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#definitely not on its own
iheartjameshetfield · 6 months
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babygirl 🫶🫶
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idolomantises · 14 days
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I'm ngl i kinda wish people wouldn't look at a character I create, see that they're mean, and then immediately assume by default they're actually super tragic and a sad woobie. And I'm not even saying this to be like "people need to appreciate 2-dimensional villains!" because I don't agree with those people either.
It's like if a character is a jerk, it either needs to be justified with a sad backstory, or they need to be a saturday morning cartoon villain. it can't just be a part of their personality.
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egophiliac · 2 months
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Ego this happened and I need to tell another twst fan bc I'm so ahhhhhhh
my Nana (the biggest Disney fan I know) came over for Easter so i show her twst on a whim, bc it's my favorite thing yknow? I show her the characters and the battles, my cards, my guest room, all the good stuff. Then I decide to do a ten pull on mirror bc why not, I have 300 gems and maybe she'll give me luck 🙂
NOT DORM CARD MALLEUS FINALLY COMING HOME AFTER MONTHS OF HEARTBREAK 😭😭
AHHHH congratulations! ...also can your Nana come visit me too, because I have not gotten a SINGLE one of the dorm dias even with rerun pickups. 😭 does Malleus just demand grandma power or something.
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theygender · 2 years
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The more I learn about judaism the more I wonder where tf christianity got all its bad shit. Why is divorce a sin in christianity when judaism has recognized the right to divorce for nearly a millennia and has codified religious laws for it. Why does christianity consider sex to be dirty (to the point where puritans considered it a sin to enjoy having sex with your own spouse) when in judaism it's considered holy and it's a literal mitzvah to have sex with your spouse on the sabbath. Why does christianity consider it a sign that you're faithless if you question your religion when in judaism that's considered an essential part to developing your faith. I'm probably stating the obvious here but I still can't get over the fact that there's no historical basis to any of this shit before christianity started, it's like christians just said "hey guys what if we took the torah and built a new religion around it but this time it was actively hostile to human life"
#rambling#disclaimer this isnt about individual christians im speaking about the religious trauma i experienced in my own life etc etc#these are just a few examples that I've noticed but they're definitely something#the part about sex in particular shocked me bc sex is pretty much viewed as actively evil in a lot of christian denominations#like you should only do it to create children and if you take pleasure in it (even if its with your own spouse) youre a dirty sinner#there arent as many examples like this nowadays but if you read puritan laws about sex it's like#you're allowed to have sex with your wife basically 10 times a year but you have to be fully clothed with the lights off#and you cant have sex on a holiday or a sunday and you cant touch each other and you have to try as hard as possible to hate it#literally WHERE did that mindset come from?? like for real#in judaism having sex with your spouse is basically considered a celebration of everything holy#and if you have sex on the sabbath (the holiest day in the jewish calendar—above every holiday)#its considered TWICE as holy#make it make sense#this is one of the things people mean when they say that lumping judaism in with christianity as 'abrahamic' religions is meaningless#theyre literally nothing alike#the only similarity is the torah but thats only half of the christian bible and one third of the jewish one#AND christianity interprets most of it completely differently from how judaism does#im tired#greatest hits#hall of fame
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ruporas · 6 months
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in a mood (ID in alt)
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you’re an angel, i’m a dog ; satoru gojo
synopsis; an upcoming exam has been stressing you out, and satoru’s pleas for you to take care of yourself fall on deaf ears. he takes matters into his own hands.
word count; 4.3k
contents; satoru gojo/reader, gn!reader, yan!gojo, as far as yanderes go he’s very mild i think (im sensitive u can trust me!!), mentions of blood, implied murder (not depicted!!), he threatens your professor w a knife lol, surprisingly fluffy??, gojo is soooo lovesick & smitten, he just wants his baby to live a happy life :( is that so wrong :((, also your parents love him <33 and he calls you honey <333 ideal man.
a/n; i blacked out & when i woke up this was in my drafts… mysterious. @kissxcore here u go alexis <33 one very smitten morally gray yan!gojo just for u!! i completely lost the plot halfway through but i had a lot of fun writing this!! :33 i don’t dabble in yan content at all so it was a fun lil challenge hehe, i hope it ended up . Somewhat .. decent…
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satoru thinks you deserve everything good.
