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atopvisenyashill · 11 days

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Who are Sansa’s potential contenders in your opinion?

i’ve talked about this before but i’d love to talk about it again lmao. i think the potential romantic endgame contenders are (in order of most to least likely) jon, brienne, theon, and podrick (there’s a wide gap between theon and podrick) and i use the term romantic like……i mean a little loosely. i’m gonna explain my criteria a bit.

sansa’s suitors must be

within a decade of her age

someone who has, when they meet her, a claim to a seat powerful enough to at least be in the same ballpark as the Starks

someone who would be willing to relocate to winterfell or near winterfell

someone who won't feel threatened by her title

shares her romantic sensibilities

someone whose identity subverts the typical Westerosi idea of what a True Knight and a Proper Husband is

someone who is actively trying and at least partially succeeding at being a good person, but specifically someone who has themes associated with what she desires - a True Knight and Hero From A Song

so let’s explain.

firstly, when we’re talking “potential contenders” i think everyone is picturing something slightly different. i’m talking about like. the relationship that will be one of the focal points of her story going forward, the relationship that will mean the most to her bc it fulfills her dreams while matching her growth and maturity, the relationship her story is building towards her meeting. i think there’s a lot of,,,idk confrontations on the horizon. theon hearing bran in the trees. dany’s nightmare about (probably) euron. everyone and their mother hearing wolves howling in the distance. half these characters are like on a boat, on a dragon, on a walk in the woods, literally on the way to meet someone when we leave them in feastdance and sansa is no exception to this - the Themes Are Coming For Her.

i think there’s been a build up over sansa’s story that she is going to meet The Hero Of Her Dreams, but they will not fit the typical mold of a hero. They will help empower her, protecting her physically while she protects them politically. There will be genuine love, and dedication. A bond to rival Naerys & Aemon, Florian & Jonquil, a person who will love her until the end of her days…a person who is also going to be helpful when it comes to her new role as The Stark In Winterfell. this means a) the line of succession will be dealt with in a practical manner and not swept under the rug and b) someone who likely has some sort of background in either politics or battle.

Maybe it’s a contradiction to say this relationship can be romantic and satisfying to read while also saying there's a chance it will be “subtext” but…I just think, looking at his inspirations being soooo focused on things like courtly love, chivalry, that a spin that involves Sansa feeling a deep affection for a Knight protecting her, with no men around (but again, crucially, having discussed how the hell she’s going to have kids, with a partner who will not shy away from a frank discussion like that) is still a satisfying "romantic" arc. Yes i am saying this is how I have my cake and eat it too, where Braime fucks and then Jaime dies, then Brienne stays in the North with a conveniently (publicly) single Sansa who leans on her for comfort. This is my meta and we're never getting the winds of winter to disprove it, but also I'm thinking specifically of the focus on rumors surrounding the sexualities of a lot of characters in F&B - Alyn and Addam Velaryon, Rhaenyra Targaryen, Laenor and Laena Velaryon, Rhaena the Black Bride, to name just a few very obvious ones - as well as the repeated princess and knight dynamic that follows both Sansa (with Dontos and Sandor) as well as is present in F&B (Rhaenyra & Harwin, Rhaenyra & Criston, Alysanne & Jonquil Darke, Aegon & Visenya imo also fits this) that this dynamic can be romantic but also not explicitly stated to be a sexual or romantic relationship. MOVING ON.

I think it’s actually most likely that Briensa and Jeynsa that are winning the “so which one is actually gonna go canon” war bc they’ll be single, in the same place, and clearly devoted to each other while like, Jon/Theon/Aegon/Sandor/Tyrion/Basically Every Man Shipped With Sansa are miserable and cold or dead elsewhere. (littlefucker isn’t included bc he’s definitely dead 😁). I just need everyone to understand my definition of “goes canon” is so so loose. ANYWAYS. EXPLANATIONS-

within a decade of her age

i am once again saying that every relationship with a huge age gap that starts with one of them below the age of 17 ends badly and the reason is bc george is not a pervy moron, he is actually writing about the ways in which the hypersexualization and forced child marriages in westeros are damaging to these girls. “but he said dany & drogo were in love!!” he’s very clearly the sort who likes to find the romantic and erotic in the grotesque and horrific, and looking at this from the character’s point of view. i think his comments line up just fine with the justifications these girls make to themselves about the marriages they are forced into. also he’s just an old man and he phrases things in ways that make you cringe sometimes, pls be serious 😭 the only exceptions to this rule are really Rhaenys/Corlys and arguably Rhaenyra's various romantic ties but a) none of Rhaenyra's romantic relationships end well and in fact help speed her right along to her gruesome death and b) Rhaenys and Corlys' relationship is fraught with political problems and also, he has an affair with a teenager so again, george is Saying Something about the reasons why certain types of men prefer women much younger than them. "but what about roose and fat walda?" they are both gonna die horribly, next question.

SO. it’s not gonna be tyrion. it’s not gonna be sandor. it’s not gonna be littlefucker. they’re too goddamn old and sansa spending the rest of her life rationalizing these guys perving on her when she’s barely even middle school aged is not (imo) the ending she is going to get.

this leaves us with the rest of her more popular ships - jeyne, margaery, harry, sweetrobin, aegon vi, jon, theon (admittedly pushing it here! i can be logical about this!), podrick, and brienne (technically bran and arya are here too ig, i mean if we want to be really fair to all ships). onto the next criteria-

someone who has a claim to something in the same general social circle as winterfell

technically i do think there’s a chance george goes for something radical at the ending like abolishing the monarchy and if he does that i will kiss him on the mouth (with consent from him & parris). BUT. i think the most likely ending is more of a loosening of the feudal system - showing us the next few hopeful steps away from absolute monarchies. what i’m saying is The System still exists and will still exist throughout twow and ados, so I think it’s logical to assume that Sansa is not going to marry “beneath” her. if anyone does, it's arya.

anyways that’s a double pass on sandor & littlefucker. this is also why i admit pod is a stretch - the paynes aren’t nobodies but pod himself is from a cadet branch, so fairly low in the pecking order . i mostly include him bc i think he’ll make a name for himself alongside brienne, potentially enough to overcome that gap and he fits the rest of the criteria too well imo to completely disregard him. “why can’t sandor or littlefucker do that” bc sandor doesn’t have enough time before the end of the series to make up for all the shit he did as the hound In The Eyes Of The Public Or, Crucially, Sansa’s Family and littlefucker is going to die 😁

you could argue this also crosses out jon and jeyne. COUNTERPOINT - jeyne is a girl it literally doesn’t matter so long as she’s high enough to be one of sansa’s ladies and she is, so she passes; jon is one of three targaryens left alive (and even if aegon's a blackfyre, he doesn't know that so still counts!!) and all the secrecy around jon's legitimacy + robb’s will means clearly something is cooking here. also he has an impressive resume on paper.

someone who would actually live in Winterfell

I don’t feel it’s necessary to argue that Sansa is going to be IN WINTERFELL and END UP IN WINTERFELL bc she lichrally builds Winterfell after Arya, the sibling she interacts with the most, hears a prophecy about a girl slaying a giant IN A CASTLE MADE OF SNOW. This does not feel subtle nor like a stretch. Whether she’s a regent for Rickon/Bran, a ruling lady, or a queen, she is GOING HOME the same as the rest of the Starklings and she will be important in helping rebuild it. Therefore, the person she’s with has to not only be cool with being at Winterfell often, they have to not induce immediate fury and rage in her siblings.

sandor? triple dead. tyrion? we’ll call him 1.5 dead to be polite. aegon vi? doomed and dead. harry hardyng? does Not seem likely to relocate. littlefucker probably would relocate but good luck getting two steps into the north or riverlands without every living starks’ “it’s time to beat that annoying fuck up” alarms blaring in their heads ready to run him through.

theon is a hard maybe but since he actually feels bad & also grew up with them, i think he has plenty of time in the next 2k pages of story to make up some ground with jon, arya, and bran. margaery feels like a hard maybe as well - it’s looking bleak for the tyrells & i don’t think margaery’s family is going to let her move to the north without a good reason. but i also feel like. there’s too many unknowns to technically count her out.

brienne & pod Will be living in the North and they Will be on the guard and That Is That. jeyne & jon don’t seem to have any plans on leaving the North any time soon either.

someone who won't feel threatened by her title

this is a near constant through line in her story - that whoever marries her will want her for her claim first and foremost. it's going to factor into her relationships, specifically about how she's going to have a child. whether she has a secret marriage, longstanding affair, or a public husband, it's going to be someone who is not constantly trying to usurp her power literally or metaphorically.

that means no aegon vi, no sweetrobin, no harry, no littlefucker, no tyrion. tyrion's claim to the westerlands is a competing one with her, and tyrion himself is interested in her title way more than sansa as a person (it's why he doesn't see her escape coming and why he's so bitter over it - the whole time he thought she was a silly girl and had no idea she was plotting to escape and nearly did escape at several points. he thought she was helpless! you can bet your ass he is going to feel threatened by the idea that she does not need his ass). sandor, imo, will also feel threatened by her having such a lofty title, and i cannot see him being capable of any sort of secret marriage. "well they could just marry publicly" she's not publicly marrying a man known to be a child killer. to be completely honest, i think margaery would feel threatened by her title as well.

jon, podrick, brienne, jeyne are all people who would not only not feel threatened, they would be proud, celebrate it, actively fight to keep her in a state of power. theon is imo a maybe - the theon we meet in the beginning would objectively feel threatened by Sansa having a title loftier than his. a theon who has lived through everything he has by the end of the dance is imo much more likely to be happier out of the spotlight. all of them as well would be willing to be frank about how she's going to have a child, and would not mind Sansa saying something like "my children were fathered by a wolf."

someone who shares her romantic sensibilities

listen. she's gonna like, get along with her suitor. someone who won't laugh at her for wanting to be swept off her feet, someone who also craves a more romantic life.

this eliminates, imo, harry, sweetrobin, littlefucker, and sandor, probably aegon vi as well.

brienne, jon, theon, jeyne, and podrick are all romantic types - jon imagines having children named after ned and robb just llike sansa, theon had dreamed as a hostage of marrying sansa and calling ned father, brienne dreams of lofty knightly ideals of protecting the weak, and podrick and jeyne both have stories very much tied to subverting the ideas of a true knight and a damsel in distress.

someone who is an Atypical True Knight

💙✨this is a post about briensa✨💙

true knight/hero from a song themes + marginalized in some way in Westeros = brienne, jon, theon, tyrion. sandor feels relevant here in that he is not a true knight but he clearly wants to be after his encounters with the stark girls and also he doesn't look like one either.

aegon vi could arguably count due to being dornish, so i guess i'll give him a .5 in this category. harry is as typical as they come, and neither margaery nor jeyne have anything that links them narratively to the concept of a true knight or hero from a story (except, i suppose, for jeyne's link to theon). podrick is also fairly typical but again, kinda lowish for a noble so i guess .5, and he also has several scenes where he's expressly linked with being an Atypical True Knight (mainly, the scene where he saves Tyrion during the Battle on the Blackwater).

a True Knight

i simply do not think the lesson sansa is going to “learn” here is that no one will ever love her for who she is and her marriage will be about her claim and nothing more because there are no True Knights left. every time someone is like “she won’t have a romance bc her story is about not needing love” i find it mind boggling because in what world is asoiaf about not needing love, first of all, and second of all, her arc wrt her desires for marriage and love has so clearly been tied to this concept of a True Knight and the idea that a True Knight does not always ~look good~ and that someone who is not a knight may be capable of good and that you can always just Choose To Do Good at any point but you have to Make That Choice, and that is all very different from “not needing love.” Sansa is naive yes but!! Sansa is Dunk sitting there surrounded by strong handsome men in expensive, gorgeous armor and asking if there are any true knights among them-

EXCEPT SOMEONE WILL STEP UP TO THE PLATE.

“a dream of spring” means there will be just a little hope. so help Will Come and they will be a True Knight they just won’t take a form she expects. this is a large part of the reason why i’m on the briensa train. Brienne is The Truest Of True Knights! She serves a King she's in love with who doesn't love her back faithfully, she swears a vow to Sansa's mother after comparing Catelyn's courage to that of a knight's and laments the fate of women who die unremembered in a birthing bed, she's on a noble quest to find Sansa with an assist from The Most Infamous Knight In Westerosi History, she’s the secret descendant of The Other Truest Of True Knights, and I feel it’s very clear from geography, theme, and foreshadowing standpoints that Brienne and Sansa are going to be linking up soon.

I have always felt that the Ashford Tourney Theory is linking Sansa to both Jon and Brienne narratively - Jon for being the dark haired Targaryen Prince defender and Brienne for being the Dunk descendant and True Knight that interrupts the tourney. Not only that, but Jon has that "she wished for a hero to strike him down" "ed, fetch me a block" parallel that I think is really important.

BUT. They're not the only ones with links like this. Theon has the similar link of how life is not a song and is actively grasping for redemption when we last left him. Podrick, like Brienne, is on a True Knight's quest to save Sansas and is discounted as a hero despite having several heroic moments for himself - including actively seeking Brienne out to help with her quest. Tyrion frequently struggles with concepts of morality but is on an absolute downward trajectory.

Who is not tied to these last two concepts nor acts at all like a True Knight? Aegon VI (arguable I suppose), Harry Hardyng, and once again, Littlefucker.

IN SUMMATION

Who doesn't fit any of the critera? Littlefucker, and that's why his ass is grass.

Who fits very little of the criteria? Tyrion (too old, not likely to live in Winterfell, cares too much about her title, on a downward spiral), Sandor (too old, too low born, not a True Knight and not becoming one any time soon, plus Arya will kill him if he tries something), Aegon VI (would not relocate, is not tied to the concept of a True Knight, plus he's doomed), Harry Hardyng (would not relocate, cares too much about titles, is not a true knight nor atypical in way, doesn't seem given to romantic sensibilities).

Who fits most of the criteria? Jeyne Poole and Margaery Tyrell. However there are pretty big plot reasons Margaery won't have any sort of romantic, subtext or otherwise, long lasting relationship with Sansa so even though on paper she fits, I think she's highly unlikely to impossible.

Who fits all of that criteria, ie, close to her age, has an important name (or has a reason why it doesn't matter), and is an Atypical True Knight with a romantic outlook on life with narrative links to Sansa? Brienne of Tarth and Jon Snow, and arguably Theon Greyjoy and Podrick Payne.

Anyways I think Sansa should start a bisexual polycule in the North. Thank you for coming to my ted talk.

#asks #anons #sansa stark #rani attempts meta #briensa #theonsa #jonsa #anti sansan #anti petsa #anti sanrion #book jonsa

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jack-kellys · 1 year

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west end question: i obviously love my brooklyn girls and would die for them all, but is it bad that it’s taken away the sprace dynamic for me? like i’m still 100% on board with a nowhere near canon ship and it shouldn’t affect me they’ve decided to have spot be a girl, but it lowkey has? and i feel kinda guilty about it? idk i love my proshot boys. but i am 100% here for all the uk newsies cast they are amazing and so talented and it’s definitely my favourite production by far!! idk if i’m making sense

ok part of me feels a litle baited actually because like. i feel like... im vocal abt mlm musical sprace not being a big vibe for me in the first place. so im a funny person to ask if you were looking for relief lmao. anyway here's my thesis below.

wait also if ur a white newsie fan a read-thru+rb of this would be much appreciated thank youuu (also yall have been eating up my character analyses anyway sooooo!)

