cw: child abuse mentioned, child neglect
Steve, who was never allowed to play in the snow as a child because it was ‘too messy’. Steve, who stared longingly outside as he watched other kids play in the snow. Steve, wanting to build a snowman, or an igloo, or have a snowball fight, but was denied each and every time by his parents. “It’s uncouth, Steven.” “It’s dirty, Steven.” “You’ll just whine that you’re cold, Steven.” “No.” “No.” “No.” Until he stopped asking altogether, even as he stared out his bedroom window at the other kids playing. Steve who loves the snow but was never allowed to play. The one time he snuck out, he was brought inside being dragged by his ear and spanked until he cried.
And then some for crying at all.
Steve goes shopping with his mom and sees a snow globe and all but cries for her to get it for him. If he can’t have the snow outside, he wants to have a snow globe to have it inside. She lets him get it, but not without commenting ‘at least it’s not going outside’.
Thus starts a collection, of sorts. Whenever he sees a new snow globe, he makes his mom buy him it and because he never asks to go outside to play in the snow if she buys one, she keeps buying them for him.
He has around 10 or 15 snow globes by the time he’s a teenager and left alone more than he isn’t. He still doesn’t go out to play in the snow, even if he silently yearns to, because now he’s ‘too old’ to play out in the snow. Tommy doesn’t like being cold, so he never goes out, and Carol won’t do something if Tommy’s not there, so Steve doesn’t bother asking her to go outside.
Steve becomes friends with Dustin and the rest of the party, and he still doesn’t let himself play with them, even when Dustin begs him to. He passes on the same excuses to him as his mom told him, and the words feel like ash in his mouth, but he doesn’t just play in the snow like he’s aching to. It’s too cold, he’ll be wet and miserable later, he doesn’t want to get water all over the house.
Mostly, they’re excuses because he’s kind of worried he doesn’t know how to play in the snow. That somehow he’ll be bad at it.
Eventually, when he and Robin become friends and their first winter together happens, he tells her this secret fear. It’s right after the kids go out to play, and it’s just them, and he whispers to her.
“I don’t think I’ll be any good at it.”
Robin is confused, of course, because how can you be ‘bad’ at playing in the snow? He elaborates to her that he’s never played and she’s less confused but more angry at his parents, which he thinks is an over reaction and she insists he’s having an under reaction, whatever that means, and the moment passes. Steve is relieved to have revealed that much to her. He still doesn’t go outside, and Robin gets cold easily, so she doesn’t want to go outside, so they stay inside together.
He still collects snow globes, when he sees them. He buys one in front of the kids and brushes it off as a white elephant gift for a family thing, but displays it in the unused guest bedroom with the rest of the snow globes. It’s on the other side of the house from where every other guest bed is, so usually no one takes it, and so he knows his collection is safe.
Even if he keeps it secret, and plans to keep it secret forever, until the following winter, after the spring break from hell and after the grueling summer and cool fall brings the snow again and Eddie Munson is a menace in his life. He’s by far the most energetic person that he’s ever been friends with, all touches and open affection, it’s almost too easy to fall for him.
Eddie is nosy as hell and of course it’s him that finds the collection of snow globes.
“What’s this?” Eddie’s voice echoes from down the hall and it takes Steve a few seconds to process where his voice is coming from before he’s rushing down the hall and into the unused guest room.
Along the left wall, there’s a shelf that stretches from wall-to-wall filled with snow globes.
Embarrassment shoots through him, and he shrugs. “…snow globes.” he explains badly, wincing when Eddie turns towards him with an unimpressed look. It quickly morphs into concern because for some reason, Steve’s started tearing up and once the tears start they don’t stop.
“Hey, it’s okay, I’m sorry,” Eddie soothes, wrapping his arms around him tightly. “You don’t have to explain if you don’t want to, sweet thing.”
And the thing is, Steve does want to explain. Suddenly overcome with the urge to spill everything, in fact. So he does. He tells Eddie about his mom and dad refusing to let him play in the snow, the one time he got caught and got spanked for it, the snow globes, the fear of being bad at playing in the snow, still desperately wanting to despite it.
