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#edit: an example of the words thing?
smokeys-house · 4 months
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I used duolingo for years and learned a lot very slowly but I think this new app I'm using now is using a different dialect and also they're using words for things that I learned different words for and I'm so confused!!!! 💀
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seventh-district · 17 days
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not even gonna tag this properly bc i don't wanna get Involved but i do have some Thoughts i need to get out into the void so here we go
(aaa quick edit: CW for mention/discussion of Boothill leaks)
#today's gone Badly and i'm upset but instead of venting abt it i'm gonna channel that energy into doing a bit of tag rambling abt Boothill#well. less abt Him and more abt uh. self-analyzing my anxiety surrounding contributing to fandoms. he's just today's catalyst#like. i know it's mostly a me thing. i'm hypersensitive to criticism and very conflict avoidant + socially anxious + perfectionistic etc.#so I'm the one that keeps myself from posting more stuff out of fear of being criticized or called-out for what i've made#bc inevitably Someone's gonna see it and think its OOC or a problematic take or they'll misread my intent. etc etc what have you#but like. that's inevitable. there's no way to communicate every single thing with all of the nuance required to avoid misunderstandings#and other times it's not a misunderstanding it's just a difference of opinions and that's Fine!! there's no accounting for personal taste#there's no accounting for several things actually. taste‚ bias‚ lore-knowledge‚ differing levels of chronic-online-ness‚ etc#so this isn't me complaining abt the state of fandom culture (although i do think. sometimes. ppl take shit a bit too seriously)#but anyways all of this is mostly just anxiety-fueled. it's not like i very often actually even receive negative feedback or anything#if anything ppl tend to tell me that i'm overthinking it and killing my own fun and worried that my stuff is more OOC than it is#which like. yeah. Yeah u right :) but that's just the way that i am! always losing the idgaf war i suppose#anyways what's Boothill got to do w this ur wondering. well. i've been thinking abt the quickly emerging concept that he's illiterate.#and it just. has me feeling a lot of ways. and watching ppl disagree over it has me feeling some Bad ways. bc it's def a loaded topic!#if you'll pardon the pun there. and i don't rlly have anything new to add other than that i'm conflicted abt it.#like yeah i saw the leaks days ago. of him mentioning 'not hitting the books' much as a child when we ask him why he sends voice messages#or voice Transcriptions ig. ykwim. and like. *braces for impact* ...i liked it? like. it doesn't feel right to call it endearing#i'm not trying to infantilize him. ok that's not the right word either but ugh. you know? what i mean?? who am i kidding even i don't know#it's not quite right to say that it feels like Representation either. but it's something close i guess#as a southern person myself who didn't receive a 'complete' education due to factors that weren't to do with my intelligence#the concept of seeing him as a capable force to be reckoned with and respected who also happens to have not received much formal education#i like that. i do. but there's so many issues w it at the same time. like. as i said‚ being southern myself has me Wary of the way Hoyo is-#writing him. as well as of the way that the fandom is taking the bits of his lore and running away w them. and i'm Very aware of how ppl-#will see a southern character and be All Too Eager to agree that they're lacking intelligence based on our Redneck™ stereotype#sigh. and before we even go too far with this. it's not even confirmed that hes completely illiterate. which is a valid criticism i've seen#there's Multiple reasons that could make him prefer voice to text. but regardless. i'm just worried that ppl will misconstrue my intentions#like. example: that edit i made the other day of him saying 'no thanks i can't read'. wasn't me playing into the stereotype of-#'haha dumb country boy can't read!' it was. in my eyes. something he'd say as a joke to make light of a potential insecurity#like. i think there's far more depth to Boothill's character if ppl could look past the surface. and i dont wanna contribute to the problem#but sometimes ppl Will have stereotypical traits and i wish the same could apply to characters as long as it's done Thoughtfully.