TL;DR THESIS: if you're feeling genuinely let down that your ship did not see the light of day and a black girlsie spot conlon got to instead, then yes, you should reevaluate that.

followers, if you've been with me long enough, you know that i have quite strong opinions about how this show gets treated when it comes to interpretations and fandom/fanon. mostly, this is because i literally work in theater, and it's extremely backwards in my brain personally when shows get treated more like a movie or tv show than a performance piece.

im also one of the only ppl in this fandom that ever seems to dare speak on race (not the damn character smh). and anon, buddy, kiddo, this does have to do with race, gender, and sexuality.

firstly, what i think needs to be understood about newsies, is that it is theater, which means it is meant to be mutable. there is no one way. there should never be one way. it does not exist. secondly, theater does not exist in a fandom vacuum. its live every night, conceptually. theater is a live performance art.

interpretations change- it's the nature of theater. so i think asks like these really do illuminate the difference between fans of the show's content or fans of... i guess the show's culture's content.

this is a culture content ask.

one thing i really, truly, deeply need you all to understand: from an objective, script- and staging-based perspective, proshot sprace does not exist. they do not speak. they barely see each other. race does not even volunteer to go to brooklyn. the ship originates from the 1992 movie, where they do actually interact, which is why the ship has prevailed through the 90s to today. they're from the movie, not the musical.

of course, this doesn't bash the ship- it has history, and naturally fans want to create new history when they get a new source material (the musical). it's true for like every newsie ship lowkey (but also not lowkey because all the manhattan newsies do interact and sprace literally does not but thats a different post!!), which is something i do admire about the fandom- we do a lot of our own legwork here, we invent relationships and backgrounds from one-liners that could be given to tbh any frickin newsie. i respect the 30 years we have invented ships.

however.

when a huge, publicized, consistently sold out production comes along with spot conlon as not only a woman, but a woman of color (specifically black rn!) as the leader of the most feared group on stage, there becomes something much more important than a "sprace dynamic", which does not canonically exist in the musical anyway bro. you can't miss something that isn't there imo. often the story and casting within a story comes first, and goddamn if this isn't one of those times. lillie-pearl's spot brings bravado, swagger, confidence, and intimidation that is literally....fine maybe i'm being personal but it is slash gen incredible to see in technically a period piece! a black woman in leadership with that kind of assuredness! in such a popular musical! how is that not– automatically surpassing an often obsessed-over (yes i am. hinting at something here, straight girl fans) mlm ship?

and while i'm on the topic of the over-obsessiveness of mlm musical sprace, let me talk about uksies sprace. because what's also wack abt this ask is that sprace is not a hopeless case in this production- it literally has about as much 'evidence' as the proshot imo!!!!!

i got to hop over to 2nd row brooklyn seating for act 2 so i saw once and for all really close up, right. there's a moment when race is upstage letting the newsies in/down from the stairs. spot comes down and she does, in fact, share a look with him. race gives spot a nod and she keeps moving.

and like im gonna see the show again (every day i am counting my mf blessings fr), so if i'm wrong or they don't do it every time i'll correct myself, but that's what i saw with my own dang eyes on saturday. they do acknowledge each other in uksies.

and since they do, i really like. i have to ask. what is bothersome/unpopular abt uksies sprace, other than oh idk.... its not white/white mlm with a twink/manly bf trope? why can't race still love who spot is as a character, this strong and fearless ruler of brooklyn, in uksies? because tbh josh's racer...nahhhh because. this is such a side note now but they'd be so good together oh jesus am i gonna ship uk sprace. and it's not like they're 'taking away' from a queer ship because a) you can headcanon spot as a queer girl and race being trans is consistently popular and b) newsies has ten billion gayass ships bro we've been eatin for literal decades.

anon, i'm sure you didn't mean harm by this ask. i'm sure, honestly, that a lot of fans are feeling the same way as you and weren't quite sure how to put it in words. but, i'm also not surprised you sent an ask like this on anonymous specifically.

should you feel guilty about it? i don't think guilt is the right word. but i believe you should think more about how newsies is not.....static. it does not exist in one form, and it never will. if you're feeling genuinely let down that your ship did not see the light of day and a black girlsie spot conlon got to instead, then yes, you should reevaluate that. in theater, you should always question why something impacted you the way it did- a major point of theater is to discuss and think about it when you leave! i know this because ive spent three years literally studying it, to back up my thesis credentials.

thank you for reading this, newsies fandom. i do honestly say all this with love, and i hope it made u think !! ♥️

#i just. damn dude. im tired #sprace #race x spot #racetrack higgins #spot conlon #newsies #sprace newsies #newsies uk #uksies #newsies the musical #newsies live #livesies #west endsies #west end newsies #race higgins #race newsies #spot newsies #anyway josh's race would fall ridiculously in love with lillie-pearl's spot. like goddamn #i believe in them and you should too!! uk sprace!!!!

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amporella · 2 years

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hello! how are you doing today?

also what are your opinions on kenny?

I'm doing really well, ty! And omg, what a question!!

Firstly; I love Kenny, and I did not love him at first, weirdly enough. When I first got into the fandom I was really just enthused about Kyle and Stan in equal amounts, and I really didn't care about most of the other characters (which is now crazy to me, imagining a life where I truly did not gaf about Craig). That started changing around two years ago, around when I actually started getting passionate about K2 (and which came first is really just a chicken and the egg argument), and I have cared for him ever since <3 the Poor Kid also played a really significant role in me loving him, as well as TFBW.

As for fandom portrayals; there are a few Kennys that I really love fanfiction-wise, but honestly, I'm not super passionate about him in fanfiction. That's not to say that I don't like him there, because I do, and I actually don't find a ton of faults with his portrayal in fanfiction nowadays! I hear a lot of complaints about him being portrayed as a womanizer, and I have no doubt that was a Thing - but it just doesn't seem excessively common nowadays, and I'm really not one to dwell on past portrayals as something that needs to be continually addressed in modern fandom. I think I'm really just not excessively passionate about fanfiction Kenny because the fanart for him is just SO insanely good and hard to top (I've had him as my phone background multiple times), and because the Kenny ships I'm legitimately passionate about are all relatively rare in the grand scheme of things - at least compared to the popularity of some of my other ships - so he rarely ends up as a main character in the fics that I consume. Also, he's just so good in the show (and so complex, despite some takes) that it's really difficult to elaborate on him in a way that still feels true to character, especially considering how wordless he is when he's being himself (as opposed to Mysterion/Princess Kenny) - the first time I read SP fanfic I was a little caught off guard by how talkative he generally is in fanfiction, even though he obviously IS relatively talkative in the show - we just never really get to hear exactly what he's saying. I guess my point in this ramble is; I think it’s really hard to nail him!! And probably easier for artists than for writers.

And as for the discourse that's been floating around related to him recently; I don't think Kenny's overrated, but I think that's also partially because I hesitate to call anything in fandom overrated. Like, by what standard is he overrated? By one person's enjoyment of his character? By his screen time? By the amount of words that he's said on screen? It's all incredibly arbitrary, and imo, as long as people are enjoying him and continuing to make content for him, he's not being valued more highly than he deserves, no matter what standard that's being held up to. Besides, Kenny is a legitimate cultural icon, no matter how much of a significant role he plays in the show - when you ask someone what comes to mind when they think of South Park, there is a good chance they will think of that dirty mouthed little orange guy, so even if we were going by his cultural relevance rather than the enjoyment people get out of him when gauging how overrated he is, he STILL wouldn't be overrated. This also kind of leads into my opinion that complaining about a trope/trend in fanfiction is really just pointless if you aren't going to contribute in favor of the trope you prefer, so when I see people talking about how Kenny is overrated and x friendship/ship is better, it's kind of like - okay, yeah, so? What are you going to do about it? If you don't like bunny, or Kenny playing a specific role in fanfiction, then write something in which that trope doesn't occur! It's a lot more productive in the long run, and the alternative ends up coming off as entitled.

Anyway, TLDR; love Kenny, he doesn't deserve controversy, and he is an icon.

Thank you for the ask!!

#south park #kenny mccormick #asks #ty!! this was fun to answer <3 #promise i'm getting to you top 5 style anon #i am still thinking!!

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meetmeatthecoda · 3 years

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Now that I’ve had some time to cry & mourn & actually think about that horrendous excuse for television... I have... some thoughts.

Firstly, the pace of that episode was insane. I mean, the season itself felt like we were slowly & tortuously hacking our way through a tangled rain forest, trying desperately to see the forest for the trees, but instead stuck cutting vines & branches down one by one... until we got to that finale, which felt comparatively like finally cutting away all the dense foliage only to immediately fall off a fucking cliff. You could just tell they were using the least amount of dialogue they could to move through so many weird emotions at fucking breakneck speed. I mean there was... the brief aftermath in Latvia, the 4 second plane ride to re-introduce Red’s illness after how many eps, Liz’s 3 second long recuperation, the awkward attempt at humor with the helium followed by a crash landing into solemnity at Red’s talk with Cooper, the abrupt & unsatisfying discussion with Red & Liz where he makes his rEqUESt, all the different “heartfelt” one-on-ones with Liz’s people, the fucking forced af “romance” with K**nler, the shoe-horned “chance meeting” with Beth Ryker, the most Agnes has ever talked in the history of ever, the weirdly morbid & fucking heartbreaking walk in the park, the choppy restaurant scene, to the unmentionable... end event. It went all over the place, which is very unlike TBL imo, which usually seems to stick to a theme or emotional center for an entire episode, whether blacklister or mythology driven. I think it was painfully clear how poor their planning was (when they have literally no excuse bc they knew this was coming the whole season???) & just how much shit they were trying to squeeze into one episode.

Secondly - & this may seem obvious, but I think it’s worth talking about anyway - Liz should have gotten her answers. And I’m not just saying this as a Lizzington shipper (I mean, mostly I am, but there are other reasons also!) Primarily, I think bc... literally everyone expected them. Not just bc they were advertised (it’s certainly not the first time they’ve delighted in false advertising in promos when it comes to the all-important AnSwErS) but bc THEY MADE SURE EVERYONE KNEW BEFOREHAND THAT IT WAS MEGAN’S LAST EP. It might have been mildly acceptable to play coy for yet another season finale IF she was coming back in some capacity later to eventually wrap things up, but - given that they fucking slammed the door on that possibility - THEY SHOULD HAVE GIVEN US ANSWERS. I don’t think anyone considered the possibility that they would KILL her & NOT give us answers bc it makes no fucking sense. Additionally, Liz should have gotten her answers simply bc SHE!! DESERVED!! THEM!! They’re literally the thing she’s been fighting for for eight seasons & she fucking died without them? WTF??? But, most importantly to us Lizzington shippers, Liz not getting her answers ruined the park fantasy. I think we all imagined (BC IT WAS MEGAN’S LAST EP) that Red & Liz would finally talk & Red would give her the answers she wanted. I think we all expected from the (misleading) promo that he would make some sense out of the potentially jumbled memories/visions (?) from 8.21 &, most importantly, there would be SOME KIND OF EMOTIONAL TURNING POINT, SOME CATHARSIS, AN UNDERSTANDING & RENEWED LOVE BETWEEN THEM DRIVEN BY THE AFOREMENTIONED REVELATIONS (& LOVE OF WHATEVER KIND, MIND YOU, WE WEREN’T PICKY, JUST SOMETHING FOUNDED ON RECONCILIATION & PEACE.) But - bc they denied us that - Liz was still in the dark & waiting on answers for the entire ep, unable to forgive or reconnect with her true feelings for Red (whatever you believe them to be) & this made her reaction to Red’s rEqUeSt ring very hollow & detached, the whole park bench conversation stilted & awkward (on Liz’s end) & - THE WORST PART - it made the whole park fantasy feel FALSE. It cheapened it. Like she was just indulging him, letting him walk with her & play with Agnes & enjoy one more day of life before she indifferently killed him. The one thing we expected to get, should have gotten, & THOUGHT WE WOULD HAVE NO MATTER WHAT ELSE HAPPENED IN THE FINALE was ruined. With the assisted suicide talk beforehand, the almost begrudging acceptance from Liz, the obvious morbid mindset from Red, the song in the background, the context of it all. It put an awful spin we completely didn’t expect on what should have been our beautiful Lizzington park fantasy. And I think that may be the part that hurts the most - the fact that I can only look at gifs of that scene - bc the music & dialogue & context completely undermine what Liz’s fantasy should have been, that she got for just one afternoon, when she was supposed to be happy & at peace with Red & Agnes.

Thirdly, (anyone still there? lolz) the whole “plot” of this episode was fucking nonsensical. Chiefly - & many other people have pointed this out before now - Red would never ask Liz to kill him. I simply call bullshit. No matter how hard they tried to justify it (& boyyyyy, did they try) Red has never wanted Liz to be a killer, criminal, or have to live a life like him. He has canonically said as much. I could maybe buy the whole “taking over his empire” thing as the seasons progressed, but asking Liz to live with the guilt (however slight or delayed) of killing him, after everything they’ve been through together, after she told him she loves him (seasons ago, but the feelings are still there, albeit buried deep)? And thereby launching her (& by extension Agnes) directly into harm’s way as the “new” Concierge of Crime (?), without him there to guide her from the shadows? No way. Bullshit. Also - & @iwouldlovetoeatyourtoast mentioned this first, I believe - the whole idea of it was stupid anyway bc Liz has spent the entire season chasing him, has repeatedly gotten opportunities to take the big shot, & has always been unable to kill him. It wasn’t even an engaging tWiSt to throw in at the very end bc - even when she agreed to do it - we all knew it wouldn’t happen, also bc Megan was the one leaving & not James. So, it wasn’t a surprise when she broke down at the end & said she couldn’t, so wtf was the point?

Fourthly (almost to the end, god this feels good) & this was a huge tell imo - everyone was OOC. Now you might say that’s the bitterness talking & you might be right... but you fucking try & tell me that 1) Red all of a sudden decides he’s ready for death after how long of not accepting it or mentioning it & absolutely must be killed by Liz & no one else within the next 24-48 hours 2) Liz would willingly go along with that for even a second 3) Dembe wouldn’t try his damnedest to talk Red out of assisted suicide in general & especially coercing Liz into doing it 4) Ressler would be the one to fucking figure it out & hightail it out of bed AFTER BEING ON DEATH’S DOOR WITH A BUSTED LUNG & SEPSIS FFS 5) Wolf Man Van Dyke would even know where to find Liz on a random fucking street corner outside a random fucking restaurant 6) Red wouldn’t see him behind Liz taking aim 7) THERE WOULDN’T BE A DECLARATION OF FEELINGS/LOVE CONFESSION BETWEEN RED & LIZ IN THE 14 MILLION OBVIOUS PLACES THERE COULD HAVE BEEN *PRIMARILY AFTER SHE SAYS “I CAN’T DO IT, I DON’T WANT TO” I MEAN, HELLO????? WTF, WHY WASN’T THERE AN “BC I LOVE YOU, I LOVE YOU TOO, LIZZIE” LIKE HOW HARD WOULD THAT HAVE BEEN, IT WAS THE PERFECT PLACE, THE LAST CHANCE, & WE FUCKING DESERVED ITTTTTTTTTTT *ahem* & lastly, & most importantly, & I’m definitely going to cry typing this... 8) if you fucking try to tell me that Red would allow himself to be pulled away from Lizzie’s dead body for a second time by Dembe or anyone else (especially when it was only the stupid task force arriving???) without simply crossing the street to load his gun with trembling fingers, pull the trigger, & join her... you’re fucking crazy.

