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moononmyfloor · 5 months

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My Year End C-drama Review (2023)

Last year, I did two Cdrama Wrapped posts for each half of the year. This year, I watched so much stuff right away I got arrogant and was about to do a January-February summary. And then life happened and handed me my entire ass, so here we are right back on the ground zero.

Well, not exactly. I watched lots of dramas I liked this year and would like to give nods to as many as possible, and before I start forgetting details I thought I better go ahead with the entrees that I'm sure of the answers.

My initial Cdrama reviews were inspired by anniedelavoye's this post 2 years ago, I've extrapolated a lot from there but some entrees remain same.

Part 2

1. First drama I finished in 2023

Hi Venus. Modern workplace romcom isn't my go-to-genre, least of all if the ML is a CEO. If not for the unusual-for-the-genre setup of initial few eps and the strong recommendations of my friends, I might not have pressed play at all. And I'm so glad I did because it turned out to be one of the most refreshing takes of the genre, it was funny, the pacing nor the dialogues were ever draggy, the characters were intelligent and pleasant, and down to earth. It never leaned to the tropes of helpless/badass FL or tsundere/beta ML extremes, there was no dramatic villain arcs, down to the supporting characters everyone were so reasonable and mature and simply had the nicest time ever together. Now I put it like that, it sounds boring but trust me, it wasn't. Do give it a try. Your time won't be wasted.

2. An actor who took my breath away

Jing Boran as Lan Jue/Peizhi from The League of Nobleman

I mean

Look at him. Instant KO.

I remember watching this scene (and every scene that followed after, especially when he had his hair down) and being in disbelief about how he's real. He's literally glowing out the screen! His performance as a model scholarly minister, the way he conducted his glance, his steps, his speech and temperament were nothing but enchanting and... look, I can write poetry about him for ages lol.

And then I watched every single work I could find of him and ended up even more in love, because his resume was nothing but diverse. A measured scholar, a bubbling-out-of-his-skin social butterfly, a ballerina in a tutu, a man pregnant with the cutest radish monster ever, there's nothing he cannot play. I'm definitely going to check out every single work of him that'll be coming out in the future as well. Even if the plot fails, his character will surely be interesting.

(Also, I was FINALLY lured into DMBJ fandom thanks to going down his profile as well, and now I'm here to stay🤭)

3. Most relatable character

Bai Moxi from Gone With the Rain

She was street-smart and sassy, but never foolhardy. She wasn't a damsel nor was overly clever. She had her moments of daydreaming, but she knew what was and wasn't reasonable. She had a high sense of self-worth, she also knew when to make herself scarce. Despite being the most outgoing and energetic personality in the room, she didn't make everything to be about herself. In fact, she couldn't have been happier to be a background supporting character of the story, quietly minding her own business in her corner. In summary, she just felt very real, and exactly like how I love my FLs. Every decision she took felt like what I'd also have done in her situation. (Btw I hope noone messages me about loving Moxi but hating her sister because I don't. I think her character also made a lot of sense based on her circumstances even though she was bit more difficult to love than Moxi.)

Most of all, she was played to a tee by Zhang Nan, the young actress was allowed to shine to her true potential in this role, as she used to be quite stereotyped in either bubbly or petty mean girl roles. The drama horribly fell apart in the latter quarter (I'd like to pretend it all ended before that Great Seperation Scene), but I'm going to remember her charaacter for a long time to come.

4. Most inspiring character

Li Lianhua from Mysterious Lotus Casebook

The tumblr tag for MLC is already filled with Grade A+ poetry, prose and analysis dedicated to him and I'm not capable of wording it any better than them. All I can say is he really touched a vulnerable corner of my heart, and gave it strength. He's just so very admirable and represents all I ever want to be, and his entire character design and all its metaphors and philosophy especially resonate with me as a Buddhist. Like Cheng Yi said at the end of MLC concert, "At the end of the day, if you have a lotus flower in your heart that you can call your own, that's what matters."