Through it all, Eddie holds him and listens. He hums occasionally to acknowledge what Steve is saying, but never interrupts him, for which Steve is glad because he doesn’t know if he’d be able to continue if he was stopped for any reason.
At the end of it, when Steve’s tears have dried, and they’re curled up in a pile of blankets on the couch, Eddie vows to teach him out to play in the snow. How to make a snow angel, a snowman, an igloo, a snowball — everything. He whispers these promises and plans into his ear, their hands intertwined where they lay on Steve’s lap.
And he follows through. With everything.
And the next time the kids beg him to play, he plays his part and says no, because he’s still anxious he’s going to do it wrong, Eddie throws a snowball at his back while he’s busy arguing with Dustin. And silence falls over everyone, waiting for Steve’s next move. Because he’s never given in, and no one’s ever pushed their luck like that.
Steve turns towards Eddie, narrowing his eyes at him.
“Oh, it’s on, Munson.”
The kids cheer and then it’s chaos of snowballs being lobbed at one another.
Later, when everyone is warming up with hot cocoa, and Steve is curled into Eddie’s side with a blanket tossed over their laps, Steve knows he’s never been happier to have met Eddie, who taught him how to play in the snow.
“Thank you,” Steve whispers to Eddie, who hums curiously, lazily looking at him from the corner of his eye. “For teaching me how to play in the snow.”
“Always, Stevie. I’ll always help you.”
And it sounds like a promise.
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*me, with tears of frustration in my eyes* rick didn't include annabeth's crush on luke or luke's pseudo-crush on annabeth for no reason! it is not something that needs to be cut because it's 'gross'! it serves thematic purpose! it adds to characterization! guys! please!
annabeth is twelve, and luke is the guy she's looked up to since she was seven. she not only has that bond, but she has the admiration from him getting his own quest. she has a lot of hero worship going for him, and it's really not unreasonable that she would like him or even that she would think of him as more than a sibling. beyond that, it's a great example of how a person who has never received real, unconditional love can become unhealthily attached to someone who is not good for them just because they've been shown a modicum of respect. if you want to look at it from a percabeth perspective, it could even tie into how her character has to learn the difference between love and kindness from a place of love and respect (i.e. percy) vs love and kindness from a place of obligation and manipulation (i.e. luke as kronos' vessel)
on luke's side, especially with him calling her his little sister now (in the show) and him literally turning into kronos later, it's symbolism for how he's being pulled farther and farther onto the dark side. as kronos takes over his body, he sees her less and less as a sister and more and more of something else, something that would be considered dark and unhealthy by anyone not on the dark side (for good reason), until eventually she has to remind him of their years on the run when he considered her a sister: "Family, Luke. You promised."
you're supposed to be grossed out by it! that means the theme is working!
you're supposed to see a traumatized 12 year old with a crush on her 19 year old mentor and think, "hey, that's weird! i wonder if her not getting any love or attention until she met him plays a role in their relationship?" and eventually see a 24 year old get a villain-induced crush on a 16 year old and think, "hey, that's really weird! i wonder if his turn to the dark side and how that turn happened twisted his view of her?" and ultimately think, "i wonder what that says about the type of trauma that develops in kids who grew up thinking they were unloved, especially since the author specifically wrote the book for his son with disabilities, the author who used to be a teacher, a profession that regularly encounters kids that are actively being abused and neglected?"
anyway thanks for coming to my ted talk
edit: this post is not speculation! i'm not trying to say i don't think they're going to include annabeth's crush! i am perfectly aware that we are only two episodes in! this post is in response the people i keep seeing say they're glad because they think Luke's little sister comment means they're not going to include the "gross stuff from the books" (other's wording, not mine), and I was trying to explain why including it would be a positive. sorry, i really thought i made that clear
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Thinking about how Charlotte Emily most likely regularly hung out with the Aftons.