”haah…”
— the sigh spills into the air, dripping with exhaustion, a palpable fatigue that has his heart clenching.
just as he feared, you’re here. again. seated on the couch, in the living room, legs crossed and framed by flimsy strings of moonlight; illuminated only by the dim light of the laptop in front of you. carding through your hair, blinking sluggishly.
another sigh. deep, exasperated — from satoru, this time. he keeps a single hand on his hip, brows furrowed in soft disappointment. 
”honey… what do you think you’re doing?”
you jolt, the sudden sound breaking you out of whatever trance you were previously in. when your gaze flits to his, craning your head to see him rest against the wall leading up to your bedroom, he thinks you look a little like a kid caught with their hand in the cookie jar.
it makes him smile. despite his disapproval.
”ah — satoru! it’s… um.” a moment passes. he can practically see the gears of your mind turning, searching for a good excuse. ”… not what it looks like?”
he clicks his tongue. ”nice try.”
then he’s walking towards you, in long strides, gliding across the room like a butterfly in search of nectar. from the sweetest flower there ever was.
even when said flower is still awake, past midnight, pulling an all-nighter despite his frequent advice not to. his very frequent, very thoughtful advice not to strain yourself until you just about pass out.
but you just won’t listen.
”’m disappointed in you, baby,” he huffs, just playful enough to ward off any genuine feelings of distress. he could never truly be disappointed in his baby. ”what did we say about studying this late, hm?”
a sheepish chuckle slips past your lips. satoru is standing in front of you, hands on his hips, raising a questioning eyebrow as you squirm. lighthearted, yes, but genuine. it makes you feel a little guilty.
”… sorry,” you breathe, closing the lid of your laptop. knowing he won’t let you stay up any longer. with the loss of light, your face becomes shrouded in darkness. ”just can’t sleep when i’m so stressed.”
at that, satoru makes a tiny noise — something worried, a little sad, from the base of his throat. a soft frown finds its way onto his lips, and he blinks the sleep away from his senses. plopping down beside you.
”i know. i’m not trying to lecture you,” he croons, reaching out to cradle the apple of your cheek. you melt into him like molten honey, easy and sweet. ”just worried. know you’re stressed.”
and he does. he does know — it’s all he’s been able to think about, these past few weeks. to his dismay, he’s even begun to grow used to this sight, used to finding you in the midst of working yourself to exhaustion. fighting the urge to sleep, slumped over your desk, or cooped up on the couch. staring into your laptop like it holds the secrets of the universe.
time and time again, he’s told you to take care of yourself. tried to coax you into relaxing, rubbing your sore shoulders and kissing the puffy skin beneath your eyes. but this exam is important — you’ve told him as much, more times than he can count. he doesn’t doubt that you’re right. 
of course you’d be stressed. he gets it.
still, though.
”but you know it’s not good, yeah? that it’ll just burn you out?” his thumb goes to smooth over the dark crescents beneath your eyes, gentle as a feather. ”we don’t want that, do we?”
you bite your lip. trapping it between your teeth. he knows you know. ”… yeah,” you admit, a flimsy little sigh on your tongue. ”it just feels easier to do this at night. don’t know why.”
”my little night owl.”
that makes you smile, a little, but it’s not enough to satisfy him. he curls an arm around your waist, and drags you into his lap; gentle, always gentle, like all that exists under your skin is made of porcelain. like the lines of your face form a string of words, a label of fragile: handle with care. he always does.
with his heartbeat by your ear, his warmth melting into yours, it’s easier to speak. a pressure on your chest that fades away. ”i’ll try not to do it again,” you murmur, biting back a soft yawn. nuzzling into his neck. ”promise. don’t wanna worry you…”
satoru softens. 
