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lu-is-not-ok · 3 days

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Timekilling Time Trailer Frame by Frame

That's right. The second trailer for Timekilling Time is out, and I'm gonna go through it frame by fucking frame. I've always done this for story-related teasers and trailers, just not on Tumblr. So, might as well do it here for once.

First thing after the logo of the event:

We see a view of a T Corp street. The visual effect over some of the silhouettes if very interesting, especially considering it's almost completely unseen on the more working-class looking people, while being very extreme on the one person with color. Some sort of visual cue showing how much 'Time' currency everyone owns perhaps?

Judging by the golden accents and clockwork motifs, seems like a T Corp official dealing with one of the workers. The official does mostly match the outfit one of the T Corp collectors we see in Canto 4, so we might be seeing some more intricacies of whatever their job entails in this Intervallo.

The transition between this and the ID showcase is a glitchy effect, interestingly enough.

Project Moon why the fuck is Ryoshu's dialogue so goddamn blurry here? Whatever, we'll get back to that line later. Let's focus on what we can see.

Ryoshu is getting the 00 Identity, and is an Event Reward, meaning you'll be able to get her through grinding the event itself. Also, in case the pattern on the bandana wasn't already a dead give-away, then the name of the identity will be - we're dealing with the Yurodiviye again.

This has. A lot of lore implications. For one, we know from Canto 2 that the Yurodiviye are no longer confined to just District Y, but the fact that this is a confirmation they exist in District T as well means they are far more widespread than we might think.

Also the role they seem to take on is very interesting as well. In Canto 2 we learn of them as being a Syndicate that has connections with a bunch of other Syndicates in District J, but in here it seems like they're more official than that? We're talking straight up detective stuff, with the previous teaser implying the people we'll be working with are actually officially recognised by T Corp. Just what the fuck has Sonya been doing?

First look at event combat. Unsurprisingly, we're in the streets of T Corp. Interestingly, we're fighting the human T Corp Collectors we got to see in Canto 4 but didn't get to fight. Does that imply some sort of inner conflict in T Corp? Like I said above, the previous teaser implied the detective work we're doing is for T Corp's interests, why are we being impeded by other T Corp officials?

Looking at the Skill animation, Ryoshu's Skill 1 is two coins.

Skill 2 looks like maybe three coins?

Skill 3 is definitely three coins, and that is Very Much a Tremor Burst sound effect on the last coin. We got the Tremor baby!

Finally, some readable dialogue! Doesn't give us much, but "Shake down the loaded pigs..." shows us that even in their new role, Yurodiviye still despise the rich and focus on redistributing wealth.

Also, hi Hong Lu! You're here early! We'll get to you in a moment.

Let's talk about Ryoshu's guard, as the trailer very nicely shows us that's what Ryoshu is using.

"...and share the pilfered time with everyone." Yup, just as I said, redistribution of wealth.

Anyway, Ryoshu's guard seems to have a sort of Assist Attack mechanic to it, causing her to follow up with an attack of hers after Hong Lu's own attack. This Defense Assist Attack appears to be two coins, with a Tremor Burst on the second. Already looking very interesting as an ID.

Good lord Project Moon, what is it with the unreadable Ryoshu dialogue?! At least this one is slightly legible. "Pictures? Hmph, fine-snap away. Just make sure to get all the blood splatters." This combined with the post-uptie art showing an overlay of a camera with a shattered lens gives the idea that the Yurodiviye are somewhat well known I think. Enough to warrant taking pictures of.

Aaaand here's man of the hour! A 000 Identity that will be in the Gacha - District 20 Yurodivy Hong Lu. Same faction as Ryoshu, and the fact that we are definitely dealing with a Detective archetype here, again, it brings Yurodiviye's spot in T Corp into question. Are they going to be the people we help out, or are they the bad guys we'll be catching?

There's a lot to unpack here. First - "Hmm... What an amateurish finish... They must've been really pressed for time." - again with the Hong Lu identities utterly unphased by violence! What is the deal with him! The fact that he comments on the murder scene in terms of 'finish', as if judging a piece of art, is extra suspicious considering we've got Ryoshu as the other Identity here. It also has a weird connection to Sign of Roses's Observation Log, where Hong Lu starts describing it as if it's an art piece. Something is going on here.

Next, probably the least important part - new Hong Lu hairstyle! This is the first time we get to see Hong Lu with a low ponytail, as opposed to his usual high ponytails.

Finally, something I'm sure everyone has been talking about since the first teaser we got of this Identity - the marks under his jade eye. That is very clearly a T, again seemingly marking him as connected to T Corp itself in some way. Add to that the uncanny resemblance those marks have to the barcode mark under Alphonso's eye, and we've got one hell of a mystery. What the fuck is his deal!

Another look at event combat. A different area of T Corp + a return of the more robotic looking T Corp collectors. I repeat, why are we fighting T Corp collectors if we're working with T Corp on this case? What the hell happened?

Anyway, Hong Lu's Skill 1 seems to be a two coin, and I believe this is the same animation as in the Ryoshu Defense Skill showcase, meaning we got a potential early peek at its Sin Affinity - Gloom! Doesn't bode well for this Hong Lu story-wise!

Skill 2 is a three coin skill.

"Okay, let's think. How would I do this, if I was the killer? I just have to slowly think it through, and..." Now, this doesn't have to be that deep, but this line combined with the previous one where Hong Lu judges the murder scene as 'amateurish' feels... just the slightest bit sus.

"...Hehe, I suppose I'll find the truth sooner or later, hm?" He's the worst. I love him. Anyway.

CAN WE TALK ABOUT THAT SKILL 3?

First, the animation start with Hong Lu spitting out the stick he's had in his mouth, which is followed by a flashy either one or two coin skill with a Tremor Burst, which is then followed by that same eye sparkle effect that signifies SP healing in the Liu Identity and Dieci Identity. SP heal on stagger? SP heal on Tremor Burst? Fuck if I know.

That eye is definitely sparkling. Project Moon please give us eye lore.

Also, the background is very interesting. The visual style and slight transparency makes it feel like a sort of replay of events. Is that what his eye allows him to see? Just straight up visualizing the murder?

And let's not forget the dialogue line. "Hm... let's think about what we should target next." This is. Ominous. Again, we know very little about why Yurodiviye are involved, but judging from Ryoshu's dialogue lines their core motivations haven't changed. What does it mean for them to 'target' something? Are they faking being detectives and just framing people to get their 'Time'? It is notable that the title of Hong Lu's Identity never actually refers to him as a detective or anything of the sort. Just what are they scheming?

Another glitchy transition out of the ID showcase section. Glitches seem to be a recurring theme for this Intervallo.

Anyhow, time for the event enemy showcase!

We got another look at the T Corp collector guy from the ID showcase, not much to say here.

Next up we've got... Oh! That's a Yurodivy! Looks like regardless of the faction we'll be actually working with, we'll be making enemies with everyone! That being said, it's exciting to know we're finally seeing the Yurodiviye in combat, even if it's just a very specific branch of them. The chance for a future Sonya fight or Sonya Rodya ID has risen due to the fact we're seeing this faction in action!

T Corp collector guys from Canto 4, yup, we've seen that earlier as well.

And here we are. In a split second frame. That is the character that Hong Lu's Identity is based on! Not much else to say on this because it's such a quick snippit, but it again puts Yurodiviye's role in the Intervallo's story in the question. If we don't start off working with them, why are they appearing as detective types? If we do start off working with them, what happens to make them turn on us?

Fascinating.

Also, another glitchy transition.

Alright, there's a lot to talk about here. First off, the CG in the background - what the fuck is going on.

Dante and Hong Lu (in his detective garbs) are looking at Meursault in... some Zero Time Dilemma looking ass contraption. Meursault has his arms crossed, the contraption connects to his head, and there's a T Corp logo on it. I honestly have no idea what to do with this information.

Next up - the dialogue line and character sprite silhouette.

"We observed a large-scale, unauthorized temporal leakage phenomenon... which shot you up the progressive Time Tax bracket due to the immense amount of time leak." Uhhhh, I understand what those word mean on their own I guess. My only guess here is that this is the work of Yurodiviye in some way. Looks like Limbus Company is gonna be dealing with the fallour of this temporal leak, whatever that entails.

The character silhouette itself... doesn't give us much. A secretary of some sort? One of the T Corp officials giving us a job? Hard to tell.

Again, a lot to look through.

First we got a view of the whole room the previous CG is taking place in, including office desks and a shitload of clocks everywhere. We're definitely in some sort of T Corp office space, that's for sure.

"Isn't it absolutely brilliant? The very concept of 'killing time'. They're not slowing down or speeding up time; they're eliminating it completely, just entirely yanking it out of circulation." Hmm... Again, hard to say much about this line with its lack of context, but it certainly does seem interesting. All of T Corp stuff we've seen thus far does rely on things like speeding up or slowing down. The TimeTrack upgrade in LobCorp lets you speed up time. The L Corp time loop and the R Corp hatchery compress time so that what takes a long time inside takes less time outside. The Warp Train collects the time of its extremely long travels to sell to T Corp. Straight up deleting time seems very different from what we've seen thus far.

Also, the matter of the silhouette - whoever it is doesn't seem to be the same person as the Yurodivy we see in the split second frame, so whoever this is likely has no connection to Rodya or Sonya.

...This might sound a little out there, but I feel like this would be the perfect opportunity for Project Moon to pull out their own version of Sherlock Holmes. It almost feels like a waste to not include that reference in a detective themed Intervallo.

And now for the biggest surprise of them all from this Trailer - Faust is getting a WAW E.G.O. The name of the E.G.O itself is Everlasting, and the Abnormality it's based on is the Time Duck from the Mirror Dungeon event, also known as the Abnormality that gives the E.G.O Gift Melted Spring.

Not much is known about the Abnormality, as its MD Event primarily connects it to the Duck-Rabbit Illusion, where you have to tell it whether it's a Duck or a Rabbit in your eyes, with the Abnormality fleeing if the answer isn't confident enough.

"How does it appear, my form in your eyes? Perhaps within the clockwork of time the answer lies?" First of all- nice rhymes. Second of all - this is a direct reference to the MD Event, but also very interesting with regards to Faust herself. There's a lot about Faust that shows she lacks self-awareness, with her describing herself as someone who only speaks when asked and doesn't talk much, when in reality she goes on endless tangents without prompting. Add to that the Council of Fausts theory, and it makes the idea of her seeking the opinion of other people with regards to her identity resonate quite intensely.

Also, I'm pretty sure more than enough people have made comparisons between Everlasting Faust and Eileen the Church of Gears leader, but it has to be stated that there definitely are some parallels here. Again, further adds to the Council of Fausts theory, as it would make Everlasting Faust a mirror to Eileen. Eileen, who controls the gears in her head, and Faust, who is controlled by the gears in her head.

Oh, and the E.G.O is Tremor as well. Because why not. At least Faust has a good Tremor Identity already, so it works well.

Putting this here for the woman likers.

Corrosion time. For one, Faust takes on a distinctly bird-like form here. Not sure what exactly this means in the grand scheme of things for the E.G.O's meaning just yet, but it does feel important to note.

"Thus. You cease to move. Trapped in the stopped time. For eternity." ...Hm. There's a few ways this can be interpreted. If we ignore the time-related references and treat them as something only connected to the Abnormality, it gives us the idea of Faust being trapped. Being unable to move on her own, likely due to her extreme ties with Limbus Company and/or the Council of Fausts.

However, adding the time motif into it makes it more interesting. There's a lot of ways one can be 'stuck in time' and unable to move forward. One is a literal time stop Za Warudo style, and another is being trapped in a Time Loop, being unable to make progress due to always being reset and thus ceasing to move for eternity. Both feel relevant to Faust when it comes to what little we've learned of her 'goal' from her original character PV.

There's something Faust is seeking above all else. Some piece of knowledge that is nigh unobtainable. ...But what comes after she reaches it? I think the Corrosion line alludes to exactly that.

If it's a Time Stop scenario, that means that once Faust reaches the unreachable she will just. Stop. There's nothing left for her. She'll be trapped for eternity knowing everything she wished for but being unable to keep moving forward, because there'll no longer be anything for her to move towards.

If it's a Time Loop scenario, that means that Faust's constant push towards the unreachable is an inescapable loop. Once she learns what she wishes, it won't be enough, and she'll just repeat the process again. Stuck in a cycle of reaching everything, coming back to nothing, and reaching for everything anew ad infinitum. No movement made in the process, because she always comes back to square one.

Either way, it doesn't bode well for her.

On another note, the animation fucks severely, and there's another glitchy transition.

Time Georg. Sorry. Actually not sorry.