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the-sage-libriomancer · 7 months
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i've had dysfunctional Honda family on the brain lately, and i got to thinking about Katsuya's sister—better known as Tohru's bitchy aunt who had no respect for Tohru's boundries and treated her like shit. she and Tohru's cousins are set up as an inconsequential first boss, out of Tohru's life and the story halfway through the first act, and then she's barely in the series ever again. canon-wise there's not really much to be said about her: she's a shrill, selfish woman who's basically a Japanese Karen. there isn't anything more to her character, and in the context of the story there doesn't need to be.
but i just got to thinking—what was she like as a kid? what was it like for her growing up, when she had a strict and uncompromising father, a mother who died when she was a teen/young adult, and an older brother who grew up frustrated and repressed?
Tohru's grandfather said that he and Katsuya were always struggling, with Katsuya striving to meet his father's unfair expectations and Tohru's grandfather (who henceforth is going to be called Toshiro bc i can't keep typing out "Tohru's grandfather") unwilling to accept that his son wasn't the person Toshiro wanted him to be. imagine having to live in a house where your older brother and your father are always fighting, where your brother slowly becomes a different person over the years and your father won't stop pointing out everything that's "wrong" with your brother.
(i think it's also important to note that the story takes place approximately from 1999-2001, which means Toshiro is very firmly from the war generation. that almost certainly influenced his values and approach to life, from the sharp focus on education to how he expected "good etiquette" from his children. and i dunno—not to drag a far bigger can of worms into the mix, but i think there is something to be said about how horrific worldwide cruelty deflates into systematic national cruelty which trickles down into mundane societal cruelty that somehow becomes "just the way things are", which feeds nicely into the series' themes of generational trauma and how people come to normalize abuse.)
we don't know much about the Hondas' domestic life, but we do know this: Toshiro was unhappy with his kids and his kids were unhappy with their father. then the mother died and Toshiro lost what was probably his strongest connection to both of them. Katsuya and Toshiro didn't really get along until after Kyoko came into their lives, which was probably a good several years later. meanwhile, we don't know anything about Toshiro's relationship with his daughter, but clearly there isn't the same kind of bad blood between them as there was Katsuya and Toshiro.
and it's just. Katsuya's sister. his younger sister, the one who grew up beside him. a woman who married a faceless (but respectable) man, who has enough money to take vacations and hire private detectives and completely renovate houses, who looks down on Kyoko and can't stop judging her own brother's child for being raised by an ex-delinquent.
do you ever think about it? how the unnamed sister spent her formulative years in a house that was never at peace. her father was proud and stubborn, clearly not willing to deal with anything other than what HE thought was right. her mother likely tried to play peacekeeper, because that's often what the wife is reduced to in a fight between family members, and who knows what her relationships with her kids were like in the face of that. her brother started out as someone like Tohru, but slowly became a different person as their father's expectations pressured him into walling off entire parts of himself. she constantly heard her father talk derisively about Katsuya for being less than his ideal (maybe even to Katsuya's face). and she clearly comes from a high-status family who have no qualms with being assholes toward "unsavory" family members, if the flashbacks to Katsuya's funeral are anything to go by. every time she met with family—aunts and uncles, grandparents, cousins, in-laws, what have you—she was reminded that you had to marry the right sort of person or you would be openly sneered at, receive no help or support, and be virtually disowned.
do you ever think about how she probably absorbed her father's ideas of an acceptable life because that's all she ever learned to value? how she took cues from her other family members and crafted a respectable persona that they would all approve of? that she possibly dotes on her family and supports her son's dream because she never got any of that love and acceptance for herself? her life is one of a stereotypical upper-middle-class suburban housewife, the kind who's obsessed with status and appearances to the point of becoming a shallow, cruel miniboss in a story about far worse cruelties and far less shallow motivations.
listen. listen. Tohru's aunt is an annoying person but also one that's easy to read. she felt "uneasy" around Kyoko. she wanted her son to succeed in life. she judged Tohru—a sweet girl who had literally never done anything of suspicion in her entire life—solely because of Tohru's parentage. she loved her father. she thought her father would support her in deriding the "distasteful" member of the family and she was wrong. she lost her mother at a young age. she refused to see Kyoko as worthy of respect. she thought Tohru was a delinquent like Kyoko who was shacking up with three strange men, but she still called to inform Tohru of Toshiro's illness and offered to go to the parent-teacher's conference with Tohru. her own father called her and her children "nasty by nature." she is a product of her childhood and also a deeply unpleasant person because she never chooses to extend compassion or kindness to others, much less any inklings of good faith.
