in at his presence wrapped around her body, his touch firm, but gentle, was an understatement.
"Someone likes to cuddle." he whispered to her. She grinned against his ribcage, before sniffling.
"Shut up." she whispered back. He chuckled back.
She could finally breathe.
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cinna-bunnie · 16 days
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i love looking down or catching my reflection in a window and being like oh i forgot I'm hot today
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maxanor · 6 months
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i am so fucking ready
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voldheart · 2 months
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Wait wait I just scrolled by a mutual that reblogged your Godseeker-Comic. Is that an AU? Is there more of this? This is so interesting! I have never seen Godseeker turning to be a part of Void. Mostly just always getting killed by it.
I hope you're doing more with this concept in one way or another because this is a really interesting idea!
ouuu thank you 🥺❤️ its not really an au, its more like my interpretation of a continuation to the embrace the void ending!! :D I think most people are not aware that she canonically doesnt die, and take the ending at face value.... its kind of hard to explain for me since even i am not 100% sure what exactly happens lol but i like to think that theyre perpetually linked or fused together in some weird way. and i feel that this result is pretty intentional from both sides.
Godseeker mentions that they seek gods to "clutch at their greatness and immortality", which i assume that with 'clutch' she means that these traits would be shared with the Godseekers through the "Godly focus" thing. And the knight, besides the fact that it proved its strenght against the local strongest beings, it posesses (via the Void Heart) the void under its will, which is literally said to be an "eternal" force that "denies time", ie immortal.
and this union of sorts would be beneficial for the knight as well, as it can go into Holy Beast mode at just about anytime it wants, which is a really awesome powerup if u ask me. That and also (in my headcanon) it does like her. very much :-)
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sysig · 5 months
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Two big softies(?) (Patreon)
#Doodles#Handplates#UT#Fellplates#Gaster#Flowey#Flowey is still my favourite UT character so honestly a lot of this was just self-indulgent doodles lol#But then - as always - it did turn into Thinking A Lot about [thing] lol#Starting with the classic tho! Flowey friendly-like coiled around whoever he's talking to ♪ It's too fun hehe#I love Flowey getting just a liiiiittle too close and personal to a discomfort degree ♫ He's just being friendly! It's a hug! A snuggle!#He's your best friend so you don't mind right? :) Why would Fellplates!Gaster mind ♪#He's always posed to stage right when I draw him haha - I'm still fond of the one Gravity Falls/Undertale crossover piece I made with him#Anyhow lol - yet more fluffy wings! It's just fun if they're expressive I want real feathers lol#Gaster's face completely neutral but his wings all puffed up and freaked out hehe#Flowey would definitely be able to tell if those are when he chose to wrap around!#If they were just the decorative version he'd fall right off from his own weight pulling them loose lol#Absolutely thinking of the one of Gaster screaming while being vine-wrapped by Flowey haha - he's totally innocent here! ♥#And then a little idea of how each of them react to humans - UkaGaster talks a lot about his general positive feelings for humans#And Fell!Flowey is.....well I have my own thoughts about how he might react to humans now that he's been...himself for a while#There have been Fallen Humans in the time between being locked in the Underground and [now] even in Underfell hasn't there?#I guess none of them would've made it as far as meeting up with Gaster - bit of a dark thought heh - but Flowey would know#Is it selfish? To wish for humans or to keep them a secret from the rest of the Underground? What might happen?#It's interesting to think about! If there were humans then surely Gaster must be aware of the Souls?#But even if not - even if this could be before all that - Flowey would still know about human Determination to an extent - being what he is#It wouldn't turn out well for anyone :) That's what makes it interesting ♪
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iiping · 2 years
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my xiaoaether compilation! ☀️
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johnslittlespoon · 2 months
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hey, how do we feel about ken and brady? because:
thinking about brady getting up early to go spend time with his little mechanic before everyone else is awake, his version of courting ken being sitting on the tailgate of a truck to watch him do his routine checks, fond smile playing at his lips, a softness so evident that it'd be useless to deny it if anyone pointed it out, but he'd still try.
ken following him around base like a lovesick puppy after the morning's mission, hanging off his every word, looking at him like he's the coolest ever, and to ken he is. eagerly leaning forward in his seat, chin in hand when brady relents and tells him about his flight in the mess hall later, shooting question after question at him until brady quiets him with the suggestion that they go on a walk, "so we don't drive the others mad with your yapping."
ken grows more shy when it's just the two of them, hands in his pockets as they walk off base to stroll down a quiet country trail, fighting off a dopey grin every time brady purposefully bumps against him. the rush of developing feelings, every interaction feeling so fresh and exciting, pure young summer love.
a drawled out "enough about the mission– what'd my pretty handyman get up to while i was gone?" as brady slings an arm around his waist when they're far enough off the road to not worry. light pink blooming on ken's cheeks at his words, smiling bashfully as he tells him about the little things that happened throughout the morning.
the two of them end up in some open field as they often do, sweaty in the sun, cargo pants on but shirts discarded in the grass. brady's laid out on his back with sweet angel ken on top of him, hands cupping ken's face as his boy leans down to kiss him all smiley and giggly and flushed, curls messy from the summer heat and roaming hands.
all of their days off spent in that field, a summer full of lazy make–outs and secret glances and careful brushes of hands, growingly increasingly fonder of each other's company and navigating the feelings that come with that. evenings spent up on the wing of whatever plane ken's spent the day working on, laying his head in brady's lap as the sun goes down, resting his eyes while brady reads his book out loud to him, or while they both talk about their days.
innocent first–love surviving the summer, stretching into fall and then winter, romps in fields turning into cold evenings under blankets when they can sneak into unoccupied barracks. the light small talk and nervous kisses and hand holding of the sunny season morph into late night conversations over the howling wind outside about what will happen after the war, fantasizing about a cozy apartment and a bed for two and quiet mornings and a future together.
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