Seriously though, we get to see another view of T Corp streets, this time with one of the factories in the background and, funnily enough, the fucking Big Ben. We really are in London.

"An average T Corp. citizen has about 20 to 28 hours in a day, but you might also run into people like him; people with plenty time to spare. Because he has so much surplus time, he can afford to condence 40, 50 hours into a single day." Looks like the 'Time' currency doesn't just act as money - you literally can use it to manipulate your time scale. If you're rich, you can do like L Corp Time Loop and make yourself experience more time than everyone around you. It's also notable that the average T Corp citizen can go as low as having less than 24 hours in a day. Guess that explains why people are so desperate that they try to steal 'Time' from each other - their days literally get shorter than more debt they have.

Also, who is this 'him'? Who is this mysterious man with so much ''Time' he can have double his daily hours? I wonder if it's the fully colored man from the first CG of the trailer?

Hey it's the same factory CG from the previous teaser! Nice to know we're still on the track of visiting one.

"And to people with fewer hours in a day... it'll look as though he's moving two, three times faster than them. Someone with that much time could pick their nose in the blink of an eye before anyone even has the chance to catch them in the act." Yup, this explains the visual effect in the first CG. People with a lot of 'Time', who can have more hours in a day than other people, straight up look like they're moving so fast they leave behind after images.

Also, this very much feels like a commentary on how the rich can get away with things just because they're rich. A man rich with 'Time' can get away with unsightly behaviors just because he moves so fast people can't see him do it, just how real life rich people can get away with crimes because they have enough money to not care about fines.

Another glitch transition.

We get to see the iconic CG from the Roadmap, this time in washed out T Corp colors and in all its glory. God I'm excited for seeing more of these goobers.

After we get the logo again, not only do we see the glitch effect, but the music completely cuts out.

What follows is a constantly glitching out text with a background noise that gets louder and more discordant as it goes on.

"Can't wait for what won't come."

"Now is the time for action."

"All those time-killing bastards..."

"I'll..."

Hmmm. Curious and ominous. The presentation of these words does not bode well for the fate of whoever is speaking them, but the content makes me even more interested.

Because... this is Yurodiviye we're talking about. Sonya's whole thing was that he kept reading and learning about theory instead of actually acting until after Rodya commited murder, and even then his personal actions within the group seems confined to establishing connections with other Syndicates and delegating duties to others.

So to have someone who opposes the idea of sitting back and waiting so vehemently in the same Intervallo as Yurodiviye coming back into the spotlight... It is certainly interesting, don't you think?

Alright, that's all for the Trailer! Holy shit I'm excited for this Intervallo.

#lu speaketh #limbus company #limbus company spoilers #timekilling time #intervallo 6.5 #limbus company teaser analysis #limbus company analysis #ryoshu lcb #hong lu lcb #faust lcb

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mrs-gauche · 1 day

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Let's talk about the Red Lyrium Idol

(…Because it's not like this thing has been discussed to death over the past ten years, right? 😂 *drops my two cents in the Scrooge McDuck money bin*)

Ah yes… The red lyrium idol. The one thing that's given me a headache since 2018, as I'm still trying to figure out how this damn thing could possibly fit into my bazillion tinfoil theories.

Whether it's the first official DA4 teaser in 2018, the Blue Wraith comic series or the entirety of the last chapter of Tevinter Nights, a lot of the supplementary media and promotional stuff setting up the course for DA4 seems to be centered around the idol. Quite literally, in some cases, like this mural from the first 2018 teaser:

It certainly led us to think that the idol won't just be another McGuffin (or so I hope lol), but other than that, it's still heavely shrouded in mystery…

Which is why I will now make an attempt to unravel this and gather every single bit of information we have on it (so far) and maybe that'll get us closer to some sort of answer in the end (actually, it won't, because this got SO long that I had to split this post in two parts lol No one's going to read all of this anyway 💀)!

Look, I just needed to get this behemoth of a post out before we might get an actual substantial trailer tomorrow and none of this will probably matter anymore. 😂💀

(Note: This whole thing was initially intended to be solely for myself to keep track of any information we've gotten about the idol since DA2. But since it's gotten SO long over the years, I figured why not just rewrite it into a somewhat coherent text and post it on here? :D ......Seriously, it's really, REALLY effing long.)

The Idol's Journey so far

To me, the idol always seemed to be something like "The One Ring" in LOTR. A forged ancient artifact with creepy unknown powers that is said to feel "alive", almost as if it possesses a will of its own, seeing as it has somehow found its way from countless random people, back to (presumably) its former owner. It also appears to be somewhat cursed, given that almost everyone who held it at one point seems to have died or gone mad by now (Yeah, I'm very worried about Varric and Hawke 👀).

Let us start with a quick summary of the journey the idol has made in the span of about 12-13 years (not counting the unknown timespan in which the last chapter of Tevinter Nights takes place):

First discovered by Hawke and Varric in an ancient Thaig in the Deep Roads.

Stolen by Bartrand, who then made a quick trip to Rivain.

Sold to Meredith, who turned it into a sword.

Taken out of Meredith's petrified corpse by Carta dwarves.

Sold again to a Tevinter mage, who brought it to House Qintara in Ventus.

Handed to a secret agent of Fen'Harel named Gaius (who was impersonating Magister Qintara).

Traded away to Tractus Danarius.

Handed to Magister Nenealeus at Castellum Tenebris to be used as part of a ritual.

Picked up by Cedric Marquette after the fortress fell, while trying to escape.

Handed back to Tractus Danarius, who then probably (not confirmed) went to Nevarra to perform another blood magic ritual.

Picked up by a Mortalitasi who (maybe) took it to Tevinter.

(Supposedly!) ended up in a vault under an auction house in Llomerryn in Rivain, where it was (supposedly!) retrieved by Solas.

That's quite the journey… that you wouldn't even know half about if you didn't read the comics or Tevinter Nights. But whereas the book and comics were all published after the first teaser trailer in 2018, after which the idol became the center of the fandom's attention and speculation, it should be noted that a connection to the idol was in fact already made way back in 2014, when people noticed that the image of Solas holding Flemeth's lifeless body at the end of Inquisition was very reminiscent of something else.

...Which brings us to the point of what the idol is even depicting to begin with.

Description

Before I'll start to give my own description based on the models in-game, the teaser and concept art, I'd like to quote the people who've actually seen it in person.

In the last chapter of Tevinter Nights, we are being told three tales by three different people, who all describe the same idol differently.

The Carta Assassin: "A couple hugging, too thin to be dwarves - but it's sitting there, glowing softly like a ruby lit by the grace of the Maker himself. […] It's heavier than you'd think - lyrium's heavier than you'd think, too, but this was heavy even for that. When I hefted it in my hand, it was like it wanted to keep moving, like it was liquid inside."

The Mortalitasi: "An idol crafted from red lyrium, which seemed to show two lovers, or a god mourning her sacrifice. It whispered in our minds when we saw it […]."

The Orlesian Bard/Solas: "He whispered something as he picked it up, tracing his gloved fingers gently along the crowned figure who comforted the other."

The one thing that all of these seem to have in common though is two figures who embrace each other in some way.

Which is interesting, because in all the depictions of the idol we've seen so far, it clearly shows three people instead of two. Granted, the third figure is a bit cramped up in the back of the crowned figure, but what's strange is that not even Solas himself mentions this third figure.

Most notable though is the crowned female looking figure in the center, which is holding onto the two other figures on each side of the ring shaped object (or it's the two figures holding onto the female?). The figures themselves look rather goulish, deadly or skeletal, with their bone structure clearly visible and all their expressions captured in a mix of horror or torment. The small carved-in lines coming from the middle figure's eye sockets also resemble black tears, much like we've seen on "The Mother" in Awakening.

There's also no sign of clothing, which is all the more apparent on the concept art of the idol, in which the breast of the middle figure is.. much more prominent. lol (We don't make fun of saggy boobs in this house, it's just nature and gravity after all, but for the sake of observation, I will note that they do remind me of Broodmother boobs, too 😂), aside from a hint of what could be a veil on the middle figure's head.

At the bottom of the idol, the lower bodies of the figures seem to fully submerge within its name-giving red lyrium and this "claw" type thing, which is coming off in the shape of crystalline red lyrium spikes at the tail end, though in the concept art and the DA2 model, these spikes were clearly more like red lyrium roots. But either way, the bottom makes it kinda look like it's been broken/ripped off?

We can also see tentacle like features, that remind me of the figures we've seen in the mural in the 2020 teaser and the depiction in the 25th anniversary book that revealed to us what the Archdemons were initially supposed to look like. 👀

I'd also like to point out that in the original concept art of the idol, the ears of the crowned figure look much more pointy to me than in later versions. 👀

There's also this "ring", that I've seen many people connect to how the Veil is often portrayed in Solas' murals.

But if this ring is supposed to depict the Veil, then what could it mean for the crowned figure reaching across to hold that ominous third figure on the "other side"?

And yes, I recognize that this ominous third figure also seems to be missing a left arm, just like another certain main character. 👀

The one thing that stands out the most though, is probably the crown itself. Most people might first associate it with Andraste, when the same shape can be traced as far back as ancient statues of Mythal.

Yeah, there's definitely a pattern here. 😂

That being said…

Connection to Mythal & Solas

Okay, we all know about the theory that Andraste might have been Mythal's previous host, right? We all know about the parallels between Mythal's story, Andraste, Flemeth, etc. And after comparing the idol to Flemeth and Meredith in their moment of death, considering all of the above/following and how old this thing potentially is, I will now make a wild guess here and argue that the idol is in fact depicting Mythal's death.

"He whispered something as he picked it up, tracing his gloved fingers gently along the crowned figure who comforted the other. But I could not make out the words, for I fear they were elven."

Not only does Solas seem to hold sentimental value for whoever the crowned figure is supposed to be, while also talking to it in elven, but the way he describes to "caress" the idol in Tevinter Nights does also seem to mirror how Flemythal was comforting him at the end of DAI.

However, I always thought it was a bit odd how Solas describes the idol as "a figure comforting another", when… tbh, "comforting" would probably be last thing that comes to my mind when I look at this...

"Agony" would be more fitting here, maybe? lol Kinda begs the question of how Mythal was murdered, too, with this being her expression in her moment of death? 👀

Without getting too much into it here, if there's one thing we can take from everything we've learned so far about their past, Solas' relationship with Mythal must've been a rather complicated one, to say the least.

"He did not want a body, but she asked him to come. He left a scar when he burned her off his face."

Solas calls Mythal "the best of the elven gods", calling her "the mother, protective and fierce", and Solas is even described in the designer's notes as "Mythal's oldest friend" who is all about free will, yet if the spirit origin theory is true and Cole's cryptic comments in Trespasser are in fact about them, it was Mythal who gave Solas a body against his will, potentially bound/enslaved him with her vallaslin, and maybe even forced him to act against his original purpose?

"You should have seen me when I was younger. Hot-blooded and cocky, always ready to fight."

Cole: "You didn't do it to be right. You did it to save them." Inquisitor: "Solas, what is Cole talking about?" Solas: "A mistake. One of many made by a much younger elf who was certain he knew everything."

How much of what happened was Solas acting out Mythal's will, or rather, acting out of vengeance and pain in reaction to Mythal's death? How much of it was him acting downright impulsive?

Solas: “Cole is a spirit. The death of the real Cole wounded him, perverted him from his purpose. To regain that part of himself, he must forgive.” Varric: “You don’t just forgive someone killing you.” Solas: “You don’t. A spirit can.”

Or was it Mythal's death itself that "wounded him and perverted him from his purpose", just like he described what happened to Cole?

And what does that say about Mythal then, when she clearly hasn't forgiven her murderers and still strives for vengeance after all this time? What if Solas' own perception of Mythal and all the circumstances surrounding her murder is warped because he was once bound to her? 👀

Anyway. To get back to topic.

So if we assume that the idol is in fact depicting Mythal's death, then that brings us to the next question of why the idol is even made of red lyrium? Or rather, what is Mythal's connection to red lyrium?

We know that red lyrium is tainted blood of a Titan. Mythal was the first to kill a Titan and mine their blood for things we won't get into in this post. So, how did the idol end up in the Deep Roads, anyway? How long had it been there? One thing that's kinda strange to me, is how the DA wiki page about the idol says that it was forged by the dwarves, solely based on the fact that it was initially found in the Deep Roads, when we have no actual evidence for that. We've seen statues of both Mythal and the Dread Wolf in the Deep Road section in Trespasser where the mining of lyrium was undergone, but we don't know if the dwarves even had any part in building them as well.

