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linkspooky · 7 months

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GREAT TEACHER, GOJO

For my final commentary on chapter 236, I thought I'd talk about this panel the starter of a million flame wars on twitter dot com. The big controversy is Nanami stating that Gojo fought only for himself without mentioning his students which a lot of people thought was a last minute reversal on Gojo's character, or character regression.

I'm not going to call anyone stupid, or say if you have good teacher Gojo headcanons you're wrong. However, I'd like to point out that Gojo's always been more complicated than most shonen mentors. He's not Kakashi, and he's not Aizawa, and I'd argue the fact that he's not the standard "I'd die to protect my students" mentor we see in shonen manga is what makes him interesting.

The Springtime of Youth

Jujutsu Kaisen is a shonen jump manga that is very aware of the other manga that are running in the same magazine and uses that awareness to play with audience expectations.

To put it simply if you don't want to use words like Deconstruction - if you're reading Jujutsu Kaisen then things are probably not going to go the way you expect them. It's not Naruto, it's not My Hero Academia, it's a little bit like Bleach except characters actually die.

If you expect things to go one way in Jujutsu Kaisen, then you're going to be thrown a curveball. To name some examples briefly before diving into Gojo.

Yuji Itadori is a normal boy protagonist suddenly dragged into the world of the supernatural.

However, everything goes wrong from there. Jujutsu Sorcerers are not heroes. Yuji is told that much from the beginning by Megumi within the first thirteen chapters. The world of Jujutsu Sorcery is not a good place to be, Yuji is initially excited to be a sorcerer and to be a part of this world and then learns that lesson fast. I mean, imagine if Deku was accepted to UA, and then he immediately learned that students at the school die on the regular and all the adults are either terrible selfish people, or if they're not they die too like Nanami because being selfless means sticking your neck out for someone else.

Yuji's not really special in the narrative. He's just a kid who swallowed a finger. He doesn't have a secret technique. We're hundreds of chapters in and he's still just punching people. If he's cornered in a fight he doesn't unlock a secret technique either, he just loses.

Yuji has a superpowered evil side, like the nine tailed fox, or Hollow Ichigo except it's not really his super powered evil side. It's an evil parasite attached to his soul with a will of its ownt hat will manipualte him. Hollow Ichigo and the Kyuubi can escape temporarily and there's usually no consequence. Sukuna escapes twice, the first time he nearly kills Megumi, the second time he kills thousands.

Yuji is kind of like a main character who is not a main character.

If you still believe he's the main character, then you can agree he's punished for thinking he's the main character and therefore things are going to be easy, because nothing is ever easy in Jujutsu Kaisen.

Megumi is a riff on the chosen one. He's supposed to be the Gojo Satoru of his generation, born with the strongest technique that ca even surpass the limitless and he's nowhere near the level he's supposed to be. This is because Megumi has been continually failed by every adult figure all his life, starting with his father who sold him, then Gojo the man who SAVED* him techically but with a big asterisk that he needed to become his student and do jobs for Jujutsu High School otherwise Gojo would just let the Zen'in take him or let them starve I guess. Megumi has no adult figures to rely on, and has been given very little freedom about who or what he wants to be in his life, and therefore he's a very passive, repressed individual who's riddled with insecurities. Megumi doesn't want to be the strongest like Gojo, or like many hero / rival characters in shonen manga. Megumi doesn't even know what he wants to be, because he's never been given any choice in life.

If you don't think Megumi's a deconstruction of any sort of character type, look at those posts on twitter that are like "Look at the black haired depressed shonen boys" and then look at Megumi, he's never actually like any of these boys because he's much deeper and probably closer to being the main character than Yuji is.

Then we get to Gojo who is very unlike all the other mentors in shonen manga.

If Yuji and Megumi are both riffs on a main character, a hero in a world so cynical he's not allowed to play hero and actively punished for it, and a chosen one who doesn't want to be the chosen one then you have Gojo as the mentor who's nothing like the classic mentor.

The problem with mentor characters in fiction is that number one they die a lot (spoiler warning Obi Wan Kenobi dies in Star Wars just so you know) and number two they're not usually the most complex character in the cast.

