#but just all the characters in general and the story
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The Princess and The Pogue | J. M.
Pairing: JJ Maybank x reader
Summary: Your daughter comes home from school telling you about a local OBX fairytale. It turns out it’s about you and your husband.
Listen to But Daddy I Love Him for full experience
Requested by @idontevenknowbsblog
A/N: This turned out way longer and more angsty than I had anticipated but I’m a sucker for the angst. I just can’t help it. I’m sorry this took me a million years to finish!
As I am an adult, all characters I write for are written as adults. Any minor characters will be aged up to the general range of their actor’s age.
Warnings: allusions to domestic abuse, controlling parents, forced engagement, so much fucking angst, only kinda proofread
Word Count: 3.5k
~
Your daughter’s tiny feet press against the back of your seat as you head home after picking her up from school.
“Mia, stop kicking,” You laugh, “Mommy’s trying to drive.”
“Sorry, Mommy.” Your daughter giggles. “I’m just so happy today!”
“I’m so glad you're happy, Baby.” You smile at the five year old in the rearview mirror. “What did you do at school today?”
“We got to draw all our shapes today and we sang the alphabet song a bunch of times!”
“Ooh sounds like a fun day.”
She claps excitedly. “Oh and Kylie’s older sister told us a fairytale at recess!”
“A fairytale? Very cool. What was it about?”
“Did you know a princess used to live here? A long time ago. She ran away with a pogue because her evil king father wouldn’t let them be together.”
Your eyes widen at her words, a small smile forming on your face as she tells the story that takes you back to what seems like a lifetime ago.
-
“Mom, I’m headed out,” you yelled through the foyer.
“Ok, hun.” Your mom poked her head over the stairwell. “Just don’t stay out too late. We have that business lunch with the Cameron’s tomorrow and it’s very important that you be there.”
“I’ll be back in a few hours,” you promise, “besides I’m just going to hang out with Sarah.”
“We just love that you and Ward Cameron’s daughter are friends. It looks so good for your father’s business for the families to be close. Especially with you set to inherit the company someday.”
With Ward Cameron being the biggest real estate developer in the Outer Banks and your dad owning the biggest construction company, the two men worked closely on most of their deals. They were also the closest thing to friends that either of the men had. The two richest men in the island made for a powerful team.
“Glad I can help you keep up appearances,” you muttered under your breath.
“What was that, hun?”
“Always happy to help the family.” You gave your mother a forced smile and made your escape, slipping outside and into Sarah’s waiting car.
“Ready to go see your man?” She grins at you and you return the gesture.
“God, yes.“
-
You hadn’t expected to fall in love with JJ Maybank. Considering the very different lives the two of you led it was surprising the two of you ever even crossed paths, but that was one of the perks of being Sarah’s friend. When she fell in love with John B and got involved with the pogues she dragged you along with her.
It wasn’t like you had anything against the pogues. In fact, you had admired them from afar your whole life. Their freedom and adventures were something you envied, forever stuck in your kook bubble. You didn’t have a choice but to follow the plan your parents had created for you.
JJ, on the other hand, hated kooks with a passion. He had a hard enough time with Sarah joining the group and when she brought you in, arguably the even bigger kook princess with the even bigger kook king of a father, he vowed to himself he would never accept you. After all, you represented everything he hated, the life he always dreamed of but would never attain.
He would sneer and call you “princess”, his voice dripping with disdain, doing everything in his power to piss you off, but you didn’t mind. You loved his passion and the way he would do anything to protect the people he cared about. You ignored his insults, treating him just as well as you would anyone else.
Before he knew it, your soft words and beaming smile had softened JJ. He began to actually look forward to your presence in the group, feeling sad when you couldn’t get away from your parents to spend time with them. Then, one day the two of you were the only ones to show up to a pogue hang out. You ended up spending hours just talking and getting to know each other. The rest was history and you had been together from that day forward.
Unfortunately, you knew that your parents would never let you spend time around a pogue, let alone be in a relationship with one. So, like Sarah and John B, you and JJ had to keep your relationship hidden. Thanks to the help of the pogues, the two of you had been successfully seeing each other behind your parents’ backs for over a year.
-
“I’ll be back to pick you up at 8:00,” Sarah reminds you. She pulls up to the little cove where you and JJ liked to meet. “We only have a couple of hours tonight because of that lunch tomorrow. Don’t want our families to get suspicious.”
You nod. “Got it. I’ll see you then.” You slip out of her car. “Tell John B I said hi.”
“Will do.”
She pulls away as you make your way around the rocks hiding the entrance to your spot.
“Hi, princess.” Your boyfriend grins at you in the orange light of the sunset, pulling you into a hug.
“JJ,” You breathe him in, soaking up the comfort he gives you. “I missed you.”
“I missed you too, baby. Four days without you is four days too much.” JJ leads you over to the blanket on the sand, sitting back so you can settle between his legs.
“I know. I’m sorry, I just couldn’t get away much this week. My parents are going crazy about this lunch tomorrow.”
“Aren’t they always crazy?” JJ jokes, poking your side. You squirm a little bit, trying to escape his prodding.
“I mean, yeah. They’re just extra crazy this week.” You settle further into his chest, JJ giving up his attack in exchange for wrapping his arms securely around you. He nuzzles his head into the side of your neck. “But, it’s okay because at least we have right now.”
“How long do we have until Sarah comes back to pick you up?”
You let out a sigh. “Two hours.”
“That’s it? Damn.”
“I’m sorry, J.” You look back apologetically, but he just shakes his head.
“Hey, don’t apologize. We just have to make the most of the time we have, like usual. It won’t be like this forever.”
“Right.” You give him a small smile, turning back to face the sunset before he can see the doubt in your eyes. You hoped JJ was right, but you had no idea how things would ever change.
As expected, your time together flew by too quickly and before you knew it Sarah was back to take you home.
JJ was reluctant to let you out of his embrace. “We’re still on for tomorrow night, right? After you finish up with all your kook business?”
“Of course, baby. I wouldn’t miss it.” You give him one last goodbye kiss, distracting him long enough to slip out from his arms. He pouts, but lets you go, knowing if it was your choice you would never leave.
-
You stare numbly at the wall, unable to will yourself to move from your position balled up on the bed. You aren’t sure how long you've been laying there looking at nothing. You didn’t feel anything, having cried out all your tears hours ago. A buzzing sounds from the other side of the room, your phone going off once again, but you don’t pick it up. It’s probably Sarah calling again to see if you’re okay after what happened at lunch. You’re not.
Having sat in silence for so long, you jump when you hear a rattling at your window. It takes you a minute to clamber over to the window with the lights out in your room. You hadn’t realized how dark it had become outside.
You peek out warily, trying to determine the source of the noise. “Shit.” You mumble under your breath as you realize JJ is perched in the tree closest to your room.
You unlatch the door so he can climb inside, turning away from him quickly. You’re thankful for the darkness in that moment as you scramble to make yourself look presentable, flattening your hair and wiping at your face. You pull down the sleeves of the massive sweatshirt you’re wearing, one you stole from JJ months ago, making sure you are completely covered.
“JJ, what are you doing here,” you whisper, “What if someone sees you?”
“I was worried about you. You were supposed to meet me hours ago, remember?” He sounds frustrated.
“Shit. I’m sorry. I totally forgot.” You run your hand down your face stressed. “I didn’t mean to stand you up.”
“You forgot? Y/N, I’ve been calling and texting for hours.” JJ moves closer, but you step back. “I thought something bad had happened.”
He takes another step back. Again you back away, trying to keep him from seeing your face. Brows furrowed, JJ moves towards you again. This time you can’t move away fast enough, bumping your dresser as you try to get away.
“Woah, wait.” JJ takes your face in gentle hands. “Have you been crying?”
“It’s nothing. I’m fine.” You try to pull away, but he doesn’t let you off that easily.
“Baby, what’s going on? Is it something I did?” The worry in his eyes brings a fresh wave of tears to your eyes. You shake your head, willing them not to fall.
“No, no. You haven’t done anything wrong.”
“Something with Sarah?” You shake your head again.
“Your parents?” That stills you. “It is your parents. What is it? Did something happen at lunch?”
You don’t answer.
“Talk to me, baby. I can’t make it better if I don’t know what’s wrong.” JJ’s voice is so sincere and his touch so soft. He really thinks he’ll be able to fix whatever the problem is.
You gather your strength and gently pull away from him, not wanting to see the look in his eyes when you tell him.
“My father and Ward Cameron have decided that it is in the best interest of their respective businesses for our families to be officially joined.”
“What on earth does that mean?”
You feel like you're going to be sick, but you force the words out anyway. “I am set to be married to Rafe Cameron.” You keep your eyes on the floor, waiting for JJ’s response. He stays silent.
“I had no idea they had this planned until my parent’s announced it at lunch.”