Would the dwarves forge an idol of the elven deity who conquered them and killed their Titan, if they were somehow forced to do so? We also have to remember that dwarves were and still are the only ones able to actually mine raw lyrium safely, but even the Carta dwarves in Tevinter Nights had to take several precautions in order to recover the red lyrium idol from Meredith's corpse. And even then, many of them still fell shaking or went mad in its presence like Bartrand.

So if it only takes that little exposure to have that much of an effect on someone's sanity, how were the ancient dwarves or anyone even able to create it in the first place? What if the idol was initially made of blue lyrium but was then somehow corrupted?

And if we take one moment to really think about what an idol actually is.

"An object representing extreme devotion and religious worship to a god."

While Solas doesn't think of any of the Evanuris as actual gods, he still seems to hold Mythal at such a high regard that he wouldn't even speak of her at a sacred place like the Temple of Mythal (whether or not that was because he just wanted to withhold any secret ancient knowledge). He's able to fully recite the invocation to Mythal if you bring him with you to her altar. He also looks exactly like the sentinels in Mythal's temple.

I could go on, but generally speaking, there are so many little hints pointing to Solas being a former slave/servant of Mythal that, again, we won't get into here, but it's important to mention when trying to figure out why the idol (presumably) even belongs to Solas.

"The idol's journey is now complete, and it has found its master."

In Tevinter Nights, the Dread Wolf claims that the red lyrium idol belongs to him. He also made sure to punish those who tried to misuse it, going so far as to march in with an entire army of spirits and snapping a guy's neck with his jaw. (Yup, you're better off not to touch the Dread Wolf's stuff for dirty blood rituals, kids.)

"You use my idol carelessly, and in doing so, you threaten all creation."

Additionally, in the last chapter of Tevinter Nights, Charter and other spies conclude that Solas must need the idol for whatever ritual he's planning, while Solas in Bard disguise claims that he's already in possession of the idol now and therefore, I quote, "cannot be stopped". (Though I personally still don't actually buy a single thing about his vivid tale at that auction house, but we'll get back to this later. lol)

And if the idol belongs to Solas, was he the one who created it, or did he order the dwarves or someone else to make it for him? But why would he intentionally make an idol out of red lyrium, anyway? He is fully aware of the dangers and corruption that comes with being exposed to red lyrium and its use. Especially considering that red lyrium is blighted and how he repeatedly expresses great concern over the Blights and gets furious over the Grey Wardens' attempts to preempt them by killing the Archdemons (because he obviously knows more than us).

So, does he know a way to use it without getting corrupted like everyone else? The Seekers of Truth are so far the only ones we've seen to be immune to red lyrium thanks to having their minds touched by a spirit of Faith during their vigil. Could Solas' connection to spirits/his hypothetical spirit origin allow him to use the idol without it effecting him?

But if any of this is true, then l'm again asking myself what even was the purpose of the idol to begin with? Why or when was it created? How does it differ from any other red lyrium, and what could Solas have used it for in the ancient past?

Powers & Effects

So, let's talk about what this thing can actually do (as far as we know).

(Btw, this is the part where I will shamelessly copy a lot straight from the DA wiki, because truth be told, I'm just a German struggling with limited vocabulary and I figured there's simply no way to summarize this any better than the wiki already has. 💀)

Just like any other red lyrium, we know that being exposed to the idol for too long will make you mad/paranoid/possessive/violent, while also grant you special powers, until overuse causes your body to be completely overtaken by red lyrium. It seems to thin the Veil wherever it is currently kept, allowing spirits or demons to interact with the physical world.

It also emanates a song that is slowly turning people who hear it insane.

The Song

"It sings… sick music." "It eats you inside until you're nothing." "It creeps into your thoughts, humming." "They hear a different song. The song behind the door old whispers want opened. They are dead and dark and done." "Songs screaming far away. It wants to wake up but can't remember how."

(- Cole's comments about red lyrium/red templars)

After Bartrand took the idol and left Varric and Hawke to die in the primeval Thaig, he started hearing voices, claiming the idol was "singing" to him. Even after selling it, Bartrand could still hear the idol and was eventually driven mad by its red lyrium.

Three years later, it is discovered that Bartrand had chipped a piece of the idol off and left it in his estate, which causes the house to behave like it was haunted and the Veil was torn.

Then during the "Haunted" quest, Varric himself remarks several times to hear music while walking through the estate, much like the Carta assassin in Tevinter Nights recalled to have heard "music in the wind, like some old song I heard as a kid but can't quite remember" when obtaining the idol from Meredith's corpse.

Important to mention here is that Varric seems to also be the only one in the party able to hear this song.

Varric: "Hey… is that music? Where is that coming from?" Hawke: "In don't hear anything." Varric: "Where is that singing coming from? You hear it, right, Hawke?" Varric: "Where is that voice coming from?" Hawke: "What voice?" Varric: "I can barely hear it… I wish I could make out the words."

Varric also told us that, after Bartrand went mad, he tortured his non-dwarven servants by cutting pieces off them to help them "hear the song".

(And remember, the idol was found in an ancient primeval Thaig in the Deep Roads, sitting on something like an altar, indicating that it was being worshiped by the ancient dwarves as well. Presumably because they too were being influenced by the idol's/red lyrium's song?)

Haunted

During the "Haunted" quest, we learn that the mere presence of a shard of the idol in the estate causes:

"Voices whispering in the walls"

Random objects moving on their own

Apparitions/screaming spirits appear running across the floors

When Varric picks up the piece of the idol, he starts to exhibit the same symptoms of madness Bartrand showed, at which point Hawke can either let Varric keep the piece, or can take it from him with the intent of having Sandal destroy it.

If Hawke asks Anders to diagnose Bartrand in Act 2, he suspects a demon at work, however Bartrand is a dwarf. Instead, he determines that "his mind has been poisoned by something powerful".

In Tevinter Nights, the Carta assassin recalls that, in the attempt to retrieve the idol from Meredith's corpse, most of his colleagues fell shaking and whispering the closer they got to it.

Meredith

After Bartrand sold the idol to Meredith, she reshapes it into her sword Certainty, which does eventually drive her insane as well. It also gives her unnatural powers, such as the ability to animate the statues in the Gallows, and even limited flight capabilities.

(My question is though, were the things happening in that final fight directly caused by the idol or was this just the result of the Veil being already weakened that much by the many terrible things that happened at that place/Kirkwall in general?)

Anyhow, during the final battle at the Gallows, Meredith overuses the lyrium sword, causing it to burst into dust and petrify her into a statue.

Though as we all know now, some part of Meredith seems to have survived somehow, as her… mind(?) or something was shown to now still "live" within the red lyrium somewhere in Kirkwall at the end of Absolution. She (or "it") also seems to have somewhat control over the red templars now, too.

So, how is this possible? What exactly is she now, if it even is herself and not just a manifestation/echo of her memories or something? Could it have something to do with the idol? No one really knows (and we might never find out, if Netflix won't give us a second season, anyway lol), but I do think it's curious how the idol is likely depicting Mythal's death, who didn't actually die either and lived on through the ages as a type of lingering "wisp" clinging to various hosts. 👀

I also want to point out how Solas did suspiciously include Meredith's petrified corpse in his mural in the 2020 teaser as well, placing her right under that ominous upside down figure with the tentacles.

Furthermore, just like Meredith, the idol also seems to be somewhat indestructable. lol After Meredith's sword burst into dust, it regrew inside her petrified corpse (which Solas was apparently also aware of). What's interesting is that it regenerated in Meredith's chest of all places. You know, like, where the heart is supposed to be? 👀

Then there's also this curious line from Anders, when talking about Varric acting strange after obtaining a shard of the idol:

"This thing's magic seems only more potent when broken."

I've mentioned it before, but with the spikes (or roots in DA2) at the bottom part of the idol making it look like it was ripped or broken off of something, you have to wonder if its current state is somewhat broken, even after regenerating.

"Hot-Blooded"

During the Haunted quest, Fenris will remark this:

"Whatever is here is angry."

In DAI, Cole repeatedly comments on how red lyrium feels "very angry" and how it is "less angry when it's cold". We know for a fact that red lyrium emanates a noticeable heat. A corrupted Bartrand is especially weak to cold/ice magic.

While anger is generally associated with heat, I find this aspect particularly interesting, given that red lyrium is tainted blood of a Titan.

And building on that, while still searching for further connections between red lyrium, the idol and Mythal… Remember how the ancient sarcophagus in the Blue Wraith and Dark Fortress comic was used in a ritual, in which lyrium combined with fire of a Great dragon carved lyrium infused markings into Fenris' and Shirallas' skin, granting them special powers.

Not only was this ancient sarcophagus specifically built only for elves, and its design resembling that of Mythal's statues…

…but here we have a case in which lyrium is purposefully "set on fire" by a Great dragon to create "elven super soldiers". Mythal is always depicted as a dragon. And she mined lyrium in humongous amounts.

Again, red lyrium emanates heat. If this was common practice in ancient times, then I feel like it's not surprising that a Titan would eventually be pretty damn angry in reaction to its blood being continuously burned for centuries [insert boiling blood joke here].

So, aside from the red lyrium being blighted, could there be a connection in Mythal burning the Titans' blood? As far as we know, it did take a couple of aeons in which Mythal (presumably) continued to mine (and burn?) the Titans' blood, before the ancient elves sealed the Deep Roads for good, because they discovered something… bad. As Solas himself declares in the vision described at the mural depicting a Titan's death:

"Let this place be forgotten. Let no one wake its anger." "The vision grows dark. An aeon seems to pass. Then the runes crackle, as if filled with an angry energy. A new vision appears: elves collapsing caverns, sealing the Deep Roads with stone and magic." "Terror, heart-pounding, ice-cold, as the last of the spells is cast."

And there it is again. That anger we're talking about. What's so interesting to me, is how this does sort of come full circle with Mythal and the idol after all, since the motivation behind Mythal's actions, even after thousands of years, remains her unwavering desire for vengeance upon the people who betrayed and murdered her, which, in a way, does mirror the same anger/heat that the Titan is emanating from its tainted blood.

And speaking of blood……

A Ritual Blade

In Tevinter Nights, we learned that the idol is able to produce a blade, which is then used as part of a blood magic ritual.

"The Tevinter mage was killing his slaves. […] He had cut the throat of one of them, and then another, catching the blood of his victims on the idol as he made his way around the circle. […] The Tevinter mage raised the idol before him, and I saw a spike of lyrium spring from the base of the idol, so that all at once, it was not merely an idol, but a ritual blade. He slashed his own hand, and a wave of power pulsed through the cavern. It was as though we were the blood, and the cavern was the body through which it flowed, and we fell, all of us, to the ground, our minds pulled into the raw chaos of the Fade by the power of his ritual."

In the end of the Dark Fortress comic, the idol produced another red lyrium sword, that could be fully detached and was then placed onto the before-mentioned sarcophagus, turning Shirallas into a raving beserker that was pretty much invincible as long as he was in possession of that same sword.

While the blue lyrium infused sword that was used in Fenris' ritual simply dissolved in the process, the sword produced by the idol could "regenerate" and was especially resistant to Great dragon fire.

"Unlike the lyrium-infused swords of the so-called Arcane warriors, this sword should survive the ritual."

In the final fight against him, Marquette comments on how Shirallas "feeds energy to the sword from the red lyrium in his veins" and how in turn "the sword heals his wounds".

So in both the comic and Tevinter Nights, the idol/the weapon produced from the idol seems to draw power specifically from the blood of its wielder. It makes me wonder if it was initially intended to be used this way, since we have to remember that it still presumably belongs to Solas, who claims to not practice blood magic, because it seems to make it more difficult to enter the Fade.

Which is ironic, given what the mage in Tevinter Nights did to disrupt the Fade, but also how the Magisters Sidereal used a massive blood ritual to enter the Fade physically.

And oddly enough, in your first conversation with Solas about blood magic, he makes this curious analogy with daggers as an example…

Inquisitor: Every time I've seen blood magic used, it has been for some evil purpose. Solas: I once saw a woman being stabbed in the stomach with a dagger. She died slowly, in angony. It was repulsive. If the Chantry outlawed daggers, would that stop the people from using it? Of course not. […]" Inquisitor: "You don't need to sacrifice a slave's life to make a dagger." Solas: "I suppose it depends upon the dagger."

So… Could Solas be referencing Mythal's death here? Or what if the dagger here is referring to the idol in its blade form? What the heck does he mean by "I suppose it depends upon the dagger"? Was a slave's life sacrificed to create the idol maybe?

But if blood magic wasn't the sole purpose for why it was made, then what else could the idol as a ritual blade be used for?