In conclusion, bc this has gone on long enough, this was just... a hasty, sloppy, rushed, unprepared, careless ending on all fronts, no matter how hard they tried to convince us it was totally-100%-on-purpose-of-course-why-do-you-ask? (And I’m not even touching on the Redarina bait bc fuck that shit.) Like, did anyone else feel like when Red was telling Dembe that he was sure & this was what he wanted & really he’s positive so please stop asking, and when he was explaining things to Liz in almost too much detail, and when he was telling Harold this was absolutely necessary... that it was really the writers trying to convince us? It just felt so sudden & forced & heavy-handed & absurdly preventable & at the same time ridiculously unstoppable... I mean, look, whatever drama clearly went on behind the scenes? I think we can all agree that they did a terrible, awful, shit-tastic job on all fronts. And it’s just such a shame that that’s how it ended 💔

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queerlennon · 3 years

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Lesley-Ann Jones Is Untrustworthy

So I’ve seen some people in the fandom reading and citing Lesley-Ann Jones’ biography The Search For John Lennon recently and to be honest it’s concerning to me. Lesley Ann Jones has proved in the past to be an extremely untrustworthy source for info about the people she writes about. I understand that it’s exciting to have a book about John that’s not written by the typical “Lennon biographer” type (aka an ageing straight man) and for said book to also promise to shed light and focus on his bisexuality but, if we’re going to analyse John respectfully and accurately, it’s important to identify sources that are biased and untrustworthy, even if they’re technically within our favour. Especially when it relates to his queerness. And seeing as LAJ doesn’t have the best record when it comes to writing about rockstars’ sexualities in a respectful manner, it’s best to treat her words with caution.

Info about exactly how she’s a bad source is under the cut

Firstly, it's key to talk about LAJ's journalistic background when discussing what sort of writer she is: she's worked for papers such as The Sun, The Daily Mail, and The Mail On Sunday. Essentially, the bulk of her work has been for tabloids and traditionally the writing style for those kinds of publications place an emphasis on sensationalism and gossip. Now obviously that doesn’t discredit her work immediately, authors are usually able to write in more than one style so it doesn’t necessarily mean the tabloid style is going to carry over to her biographies; but it’s good to keep in mind when discussing and analysing the legitimacy of the narratives she creates and the stories she recounts in her work.

LAJ has received criticism in the past, particularly from the queen fandom of often overexaggerating, or just straight presenting false information in her bios about Freddie Mercury. She is the champion of the claim that Freddie was bisexual and not gay. Her evidence for this is over-exaggerating and (seemingly intentionally) misinterpreting the nature of the relationship between Freddie and his friend, Barbara Valentin. LAJ claimed that the two had a relationship and even lived together:

“Barbara was very open with me about the sexual relationship she had with Freddie.”

(x)

(x)

However, no-one in Freddie’s life has ever corroborated that Freddie and Barbara were anything but friends. As for the claim they lived together, according to Peter Freestone, an extremely close friend of Freddie’s:

In the event, Freddie never actually lived there although Barbara fulfilled a huge role in Freddie’s life at that time... Freddie became very disillusioned when with more and more frequency articles were appearing in the German press’s gossip columns... about the relationship between him and Barbara... After one article claiming to have knowledge of him and Barbara getting married, Freddie... concluded that it could only be Barbara who was providing the information.

(x)

This exaggeration of their relationship and the insistence LAJ has on presenting Freddie as bi because of it has attracted criticism from queen fans for obvious reasons. For one, it’s borderline homophobic to essentially lie about a gay man having a relationship with a woman while downplaying his relationships with men. No, she’s not portraying him as a straight man, however it’s still erasure of the specific struggles Freddie would’ve faced being a gay man in his time, therefore those who want to analyse him would be missing some of the picture when trying to understand him and his life

LAJ’s research methods are also... questionable. This is a post from Crystal Taylor (one of Roger Taylor’s roadies) about her methods for her David Bowie bio which, if to be believed is particularly concerning.

(x)

LAJ is also known to greatly exaggerate her own relationships with her subjects. She often claims to have been friends with the people she writes bios about (coincidently the people she does this with are dead.) Back in the day she would meet with artists while on tour so the idea is convincing enough. However besides her word there’s nothing to suggest that she had close friendships with Freddie or Bowie, two people she claimed to be good friends with. There’s also this comment from Brian May which actually goes against the idea that she was close with Freddie:

(x)

So with all of this in mind, let’s look at the quote from The Search For John Lennon that’s been circulating around Beatles tumblr:

That Bowie worshipped Lennon is no secret. He'd banged on about it often enough. The ex-Beatle had gone to his hedonism. They'd met in Los Angeles, during John's Lost Weekend. I lunched from time to time with David in New York while working there as a music journalist, before he married Iman. He lent me his house in Mustique, to write the first draft of my first biography on Freddie Mercury.

The crazy pair went out to play, according to David, when John was on yet another break from May and far away from Yoko. They genderbender-ed about, John indulging again that 'inner fag' of his. What larks.

They later 'hooked up': 'There was a whore in the middle, and it wasn't either of us,' David smirked. 'At some point in proceedings, she left. I think it was a she. Not that we minded.' By the time they made it back to New York, the ambisextrous pair were 'lifelong friends'.

I’m suspicious of this story for several reasons but first I want to make it clear that none of them have to do with John having sex with men or being bisexual. I’m a very firm believer of John’s bisexuality (my username is literally queerlennon lmao) but once again I think it’s good to examine the legitimacy of sources, even when they favour our position.

Firstly, LAJ’s source for this story is the claim that David told her, which considering I can’t find any info about them being friends besides her word, combined with the fact that she’s lied about having close relationships in the past raises a lot of flags.

But even if we assume LAJ isn’t lying and did know Bowie, the quote is still suspect, particularly the line “John was on yet another break from May and far away from Yoko.” According to May in her book Loving John, her and John had only one break from their relationship (the phrase “yet another break” implies multiple) that lasted a week, and for the entirety of that week, John was with Yoko. (x)

Finally, the language LAJ uses to describe John and David’s sexualities not only puts me on edge but very much makes me question her intention. Phrases like “the genderbender-ed about,” “indulged his ‘inner fag,’” and “ambisextrous,” all come across to me as fetishisation. Bisexuality is already very highly fetishised and sexualised and LAJ is most definitely not concerned with deviating from that representation. That phrasing combined with the way she also discusses Freddie’s sexuality, where she’s alleged highly sexualised claims about him having threesomes:

And quite often that involved other people as well. Other men, other women. There would be a number of them in the bedroom at any given time. In fact they were raided by the police once and the police stormed in and they found more people than they were expecting to find in the bed that morning.

(x)

— leads me to believe that LAJ is an author less concerned with exploring John’s sexuality as apart of his life, something that made him who he was, and more concerned with including details about “bisexual threesomes” as shock value, as a sensational point she can use to to promote her book in press tours and interviews. Like a tabloid writer. And this sort disrespect representation of John’s queerness, imo isn’t that much better than the biographers who dismiss or underplay it. I totally understand that for a lot of us, finding out new info about John’s queer identity is exciting, especially for those of us who are queer and identify with a lot with John for that reason, myself included. But we shouldn’t be giving credence and legitimacy to someone who firstly, isn’t trustworthy and secondly who’s reason for talking about it is gross and exploitative at best and biphobic at worst.

tl;dr, LAJ is an incredibly untrustworthy source of info and in her own over exaggerations, treats discussions of queerness in an extremely problematic and exploitive way so please take anything you read from her with a massive grain of salt.

#john lennon #the beatles #freddie mercury #queen #david bowie #beatles analysis #lesley ann jones #shut up fable #classic rock #biographies/memoirs #fable’s analysis

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white-tulips · 3 years

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well, since it’s 5 in the morning I think now’s the perfect time to ramble about my thoughts re: OMORI vs Yume Nikki game design, Black Space, and how trying to copy something successful kind of sets you up for missing the mark

these are thoughts I’ve been stewing in since january, I don’t want people to forget that I have a lot of opinions about OMORI as a game

(firstly, I’m sorry if this is all over the place or not worded well. it is 5AM)

I’ll preface this by saying that these are merely my opinions. I’m specifically going to be focusing on one aspect of game design here, so if you’re curious about any of my other OMORI game design opinions they’re scattered around my blog and are not hard to find tbh

okay so my thoughts about this are mostly Black Space exclusive, and considering that’s one of the climaxes of the game this might be a bit of a spicy subject to talk about KJFGHKFJG but I am passionate about good game design okay. especially in psychological horror RPG games. (also throwing out there jic that I don’t think OMORI is a bad psychological horror. pls reference this post)

(also want to say that I genuinely like Black Space. okay? okay)

so this was something that I was talking about with a couple of friends back when I first finished OMORI around the beginning of january. actually, at this point I hadn’t even played Yume Nikki yet, but when I did finally play it recently my thoughts on this were 100% solidified

essentially, our thoughts on this can be boiled down to how Black Space was trying too hard to be Yume Nikki, but didn’t grasp exactly what made Yume Nikki so impactful in the first place

obviously taking inspiration from something you like and wanting to rework it into your own creation is normal, good, and even encouraged! however, the most crucial thing with that is the “reworking” part. when being inspired by something, the goal is to take what you loved, and didn’t love, and mold it into something entirely new. it shouldn’t be “well I like this thing, and this thing did it like this so I’ll try to do it like that too” because it’s just not going to work. (this is actually an all around issue I have with OMORI, not just Black Space, but more on that later)

so to me, a good 50% of Black Space came of feeling kind of... eh...? it was like... you have 50% that feels so well thought out and meaningful, and then 50% that’s there just to. be there. and be like Yume Nikki, I guess. even before I played Yume Nikki, I couldn’t even remember some of the rooms in Black Space existed until I replayed it again, which is a shame because Black Space is the type of area where everything should leave an impact

now I want to talk about the game design itself-

Yume Nikki is a game about experiences, and atmosphere. there’s limitless area to explore, so much so that it feels endless. there are so few things to interact with that sometimes it feels like you’re doing nothing at all. all you have is aimlessly wandering these huge areas, taking in the sights, and listening to vague sounds and music in the background that are often just a few seconds of audio played on loop. (this is one of my favorite OST in the game. having this be all you hear for 30 minutes as you walk around in a looping forest really does things to your head)

it uses all of these elements to make you feel lost, confused, and very alone. you’re just trapped in a dream, where even with all the space in the world to explore, the lack of anything to do makes it feel suffocating. even the small area you have in the waking world is designed in such a way that feels cramped and destitute-

Yume Nikki is a perfect example of “less is more” and “show, don’t tell.”

then take OMORI, which doesn’t really know how to balance those things with it’s tendency to try and shove too much in. for instance, think about the over abundance if NPCs with irrelevant fluff dialogue. it was all too much and so dull it got to a point I stopped reading most of them altogether

(and something important to note I think, is that the general feeling of Yume Nikki is the same throughout the entire game. the tone never really changes, and neither do the expectations. OMORI, however, tends to just drop things on you out of nowhere. and that’s not necessarily a bad thing! it works for a lot of different sections of the game, I’ll say.

however, Black Space was different. it’s kind of like, it just drops you in there and expects you to understand the way it works, despite the fact that all of the other horror segments lead you to have a completely different set of expectations for what you should be doing/feeling. it’s like shifting you into another game entirely, and it’s almost immersion breaking. up until this point, OMORI was not the same type of “show don’t tell” type of game, so suddenly jumping to attempt to do that can make it lose some of it’s impact)

like I mentioned before, Black Space is designed in a way that’s meant to mimic Yume Nikki. and I think we need to ask ourselves “just because we can do this, does it mean that we should?” again, taking inspiration isn’t a bad thing, but it’s the execution that matters

and here’s where my biggest issue actually lies, I suppose. it’s the fact that OMORI has multiple instances of trying to take inspiration from other things, and failing because it’s trying too hard to copy, not rework. it’s just most obvious because of Black Space, I think. because, like I said before, a good half of Black Space is just trying to be Yume Nikki without giving it any OMORI original flavor, and the fact that it’s trying to be something else is immersive breaking as hell to me

for example, take the red mazes. I don’t think the idea to incorporate it into OMORI was bad, but. you can plainly see when you compare the two maps that nothing was really reworked, made more interesting, or even given a OMORI flavored twist-

(Yume Nikki-1 ; OMORI-2)

another instance is less about the game design itself, but surprising/not-surprisingly, it actually has to do with OST

this is something my friend was telling me, because I myself have not read Umineko, but there are OST in OMORI blatantly trying to mimic songs from that VN, even down to their names

the biggest offender imo is GOLDENVENGEANCE which is a decent song, I won’t say it isn’t, but compare it to it’s Umineko inspiration, Golden Slaughterer

it’s just another unfortunate instance of “this thing I like is good, so I’ll try to copy it!” with no clear grasp on why it’s successful and it’s disappointing. that’s really the only word I have for it at this point, disappointing

and the reason it’s most disappointing is because of things in OMORI that are obvious inspiration, but were reworked so well

let’s take this other Umineko OST, Worldend Dominator. this is a brilliant song, and it’s really fun to listen to. and, it very clearly inspired beloved World's End Valentine

World’s End Valentine slaps. it’s great. it takes aspects of Worldend Dominator and shifts them around to be a unique and fun piece of music that also fits into OMORI perfectly.

something important to note about this, is that World’s End Valentine and GOLDENVENGEANCE were written by two different composers. what this makes clear to me is that there were people on the OMORI dev team that were better at reworking ideas than others. because, despite a lot of the criticisms I was talking about, there are things in OMORI that are obvious references that I love and think are great!

like this one, the most pointed out nod to Yume Nikki-

I think it’s great. it’s taking a very memorable bit of imagery from Yume Nikki, and giving it a reference while also giving it it’s own deeper meaning beyond just the aesthetics of it. it’s just good, I love it

and yeah, not all of Black Space feels like one giant copy of Yume Nikki. there are plenty of doors that I think take the same aimless, empty, and unsettling feelings and use them in a new way that feels more grounded in OMORI. my personal favorite door is the “Sunny... I love you.” room.

actually, funnily enough, the area in OMORI that felt the most like Yume Nikki to me wasn’t in Black Space at all. it was actually the snowy area right before Snowglobe Mountain. something about the vast empty space, simple yet atmospheric OST, and little things to find scattered around just gave me a nice Yume Nikki vibe, but mixed with the OMORI style (hell, the OST there and the one for the snowy area in Yume Nikki even have a pleasantly similar vibe, and not in the “oh this is a copy” way [X] [X])

gosh, I feel like if I keep talking I might end up going in circles more than I already have

hopefully my words made sense!! I’d love if anything I said resonated with anyone aha. I just hope that I’m not coming across as hating on something because I’m biased towards something else or something... almost all of the critiques I have about OMORI come from a place of genuine interest

thank you if you read all of this!

#text #omori #omori spoilers #oh no tumblr user white tulips made another opinion post that took 3 hours to type #meta

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destiny-smasher · 3 years

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Life is Strange: True Colors

Leading up to the release of Episode 1 of TellTale's The Walking Dead game, I was working freelance for GameRevolution at the time, lived in the area, and had the chance to play a build of the game to write a preview on it. I remember comparing it to Mass Effect because, at the time, there just...weren't games of that subgenre. Of course, by now we've seen an explosion of this type of game - the 'narrative/choice-driven game,' spearheaded and even oversaturated by Telltale to their own demise.