“What do you mean you’re marrying Rafe Cameron?” He tries to keep his voice calm. But you can hear the venom behind his words anyway. “You can’t just marry Rafe.”
“I don’t have a choice, JJ. They practically signed my ownership papers over to Rafe right there.”
JJ is pacing your room now, hands constantly running through his hair. “He can’t just do that. You’re an adult, Y/N. Tell him no.”
“I can’t tell him no JJ.” He stops in front of you, the look on his face half shock half anger.
“What are you talking about? You can’t just tell me that your father is marrying you off to Rafe and not even try to fight him on it.” You turn from his intense gaze, unable to handle it any longer.
‘Y/N-” JJ reaches for your arm to turn you around and you flinch back hissing in pain. Your sleeve rides up, revealing a number of dark bruises.
“I tried talking him out of it, JJ. He made it clear saying no wasn’t an option.”
JJ seethes, body tense with anger. “He hurt you.” It’s not a question which is just as well because you have no response.
“I’m gonna kill him.” He growls.
You lay your palms flat against his chest. “No, you’re not. We can’t make this situation any worse than it already is.”
“He can’t just get away with this!” JJ’s voice rises with his anger and you shush him quickly, looking back at your door.
“Please, Y/N.” His voice cracks on your name. “Things can’t just end like this.”
The pain in his words breaks your heart. You let the tears fall freely, unable to hold back the emotion any longer.
“I’m so sorry, JJ.” He cradles your face in his hands like he did at the beginning of the night. “There’s nothing either of us can do to change this.” JJ brushes his thumbs against your cheeks, brushing at the tears. “You should go.”
“No, Y/N.” He has tears running down his face too. “I can’t leave you like this.”
“Please, JJ. You have to go before something wakes him up. I don’t know what he’ll do if he finds you here.”
JJ’s eyes flit down to your wrists, taking in the bruises once more before he nods slowly. He won’t be the reason your father hurts you again. You lips press against his slowly, both of you pouring all the love you have for each other into the kiss.
“I love you,” you whisper against his lips.
“I love you, too. Always.”
With those last words, he slips back out your window, closing it quietly behind him. You watch as he climbs back down the tree and crosses the property. As he finally fades out of blue, you sink down to your floor, your knees unable to hold the weight of your body as it’s wracked with sobs.
-
You don’t leave your room for days. All you can do is lay in your bed and cry, mourning the loss of the man you love and the life you had planned.
If it was up to you, you would never leave that room. Unfortunately, your parents have other plans. They parade you and Rafe all over town, making sure everyone on the island knows the two of you are “madly in love” and engaged to be married in the spring. The whole pageantry of it makes you sick.
The cherry on top of the whole ordeal is the engagement party that you parents planned for the weekend. They rented out the whole club and invited every kook on the island. You’re pretty sure it’s your own personal hell.
Sarah pins one last curl to your head. “Done. You look beautiful.”
You give her a small smile that didn’t reach your eyes. “Thanks, Sarah.” You were dressed in a white sundress that your mother had bought for the party and Sarah had done your hair and makeup to perfection. The whole look was stunning, but you just feel like a trophy being shown off.
Sarah gives you a sympathetic look. “You ready for this?”
“No. But I have to be.”
It takes everything in you to keep a smile pasted on your face as Rafe takes your hand and leads you out to the throng of people. Everyone smiles and hugs you, offering their congratulations. You do your best to seem gracious and excited, but all you feel is emptiness and the faces move before you in a blur.
You make it two hours into the party before you can’t take it any longer. The panic that has been creeping up your throat all night takes hold and you have to break away. You excuse yourself from Rafe, claiming a need to run to the bathroom. He gives you a harsh look and makes you promise to hurry back, but ultimately lets you go.
You hurry away from prying eyes, not letting yourself break until you get inside. Chest heaving, you gulp down air like you’ve just run a marathon. One of your hands is pressed against your chest, the other braced against the walls to hold you up as you stumble towards the bathroom.
Before you can make it more than a few feet an arm catches you around the waist, pulling you into an alcove you had never noticed. You stumble back, trying to pull yourself together, not wanting whoever grabbed you to see your harried state.
“Hey, hey. It’s just me.”
Familiar hands rub up and down your arms, grounding you. You look up to see the blue eyes that you love so much.
“JJ,” you whisper, breaths still coming fast and hard.
“It’s okay, baby. Just breathe.”
JJ holds you close as you will your body to calm, feeling safe for the first time all night.
“What are you doing here?”
“I had to see you, talk to you.”
You sigh, looking at him with sad eyes. “As happy as I am that you’re here, you have to go. If anyone sees you. My father, or Rafe-”
“What if you didn’t have to worry about them anymore?”
“JJ, we’ve been over this. I can’t break this engageme-”
“What if we just left? You and me. Right now.” His eyes bore into yours, willing you to see the possibility.
You can’t act like you haven’t had the same thought yourself, but you just didn’t see how it would be possible. “How would that work, JJ? My father controls my whole life. My money, my future, everything.”
“You don’t need anything he has to give you, Y/N.” His voice is pleading.
“JJ…”
“We can figure it out. You have a degree, I have experience. We’ll get jobs. We’ll make it work.” He reaches a hand into his pocket. “I know I can’t give you a life like this-”
“I don’t want a life like this.”
“-but I will do everything in my power to give you a good life, to make you happy.” He holds up a simple, beautiful band of silver. “Will you marry me?”
You stare up at him with wide eyes. “Are you serious?”
“I’ve never been more serious about anything in my life. Say you’ll marry me. We can leave right now. I have a plan to get us off the island. Your parents won’t know until it’s too late. Just say yes, please.”
“Yes, yes.” You nod vigorously. “I’ll marry you.”
You rip off the gaudy ring currently on your hand and JJ replaces it with the silver band. He kisses you so deeply you think you see stars.
“I love you, JJ Maybank,” you whisper when you part.
“I love you too, Y/N Y/L/N, so much.”
You could stay in that moment forever, but you both know you don’t have time to waste. JJ begins to pull you to a side exit, but you stop him. There’s one last thing you have to do before you leave.
You find a piece of paper, scribbling out a few quick words and titling to your father.
Have fun explaining to the Cameron’s that your daughter ran off with a pogue
Y/N Y/L/N
You set the folded paper on the center table, placing Rafe’s ring next to it.
“Ready to get off this island?”
You grab JJ’s hand. “God, yes.”
-
JJ was right, the two of you figured it out. You both found jobs on the mainland and created a happy life for yourselves. You and JJ got married a few months after you ran off and Mia came along a few years later.
You had kept in touch with the pogues of course and they let you know when your father and Ward Cameron’s businesses had come crashing down, forcing the two men off the island. They had no power anymore, so eight years later you decided to move back to your home. People had gossiped at first, but they moved on to the next big thing when they realized that neither you nor JJ cared what they had to say. You wanted to be in the place where you grew up and fell in love, and you wanted Mia to be surrounded by the friends that you called your family.
Mia was just about bouncing in her seat by the time you got home. You hurried to get her out of her carseat so she could rush inside and see her dad. Friday’s were always her favorite because JJ got off work early and was already home by the time you brought her back from school.
She pulled you along by the hand as she continued on about her fairytale. “The evil king disappeared and they lived happily ever after.”
JJ scooped Mia up as the two of you entered the house, making the little girl squeal in delight.
“Daddy!”
“Who lived happily ever after, Mia-mine?” She giggled as he burrowed his face in her little belly.
“The princess and the pogue!”
JJ’s eyes met yours over Mia, giving you an intrigued look.
“Kylie’s older sister told her a fairytale at lunch about a couple that used to live on the island.” You tell him with a knowing grin.
“A fairytale? That’s awesome, baby.” JJ lowers Mia back down to her feet. “Hey, why don’t you go wash up and Mommy and I will make you a snack.”
“Okay, Daddy!” The little girl runs off happily.
You make your way to the kitchen, JJ coming up behind you and snaking his arms around your waist. “So the princess and the pogue, huh?” He smirks as you turn to face him.
“Who knew we’d become an OBX fairytale?” You reply.
“It makes sense. It doesn’t get much more ‘happily ever after’ than this. Right, princess?”
You give him a gentle kiss. “Right, pogue.”
~
Writing Masterlist
#jj maybank#jj maybank x reader#jj maybank fic#jj maybank angst#jj maybank fluff#jj maybank fanfiction#jj maybank x y/n#obx x reader#obx fic#obx fanfiction#obx#outer banks#outer banks x reader#outer banks fanfiction#outer banks fic#stars writes#starryblueeyesandstarryblueskies
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Alright, let's talk about some details from the TOH pitch bible;
A lot of the stuff is what we've already seen and/or in line with the show. What's interesting is that King WAS a former King of Demons at one point, and we would've had an episode where he runs into his old gang and chooses Luz and Eda over them. It makes me wonder if he even had a connection to the Titan in earlier drafts, if he wasn't recognized as one back in the day because he just wasn't big enough, etc. Eda makes a deal to help remove the collar, which IS the source of King's woes, placed by a 'mysterious wizard', I wouldn't be surprised if it was Obron AKA Proto-Belos.