Which brings us to…

Dalish mythology

According to Dalish legends, Fen'Harel told the Creators and the Forgotten Ones that the Avvar had forged a "terrible weapon", a blade that would end the war between both clans of gods. He told the Creators that it was forged in the heavens, while the Forgotten Ones were told that it was hidden in the Abyss. And when the gods went seeking it, Fen'Harel sealed them both in their realms forever.

Okay. So, let's just assume for a second that the blade in this legend was actually the idol in its blade form. Because hell, what are the odds of having two "super powerful ancient blades that belong to Solas"? lol

If they are in fact the same weapon and the part about Solas tricking the gods is true, why were the Evanuris and the Forgotten Ones so eager to get this thing, to the point that they would fell into a trap?

And with this, I'd also like to point out the level design in the scene in which Flemeth takes Kieran's Old God soul in the Fade. I can't help but feel like the statue of Dirthamen being stabbed in the back with a sword, crying a stream of blood, resulting in a huge pool of blood, as well as a bloody ouroboros symbol on the ground, is a very deliberate design choice. Especially considering the context of this scene with the revelation about Flemeth and Mythal, I'd argue this is all in reference to how Mythal was betrayed and murdered.

Again, the idol could depict Mythal in her moment of death. In the final fresco in the rotunda, the one Solas never finished before leaving the Inquisition, we see a wolf looming over a dragon slain by a blade.

In the last visual of the 2022 cinematic that, going by Varric's narration, could potentially depict the destruction of the Veil, Solas appears to hold something that resembles a blade with a very destinct handle. Additionally, we've since discovered an icon hidden on the Steam page of DA4, that shows a dagger with an identical shape and the same glowy purple as the Dreadwolf title.

So we have the idol in its blade form, the blade Mythal was potentially slain with, the blade Solas is holding in the 2022 cinematic, Solas mentioning a dagger in relation to blood magic and Fen'Harel's blade in Dalish legends.

That's a lot of blades... and a lot of blood. lol

The Hunt of the Fell Wolf

"The Hunt of the Fell Wolf" is the title of a poem that can be found in the Jaws of Hakkon DLC. It tells a story of former Inquisitor Ameridan, his friend Haron and their fight against a demon wolf.

Along with numerous odd things in this tale that could be interpreted as some kind of metaphor (or just the devs messing with us, if you want to know more, please check out this post), it also mentions an "idol of fade-touched stone" in connection to the demon wolf.

The wounded knight in darkness Found within the cavern’s gloom An idol of fade-touched stone, Which could prove the monster’s doom.

In the poem, after a grim fight, the wolf takes Ameridan's friend Haron to its lair, a "labyrinth of winding cave" (which many believe is referring to the Deep Roads, just like the ancient Thaig in DA2 where Hawke and Varric found the red lyrium idol originally) where Haron, oddly enough, also happens to find an idol. What's intruiging though, is that this idol seems to be connected to the wolf in such a way that he can only be defeated if both him and the idol are destroyed and struck down at the same time.

With burning blade, Ameridan And monster met again Whilst elsewhere did Haron valiantly With demon-wards contend.

As demon-stone was shattered, Ameridan struck true: Beast and spirit—both felled at once, Though neither hunter knew.

"Beast and spirit—both felled at once"

Two entities that are connected across two different places… as in the physical body and the spirit maybe?

As in the waking world and the Fade?

So, let's reiterate.

The red lyrium idol belongs to the Dread Wolf. Cole remarks how he can feel that Solas is "in both places". The word "Dread Wolf" itself is an anagram for "World" and "Fade". We've talked about the popular spirit origin theory before, Solas taking a physical form against his will because of Mythal. The whole matter of Solas' "true name" before he called himself Pride. Solas' entire personal quest, which may or may not mirror his own past, a spirit of Wisdom being denied its original purpose, turning into a pride demon ("He wants to give wisdom not orders"). His strange remarks at the end of Cole's personal quest ("We cannot change our nature by wishing"). The fact that Solas makes Cole forget about his true identity, just like spirit!Cole does. The visual portrayal of Solas "consuming" Flemeth's powers at the end of DAI. The way in which Solas doesn't recognize anyone in the waking world as "people", but will vehemently debate you on why spirits should be considered people.

"But the People… They need me." (- Solas to Flemeth at the end of DAI) "Never again." (- Solas after burning the mages who were responsible for Wisdom's corruption) "From this moment, should you ever bind a spirit, your life is mine." (- the Dread Wolf's final warning to the mages in Tevinter Nights)

All of this considered, what could the poem in JOH imply for the connection between Solas and the Dread Wolf/the Dread Wolf and the idol?

"They made bodies from the Earth, and the Earth was afraid. It fought back, but they made it forget."

One theory assumes that the creation of the Veil lead to the separation of the ancient elves' bodies and their souls/spirits, assuming that before the creation of the Veil, the Evanuris somehow made bodies from the Titans/lyrium for spirits to manifest and then enslaved/bound them to their will by marking those bodies with their vallaslin.

But if that's true, then what happened to Solas when he created the Veil?

"He broke the dreams to stop the old dreams from waking. The wolf chews its leg off to escape the trap."

In all the murals, tarot cards and illustrations, the Dread Wolf and Solas are always depicted separately.

What really IS the Dread Wolf? And what is he to Solas?

"It was a beast unlike any I had ever seen. Lupine in appearance, but the size of a high dragon, with shaggy spiked hide and six burning eyes like a pride demon, and it came to us on wings of fire that resolved themselves into a horde of lesser demons."

From what little we know of the Dread Wolf himself, he only seems to exist within the Fade (that is to say, before the Veil, Solas was already depicted as a wolf, presumably even before his rebellion and before the Evanuris "bestowed" him with the title "Fen'Harel"). In the Mortalitasi's tale in Tevinter Nights, his army of spirits follows the mages back to the waking world, yet the Dread Wolf himself remains in the Fade. In one of the frescoes in the rotunda, Solas portrays the Black City surrounded by the six burning red eyes that resemble those of the Dread Wolf, almost like he's keeping watch over the eternal prison of those he banished. In the Tower tarot card, the Dread Wolf is ominously looming over Solas, almost like it's about to consume him, while in one of the Trespasser murals, it looks more like the Dread Wolf follows his lead. And then there's the DA4 2018 teaser mural, in which they're opposing each other, only seperated by the red lyrium idol in the center of the Veil.

If the red lyrium idol is connected to Solas like the idol in the poem is connected to the wolf, could this be part of the reason Solas is so desperate to find it? Does it possess some kind of spirit? Can the Dread Wolf only be defeated if the idol is destroyed at the same time, just like in the poem?

Where is it now?

So where's the damn thing now?

Well, in my opinion, there are two options.

Option 1) The bard's tale in Tevinter Nights was complete bullshit. lol

Despite Solas trying to convince us that he already obtained the idol in a vault some time ago under an auction house in Llomerryn, it's possible that, much like his whole charade in that chapter, this tale was also entirely fabricated. lol

To make it short, here is a list of arguments for why the "bard's tale" could've been a complete lie:

Solas attended this spy meeting specifically for information on the idol's whereabouts (because he doesn't actually know where it is currently?).

Everything until the last two pages was an act.

Both the Mortalitasi and the Carta Assassin point out several contradictions within his tale.

Upon hearing the other spies assuming that he needs the idol, it would just make sense that he would want them/Charter to believe that he’s now in possession of the idol and “cannot be stopped”, so that they would drop all effort to find it before him.

On the very last page of the book, there's a lists of bullet points of information when Charter is about to write down her report, and it does not explicitly say “He has the idol” but rather just what it looks like, which suggests that Charter didn’t buy his story either.

So if this was all lies, the last known location of the idol would therefore be the unknown person who took it when escaping from the Dread Wolf's spirit army in the Grand Necropolis in the tale of the Mortalitasi.

Meaning that Solas would therefore still be searching for it now. (Which would actually be kind of hilarious, considering how there's likely gonna be a ten year timeskip since DAI, so he would've been searching for the flippin thing for the better part of a decade now. 😂 We know from the end of the Blue Wraith comics that he had followed the idol's path via eluvian, but maybe he just lost track of it at some point? In fact, the last we heard from him, Solas was apparently busy pursuing some Venatori people to get another ancient artifact called the Crucious Stone in the The Missing comic, much like he prevented the Tevinter mage in Nevarra from using his idol. Solas after ten years of searching for the idol was probably like "Oh fuck it, I give up, on to McGuffin Nr 2 then". lmao)

In an interview with the comic writers Nunzio DeFilippis and Christina Weir, they talked about how in their initial draft of Dark Fortress, Solas actually *got* the idol(!!) from two of his agents by using the eluvian located at Nenealeus' place before BioWare stepped in and requested a change. 👀 That version would've explained how Solas was able to track the idol through the eluvian we see at the end. Their own interpretation was that Solas can only overlook a certain radius within the area of where another eluvian is located. Which would actually support the assumption that Solas might've lost track of the idol at some point after Nenealeus left the place… but that's just their interpretation and not official BioWare canon (yet), sooo…. Hm.

Option 2) Solas has the idol now.

So let's assume that the part about him obtaining the idol in Tevinter Nights was actually true and it's now in his possession.

Aside from this, the only thing that could speak for Solas already having the idol in the beginning of DA4, is once again the final visual in the 2022 cinematic.

If this cinematic is in fact playing at the beginning of the game as a general re-introduction to the lore and the last visual is depicting Solas in the middle of destroying the Veil using the idol, then.. well yeah, there it is, in his hand…. at least, for now. Making Solas succeed in the first 10 minutes, I guess? lol

……Unless!

See, a few years ago, I speculated about how the idol might actually be the perfect plot device/motivation for our new protagonist to get involved in the whole Solas deal without even knowing who he is.

Let's say the last visual in the 2022 cinematic is actually showing us a hypothetical scenario, and not something that has already happened/is currently happening. Like, Varric gives this expository narration explaining who Solas is and what might happen if we don't succeed in getting the idol. (Notice how Varric says "And we're the only ones who can stop him" at the end… Like there's still a chance to stop him before this actually happens.) We know from Tevinter Nights that Charter knows that Solas needs the idol for whatever ritual he's planning. And Charter obviously informed the Inquisition/Varric about this as well. So the next logical step for the Inquisition now would be to obtain the idol (whether or not the bard's tale in TN was true) to prevent this ritual at any cost, right?

The comic The Missing re-emphasized that Varric is now in charge of getting people that Solas doesn't know. And this might be where the new protagonist gets recruited by Varric (who is still a spymaster after all) and gets assigned the alias "Rook" for a heist mission to obtain the idol. (And after a very thorough observation of the DA4 reddit leaks from 2023… it looks like Rook might've actually succeeded in this potential quest?)

While we don't know when the stuff in the leaks actually takes place within DA4's storyline, I think it's safe to say that Rook will obtain the idol at some point in the story and that it will play a pivotal role, if the blurb on the Steam page for DA4 is to be believed. lol

As well as what could likely end up being the game's icon, found on the Steam page.

And again, remember how in the Hunt of the Fell Wolf poem, it seemed like Ameridan struck the wolf’s body in the waking world, while his friend Haron killed the spirit (inside the idol?) in the Fade. What could this imply for DA4 then, if we are applying the role of Ameridan, Haron and the wolf in this tale to the Inquisitor, Rook and Solas?? 👀 Is this how we can stop him? The Inquisitor confronts Solas in the waking world, while Rook has to destroy the idol/fight the Dread Wolf in the Fade?

Or could it just be a metaphor for the Inquisitor in DA4 keeping Solas occupied to distract him from Rook, while they can figure out another secret way to deal with him/how to get/destroy the idol?