(always so good to him.)
”it’s fine, honey. i understand.” he smiles, smoothing down your spine, counting the bumps of vertebra that slide along his palm. ”don’t worry that pretty little head of yours over me, alright?”
in return for his comfort, you wriggle away, lifting your head to give him a smile. one of your many smiles, each one fervently cherished by him; the one you’re wearing now is tired, a soft curl of your lips, the kind that makes him want to lull you to sleep. just the sight alone makes the anxiety in his veins feel like a worthy investment.
he doesn’t tell you anything that could cause that joy to diminish. doesn’t tell you that he can’t sleep without you, that he can barely breathe knowing you’re this stressed all time. doesn’t tell you that he jolted awake with a sinking feeling of dread, a gaping pit in his stomach when he didn’t immediately feel the warmth of your skin against his. doesn’t tell you that he always, always assumes the worst.
satoru doesn’t tell you these things. it’s a safety measure, an act of love. a bundle of unvoiced syllables, woven into white lies, silky and sweet. tailor-made to put your aching mind at ease. 
satoru thinks you deserve everything good.
it’s a theory, of sorts, a train of thought. a hypothesis made manifest. after many years of pondering, he’s arrived at the following conclusion; you are all that’s good. therefore, it only follows that you deserve everything that’s good, all of it and more. satoru believes you deserve every single thing your little heart desires — and he’s determined to give it to you.
so he’s been worried.
it’s not that he doesn’t trust you. he knows you’ll ace the exam, knows you’ll do your very best, knows you’ll make him proud. you always do. you aren’t the problem, no, never.
he just doesn’t trust your professor. 
that unfair, stuck-up, incompetent professor who’d fail his students just for being a couple minutes late, who curates his exams to be as convoluted as humanly possible. you and your friends are starting to suspect he just likes berating people for a living. satoru knows it all, he’s heard it all, of course he has. satoru pays attention to everything, when it comes to you. he knows all about your professor, the man who’s been making your studies pure hell for the past semester.
it makes his blood boil. steady, ruminating, hot and heavy in his veins. a rivulet of lava.
(it was only a matter of time.)
satoru is a teacher too; he knows that type. one that has no business being a teacher, in the first place, one no student deserves to be subjected to. he’s met more of them in his career than he could even begin to count. the thought of one of his own students being at the mercy of someone so incompetent makes his skin itch.
and the thought of you, seated on the couch, crying and sniffling when he comes home because none of the exam questions made enough sense for you to even try —
it makes satoru want to claw his skin off.
it makes that tiny, tiny cavern in his heart extend, widen, like a maw, swallowing up his liver and lungs and sense of morality. an emptiness begging to be filled. 
there’s only one way to satiate it.
so he plants a wet kiss on your forehead, ruffles your hair, tucks you into bed and waits until you fall asleep. deep and heavy, a slumber you won’t wake up from anytime soon. he presses his lips to your forehead one more time — for good measure.
then he grabs his coat and slips outside.
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the moon is visible through the window.
a thin crescent, nailed next to the dim stars, leaking a dream-like fluorescent shine; illuminating the office, so quiet he can hear those erratic breaths spill out, one by one. a heavy, heavy silence, thick enough to spread like butter over toast. 
(ah, that’s right — he forgot to buy the butter you asked for this morning. no wonder he feels so out of sorts. he’ll have to grab it on his way back.)