What is the mentor there for?

To Mentor (duh.)

What this means is they are usually a fully formed adult who can teach a lesson to the main character, who in shonen manga is typically a teenager.

I say they're usually less interesting because stories are about characters changing, or characters learning lessons. A teacher presumably already has learned his lesson. They are usually at the end of their journey and not the beginning, that's why they can offer wisdom to the main characters. They're not usually their own separate characters because of this - a narrative doesn't have time to waste on a character that's not going to change.

Jung had a term for this character, it's called the Wise Old Man.

In Jungian analytical psychology, senex is the specific term used in association with this archetype. Examples of the senex archetype in a positive form include the wise old man or wizard. In the individuation process, the archetype of the Wise old man was late to emerge, and seen as an indication of the Self. 'If an individual has wrestled seriously enough and long enough with the anima (or animus) problem...the unconscious again changes its dominant character and appears in a new symbolic form...as a masculine initiator and guardian, a wise old man, a spirit of nature, and so forth'.

The role of the wise man archetype is to help other people along with their ego development, because usually they are already fully developed individuals.

Obi Wan is the most typical of typical mentors, and he dies in Star Wars because after he finishes teaching Luke he has nothing to do. This is Luke's Hero's Journey. Obi Wan's already happened offscreen, he's at the end of his journey there's no room for change or growth in him because his story purpose is to exist to advise Luke and to do that he needs to be a fully grown adult figure.

The subversion to this when the mentor has their own agenda (Gandalf), or the mentor is as flawed as the main characters themselves and so therefore he has something to learn.

Gojo is kind of a combination of both, like Gandalf he is the mysterious but seemingly all powerful wizard (er... or rather sorcerer) with his own agenda, and he's also practically the fourth member of the main cast who are otherwise all teenagers. In fact, Gojo spells out his agenda in the same panels that everyone uses to constantly assert that Gojo is a good teacher who only wants to protect his students.

He wants to make the Jujutsu World a better place (good) which is why he is raising students so he can turn them into his political allies to make a regime change (hidden agenda).

It's a means justifies the end type scenario. In Gojo's mind the means (raising kids as tools in support of his political agenda) justifies the ends (a better jujutsu world for those children). His motivation is still the same. This is what I think people most often get confused about with Gojo's character. I think he is one hundred percent genuine about wanting a better world.

"I have a dream, I want to reset this crappy Jujutsu World" is his motivation, but not his means. He uses his students as a means to achieve that end. Even if it's purportedly for their sake, he's still using them. I don't even think this is subtext it's text, both Megumi and Yuji call themselves cogs.

"But senpai, what's your function...?"

You could say in this case that the ends don't justify the means. Is Gojo really protecting these kid's youth, if Yuji and Megumi are going around calling themselves cog and acting like they don't matter in the grand scheme of things? In fact the narrative is inviting you to question if Gojo's ends justify his means.

Gojo's ideals can be one hundred percent real, but he can also pick faulty ways of choosing those ideals that fail to live up to them. In fact most people fall short of ideals, that's why they're called ideals. Gojo is taking these kids in because they have strong potential as sorcerers and he wants to recruit them, that's his hidden agenda. It's confirmed in databooks in Yuji and Yuta's case, and even if you don't trust databooks as canon then look at how he treats Megumi.

Megumi is explicitly Gojo's student, not his son. He only intervened in Megumi's situation on the caveat that Megumi work for him. Presumably, if Megumi didn't want to be a sorcerer and just wanted to be a normal kid, Gojo would have either let the Zen'in have him or do nothing. The option of just calling child services and getting someone to foster Megumi until he was older didn't even seem to cross Gojo's mind. There's the help he gives (Food money, rent, protection from the Zen'in) and then the hidden agenda (Don't work for the Zen'in who are my political rivals, you're my student now).