and it all drives me a little nuts because Tohru's aunt is decidedly a minor character, and i don't think much thought was put into her characterization or backstory—she's the shitty judgmental family member who's there to be a roadblock for Tohru, and that's it. but the nuggets of information we get on Katsuya's past also creates a path for his sister's backstory, one that points to a quietly dysfunctional family, high pressure to be an acceptable member of society, and other unfortunate circumstances that led her aunt to becoming such a shallow, hardhearted person.
anyway. dysfunctional Honda family is very interesting.
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sansofhumor · 11 months
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I was asking about when papyrus swears in the newsletter itself lol <33
He doesn't swear in the newsletter tho??? I thought you might be referring to that but he doesn't swear haha
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That isn't a swear lol. It's not even a censor it's an em dash probably though it is also probably a reference/shout out since Mr fox seems relatively in touch with the fandom. If it was a censor it'd have another dash ---- to represent what word he isn't saying. Unless you're telling me he said "what the ass"
I promise I reread the interview a billion times to find a swear unless I'm over looking something haha
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mbat · 2 months
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"this house is so full of ghost activity!!"
the house:
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airenyah · 1 year
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i think i found a way to bring up bad buddy in my bachelor thesis, but i'm gonna have to restructure half of my plans
#originally i wanted to analyze the difficulties that come up when trying to translate thai pronouns and honorifics and polite particles#but then i was like ''shit i only got roughly 9000 words i'm gonna have to get more specific'' so i decided to focus on pronouns only#but unfortunately in bbs there isn't really something relating to pronouns only that causes difficulties in translation#there is plenty of other things that can be tricky to translate like pat's line username or the thing about pran's password#or in ep2 when pran's friends are discussing pat's note and how it's gotta be a guy from the use of ครับ (krub)#anyway if i somehow manage to restructure my thesis in a way where i actually CAN go back to my original plan#on focusing on all 3: pronouns and honorifics and polite particles#then that scene in ep2 pt3 where patpran are teasing each other about the dumplings/green tea drinks is actually perfect for my thesis!!#now i just gotta figure out how to talk about all 3 of these topics and still keep my thesis at around 9000 words....#airenyah plappert#adrm#bbs#i have until friday to figure this out bc that's when i'm gonna have to hand in my exposé#edit: i'm so stupid if i go back to my original plan then that plan included bringing bbs into it anyway#that ep2 scene where the architecture gang is discussing pat's note is the perfect example#of a tricky spot when it comes to translating thai polite particles#usually when a sentence includes a polite particle you'd try to express the translation in a polite register too#but that's a moment where they're explicitly referencing a linguistic concept that just doesn't exist in english#so how are you gonna translate that for an audience who has no idea what polite particles are#and have the translation make sense for them#although on my bbs rewatch the past two nights i found one or the other moment relating to pronouns#that i might be able to use#we'll see
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Various images of things
#image commentary in tags once again since they don't allow captions anymore and I feel weird using the alt text for that --#1. PIBBINS.... cheering clapping hooting hollering glorious applause everytime I see a pigeon in public#2. Birthday card that I drew for someone. .. kittys...#3. 2023's annual haul of tiny white pumpkins.. i get at least one white pumpkin every year around fall when they have pumpkins in stores#because I just love the color and texture ... bright white and smooth and cold and round.. kind of like a volleyball or something#4. A brief adventure into watching big brother (only earlier seasons of course as I hate all reality shows post like 2013 or something when#they became overly focused on social media and overproduced memeable phrases more.. like even though ALL reality shows have always#been extremely fake and annoying and mindless it's like..... newer stuff seems A Different Kind Of Fake or something) since whenever#I'm sick sometimes I find weird mindless things like that to watch (that one time I had bronchitis I watched all of Flavor of Love in my#half awake illness stupor and now everytime I heat up canned minestrone soup (mostly all I ate that week) I think of flavor flav since#thats just a weird brain connection I have