See, the thing is, we have to remember that this is after all, a video game. lol Meaning that, if our protagonist gets to carry around a powerful ancient artifact/weapon, I would assume that this has to be somehow implemented in the gameplay as well. What we can take from the short footage of the 2023 reddit leak, is that Rook might carry the idol (if it really IS the same thing) while still fighting with their own main weapon in combat. So, what if the idol serves as more of a special power tool outside of combat, for example, like the anchor did in DAI, where it can only be used for special occasions? Let's say, the idol in its blade form can't be used in battle but is able to "split" the Veil or reality, like the anchor was able to open and close rifts? Or, if we assume that the idol is something like an ancient phylactery (which btw is my favorite theory and I will talk about in my second post), maybe it can be used as some kind of "tracking device"? Actually, I'm super curious to learn how Rook is even able to carry it like this in the first place, since we know what kind of effect it usually has on people. lol

~~~~~

Anyway, I'll make a hard cut here now and save the rest of this behemoth of a post for a second separate post (because I also just realized that tumblr doesn't let me add any more images 😂💀), so if any of you actually made it this far... thank you for being just as crazy as me about this and I will post the second part shortly after. lol ❤

#tinfoil time #da4 #red lyrium idol #solas #dragon age 4 #mythal #good god that got long 💀💀💀💀

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dreamsandstars24 · 3 days

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credits for the pictures to the author of the post:

@the-darkestminds

okay, so I'm not someone who likes to go into conflict but as a survivor of SA, I can never hold back to people that say stupidities. Therefore, here is me standing up for SEXUAL ASSAULT VICTIMS

Back story to this because this is crazy:

I was going through the anti ewriel tag because I have a morbid obsession of seeing how my fellow gwynriels shut down the stupid elriel theories and to be honest I also learn a lot by going through them! I'm like "oh, I didn't connected those points! It makes sense" so today was a normal day for me and then suddenly, I see this post about how disrespectful it is for SA victims to see posts of how Gwyn isn't ready to have see and she shouldn't be shipped with Azriel and I agree. It is disrespectful because Gwyn is not her trauma and just minimizing her to it is disrespectful.

So I wanted to comment on the post to say "totally agree" bit instead I found an Elriel in the comment spitting stupidities about how Gwyn isn't ready and she didn't go to Nesta's mating ceremony (honestly, you would think they have the next book with all the things that say happen) and then she said the most stupid thing ever and I will put it on picture because wow

First of all, credits to defending Gwyn to all the people included in the pictures and then about the elriel comment

What

The

Heck

Rhys and Lucien weren't violently attacked? What the hell are you talking about?

Rhys had a nightmare of Amarantha pinning his wings to the bed and you're telling me that this nightmare came out of the blue? This had roots, this fear was there before, this fear had a reason and the fact that you are dismissing it is disgusting.

Feyre found Lucien bound to a freaking tree while Ianthe was assaulting him, and you mean to tell me this isn't violent?

You mean to tell me that just because they were forced to that situation it wasn't violent?

You are saying that being forced into giving your body isn't violent?

What does violent entail? Does there need to be blood? Do they have to have their skin peeled off? Their hair cut off? Their lips split open? Be bleeding from their genitals for it to be considered violent?

Sexual assault is sexual assault it doesn't matter in which form it comes, it doesn't matter if the person said yes and had to it IF THE PERSON WAS FORCED INTO ACCEPTING THEN IT IS SEXUAL ASSAULT

Dismissing their trauma by saying "it wasn't violent and they are men" is disgusting, it reduces you to saying "well, of she was raped then it's on her because she is a woman and she know she needs to take of herself but she didn't so it's on her"

Saying Gwyn is not ready is disgusting. Does she need to be like a dog with her tongue out and thirsting after males to be considered that she is ready? Does she need to be in a constant aroused state for you to say she is ready? What does being ready entail? She reads smut, she banners with Azriel, she jokes with Cassian, we know she is at least curious about sex after reading so much smut so stop coming up with stupid stuff just to make your ship fit

If you need to reduce somebody else, be it fake or real, in order to accommodate the perspective to your ship then maybe your ship wasn't supposed to happen

#gwynriel #azriel #azriel x gwyn #gwyn x azriel #gwyneth berdara #elucien #sjm #sjmaas #acotar #pro gwynriel #pro gwyn #pro azriel #Anti elriel #Anti ewriel #anti e*riel #flopriel #Stop diminishing people to their trauma #Stay away from this tag and from me

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crowdsourced-webcomic-reviews · 3 days

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Hyperdriven: By Declan Garrity

A couple of months ago I read Hyperdriven for the first time in a single sitting. Around 750 pages of comic action. This occurred for primarily two reasons:

I have hyperfixation

It’s just that damn good.

While I cannot recommend you read it all in one sitting (you do you), I can highly recommend that you do, in fact, read it.

The Story

Kaleco has wanted to be a swashbucking ship captain all her life, and now she’s got a ship, a crew, but a major problem. No money, and a shitty freelancer license that doesn’t allow her crew to take on any well paying jobs.

We follow the misadventures of the Bon Petit Déjeuner as they try to make ends meet and not fall apart in the meantime. If you are a fan of space western media like Firefly, Cowboy Bebop, or fellow webcomics Ghost Junk Sickness or Thunderstryke, there will be a lot here to love.

But also mixed in with the silly hijinks the comic also touches on and deals with some really heavy stuff: trauma, mental health, bigotry, to just name a few. The balancing act between comedy and drama is such a difficult one, and I am in awe at how seamlessly Hyperdriven is able to do it. It will have you laughing one page, and then crying just a few short pages later.

One of the major challenges with balancing an ensemble cast is making everyone feel like a distinct person, and giving everyone time to shine and room to breathe. Hyperdriven does this very well, giving each of its little cast of weirdos so much heart, character, and trauma. While I love them all, our protagonist Kaleco is by far my personal favorite character. She is an idealistic disaster, and earnest to a fault. I loved watching her fuck up, then work hard to try and improve and do better. Character is king, and all the characters have had wonderful journeys through the story, but I wanted to especially highlight Kaleco.

The Art

I love the art style, it’s colorful, it’s clear, and it’s stylish as hell. All the characters are so distinctive and unique, and the whole comic is infused with this colorful, distinct vibe that definitely contributes to the fun, comedic atmosphere. There is a level of clarity in the simplicity of the color, even down the way that people will be color coded by group.

And also, holy fuck does this comic have some style.

TL;DR

Go read Hyperdriven. Just… maybe don’t do it in a single four and half hour marathon.

Link here

#review

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profounddefendorcrusade-blog · 3 days

Text

Another Starlo rant + there's some stuff to clarify

this is my reply to the latest post from @a-legacy-not-to-be-forgotten bc i feel like he mainly had me in mind when he wrote it, which I don't mind, really. After all, we're both apologists of different characters and i DO respect your opinion. Just wanted to throw my two cents in and clarify some stuff (please read till the end)

Exhibit A (having Moray walk around with a snake in their boot and giving them rashes): I always thought this was some kind of job policy, all bc Star's so ambitious and expected his (future) employees to be the same. He wanted everyone to prove they were "real" cowboys. That's also why everyone had lassons for 8 weeks and he had that kangaroo locked in a cell for sneaking a phone in (although it IS hypocritical that Star himself is allowed to own a TV).

Star expects a lot from everyone because he himself gives it his all to make this town as realistic as possible and makes everybody behave like real cowboys (and imo he thought Moray was fine with having a snake in their boot for a week since they probably didn't complain. Star most likely didn't even know the snake gave them rashes/apologized if Moray had told him this). Honestly he's too obsessed and passionate and can be too much without realizing it, that I can't deny

Exhibit B (The Boulder Droppers): No matter how severe (It IS severe), I still see this as super careless (and super forgetful of Starlo), rather than reckless. Again, another instance where he screws up but there's no ill intent. Also he apologized for this to Gilbert

Exhibit C (blaming Clover for everything that happened and shooting them over it): TRUE 100%

...now, Ceroba was doing her best to understand Starlo and he needed her to get back on the right track, but I still think she views him more as a manchild than someone worthy of respect. I don't hate Ceroba or see her as a heartless bitch and a terrible friend (there's that post of mine where I explained everyone's flaws, and it turns out Starlo is the most flawed of them all, which I admitted). I just think her and Star aren't on the same wavelength.

She WAS on the same wavelength as Chujin and that's why I ship them. Ceroba deeply admired him (still does) and honesty she has the right to love whoever she wants. Still, I can't get out of my head how she thought that her wanting to date Starlo in the past must have had to do with the fact "her brain was still developing," or how she lied to him about the sheriff stuff just to spare his feelings. I get the intentions but she should have told him how she really felt (based on her many annoyed faces I got the message Roba never liked any of this + she says she doesn't understand it). I genuinely saw it as her babysitting/pitying him for his childish fantasies instead of actually enjoying participating in the antics (she does like observing the five tho)

And yeah, everyone (Ed, Ace, Mooch, Moray, Ceroba) knew Starlo ADORED westerns, obviously, but what they DIDN'T know or try to figure out is the deeper meaning as to WHY. I feel like everybody thought it was simply a childish fantasy and didn't stem from any deeper insecurities (the FF, just like Starlo, aren't very good with communicating their feelings; why else would they criticise Starlo right in the middle of town where everyone could hear them instead of going someplace private to have the talk)

HOWEVER!

List of Starlo's character flaws I believe he has: insecure, overly enthusiastic, careless (not reckless bc he doesn't intent to cause chaos), cocky, too obsessed with his status & social image, arrogant, mischievous (particularly with Blackjack), childish, needs too much external validation, uses escapism too much, people pleaser, wants to be everyone's "hero," ignorant, naive, too optimistic, overbearing, too ambitious, stubborn, emotional & sensitive to criticism, too obsessed to the point he ignores everyone and everything else, actually IS selfish (I wanna take this opportunity to correct myself. Starlo should have listened to his posse and not have snapped like that & dismissed what they had to say, but they should have also let him know how they felt way earlier and tried to understand Star's pov & deeper insecurities he has & should have not publicly lectured him since they SHOULD know how much he wants to protect the reputation he worked hard to earn. Everyone should have reacted differently)

We don't know what Starlo was like before Clover but based on the way none of his posse ever talked smack about him, gave him dirty looks, or overall acted like they didn't wanna be part of the team, I assumed they either didn't mind his enthusiasm before he got obsessed with Clover, or kept their frustrations with his passion hidden well and didn't choose to communicate at all with him about how they really feel.

As for Star himself, I just don't see him as having been a bad boss. Ed even said how he would always ask him nicely to do stuff, and Dina explains how the only arguments the five of them had were about trivial matters, and how things were pretty predictable before Clover. So I don't think he had made any huge fuck ups. The five were always together in all their shenanigans (Dina says they're like siblings) and Ceroba mentions how she hasn't seen Star "this ecstatic in some time". Which is why I think he didn't step outta line or mistreat others before his dream of meeting a human came true.

HOWEVER #2!

I just remembered a single line of dialogue from Ed, which suggests that Star might have been more bossy than I thought and didn't actually ever ask his posse about their opinions. If this is the case, and probably is because Ceroba says he had changed a lot, scratch that stuff I said before about him not being a bad boss

He acts selfish because he's insecure, but I still shouldn't have used that as an excuse. It's interesting how he's got both selfishness and selflessness inside him at the same time, but yeah, bc of his undeniable charm I overlooked the selfishness part. guilty as charged

time to add that and his bossiness as another one of star's many flaws

Another thing: while all of Ceroba's flaws seem to come from the tragedy that had struck her (besides being stubborn), every single one of Starlo's flaws stem from him and how he feels about himself. He had a normal family, a best friend, and his own friend group, with whom he could discuss his nerdy interests. I think THIS is what makes him so loveable. He techincally doesn't have a real REASON to feel unhappy, but he did, before he became 'North Star' But that persona was exactly WHAT he needed to let go of to be himself and be truly happy

I once jokingly mentioned how Starlo's name could mean "Star + loser" and the more I think about it, the more it makes sense for his arc. He wants to be 'North Star' (all cool and badass and important), but in reality, the real him is just a nice guy who loves his friends. And even if that doesn't make him popular and a loser farmer instead, at least that is the real him who he shouldn't have been running away from

I do love when my fave character ain't perfect and has inner conflicts to work on

To conclude this rant, I want to apologize to the Four and Ceroba for not taking into consideration their pov more and being way too obsessed with this charming nerd

also, @a-legacy-not-to-be-forgotten, your rant gave me much to rethink and for that I thank you

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heavenlymorals · 2 days

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Why are you always trying to paint Arthur as a misogynist? When he clearly isn't??? I like your posts by why do you hyper fixate on stuff like that?

Hello anon and thanks for the ask.

Well, quite simply, I "paint" Arthur as someone who actively believes in and enforces gender roles because he does so in the game. It's a part of his writing and his character. The canon Arthur is NOTHING like how the fandom here on Tumblr portrays him as. That's also a reason why I started making these posts because I honestly hate when fanon becomes the accepted truth of characters and not the actual canon. It happens all the time.