Yet at the same time Gojo is shown going to find Megumi after Geto's defection, probably because of the words he said to Yaga "You can only save those who want to be saved," when he realized it was too late for Geto. Was he intervening earlier for Megumi because he learned from being too late with Geto? Did he think Megumi needed guidance, or did he think Megumi needed protection in his youth so the Jujutsu World wouldn't corrupt him like it did Geto, or did he think he just needed to make it so Megumi was strong so he wouldn't fall behind him because Geto fell so far behind him once Gojo became the strongest. There's ambiguity there, because the hidden agenda is you know... Hidden. That's what I mean with Gojo though, you can look at him from multiple angles, he's not just (I love my students I'd die for them) because that character would only have one purpose in the narrative and that'd be being the perfect mentor who teaches them all the right lessons.

Gojo's not like other mentors, and in fact he's a commentary on the mentors that everyone is always comparing him to and expecting him to be like.

Literally everyone who reads Naruto has the exact same response, "I hate how the manga never talks about how it's a bad thing to send these child soldiers into war, and nobody breaks the cycle."

There are a lot of people unhappy about the same thing in My Hero Academia, "Why does nobody talk about how wrong it is that the adults make these high school students fight on the battlefield."

Well there you go. That's Gojo. His dream is to make it so Jujutsu Society is a place where teenagers can survive until adulthood. His method of doing so is to... raise those teenagers to be stronger than the previous generation, but you know still letting them be child soldiers on the battlefield just stronger ones. He does this because if he's working within the system the his two choices are raise a group of people who can age out and replace the old regime, or just kill everyone at the top.

Everyone complains about how no one talks about the child soldiers in Naruto or My Hero Academia, but here you go, we have a manga that is centered around how messed up it is to send high school students to continually fight these curses before they even turn eighteen. Gojo's sending these kids out there still even if he wants to change things, and it's supposed to be a little messed up and also a contradiction to what his ideals are supposed to be.

Because in My Hero Academia you have characters like Aizawa and Kakashi who are "I will die for my students" but then they just send those teens out to fight in a war, and seem totally fine with that. It's a hole in the writing, but this time it's done on purpose, to ask why these adults are always comfortable sending teenagers out to fight for them?

Jujutsu Kaisen provides two answers, number one the system is inherently corrupt and it sees the youth as cogs because the system is rooted in traditions that keep the elderly in power. Number two, in Gojo's case at least this is exactly what it was like for him growing up as a child. Gojo is just repeating with his students what was done to him, subconsciously.

The reason Nanami said this, and then repeated it in this most recent chapter is Gojo was born to be a Jujutsu Sorcerer. Being a Jujutsu Sorcerer is a highly deadly occupation for everyone else, except for Gojo. Not only that but because he's so good at it, and he's so lauded for it he's built his entire identity around it. Nanami's not just saying that Gojo is selfish, he's also saying that Gojo thinks being a sorcerer is a good thing. It is the end all, be all of Gojo's existence.

He doesn't want to make it so sorcerers don't have to fight, or make it so all cursed energy is gone for the world like Yuki Tsukumo, his dream is actually kind of limited in scope he doesn't want the school days of his students to be destroyed by the outside world the way it was for him and Geto.

Gojo looks at the symptoms and not the cause. Geto defected, Haibara died, Yaga wasn't really able to do much for his students in both scenarios. Gojo deduced it was because the elders and regressive policies were holding people back in favor of keeping the regime in charge (correct) and that because of that the sorcerers in Gojo's high school years just weren't strong enough to keep up (this is just what Gojo thinks).

His words to Megumi are encouraging him to be strong so he won't get left behind, which as I speculated above might imply Gojo thinks that part of what went wrong with Geto was that he simply wasn't strong enough to keep up with Gojo or stay on his level. If not then he still encourages Megumi to get strong before everything else, he's not taking care of these kids emotional needs, he's pushing them to get stronger because in Gojo's mind that's the be all end all solution to every problem.

"Nanami's line was not saying that Gojo doesn't care about children, it's saying that "You live for Jujutsu." It is the lens through which Gojo sees everything, and so therefore he doesn't think of breaking kids out of the Jujutsu World, just making it a place that's slightly more safe for them. Gojo's ego is so strong that he only ever sees things from his point of view, being a sorcerer was fun for him, his high school days were the happiest time in his life before they got ruined by outside forces.