William comes downstairs at 9 in the morning to see Charlie and Elizabeth with empty teacups and a teapot, and is just like, ah. Of course. Little girls love tea parties, but indulges them anyway like "what are you two up to?" Elizabeth immediately lights up. "Charlie said that we should play British People 'cause we're British!" William, now a bit more confused, "...ah. I see." Elizabeth, "oh won't you join us? Pretty please?" Charlie then pipes in that she had also asked Mike, but that he had very unfortunately said no, because "Liz plays too mean." Elizabeth, "I do not, you're just too scared to lose!" Michael, "I can't fucking lose at 'British People.'"
Charlie and Elizabeth do atrocious things to their dolls. Drama. Tragedy. They always clash on the endings though, as Charlie wants their dolls fo have a happy end while Elizabeth wants their dolls to have an even worse end
Michael doesn't know Charlie's staying over, and brings home his schoolmates one day. William Frowns TM like "I tried to tell you Henry was dropping off Charlotte today, but you were already halfway out the door." Michael later re-enters the room to find his schoolmates picking on Charlie and pulling at her hair. The closest Michael ever feels to peace is when he's with the Emilys, so he immediately spirals at the sight like, "oh god, if Uncle Henry finds out I brought people over who hurt his daughter, he might not bring her over anymore. What do I do then? What do I do if he stops liking me?" He quickly shoos off his friends, going "dude! She's a guest, leave her be" while Charlie recovers. Before he too can follow after them, Charlie asks Michael if he'll draw with her. He hesitates. The Emilys are the closest he ever gets to peace, so he agrees and sits down to draw. "What are you drawing, Char?" "Marionette!" "'S that the creepy thing that's always watching the guests come and go at Freddy's?" "He's not creepy, he's my friend. Dad made him for me :(" "ahh. You know, my father's been building something for Liz too." "You think that it'll protect her like Marionette protects me?" "Maybe."
Charlie notices how anxious CC always seems to be, and declares one day that she'll keep him safe. She makes him a drawing of them both holding hands, and gives it to him so that he may always look upon it and know that Charlie's rooting for him. He nearly bursts into tears at the kind gesture. The whole household tries to be nicer to each other whenever Charlie's around, but CC tells her about Michael's behaviour to him. Knowing how weak Michael is to her, Charlie gives Michael a look while he's grabbing cereal the next morning like "you should be nicer to your brother. He's just a little kid." Michael immediately pauses, then awkwardly closes the cupboard like "ummm. Okay." Not wanting to use Charlie as a means to make fun of CC, he just never brings the interaction up afterwards
The Emily and Afton families joining together are constantly filled with different forms of jealousy from the Aftons. William, he's jealous of Henry. Michael, he's jealous of Charlie's positive relationship with her father. CC, he's jealous of how Michael seems to like Charlie so much more than him. Elizabeth doesn't even notice her own jealousy, but deep down, Charlie's completely peaceful household... confuses her. She rationalizes the lack of favouritism or hostility as it only stemming from Charlie being an only child, rather than Henry's good parenting. Being so young as well as being the perfect golden child, Elizabeth doesn't know how to express doubt in her father. Clearly, it must be her siblings doing something wrong if Charlie and Uncle Henry are doing so well on their own!
After CC's death, the house is filled with an unbreakable tension. It's grief. It's guilt. Michael and his schoolmates completely cut ties after what happened. And as always, the Emilys feel so separate from the tension of his own home. Michael starts talking to Charlie more frequently, more often at Henry's house rather than his own. He tries not to, or at least usually tries to hide first, but he accidentally has a complete breakdown in the living room one time. Charlie hums a soothing lullaby to him until Henry eventually comes back, notices the state Michael's in, and takes over calming him down while sending Charlie off to do some other seemingly helpful task. After Elizabeth's death, Michael only really has the Emilys left. Charlie stops just being his source of peace, and becomes his best friend. His only friend. Then after Charlie's death...
It's rather lonely all of a sudden.
Later, years later, when Michael's flesh is rotting on his bones and everything is just about to finally be done with, he sits down on the edge of a cheap creaky stage he bought, and lightly knocks his knuckles against Lefty's calf. "Charlie? Can you hear me alright? It's Michael ... I'm sorry. I know I never acted like it, but... for what it's worth... you were my best friend back then. ...Whatever's beyond this, would you like to be friends again there too?"
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