What gets me is that Tibbles originally started off as a friend to the protagonists, while Bump was an antagonist! Coupled with Tibbles being re-elected as mayor after Bump is deposed for corruption. I like the detail of Bump being a parasite controlling a body from the head, because it carried over into his final design with Frewin, and before we got confirmation Frewin was a separate entity, I loved the joke theory that the imp on Bump's head was the REAL Bump!!! Seems that was always the implied story of the design, I love it. Tibbles being the demon fan of human stuff would eventually become Gus instead, so this is technically Proto-Gus too…?
Interesting how Bump and Tibbles' alignments switch completely with one another, and it makes sense that with Lilith no longer the principal in the final draft, it goes to Bump, who ends up being really chill and a subversion in his own right! Interesting, but I do prefer the final Bump we got, and that's fine by me, because when the concepts aren't as interesting as the final product, it means we got the best possible version.
I've already discussed Obron and William in a separate post, and Pupa is someone we've been told about in a previous livestream. Lilith would've been both head of all covens (and not just the Emperor's Coven) AND principal at the same time, and she seems much more of a jerk to Eda in general; She has no qualms with cursing Eda because of a direct order from Obron.
Apparently the curse would've been an AGING spell, which settles my questions on how it would've been portrayed in earlier drafts! This goes along with Eda's older look. Likewise, there would've been a subplot of Eda considering Luz's sacrifice as a way to restore her youth, which likely goes hand in hand with Obron's orders to bring Luz to her, etc. The 'Bloom of Eternal Youth' quest, which Eda and Lilith go through together as their sisterly relationship is explored, feels like a carryover from this past idea.
I think I prefer the final draft; I like that the curse isn't just aging Eda, but also takes away her magic, makes her turn into a beast, etc. I like Lilith being a lot more complicated in her relationship with Eda, instead of just hating her and cursing her without hesitation. The redefining of the curse makes it less about age, and more a chronic illness metaphor, and I like how Eda in the final draft is upfront about having to learn to live with it, deal with it, on her own terms. She isn't trying to find a cure (although Lilith being promised one by Obron feels like a carryover of Eda's moral dilemma with Luz), and that adds another nice dimension to her conflict with Lilith, as well as Gwen. It's pretty frank in its own right about normalizing disability, and those who play an antagonistic role (however brief) are the real weirdoes for making such a fuss about it.
The Bat Queen would've had more of a recurring role based on the description, which saddens me; I always got the vibe she was planned for more, but between all of the other stuff the show had to juggle, plus the shortening, she ended up getting shafted despite being one of the earlier characters. Sashley, Pasha, and Bruno are also interesting, with Pasha in particular giving me freaking Philip Wittebane vibes with his grossness, beard, and anti-demon attitude; He even starts off as a potential friend to Luz because fellow human, only for his true bigotry to show. Makes me wonder if Philip ended up incorporating Pasha, we also have bodily transformation because of consuming magical stuff... P-names.
(Also, I like how in the drawing of typical Demon Realm denizens, I can see an eye demon who resembles a past drawing of Dana's!!!)
Eda was actually a late bloomer, which creates a parallel with Luz in one way, and their relationship is referred to as sisterly (in the final draft it’s explicitly maternal). So Eda wouldn't have been the talented youth, in fact things may have switched between her and Lilith; Lilith's disdain may have partially come from Eda not being as innately talented as her.
Luz and Amity's dynamic seems like it would've had Amity retain a lot of her more stand-offish, pragmatic personality even as a friend with Luz, and this would've come up more; So basically, she'd remain more like S1 Amity. That, or this part of their relationship would've lasted longer, and then we would've seen character development as Amity unlearns a lot of the issues her parents passed on. I also wonder if the Willow who cameos in the pilot was originally supposed to just be an extra separate from ‘Paulina’, but then they combined the two together.
The themes are exactly as I expected, glad to see they're still there, nothing changed! Luz becoming a witch and defying all odds to do so, putting in real work and passion. Celebrating individuality amidst conformity, plus Luz trying to impose her own fictional tropes onto the world, only to have to put that aside... Just like Wing it like Witches. It seems Amity would've had more involvement with Luz's journey to become a witch, though we still do have a carryover of that disconnect with her rant near the end of Covention.
I love the Demon Realm being situated BELOW the Human Realm, way to be subtle about being Hell you guys lol... Apparently portals to the human world are a lot rarer to find and use, which makes me wonder if the pilot's 'dimension port' doesn't have access to the human world; Meaning Amity is Luz's only way back, so her improved relationship with her is linked to getting back home. There's a gag about the Knee having service with the human world, but I can see how that didn't make the cut, for dramatic purposes; It seems like the premise for a S1 episode or at least a B-plot. Would Luz have struggled to communicate with Camila through this, or would her search for wi-fi be for mundane reasons?
Apparently Luz's magic would've required a lot more steps to complete, and I see why the show simplified things down to just glyphs. I wonder if there was always going to be the connection of glyphs as a gift from the Titan, or if the Titan and her story was going to be less intertwined in the overall narrative. There also don't seem to be nine main covens, just the many, many covens, some of which are pretty ridiculous, and Covention's sub-covens seem a callback to that.
Luz's first spell would've been levitation, and THEN she would've infiltrated Hexside, with Amity being a lot subtler about exposing Luz, though in the final draft she does figure that out as the way to go in I was a Teenage Abomination. Yeah, I prefer Light being her original spell, feels so much more symbolic and personal, etc. I wonder if the Titan is even as much of a character in early drafts, and if there's still the whole connection/relationship with the land and learning to respect it aspect. Some of these hypothetical episodes push the idea of Amity as a more episodic, typical popular kid antagonist, though in the final draft, the show goes through her character development and explores Amity's romantic relationship with Luz and its complications.
It seems the idea of the Mirror Ghost was split into Adegast and Vee, with Adegast being the one who offers the easier narrative for Luz to believe in about becoming a witch (only to be a fraud who uses uncanny puppets), and Vee being a doppelganger whom Luz communicates through with mirrors. Interesting how Yesterday's Lie was born from this. We saw the test animation from Spencer Wan for TOH, so I guess we know what Luz's puppet-doppelganger is called! And we can safely call her Proto-Vee. I wonder if she also would've been a sympathetic character, I always thought she reminded me of Lake from Infinity Train (and speculated her to be as such since Enchanting Grom Fright), and now the similarities are even MORE apparent!
Alas, The Good Witch Azura, or 'The Unassuming Princess' seems like it'd have been a lot less dear to Luz's heart, as the pilot also reflects; In the end, it turns out the author is just Eda's ex using her adventures as basis, and including private information. I remember when I once speculated that Raine, before we saw their face, would've been just like this as the author of Azura... Again, I think I prefer Azura as being a lot less mean-spirited in the final draft, and instead a celebration of who Luz is as a person, her relationship with fantasy and fiction, etc. We also would've had a Luz birthday party, the Quincenera we've been hoping for since S1...! In the final draft (and episode) we still get that Human-Demon Realm disconnect, though by that point, Luz is much more attuned and chill with the isles.
There’s definitely more of an episodic, sitcom feel to this pitch bible, especially when you compare Proto-Yesterday’s Lie to its final version. Makes sense, Dana is pitching this to Disney executives, though her statement on Understanding Willow feeling truly like her show makes me wonder if she always intended to push TOH in that more serious, emotional route we got.
#the owl house#the owl house pilot#king clawthorne#principal bump#hieronymous bump#luz noceda#the owl house tibbles#lilith clawthorne#eda clawthorne#edalyn clawthorne#amity blight#lumity#boiling isles#analysis#the good witch azura#meta#speculation
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Check out the Hidden Hands AU fic here, if you want to see the actual narrative/output of the AU!
It's a Henry-Charlie centric AU, but the major characters are just as important :] (this is for anyone who's first time stumbling on this post)
Anyway, here's the Hidden Hands AU reference sheet masterpost I've been alluding to for months, kinda! These are mostly 1983-1985 (1985 is where my AU starts, but I think it's important to show the respective differences/timeskip since 1983.)
Here's a post describing how the Afton and Emily family generally are around 1985 (before Charlie dies), in an ask I answered.
The general story beats in terms of who dies first:
Evan dies in 1983, then Charlie dies in 1985. Both Elizabeth and MCI kids die in 1987.
That's all I can say for the major story beats! I don't wanna share/spoil too much here, since it'll all be explored in the fic anyway.
Added my Michael timeline sheet here so it's a lot more organized, but there's more information about that and Michael's overall personality and timeline shift in this post.
Wanted to also add my Cassidy's reference/her family here, since she will be important in the story as well, albeit much later.
I hope everything makes sense here! Feel free to ask any questions in the comments/send asks about it, just know that I'm really slow with asks right now.