”who… w — what are — ?”
satoru stays silent. lips pursed, eyes keen, burning into the back of the man in front of him. close, almost chest to back, enough to have him scowling in displeasure. 
just being in his presence makes satoru feel a little sick. 
he keeps the blade pressed right beneath his adam’s apple, a silver glimmer in an office painted blue and gray. not enough to sink into his skin, but enough to have his heartbeat hammering, enough that satoru can practically feel those rapid flutters of life. brushing against his gloved hand.
he gets straight to the point. voice muffled by the fabric covering his mouth, low enough that it’s barely even audible. he’s careful, about this kind of thing. there’s a delicacy to the ill intent, something he’d be a little enamored with if it weren’t for the compass stuffed into his ribs — the compass that tells him this is wrong.
he just can’t bring himself to care.
”the upcoming exam.” his voice sends a shiver down the man’s spine. satoru can feel it. ”don’t fail a single student.”
silence. pure silence, suffocating them, tangling itself into the air. satoru can practically taste it — fear, familiar, that pang of panic. a ticking time-bomb. the knife stays pressed against warm skin, pushing, sinking, just a little, a drop of red against his pale throat. 
it’s enough to get your professor to make a little noise, one that vaguely resembles a whine. like that of a small animal, rolling over on its belly, eager to play dead. no word is spoken in reply, but he nods, just barely, a nervous tremble of his head.
satoru hums, approving. ”good.” he doesn’t loosen his grip. ”there’s a particular student i’m worried about. marked them down in the catalogue... i’m counting on you.”
another noise. a grunt of affirmation, a silent plea — satoru allows that fear to seep into his own bones, just a little, just to get a taste of it. cold on his tongue. he wonders if this is what helplessness feels like.
then he takes a step back. slow, tentative, dragging the knife with him. not before parting his lips once more. ”don’t turn around,” he warns. ”i’ll be back if there are any complications. this’ll be our little secret, hm?”
the man in front of him doesn’t say a thing. frozen in fear, paralyzed, not moving an inch. a fly trapped in his web. it’s a relief.
before he exits the room, satoru puts the final nail in the coffin. just in case. ”i happen to know what school your daughter goes to.” he waits for a flinch, and it comes almost instantly. like clockwork. “remember that.”
it’s an empty threat. your professor doesn’t know that, though. he doesn’t know that satoru knows his daughter, that he walks past her preschool almost every morning on his way to work. that she waves to him whenever he passes by, and that he makes it a point to always wave back. a little troublemaker; the rowdiest of utahime’s preschoolers. she has a bubbly laugh, and just lost one of her milk teeth. she was giddy when she showed him, a bout of giggles spilling from her lips as he cooed and ruffled her hair. 
he wouldn’t lay a finger on her. 
but your professor doesn’t know that, hasn’t got a single clue, and satoru delights in the fear that must be running through his veins. down his spine, crawling into every narrow of his skeleton, making a home for itself that he’ll never quite be able to root out.
a gulp. satoru hears it, in the quiet of nightfall, just before he shuts the door behind him. good.
the rest of the evening is a blur. satoru gets home, relieved to find you still asleep, and tucks you into his chest. makes a mental reminder to order your favorite take out tomorrow; a little reward for your hard work.
finally, he can sleep easy. knowing you’ll get what you deserve. 
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three weeks later, satoru places his hand on the familiar doorknob in front of him, dragging his weight behind him. blinking sluggishly. 
there’s a sinking feeling in his chest, weighing him down — like an anchor tied to his liver. a compass, tucked between his fourth and fifth rib, one that’ll always stay lodged right there. he’s learned to grow used to it, a natural consequence, a sign that his humanity is still intact. 
that doesn’t make it any less bothersome, though.
