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absolutebl · 4 months

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TOP 10 BL Trends of 2023

This is just me with my analysis hat on.

1. 2023 = the year EVERYONE went outside their lanes

Everything went topsy-turvy this year in BL.

For example, Korea gave us agonized yearning and outright queerness (The 8th Sense, The New Employee) while Japan served up soft office workers and tender family (Our Dining Table).

The BL world went askew for a while, especially in the spring of 2023.

Not that we still didn’t still get Korea’s soft angsty bubbles or Japan’s “what are you doing and why does it hurt?” kink-fests. But there were quite a few BLs that made us chronic watchers sit up in confusion and wonder if Korea was dabbling in Taiwan’s territory or Japan in Thailand’s. Then they fudged the kisses and we were like... okay, back in familiar territory.

In contrast, Thailand stayed course-correcting for the damage they’ve done in the past with tropes (2022) and self referential meta criticism (2021), but also almost aggressively returned to their BL roots after last year’s series of shockers. Certainly, they are reexamining those roots, transplanting some, aerating others. But they really went back to classic Thai university and high school BL and pulps in a big way in 2023.

Taiwan is always difficult to gage because they produce so few but they seem to have stuck with what they do best with no deviation while producing more this year than they have in ages. I’m happy for that, why change a good thing? But there is a tiny part of me that really wants them to hit it out of the part with a quality piece soon. For me, We Best Love still reigns supreme, but I would really like the HIStory franchise to give us that level but longer - like a happy version of Your Name Engraved Herein. I think Taiwan has the chops to give us something as good as The 8th Sense or Old Fashion Cupcake but in their style, and I would like to see them exercise their talent for good rather than just profit.

I know, what a very odd thing for me to say. But if any BL is going to break into the mainstream American market, I genuinely think it’s most likely come from Taiwan.

Vietnam and the Philippines are falling behind, in general. They just didn’t bring out very many shows in 2023, and what the brought out tended to fub the endings. This is forgivable in Japan (because of their style and quality) but not what watchers want in the lower production value propositions. In other words, if you do a pulp, you can’t mess up the ending (by romance standards). that doesn’t look to be changing anytime soon.

2. The Office Romance Dominated

After years of Thailand serving us an endless (and slightly bland) buffet of university (and a few high school) BLs, this year Korea was basically like...

Ofiice. We like the Office. It’s cheap to film we can use grown up actors, acting (mostly) their actual age.

And yeah... it totally worked.

To be fair, Japan has always given us office live action yaoi from the beginning (they had the source material) but this year everyone else, including Thailand, seriously started playing in this setting.

3. Boys Danced with Boys

The darling @heretherebedork was a big fan of this one, and I rather like it myself. Prior to this boys dancing together was very very rare in BL, but this year we got way more than our fair share. It was lovely.

Never Let me Go

My School President

Bed Friend

The Day I Loved You

Step by Step

Be Mine Superstar

Tie the Not

Dangerous Romance

I think there were a few more. These are the ones I remembered to write down.

4. Getting (even more) Meta With Tropes

BL has been getting more and more meta over the past few years but this year they really focused in on tropes specifically. Calling out their own biggest and most favorite tropes in a massive way, especially Thailand and especially GMMTV.

Like they tunneled in on damaging tropes with Bad Buddy and the like over the past 2 years, and now they are just having fun with us.

I mean they just started the dancing trope and already they are calling it out? That’s like rapid-fire regurgitated meta there, GMMTV.

5. Cameos are the norm now

Taiwan has always loved cameos but in the past the other countries have been show and steady with only one or two a year. (Unless Japan does a parody.)

This year Korea got in on the game.

Korea rarely starts trends but they do adopt smaller and lesser known existing ones and make them super popular.

This year they did that with cameo couple appearances, even borrowing a few of Thailand’s pairs (TutorYim and MaxNat traveled north). They did it so much I stopped tracking. Love Class 2, Why R U?, and Jun & Jun were the heaviest hitters.

Taiwan, of course, came back swinging. Kiseki was the gum-ball machine of pair cameos. (In Taiwan mafia = gay.)

6. We are entering the cross pollination age

The number of remakes picked up or started this year was startling, not just countries revisiting their own content (Thailand, Japan) but countries revisiting OTHER countries stuff.