#sorry that these took so long! but hey it's finally here!#hidden hands au#fnaf au#william afton#fnaf william afton#lisa afton#mrs afton#michael afton#mike afton#fnaf michael afton#fnaf mike afton#evan afton#cc afton#crying child fnaf#crying child afton#fnaf evan afton#elizabeth afton#fnaf elizabeth afton#afton family#fnaf afton family#charlie emily#charlotte emily#fnaf charlie emily#fnaf charlotte emily#henry emily#fnaf henry emily#fnaf emily family#my art
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Immediate Writer's Block
Had a comment on another post where I thought I'd probably need more space than the notes in which to respond, so:
constant-state-of-self-discovery
Oh I get the envy I feel it right now how the fuck do you manage to write without impassable writers block after 5-9 sentences because I haven't fucking figured it out lol
I do have some advice on this!
I think most writers get blocked from time to time, it's normal and my general strategy is just to wait it out, but if you're frequently blocked after only writing a very little bit, I think the problem is one of two things: either you don't know what you want to achieve with the scene you're writing, or you don't know what should happen next within the scene to achieve that goal. If you frame "I'm blocked" as "I don't have an answer I need" then often you move from just sitting there, sweating and staring at a blank page, to thinking productively about how you're going to get where you're going. It's the difference between not knowing an answer and not knowing an answer but knowing where to look for it.
An invaluable piece of advice for this, which I think I picked up from someone who got it off a National Novel Writing Month messageboard, is "When in doubt, ninjas attack." It's not meant to be literal, you don't need to have ninjas or fight scenes just because you don't know what to do, but it helps to get the creativity flowing again. If you don't know what should happen next, or you know but you're having trouble actually writing the scene, it can be very helpful to induce a moment of uncertainty or surprise -- to have a metaphorical ninja attack. One time I did this literally -- the POV character was just on the road somewhere and I didn't know how to get them from a pastoral country road to their actual destination in an interesting way, so I had them get attacked by highway bandits and have to fight them off, which also allowed me to demonstrate that the character had significant unarmed combat skills. But it can also just be like, two characters who are having a boring conversation can be interrupted by a third person, even just a stranger asking for directions, or there can be, IDK, an explosion, or something goes missing, or etc.
Sometimes it also helps to leave it alone but keep it in your mind and go do something else -- listen to a podcast, take a walk, read a book, not because those things are distracting but because all our inputs eventually feed into our brain and come out as reactions. If you're thinking about your book while you're wandering around a park, something you see in the park might have an impact on it. If you've got YOUR story in mind while reading someone else's, you might be more inclined to look at what they're saying and see what you think of it, how it might play into your work.
And honestly, sometimes you just gotta go past it. I'm working on the next Shivadh novel right now and it opens basically with Simon the chef getting into a spat with his love-interest-to-be over some cheese. He want the cheese, she won't sell him the cheese, so they get off to a very contentious start. But I suck at writing conflict especially when it's basically "A character I like is being pompous and another character I want people to find likable is being stubborn and somewhat unpleasant". I've been stalled on it for a while. But I know where the scene ends up, like I do know what the goal is, so I just...skipped it and went on to writing a scene I like better, where they meet a second time and actually discover each others' identity and that they're about to be forced into the grownup equivalent of a school project. Once I've gotten dug deeper into the story I'll come back and write it, and by then I'll have the benefit of knowing the love interest a bit better.
So yeah -- I think a lot of breaking a writer's block, especially when you don't need rest but are just stumped about what to do, is to twist and look at it from another angle. It's not that you don't know what to write, or don't want to write what you know you have to -- it's that you don't have the correct answer to a question, or you need to leave that part alone to ferment and come back to it later. At least, for me.
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If your response to a show with healthy BIPOC representation is transplanting the BIPOC lead's personality onto the white antagonist to have meta and fanon discussion, allowing fanon that has the BIPOC lead turning to the slave trade and serial killing and constant irrational anger (while the white antagonist is turned much reasonable) to replace canon, not seeing any issue with in canon the white antagonist setting up the white romcom lead for execution and taking custody of the BIPOC romcom lead as reward, declaring that the white antagonist was just being "mean" when he said the BIPOC romcom lead was too openly gay and soft and needs to be more performatively violent to justify their continued existence, frantically agreeing with between-season-speculation that the white antagonist is going to have to "protect" all the characters from the BIPOC romcom lead's "rage", nodding along to takes that declare the BIPOC lead to be abusive instead of discussing what the show is actually trying to tell us, pushing takes that the BIPOC lead is definitely going to abuse (or worse) their white partner (and call them "the next victim") just after the season closes on the canon main couple's happy end scene, thinking that it just made sense for canon to break up the BIPOC lead's romance by handing their white partner to the white antagonist as a reward or to add the white antagonist to it, declaring that your ships with the white antagonist and the lead(s) are just as valid as the canon main couple in the romcom centered on the canon main couple and discussions on the ship don't need CWs in general chats, refusing to criticize this behavior in fandom (and thus tacitly enabling it) because the people saying it are on your "side", etc. is "Stop calling us/me racist! That makes us feel bad!" or "Ship and let ship" or "The showrunner/creator should've changed their story to accommodate our fanon because it means so much to so many!".... is the majority of the fandom "bullies" and making you feel "unsafe/uncomfortable/unwelcome" for getting tired of that and wanting distance from you?
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Niffty Redesign! (3/7)
Holy shit was not expecting to finish in the same day much less in like… under 4 hours??? IDK IM HAPPY WITH HER THOUGH!!!!
My biggest inspiration this time was lovebugs and specifically this LPS lovebug
Yes im colour picking Niffty from a littlest pet shop. Who is gonna stop me? Hasbro? They don’t even own LPS anymore!
Im making Niffty a bit tanner because while I see it a lot in other fandoms, I don’t ever see tan asian people in the Hazbin fandom, tbh this place seems like its allergic to melanin in general. There’s also a lot of stigmatisation around POC women in Hazbin like I’ve mentioned before. I plan on having Niffty deal with a decent chunk of stuff later on, a lot of it relating to obessions and romance and learning how to manage feelings like that and keep relationships with other people.
I wanted her socks to be cute but also held up by a garter belt so you can gather she’s got something going on. People seem to stray away from the topic of Niffty and sex or romance because they see her as a child or have infantalised her in some way. Yes ik I talk about this all the time but like GOD it pisses me off.
Her maid dress is actually a much darker shade of hot pink to the point its not really hot pink anymore but it is I promise
Niffty’s main sins are lust, wrath, and envy, seeing as she is a lovebug and also her current backstory is killing a lover out of jealousy. The redder pink parts are supposed to be a mix of lust and wrath so I hope that comes across well?
The same thing can be said about her clothes and all that. With her dress and the reddish hearts it’s supposed to be like “in one sin there’s another” but idk how well I pulled it off. The stitched up heart is also supposed to represent her hopeful/eventually redemption. I’d like to give Niffty more character than just “crazy small lady” so I’ll be trying to balance being somewhat like that with also being a bit sensible. I think it definitely could be done but I have doubts Viv will do much with it.
It really sucks that the POC characters and especially women they just get reduced to one or two traits and then thats it. Viv already is terrible at writing women and I think writing Niffty for her is just boring because, again, she cannot write women. 90% of this rewrite is me saving the women/hj
There will be more indepth Niffty content from me eventually, as of now this is my backbone for her design and overall story. Btw I think her rubber gloves are cute but make really annoying squeaking sounds 24/7. No idea if I’ll pull off another fast design like this, but we shall see!🐐
#hazbin hotel#hazbin critical#hazbin hotel criticism#hazbin hotel critical#hazbin niffty#niffty hazbin hotel#niffty#hazbin nifty#nifty hazbin hotel#nifty#hazbin hotel rework#hazbin hotel rewrite#hazbin hotel redesign#hazbin rework#hazbin rewrite#hazbin redesign#my art#anti vivziepop#anti hazbin#anti hazbin hotel
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I really could never transition to atla tumblr because aang is my favorite character and i could not deal with the way some of you freaks talk about him. It’s like yall forget he’s a 12 year old genocide survivor who has the literal weight of the world on him.
and it really pisses me off cuz it’s always those shippers at the scene of the crime and that’s why generally ppl dont like you bitches. You cant simply like your wack ass ship instead you have to paint aang out to be this violent evil predator....just weird
aang being my favorite since 2008 and then in 2024 i searched his name on tumblr the first thing i found out was a giant ass zutara opinion on how he is the patriarch emulated and this is my villain story
What show you all are watching?? How can grown ass people (GROWN ASS PEOPLE) watch a cartoon for kids and saying crazy things like this?
Insane behavior
#aang#avatar the last airbender#atla#zuko#katara#sokka#toph#anti zutara#yeah merlin fandom is way better#there are kids on this app who are reading these crazy posts about aang#about their favorite character#my god
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OH MY GOODNESS, LEON WOULD LITERALLY BE SWEATING.