(ridding the world of a pest shouldn’t make him feel dirty. especially when he felt nothing but contempt for the pest in question, for the way he whistled as you walked by, the words he spewed before satoru met his eye. vile. putrid. why should he feel guilty for wiping a stain off the pavement?
it does make him feel dirty, though. a sinking feeling in his chest.)
there’s nothing to be done about it. satoru swallows the unpleasant taste on his tongue, and drags the door open, closing it behind him with a softness he reserves for you alone.
and there you are.
on the couch, farther away, already looking his way — lips instantly curling up into what he knows will be a smile. this time, it’s laced with excitement. one of his personal favorites. his gaze devours the joy in your features, the glimpse he gets of your teeth, that familiar crinkle of your eyes. 
you’re smiling. at him. you smile and his world wakes up, it’s dyed in different shades of blue, it’s brimming with life and love and something too good not to kill for. you smile and everything is right, good, worth it. you smile and it's as if the blood has been washed off his hands.
suddenly, all is well again. satoru exhales a blissful little breath.
“‘m home, honey,” he grins, a light pink dusting his cheeks, hanging his coat up before turning to face you. arms wide open. “did you miss me?”
his heartbeat stutters when you practically engulf him, all giddy giggles and that perfect smile, nuzzling into the crook of his neck. “mhm,” is what you chirp, pressing kisses down his collarbone, and he has to bite down on his lip to stop the shivers trailing down his spine. he tastes iron, but laps it up with a coo. sickly-sweet.
“missed you too, precious,” he purrs. “sorry i was gone for so long — had to take care of something.” 
he cups the back of your skull with his palm, large and crafted just to hold you, and marvels at how much you trust him. how you’re melting into his chest, fitting into every crevice of his heart. he wants to keep you there forever. forever and ever, always within reach, always close enough to touch. 
but he also wants you to be happy. he wants to see you run away, wherever the wind takes you, if only so he’ll get to feel you jump into his arms again, when you’ve had your fill of the world. when you come home to him, where you both belong.
satoru would never cage you. never, never, never. he wants you to enjoy your life — confining you wouldn’t do any good, would only stifle that pretty smile he loves so dearly. he wants your world to be large, brimming with life, blooming with fervor, wants the air to be clear enough for your beautiful lungs. he couldn’t build a world for you, here, in this apartment. no matter how big or luxurious. 
so his only option is to bend the world into a kinder shape — twist and mold until it forms a path good enough for you to follow.
(it’s worth it, he knows, he’ll always know. it’s worth it to see that smile.)
“is that a new coat?” you ask, naive and innocent, and it breaks him out of his thoughts, attention wired to the lilt of your voice.
“yeah.” it’s stylish, expensive, a nice shade of black. he had to throw the last one away. “looks nice, right? i’ll get you the same one, pretty.”
“you don’t have to, toru!” you hurriedly exclaim, knowing he’ll jump at the opportunity to spoil you. “i like the one i have now!”
satoru pouts. a soft huff, right by your ear. “you don’t wanna wear matching coats?” he feigns sadness, scratching softly at your scalp, drinking up the little purrs that bubble up in your throat. 
and you giggle. you giggle and all he can think is worth it, worth it, worth it. a stained coat or two means nothing. the blood on his hands is just insurance. 
“well, when you put it like that…” you shift a little, curling your arms around his neck, breathing him in. he wonders if you can smell the cleaning detergent. “i guess i wouldn’t mind a new coat.”
and he grins. “right? want me to buy you new shoes while i’m at it? some jewelry?” he peppers kisses down your neck, amusement laced in his voice. “the whole store?”
again, those giggles. again and again. he laps them up like fine wine. “okay, that’s too much.”
“but you deserve it!” he whines, sickeningly sweet. sick to his stomach with love. “been working so hard, my angel.”
and, suddenly — you light up. his little firefly. brightening, inhaling a giddy breath. pulling away, a little, and he does his best to bite back the frown on his face. you’re practically beaming, sunshine personified, eyes glittering with giddy joy.