now lol) ANYWAY.. I was sick and watched like 2 seasons of this and then thought it was too#uninteresting and obnoxious to continue (more like 1 and a half since I skipped the rest of one once only boring people were left) BUT this#one guy had a very mischevious looking face and he also said a few things (like the above captioned speech) that sounded like dialogue#some fantasy character would say.. so I took a screencap of him and edited him into a mischevious wizard i guess.?? idk I was sick lol#~your little friend has a poisoned tongue~ is just a very unexpectedly serious sounding wording for some random normal#frat dude looking guy to say while casually chatting on a reality tv show in like 2008 or whenever that was filmed lol#5. FLUFFY CLOVERS!! I'd never seen them be furry and soft before?? inchresting..#6. Noodle sitting in bed with the cat figurines looming above him... the council of kittys...#7. McDonald's full breakfast platter + asparagus + strawberries & cream (also of course this is old and I am now boycotting mcdonalds etc)#i try to group the images somewhat consistently like.. winter stuff with winter stuff or summer stuff with summer stuff#but I have so many random pictrues floating around on my computer that I never post that sometimes some are not organized or just#thrown into a set because there's nowhere else for them. Like the pigeon picture is from like 3 years ago for example lol#8 & 9 - I think I've posted these before but I just find them very interesting looking flowers. whenever they happen to be blooming#I'll pick up a few when I'm out on walks or etc. ... poof ball looking things#photo diary
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My favorite thing to do as a writer and even just in casual settings (like posts or texting) is when I just decide that something should be a word, so I’m gonna use it as one. “Unaccepting” isn’t in the dictionary, but I ignored that for a post and would straight up ignore it in a book I wanted to publish, and maybe even an essay, because it just totally should be one. Same goes for how “nevermind” is supposed to be two words. Though that’s one’s a bit different, because that’s some Mandela effect shit, I’m sure it has always been one word, and I write it that way out of spite
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gentlethorns · 16 days
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still can't believe i finally got that scene written last night. that signifies that the novel is really truly in the last mile of its marathon. it's been a surprisingly easy race despite it being essentially my first. i am so excited i can TASTE the end it is so close!!!!!!!
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alchemiclee · 2 months
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tumblr keeps breaking links after I post. my last post was supposed to have a link to my bladie tag but it looks like it broke. I fixed it. tumblr mobile is a pain in my ass lmao they need to fix it
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astronicht · 2 months
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Incomplete list of stuff that made me go apeshit reading Fellowship for the first time, medievalist edition (part II)
Part I here. Disclaimer: this is for fun!
Love that people keep stressing that they are going to the ELVES for COUNCIL. Old English names, especially among the rulers of Wessex, Northumbria, Mercia, etc, were often Elf Theme Names, one of the most famous and enduring of which is Alfred. Written the old way, Ælfræd or Ælfred (as in Alfred the Great), means Elf-Council, aka "counseled by elves". In their hearts... everyone wants to be Alfred... possibly this is only funny 2 me.
Tom Bombadil doing a training montage in the fucking magic system of Middle Earth?? He teaches Frodo to recite a poem that will summon him, Tom Bombadil, in times of need! Frodo gets kidnapped by undead wights in a barrow (like many a good young person in an Old Norse saga before him) and dutifully recites this magic poem. Frodo learned Recite Magic Poem! TOM BOMBADIL SMASHES THRU THE WALL OF THE BARROW LIKE THE KOOL-ADE MAN AND RECITES A BIGGER, STRONGER POEM??
At this point I gave up on trying to be normal about anything. As such, I'm pausing on Tom Bombadil again.
It helped (?? not psychologically) that Tom Bombadil recited something that felt a bit familiar, when he banished the wights. It's not anything like a direct translation, if indeed it bears any purposeful resemblance to the actual recorded medieval galdor called Against a Wen. Regardless, Against a Wen is an okay?? example of what a spoken word magic poem would look like, and why it's similar to what Tom Bombadil (and later Gandalf and others) do. Left screenshot is Bombadil against a barrow-wight. Right is Against a Wen, in English translation. (a wen was possibly a skin ailment, like a mole or a cancer). Banishing to/beyond the hills and shrivelling are the apparent themes. You don't have to follow me on this one, much less agree. Frankly this is the point I went off the deep end, probably.