Knowing Leon; he’d probably show up in a fancy suit. Him and his now wife had been dating for a couple of months, having to push back when he’d finally be able to meet her parents because of work. He wanted to look presentable and nice, especially after finding out her father was a high ranking military official.
He’d probably show up with flowers in hand for your mother, giving her a hug as she kissed both of his cheeks and treated him like a baby. All while her father stood back and watch with his arms folded, poor guy was probably shivering as his girlfriend’s mother introduced her husband, giving Leon a nice firm nod and extending his hand out.
They had planned a nice little dinner together; His girlfriend and her mother would finish cooking in the kitchen as her father quite literally conducted an entire interview with Leon in the living room.
“What do you do for work?”
“What are you trying to do with my daughter?”
“How long were you in training for?”
Being the nice respectful guy he was, he’d reply with “No sir” or “Yes sir” to his questions. Go into further depth with the harder ones, really trying to get on the old man’s good side. They had a little talk about the army and stuff, listening to his old stories before your mother and you finally finished the food.
Dinner went well, so far your parents absolutely adored him. Especially your mother; she’d probably be telling your father “Can you believe it Dave? Our little girl with an amazing man like him! I know he’ll protect her, especially with that fancy government job he has!” Leon would just blush and thank her, smiling and happily eating his steak.
Let’s just say, as soon as he felt, your mother was already gossiping with you. Talking about how “Handsome” and “Strong” he was. You just blushed at giggled, agreeing with her every word.
- Anon! 🎀
Love this 🎀anon, but I have a feeling as soon as her father heard his name he knew who Leon was. Everybody knows everybody in certain lines of work!
The second he hears your father is a general in the military he has a lot of questions. He's questioning you and you're answering to the best of your abilities. But his rank pops up. Four star general... Your father is a four star general. One of the highest ranks you could possibly get...
Then his brain starts turning, your last name moving through his head until it finally sticks. He's scrubbed floors at the rumor of that man showing up. Knows stories of how ruthless he is and the things that man's done. Climbing ranks quickly in the Army with the amount of raw potential he had.
"General Tarkin..." You freeze for a minute looking at him.
"The Star Wars character?"
"No, the other cadets... They'd call him General Tarkin. I know your father... Well, know of your father. Never met him personally but I've heard he's... Terrifying." Your father? Terrifying? You laugh at the thought, smiling at your boyfriend who seems to look a lot more tense than he already was.
"Daddy's not terrifying. He's like a giant teddy bear if anything." Leon knows you mean well but the thought of meeting this man has his stomach in knots. Not only would he have to impress her parents but the man who he knew could do a lot of things to make his life more miserable if he pissed him off.
Leon was definitely gonna have some kind of stomach ulcer with the amount of stress by the end of the night.
Your mother adored him, wouldn't stop calling him handsome and welcoming him into the family without even thinking about it. But Leon could hardly focus feeling the generals burning glare on him from behind your doting mother.
As soon as Leon introduced himself, your father tightens his grip on Leon's hand.
"I know who you are boy."
Boy... That's the name Leon gets stuck with for a chunk of the night and sometime after.
Your father tells you to go help your mother with dinner and you happily follow. Leaving the two of them alone in the den. Sitting across from each other in silence for a few minutes.
"You know me?" Leon's the first to speak, your father still staring him down with his arms crossed.
"Hard not to. President Graham speaks highly of you for helping him with his daughter. We're friends, told him personally who my daughter was seeing and he couldn't stop talking about you." His face tightens as he leans forward, towards Leon.
"I've read the reports from '04. Know what you saw. But I don't take too kindly knowing my daughter's dating a man who skipped around in Spain with another woman. Even if it was to protect her."
Leon's at a loss for words. What even could he say!?
"What're your intentions with my daughter?" Oh thank God something he can answer.
"To be with her, Sir." The generals face softes slightly with a nod.
"You love her?"
"More than anything, Sir."
"You wanna marry her? Have a family?"
"When the time comes, Sir."
The grilling continued until you came in to save him with the news of dinner being done. Your father didn't say much after that. Your mother talking all through dinner and dessert.
Upon leaving you and Leon say your goodbyes and take off. Your mother looks at your father as he shuts the door and smiles.
"Well?" She questions, looking at him.
"He'll do fine." He says, smiling ear to ear.
#leon kennedy x reader#leon s kennedy x reader#leon kennedy x fem reader#leon s kennedy#🌿 ivy replies#🌿 ivy writes#resident evil x reader#🏡 domestic life with leon kennedy
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Salutations! I’m in the process of creating a story wherein both characters are missing an eye. One has a prosthetic, but is presently isolating themself in the woods, and wears an eyepatch to protect the eye while alone; the other’s socket is either empty, or they have a glass eye with no actual details (iris, pupil, etc.). I’ve struggled to find references for the latter, and fear it may come off as unrealistic. I understand prosthetic eyes keep the eyelid from collapsing, but aside from that could a person just not wear one? If these options are unrealistic, please let me know. I can supply you with concept art if need be.
The story itself centers around these characters after one of them finds the other by accident. They’re painted as foils—the one hiding out in the cabin adhering to a self-made sense of logic that centers on cycles and confirmation bias, while the only who takes refuge there after running away is deeply paranoid and prone to hallucinations. The first character is missing their left eye; the other their right. I don’t want to make a symbol of their disabilities, but I feel their designs simultaneously stress their opposing perspectives, as well as the fact they paradoxically still manage to see “eye-to-eye.” Their visual impairment is just one of many ways they’re able to connect across the story, as they also bond over their obscure passions and delusions, and respect each other’s warped worldview to such an extent said worldviews start to blur together. In addition to this, the story places an emphasis upon an entity known as the “ocellus,” which is basically the “false eye” you see on moth wings. In my outline so far, it’s the name of a mysterious band which the pair discover in a record collection, and resolve to solve the mystery of (regarding the members, music, etc.) One of the characters also sleeps with an eye mask with the pattern of moth wings and their respective ocelli overlaying their own eyes; their paranoid counterpart also sees eyes in the trees and wood of the cabin.
Absolutely none of this is set in stone; before it is, I just want to know how much of it is fine, which parts “moralize” or make a symbol of a disability, and what is straight-up ableist. Please let me know if you need more details.
Hi!
The prosthetic eye has two main functions: 1) to keep the eye area stay in shape, 2) to protect the socket. Both of these can be achieved by conformers (it's like a big contact, except it goes into the socket and not on the eye) which I talked about here!
A blank prosthetic eye would probably be fine. The process of getting it custom painted is expensive from what I know, and IRL a lot of people will decide on the generic kind rather than a custom. If in your world the generic happens to be a blank, there's no problems I can think of? Potentially, you could explicitly say that it's not how most prosthetic eyes look like (maybe someone else knows a person with an eye prosthetic and they comment that it's unusual?). You mentioned that the character doesn't have it in all the time, so I don't think the trope of "blind character has blank/white/milky eyes" applies here because it's clear that it's a prosthetic.
A person could decide to go bare, but the sensation of blinking could be uncomfortable, and they would need to clean their socket more to get rid of anything that could get inside. Normal saline could be used for that.
I don't think there's an issue in them missing different eyes at all. If you want to make sure it's not giving "Just Magic Symbolism" energy then you could incorporate some boring everyday things that would make sense. If they go somewhere together, they could decide to walk missing eye-to-missing eye, so that they see what's going on the sides rather than in the middle, things like that. It could make it feel more grounded, so to speak.
I don't see any issues with the moth fake-eyes symbolism either, I think it makes sense for the story you're trying to tell.
If you want to be very safe, I would have a character (can be minor, or background) that's also missing eye(s) that's not connected to any of the potential symbolism and is more of an average Joe of Not Having an Eye.
In case you decide to get into that, it would be nice for them to have different causes of why they don't have eyes. It feels like in fiction it's always physical trauma, but there's a whole more that could cause someone to not have an eye;
anophthalmia,
retinoblastoma,
severe eye infection,
elective enucleation (removal) of an already blind/painful eye,
just to give you a few ideas! Giving them "boring" everyday reasons of eye loss will also make it feel less symbolic and more like a regular disability. Think "dramatic swordfight with Huge Meaning" vs "yeah I had cancer in my eye when I was 2".