He's trying to protect those days for his children, but he's not arguing against the existence of an institution like Jujutsu High in the first place. He's not saying the teenagers should never be sent out on missions, he's saying we need to make the teens stronger. If they're stronger than they won't die (that's probably true but they'll be even safer if they don't have to go on missions in the first place).

Now we have a reason! Why do Aizawa and Kakashi send out child soldiers into the battlefield if their goal is to protect their students? Because it's a shonen manga and the main characters are all teenagers.

Why does Gojo send out teenagers to fight for him if he wants to protect them, well I just explained it.

In fact, the entire purpose of Nanami in the story is to give us a character who explicitly treats children like they are children and not miniature adults. Who acknowledges that this is emotionally hard for children to deal with and they shouldn't have to do that.

Nanami's lines of "I'm an adult you're a child" and "Being a child is not a bad thing." would not have the weight they carry if they weren't so different from the way that every other adult in the story (including Gojo) treats children.

Nanami and Gojo have the same goal of making being a Jujutsu Sorcerer easier for children, but Nanami practices what he preaches. He tells Yuji to stand back and that he doesn't need to fight if he sees an enemy that's too strong, to let the adult on scene handle things first.

When he sees that Yuji is disturbed by the idea of killing former humans that Mahito had changed with his technique, he consoles him. He knows that Yuji is a sensitive kid and tries to spare him as much of that grief as possible. When he leaves Yuji behind he tells him explicitly that he's the adult in this situation, he shouldn't be forcing a child to help carry that burden if it's not necessary.

He also explicitly tells Yuji that being strong or jumping into life threatening situations =/= as growing up. Nanami is a character aware that the problem isn't that the children are not strong enough, but that too much responsibility is being thrown on these children. That there is a difference between what children and adults are emotionally capable of. Gojo doesn't see that difference because he reached enlightenment as seventeen. He even explicitly chose Nanami because Gojo knew he wasn't good at that stuff.

Nanami was not saying that Gojo doesn't care about children, Nanami was saying Gojo lives to be a sorcerer, Gojo who loves sorcery doesn't understand why being a sorcerer is too much of an emotional burden on a child. He just doesn't. He literally says his students are flowers.

Now, here's the kicker. Nanami dies.

Nanami wanted Yuji to not take on too much responsibility, and he died leaving Yuji with more responsibility than he could ever carry. Nanami failed in his goal, despite the fact he is the most responsible and well-meaning adult in the story who treats children like they're children.

The reason he dies is because this is what happens to people like Nanami in Jujutsu Society. The whole of society is built to condition people into being cogs and Nanami who's just one person can't overcome it on his own. I can write a whole meta on how Nanami's way of dealing with children is way better than Gojo's and yet they do essentially the same thing, throw way too much responsibility onto Yuji even though he's just a kid. They're both too ingrained in the system to make any sweeping changes, and that's why the child soldiers keep on child soldiering.

Gojo as a Character

The second reason as eluded above that Gojo is not meant to be read as a perfect teacher, or even a good one really is because he's the fourth main character of the cast. If you are a main character, then you need a flaw, and an arc where you either improve upon that flaw or you succumb to it in tragic fashion.

Gojo's not the perfect adult mentor, because he's kind of in the same place as the kids themselves. I think there's a reason we never learn anything about Gojo's backstory, we know nothing about his parents, the Gojo clan, because those details aren't as relevant. The most important thing about Gojo is the three years he spent at high school, because that was the only time he felt like a person, and also because he is trapped there mentally.

There's a reason that Gojo's dying dream is him imagining everyone reset to seventeen years old, because that was where the clock stopped for him in his youth, and that was where all of his regrets as an adult come from. His motivation to help teenagers today only comes from his own youth being ruined, and the adults in his life failing to protect him.

It's very likely that Gojo who lives for Jujutsu probably would never have realized the problems in his current society, if his youth wasn't ruined by those same adults he's now fighting against.

The reason most mentor figures in fiction are not main characters is because as adults they don't really need to grow up anymore. The obvious solution is that you just need your mentor character to just fail to be an adult in some glaring way.

To show how Gojo falls short as an adult, especially in regards to these children and how he treats them is to drag him down from all powerful, all knowing wizard, and make him struggle with the rest of the main cast. Gojo is not a positive adult figure in these kids lives despite having the best of intentions, because he's not really an adult.