Out of all of the games that have come from that initial boom, Life is Strange by DontNod was and still is the most influential on my life, but I also have always harbored really conflicted feelings about it - especially with how it resolved its narrative. Hell, if you're reading this, you're probably aware that I spent a few years of my life creating a sequel fanstory which I even adapted a chunk of into visual novel format. Hundreds of thousands of words, days and days of life spent essentially trying to process and reconcile my conflicted feelings about this game's conclusion(s). Since then, I've been experimenting with interactive fiction and am currently developing my own original visual novel using everything I've learned from both creating and playing games in this genre. It's a subgenre of game I have a lot of interest and passion for because, when handled well, it can allow a player to sort of co-direct a guided narrative experience in a way that's unique compared to strictly linear cinematic experiences but still have a curated, focused sense of story.

Up until this point, I've regarded Night in the Woods as probably the singular best game of this style, with others like Oxenfree and The Wolf Among Us as other high marks. I've never actually put any Life is Strange game quite up there - none of them have reached that benchmark for me, personally. Until now, anyway.

But now, I can finally add a new game to that top tier, cream of the crop list. Life is Strange: True Colors is just damn good. I'm an incredibly critical person as it is - and that critique usually comes from a place of love - so you can imagine this series has been really hard to for me given that I love it, and yet have never truly loved any actual full entry in it. I have so many personal issues, quibbles, qualms, and frustration with Life is Strange: with every individual game, with how it has been handled by its publisher (my biggest issue at this point, actually), with how it has seemingly been taken away from its original development studio, with how it chooses to resolve its narratives...

But with True Colors, all of those issues get brushed aside long enough for me to appreciate just how fucking well designed it is for this style of game. I can appreciate how the development team, while still clearly being 'indie' compared to other dev teams working under Square-Enix, were able to make such smart decisions in how to design and execute this game. Taken on its own merits, apart from its branding, True Colors is absolutely worth playing if you enjoy these 'telltale' style games. Compared to the rest of the series, I would argue it's the best one so far, easily. I had a lot of misgivings and doubts going in, and in retrospect, those are mostly Square-Enix's fault. Deck Nine, when given the freedom to make their own original game in the same vein as the previous three, fucking nailed it as much as I feel like they could, given the kinds of limitations I presume they were working within.

I'm someone who agonizes every single time there is news for Life is Strange as a series - someone who essentially had to drop out of the fandom over infighting, then dropped out of even being exposed to the official social media channels for it later on (I specifically have the Square-Enix controlled channels muted). I adore Max and Chloe, and as a duo, as a couple, they are one of my top favorites not just in gaming, but in general. They elevated the original game to be something more than the sum of its parts for me. And while I have enjoyed seeing what DontNod has made since, it's always been their attention to detail in environmental craftsmanship, in tone and atmosphere, which has caught my interest. They're good at creating characters with layers, but imo they've never nailed a narrative arc. They've never really hit that sweet spot that makes a story truly resonate with me. Deck Nine's previous outing, Before the Storm, was all over the place, trying to mimic DontNod while trying to do its own things - trying to dig deeper into concepts DontNod deliberately left open for interpretation while also being limited in what it could do as a prequel.

But with True Colors, those awkward shackles are (mostly) off. They have told their own original story, keeping in tone and concept with previous Life is Strange games, and yet this also feels distinctly different in other ways.

Yes, protagonist Alex Chen is older than previous characters, and most of the characters in True Colors are young adults, as opposed to teenagers. Yes, she has a supernatural ability. And yes, the game is essentially a linear story with some freedom in how much to poke around at the environment and interact with objects/characters, with the primary mechanic being making choices which influence elements of how the story plays out. None of this is new to the genre, or even Life is Strange. But the execution was clearly planned out, focused, and designed with more caution and care than games like this typically get.

A smaller dev team working with a budget has to make calls on how to allocate that budget. With True Colors, you will experience much fewer locales and environments than you will in Life is Strange 2. Fewer locations than even Life is Strange 1, by my count. But this reinforces the game's theming. I suspect the biggest hit to the game's budget was investing in its voice acting (nothing new for this series) but specifically in the motion capture and facial animation.

You have a game about a protagonist trying to fit in to a small, tightly knit community. She can read the aura of people's emotions and even read their minds a little. And the game's budget and design take full advantage of this. You spend your time in a small main street/park area, a handful of indoor shops, your single room apartment. It fits within a tighter budget, but it reinforces the themes the game is going for. Your interactions with characters are heightened with subtle facial cues and microexpressions, which also reinforces the mechanic and theming regarding reading, accepting, and processing emotions. And you get to make some choices that influence elements of this - influenced by the town, influenced by the emotions of those around you, which reinforce the main plot of trying to navigate a new life in a small town community.

When I think about these types of games, the conclusion is always a big deal. In a way, it shouldn't be, because I usually feel it's about the journey, not the destination. And as an example, I actually really dislike the ending of the original Life is Strange. I think it's a lot of bullshit in many ways. The setpiece is amazing and epic, sure, but the actual storytelling going on is...really hollow for me. Yes, the game does subtly foreshadow in a number of ways that this is the big choice it's leading up to, but the game never actually makes sense of it. And the problem is, if your experience is going to end on a big ol' THIS or THAT kind of moment, it needs to make sense or the whole thing will fall apart as soon as the credits are rolling and the audience spends a moment to think about what just happened. When you look at the end of Season 1 of Telltale's The Walking Dead, it's not powerful just because of what choice you're given, but because through the entire final episode, we know the stakes - we know what is going to ultimately happen, and we know the end of the story is fast approaching. All of the cards are on the table by the time we get to that final scene, and it works so well because we know why it's happening, and it is an appropriate thematic climax that embodies the theming of the entire season. It works mechanically, narratively, and thematically, and 'just makes sense.'

The ending of Life is Strange 1 doesn't do that, if you ask me. The ending of most games in this genre don't really hit that mark. When I get to the end of most game 'seasons' like this, even ones I enjoy, I'm typically left frustrated, confused, and empty in a way.

The ending of True Colors, on the other hand, nails everything it needs to. Handily, when compared to its peers.

If you're somehow reading this and have not played this game but intend to, now is probably where you should duck out, as I will be

discussing SPOILERS from the entire game, specifically the finale.

Firstly, since I don't know where else to put this, some criticisms I found with the game. And honestly, they're all pretty damn minor compared to most games of this type.

Mainly, I just wish the whole Typhon thing was handled a bit more deliberately. It's a bit weird to do the 'big evil corporation' thing (especially when a big corporation like Square Enix occupies as much as or even more of the credits to this game than the people who actually MADE it?) without offering more explanation and subtlety. The game certainly makes some efforts but they're mostly small and mostly optional, like background chatter or a handful of one-off bits of documentation/etc. you can find in the environment. I feel like Diane in particular needed to be fleshed out just a little bit more to really sell us on how and why things like this happen, why corporations make decisions that cost people their happiness, security, and lives and they just get to keep on doing it. I think just a little bit that is unavoidable to the player that puts emphasis on maybe how much the town relies on the money/resources Typhon provides would've helped. Again, this is minor, but it stands out when I have so little else to critique.

I would've liked to get more insight on why Jed is the way he is. No, I don't think we really needed to learn more about his backstory, or even really his motivations. I think we get enough of that. I just think it would've been great to somehow highlight more deliberately how/why he's built up this identity overtop of what he's trying to suppress. Maybe even just having Alex internally realize, "Wait, what the hell, Jed has been hiding these emotions and my powers haven't picked up on it?" or something to that effect could have added an extra oomph to highlight how Jed seems to be coping with his emotions by masking/suppressing them. Also really minor complaint, but again...there's not much else here I can think to really improve on within the confines of what's in the game.

The game doesn't really call Alex's power into question morally. Like. Max has an entire meltdown by the end of her story, second-guessing if she's even helped anyone at all, if she has 'the right' to do so, how her powers might be affecting or expressing her own humanity and flaws...this story doesn't really get into that despite a very similar concept of manipulating others. There's like one bit in a document you can choose to read in Alex's 'nightmare' scene, but that's really it. I feel like this sentiment and how it's executed could have easily been expanded upon in just this one scene to capture what made that Max/Other Max scene do what it did in a way that would address the moral grayness of Alex's powers and how she uses them, and give players a way to express their interpretation of that. Also, very small deal, just another tidbit I would've liked to see.

When I first watched my wife play through Episode 5 (I watched her play through the game first, then I played it myself), I wasn't really feeling the surreal dreamscape stuff of Alex's flashbacks - which is weird, because if you're read my work from the past few years, you'll know I usually love that sort of shit. I think what was throwing me off was that it didn't really feel like it was tying together what the game was about up until that point, and felt almost like it was just copying what Life is Strange did with Max's nightmare sequence (minus the best part of that sequence, imo, where Max literally talks to herself).

But by the time I had seen the rest of the story, and re-experienced it myself, I think it clicked better. This is primarily a story about Alex Chen trying to build a new life for herself in a new community - a small town, a tightly knit place. Those flashbacks are specifically about Alex's past, something we only get teeny tiny tidbits of, and only really if we go looking for them. I realized after I gave myself a few days to process and play through the game myself that this was still a fantastic choice because it reinforces the plot reasons why Alex is even in the town she's in (because her father went there, and her brother in turn went there looking for him), and it reinforces the theme of Alex coming to accept her own emotions and confront them (as expressed through how the flashbacks are played out and the discussions she has with the image of Gabe in her mind, which is really just...another part of herself trying to get her to process things).

By the time Alex escapes the mines and returns to the Black Lantern, all of the cards are on the table. By that point, we as the audience know everything we need to. Everything makes sense - aside from arguably why Jed has done what he has done, but put a pin in that for a sec. We may not know why Alex has the powers she does, but we have at least been given context for how they manifested - as a coping mechanism of living a life inbetween the cracks of society, an unstable youth after her family fell apart around her (and oof, trust me, I can relate with this in some degree, though not in exactly the same ways). And unlike Max's Rewind power, the story and plot doesn't put this to Alex's throat, like it's all on her to make some big choice because she is the way she is, or like she's done something wrong by pursuing what she cares about (in this case, the truth, closure, and understanding).

When Alex confronts Jed in front of all of the primary supporting characters, it does everything it needs to.

Mechanically: it gives players choices for how to express their interpretation of events, and how Alex is processing them; it also, even more importantly, uses the 'council' as a way of expressing how the other characters have reacted to the choices the player has made throughout the game, and contributes to how this climax feels. We're given a 'big choice' at the end of the interaction that doesn't actually change the plot, or even the scene, really (it just affects like one line of dialogue Alex says right then) and yet BOTH choices work so well as a conclusion, it's literally up to your interpretation and it gives you an in-game way to express that.

Thematically: the use of the council reinforces the game's focus on community; and the way the presentation of the scene stays locked in on Alex and Jed's expressions reinforces its focus on emotion - not to mention that the entire scene also acts as a way to showcase how Alex has come to accept, understand, and process her own emotions while Jed, even THEN, right fucking at the moment of his demise, is trying to mask his emotions, to hide them and suppress them and forget them (something the game has already expressed subtly by way of his negative emotions which would give him away NOT being visible to Alex even despite her power).

Narratively: we are given a confrontation that makes sense and feels edifying to see play out after everything we've experienced and learned. We see Alex use her powers in a new and exciting way that further builds the empowering mood the climax is going for and adds a cinematic drama to it. No matter what decisions the player makes, Alex has agency in her own climax, we experience her making a decision, using her power, asserting herself now that she has gone through the growth this narrative has put her through. Alex gets to resolve her shit, gets to have her moment to really shine and experience the end of a character arc in this narrative.

Without taking extra time to design the game around these pillars, the finale wouldn't be so strong. If they didn't give us enough opportunities to interact with the townspeople, their presence in the end wouldn't matter, but everyone who has a say in the council is someone we get an entire scene (at least one) dedicated to interacting with them and their emotions. If they didn't implement choices in the scene itself, it would still be powerful but we wouldn't feel as involved, it'd be more passive. If they didn't showcase Alex's power, we might be left underwhelmed, but they do so in a way that actually works in the context through how they have chosen to present it, while also just tonally heightening the climax by having this drastic lighting going on. If they didn't have the council involved, we'd lose the theming of community. If they didn't have the foil of Alex/Jed and how they have each processed their emotions, we'd miss that key component. And if we didn't have such detailed facial animations, the presentation just wouldn't be as effective.

Ryan/Steph are a little bit like, in this awkward sideline spot during the climax? Steph always supports you, and Ryan supports you or doubts you conditionally, which is unsurprising but also ties into the themes of Ryan having grown up woven into this community, and Steph being once an outsider who has found a place within it. They're still there, either way, which is important. The only relevant characters who aren't present are more supporting characters like Riley, Ethan, and Mac. Ethan being the only one of those who gets an entire 'super emotions' scene, but that also marks the end of his arc and role in the story, so...it's fine. Mac and Riley are less important and younger, as well, and have their own side story stuff you have more direct influence on, too.

But damn, ya'll, this climax just works so well. It especially stands out to me given just how rarely I experience a conclusion/climax that feels this rewarding.

And then after that we get a wonderful montage of a theoretical life Alex might live on to experience. Her actions don't overthrow a conglomerate billionaire company. She doesn't even save a town, really. If the entire council thinks you're full of shit, Jed still confesses either way - because it's not up to the council whether he does this, it's because of Alex, regardless of player choice. Honestly, even after a playthrough where I made most choices differently from my wife, there weren't really many changes to that montage at the end. It'd have been great if it felt more meaningfully different, but maybe it can be. Even if not, the design intent is there and the execution still works. It's a really nice way to end the story, especially since it's not even a literal montage but one Alex imagines - again, her processing what she's gone through, what she desires, expressed externally for us to see it. And for once, the actual final 'big decision' in a game of this type manages to be organic, make sense, and feel good and appropriate either way. You choose to either have Alex stay in Haven Springs and continue building her life there, or you can choose to have her leave and try to be an indie musician, with the events of the game being yet another chunk of her life to deal with and move on from (I haven't really touched on it, but music, especially as a way to express and process emotions, is a recurring thing, much like photography was in the original game, or Sean's illustrations in LiS2). For once, a climactic 'pick your ending' decision that doesn't feel shitty. It's pretty rare for this genre, honestly.

I could - and already have, and likely will - have so much more to say about this game and its details, but I really wanted to focus on touching upon a main element that has left me impressed: the way the entire game feels designed. It feels intentionally constructed but in a way that reinforces what it is trying to express as a story. It's not just trying to make people cry for the sake of 'emotions.' It is a game literally about emotions and it comes to a conclusion in a way that is clearly saying something positive and empowering about empathy and self-acceptance.

Storytelling is a craft, like any other, and it entails deliberate choices and decisions that can objectively contribute to how effective a story is for its intended audience.

A good story isn't something you find, after all.

It's something you build.

#Life is Strange True Colors #Life is Strange #Haven Springs #alex chen #lis true colors

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notwritinganyflufftoday · 2 years

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Valentine’s Day Writing Tag

Thanks @sleepy-night-child & @maximillian-rex for tagging me!! I’m gonna make this an open tag for anyone who sees this and wants to participate. Just go right ahead~

I’ll be answering this for my WIP Remain.

1. Which of your characters have some romantic chemistry?

Lief has romantic chemistry with a couple of people. Firstly there’s the unspoken/unrequited crush on Sorin, the enemies-to-lovers love story with Emil and some awkward and weird ‘romantic’ tension with Phoebe before she marries someone she actually tolerates.