“right! i almost forgot!” 
then you’re skipping away, happily, to retrieve your phone. and he knows what you’re going to show him, but still feigns surprise when he sees the score on your exam, that perfect 100 on the screen. still makes an expression of shock that he knows will get you to laugh, still picks you up and spins you around and tells you how proud he is.
he almost, almost feels bad, seeing you smile so wide; at what you assume to be the fruits of your own labour. almost feels ashamed, knowing that perfect 100 wouldn’t exist without the knife at your professor’s throat.
but, then again, this is how it should be. those numbers are the fruits of your own labour, because satoru is a part of you. and you deserve it, deserve it more than anyone — he knows you would have gotten it, even without his help, if your professor was competent enough to see your brilliance. 
satoru smiles. he is proud of you. and this is exactly how it should be. he’s just bending the world into its rightful shape, cutting strings from a wrongly woven web, righting the wrongs of the people around you.
you, you, you. the only thing that exists.
all of him is for you.
”i knew you could do it. never doubted you for a second, baby,” he smiles, so wide his cheeks hurt, and you return it with a kiss to his jaw. 
”thank you. i’m just so relieved,” you exhale a breath, heavy, and it’s like he can practically see the stress melting from your shoulders and eyes. worth it, worth it, worth it. ”gosh. i’m gonna sleep like the dead tonight.”
”as you should,” satoru chirps, pinching your side. softly, brimming with fondness. ”but before that, we’re gonna celebrate. all day. and tomorrow too!”
another smile coaxed from your lips; this time, it’s a little bit shy. bashful, at the praise, his endless excitement. so precious he wants to kiss you breathless. give you all the air in his lungs.
so precious that he forgets about everything else. 
this is what you always do to him; wrap him up in a blanket of your love, cloud his veins with a nectar so sweet he takes the leap into your arms without a second thought. a foolish, lovesick butterfly, sticking to a single rose; dripping with honey, overflowing. the butterfly is too drunk on love to care. 
you’re his flower, his joy, the most useful form of anesthesia. with you in his veins, on his mind, your lips on his jaw — satoru can pretend that his hands are clean. that they always have been.
it all slips from his mind. your professor, the creep who catcalled you, that one classmate you’ve been complaining about recently. he forgets that they even exists, and satoru thinks that must be what love is: something that narrows your world down until you can make a home out of it. 
(something worth cherishing, no matter the cost.)
as always, it’s your voice that snaps him out of the trance he’s in. turning around at the sound of your call, the orpheus to your eurydice, too in love to save you from himself. you’re both getting ready to head out, dressing up for a well-deserved date. 
satoru feels himself smile. he does the dirty work, and you get to reap the rewards. heaven on earth.
“oh, by the way! would you want to have dinner with my parents tomorrow?” you meet his absent gaze with a tilt of your head. “they’ve been asking about you again. it’s such a headache, seriously.”
satoru giggles, barely containing how delighted he is. raising a playful brow. “oh? grumpy that you aren’t the favorite child anymore, hm?”
“okay, first of all —“ you stifle a giggle, pulling a drawer open, rummaging through it. freshly washed clothes. he washes most of your things. “you aren’t their child. and second of all —“
“— yet.”
a pause. 
satoru watches your gaze flick over to him, then back to the drawer, collecting yourself. a cute flush to your cheeks. “… whatever.” you clear your throat. “second of all — i don’t like how much they like you. what kinda spell did you put them under? it’s always satoru this, satoru that!”
a huff fills the air, and you mutter something that sounds a little like mocking, an obnoxiously imitated where’s satoru? that makes him chuckle into his fist. 
he shrugs. “i’m just a natural charmer, y’know? and, for the record; i would love to have dinner with them.” he sends you a wink, playful, and you roll your eyes. “are you joining us?”
a bout of laughter pushes past your lips, and satoru thinks he could die happy — just soaking up the joy that spills from out your throat. he wishes he could live in it, paint your house in it, wear it. he wants your joy to be all he ever feels. he feels sick at the idea of ever being out of earshot for it.