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Galdor can also protect! This just happens to be a banishment.
Gollum got exiled (the worst thing the early medieval and apparently proto-hobbit law could do to you) but not even for murder. No one found out about the murder. He just sucked.
ALSO Gollum lied and said that his matriarch (who exiled him) gave him the Ring. This implies it was plausible she'd give out rings, implying female ring-giver (standard role of a king). This is mentioned once and never again. ok!!
One last fun fact about galdor: it is the word at the end of "nightingale" isn't that lovely? Luthien's name in-universe means nightingale. This is fine!
I spent a lot of time researching Aragorn's favorite rock. I love these books. If I recall correctly it's a real rock! but possibly. just a cool rock.
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wileycap · 3 months
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So, uh, Netflix Avatar, huh? Yeah. I guess I'll make a really long post about it because ATLA brainrot has is a cornerstone of my personality at this point.
So.
It's okay. B, maybe a C+.
That's it.
Now for the spoilers:
The biggest issue with the Netflix version is the pacing. Scenes come out of nowhere and many of the episodes are disjointed. Example: Aang escaping from Zuko's ship. We see him getting the key and going "aha!", and in the next scene he's in Zuko's room. And then he just runs out, no fun acrobatics or fights, and immediately they go to the Southern Air Temple where he sees Gyatso's corpse, goes into the Avatar state, and then sees Gyatso being really cheesy, comes out of it, and resolves that conflict. Nothing seems to lead into anything. The characters don't get to breathe.
The show's worst mistake (aside from Iroh fucking murdering Zhao) is its' first one: they start in the past. Instead of immediately introducing us to our main characters and dropping us into a world where we have a perfect dynamic where Aang doesn't know the current state of the world and Katara and Sokka don't know about the past, thus allowing for seamless and organic worldbuilding and exposition, they just... tell us. "Hey, this is what happened, ok, time for Aang!" There's no mystery, no intrigue, just a stream of information being shoved down the audience's throats and then onto the next set piece.
The visuals are for the most part great, but like with most Netflix productions, they just don't have great art direction. It feels like a video game cinematic, where everything is meant to be Maximum Cool - and none of the environments get to breathe. It's like they have tight indoor sets (with some great set design) and then they have a bunch of trailer shots. It's oozing with a kind of very superficial love.
Netflix still doesn't know how to do lighting, and with how disjointed the scenes are, the locations end up feeling like a parade of sets rather than actual cities or forests or temples. As for the costumes, Netflix still doesn't know how to do costumes that look like they're meant to be actually worn, so many of the characters seem weirdly uncomfortable, like they're afraid of creasing their pristine costumes.
The acting is decent to good, for the most part. I can't tell if the weaker moments come down to the actors or the direction and editing, but if I had to guess, I'd say the latter. Iroh and Katara are the weakest, Sokka is the most consistent, Zuko hits the mark most of the time, and Aang is okay. I liked Suki (though... she was weirdly horny? Like?) but Yue just fell kind of flat.
The tight fight choreography of the original is replaced with a bunch of spinny moves and Marvel fighting, though there are some moments of good choreography, like the Agni Kai between Ozai and Zuko (there's a million things I could say about how bad it was thematically, but this post is overly long already.) There's an actually hilarious moment in the first episode when Zuko is shooting down Aang, and he does jazz hands to charge up his attack.
Then there's the characters. Everybody feels very static - Zuko especially gets to have very little agency. A great example of that is the scene in which Iroh tells Lieutenant Jee the story of Zuko's scar.
In the original, it's a very intimate affair, and he doesn't lead the crew into any conclusions. Here, Iroh straight up tells the crew "you are the 41st, he saved your lives" and then the crew shows Zuko some love. A nice moment, but it feels unearned, when contrasted with the perfection of The Storm. In The Storm, Zuko's words and actions directly contradict each other, and Iroh's story gives the crew (and the audience) context as to why, which makes Zuko a compelling character. We get to piece it out along with them. Here - Iroh just flat out says it. He just says it, multiple times, to hammer in the point that hey, Zuko is Good Actually.