2. Which of your characters do you think readers will ship?

I’m not sure actually, Lief’s devotion and love for Sorin is really pure, so people might really connect to the childhood-friends-to-lovers trope, while others might really enjoy the ‘horrible first impressions but actually you’re not that bad’ relationship developing between Lief and Emil.

I hope no one ships any character with Vera (Sorin’s sister) because I write her as an aroace character, who doesn’t want a relationship with anyone. But people are of course allowed to ship whatever they want.

3. Which of your characters are slated to be an endgame relationship?

Lief and Emil, obviously. And in the background there are a couple of relationships going on, like Phoebe and her wife, Uncle Alan and Behnam (the dads ❤).

4. Are there any established relationships in your WIPs? If so, how did they meet?

Uuuuh, strangely enough, at the start of the story, important characters don’t really have established relationships yet. I think Behnam and Uncle Alan’s relationship is just kicking off, but it’s so low-key almost no one notices.

5. What’s your dream love confession scene between your characters?

I’m not a huge fan of big love confession scenes, but I definitely feel like Lief will go all out to try to tell Sorin (through writing letters) that they’ve always loved him and always will. It’s both a romantic and platonic kind of love confession.

Parallel to that Emil and Lief’s budding relationship doesn’t need any big romantic gestures or confessions, imo. They both understand there’s something growing between them and although Lief tries to deny it at first, it’s just far too easy and comfortable to fall for each other. So I think they’d be pretty casual about it. Emil absolutely tries to avoid the Feelings™ talk for as long as physically possible in favour of kissing & making out instead.

The ‘love’ word is gonna slip out accidentally at some point in time for sure though.

#valentine's day writing tag #tag game #wip: remain

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esta-metamorfose-ambulante · 5 years

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Pros and cons of Jane The Virgin over the seasons (in no particular order)

Pros:

An amazingly talented cast.

Overall positive latino representation.

Distinct and interesting characters.

Plot twists that kept the story entertaining.

The Villanuevas bond.

Focusing on the reactions and the human side of the characters whenever something crazy would happen to them.

I’m personally not a fan of Latin novelas because they usually just throw one plot twist after anoter, but JTV used to do a great job showing its characters’ struggles dealing with those events.

Cons:

The love triangle. On season one it was important to Jane’s arc so she could find confidence in being a single mother before marrying Michael, but continuously resurrecting the Michael/Jane/Rafael and Jane/Rafael/Petra was uninteresting, repetitive and tiring to its viewers.

Its representation of black people. Roman Zazo was a killer, who not only killed his own twin brother, but also made Petra have sex with him when he kidnapped her.

Nadine was another neglected character that ended up being killed.

The poor treatment they give to Luisa, who has made terrible mistakes, but is also a metally ill woman that battles addiction. However, she is merely used as comic relief and described as a ‘trainwreck’. If my memories serve me well, the show has used this specific word regarding her, more than once.

Its unreleastic representation of romantic love. In the beginning, Jane was happily engaged to Michael. Then, they broke up and she fell for Rafael. Later, the two also broke up. Eventually, she got over him only to fall in love with both of them in a couple of episodes and almost immediately after she realized it’s always been Michael. Seriously? I don’t think science has a consensus about how someone falls in love, if you can love two people at once or whether you can fall in love with a previous lover after you were over them and in a happy relationship with someone else, but that’s not even the point. The thing is, you cannot trust its own narrative. It’s become repetitive, confusing and incoherent with its previous statements. You can’t even trust on the heart glowing thing, because that happens whenever the characters feel strong emotions with their loved ones. It happened when Jane was holding Mateo after he was born and when the Villanuevas were celebrating Mother’s Day. The only way to have some certainty is based on how the actors’ performances and their declarations, because imo they are even more responsible for developing their characters than the writers. The writers keep moving in circles and the actors need to try to make the best of it and deliver their lines convincingly, but I believe even for them it must be difficult to buy it. Therefore, I take their acting and declarations more seriously, because they at least keep a line of thinking instead of the writers that just go back and forth.

Rose - who used to be an intriguing character - got reduced to a I don’t even know what. She was/is a huge crime lord, but all that potention was thrown way. The show didn’t explore her criminal life at all, only her relationship with Luisa and multiple disguises. Currently, she is back for a mysterious reason, but after four seasons, I believe it’s safe to say she will be neglected as well and whatever she does will be anticlimactic.

The objetification. I don’t get the obsession they have/had with Rafael’s abs and why they would make Petra sleep with every basic/trash white man they introduced. On season three they focused more on Jane managing to have casual sex with Fabian than her book and dream of being a published author. I get that was important for her, but releasing her book was everything she ever worked for her entire life. Ignoring that was disrespectful.

Losing its essence and becoming like every other telenovela: throwing a twist after another, not exploring its effects on the characters and repeating storylines everyone’s sick of.

Not having the characters dealing with their traumas and metal illness or having almost all of it happening off camera. Luisa struggles with alcoholism and an on and off abusive relationship, Rogelio was kidnapped, Mateo was kidnapped, Petra was kidnapped, Petra forced herself to have sex with the man who kidnapped her so she could find a way get out of her captivity, Petra lived with an abusive mother, Petra was freaking paralyzed by her own sister, Petra had postpartum depression, Michael was shot, almost got killed and then he was tortured with eletroshocks until he got amnesia and lost five years of his life and I’m sure there is more that I’ve missed. Still, what do they focus on? Ridiculous love triangles.

Although Rafael is not my favorite character, he and Petra were the ones that had the most interesting potential backgrounds. Petra grew up without a father in Czechoslovakia, Alba always used her as a tool to get by and she left the country running away from a man who attacked her mother. Even in the United States, there is so much they could’ve shown of her before and after meeting Rafael, getting married, pregnant and losing the baby. On the other hand, Rafael could’ve had a journey of self-discovery and found his biological family and finally getting the love he didn’t receive from his adoptive parents. All wasted pontetial as well.

Changing the entire dynamics of the show in order to execute one storyline. To get to a point where Jane chooses Rafael, they had to: ‘kill’ Michael, do time jumps and have the characters almost ready to be together. Rafael basically became a different character, they got rid of Lina so he would be her best friend and even in some scenes that there would’ve made more sense to have an Alba/Jane moment because they both lost their husbands, they made a jafael moment.

Its frustrating depiction of family. I don’t hide the fact I’m a villadero shipper and would’ve loved to see Michael/Jane/Mateo being a blended family. I know I won’t get that, but the twins barely spend time with Rafael. Or they do, but it’s mostly off camera. And that’s not enough. I don’t need fourty minutes of them together or therapy, but it’s important to show that on television. It’s important to show parents giving their kids equal love and attention, just like it’s important to show mentally ill characters getting help. This speaks to the audience and can even change the way somebody acts. Television is powerful. Still, even if Rafael does give the same amount of attention and love to their children, the show doesn’t illustrate that. And that’s one of the reasons why I think Ellie and Anna are basically perfect. So Mateo is the one who is distracted, sad, confused or whatever. And no, I’m not criticizing a kid. But we see Mateo being comforted by Rafael, having Rafael telling him stories and things like that. We get way less scenes from Rafael and the girls and sometimes it is just him saying he will pick them up or something off camera. And I really can’t remember any moment where they were the ones who were vulnerable and Rafael comforted them. Or just them playing and having fun. Not even with him when Rafael was with Jane and Mateo.

Not even between Mateo and the twins. They love to say they are family and I more than anyone know siblings fight, but siblings also love and protect each other. I can only remember one soft scene with the three of them and it was because that was convenient at the moment. But a scene of them playing just for the sake of it, or maybe even comforting or supporting one other would be adorable. Like, have they ever hug? I get that if Rafael and Jane live together with Mateo they will consenquently spend more time together and that’s not a problem. However, the show just executes the stereotype of only biological families being valid and sends the message it’s okay to neglect your other children if you’re not dating or married to their mother.

It also took them FIVE FUCKING SEASONS to show Jane and Petra being friends and having fun. And again, it was only out of convinience. Jane couldn’t decide what to do regarding her situation with Rafael and Michael and no one could give her advice. So she goes to Petra and they drink their asses off and sort of have fun. And that other day when they went to a lesbian bar. They say they’re friends and even family, but certaintly doesn’t feel like it. Do they care about each other? Yeah. Still, it’s like that cousin who lives in other part of the country and you see once a year. Firstly you’re happy, but after they spend a week in your house you realize why you barely see each other or keep in touch when they’re gone. I get they are very different, but everytime they are together they sort of argue. An honest and deep conversation like some that Jane’s had with Lena? I’m afraid it’s never happened or going to.

Total disrespect to their own character, Brett who was generous enough to return while he is part of another show and his fans. Not only they brought him back to play a minor role, but he didn’t even get the respect to have his point of view shown. The man was almost killed, tortured, lost five years of his life, came back to see that everything had changed and felt like a burden, but they don’t actually focus on what he feels? Just as how sad Rafael is? It’s one thing to show both sides, but to only explore Rafael’s feelings as if he’s the one who had it worse is ridiculous and insensitive.

Rafael’s deppression. Again, I don’t want to get technical about it, specially because that’s not my professional area and I could be wrong. The thing is, I don’t think he has depression. I do think he had a lot of shit happening to him and he used to have unhealthy habits whenever he got upset, but there is a difference between getting drunk when you are sad (what almost everyone has or will do once in their lifetime) and having depression. Feeling sad, worthless, suicidal all can be symptons, yes. But there is also not getting any sleep, food or eating/sleeping a lot and more. And I don’t think they show up altogether after one event. Rafael’s had a past drinking when he was feeling low, but that was it. No worthless or suicidal thoughts. No insomnia or sleeping too much or anything else. And that wouldn’t last long. Now I am supposed to believe he has depression? Then actually DEVELOP THAT and SHOW IT TO ME (If A Million Little Things can do a decent job, other shows can too). Don’t get me wrong, I think Rafael might have something, but not actually depression. He sure as hell have reasons to. However, It just seems they threw it so we could empathize with him after the way he treated Jane and root for him. And I bet that will be gone in two seconds once him and Jane reunite. Which leads me to...

The way they insinuated his state was Jane’s fault is disgusting. And I’m sure they will forget this depression storyline once jafael makes up. So yeah, they might have not actually said the words, but the route they took is that it’s Jane’s fault and once they back to their relationship he will be magically healed with their love. Yikes.

Also, the whole Michael x family conflict. That is so LOW. My parents are divorced and their separation was really messy. Despite my personal experience, I’ve seen complicated divorces before and ex-spouses using their children against one another. If Jane ended up with Michael, that wouldn’t make her less of a mother or neglect her family by any means. If anything, Mateo would have a step and godfather who would basically do everything to keep him safe and happy. Mateo would have another person who loves him. Sure, Jane’s priority must be her son, but to give the idea a mother needs to lose her independence because of her child is ridiculous. Mothers are allowed to be divorced, single, marry someone else, have their own time with their friends and even have male and ex-lovers as friends. What makes Jane a good mother is the way she treats her son, the love, attention she gives him. NOT being in a relationship with Rafael. Believe me, I’ve seen some people saying this kind of thing.

Now that Jane and Michael got closure, it looks like he will barely be on the show anymore. Which is wrong on so many levels, because first of all, he was her best friend. Real Jane wouldn’t want him out of her life, but apparently that’s what’s going to happen. And again, it sends a terrible message. She should keep being his friend, talking to him and everything, because being in a relationship doesn’t mean you should lose your (male) friends. And they won’t actually say it, but I don’t see Rafael as the guy that would be okay with Jane being best friends with her ex-husband and therefore we won’t see them interact. Just like we didn’t get Michael to see Jane’s family, that he loved and loved him back. And that’s a terrible message to give to young girls, even if you won’t have it said out loud. Showing it is already enough. The fact some of them are buying it frustrates me.

Also, like, it baffles me the fact Rafael is getting way with all the ultimatums he gave Jane, the fact he showed no empathy when Jane had the scare of thinking she would lose her mother who is fighting CANCER and he kicked her out of their house the very same night. Or that he turned their son against her or did nothing to get him to talk to Jane again until she called him out. She shouldn’t have to call him out. He is a grown man on his late 30s (or early 40s? idek anymore after the time jumps), he should’ve known better. The breaking point was when he didn’t discipline Mateo for running accross the street, something that could’ve KILLED HIM, just because he was mad at Jane. I get Rafael has gone through a lot of shit, but this doesn’t give him a pass to treat people the way he wants to. Everyone on this show has gone through enough and they don’t behave that way. He might have depression, but he knows when he is wrong. And you can actually see on his eyes when he is talking to Jane that he is defying and provoking her. Just terrible.

The fact Jane is choosing him after all of that pisses me off. If he were still zen Rafael and all, I would be frustrated, but not angry. This gives a really dangerous message for anyone who watches it. Abusive relationships start just like that and even though Rafael never raised a hand to her, that is abusive. Rafael is not a bad person, but he has a lot to work on before he could be with anyone else and for me they don’t belong together. Still, he is manipulative and disrespectul with Jane. And I have enough experience with abusive relationships to say that’s how it begins. Then, they have one conversation and sort of a perfect fairytale phase until the next fight. And media romanticizing this kind of relationship is part of the problem.

Last but not least, the fact Jane will have to FIGHT for this after everything turned something that was already bad into something worse. Not only it’s not worth it, but she is supposed to humiliated herself just because she dared to have feelings and be confused when something totally crazy happened to her? Way to go, writers! That’s how you treat you Latin female protagonist and kill your show. The cast deserved way more, but the writers deserves exact rating numbers they are getting.

So to that troll who said Michael fans were racist for dropping it after he died, there are other reasons why we gave up. Those were things that already bothered me, but I still found the show worth it to keep looking foward to the episodes. And after Michael died, I kept watching it, out of respect for its diverse cast and to give it the benefit of the doubt, but I could only do it until the finale of season 3. I just decided not to waste my time anymore because after 10 episodes it didn’t get any better. For many, Michael was vital for the show.

Besides Jane, he was the one who interacted with most people. He was close to Jane’s family, Rogelio’s best friend, Mateo’s stepfather/godfather and a detective. After he lost his job/’died’, the criminal aspect of the show was basically ignored.

One season one, he wasn’t with Jane, but he was there and things were still intriguing. Once he was gone, the show changed completely. Characters were written off, time had passed and it didn’t feel organic. And there were a lot of other stuff that kept people from watching it again. The fact you want to bring race for something that has nothing to do with (breaking news! Rafael is white too! Just because your boy has some tan and speaks spanish he is not a person of color) is pathetic. That’s not being woke. Bye.

#jane the virgin #jtv #jane villanueva #michael cordero #villadero

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trnhtm · 4 years

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Notes on Sims 4 environment design, mods and opinions

I’m still on my creative high believe me but i need to get this off my chest and might be a draft for an in-depth analysis of why we should just dump ts4 and push ea to make ts5 better for us

• Firstly, the pic is my maxis screenshot with a reshade preset that shan’t be reveal yet of my first mod to the game, a background replacement of the basegame, to bring my city into the game aka Ho Chi Minh City of Vietnam 🙆🏻‍♀️

• Secondly i found a mod that replace the city buildings and such for the game (to which was extremely hard to track down and the creator is MIA or retired) i imagine doing that must’ve been pretty crazy cause finding the buildings file for environments is pretty hard and also getting it to work properly too, kudos to whoever did that for us, love it to death

• Last point and this is a big one that would pull everything into a hot can of worms:

I recently found out that the original sims 4 wasn’t meant to be what it is today, which is a ‘lackluster cartoon version of sims 3’ smh.. It was, and i’ll keep it in bold, supposed to be an online multiplayer platform 🤡 the clownery, the irony, my god.