“yes, i’m joining you.” your scoff is dripping with humour. ”i’d hate to be the fourth wheel, but it is what it is.”
satoru stifles a grin. ”lucky me. three beauties all to myself,” he drawls, a seductive lilt to his voice, just to hear that little noise you always make with the back of your throat. vaguely disgusted.
”you’re so gross.”
a coo. like the buzzing of a bee. ”don’t be jealous, honey. know you’re my favorite, don’t you?” satoru smiles — more sincere than you’ll ever know. ”could never love anyone else.”
”so my parents are in second place?” you quirk a brow, amusement lacing your words, and he clicks his tongue. 
”well, they made you. i’d have to be a fool not to worship artists of such caliber.” 
”charmer.”
”yours.” the word is a knife at his throat, a stain on his coat, a love so heavy it’ll burn him alive. ”only yours.”
and again, you smile. all he can think is that you deserve everything, everything that’s good, everything he could ever give you. it’s all he can think as you go about your day, as he leads you outside, as he watches that flicker of joy dance within your iris. as he watches you walk wherever your heart takes you.
the thought remains when you return home, when you wrap yourselves up in blankets and he throws a leg over your waist and you curl an arm around his ribcage. it’s all he can think. 
satoru was born to be of service — to someone, to the world, to something or another. he was born to carry a weight on his back. 
so why not bear the weight of your burdens?
all he wants is to protect you. all he’ll ever need is that smile on your face. he was always bound to be just this: a dog at your heels, a halo around your head, the watchful eye keeping you safe from everything rotten in this world. he’s the butterfly, the spider, the web itself. and he’ll never let you be tangled up in it.
he was born to be of service to you. so service you he will, until it all comes back to bite him.
“satoruuu — stop stealing the blanket!”
he prays it never will.
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old-desert · 3 months
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Ah yes, hooman Loop
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^ early concept
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kaladinkholins · 3 months
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Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.
And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.
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And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.
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Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.
This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.
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And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.
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Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.
So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.
It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.
Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.
These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.
Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.
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Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.
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And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).
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But then, for once in both their lives, neither of their usual tactics work.
Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.
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On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:
"Under your mask, you're not the killer you pretend to be."
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Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.
And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.
Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.
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And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.
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But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.
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So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.
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This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.
In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.
To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.
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brucewaynehater101 · 3 months
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I'm bad at math, but is Bruce theoretically 38 years old when he goes into the time stream?
Hear me out (and canon likes to fluncate their ages, so this is my best guess without trying to account for birthdays):
Bruce becomes the legal guardian of 9 year old Dick when he's 23. That's a 14 year difference.
Jason becomes Robin when Dick leaves at 18. Jason is 13. That's a five year difference.
Jason dies at 15, and Tim becomes Robin at 13. That's a two year difference.
The age difference between Tim and Bruce would thus be 21 years.
Tim becomes Red Robin to find Bruce at 17.
That means that Bruce had to be 38, right? Why was I imagining him closer to 50?
Adopting so many kids must have aged him
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This is your sign to create something selfship/self-insert related for your own enjoyment (without the pressure to be perfect).
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juniemunie · 4 months
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If we're not giving up, don't give up wherever you are.
That's a promise.
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poorly-drawn-mdzs · 9 months
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Alternative form of 'Hitting Wangxian with a Catboyification beam'
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randomminty · 9 months
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If pokemon wont give me bea and allister siblingisms ill just make it MYSELF
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phopollo · 4 months
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I dont mean this in a shipping context, but you can feel free to interpret it as that if you want, I just thought this interaction idea was silly and this is the exact interaction I was thinking of when I mentioned pretending they were chatting in this post
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itsdefinitely · 2 months
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Could you maybe put Blinky in this?
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going straight to his social media
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turtletoria · 1 year
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my piece for the wordgirl 15th anniversary zine!! i learned so much in making this piece and i had a lot of fun! thanks for inviting me <3
go check out everyone’s hard work over at @wordgirlzine !! the zine is completely digital and free and was made with a lot of love <3
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