5. Best Couple of the Year

Lu Zhaoxi and Ye Shilan (Zeng Shunxi and Liang Jie) in Hi Venus, Zhao Jian and Yuan Zhongxin (Zhou Yutong and Zhang Xincheng) in Young Blood 2

Here are two couples who were each others' equal match in every big, small and miscellaneous ways possible. Where their roles in their partnership did not have anything to do with society-determined gender or power dynamics, not about conforming to them nor about beating them. Everything about their relationships simply had to do with what they meant to each other their admiration, respect and love towards the other person, from beginning to end. In Hi Venus, it was never uncomfortable to watch Shilan being Zhaoxi's subordinate, for he always treated her like any good superior should in any healthy professional relationship. In Young Blood 2, Zhongxin would fully trust Zhao Jian with everyone else's and his own life, not because his head was in wishful romantic clouds but because he was 100% confident in her capabilities and would never disrespect her with "girls should be protected, you stay back and let me take the sword for you" nonsense.

I may check out like 50 dramas per year and may never come by such Het pairing dynamics in some years, yknow? I do not hate on any other kind of dynamic (plus I'd have next to nothing to watch in that case lol) but, THIS... this is so rare -for me to not be icked out by not even a single second of a fictional het couple's screentime lol- hence the gushing! (Though I know I'm not doing the greatest job of phrasing what I feel😆).

Following that note, though not a couple, honorable mentions to Chufeng (Bi Wenjun) and Robin (Zhu Zhengting) from Silence of the Monster who took Sui Yi (Sun Yihan) into their home not because they thought it'd be chivalrous to help a girl, but because it's the nice thing to do as a fellow human. For continuing onto integrating her into their world with ease and enthusiasm not because any of them had feelings for her but because they simply found her a good friend to hang out with.

Suffice to say I DIG ANY relationship where gender does not come into play, like, at all (or barely, if you must).

6. Best harem of the year

Orchid and Lotus harems (from League of Nobleman and Mysterious Lotus Casebook)

(Only sharing the pics of Orchid Harem because it was from the earlier quarter of this year, whereas pics of Lotus Harem will be everywhere in the Cdrama scene for quite a while to come lol)

The support group of devout puppies, zhijis, friends-with-benefits and all sorts of other polycule postions, all centered around one precious babygirl enigma of a man is just my jam, and I love it when it happens because it brings forth the fandom's most unhinged high-art. 😌😌😌

(ALSO ME AND WHO WHEN!😭)

7. Best ensemble of the year

Young Blood 2, I Am Nobody

For me a perfect ensemble is where the supporting characters are just or almost nearly as engaging and thoroughly written as the main leads, you'd love every second spent on any character just as much as you love that of any other. The ultimate relaxing experience where your brain doesn't have to pick favorites and you don't have to speed watch or fast forward or be antsy about who's going to appear next because you know it's gonna be enjoyable no matter whom.

And this year, it's Young Blood 2- with its Class 7 members who were all so different but all so compelling and equally contributing to the plot, complimented by the Class 8 and the unnervingly captivating villains.

And I Am Nobody- with its extensive spread of young and old heroes/antiheroes alike, all with dramatic backstories and individual charisma that were not second to another.

8. Favorite posters/promos of the year

Mysterious Lotus Casebook, Young Blood 2, Sunshine By My Side

Really liked what MLC did with positioning the characters on various spots of the titular Lianhua Lou, the wind-sway choices for the wisps of hair and the skirts... idk the exact angles of it all were just right for each character and their vibes and appealed to me a lot.

The blending-into-painting style poster of Young Blood was so pretty too, plus these Suoyi raincoat posters.

The comic strip posters for Sunshine were also super cute, unique and perfect for the drama's themes.

9. Best opening credit sequence

Love You Seven Times

The drama itself was a hot mess but the opening sequence was entirely worthy of being a parallelish-universe story to Love Between Fairy and Devil without a debate. IF ONLY they put the same effort to the story itself.

10. Favorite Prop/Set designs

A League of Nobleman- Lan Jue's Tea Pavilion, Mysterious Lotus Casebook- Lotus House

I wish I could install a fixture in my home where me and my imaginary homies can chat over tea while being seductively separated by an active stream of freshwater, while my not so elegant period-style caravan is waiting outside in the yard for more cozily cramped get-together times. 🤧

11. Favorite lighting/color grading of the year

The Forbidden Flower, My Journey to You

The former, a kaleidoscopic explosion of colors, a celebration of fleeting life, youth, summer and nostalgia. It was a daring drama on so many fronts and nailed each of them as well, and the use of colors represented its bold soul perfectly.