And then there's Iroh. You remember the kindly but powerful man who you can see gently nudging Zuko to his own conclusions? No, he's a pretty insecure dude who just tells Zuko that his daddy doesn't love him a lot and then he kills Zhao. Yeah. Iroh just plain kills Zhao dead. Why?
Iroh's characterization also makes Zuko come off as dumb - not just clueless and deluded, no, actually stupid. He constantly gets told that Iroh loves him and his dad doesn't, and he doesn't have any good answers for that, so he just... keeps on keeping on, I guess? This version of Zuko isn't conflicted and willfully ignorant like the OG, he's just... kind of stupid. He's not very compelling.
In the original, Zuko is well aware of Azula's status as the golden child. It motivates him - he twists it around to mean that he, through constant struggle, can become even stronger than her, than anyone. Here, Zhao tells him that "no, ur dad likes her better tee hee" and it's presented as some kind of a revelation. And then Iroh kills Zhao. I'm sorry I keep bringing that up, but it's just such an unforgiveable thematic fuckup that I have to. In the original, Zhao falls victim to his hubris, and Zuko gets to demonstrate his underlying compassion and nobility when he offers his hand to Zhao. Then we get some ambiguity in Zhao: does he refuse Zuko's hand because of his pride, or is it his final honorable action to not drag Zuko down with him? A mix of both? It's a great ending to his character. Here, he tries to backstab Zuko and then Iroh, who just sort of stood off to the side for five minutes, goes "oh well, it's murderin' time :)"
They mess with the worldbuilding in ways that didn't really need to be messed with. The Ice Moon "brings the spirit world and the mortal world closer together"? Give me a break. That's something you made up, as opposed to the millenia of cultural relevance that the Solstice has. That's bad, guys. You replaced something real with something you just hastily made up. There's a lot of that. We DID NOT need any backstory for Koh, for one. And Katara and Sokka certainly didn't need to be captured by Koh. I could go on and on, but again, this post is already way too long.
It's, um, very disappointing. A lot of telling and not very much showing, and I feel like all of the characters just... sort of end up in the same place they started out in. I feel like we don't see any of the characters grow: they're just told over and over again how they need to grow and what they need to do.
To sum it up: Netflix Avatar is a mile wide, but an inch deep.
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ecoamerica · 2 months
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youtube
Watch the 2024 American Climate Leadership Awards for High School Students now: https://youtu.be/5C-bb9PoRLc
The recording is now available on ecoAmerica's YouTube channel for viewers to be inspired by student climate leaders! Join Aishah-Nyeta Brown & Jerome Foster II and be inspired by student climate leaders as we recognize the High School Student finalists. Watch now to find out which student received the $25,000 grand prize and top recognition!
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jewishvitya · 3 months
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I remembered this essay from years ago when I was unlearning what I knew of Israel and zionism and I couldn't find it again, and now I see it in a Shaun video, with the source.
Ze'ev Jabotinsky, "The Iron Wall." I downloaded it from the Jabotinsky Institute.
These are the titles he gave this essay:
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I said that Zionist leaders explicitly talked about Zionism as a colonialist movement. This is an example of what I was talking about.
Some quotes:
There can be no voluntary agreement between ourselves and the Palestine Arabs. Not now, nor in the prospective future. I say this with such conviction, not because I want to hurt the moderate Zionists. I do not believe that they will be hurt. Except for those who were born blind, they realised long ago that it is utterly impossible to obtain the voluntary consent of the Palestine Arabs for converting "Palestine" from an Arab country into a country with a Jewish majority.
My readers have a general idea of the history of colonisation in other countries. I suggest that they consider all the precedents with which they are acquainted, and see whether there is one solitary instance of any colonisation being carried on with the consent of the native population. There is no such precedent.
He's saying openly: no land was colonized with the consent of its indigenous population. So we have to do it without that consent.
Every native population in the world resists colonists as long as it has the slightest hope of being able to rid itself of the danger of being colonised.