I guess if you were already the best and strongest person in the world at seventeen, smarter and more capable than all the adults around you, you wouldn't really feel the need to grow up. Coupled with the fact that you are alienated from other people and do not relate to them on a personal level that's not going to help with your identity formation.

I mean I constantly compare Gojo to Superman, but to be fair to Gojo instead of bullying him like I usually do Clark Kent was raised by parents who raised a boy not a superman, and who constantly tell him that he's just a normal person, his powers don't make him great, it's his heart.

Nanami says that Gojo only fights for himself that ""You don't wield Jujutsu to protect something, you use it solely to for your own sake. What a weirdo" it's likely Gojo only fights for himself because he's never ben told that's he's more than just the six-eyes and more than just the limitless.

The best way to make a mentor a part of the cast, is to make them through some way or another have failed to grow up properly in their youth and therefore they need to do it while the story is taking place. We know how Gojo failed, his springtime of youth ended early, it ended the day he couldn't stop Geto from leaving, the day he can be the strongest sorcerer ever and still fail because sorcerer society is too corrupt for one person to handle alone. We also know he didn't really grow up past this point, because he still thinks the solution is to make people be stronger. Why does he not do anything about Geto for 11 years? In story terms he's basically suspended in time unable to grow past Geto. Kenjaku literally uses the trauma from his youth and the memories that seeing Geto alive would provoke in Gojo again, to trap him because he knew it would make him freeze up. Gojo is frozen in the past, he failed to grow up in story terms and must now grow up while the main story itself is taking place along with the children he's trying to raise.

This is how you make a mentor interesting. You have to make them flawed in some way that makes it worth having them onscreen, because a perfect mentor only serves one purpose to teach a main character and then he's gone.

Dazai Osamu from Bungo Stray Dogs is a character that's almost as massively popular as Gojo. Similiarly, he is a teenage genius who found trouble relating to other people who is now as an adult attempting to mentor two children.

However, Dazai's faults as a mentor are made much more explicit.

Dazai suddenly punched Akutagawa in the face, preventing him from finishing his sentence. Akutagawa flew back onto the ground, his head bouncing off the stone flooring with a thud. "Perhaps I made it look like I wanted to hear excuses. Sorry for the misudnerstanding," Dazai said while rubbing his knuckles. "Urg..." Akutagawa moaned. He'd hit his head so hard that he couldn't even stagger to his feet. "Give me your gun," Dazai ordered one of his men. The subordinate was hesitant but nonetheless handed over his weapon. Next, Dazai removed the magaine from the automatic pistol, took out all but three bullets, then put the magazine back in. He immediately pointed the gun at Akutagawa, who was still on the ground. "I have this friend who's supporting several orphans all on his own, you see," he continued his weapon still drawn and aimed at the boy. "AKutagawa I'm sure Odasaku would've been patient enough to give you the guidance you needed had he been the one who'd found you on the brink of starvation right in the slums. That would have been the 'right' thing to do. But 'righteousness' doesn't take very kindly to me. And there's only one thing people like me do to useless subordinates." Dazai mercilessly pulled the trigger the moment he finished his sentence.

(Don't worry, Akutagawa lived). Dazai is a character who had a troublesome youth he never grew up from. He was too smart for the world as a kid, and because of that joined up with the mafia because he wanted to feel like he was more connected to life and other people by getting closer to death (weird dazai logic I know) and was the best of the best at it, but it only drove him further away from people. He makes one friend, and loses that friend similiar to Gojo. Just like Gojo too, that friend is the one who gives him his purpose as an adult that drives him to mentor young people.

"Odasaku.. What should I do?" "Be on the side that saves people," Odasaku replied, "If both sides are the same, then choose to become a good person. Save the weak, protect the orphaned. You might not see a great difference between right and wrong, but... saving others is something just a bit more wonderful."

Is this not what Nanami said just in different words. Odasaku tells Dazai point blank, I know you're selfish, I know that you don't really have any concept of good or evil but you can choose to save others anyway.

Isn't this what Gojo does?