I hope that this helps; if you have any further details you'd like to ask about feel free to send another ask!
mod Sasza
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✿ PAC: What is holding you back? ✿ •○•○•○•○•○•○•○•○•○•○•○•○•○•○•○•○•○•○•○•○
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✿ Pile 1 ✿
✿ What is holding you back? ✿
This is going to be pretty specific here but I'm hearing dream theif. Have you been dreaming at all lately? Your mind could be blocked with a lot of unnecesary stress and random thoughts which makes you over think everything. You carry this baggage with you all day and during the night when it's time for rest, your brain can't reciprocrate what to relay back to you. This vicious cycle then repeats over and over again and you find yourself burnt out, drained, and powerless to your own restrictions. This is honestly reminding me of the video game touch detective. There is a whimsical character named Penelope who gets her dreams stolen by a pastry chef Antoinette. Basically, she crystalizes her sweet dreams and uses it in her pastries. "Dream Cake" a very tasty treat that brought her much fortune. Now that I'm thinking about it, it's a bit ironic that her dreams get stolen to be made into sweets. It reminds me of the saying that sugar before bed causes nightmares. 🍰🤔 💭
✿ How to regain your own power ✿
A dream journal is definitely needed for this pile. I feel that even if you don't have any dreams there is still messages desperately trying to come through to you. When you wake up, get in the habit of writing down the first thoughts that come into your mind. Over time, you'll see that this simple process will retrain your brain to create dreams for you. If you are suffering from the case of nightmares, I would recommend to still journal out what happens. There's hidden messages for you that once you reread it. I would also recommend aroma therapy. In touch detective there was a item you could use called "a sweet dream pillow". It was made with a soft pillow and perfume. Annointing your pillow with lavendar oil and putting an amethyst crystal inside the pillow case may help you when you drift off into the dream realm. (Gif is from another video game fran bow would also highly reccomend playing it or watching a walkthrough on youtube as well as touch detective ♡♡♡).
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✿ Pile 2 ✿
✿ What is holding you back? ✿
This could be a prominant feminine figure in your life. This may also be a Male who has a lot of feminine traits. I'm picking up on someone who is spiritual, intuitive, and somewhat wise. They are definitely older than you spiritually and physically. However, for some reason I'm seeing here that when you listen to them and try to follow their teachings, the timing when you try to put their words into action is a bit off. For example, If they told you a story about how they met their signifigant other and it was using candle magick, you may try that out on your crush and it might not work for you. This causes you to basically take 3 steps backwords instead of 3 steps foward. You feel confused and wonder why it worked for them and not for you. When that happens you're most likely confused and wondering why things may seem off. Thus the negative thoughts roll in; Maybe you don't have Magick within you? Maybe you aren't meant for this life? However honey, we all know you have what it takes within you.
✿ How to regain your own power ✿
Just as the previous sentence said you have everything within you to make your reality come true. This pile is innovators. We are in the age of Aquarius, use what resonates with your generation. It is 100% okay to come up with a ritual that fits to you. Technology is an amazing tool. We can get and transfer information so easily. For example subliminals on youtube are so powerful even though all you have to do is listen/watch them, it's so simple yet effective. On the other hand, using old techniques with the combination of new ones will yield great results in your practice. Learn to be confident in your own power and how your mind is. Utilize the tools that you have now that your ancestors had to take hours or days to even get simple answers. We are truly in the future lovelies. 🚀🌌👽
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✿ Pile 3 ✿
✿ What is holding you back? ✿
You are a bit unbalance as of now my dears. Is there an addiction that you're hiding? It could be as simple as vaping or drinking alcohol. You know when I got your cards I instantly thought of peer pressure. Is there someone in your life who is expecting you to do a lot which causes you to turn to your own vices to cope with all that extra unnesesary stress? If that is so it is very clear with your reading. It seems like you're trying to gain clarity on something and it is holding you back a lot. This pile is reminding me of Ariel from the little mermaid. She wanted to be a human so badly that she made a deal with Ursula just so she can marry a prince. She went to extreme lengths just to please another man. If this is resonating with you perhaps watch the little mermaid there may be hidden messages in the movie for you.
✿ How to Regain your own Power ✿
Everything is fine but remember- in moderation pile 3. I'm seeing here that you have to juggle things in your life so you can truly gain balance. Basically think of a waitress in a heavy traficked restaurant. So many items of food to serve but theres limited space on her tray. Whatever shall she do? Well, she would delegate each food and grab more trays for them. Then cautiosly take the food to her tables while also taking multiple trips. Organizing all your habits is the key here. You need to learn how to strive for balance and harmony. Like a skilled alchemist, blend opposing forces and find the middle path. Trust in your innate ability to bring together seemingly conflicting elements to create a harmonious whole. Remember to seek moderation and patience as you navigate lifes challenges.
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✿ Pile 4 ✿
✿ What is holding you back? ✿
Are you bored? Perhaps you have the same ole routine that you stick to in your little palace far away from other people. Do you truly feel happy being away from so many people? I'm seeing here that you are lost in a perpetual cycle of intense introspection. Learning is amazing pile 4, but what exactly are you doing with all this new information? This pile reminds me of the saying "knowledge is power". Like yes it is power, but it is that exact knowledge that's holding you back. Like a hermit you stay in your house all day learning. You most likely are into astrology, numerology, astra travel, personality tests, documentaries, etc. Why with the internet I don't blame you. We have the power to learn anything with the touch of a fingertip it can be quite addictive. Especially since it's not like the old days where you had to wait months just to hear from someone through letters. We can easily communicate through technology. But at what cost? Most times were mindlessly staring at a screen- do you truly feel as if you're living in the moment?
✿ How to regain your power ✿
You are in desperate need of a new change of scenery pile 4. I'm seeing here that your mind, body, and soul earns for more. You were put on this earth to help people my dear pile 4. You have so much knowlege and hidden truths in your intricate brain. All that's left to do is to share that knowledge with others. Traveling even to a new city for a day will do wonders for you. "There is only one way to learn... It's through action. Everything you need to learn, you have learned through your journey" -Paulo Coelho The Alchemist. I feel like this quote is perfect for you pile 4, because you're in a stage of stagnation. When we are stagnant nothing good or bad will happen, we're just still. Yes, it does teach us patience but I feel like now is definitely a time to take action as you are well equiped with everything you need to do great things. The world is your oyster.
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#baby witch#intuition#intuitive#tarot#tarotreading#pac#pick a card#free tarot#tarotblr#witchblr#moooncatstarot
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Unless I missed something, it seems you don't have anything about Rita Skeeter in your HP masterposts (other than "what if JKR was Rita").
I'm wondering what you think of her? I feel like I barely even remember her in canon, but fanfic uses her for everything under the sun.
You know, I think you're right anon.
Generally, she's unscrupulous as hell and will do nearly anything to chase down a story regardless of the devastation it may cause an individual (see her roasting a 14-year-old girl in a national paper to people who otherwise would never have heard of Hermione Granger but then only knew her as WHORE, including Mrs. Weasley who for a year thought Hermione was a gold digger), incredibly hard working and ambitious, very thorough with her sources, and has an unfortunate tendency to be... not wrong a lot of the time.
Say what?
Yes, I know, I know, she uses the quotes quill which is clearly intended to exaggerate a person's reactions to whatever she's saying (and infuriate them so they'll say more things to her face while they're flustered) but the woman is meticulous with her sources.
The Dumbledore book was extensively researched, with letter evidence, interviews with everyone Dumbledore had pretty much ever known in his life, and it turns out it's... pretty much... entirely... correct...
We learn that the reason Rita knows all this information she shouldn't is that she's been wiretapping (well, being a bug in a room). And that's the thing, she doesn't make things up, she does put them in the worst/most scandalous way possible (e.g. misconstruing Hermione and Harry's friendship into being romantic and theorizing what Hermione gets out of this relationship) but it's not wholesale made up.
So, I actually like Rita as a character. The woman will ruin you for a story, and is absolutely vicious and manipulative as hell, but she's just so interesting.
(And JKR clearly despises her, to a hilarious degree, Rita represents all of JKR's hatred of the British tabloids in one human form that she calls ugly.)
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Best of the Reptiles in Media - 01 - Godzilla (Monsterverse)
I figure that while I'm using this blog, I might as well post my ramblings on a subject dear to my heart: That being the representation of reptiles as characters in media. And not just villainous or vile ones like we're so used to. I'm talking about ones that inspire me. The ones that are legitimately compelling to me. And these posts are an excuse to espouse why.
Plus, it's just fun. You can thank the likes of @tyrantisterror and @bogleech for inspiring me to do these.
So who better to start with than with the lizard who's been an inspiration to me for almost my entire life. That being the one known as Gojira. AKA...Godzilla.
This is the one character in these posts who probably needs no introduction. Ever since his debut in 1954, the walking embodiment of the horrors of nuclear war, among other things, has been nothing less than an icon. This is the beast people think about when they hear "giant monster" or "kaiju". This is truly the King of the Monsters.
My introduction to Godzilla was a children's book called "Godzilla on Monster Island". It was a fun read full of neat monsters living together and teaming up to stop an evil plan. And it left me wanting more. I wanted more stories of these fantastic yet friendly beasts being friends and living together while having fun adventures. Little me was a bit disappointed to find that Godzilla spent more time fighting his fellow kaiju and trashing cities instead.