Its original name was Olympus and it’s still remain in the game codes til this day, and it’s the reason why there are multiplayer mods for ts4 that exist out in the world and it IS THE REASON why ts4 is this bad and lackluster and weird like how it still is today. I didn’t know until recently looking at the wiki pages and watching YouTube analysis/story on ts4 that i was made known of this fact. Now we have the sims free play and it’s nothing like ts4, and to be frank i dont want to know it, because we all know that is what Olympus was aimed to be but was released on the wrong engine and the wrong time.

2013-2014 and before that (i’d say 2010+ ish) is the prime time of online platform gaming, if you know, you know. EA though it could make something to compete and/or destroy the competition but what it did was ignoring their gamer audience. We are introverts that sit at home torturing our sims and build homes that we’d never able to afford. That’s what we are, most of the sims players dont wanna have a multiplayer time ‘socializing’ through our sims and flex on other people. Why did they think making a kid/young teenagers version of imvu is cute?? Bro c’mon, C’MONNNN 🤧 We are adults, young adults that wants to live out crazy scenarios and multiple timelines, okay? Like the game is 40-60$ and yall expect kids and teenagers to be your core demographics?

Be real for a sec, most players of the franchise technically grew up with the game, and most of them are adults now still enjoying the game albeit lackluster content. Coming back to the 2 points i said in the beginning and explaining with the Olympus argument:

Yall be damn out of your minds to say that ‘they make the game like this because they want it to rUn On LoW sPeC cOmPuTeRs’ i call bs. It was meant to be an online platform, so it was built much simpler to be able to load fast and not experiencing online lag while on multiplayer mode. Low spec computers? What about sims 3?? That bitch was colorwheeling openworld fully customizable since 2008?? People played it fine back then. What are you talking about?

When it was at pre-release days, Olympus faced so much backlashs from players that it was forced to switch to the damn ts4 basegame we eventually got back then, it had basically nothing to play with, no babies, because what? Because it was meant to be an online sims platform. The game was made very compact and pretty low poly imo, all the meshing was boiled down to 1 size fits everything. Which very much explains the reality of in-game environment being cardboard placements of scenes AND the reality of we might never get proper cars and openworld.

I truly hope they dont try to make another Olympus nor pushing this ‘online multiplayer’ narrative to us again, just dont, please. Make the sims great again, not worse, thank you.

Bonus Prediction time:

For ts4, on what i’ve seen thus far, i say we would get some content for elders, some more vacation map/or maybe a remote country side with rice fields for farming content. Chances of openworld and cars are low, i dont even wanna think about it. Hopefully some good scifi/city content because we dont got those enough tbh. Maybe a generations type pack, or hobbies, there arent much expansions that can be added to the game anymore i think

For ts5, highly doubt it’d be as vibrant or stylized like ts4. I’d say mildly stylized but not too cartoony, an upgraded sims medieval (mind you that game have better sims texture than ts4, tea) i hope they make the game not too alpha. We would get cars, openworld, colorwheel. Build wise i think it would be in the likes of paralives but not too too customizable because then the proportions would be very off.

And that’s probably it for today, it feels great that I finally got down to wrote this all out bc really it sucks to be in the arguments of ‘ts4 should add this, and add that, and of we never had cars,...’ it’s tiring, and to finally know that at its core the game was not supposed to be like this, does relieve me somewhat. I’m sure the people working at the sims team knows it and already biting their own heads for the hot mess they’ve created and now they have to deal with the mobs that always up on their neck everyday demanding for things that werent meant to be buildt in the game at the beginning. Cut them some slack really, and at this time they are doing their best to fill in all the gaps that ts4 lack and fixing all the bugs within the game. Pray for the sims 5 and hope that they wont do us wrong in the future, because we do feed them yknow.

Thanks for reading anyways, this was long af 🤕 i’ll write more soon, hopefully not on this subject again

#simblr #the sims 4 #sims 4 #ts4 #ts5 #sims rant #opinions

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peachblossomsofair · 6 years

Text

Why in my opinion BH is doing Euphoria and JK a great injustice

I have addressed this topic in a series of asks yesterday, but I think it worth while to summarise and discuss in detail why I still personally feel so strongly about the subject. I do firmly believe that Bighit is doing an injustice to JK and Euphoria by not releasing the original soundtrack of the song.

My objections are solely towards Bighit, and what I feel is their mismanagement of the situation that cause the present discontent in a part of the fandom. I do NOT believe that this is a competition between the members in any way (as it is completely possible to give JK’s work what it’s due without harming any other member). I therefore do not think of this as solo stan behaviour.

First, the facts:

Euphoria was released by Bighit on youtube on 5 April 2018.

It was used as the background music for a 8 minute short film, where the song was chopped into two different parts, with a break in the middle, and in reverse order. Making it very difficult for fans to either stream or to simply enjoy the song itself, if they just simply want to hear the song.

The short film itself contained all the members, JK was given a slightly more featured role, but it is not a solo MV.

Euphoria was released as the theme of Love Yourself 起: Wonder.

Bighit announced the track list for the new album, Love Yourself 轉: Tear, that did not include Euphoria.

The Love Yourself series has four parts, 起 Wonder, 承 Her, 轉 Tear, 結 Answer. And considering the fact that the rap line had all done their solo intros prior to the Love Yourself era, and it is logical to deduce that the vocal lines would each have an solo intro for this era. So far, Jimin did Serendipity for 承, Jungkook did Euphoria for 起, Taehyung did Singularity for 轉. Both Serendipity and Singularity are intros to either a mini-album or a full album. Euphoria so far does not even have an official soundtrack release.

Second, what some fans are upset about:

That Euphoria’s official soundtrack release seems to be delayed, perhaps until a repackage comes out (if it ever does come out). This robs both the fan’s chance to properly support JK and enjoy the song, and also the song, not being available digitally, will not have a chance to chart at all.

--------------

So below is a list of counter-arguments I have seen so far (which tries to argue that this is decision on the part of Bighit is not an injustice) and my reasons for believing that they do not stand.

1). “Euphoria is suppose to be in Wonder, it’s not a surprise that it is not in Tear, it doesn’t fit the theme of Tear, why should it be in the new album?” / “Euphoria will be released with the album Love Yourself: Wonder, just wait.”

Firstly, I’d like to say, that no-one can be sure that there will be a Wonder album. BH had made no promises that there will be an album called Wonder, and even very strongly hinted that the short film we’ve got IS the whole of Wonder. 起 itself, simply put, means introduction (and introductions are often short). Plus, the timing of release would not make sense. 承 (the support) and 轉 (the turn) would give out the bulk and the climax of the storyline, by the time Tear is already out, a reverse to go back to the beginning of the story and tell that in detail would not make much sense, especially when we’ve already had an 8-minute short film which gave lots of hints to the beginning and already serves as introduction…

Secondly, leaving all the above aside, and suppose that we do get an album later. Even then, would it be fair to Euphoria? The soundtrack had already been “officially leaked”, fan edited full versions of the soundtrack are already available on youtube with millions of views already. With new songs that would definitely come with new albums, how much hype and attention will still surround Euphoria if it comes out a few months from now? JK fans may still stream it, sure (some OT7s too), but surely no-one with good conscience can say that this “official leak” would not be detrimental to Euphoria’s chances at charting? And why should JK’s Euphoria not get an equal chance at charting same with Singularity? He is a member same as anyone else in BTS. Hence, with a late release of the official soundtrack, even if Euphoria is later made into an intro to a full album, injustice is done to it already. (Same reason for why including it in a repackage would not remedy the injustice either) (And if it’s a hidden track in Tear, it would be the same, as it won’t be available digitally and hence could not chart at all).

Thirdly, Bighit could have simply put Euphoria as a single on digital platforms, spotify, iTunes, melon, etc, so fans could have an opportunity of enjoying the song and show their appreciation of JK’s hard work. They can buy it, help it chart if they wish (remember J-hope’s mix tape and how that charted on iTunes?). They can tell JK directly that we do love his work and see his improvement. Euphoria came out on 5 April, that’s enough time for it to not clash with the new album.

2). “But wait, this is not JK’s solo, his solo intro will be in the next album or come later”.

Like already mentioned in the facts, the Love Yourself series has four parts, 起 Wonder, 承 Her, 轉 Tear, 結 Answer. And considering the fact that the rap line had all done their solo intros prior to the Love Yourself era, and it is deduced that the vocal lines would each have an solo intro for this era. So far, Jimin did Serendipity for 承, Jungkook did Euphoria for 起, Taehyung did Singularity for 轉. And likely, the next one for 結 should be Jin’s chance to shine. If BH give that intro to JK, then it’ll be an injustice to Jin; if Jin does have it, then at least compared to Serendipity and Euphoria, JK’s solo intro did not even have an official version of the soundtrack released…

Yes, JK might get a chance to do a solo intro for another album later, but so would everyone. That would technically be the second round of solo intros, and wouldn’t changed the fact that Euphoria had already missed out.

3). “But the same delay happened to Butterfly.”

Yes, and I would have had no complaints had Euphoria been a group song. The fact that it is mostly intended as JK’s solo for the Love Yourself series makes it and Butterfly completely different.

4). “It’s likely that JK has a song that he produced in the new album, that makes up for it.”/ “JK has his own studio now, and he is working on solo projects, just be excited and look forward to those instead of keep nagging about Euphoria”

Yes a JK produced song will be wonderful, BUT how is JK producing a song any relevant to why Euphoria is not released? Suga and RM writes songs, they have their own studios, are their intro not included in the respective albums? Are they not available on digital platforms? J-hope just realised a solo mix tape, should he be taken out of the album? JK producing his own song has nothing to do with how his solo intro should be treated. He works hard to improve himself in different directions, why should he be punished and robbed of his solo official soundtrack release because he is talented in other areas?

5). “Jungkook is the centre of the group, he is the main vocal, he gets the most lines anyway, it’s not the worst thing that he doesn’t get a solo.”

I think out of all the arguments, this is the one that offends me the most.

Jungkook is made centre of the group because he is the one who is most consistent, the only one to reliably and constantly perform fast demanding dance choreography for long periods of time, AND at the same time, have an amazing voice and vocal range, and could keep his voice and breathing stable.

People see that he gets more lines and more of the spotlight, but it is because he is talented and works hard to keep improving himself to ensure that he can fulfil his position and not let down the group or the fans. The hard truth is, as talented as all the boys are, Jungkook is the one that is best suited to be centre, and he is one of the best centres in kpop right now, and a main reason why BTS works so well as a group.

Therefore, to say that “it’s OK that he does not get a solo”, is essentially to say that JK should be punished for having talent and working-hard. This is not the way the world should work; it’s only fair that JK’s solo song Euphoria should be released

—————

Conclusion:

All the above are reasons why I think that Euphoria at least deserve to have it’s official soundtrack released, so that when JK himself wants to search for his song on Youtube, he doesn’t have to listen to a fan edited version (see his recent vlive), so that his fans can buy and stream the song, show him directly that he is wonderful, how much we love his work and his achievement, so that Euphoria may have a chance at charting, same as anyone else’s solo in the group.

Yes, JK is strong, he has a lot of fans, he has a lot of support, and he is given a lot of lines and centres and etc. and etc., but all this does not change the fact that Bighit was, in my opinion, mishandling the situation to have Euphoria’s official soundtrack withheld. JK deserves the minimum of respect and appreciation from the company and the fandom that every other member deserves and gets. Just because he is strong and talented and popular, is no reason why he should be robbed of equal treatment and basic respect.

I do hope that maybe Bighit will give it to us as a single, maybe after Tear’s release (or, indeed, make Wonder an album as so many believe that they would). It does not remedy the whole situation, as a time delay is already an irreparable damage to the song’s charting possibility, but at least we’d have the means to show him our support. (imo though, Euphoria’ll likely be included in a repackage and given no extra precedence..)

I do not consider myself a solo stan for arguing this point. I would have said the same if it were Tae or Jin in this situation. On the contrary, I think all OT7 fans should understand my reasoning, and I hope a part will agree with me.

Spring Day, we had Hobi being side lined, Not Today, we had Jin being side lined; if it were OK then to raise our voices for the two, why is “solo stan” behaviour to raise our voices for JK now? Somethings are crossing a line, and this is one of them, and I do believe that 1) expressing my dismay at BH not releasing Euphoria soundtrack in a more timely matter, and 2) now asking BH to release it ASAP, are very very reasonable objections and requests.

Thanks for reading. I write mostly to process what had happened, and understand my own thinking and reasoning on the subject, but I hope it makes an interesting read. Please do feel free to DM me or send an Ask if you want to discuss.

#bts #jungkook #bts jungkook #bangtan #euphoria

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storiesbeyondthestars · 6 years

Note

Your excellent post about Acxa and her motivations (and complex villains in general, who are always interesting IMO) got me thinking about Honerva - what do you think her motivations are as of S7? Before entering the Rift, she wanted knowledge more than anything else. As Haggar, she wanted to acquire Quintessence for the Empire. Now that she’s been to Oriande, regained(?) her identity as Honerva, and remembered her life before the Rift, what’s driving her?

Firstly, thank you!

Honerva is definitely someone who seems to have multiple motivations.

Originally, she was motivated by science, by exploring and creating. She was involved with the rift, with the original creation of the lions (though those were said to almost build themselves).

The more she worked with the rift though, the more obsessed she got. This might not entirely be her fault. Long exposure to a lot of quintessence does things to people. It brings out the best and worst in them both. It’s what happened to the Paladins and Lotor in S6, but Allura realized what was happening and stopped the Paladins. Honerva was exposed to much less quintessence than this, but for a much longer period of time.

Keep in mind, she looked very young when this whole thing started. Alteans live for a very long time. Who knows how long she was working on the rift? Exposed to the quintessence? Long enough to bring out the worst in her. Haggar is definitely worse, but I’m talking pre-rift-creature-corruption.

Back step for a second, we do know that Honerva cares about Lotor. The showrunners said so, but unless I can back things up with what I see from the show, I always choose to remain skeptical. In this case, there is proof of this in the show. The second that Honerva realized Lotor was her son she went to confront Zarkon, only to find that he had gone after Lotor.

Then she completely flipped the script. Her motivations did a clear 180 here. She’s always been staunchly loyal to Zarkon, but the second she realized he was about to kill her son? Nope. Not having that. Her completely corrupted form of Haggar didn’t give two shits about Lotor. The Honerva parts of her love him. So why would that have been any different prior to being corrupted?

It’s complete speculation, but she may have even had a miscarriage before, or multiples. Maybe this pregnant was it, like her last shot. We know that blood lineage doesn’t exact matter to the Galra thank to the Kral Zera, but I imagine someone who was raised by the current Emperor would have a better shot at that challenge than most. So perhaps Zarkon did want a child for that. Perhaps they just wanted a child.

Either way, I think that part of Honerva’s sheer obsession and desperation in the end was about saving Lotor. She knew she was sick. She looked sick. Affter she collapsed, she told Zarkon that quintessence was life. That’s a very interesting thing for someone who is currently pregnant to say.