Lemme explain...

Korea has started remaking Thai content (Why R U?) alongside cameo'ing Thai pairs.

Thailand is doing Korean IP (My Dear Gagster Oppa) and has 2 Chinese ones slated for next year.

GMMTV acquired a lot of Japanese IP (Cherry Magic, Ossen, and My Love Mix Up) - and then had problems distributing it.

This is probably the most surprising trend for me. Especially the Japanese stuff. I would have thought these properties well outside of Thailand's price range (even GMMTV's) not to mention Japan’s legendary IP issues (I swear I typed this pout before the pulled TayNew’s excellent Cherry Magic).

Also why not option some of the older popular manga instead? Bet that's much cheeper. (I did see a NEW Thai translation of Finder into Thai, which is 90s yaoi, so I have my fingers crossed on that front.)

I shouldn't be too surprised.

Thailand is running out of y-novel content. Their publication industry is just not robust enough (I was just talking to a friend about this at length recently). But I didn't think they had the funds to option, especially from Japan.

Perhaps the option deals are for peanuts?

7. Korea got cheeky

I’m not sure quite how else to put this.

After finally figuring out boys can kiss, Korea started to do not just higher heat but playful higher heat, with more aggressive word play and linguistic innuendo, like they are entering their racy rom-com teenage years (Why R U? Love Class 2 and Jun & Jun in particular.)

I guess: Welcome to your BL teens, Korea?

It’s cute of them. I am very much enjoying it.

And now that comedy is warming them up, we get to see them play with actual queer burgeoning physicality in shows like The 8th Sense.

It’s nice. I like seeing Korea stretch its wings. They still stick to their bubble, but that bubble seems to be expanding.

8. The Amnesia Trope is back

And I, for one, would prefer to forget about it.

9. BL got trendy

I’m not quite sure how to articulate this category but basically we started seeing a lot of “modern” romance trends out of the west (like a/b/o) show up in our BL. Not a ton and sometimes quite small, but there has a been a steady rise of things like: no seme/uke, femme gay, out gay, condom use, messy gay.

We also got an increasing range of sub genre frameworks (like mafia, office setting) that’s moved BL pretty firmly (even in Thailand) out of school and into the workplace, whether actual working is involved or not.

It’s not to the point where it feels like we get more non-school BL than school BL (if I include all countries in this assessment).

Japan, in classic Japanese fashion, quietly started moving in the opposite direction. It’s what they do.

10. The Vampires are coming

This is an announcement trend, which I don’t usually report on but it’s so CLEAR.

So last year we had a spate of announcements of possible Omegaverse (2 from China, 1 from Japan, 1 from Thailand - the only one that’s happened).

This year we got 5 Vampire (or vampire-esk) Thai BLs announced including one from GMMTV.

Whether all 5 will actually get made is unlikely, but having had (basically) none prior to this (Kissable Lips), I’m pretty confident that we will get at least 2 of them. And I wouldn’t be surprised if at least one other country made one as well. (Side eyes Taiwan with interest.)

Final thoughts

It feels like we are also seeing a decline in BL (both by quantity and quality) from Vietnam and the Philippines. As you all know, I don’t track or really watch either of these two very closely. But it feels like, now, no one else is either.

I think we have likely seen the BL heyday already in both places and their industries are now on the decline.

We might be witnessing a thinning in the players in the BL field.

FYI we had approximately

136 BLs in 2023

Previous Years

2022: 117

2021: 95

2020: 62

2019: 40

2018: 30

2017: 44 (China’s last gasp)

2016: 27

2015: 17 (50% micro)

2014: 17 (50% micro)

And that’s it! Let me know in the comments if you’ve spotted any additional trends you want to call out.

Last year, 2022′s trend report

2021′s Trend report

Last Year’s Stats & Predictions

(source)

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film-flick · 6 months

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BEST 10 HORROR MOVIES OF 2023 (SO FAR) ACCORDING TO ROTTEN TOMATOES

1. HUESERA: THE BONE WOMAN

Valeria's joy at becoming a first-time mother is quickly taken away when she's cursed by a sinister entity. As danger closes in, she's forced deeper into a chilling world of dark magic that threatens to consume her.