The truth, as I would find out, was that Godzilla is never just one thing. He is a fun defender of the Earth. He's the terrifying consequences of our tampering with both nature and science. And in recent memory, he's been a lot of other things. But most of the time, he's either hero or mankind's hubris on two legs. To me, he was a giant dinosaur that could fire thermonuclear breath, and that was all that mattered. It was after hearing about the historical significance of him that my respect doubled.
Back then, I would tell you that my favorite Godzilla from a design standpoint was the 2002 version. Personality wise, almost every Showa appearance post-1964.
But in 2014, everything changed. In came a Goji that seemed to have everything I could ask for. So, we're going to look at the one that resonates with me the most. The Monsterverse version.
That right there is perhaps one of the most awe-inspiring entrances I've ever seen in a cinema.
Before the release of Godzilla (2014), the franchise had entered something of a slump period. The last film was all the way back in 2004, and sadly, the kaiju genre was still something of a niche thing growing up. Here in America, you either liked superheroes or real-life celebrities as a kid. If you liked monsters, let alone giant monsters, you were one of the weird kids. That, or one of the kids who never lost their passion for dinosaurs. But those were rare.
Then Gareth Edwards unleashed this film, and while one could argue that Pacific Rim (2013) got the ball rolling, THIS ultimately resurrected the entire franchise of the Big G, and got him a degree of general respect from most film-goers (so long as you ignore the irritating internet drama regarding screen-time back then).
But let's get to the meat of this post. Why is this Godzilla so much better to me than the rest? A few things, really.
First off, there's Godzilla's role in the Monsterverse's narrative. For the most part, he is a guardian of the natural order, a means of bringing balance to imbalance. He is a metaphor for how nature is capable of righting itself, and how we either have to deal with it, or live with the consequences. In practice, Godzilla ends up going up against almost every monster, most of which are only a threat because we awakened them/created them. Yet despite this, he doesn't go out of his way to destroy us. He's not mindlessly destructive or particularly vengeful either. He knows we're a part of the world too. We just tend to grate a bit more on his nerves because of how much we screw up. If there's one thing this series isn't afraid to show, it's that...well, "the arrogance of man is thinking nature is within our control, and not the other way around."
Design-wise, this is one of the best Godzilla's around. He's bulky, has a killer stare, and there's something oddly endearing about how...well, meaty he is. He's like if my aforementioned previous favorite design, the 2002 one, put on both a lot of muscle and weight. It also ties into his fighting style, said to have been inspired particularly by bears. Even the sounds associated with him are amazing. From that hype-inducing charge of his thermonuclear breath to what might be the best rendition of the classic roar.
Then there is the body language. This Godzilla's usual gait is slow, almost plodding at times. He shows clear signs of exhaustion in some scenes. What he goes through is hard, and his job is even harder, but he still does it. It really helps sell his personality most of the time.
Part of why I like the Monsterverse so much is that, for the most part, the kaiju are treated as characters in their own right (that's not to say they weren't in previous iterations, far from it, but it's a bit more pronounced here than most of the post-Showa stuff). Sure, some films in this verse are better about it than others (more on that later...), but I like how you can glean what Godzilla is thinking of just by looking at his eyes. Of particular note is how they widen in "Godzilla: King of the Monsters" when Ghidorah gains the upper hand during the final battle, his absolute sneer of anger in the first movie when the male MUTO approaches him, or...this.
This scene. This one right here encapsulates so much of what I love about this iteration. Where Godzilla, dazed and thoroughly battered by both the fight with the MUTOS and having a building fall right on him, locks eyes with a tiny little soldier. You see a sense of tiredness, of pain, of acknowledgement, and maybe even a little wonder. This is not just some mindless beast fighting for its turf. It's a thinking being. And he's hurt. The most powerful creature on the planet isn't invincible, neither on the outside and definitely not on the inside.
And you know what? I've been there. There are times where I feel like I'm carrying the weight of the world, that there are things too heavy to bear, and its suffocating. Godzilla constantly shows throughout the Monsterverse that his job as a living balancing act is wearing on him. He gets put through so. Much. Crap. From getting buildings dropped on him to being personally dropped from a distance above the clouds to watching his symbiotic partner/mate die, it's almost unfair how we're expected to not really sympathize with him as much as...I'll get to that later.
But he never gives up. Despite all the pain and fatigue, he gets back up, and he fights. And he fights. And he continues until the deed is done. Someone has to rise to the occasion, and it might as well be him. If not him, then who?
That is the biggest reason I resonate with this Godzilla. His awe-inspiring design is one thing, but he gave me the strength to persevere. I don't give up, because he never did. Never before had the Big G been such a hero to me. Such that in 2014 I found myself silently sobbing to myself when it seemed like he was dead near the end even though that was clearly not the case. It's hardly a surprise that I based my personal Godzilla AU on him, albeit with the more sympathetic traits dialed up. Stuff like this made G14 and KOTM some of my favorite kaiju flicks...
...which made it more than a little disappointing when Wingard took the helm and basically said "screw that, this is about the monke now!" Yeah, GvK is the weakest entry in the series for me for a reason. Godzilla's more redeeming qualities are buried under a narrative that clearly is not interested in giving him the time of day or even the benefit of a doubt. Both it and it's successor, GxK, are Kong movies through and through, and that means poor Big G is put out of focus.
I cannot tell you how much I HATE this idea that the only way a monster can be relatable is if it either looks almost just like us or is really cute. Yes, I understand the universal appeal, but they had such a good thing going for Godzilla! And they throw almost all of it away just so that they can make Kong look better by comparison.
Credit where it's due, these issues are slightly improved in GxK. It's not only firmly established that Godzilla is an overall benefit to the world for keeping the other Titans in check, but we get some interesting bits with him like how he instantly responds and prepares to answer the call of the Iwi and help them. It shows that despite his tenuous relationship with humans, there are ones he clearly gives a lot of thought to. And there's also how he makes the Roman Coliseum his own personal bed. Not only is it kind of hilariously adorable, but if you remember how in KOTM he had his own man-made temple, you get the impression that he has a bit of homesickness. That's the kind of thing I like to see! More of that and less "he's only ever angry and he only ever fights, character is for primates only".
Also, while the Evolved design has nice details, I WANT THAT GUT BACK! it just looks weird otherwise with that disproportionately skinny waist.
But thankfully, our prayers might be answered:
With GxK's roaring success (ha!), it's more than likely that the next Monsterverse entry will finally give Godzilla an overdue character arc that doesn't begin and end with "destroy everyone and act big and scary and nothing else". Just please make sure that he doesn't have to die to get that. There are plenty of ways you can make us invest in the guy's story without having to kill him. I WANT to see more of that emotional vulnerability teased across the movies. I want to see him come to terms with how he's been going about his job. And more importantly...I want to see a more explicit Mothzilla scene. A nuzzle and everything. But that's just me.
Whatever the quality of his current status, nothing is taking away how much I love this version of Godzilla. He's taken me out of some very dark places, and for that, I say long live the king.
Also, he brought Mothzilla into the public sphere and every Mothzilla pic made since is the cutest thing ever, so I just love him even more.
#best of the reptiles in media#ramblings#godzilla#gojira#monsterverse#godzilla 2014#g14#godzilla king of the monsters#godzilla vs kong#godzilla x kong: the new empire
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I hope one day the general view on feet in art changes online, both because they're just a normal part of our body, but also because you can create such beautiful symbolism around them in narratives.
They're our connection to the earth and everything that is our reality (and the reality of generations to come). The state of one's shoes (how worn they are) could speak for not only the character's wealth, but also how in touch/detached they are with/from the world around them. In that same vein how often a character is seen walking around barefoot could also say a lot about how free they are compared to characters who cringe at the thought of touching grass without anything on. And then that also gets me thinking about the state of a character's feet themselves. How worn are they? Are they well taken care of?
I'm thinking about this, because I've noticed older stories aren't afraid to mention feet at all. And by mentioning a character has sore feet or blisters, they become more like real people to me as a reader/watcher, too... Instead of being these invincible fictional creations you know will win at the end of a story no matter what.
We used to laugh about how people used to freak out about seeing an ankle, but sometimes the reaction to feet in non-sexual art feels the exact same. I wish it weren't so!