Zarkon took her into the rift not just to save her, but to save their child too. That part of him managed to linger for a little while after being corrupted, because he did wonder if it was possible to save Lotor. Remember, Zarkon had all his memories. He probably couldn’t feel love anymore, but he would have remembered who Honerva was and her likely desperation to save Lotor, as well as how he used to feel about it. I mean, Lotor had the title of Prince despite being only half-Galra, and part of a race that Zarkon wanted to extinguish.

Keep in mind, if quintessence can bring out the worst and best in people, the rift creatures bring out the absolute worst of someone. Zarkon had all the building blocks to become the monster that he did, but the rift creatures got rid of any good holding that back. The same with Haggar.

Without her memories of Lotor, of Zarkon, or being able to feel things like love, Haggar defaulted to what she knew: experimentation, manipulation, science.

That, and a loyalty to Zarkon were her primary motivators for 10,000 years. Even after she knew that she was Zarkon’s wife, she still didn’t see herself as Lotor’s mother. That’s suspicious to me cause it doesn’t make sense, but here we are.

Then a single moment made her do what she could to save Lotor, even if that meant Zarkon dying. Completely different motivation from an hour before.

She still has that part of her that is motivated by science and experimentation, but she has never been one who wants to rule the universe. She’s the puppetmaster in the background pulling string. She’s okay with that. It was what led her to going to Oriande herself after seeing it through Kuron’s eyes.

When she was there though, something else happened. We saw the yellow eyes fade away. She stopped hiding who she was. I think that Haggar actually was purged, in a sense, at Oriande. What I mean is that the rift creatures may have been purged from her body. Maybe. Or at least pushed back enough for Honerva to return. That’s how she sees herself now.

Let’s think about the last time we saw her. She wanted the Sincline ships, and she wanted Lotor. I think she was genuinely proud of Lotor, and was reaching out to him. It just failed. To which, I can’t blame Lotor in the slightest.

We know Honerva wasn’t happy with what happened to Lotor (again, from an interview I’m taking at face value but they could be lying, though I really don’t see why they would be in this case).

Side note: how does she know what happened to him in the first place? As Haggar, she was actually pretty unpopular with other Galra (feared and hated), so I doubt anyone was going to be gossiping. Unless she happened to go looking, and happened to find three stranded generals. Just saying.

I think she did want to work with him, because he took her own research in ways she never anticipated they could be taken, did so much more with them, and in turn, it inspired her as well. Together, their minds would be absolutely terrifying.

He continued her research, now she’s continuing his. She went to the Alteans that basically worshipped him. Either she laid the blame on him and Voltron and got them to follow her, or she introduced himself as her mother and used the Alteans’ devotion to him somehow. Perhaps putting the blame on the bad things on someone else, like Voltron.

Either way, she’s definitely been continuing her experimentation over the years, perfecting a robot that essentially defeated Voltron. So that motivation is still there.

I think her other motivation right now is getting opening the rift again (possibly with a bit of influence from the rift creatures if they still exist in her) to get Lotor out. We have NOT seen the last of him.

Also, just as I’m finishing writing this, I found that fictional crystals uploaded a video that points out many of the same things I did, but also has a different take on it too, so that’s worth a look too.

#Anonymous #Ask #Voltron #vld #Haggar #Honerva #Lotor #theorytime #my thoughts #long post

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serenagaywaterford · 5 years

Note

1) Hey, it's me again. The idiot rambling anon. I wasn't gonna spam you again, but then I read your responses. At this point, I'm convinced you're my alter ego, lol. My thoughts are all over the place, but I'll try to organize them. So, about Nick. I've purposely avoided talking about him so far, but why the hell not? Let me make one thing clear: I'm NOT of of those thirsty fangirls. But even if I was? I wouldn't get offended or butthurt, because another person likes different fictional

2) characters (of all things) than me. I mean, big fucking deal. Each to their own, no need for apologies. ;) (My tone is a little aggressive, I know, but I’m sick and tired of some people on social media –in and out of fandoms– acting holier-than-thou and sending hate messages and even actual death threats (!) to creators or people that express unpopular opinions*. It’s reached a point where many people feel the need to put disclaimers in their posts so as not to be attacked.)

3) Back to Nick. I liked him just fine back in early S1, when he was all mysterious and his background story was unknown to us. When we did learn about it and the fandom started acting like he’s that pure, handsome angel uwu? Nah. Obviously, he’s no Fred/Serena/Lydia,but he’s not a “cinnamon roll” either. (Imo, the only decent dude on that show is Luke.) I mean, if Nick was SO altruistic, he wouldn’t have joined this job. Or even after everything went down, he could have tried to help other

4) handmaids without expecting anything in return. But no, he only helps June and that’s because he’s in love with her. I’m not blaming him for trying to survive under such circumstances, but I won’t idolize him either. Now, in s2? I’m kinda neutral about him. I don’t hate him, but I can’t say that I’m a fan either. Not gonna lie, he bores me at times, because he’s just… there. No sparks, no fireworks. Not sure if it’s the writing that doesn’t do the actor any favors, but his acting hasn’t

5) really drawn me in yet. A counterexample to this? Aunt Lydia. Her personality is despicable 98% of the time and yet. Dowd’s captivating performance makes me want to know so much more about her character.) On the other hand, I’m glad that June has someone (besides Rita) to back her up in that hellhole. She needs comfort and allies. But the whole ‘tRu Love 5eva" fanon thing? No, thanks. Not only it doesn’t fit the tone of the series, but I also believe that sharing an intense, forbidden love/

6) during such a shitstorm is not the same thing as keeping it alive after all is said and done (post-Gilead). Maybe they’ll stay together (as long as Nick doesn’t die), maybe they’ll fall apart. I can’t really see June romantically reconnecting with Luke either. After everything she’s been through… She’s a completely different person now. Unfortunately, the same things goes for Emily and her wife. Even though I’d love to see her interact with both her wife and her child in S3.

———

My inbox is so beautiful right now! Never, ever call yourself an idiot, my friend. (If you are, then so am I!) Brain twins, you see.

(Also sorry about this being out of order lol.)

I was trying not to talk about him too cos generally I just … I prefer not to think about him much. The fangirls, just, *sigh*. I try to avoid as much as possible in this fandom, esp on tumblr. Just hang out in my quiet little, not-Serena-hating corner. I always feel a need to put disclaimers these days cos as much as I don’t really care about random hate, I’d prefer not to have to deal with dogpiles or to look at it lmao. Like people can go around just hating on any character here–especially if they’re women–but say one critical (not even hateful) thing about their male fav and things just go off.

I’m more than aware the majority of people don’t like Serena and think she’s the worst thing ever. And fair play! (I get it… cos I’m not delusional. She’s awful.) Each to their own. I don’t go around bitching at people who say shitty things or stuff I don’t agree with, or blocking anybody who doesn’t like her. (There are a few posts I do engage with cos normally they seem like they want to go deeper in The Discourse but most Serena/Lydia/Eden/Janine/June-hate I just ignore.)

ITA. S1 was, like, okay. That’s Nick. What’s he up to? What’s his deal? (I don’t really care but I’m not opposed to him either. Just like I didn’t care about Luke’s backstory/escape.) He’s trying to be good to June and she needs that.When we did learn his backstory I was not pleased cos he seemed like a twerp but whatevs. Grey characters are grey. It wasn’t until S2 that I started to get irked by him (and the hypocrisy of his fans but that’s a whole other issue).

I can’t agree ANY more with your assessment of Nick. Like that’s EXACTLY what I’ve been saying! Firstly, he was RIGHT THERE when the Handmaid/Ceremony thing was first suggested and was like “Oh, yeah, great idea!” to Fred. I get that perhaps he was pressured to go along to keep his job but that’s a stretch imo, and if you can give him that sort of leeway, why can’t characters like Eden, Serena, Lydia and June get the same benefit of the doubt for certain things? Why is Nick’s pressure to keep his job more important and forgivable than anybody else’s pressures? It’s like that entire scene doesn’t exist to fangirls and Nick is so precious and in love and wonderful. Then there’s the rape of June. Like I know it’s pretty controversial to look at it that way, but that first time, with Serena overseeing it like a fucking creepy pimp (YUUUUUUCCCKKKKK I HATE IT THANKS) was rape. June barely knew the guy and I’m pretty sure if she wanted to have sex with him it wouldn’t be like that! And sure, after that, it was totally consensual but that first time was not. And I’ve heard the justification and excuses of “Well, Nick didn’t have a choice either!” which I call bullshit on, cos Nick is not some powerless delivery boy.

He’s a fucking Guardian who is tight with the top Commanders. He’s a man, if nothing else. Serena can act all high and mighty but she’s still a woman in a highly misogynistic society. I’m not convinced Fred would take his wife’s word over Nick’s tbh, especially if it was like “Dude, your crazy wife asked me to fuck the Handmaid you’re obsessed with”. If he really didn’t want to do it that badly, he could have taken that chance to report Serena. Even if Fred wanted to keep it hush hush away from other Commanders, he would have gone after Serena. Men are far more likely to turn on women than each other, esp in THT. But that’s just my take. Maybe I am missing something about Nick’s status. To me, it was like double rape. Neither of them wanted to do it, like that anyway. But Nick also did fuck all to stop it when IMO he did have some power to do something. He is not a helpless victim in that society, imo. Again, probably not a well-received opinion.

Don’t even get me started on his “Poor me!” routine in S2 when June tells him to have sex with Eden. I’m glad she called him on that bullshit. (But again, over the fangirls heads. Enough about them!)

Basically, everything Nick has done wrong isn’t his choice; he’s just a victim. In a story about women, Nick’s victimhood at the hands of these nasty women and men is the real issue. Blah. Whatever.

I just find Nick lacks total self-awareness about being part of the shitty ass system. He kind of just floats around thinking nothing is his fault and he’s blameless for it all, and he certainly can’t seem to see it from anyone’s perspective except his own. He’s upset about Fred & June’s Jezebel trips, not for her own safety or well-being but mainly he’s jealous. Of course he’s concerned about her safety but I believe it takes a backseat to his jealousy. He just seems to never take any responsibility for anything.

And BINGO about the previous Handmaid. Nothing we’ve been shown has given any hint he cares about any other woman’s plight in Gilead other than June, and only cares about her cos he had a crush/fucked her/is in wuv wiv her. Basically, she’s HIS so suddenly he cares about her. Look how fast he dumped that Martha as soon as he got brooding about June. He’s done fuckall for anybody except himself and that alone makes me dislike him. He’s no better than Fred in that way for me. But where Fred can occasionally be an interesting villain, cos Fiennes is nasty good, I find the actor who plays Nick just… not engaging. And he’s not SUPPOSED to be a villain! He’s meant to be a good guy! It’s crazy. He’s not compelling, he’s not interesting. He’s bland. He’s not even good looking, lol. I was watching with a friend once and mention I thought Fred was way better looking than Nick and she just stared at me and said, “You shouldn’t say that. But me too.” So, count me in the camp that just does not get the appeal of the character OR the actor.

I don’t hate Nick generally. I am just totally indifferent to his existence. If he left the show tomorrow, I’d shrug and probably be a little glad I don’t have to see that bland moping anymore. If he stays, oh well. Shrug. And I just don’t want his and June’s star-crossed romance shoved down my throat. It’s so… I dunno. I’m not opposed to June finding solace and hope but making it some beautiful forbidden romance, I’m not buying it. Like you said, it’s all well and good in Gilead–but it doesn’t strike me as something that can be sustainable outside it. To borrow from you last time: It’s the Handmaid’s Tale, not The Guardian + the Handmaid’s Tale.

Okay, enough about that pipsqueak. I don’t even like talking about him, tbh. He’s not worth it when there’s so much else going on.

ITA about Luke/June too. I feel like the level of disconnection and trauma that they’ve sustained, especially June, they can try to reconnect but it’s pretty difficult and I think especially with June having a sexual/romantic relationship with Nick pulls that really tight. It’s just two different planets they live on now. I don’t doubt that she still loves Luke, but actually reforming the relationship they previously had seems like an impossible task considering everything both of them have been through. It’s sad, but … sadly true for many people. Relationships can fall apart for far less.

And on the same page about Emily/Sylvia too. She is just soooooo fucking broken, and hopeless, that if they have them just rekindle with no issues, it’ll be bad writing. (I dunno if you see spoilers but there’s one about them.) She needs therapy so much more than a cutesy feelgood storyline.

Back to Lydia: Exactly! There’s a character we know very little about and who is a horrible person, yet the performance by Dowd makes almost everyone go, “TELL ME MORE!” With Nick, it’s the opposite for me. I’m just like, “Please, less of this.”

#Anonymous #rants and raves

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mysmashplaythroughs · 3 years

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My choices for the final Smash character. (And other general stuff)

Well, figured I would post something. My OOT Zelda post is taking a bit and admittedly I’ve just been wrapped up in other things. I’ve made a lot of progress with playing through the games on my list, having only three games for stages left before I’ve done all the ones I had in place for them. The thing is, two of those are somewhat long games and the other is Minecraft which I’ve just been casually playing alongside everything else for a while now. The Direct yesterday had a lot of pleasant surprises, especially for me with games like Dr Mario 64 and of course Banjo finally being available on a Nintendo console again (would have loved to be able to buy it but I guess I’m glad it’s on there at all...) Not to mention Castlevania Collection (which will come in handy in not too long on my list.)

With the reveal that the final Smash character will be shown in detail on the 5th of October, it’s given me a drive to try and finish the last three games on the stages portion of my list, Minecraft, Final Fantasy 7 (which I beat before but it was on Steam on PC and I lost my save data so I’ve been playing the Switch version again.) and finally Three Houses. Since I want to be in a position by the 5th where I can play through (granted depending on who it is) the game/s related to the final character, I’ve decided for my current playthrough of Three Houses to stop it at a specific point (without spoilers let’s just say the halfway point) along with playing the DLC for the first time. I will come back to it for the next section on my list which are the background and stage hazard characters, with the second half representing the various Three Houses characters who appear in Garreg Mach in the background. My rationale for this is that as I’m playing currently for the stage, it changes a lot in the second half of the game, so therefore that part of the game is better suited to representing the background characters. Call it a copout or whatever you want, I just want to avoid burnout with too many long games at once which has been hitting me a little admittedly. Oh also for context, my first playthrough of the games I went with Blue Lions, this time I’m playing through Black Eagles, I plan to play the other paths when I get to Three Houses for the Spirits part of my list.

So, onto the title of this post. I mentioned in an earlier post plans to talk about what I want/expect for Smash, but seeing as this is confirmed explicitly to be the final update, I thought it was now or never really when it comes down to it. I will admit with this list, I have definite biases, there’s characters I just don’t want (Fortnite Jonesy, Freddy Fazbear), characters I think are fine for base roster but would not bring enough new as the final DLC character to really be justified (and admittedly some I’m just absolutely sick of people saying ‘everyone wants’) such as Waluigi, Skull Kid or Shadow the Hedgehog, and finally, ones I keep seeing people ask for that I just don’t want and don’t feel would fit in Smash (Master Chief, Kratos, Doomguy (I only give him a bit of a pass because of how big DOOM’s legacy is)) I know ‘anything is possible’ and people are always going on about ‘fan rules’ but there are things I think it’s reasonable to think damage a characters chances. I believe if a character’s had a Mii costume added as DLC (eg. Dante), if their game has had a spirit event (Resident Evil) or most importantly to me, they’re an assist trophy, it means Sakurai’s team considered the possibility of adding them and decided not to, representing them in another way. Mii Cosumes I think it only applies to the specific characters who have had DLC Mii outfits as we’ve seen with Kazuya getting in after the Heihachi Mii Costume, but if it’s a character who was a Mii costume in the base roster it doesn’t necessarily count them out (Dixie Kong for example). For Spirit events, I don’t believe they’d have done an event if the series was planned to be added with a fighter, there’s not been any cases of that happening so far, such as there not being a Three Houses spirit event. We know spirits in the base game don’t matter like for Min Min and Pyra/Mythra, but I think with the DLC already planned they wouldn’t then do those series for a spirit event. Assist Trophies, I feel whilst people keep saying about there being an option to switch them off when they’re playable, there was probably lot of work put into making them work as Assist Trophies and it was done to represent them in the game, so I just personally don’t believe they’d suddenly go “Oh actually lets add Waluigi as DLC.” Of course, I do have a big bias with this, I like seeing new stuff with the DLC, or for them to bring something new other than just the fighter. Yes Waluigi could bring ‘Mario Sports spirits’ or something but that’s hardly something not in the game already, not to mention it’d be seeing a character who already has a model in the game, there’d be very little new about him imo.