He is selfish. He doesn't really consider the morality or his actions or get hung up on the idea of protecting the weak like Nanami or Geto do, but he still does go out of his way to live for the ideal of saving children.

Both Gojo and Dazai are characters who are struggling with this ideal of saving the children, because while their ideals are good they themselves as people are morally gray. Adding onto that, they're also children and a good deal of their backstory is devoted to showing why they never really grew out of the mindset that they held as children.

The story doesn't call them horrible monsters for it, it's just saying that they need to grow up or face the consequences of not growing up.

"I have one regret," I said. "I never got to say good-bye to my friend. He was always there for me as 'just a friend.' He was bored of this world and always waited for death to come for him." "That man was in search of a place to die just like me?" "No, not exactly," I answered. "I thought you were similiar to Dazai at first, rushing into battle and wishing for death without even considering the value of your own life. But he's different. He's sharp-witted with a mind like a steel trap. And he's just a child - a sobbing child abandoned in the darkness of a world far emptier of the world we're seeing." He was too smart for his own good. THat was why he was always alone. The reason why ANgo and I were able to be by his side was that we understood the solitude that surrounded him, and we never stepped inside it no matter how close we stood. But in that moment, I kind of regretted not stepping in and invading a little.

Does that sound like the narrative is condemning Dazai for being who he is? No, it's Dazai's best friend offering empathy and understanding for how lonely it must be, and how if Dazai made real connections with people then he could have a chance of growing up like everyone else. That's what the narrative challenges Dazai to do while empathizing with why it's harder for him to and why he's still trapped in his youth, because to take care of children you need to be an adult yourself. Otherwise if you're a child, and I'm a child, then nobody's driving the plane.

Rupert Giles from Buffy the Vampire Slayer is another mentor who faces the same moral dilemna that Gojo does. In fact his entire character revolves around the fact he knows deep down he's sending a kid to her early grave.

Buffy is the Chosen One TM. One girl in all the world is chosen to fight the vampires. Much like sorcerer society, there is an entire bureaucracy dedicated to identifying the chosen slayer and then raising her up and guiding her as a weapon to be used against the threat of vampires and demons.

The watchers are all adults. The slayer is a teenage girl. The slayer slays. The watchers watch. Just like in Jujutsu Kaisen, there is a necessity for the Slayer to exist, because the alternative is just letting vampires eat people. Yet even if the slayer needs to exist, at the end of the day a bunch of adult men are sending a teenage girl to fight for them.

All Slayers die young. All of them without an exception. No matter how good of a mentor is, no matter how much he cares about her, Buffy is going to die one day, and Giles is going to watch. Because that's what the watcher does, they watch. Sending her on missions means Buffy's in danger, not sending her means innocent people are in danger.

It's a scenario that's pretty much like Gojo's, and the narrative of Buffy makes it explicit that Giles really can't be a father figure to bufy in this scenario. A father would have to choose to put their child above the world and keep them safe, not send them out straight into danger.

It is a choice that Giles makes over and over again. He is always her watcher and never her father. There's a season 3 episode where Giles literally drugs Buffy as a part of a test to prove she is "worthy" of being a slayer. A test that deliberately puts her in harms way that he complies with - because the system told him to. A choice to be her watcher and act according to what the council of watchers wanted and not what Buffy wanted. A choice that shatters the illusion that Buffy had of him, showing her that Giles is only there to teach her to be a Slayer, not to take her to the iceapades or buy ice cream with her.

In this scenario Gojo is very much like Giles as no matter how much he may personally like these kids, he is not their father, and there is only so much he can do for them when he's still feeding them into the same system. Giles loves Buffy, Giles wants to protect Buffy, Giles is a part of the system that exploits Buffy. Giles is an adult asking Buffy to risk her life to save the world.

Gojo goes out of his way to recruit Megumi, Yuji, and Yuta among others. Gojo still doesn't let them be anything other than sorcerers, and as sorcerers they're still guaranteed to one day die and probably die young. Gojo wants to revolutionize the system he is, but he still sends out his students to do missions as part of that system. He's not letting them escape it, he's just making them be stronger sorcerers.