2. ATTACHMENT

ATTACHMENT is a horror romance about Maja, a has-been actress in Denmark, who falls in love with Leah, a young, Jewish academic visiting from the UK. When Leah suffers a mysterious seizure, Maja fears their whirlwind romance might be cut short and decides to follow Leah back to her home in London. There, Maja meets her new downstairs neighbour: Leah’s mother, Chana. An overbearing, seemingly religious and highly secretive woman, Chana seems resistant to all of Maja’s attempts to win her over. And as Maja notices strange occurrences in the building, she begins to suspect that Chana’s secrets could be much darker than first anticipated.

3. TALK TO ME

When a group of friends discover how to conjure spirits using an embalmed hand, they become hooked on the new thrill, until one of them goes too far and unleashes terrifying supernatural forces.

4. M3GAN

M3GAN is a marvel of artificial intelligence, a life-like doll programmed to be a child's greatest companion and a parent's greatest ally. Designed by brilliant toy-company roboticist Gemma (Get Out's Allison Williams), M3GAN can listen and watch and learn as she becomes friend and teacher, playmate and protector, for the child she is bonded to. When Gemma suddenly becomes the caretaker of her orphaned 8-year-old niece, Cady (Violet McGraw, The Haunting of Hill House), Gemma's unsure and unprepared to be a parent. Under intense pressure at work, Gemma decides to pair her M3GAN prototype with Cady in an attempt to resolve both problems--a decision that will have unimaginable consequences.

5. INFLUENCER

INFLUENCER tells the story of Madison (Emily Tennant, "Riverdale"), a popular social media influencer who is having a lonely and uneventful trip in Thailand despite what she tells her followers on Instagram. While reflecting on her boyfriend canceling the trip, she meets CW (Cassandra Naud, "See"), a fearless and enigmatic traveler who offers to take her to some of the most Instagram-worthy locations. Together they share authentic meals and drinks with locals, discussing the differences between Madison's online presence and CW's lack of one. After showing Madison all of the amazing sights, things take a different turn when CW brings her to a surprise location -- a deserted island that is completely off the grid.

6. BROOKLYN 45

Friday, December 27, 1945. Five military veterans gather in the ornate parlor of a Brooklyn brownstone. Best friends since childhood, they've reunited to support their troubled host -- but when his invitation for cocktails turns into an impromptu séance, the metaphoric ghosts of their past become all-too-literal. Trapped in their host's lounge, the Greatest Generation now finds themselves put to one final test... with their only route to freedom being more bloodshed.

7. TOTALLY KILLER

Thirty-five years after the shocking murder of three teens, the infamous "Sweet Sixteen Killer" returns on Halloween night to claim a fourth victim. Seventeen-year-old Jamie (Kiernan Shipka) ignores her overprotective mom's (Julie Bowen) warning and comes face-to-face with the masked maniac and, on the run for her life, accidentally time travels back to 1987, the year of the original killings. Forced to navigate the unfamiliar and outrageous culture of the 1980s, Jamie teams up with her teen mom (Olivia Holt) to take down the killer once and for all, before she's stuck in the past forever.

8. THE BLACKENING

The Blackening centers around a group of Black friends who reunite for a Juneteenth weekend getaway only to find themselves trapped in a remote cabin with a twisted killer. Forced to play by his rules, the friends soon realize this ain't no motherfu**in' game. Directed by Tim Story (Ride Along, Think Like A Man, Barbershop) and co-written by Tracy Oliver (Girls Trip, Harlem) and Dewayne Perkins (The Amber Ruffin Show, Brooklyn Nine-Nine), The Blackening skewers genre tropes and poses the sardonic question: if the entire cast of a horror movie is Black, who dies first?

9. SICK

As the pandemic steadily brings the world to a halt, Parker and her best friend Miri decide to quarantine at the family lake house alone--or so they think.

10. INFINITY POOL

While staying at an isolated island resort, James (Alexander Skarsgård) and Em (Cleopatra Coleman) are enjoying a perfect vacation of pristine beaches, exceptional staff, and soaking up the sun. But guided by the seductive and mysterious Gabi (Mia Goth), they venture outside the resort grounds and find themselves in a culture filled with violence, hedonism, and untold horror. A tragic accident leaves them facing a zero tolerance policy for crime: either you'll be executed, or, if you're rich enough to afford it, you can watch yourself die instead.

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