I'm a very pragmatic person and this will show in my posts. I don't care about what characters COULD be and I focus more on what they ACTUALLY are. That's why my retrospective posts are usually looked at through a psychological, sociological, cultural, feminist, and/or literary point of view. I look at characters and learn things about them through their actions and words, as well as the time period that they are a part of. I do not care at all about making characters seem morally better, especially when it comes to historical attitudes because those historical attitudes aren't as historical as we make them out to be.

They still affect us every single day and only recently have we started pushing back- that's also not mentioning cultures where these attitudes are STILL encouraged, which then changes the way people think. Understanding historical attitudes allows us to understand not only our own cultures better, but people as well and why they do the things they do.

Now let's talk about Arthur. Arthur is a man born in 1863. Women couldn't even get a credit card by themselves without a man till 1974. To put it quite simply, he lived in a time era where women had almost 0 rights and those women who did succeed in life usually had some sort of male support. People supported this system, both male and female. Did you know that when the suffrage movement began, most American women didn't give a fuck because they believed that was men's duties, not their own? Point is is that even if Arthur is a lot more lenient regarding this stuff, he still actively believes in it because of how pungent it was in the society he lived in.

The first mission we have with the female gang members is heading to Valentine. The first thing he says to them is whether Miss Grimshaw could spare them from their domestic chores, already showing that in the gang, the girls' main duty is the domestic work and that Arthur supports this. Later in that mission, when he chases down Jimmy Brooks, he puts Uncle in charge of bringing them back home, even though he is an old ass man and they are three young, healthy, and capable women. In one mission, you got two examples of Arthur being an active encourager of gender roles.

And then there is Sadie- when she expresses her frustration over the work she has to do, he tries to shut her down. When she gets her pants, he mocks her: "You get a pair of pants and all of a sudden you think you're Landon Ricketts?" When she asks Dutch when she can go robbing with them, both him and Dutch laugh her off. When they bust John out of prison, he does it with her cuz literally no one else would help him and when they escape on the boat, he gets visibly annoyed that she doesn't take his hand. There are even more examples of things like this when he antagonizes her, but that's just the main game.

And there is the antagonizations of women performers. "Women shouldn't be doing this." "Go make someone some supper." "Go back to the kitchen." "This ain't ladylike." I'm sorry, but these need no explanations. His antagonize lines are just as canon as his greet lines and the fact that he says stuff like that shows that he believes in gender roles. It's an active part of his belief system.

There are so many more examples of this and the majority of them are subtle but I come from a culture that still treats its women like the 1800s treated theirs so when I ever pick up on these things, it's cuz I've lived it before.

And my final point- this is a historical game. Rockstar made sure to be as accurate as they can in regards to the time period- so characters not only react to historical attitudes but they are a part of it as well. Same goes for Arthur. He's a historical character with a historical background and historical attitudes- and that comes with the good, like chivalry, and the bad, sexism. You shouldn't play a game like RDR if you're expecting characters to feel modern in their thought processes.

Thank you and have a great day.

#rdr2 #arthur morgan #red dead redemption 2 #answered #historical attitudes

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thecarnivorousmuffinmeta · 2 days

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So I was reading your meta about why Tom/Minerva wouldn't be a thing or work out in the long run past a date or two, and thought I'd take a stab at how Tom and Alphard did make it work in your and Vinelle's fics.

Alphard's high tolerance for relationship shenanigans

Tom might care about his partners (he wouldn't start a relationship in the first place if he didn't), but he's often bad at letting them know, and also pulls a lot of obnoxious shenanigans/is pushy in general, which can drive off many potential partners. Being in a relationship with Tom means having to put up with a lot.

So Alphard is one of those people who can tolerate this. Maybe part of it is just his natural personality, but I feel like Walburga being so domineering during their early childhood (she's like this in their early adulthood too, and I doubt their dynamics have changed that much) also plays a major role. Alphard's still capable of being assertive and stubborn over things he finds particularly outrageous, but his default reaction to things he doesn't like is to give up after his first few attempts to change it fail, and just grumble and despair to himself in a corner. So when first-year Tom comes along beating him up, Alphard just goes with his well-practiced response of letting the other party have their way and getting it over with already.

He's also introverted and uncharismatic, which means he doesn't have much of a social life and gets lonely as a result. So having a boyfriend who values him for his thoughts and he can have a deeper connection with is something Alphard really likes, so even if said boyfriend is sometimes being negligent or pulling/having pulled crazy stuff (ie constantly beating him up in the past), it's still better than nothing. The fact that he's gay which massively cuts down on potential romantic partners, and would make him stigmatized if he got outed doesn't help. Neither does his massive crush on Tom. (Lily's more charming and doesn't have the orientation issue, but she's still lonely and without deep connections. In any case, she also displays the same high tolerance for less-than-stellar boyfriend behavior)

Minerva, who probably has a better social life and isn't so lonely, would be less tolerant of all of Tom's baggage.

2. Alphard already being aware Tom isn't all sunshine, and in general gets to see past the facade more

He's in Slytherin, and they're dormmates to boot, which means Alphard is getting a front-row seat to Tom being a horrible menace to their housemates (and him). Nonetheless he still finds things to admire about Tom, and though that could be kickstarted by teenage hormones, a good chunk of that attachment must come from Alphard himself or the crush wouldn't last so many years. Alphard is already at the point of being able to accept liking Tom while still knowing he does unpleasant things. So if you drop the revelation of Tom doing worse than just nasty school bullying onto their heads (ie the basilisk and horcruxes), Alphard will still be in for a shock, but that's less for him to process than Minerva who only gets the shattered charming perfect facade of Tom to work with.

Also, being dormmates means that Alphard in general gets to spend more time observing Tom, which combined with his perceptiveness means he knows Tom as a person rather well, maybe better than Tom knows him (Tom spent several years not paying attention), dirty secrets aside. Even the less observant Abraxas manages to see more of Tom by virtue of his position than Minerva.

3. Tom's actually interested because of circumstance and the mystery/newness factor

Tom is fresh from all the crazy stuff that went down last year and in the summer, and while presumably still having a mental breakdown has gotten some of it out of his system. He's still unhappy and restless and wants to do something to distract himself, but he probably wants it to be something less, uhh, exciting than what happened earlier. (I'm assuming what was described in OOI is also canon to TMWWBK or other fics)

And then while going through his usual kicking housemates in the stomach so they know their place routine, he notices Alphard's choice of reading material. Come on, there's no way his stupid dormmate actually understands that stuff, right? He's probably just being pretentious and wants to make himself feel smart. Nonetheless, there's nothing lost if he asks, and then when Alphard doesn't give the expected answer he gets curious. Isn't this exactly the kind of harmless pursuit he wanted? (Alphard, meanwhile, sees what's happening and decides to deliberately bait Tom into following up) One thing leads to another when Tom realizes Alphard himself has some pretty interesting thoughts sometimes, and then they're friends and romantically involved.

This also seems to be the case for other fics where Tom gets romantically entangled with someone. More than even intelligence, Tom seems to need that other person to have hidden depths or a mystery that he can pursue. Bonus points for them being evasive, which eggs him on. Minerva, as a known factor that he already gets the gist of, just doesn't interest him enough.

4. General romanticism and Alphard's willingness to commit

So you said Tom's romanticism makes him want to skip the dating stage and do relationships in an all or nothing way. Either they commit or there's no relationship at all.

And Alphard, who isn't exactly swimming in other options, is quite attached to Tom, and does have a dramatic streak himself, is willing to take the plunge. The fact that it's a taboo relationship (both same-sex and a pureblood seeing an apparent muggleborn) and they have to see each other in secret, demanding a higher level of commitment, just amplifies it.

5. The blood purism and societal issues thing

This is the part where it doesn't work. Well, those two have other things going for them, and have enough of an established relationship and care for each other that they try to work around this issue, but it never gets fully resolved in the canon and near-canon timelines. The blood purity debate is one of those things that comes up every now and then, and always ends with them deciding to call it quits because neither party is convincing the other anyways, and don't they have more productive things to do with their time?

So Tom of course struggles to get anywhere in the wizarding world as himself, and concerned, Alphard tries to help by giving him financial support, which often is turned down. Alphard might think it's just Tom being too proud to accept handouts, and that is part of the reason he won't take substantial gifts unless Alphard gets smart about it, but it's also a matter of principle. The issue is the wizarding world being built on nepotism and closing its doors to outsiders, and Tom only managing to do well with his insider boyfriend's help kind of proves the point.

Alphard is better about understanding muggleborn issues than most purebloods, but he isn't muggleborn himself, and there's still a remove between watching something happen to a loved one and experiencing it yourself. So he's aware of Tom's struggles to get anywhere in society legitimately, and acknowledges it's unfair, but the same tendency towards resignation that helps him put up with Tom's nonsense also works against him here, in that he gives up on the system changing too easily. For him, yes, the system is broken and there's a lot of things that could be done better so muggleborns don't get screwed over, but it is what it is, and it's not like they can actually change things. Tom, of course, refuses to accept this, and this tension eventually leads to Alphard being unable to prevent the Voldemort thing because he can't fully get it.

So that's at least what I got from analyzing things. Please let me know if I missed anything significant or got something wrong.

This is a truly beautiful post anon, I love it, but unfortunately confirming or denying anything would be spoilers to a lot of things..

Look, @therealvinelle, ship thoughts!

#harry potter #harry potter meta #harry potter headcanon #harry potter shipping #tom riddle #alphard black #tom riddle/alphard black #alphalord #meta #headcanon #opinion

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moonsofmachinery · 9 hours

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So this isnt a pride req but you still don't have to answer!! But how do you draw so quickly?? I swear you draw like 2-4 times a day? I wanna get on a really good schedule about that so I can keep up with a art blog but idk how to draw fast! How'd you do it?

I hope it helps If I go over my entire process here because I've been wanting to showcase my process for awhile anyways :}

Haha! Yeah, i usually try and draw ~4 things min a day. Now, let me clarify, to run an art blog you don't have to draw fast! I do try and take breaks if I need them!!! But a lot of my speed has to do with the fact I've just been in a very art-inclined mood as of late :} It's a lot easier to draw if you WANT to draw! and knowing people like my stuff is a huge motivator.

Long post below where I explain my process and some of the shortcuts I take!! :]

For more skill-based tips though, my method definitely helps. Drawing lineless and paying attention to my stabilizer helps a lot. I'm definitely not a perfectionist when it comes to my art and I do tend to reuse poses I KNOW im comfortable with if I'm not in the mood to go all out.

I sketch freely with loose stabilizer using a pencil-like pen that allows me to get a good idea of the details I want down... Ex:

I have a very good grasp on the way i draw slugcats and how their bodies are shaped! Depending on the characters you're drawing, you should try drawing them a TON to get to a point where you can sketch them without even looking at a ref of any kind. My designs tend to stay consistent as I have a solid idea of each slugcat in my mind! It helps me pace myself as I generally don't need refs! :}

Next, I blot out my main body shape. I then, using a clip layer, add in lines and line in limbs! Generally I do this all in the same colour, get the main shapes down before you add detail and all that...

I blot out different regions of my character in different colours and section off areas to ensure I can later select these and go over them! Doing lineless helps me a ton as I don't use a lot of layers! it's just the style im more used to :}

Lastly, I add in my colours and adjust places where I can adding in all markings and details and recolouring where I need to! I use the selection wand to help me and I also use clip layers.

The details are relatively easy for me, most of the time its just getting to doodle whatever I want to make the colour combo look the best I can!!! :} The final result of this one will be posted on its own, but I just use CSP tools to add an outline-- I'm not sure if you use Clip Studio Paint, but if you do, you can use the effect feature!

Its just a little thing I add to make my drawing pop against the background!!!! :D

Anddd thats how I pump out art at an inhuman rate! Drawing is one of the few things I can do without my chronic pain kicking my ass so a lot of my day is spent at my computer cozy n' arting! Drawing for too long does cause fatigue in anyone though! I reccomend listening to something engaging in the background (if your attention can take it) and taking regular breaks every ~15-30 minutes.

This piece took me 30 minutes?? maybe a little more! I hope this gave you what you were lookin for :D!!!!! I wish u well in ur art blog n' make sure not to stress urself!!!!!

#moons - talks #long post #art guide #art tips #art advice #I hope this is actually helpful lolll ive been wanting to talk about this for a stupidly long time

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satanfemme · 13 hours

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[ID in alt]

ok meee :-) this is my slasher sona. he's a ~late 70s / early 80s low-budget slasher with slightly gothic vibes, and maybe leaning a little bit giallo in genre?

his name is Mutt and his "gimmick" is that he's a gay dog man (and wears a lot of leather. obviously)