#talkies#imagine being born into this beautiful body and then people laughing at you because you draw it#that's silly man!!#sorry i just couldn't stop thinking about it after seeing artist say they're embarrassed of drawing them all together#:o((((#art rambles#art#feet#tagging for the people genuinely repulsed by them in general#i wouldn't want to..... step on any toes KSDHSKDJSK
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actually. i was thinking, though. what exactly *is* the metric of a tim civilian friend. as in, what exactly makes a character tim's friend vs a kid he goes to school with who he happens to friendly with (because tim is generally friendly with everyone). what's the distinction?
and i think the answer falls on "does tim's civilian life and robin life intersect in a significant way around this character"
because, listen. we all know that tim is a compartmentalizer who tries to keep the ideas of "tim" & "robin" separate. however, we also know that it's not one or the other with tim--he's both. and the closer you're allowed to that narrative intersection of both tim & robin, the more the civilian in question can then be seen to have importance in *tim's* life and a reciprocation of friendship interest by tim.
because you think of the gotham heights high crew--not only does tim use his skills to investigate what's wrong with ives at one point (he got an embarrassing job), he's also used the W&W crew for unknowing assistance against the joker, hudson leads him to a case at one point, & he runs into a case whole hanging out with them to see a play at the park. despite tim's best effort to seperate parts of himself the close interactions of his other life to his friends is not just tim accepting friendship, but tim narratively showing friendship in return--they are narratively allowed to be a part of his life as robin though they'll never know it.
and the brentwood boys are no different. though they're not allowed the secret, their lives are affected and improved by tim as robin. as they give friendship, tim gives friendship in return. and when tim leaves his friendship and reunion with ives is marked by a case, the one with charaxes.
and even later, with zoanne, her life and relationship with tim is complicated by tim's life as robin, but she is allowed that narrative closeness to his life as robin, closeness to the entirety of his life. she even makes a cameo as having spoken to vicki vale about tim, and vicki's story during that era is finding proof of the hidden life of the batfam.
louis grieve is interesting because darla is the friend of the era who meets this metric--her life as a mob daughter is doomed to return tim to his true life. her resurrection as warlock's daughter is what intersects her with whole of tim's life, not just tim. and bernard surprisingly doesn't have any narrative markers that would indicate these kind of particularly close feelings from tim towards him--tim does not help him on a personal level with his personal life, there's, hm. like bernard does bring him the news of steph being robin, but there's really no personal intersection of *tim as robin* with bernard or because of bernard or for bernard. they do interact during the school shooting but it's no more personal than tim and the rest of the kids. in post-crisis, at least, the lack of tim's as robin having any sort of notable personal connection to bernard narratively indicates a fundamental distance between them where tim is not shown to have any significant personal investment in/towards bernard unlike all the other civilian friends. i would say bernard does make in on account of his presence at the school shooting, however when tim's true self is both robin & tim, for him to not have any significant personal narrative connection to the real tim, it does makes him a notable outlier among the civilian cast.
#okay NOW i'm done.#i do think this is intentional btw there absolutely was room to put him + his trauma post the shooting#in a way that tim would have had a chance to intervene as robin and thereby connect bernard to the true tim#but the notable absence of tim having any sort of personal robin connection to him#does narratively indicate a functional disinterest in him on tim's part
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Honestly with all the overlap between sci-fi and fantasy fans, I’m really surprised that “high fantasy in space” isn’t more of a thing.
There are some things generally assumed by most to be sci-fi that I’d personally label space fantasy, like Star Wars, where the high tech is just there as a backdrop to a classic heroic story of good guys vs. bad guys, who are definitely doing magic (by using the force). The point of Star Wars isn’t the tech or anything, it just happens to be a tale told in space. It contrasts pretty starkly with something like Star Trek, where the vast majority of episodes revolve around exploring whatever scientific or philosophical concept the writers thought would be kinda neat that week, using established characters as a vehicle for said exploration.
I think one of my favorite things about Honkai Star Rail is that it freely and unabashedly mixes sci-fi and fantasy. It just goes “You are a walking neutron bomb. Also turns out your bestie is from a self-reincarnating race of dragon people with powerful water and illusion magic. They live on this big, planet-sized ship that’s dedicated to hunting down this one cosmic horror that cursed all the ship’s inhabitants with immortality, under the banner of this other cosmic horror that exists solely to kill the first cosmic horror. Let’s go on vacation to the theme park planet, the actual resort is technically an Alice-in-Wonderland style dream triggered by the same kinda cosmic-horror-gifted bomb as you. Your new friend is a meme. By the way, did we tell you about the one time this super-genius harnessed the power of *imagination* to build a death ray that instantly obliterated a bunch of planets? That was kinda fucked up, huh.” Sometimes Star Rail tries to give explanations for its tech in a way that seems believably sciencey. Sometimes shit’s just straight up called magic or it’s from some deity or another and none of the characters present have a good understanding of why, so you all just go about your bullshit. It makes it work within the context of its established universe.
Cosmic horror in general is often (but not always) found in sci-fi, but where the point of sci-fi is to expand on and detail a concept in a believably scientific way or explore the impacts of a scientific thing, the point of cosmic horror is that there is a Thing that is beyond human understanding or comprehension. Sci-fi is a fun thing to insert it into, because the more scientifically sensible and well-understood elements of the world you have, the more jarring that becomes.
Then you’ve got things like Dungeon Meshi, which exists in an inverse of something like Star Rail: it takes a very Tolkien-inspired Dungeons and Dragons-esque setting, and then details it in a very scientifically sensible way. There is magic, and there are these fantastical monsters, yes, but the monsters are parts of their own delicate and intricate ecosystems, they are edible, and they have very particular nutritional values and ways you can cook them! The protag’s biggest strength lies in him being a nerd about monster biology. Magic, too, by the end of it, ends up with a plausible enough explanation as well. And the explanation is a cosmic horror! In this way, Dungeon Meshi, despite being built entirely off of very easily recognizable and classic fantasy tropes, is probably more accurately classed as sci-fi.
I just love all of it. Can I get like 50 more of these fucked up lil mixtures of science and magic please?
#ch.txt#honkai star rail#dungeon meshi#star wars#star trek#sci fi#fantasy#tagging all these bc I wanna hear if other people have cool thoughts on the subject#hopefully this isn’t considered bloating those tags or w/e#this came about from musings and conversations abt what kinda world/story I wanna write? since I’m redoing my lil sci-fantasy project
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On the language debate, I personally headcanon that the main language spoken at NRC is a common one. (?) (Like how English is the business language, or like how generally Native Americans had a common language that they spoke when trading with other tribes.) And Crowley or the Mirror used magic so that You was temporary fluent in that language.
After the ceremony, Yuu has to learn the common language and picks it up really fast (as one would in such a situation). Therefore, Yuu can still speak it when away from NRC.
(I also headcanon English as an ancient language akin to Latin, because I heard that Arabic was canonically an ancient language.)
[Referencing this post!]
I’d buy that everyone at NRC speaks the common language to some level of proficiency; it’s like how international students typically need to speak the language of whichever country they hope to study in and need to prove their fluency in an exam beforehand. As I said in the original post, the light novel does mention a translation spell over the school, so maybe that’s part of the “magic” that helps Yuu to understand what the others are saying.
Now, it’s theoretically possible for Yuu to learn the common language of Twisted Wonderland in a year, but I don’t think immersion alone would cut it (especially since the main story is only up to like 2/4 to 3/4 of a year so far) . They’d probably have to put in significant effort outside of everyday conversations to pick up its rules (because remember that language isn’t just vocabulary but also grammar, syntax, and social conventions). Yuu would also need consistent feedback from people since that’s how one usually “fixes” their incorrect language use. It’s similar to how adults would correct a child learning their first language; ie a kid says “wadur” instead of “water”.)
One site I looked at suggested that, depending on the language categorization (I, II, III, of IV), it can take 24-92 weeks’ worth of time to become an “advanced” speaker. Realistically, just getting to the basic conversational level could be hundreds or thousands (700-2500+) of hours on its own—and Yuu has to do this on their own time between homework, going to classes, and managing all the issues that Crowley doesn’t 💀 To me, that doesn’t sound like a lot of free time.
Counterpoint to my own point though, we also have to consider that Yuu is... well, technically Yuu can be any age you want, but most Yuus are implied or portrayed to be 16-18. The critical window for language acquisition is theorized to be anywhere from the first three years of life up to as late as 17-18 years. After this critical window, the ability for language development tapers off. So, thinking about that, Yuu's brain could still be very pliable and able to absorb new language (though they'd have to work quite intensely to pack in as much as they can before this ability starts to decline).
Something that I feel would be difficult for Yuu is that the characters often use slang (Cater, Floyd, Idia, etc.) and/or uncommon words (like Vil’s “pulchritude”). The former may not follow the standardized rules of a language or may be idioms (other non-literal meanings for common words), which could make it hard for a non-native speaker to understand. The latter would not be used that often, so Yuu would be forced to guesstimate what the word means. I’d imagine this would make fluency challenging, because as immersed as Yuu is in Twisted Wonderland, less frequently used words are harder to grasp.
Maybe Crowley cast a translation spell ON Yuu so that they can still converse with people in the common tongue whenever they leave NRC? Or, since the events basically occur in an AU, more than a year has passed so it has allowed Yuu more time to absorb the language. Language in TWST and how it works… It’s really interesting to think about!
#twisted wonderland#twst#disney twisted wonderland#disney twst#Yuu#Dire Crowley#twst light novel#twisted wonderland light novel#notes from the writing raven#twst theory#twst theories#twisted wonderland theory#twisted wonderland theories
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