That is what the Arabs in Palestine are doing, and what they will persist in doing as long as there remains a solitary spark of hope that they will be able to prevent the transformation of "Palestine" into the "Land of Israel."
He said that any zionist who depends on the Arab population accepting a Jewish state on their lands, might as well withdraw from zionism because that's impossible.
Zionist colonisation must either stop, or else proceed regardless of the native population. Which means that it can proceed and develop only under the protection of a power that is independent of the native population – behind an iron wall, which the native population cannot breach.
And then he says that this Iron Wall is the British Mandate and the Balfour Declaration - they're the power that stops Palestinians from resisting us.
He says that despite this, zionism is moral and just, so justice must be done, zionism must move forward. He just wants to be honest about what it takes. He wants to discourage talks of an agreement to avoid signaling to the British that they must try to reach one between us and Palestinians. Just stop them from fighting us, we'll colonize the place.
Zionism was openly colonialist until this language was no longer politically useful.
Editing because I was kinda shocked by the response this got, in several moments. When the slavery of US founders was brought up to dismiss this whole thing. When First Nations reservations were brought up on the same list as the United States as equivalent to Israel, because I said I oppose the existence of a country that prioritizes one ethnic group at the expense of others, and I support democracy that protects everyone equally.
But another thing that's still nagging at me is the idea that this whole essay can be dismissed based on semantic arguments, like sure this uses the word colonialism, but is it actually the colonialism that we talk about and oppose? And what if this word is only used to appeal to the British for support?
This isn't the the first time that prominent zionist thinkers talk about zionism as a colonialist movement. I saw it in old publications, things like magazines, I'd be posting them too if I found them again. I did my own deconstructing years ago, I don't remember where I found all my sources.
I do remember that they talked about the two concepts together - the idea that we're here to colonize, and that we're here to come home. So nowadays there's the arguement that people can't colonize their own homeland, but to them there was no contradiction. I saw it again looking at Herzl's diary last night.
I say I define colonialism through actions and tactics, through the harm that's done to the victims of colonization. Because if we knowingly repeated the actions of colonizers and used the help of an imperial force to conquer a land, having a historic connection to it shouldn't absolve us.
Jabotinsky didn't write to the British in this essay. He wrote to other zionists who wanted to aim for something more collaborative with Palestinian Arabs. And it's true that word choice can mean different things in the context of the time, but there's a reason I chose those quotes. What is he actually saying in this essay?
Consider colonization throughout history - the native population never agreed, so we must do the as colonizers did in the past.
Palestinians will never agree to a Jewish state - so we must do it by force. We should use an imperial force as an "iron wall" to prevent them from resisting. Stop talking about an agreement because then the British will try to reach one instead of holding them back and letting us do our thing.
He's comparing the zionist movement to other efforts of colonization, to talk about emulating them.
This isn't a game of semantics. I'm not just bringing this up just because he used the words.
What he's describing - conquest by force, preventing a Palestinian state, forcibly creating a Jewish majority - is what happened. And it's still what's happening.
This is the branch of zionism that went into practice and founded Israel.
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jonnywaistcoat · 3 months
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Hey, Horrormaster Sims. I have a wildly different question that barely relates to TMA (Sorry about that) but its about your own process. Please, if you could, can you tell me how your first drafts made you feel? I'm on the fence about writing my own thing (not a podcast, and again, not Magnus related, though I have a million little aus for that delightful tragedy you wrote, thank you for that!) But I'm discouraged by the collective notion that first drafts are always terrible, because there's no ... examples I can solidly use to help the dumb anxiety beast in my brain that tells me everyone who is in any way popular popped out a golden turd and not, well, you know. One of my friends said 'Oh I bet Jonathan Sims's first draft was nothing like what he wanted' and I got the bright idea to just. Send you an ask, since you're trapped on this hellsite like I am. Anyway, thanks for reading this (if you do) and if you'd rather ask it privately, I am cool with that. Alternatively, you're a hella busy man with Protocol (you and Alex are making me rabid, i hope you know) and you can just ignore this! Cheers, man, and good words.