hypothetical horror movie plot for him under the cut (warning for genre typical violence and tropes and such) (also some weird kink stuff cause this is my horror movie fantasy and I get to decide the level of strange eroticism)

I'm gonna summarize the story in chronological order but if it were a real movie there'd be more mystery than this ftr lol.

mutt's backstory is that he was in an intense relationship with a guy who kept him as a human pet. he tortured mutt, kept him in a shock collar, and required him to wear a muzzle most of the time. he also didn't let mutt leave the house ever (which was isolated in the woods). years of this treatment warped mutt's mind until he was both deeply devoted to his lover in a self-destructive loyal dog way, and also "insane" in the stereotypical slasher way.

one day while in a nearby town running errands, mutt's lover is killed in a homophobic hate crime. mutt knows something is wrong when his lover doesn't come home that night, so he leaves the house to investigate, and (from the shadows a distance away) he sees the police cleaning up the crime scene and his lover's body. mutt returns to his house, fashions a leather slasher mask out of his muzzle and his lover's clothes, and decides to get revenge on the people of the town.

he begins to kill a new gay guy every night in very homoerotic ways (since this is really the only way mutt knows how to exist). the homophobic cops don't take any of this seriously ofc, so it's up to a few members of the lgbt community to solve the series of murders and put of a stop to it, before they get killed themselves.

they actually wrongfully assume at first that mutt's lover was also part of the same pattern of gay murders, but eventually the homophobe who murdered mutt's lover is identified and (reluctantly) arrested by the police. so, the next time mutt kills someone, it becomes clear that there were two (2) killers on the loose, and the community member protags use that info to finally piece together the various clues they'd gathered, leading them to the correct conclusion that the first murder (of mutt's lover) was a single incident, and the serial murders after the fact are being done by someone motivated by a broken heart (ie. by this point the backstory would be fully revealed).

while all this investigating and shit was going on, mutt learned that the guy who killed his lover was arrested, and plans to go kill him inside his jail cell that night. the protags attempt to stop mutt before he gets there (to end the circle of violence and restore "peace" and all that), but in the process he kills them all one by one until just the token Final Girl is left. he then breaks inside the jail and successfully kills the homophobe, getting closure. the final girl thinks she has him, as he's "cornered" inside the small jail. but when she follows him inside, he's vanished and all that's left is the homophobe's body.

the movie ends all mysteriously like "he's still out there... and he might come back" but he's my character so I can tell u what he does after the movie. and he does NOT come back.

he still has a broken heart, but he's had his revenge and decides to leave town. he travels on his own, living like a stray dog for a long time (he doesn't take off his mask unless he really has to, so it's hard for him to interact with society. that said, when he does take off his mask to go into a town or city for something, he's completely safe from being recognized because no one ever saw his face in the town he killed people in. he's just a bit off-putting to people)

after traveling for a while, he happens upon the haddonfield illinois area, some time after the michael myer's murders took place (original halloween canon, but don't ask me for an exact timeline, I don't know or care)

michael would also be hiding out in the woods (cause it's not halloween yet. it's his off-season :-) ) and the two would run into each other, instantly clicking. two neurodivergent guys... in freaky masks... in the woods... hiding from society because they're wanted for countless murders. a real meet cute <3. they would grow closer over time.... and although michael would originally like mutt for how "empty inside" and inhuman he is (the same canonical motivation as to why he likes corpses), as time goes on and michael really gets to know mutt, their bond would become stronger and more genuine, and michael would love mutt for the person he is too :'-). and then they'd take off their masks and embrace and kiss each other sloppy style and- [comically long bleep sound effect].

and then I think the next halloween, mutt would join michael in the senseless killing :-) and they would live happily ever after and also mutt would take michael to the dang club! the end. that's my story thx for reading.

#slasher sona #val art #original character #slasher oc #horror oc

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aita-blorbos · 2 days

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AITA for never coming home or writing letters?

Why, hello everyone. So, I am not usually the type to talk about stuff like this, so please bear with me if this isn't as coherent or easy to read as other posts here. It's just that after a younger friend of mine told me about this forum I got interested. Y'know, went some pent of feelings, get some outside perspectives… Might be nice.

So, I (M, late teens) don't live with my family. In fact, I haven't been for years. When I was in middle-school I had a, let's call it, 'revelation' that I just didn't feel happy at home. See, I don't wanna brag, but I've always had a certain talent for sorcery, and my parents did value that. Just… Not in a way I felt comfortable with, I suppose. Thinking back, the attention and expectations they placed on me felt suffocating. I was expected to invest a lot of my time into studying the family craft, specifically dark magic, which never really was my "thing" to begin with. And when they didn't have me study, they would have me fight exhibition duels against the heirs of other clans as a show of power. For a while, it felt like I had no control over my life whatsoever. I tried to lock myself in the manor's kitchen or run off into the woods to relief some stress by baking or feeding the forest animals, but… doing that would always net me severe scolding punishment. I'd rather not go deeply into that part.

I suppose one day I just couldn't take it anymore. I took the advice of a child even younger than I was and left the manor, traveling the continent with nothing but the clothes on my back until I managed to get myself enrolled in a magic academy far away from my family home. And, I'll be honest, I never really regretted doing so. Ever since that day, I've felt so much more in control of my own life, so much more alive than I ever did when I lived under my parents' roof. I've been able to make a name for myself using my magic the way I want to and specializing in the things I like, and I feel I've really done well for myself. In all honesty,nothing I've done would bring my clan name into disrepute, quite the opposite, actually! But… I wouldn't know how my parents think about that.

I haven't been in contact with them since I've left. Not even once. I've thought of sending letters, but I wouldn't know what to write. After all, even know that I'm fairly well-known as a sorcerer in my own right, I still have no intentions of inheriting the family estate or carrying on the legacy of dark magic our clan is known for. So if I tried to contact them, what would they do? Would they ignore my letters? Would they reply with anger? Would they send an envoy to attempt to retrieve me and bring me back? Frankly, I'm scared. I could probably fight any hired sorcerers they send my way off easily enough, but… That's not what I want. I don't want to go back. There's nothing I want to do less than go back to the way things used to be before.

I guess what I'm trying to say is… I never meant to cause my family grief. But lately, I can't help but wonder if that is what I'm doing. I was the only heir, after all. I am happy with the path I've chosen in life, and I'm convinced it's what I needed to do for my own sake. But I also find myself wishing I could share the happiness I've found away from them with the people I had to leave behind… And I hate the thought that they might be hurt because of me. And sometimes I wonder if I'm not a little at fault for how things turned out after all, in a way.

So… What do you people think? Please, don't hold back. I expect your honest feedback.

~L.

#aita #am i the asshole #unreality

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thechaotichorselord · 2 days

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Blank Scripts AU SELF INSERT!

TW for badly drawn dismemberment :7

So this is Horse! Black hired them after finding them half digested by the parable and learning that they’re actually quite handy with tools and fixing things. So they’re a mechanic now.

However, due to the impeccable design of Black’s dungeon, they often find themself not having much to do. So what do they do? They bother the protagonist of course!

They like to annoy him by detaching parts of their body and making jokes, pulling pranks, etc. A lot of their pranks end up resulting in both their and Stanley’s death. They were cautious towards the beginning of working at the Parable, but once they found out death wasn’t permanent all hell broke loose.

They use their knowledge of machines and designs to create chaotic and stupid inventions, and tend to think of injuries as a game. Doesn’t matter how much Stan tries to avoid them, they can just find him after crawling on the walls for long enough.

I like to imagine that their first meeting was completely by accident, with Stan getting curious as to a random door appearing (they got hired after Stan) so he entered the door and this happened:

After that, they became incredibly curious in Stan and followed him around to bother him.

I should also mention that their face began to get digested before the rest of their body, so their jaw was completely disintegrated. The rest of their body only got some slight injuries, which makes their limbs so easy to rip off.

They tend to use excess body parts from deceased people to create funny creatures or to eat. They’ve created many a funny creature, such as an ACTUAL handball (ball made of hands) and eyeball gun. They’ve also created a little thing called Squidge, a dog like creature formed from organs. They insist Stanley takes care of it a lot! :3

They also have a prosthetic jaw Black gave them to look “normal”, since their body wasn’t too badly damaged.

In the beginning of working they were relatively sane but due to realizing how much stuff they could do and have it reset in an instant, they began to go mad with their possibilities.

They pretty much are chill and nice enough (unless you’re Stanley, sorry pal), but if you anger them greatly they will start to eat you. Not kidding, they will rip into your neck and eat you. They’ll gladly dispose of anything Black wants them to!

Hugs always calm them down though, so if you’ve angered them just hug them or tell them a joke, they’ll calm down and you’ll have your organs intact!

Small facts:

5’4

Ability to unhinge jaw

Sharp teeth

Always wears a turtleneck!

Ability to climb on walls (doesn’t do it too often to not annoy the Parabel)

Has very high intelligence but bad stamina and memory

They can snap their spine out of their back, and pretty much rip off any part of their body and survive until the blood loss gets to them

Considers Black to be their mother figure, Stanley to be their friend and plaything, Mariella to be their sister figure, and Joseph to be their grandpa. They don’t care if he doesn’t think that, they call him gramps.

Squidge is their one and only, hurt him and they will hunt you down through resets unless Black tells them not to.

Black’s “children” are their playmates! They like to play and draw with them

Any other people are decided by Black. Disliked? Will gladly attack. Approved? New friend!

(blank scripts au by @blackkatdraws @blackkatdraws2)

#WHEW THIS WAS FUN #i wanna draw more of them!#tsp #the stanley parable #tsp blank scripts au #blank scripts au #tsp oc #tsp stanley #tsp fanart #tsp au #tspud #sorry if it looks bad #rushed it had so much idea ahshhzgisjjcr

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snarkylinda · 2 days

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The thing is- Spencer can still be written as Bi, and it would fit his character almost seamlessly.

Ok so- we all know we were robbed of Bi king Spencer in the original show. Fuck CBS, all my homies hate CBS etc etc- BUT, and even tho we saw most of Spencer's adult life, an late, bisexual awakening would fit him alot actually.

Tara was easy to write as queer due to the fact we saw so little of her personal life on the original show- all we know it's that she was married and had a fiancee, so making her Pan in the revival wasn't that hard to fit in with that. Spencer is the opposite- we know him since he was 23. A babu. And know lots of lil bits and pieces of his childhood and teenage dreams- and we also know he does what he can to fit in.

This is mostly dedicated to his neurodivergent traits- stuff that was mostly the reason why he was so brutally picked on school. But come on- in the community we know what "trying to fit in" means growing.

So we have this kid that grew up on a unstable, sometimes downright hostile environment that went after him for being "unusual"- ofc he would never explore his own sexuality besides "Girls Pretty"- he is literally that "I might be No Binary but I have work tomorrow so I don't have time for that" meme. Boy was furthering his education and taking care of of his mom. He had alot of his plate already. High school/College is when most queer people figure out shit for themselves but, and I quote "I was 12- it was all very confusing". Any chance of having a relationship with a fellow student would be at best weird- at worst literally illegal.

So yeah, time to go solve crimes- his dating and personal life become non-existent. His only girlfriend he didn't even know show she looked until she got murdered and is heavily implied the grief and quilt was there UNTIL THE VERY LAST FUCKING EPISODE- thus stopping him from fully moving on with his life.

Flash forward to now- he is in therapy. He is often encouraged to do stuff out of his confort zone (ie: have a life) and hadn't been with the BAU for what? 3 years? 4?? And his ghost girlfriend told him to pretty much focus on healing and finding himself for once-

So in conclusion, give my boy a boyfriend.

#i know we all agreed he had a thing with Ethan but wouldn't it be really funny if he was completely oblivious #criminal minds #spencer reid #no spencer. staring at your friend in adoration as he plays the piano and picks your broken pieces it's not the usual straight experience

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ancientschampionau · 1 day

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RealAgeAu Drabble - The Roots

I have been gone for a few days but i wanted to really mess with this tiny concept!

First Drabble (with special thanks to @spotaus For giving the first prompt) Prev Drabble Next Drabble

Technically timeline wise this is at the same ish time as the next drabble in the timeline, On the Other side. But we will just do this like this for now :D

As always, we have no beta and no edits. :D Also slight warning, I will be changing up the POVs in the drabble itself a bit. don't worry about it.

*---------------*

Nightmare looks around the corner and notices that all four are still asleep. That is good. Perfect even!

It isn't that he dislikes being with them. The oposite in matter of fact. it feels... Safe protected home calming nice. Many things but overal just nice.

It still confuses him sometimes. That they just... care. After everything. Even with them knowing just who he is.

It also does mean that Nightmare feels bad about leaving while they are asleep.