Anyway, now I’ve probably pissed off half of the people who might read this, my personal wants for characters in Smash are first and foremost that they bring an interesting franchise to the series. Simon and Richter were really cool additions, but even bigger to me was how they brought all the Castlevania stuff, a franchise I love which got so much representation with the stage and even a Dracula boss. A second element for me personally, is I like when it’s a character who has a history with Nintendo. Obviously, this isn’t a dealbreaker and I know they’ve done plenty now who have very few links to Nintendo (although, still even now every character in has had at least one small appearance on a Nintendo console beforehand) but part of why Banjo was such a big deal to me was because of just how intertwined with Nintendo he and Rare had been in the past. This has played into my list admittedly a bit. So, with that all said, here’s my top 5 predictions based on what I think it plausible and I would like for Smash.

5. Crash Bandicoot: Simply put, this isn’t one I personally want, just of all the popular suggestions that I think are workable, he’s the one I’d be most ok with. I believe his legacy in gaming is enough that he ‘deserves’ a spot in Smash. I’ve never been particularly interested in his series, but it does seem like it’d be ripe for adding a lot to Smash with a stage, spirits and music etc. Overall, if I don’t get one I want, I guess Crash is the one I’d be most ok with. (to be clear even if it was Master Chief I’d be fine seeing what’s done with him, only Fortnite really would be one I’d not like in any way.)

4. Dixie Kong: I don’t think this is likely at all, it goes against everything I’ve said before almost, as unlike with Sephiroth or Pyra for example there’s not tons of things Dixie could bring with her not already in the game for the DK series. This choice is purely if I got to add my dream character and since the DK franchise is a really huge deal to me, Dixie would be it.

3. Professor Layton: If this was Smash 4, I’d be putting Layton at number 2, his games were a pretty big deal on the DS and he’s got a lot of history with Nintendo, not to mention seeing Sakurai think up a way to make him work would probably turn out really special. The main problem with him nowadays is simply his series has pretty much ended. There’s a spinoff (which I really need to finish someday) but the Layton series was really at its peak on DS and 3DS. In more realistic terms, I’d love to see a Mii Costume of Layton at least, paired with my number 1 choice would make it fit even better.

2. Dr. Eggman: So, growing up during the SEGA vs Nintendo era, honestly, I never ‘picked a side’. I enjoyed both consoles and I liked Sonic just as much as many Nintendo series back then. In my mind, Dr. Eggman is one of the most iconic videogame villains of all time, he has that same quality Bowser has where he can work as the overall antagonist or a side character and not ever really feel out of character. Apart from that though, fighting in his Egg Mobile there’s all sorts of cool things could be done with him, and being a fair bit bigger I think it’d be different to how Bowser Jr works meaning he wouldn’t be redundant. On top of that, Sonic is one of the series in Smash that arguably is somewhat lacking in content, not to the degree of FF7 of course, but there’s a lot that could still be added, with Eggman perhaps bringing various Badnik spirits with him and there being plenty of awesome music from the Sonic series that could be added. Overall, if they were to add a character who wasn’t from an all-new series as the finale, Eggman would be in my opinion the best choice.

1. Phoenix Wright: So, yes I am a huge fan of Ace Attorney, it’s a very important series to me so I’m absolutely biased in this. Whilst I understand why there’s plenty of reasons to doubt this happening, I think the chances are higher than people think. Firstly and probably least importantly, but something that I do personally consider is that the AA series has a long history with Nintendo, starting in Japan on GBA, then on DS, 3DS and now Switch, the series whilst not remaining exclusive has never skipped out on a Nintendo console. When it comes to how iconic the series is, honestly for visual novels, I think it’s the most famous overall. So many times when I see people who don’t really play visual novels talk about them they often say things like “so it’s like Phoenix Wright.” This doesn’t mean of course that these people have actually played the games, but they are easily the most recognisable examples of the genre in my mind. (Maybe Dangan Ronpa would also count, but I don’t hear that referenced as often) Add to that how often people recognise “OBJECTION!” as being a Phoenix Wright reference, even if they barely know the series and I’d say it’s pretty iconic. Next, probably most surprisingly to me, Capcom’s only new character in Smash Ultimate is Ken, an Echo Fighter. Capcom has a long history, a huge list of franchises (in some ways arguably rivalling Nintendo themselves with how many iconic franchises they’ve put out) and have definitely had a lot of involvement with Nintendo over the years (I mean, they’ve been involved in a few Zelda games such as Minish Cap). The thing is, almost all of their biggest franchises that weren’t already in Smash have now been represented in various forms, Resident Evil got a spirit event, Dante infamously got a Mii costume, as has Arthur from Ghouls and Ghosts. Of the most recognisable Capcom franchises not represented at all in Smash from Capcom, I’d say off the top of my head, the only two really remaining are Ace Attorney and Okami. Of those two, AA imo is the one that’s more widely known (not to mention has had a lot more entries etc).

One thing that both supports and goes against his inclusion is that he appeared in Ultimate Marvel vs Capcom 3 as a fighter. Going for him with that is that it’s been shown he could work in a fighting game before, but against it is therefore it wouldn’t be as surprising to see as it was in that case. I’d argue, due to the nature of Smash as a game, there’s a lot that could be done with Phoenix that couldn’t have been done in UMvC3 (btw, I really enjoyed playing that game). Probably one of the biggest things to me is the stage it could offer. In the Ace Attorney series, the majority of the game shockingly is set in the courtroom, Phoenix Wright being the Defence Attorney (in the original Trilogy, there’s other characters in later games) and there being various Prosecutors he’s faced over the years with the majority of the time the same bald bearded Judge presiding over every trial. The somewhat sedentary nature of the games, where the characters stand in the same spot 99% of the time and cycle through various reaction animations (desk slams, damaged shocked sprites and of course lots of pointing) would be fantastic as a stage. Given how many cameos and things we’ve seen in recent DLC stages, having the courtroom rotate through various prosecutors as well as maybe having Phoenix (when not being played as) appear behind the Defence bench would be something I’d love to see. I realise now I’m going into way more of a ‘moveset ideas’ type thing than I should so I’ll just leave it off with I feel Phoenix would be a really awesome if admittedly controversial choice (with those that wouldn’t have some sort of controversy if they get in becoming a smaller and smaller pool and mostly ones I find personally kinda boring.) and as a final plus would represent a game genre not represented yet overall with visual novels.

So yeah, that’s my personal hopes. I said before, there’s very few characters I’d outright be unhappy with if they got in. I’ve gotten sick of hearing certain choices but either way based on everything so far I trust whoever it is will be done well. I got my wish for Banjo, so anything else now is a bonus. Just as a blog that’s focused on Smash (although, I definitely want to stick to my references and origins of characters lane rather than the whole competitive etc scene...) I wanted to at least put my guesses out there before the final reveal. Looking forward to it.

#off-topic #My Smash Playthrough #My Smash Playthroughs #Super Smash Bros Ultimate #Final Roster #Final Fighter #Predictions for Smash

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sugawithtae-blog · 7 years

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underrated bts tracks

OKAY EVERYBODY STOP BECAUSE I HAVE A very SERIOUS DILEMMA

there seems to be some very evident and obvious under-appreciation for a few bangtan tracks that i MUST HIGHLIGHT (especially to all you newcomers to the fandom). Honestly these songs do not get talked about enough (or enough anymore) and there is a need to bring these songs (back) into the spotlight!!

so here we go, here is my list of underrated bts tracks that you NEED in your life on repeat over and over:

1. Intro: The Most Beautiful Moment In Life (Pt. 1) - HYYH Pt. 1

okay let’s start with the absolutely insane composition of the song

the BUILD UP OF INTENSITY

and then that GASP OF AIR IN THE MIDDLE OF HIS (suga’s) INTENSE GROWLY RAP

and can we just talk about the first bit of the song

where suga uses the bounce of a basketball and the squeak of shoes against the court floor to accompany the fucking bass?!!?

so fcking well done holy shit

the way his rap FLOWS is so captivating???

the way he says his own name is just filled with so much swag i cannot

just overall it’s an amazing track

makes you feel all powerful, angry, empowered, and is such a good song when you feel so intense and bottled up with emotions

you just sit down and listen to this song and you feel like it GETS YOU

the lyrics are so poetic too

and just so REAL and captivating to read (or listen to if you understand korean)

one of my fav tracks of yoongi’s if i’m being real oh my god GO GIVE IT SOME LOVE

one word to describe it: one-of-a-kind

2. Hip Hop Lover/Phile - Dark&Wild

THIS SONG

one word to describe it: bangtan

its very edgy and very R&B which is refreshing

FIRSTLY, namjoon’s intro rap to the song

it just showcases everything namjoon is

a leader, a rapper, an ARTIST

and then the switch up (that bts is SO GOOD at) from fast/intense rap to smooth vocals that compliment everything SO well

we hear jungkook and taehyung’s vocals accompanied by the rest of them just chanting their LOVE for hip hop

and then JHOPE comes in and FUCK ME

his flow is on a different level

not better but it’s so different and refreshing and adds so much dimension to the song i cant even

and jimin and jin’s vocals (even though i wish we could hear jin more i cri)

AND THEN SUGA HOOOMGGGG

just switches up the flow with the bridge

there’s just SO MUCH to this song

and everything just fits SO well

by far a song that showcases a lot of what bts IS and what they LOVE

and I ADORE EVERY BIT

3. Move - HYYH Pt. 1

AYO SUGAAAA

this one is especially for all the new ARMYs who may not know this song

summarised in one word: masterpiece

it’s a very emotional song

it has that nostalgic vibe to it (which makes sense after you read the lyrics)

one word to describe this song: FEELS

some of my fav lyrics are:

‘we cried a lot and laughed a lot but it was so beautiful’

‘as much as the place was small, we were bound together tighter’

and also namjoon’s last words at the end just warm my heart

just the beat and everything too

again, i just love the way bts bring such LIFE to these songs

the rap doesn’t go hard, but it’s still very edgy and works with the vibe

idk how to explain it??

imo taehyung’s voice especially works so well with this song

jhope’s rap and voice brings a very chill vibe to the song in contrast to namjoon and yoongi’s

and i’m just talking about the sound (not what the actual lyrics are saying)

and jin’s voice compliments the song really well too

and suga’s rap starts out soft and then he brings it just expressing his feelings and becomes very personal about it too and UGH I LOVE

overall the song is very personal and true to the group as a whole which makes it all very touching

4. Whalien 52 - HYYH Pt. 2

this song got a lot of hype and recognition for it’s background and how it came to be

if you don’t know, it was cos of namjoon and his genius of a brain

basically it’s based on the 52 Hertz Whale (it’s called that cos of the low frequency sound that it makes) and others cannot hear it. so essentially it’s lonely. the title is a mash up of the words ‘alien’ (which is linked to loneliness and being ‘alienated’) and the word ‘whale’ (for obvious reasons)

so i’m BRINGING IT BACK and no one can stop me

one word to describe this song: genius

from the very beginning the vibe of the song is set

if i could take each section of the song and analyse it i would

but i can’t

overall this song is super relaxing to listen to

you can just vibe with it ya feel

it’s not too intense with emotions (and it’s defs not a party anthem)

but it’s one that i personally like to listen to when i’m sitting on my lonesome in the car, going on a roadtrip

or when i’m sitting in my backyard and just sitting around nature

or if i’m lying in bed and just enjoying the music

lyrics-wise, it is quite deep and touching, but when just listening to the vocals and the rap, it can be interpreted to any situation and that’s what i really like about this song

you can listen to it on different days with a different mood and still vibe to it

overall such a good song with bits and pieces that make you love it even more

5. Intro: What Am I To You - Dark&Wild

okay when speaking of the switch ups between rap and vocals

this song is purely rap

but HOLY SHIT

the way this song is composed

namjoon is amazing can i just say before anything else

i can’t stress it enough

this song takes you on a JOURNEY which is the best way i can describe it

in one word: unexpected (-ly amazing)

if you were to listen to the second half and then the first half, you might not be able to tell they were the same song

now okay, the change isn’t DRAMATIC but it IS

starts off with the school bell and being in a classroom

and the tone is all lighthearted and inspiring and happy

and the lyrics are so happy and romantic

and it starts building on its pace

and the vibes are still light and happy

but then there’s this switch from happy to… something else

it starts building again but differently

and the vibe changes

it’s filled with hurt and maybe resentment?? (when talking about the tone and vibe of the song)

it builds to anger and frustration

and then it gets SO intense

and the HURT and EMOTION in his voice

it’s so powerful I CANT DEAAAAL

so yeah

very very very underappreciated JUST LISTEN TO IT

6. Let Me Know - Dark&Wild

one word to describe: VOCALS + emotionally complex

this song doesn’t even need an explanation

JUST LISTEN TO IT IF YOU HAVEN’T ALREADY IT’S A MAGICAL EXPERIENCE

7. I Need U (Urban Mix) - HYYH Pt. 3

if you love the original song but don’t feel like you’re in that mindset to listen to it (you know what i’m talking about, when you’re not in that mood)

THIS is a pERFECT alternative

it’s a complete shift to the original track

one word to describe it: chill/different

i say ‘different’ because it shows a side to bts that we don’t see very often

a bit jazzy and yeah really urban (obviously)

if you’re looking for a cure after listening to one of their more emotional songs, this could be it!!

8. Rain - Dark&Wild

this sorta reminds me of whalien 52 and i need u

but it’s still very different

it’s very jazzy

it’s also very mature sounding

actually this song is VERY underappreciated

especially since this fandom has grown so big, i feel like this song is sorta just lying on its lonesome in a dusty attic along with other forgotten bts songs

wow that’s depressing

i hope it’s actually not like that, but if it is then i’m bringing it back to life!!

it’s very light if that’s a way to describe it :’)

idk an article describes it as breezy which i think fits more lmao

i suck at describing music i’m sorry

but the vocals and the rap are very relaxing to listen to

personally, i listen to this both when i’m feeling lonely and when i’m in a good mood

i just feel very content listening to it

one word to describe it: versatile

that’s all for now folks!! feel free to reblog and add your own tracks that you think deserve more love/should be loved once again. i hope all the new/recent ARMYs found this list useful/insightful/interesting and continue to support/learn about and/or respect bangtan’s music from the beginning up to now :) for all the older ARMYs i hope you all agreed with this or enjoyed this list (whether it took you down memory lane or not idk) and to everyone, let’s continue to support bangtan in all of their musical journeys <3

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