To my mind all writing advice, especially stuff that's dispensed as truisms (like "first drafts are always garbage") are only useful inasmuch as such advice prompts you to pay attention to how you write best: what helps your workflow, what inspires you, what keeps you going through the rough bits. There are as many different ways to write (and write well) as there are people who write and so always consider this sort of thing a jumping off point to try out or keep in mind as you gradually figure out your own ways of writing.
On first drafts specifically, I think the wisdom "all first drafts are bad" is a bit of unhelpful oversimplification of the fact that, deadlines notwithstanding, no piece of writing goes out until you decide its ready, so don't get too hung up on your first draft of a thing, because a lot of writers find it much easier to edit a complete work than to try and redraft as they go. It's also important to not let perfectionism or the fact your initial draft isn't coming out exactly how you want stop you from actually finishing the thing, as it's always better to have something decent and done than to have something perfect and abandoned.
But the idea of a "first draft" is also kind of a fluid one. The "first draft" you submit to someone who's commissioned you will probably be one you've already done a bunch of tweaks and edits to, as opposed to the "first draft" you pump out in a frenzy in an over-caffeinated weekend. For my part, my first drafts tend to end up a bit more polished than most, because I'm in the habit of reading my sentences out loud as I write them (a habit picked up from years of audio writing) so I'll often write and re-write a particular sentence or paragraph a few times to get the rhythm right before moving to the next one. This means my first drafts tend to take longer, but are a bit less messy. I'm also a big-time planner and pretty good at sticking to the structures I lay out so, again, tend to front load a lot of stuff so I get a better but slower first draft.
At the end of the day, though, the important thing is to get in your head about it in a good way (How do I write best? what helps me make writing I enjoy and value? What keeps me motivated?) and not in a bad way (What if it's not good enough? What if everyone hates it? What if it doesn't make sense?) so that you actually get it done.
As for how my first drafts made me feel? Terrible, every one of 'em No idea if that's reflective of their quality, though, tbh - I hate reading my own writing until I've had a chance to forget it's mine (I can only ever see the flaws). I suppose there's theoretically a none-zero chance they were pure fragments of True Art and creative perfection, but Alex's editing notes make that seem unlikely.
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the-ellia-west · 4 months
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How to make your readers Feel emotions for Dummies
(Horror edition!) aka Make your readers Tense.
Anyway, you want to know how to make your readers angry or tense? Well... have I got some useless tips for you!
First, think about what would make you tense?
Usually, you will write about things that you enjoy, therefore your readers will most likely be similar to you, so you should take your own experiences within media and just... steal them
2. Second, Use short sentences, and add onomatopoeia
Nobody likes having to make their brain work faster. And shorter sentences will actually do that. So using it is very helpful.
For example: Nothing in the house made a noise except for something dripping from the ceiling.
Vs
Nothing in the house moved. Not a noise could be heard. Not even the rustle of wind against the walls, or even her own breath. Save for one thing. Drip, drip, drip. Something falling slowly from the rafters overhead. Then, she knew.
See? Better!
3. Next, you should make sure to dance around the word was
Trust me, it just adds that much more oomph
4. Underdescribe the important shit, Overdescribe the unimportant stuff
I don't have an example for this... uh... have a nice day
5. Make your protagonist likable
Please
6. Show your readers early on you won't hesitate to do something shitty
Like kill off a protagonist who didn't actually matter, do something drastic in the story that shows your readers you aren't fucking around
Good Luck and good day!
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airenyah · 1 year
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i keep seeing gifs from our dining table on my dash bur unfortunately my brain refuses to let me watch anything at all that isn't a gmmtv series until i've finished writing my thesis
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ecoamerica · 2 months
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youtube
Watch the American Climate Leadership Awards 2024 now: https://youtu.be/bWiW4Rp8vF0?feature=shared
The American Climate Leadership Awards 2024 broadcast recording is now available on ecoAmerica's YouTube channel for viewers to be inspired by active climate leaders. Watch to find out which finalist received the $50,000 grand prize! Hosted by Vanessa Hauc and featuring Bill McKibben and Katharine Hayhoe!
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