It is just that he isn't going to get another chance like this. They are very close to DreamTale and with how much magic Nightmare has in him now thanks to the many meals and sleeping a lot, he thinks he could make it all the way to DreamTale and back before being completely out of magic to use.

Which means he has his chance to do a small personal ritual he hasn't had the chance to do in a while.

It is something stupid. And Nightmare knows he should stop it.

It is just... After everything in Dreamtale happened. The deal with what he had caused and done, having been the cause of both his brother and mother dying... He had just made two graves.

He had been the point of returning there once in a while to maintain both graves and leave fresh flowers.

Nightmare just. Never stopped doing it. After seeing Dream again... He just kept doing it still. Something about the grave still showing that he still ended up losing Dream...

Or something like that.

He doesn't quite know anymore but it helps.

Nightmare manages to get to the garden of the small house they had claimed and takes a deep breath. He hadn't needed to make these jumps in a while and he had to be sure he aimed in the right direction. Just. Easy.

He holds up both hands and feels his magic start to flow out. A small sizzle as a small portal starts to take shape. His breathing gets heavier and heavier. He didn't think it would be this hard... why is it so much harder than before-

Two arms lock around him and he is lifted up. Nightmare's breath escapes in one go and he wiggles before stopping. Nightmare knows these arms by now and knows it is Killer before he even speaks.

"What you doing out here tiny boss?" a chuckle and nuzzle to the side of his skull "I thought we were passed this whole you trying to run away from us." Killer turns him aorund and Nightmare can now see the large pout on his face.

Nightmare looks to the side and wiggles but cant get free, he never can escape their hold. Instead he just crosses his arms and mutters "Just wanted to do something real quick."

Killer hums before Nightmare is pulled much closer and he is flush up agianst Killer. Killer hums much more contently before turning back to the house "So what did you want to do tiny boss? aside from using a lot of your just recovered magic that is."

Why does he feel bad? Why does he feel guilty? He wasn't doing anything bad?? Wait why is that how he thinks about it?

Nightmare tries to think it through but comes up blank. It doesn't help that being near Killer, or any of them really, calms him very quickly. He isn't used to this.

They get back to the house and Nightmare sees three more worried faces and feels worse. They had been sleeping... They shouldn't have noticed or been bothered by him not being there... How did they even notice? He... isn't used to people noticing stuff about him.

They sit him down and Nightmare considers his options... If he wants to use this one chance... maybe if he explains they will just let him do his thing for a bit?

Ngihtmare looks to the side and finds himself muttering "I just wanted to do a thing... it is honestly boring and would have been quick."

----

Horror doesn't like this place. It is the place that holds so much trauma for Nightmare. Where they thought that hurting and torturing a babybones was a good idea.

But Nightmare rarely asks them for anything anymore. And even before he became his true form he rarely asked anything for himself. If he wanted something he could just get it or do it. Now he doesn't have much of a choice and Horror knows this. They all know this.

And well, they are trying to get Nightmare to ask them when he wants things. So when he expressed he wanted something? of course they are gonna make it work.

Even if they have to come here.

Killer stands with his hands on his hips as he looks around the grey coloured forest "Wow! Lots of nothing..."

Cross sends him a glare and hisses "Killer."

Horror agrees, Killer could try to be a bit more sensitive. Normally none of them mind his brass and bolt nature but well.. They are here to visit two graves. Two graves that a six year old made to memorise his family which he thought he had killed.

This is not the time for Killer to be... well Killer.

Killer huffs and looks at Nightmare "Can you believe them?"

Nightmare shrugs but holds the two small bouquet of flowers close. "I didn't really... leave a lot..."

See? That is why they needed to try and be a bit more tactful. Killer luckily seems to notice as he rubs his neck as Cross shoots him a knowing look.

Dust remains by Nightmare's side as he looks around "A hill right?"

Nightmare seems to look all of them over before nodding "Yeah." He points into a random direction "It is that way." and he starts leading the way.

It is strange. The whole world is grey and colourless. Not the white space that Cross had had when his world was destroyed. but just, greyscale. Hell even Cross looks colourful compared to this place.

Cross frowns and takes a few quick steps to now walk on Nightmare's other side "was it always coloured like this?"

Nightmare shakes his skull and thinks for a bit. "I think... if i remember it right... the grey colour started to happen as soon as they cut mother down."

Horror almost wants to sigh in relieve. He keeps it in but this is good. It is something to help stop the guilt. At least that is what Horror is assuming why the graves are still there. guilt. But Horror won't assume.

They leave the forest and see a hill with further in the distance a village. They walk up the hill and find a cut down tree stump and two old and small graves.

Nightmare stands by them for a moment before glancing back at them with a suspicious look "No commentary?"

Horror gets it. They can be assholes.

Killer grins and leans closer "I can do one... but i doubt it adds anything." he pets the small skull before pointedly talking towards the side of the hill to overlook the forest, he pulls Cross allong with him.

Dust remains near Nightmare as a silent shadow and Horror leaves them to have room. Keeping an eye on their small charge as he looks around. Horror has no doubt that this used to be a beautiful place. some of the plants he sees may be grey now but he recognises them for eatable wild flowers.

He can see Nightmare slowly near the graves. He sits on his knees by the two and starts with cleaning both graves. Making sure no dirt or dust is on it and everything is still secure. Afterwards he removes old and, by now, dead flowers. He takes care that those aren't near the graves before returning and leaving new fresh flowers. They had picked up both colourful bouquets from another universe along the way.

At the end he just sits by the two graves as he touches the stone.

Killer and Cross had returned back to them at this point and Killer nudges Cross. Cross shoots him a questionable look before Killer just motiones over his shoulder back at the village before nodding at Nightmare. Horror cna see Cross just stare in utter confusion at Killer before Killer pulls him closer and whispers something to him.

Cross looks back before nodding as he walks over to Dust and whispers some stuff to him. Dust looks thoughtful before nodding as well.

Cross slowly walks over to Nightmare and speaks "Hey..." Nightmare looks up and tilts his skull. Cross smiles "If you want we can go into the village for a bit."

Nightmare frowns "Why would I?"

Cross looks a bit sheepish but Dust picks up "The book was general about what happened. But we figured that those people may have taken stuff or kept things that were yours from you."

Cross nods and grins "We are here now anyway. we can get it back."

Nightmare looks at the village and thinks it over before nodding "okay." he stands up and dusts his pants off of the dirt. Cross ends up softly nudging him towards the side and Dust easily takes his hand before the three walk off.

Horror shoots Killer a look "Why?"

Killer grins as he walks over to the stump "don't worry about it. Want to go with them?"

Horror continues to watch Killer before shaking his skull "I am fine being here."

Killer shrugs and turns to the stump. Staring at the dead tree.

"You wasted your chance."

Horror frowns as he just watches Killer. Killer meanwhile keeps looking at the dead tree.

Killer continues as if he is talking to an actual person "You were given a fucking miracle. We read your story you know. Know that you were only aiming for one child. Instead of being overjoyed and happy that you got two you took him for granted."

Horror sees the edges around Killer's soul waver away from their soul shape but it returns to the soul shape easily.

Killer doesn't stop speaking "You were suposed to be his mother and you failed your job. You never actually cared about him did you? Well." he glares down "You are not getting him back. Ever. He isn't yours anymore."

Horror frowns and studies Killer. No... Killer still doesn't know about the soul adoption, that Horror is sure about. Which means this all? Just Killer.

Killer holds his chin high as he stares down at the stump "I don't know what exactly is happening. But seeing as it is related to the apples it is related to you. So I am telling you now. Even if for some reason you return. Even if you are alive again. You are not getting Nightmare back. He is ours, not yours. You will never find him. You will never get the chance to hurt him."

Horror hears it in his voice. Killer, the one who hates promises more than any of them. Who had lost so much of his freedom and free will because of broken promises. Just made a promise, not even a promise. but a vow.

Horror can't say he is that surprised. After all. After everything in Horrortale and all the pressure from making sure his brother has food and is taken care of. Horror had thought he never wanted to take on a new responsibility ever again. And yet, here he was with a willing soul adoption writen into his very soul.

He also knows the other two aren't doing much better. Dust who hadn't wanted to emotionally or personally connect with anyone ever again. After having killed everyone he cared about he didn't want those relationships anymore. Yet he was the first to take this leap. Commit to Nightmare, and ironically to them all.

Cross who hadn't wanted to take any kind of oath or lifelong promise or mission after his past with the guard and XGaster. He didn't want to tie himself down. Give his all to something or some goal that just hurt him. And while it took him a while he still is devoted to this.

Horror knows they are all powerless against this. It happened but at least this time it was their choice. He thinks it is good, this way they all really knows what it means to do this. To commit to this and all it entails.

A crack of thunder and the three are suddenly on the hill with them again.

horror turns but freezes. Dust is holding a shaking Nightmare close as Cross is already cutting into the fabric of reality with his knife.

Killer and him share a look and are with the other three before they even have to say what happened. They can get an explanation later, for now they need to go.

----

They are back in the house they had been hidding in and Nightmare finally feels himself relax a tiny bit.

Thought that may also be becuase Dust is still holding him and the other's soul is steady and even. It makes his own franctic soul calm down.

Killer looks at them "Do we need to pack up and go?" he is already halfway to the bags.

Cross has closed the portal and watches as the universe patches itself fully closed again, not leaving a single mark, there is a reason Nightmare had worked so hard to get Cross XChara's knife. Aside from the fact that Cross liked fighting with it. It is a very powerful and amazing tool.

Cross sighs in relieve "We should still be good." he turns to the others and starts explaining right away "Nightmare saw Dream."

Killer curses loudly as he kciks the couch. Horror frowns and looks at him "did he see you?"

Nightmare pushes clsoer to Dust but nods.

Killer curses again but Horror frowns "Did he realise it was you?"

Nightmare thinks bakc to Dream staring at him. Awe and surprise clear on his face. The wishfullness had been obvious. The way he had moved towards him, a smile on his face that Ngihtmare hadn't seen since they were both small. Then again, the name he had called him had made it clear who he saw...

Nightmare shrugs.

Horror tilts his skull "Is that yes?"

Nightmare shakes his skull and mutters "yes and no..."

Horror nods as Killer frowns at him "both? How both?"

Nightmare shrugs again but Dust just nudges him gently with his skull nad Nightmare sighs as he quietly explains "I think he knew i was well me... but didn't know i was me me..." he toys with the fabric of the red scarf, Dust lets him. He searches for the right words "He called me Nighty.. and well he hasn't done that since before the apples. Since he still-" Since he still loved him. Nightmare doens't say it out loud but Dust must have figured out something as the hold around his tightens.

Nightmare pushes his face further into the scarf "He will probably think it means something bad... That is what everyone always said my appearance was... and he thinks I am an adult still so... yeah..." His mind is spinning but his soul is calm. in sync of Dust's. calm and slow pulses and beats. It honeslty makes him sleepy.

Dust nuzzles his skull and speaks "Well, He will not find anything and will have to learn to not just listen to rumours. As for even if he had caught you before you got to me, we would get you back." the certainty makes Nightmare pause.

Ngihtmare trries to shoot Dust a look but Dust just keeps rubbing his back and keeping him against him.

Cross nods "obviously. Just a matter of time before we would figure out where you were..." more thoughful "Next time we will have to scuot the universe first. We just didn't today because we figured no one would know about it. Srory for that. Next time you want to visit the graves we will make sure no one will interrupt. okay?"

Nightmare nods as he pushes closer to Dust.

He doesn't even understand why he still wants to visit those graves. Dream isn't even dead!

Even if... even if Dream doesn't...

Those graves shouldn't matter but Ngihtmare still wants to make sure btoh are fine. Maybe it is now just a symbol for the dead relationship between him and Dream. It just gives him a place where he can focus his grief and mourn for the family he lost.

The hand hasn't stopped petting his back and Nightmare feels himself finally fully relax.

At least he really isn't alone... His four are here now and they are still here after the close calls and learning about the graves.

It would be nice to not be alone anymore.

Nightmare lets the calming of his soul lure him to fall asleep. Knowing he is safe and cared for now.

*---------------*

So is anyone surprised i couldn't keep it short? I am not. I know myself. I have a problem and it is this whole AU that has my heart in a choke hold.

First Drabble Prev Drabble Next Drabble

#utmv #realageau #nightmare sans #deaged nightmare #Cross Sans #Dust Sans #Killer Sans #horror Sans #I can't write short Drabbles and I am not sure if that is an issue at this point #Look at Nightmare realising he has a new family now :D only a little late wiht the program after being adopted four times in a row #Look we forgive him for this because he is six and used to being unwanted and unwelcome. It is all new for him.#Originally this was about Killer giving the stump a piece of his mind #Then it was about Nightmare taking care of the graves and seeing Dream #and then i decided to combine the two concepts and here we ARE! :D #They are still learning and settling into their family dynamics but they are making so much progress! I love them :D #Also I had the mental idea of Horror seeing what they all tried so hard to never have to deal with again and still daring to commit to #this that combined those aspects...#<- these tags probably don't make sense but i am keeping them!#Killer however did show off his undying loyalty. Boy was the most loyal and devoted and it took him a while but he is here again!#I am going to fix my links now

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