The latter, a marvelous combination of mountains shrouded by mist, dark-toned wood pavilions and fur-lined robes, pale, dusty makeup with rosy lips and plump cheeks; all combined together on screen to bring a palpable ambience of a secluded glamorous hideout in a dystopian world and its ethereal residents. Seriously, how I especially loved to stare at the bride candidates in their white getups, it was like the light bounced off of the fabric to shine on their faces even more, and the skin and hair looked non-oily and baby soft. And it didn't feel over the top but convincing because the camerawork and editing conjured a believable image of an upcountry with dense and dewy forests, waterfalls and rivers, there's no sun, no heat no sweat, only cold air and pregnant humidity. OF COURSE you are going to look like THAT.

12. A drama that taught me new things

Hi Producer

The infuriating thing about Yu Zheng's show-off genre of costume dramas is that the story may be a hit-or-miss, the "historical facts" provided in them may need to be taken with a grain of salt, but they almost always provide me with great entry points to do my own research 🥲. Most niche facts that take me by surprise and things I'd never have thought to look up on my own are randomly sprinkled all over the place and I run around like a headless chicken trying to collect them all.

13. Most exhilarating drama/scene

Three-Body

That scene in ep 5. The entire buildup to it and the resolution. The phenomenal acting bringing forth the exact emotion and exact tension required. The moment you start to understand at least a sliver of why exactly all the characters are making this much of a fuss about what's happening to them.

I cannot spoil, not even a bit. You'd have to see for yourself.

I Am Nobody

(lol Three Body and I Am Nobody. I swear that was an unintentional coincidence!)

The great V-match between certain two characters, I can't elaborate. (See the thing about exhilarating scenes is that you have to see it for yourself what's the big deal is about lol.) I really liked how both their biggest vulnerabilities and yearnings were pulled out mercilessly in public, how they both fought themselves through each other before actualizing the philosophy of what it was all about. It was beautiful to watch visually as well.

14. A drama location I'd love to visit

Yunnan province

I've seen glimpses of the prosperous and both naturally and culturally diverse Yunnan province through Bite of China Documentaries and Dianxi Xiaoge's vlogs, the beautiful bucolic backdrop of Meet Yourself only heightened the wish to experience it all in person.

15. A drama that was a pleasant surprise

I Am Nobody

Perfect casting job, earnest effort from everyone involved to bring out the 2D to live action in the bestest way possible, it was like a dream come true to see a genre that was previously limited into written media like comics and fanfics (modern cultivation) as a drama even if it meant labelling all the cultivators as aliens lol

It had a lil bit of a flavor of western coming-of-age/"teen gets powers and goes on an adventure in search of their origins" stories, a bit of Japanese anime presenting style and the chaotic-gaggle-of-youth-and-veterans-with-different-extreme-powers genre vibe. And then they incorporated Chinese wuxia philosophy into it and made it their own thing. I hope to see more of this in future, and definitely a season 2!

16. An old drama I watched in 2023

Shaolin Wendao (2017)

This is one of the best period dramas I have ever seen, but I don't recommend it unless you have a strong tolerance for angst. Like, worse than Royal Nirvana and Heroes (2022) level of angst.

HOWEVER, unlike those two, Shaolin Wendao will leave you feeling rewarded for your suffering. This drama achieved a number of things that very few other have managed to do, especially for a story with such a heavy and dark premise.

The characters remained true to their selves from beginning to the end. They grew up in various ways, at the same time remained consistent. The story made sure to make all the characters aware of their individual faults and address them.

The characters were put through immense wringer but also provided viewer with the resolution they deserved. It was SO exhilarating at times, I cried. It felt like a detox, sometimes.

They prioritized telling a realistic story about the changing nature of humans. The ending was blissful but not in the idolized, wrapped-in-a-bow-tie way one would imagine. They wanted to tell a story about tribulations and letting go, and did exactly that.

It will ignite the pain but will also make sure to thoroughly quench it. So there's that.

Oh and also, respect to all the actors. All those characters were so layered and had some quite difficult scenes. I do not understand how Guo Xiaoting didn't get any good roles matching of her caliber for years after this. She was magnificent.