Not only is Gojo not a father figure to Megumi, he is exploiting him more or less. The option of Megumi not being a sorcerer isn't on the table. No matter how well-intentioned he may be, or how good his ideals are he's still an adult telling a child to make a sacrifice for the world.

So, there are two character conflicts with two different mentors that both reflect Gojo. Gojo cannot grow up because he's still trapped in the tragedy of his youth. He himself is not an adult, for various reasons (lack of connection to other people, trauma in his youth) he's egocentric like a child but there are children in his life who need him to be.

Gojo also cannot be a proper adult, because he is part of a system that exploits children. We see what the system does to proper adults like Nanami, he shows us just how much well-intentioned adults struggle to help kids under sorcerer society so how about Gojo who thinks being a sorcerer is really fun. A proper adult would never send kids on those missions, they'd find some way to shield them but Gojo cannot do that. Because sorcerers are short staffed and innocent people will die if he doesn't. Because Gojo isn't the sorcer-king of Jujtusu Society and is working within it to affect change. There are reasons, but still Gojo is failing to live up to his desire to protect children because he's not doing what a responsible adult should do in this situation.

Gojo's failures are two-fold, and yet it's because of those failures that he was a main character who got as much special plot attention as he did. If Gojo was a perfect teacher he wouldn't be a character. After all, we relate to the struggles of other human beings we see onscreen in television and in movies so why would we care about a perfect character?

Gojo has a lot more to say about teachers in shonen manga, and also about childhood vs. adulthood as a bad teacher struggling to be a good one, then a teacher who's already perfect. Nanami said those lines because he wanted us to understand the audience that this is who Gojo is, he is a selfish and egotistical person who nonetheless was trying to do good things.

#jjk meta #gojo satoru #satoru gojo #nanami kento #kento nanami #jujutsu kaisen meta #jujtusu kaisen #jjk spoilers #jjk 236 #jujutsu kaisen spoilers

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underdark-dreams · 7 months

Note

ok, I'm too cowardly to actually reply to your post about Rolan/ Dammon headcannons/ prompts but here are a few:

Rolan:

-He finally gets to be hero, he saves Tav from some scenario and when Tav is thanking him he has no idea what to do with himself.

-Cal and Lia being siblings and absolutely embarrassing him anytime Tav is around. (Sharing embarrassing but endearing stories from when they were younger, hinting at his feelings for Tav, making kissy faces from behind Tav when he's trying to have a conversation.)

-Also, I just have a feeling that he's a jealous green monster whenever someone who isn't any one the companions try and talk to Tav.. especially if its another wizard.

Dammon:

-Him trying to muster up the courage to ask Tav out when he has his shop in Baulders Gate.

-Dammon would 100% be the type who wants to court someone the 'proper' way, but could be convinced otherwise.

-He seems like he would act like a love sick puppy when he's in love.

Thank you for this delicious bouquet of ideas!! 🖤 Twirling my hair over these!! I do want to save a few for fics, but I couldn’t look at this in my inbox any longer without writing out some headcanons:

Rolan

[Cal & Lia embarrassing him around Tav]

The three of them have a super close bond underneath all the bickering. So the absolute second Rolan catches feelings, Cal & Lia smell blood in the water

Honestly they probably catch it before Rolan admits him to himself

When Lia starts to drop hints or Cal asks if he’s gotten up the nerve to kiss them yet, Rolan is like "what? stop being stupid"

But then he turns away & checks in with himself for a second & he's like "oh fuck"

Rolan makes an effort to only interact with Tav far away from his home, his workplace, the general vicinity of his neighborhood in Baldur’s Gate—basically avoiding anywhere they might run into his sister or brother. They already make him nervous enough

But once they start getting closer he also really wants to bring them home, so at some point, he’ll suck it up and face this potential trainwreck head-on

His siblings make light conversation over dinner about what Tav’s been doing or working on lately. Lia’s like “oh yeah Rolan mentioned that, you know he talks about you a lot, like all the time”

Tav’s hand silently taking his under the table is the only thing that could distract Rolan from snapping back

Somehow, Rolan is even more embarrassed when his siblings start genuinely reminiscing and telling Tav stories about the three of them growing up in Elturel

He’ll chime in if Tav asks him a question, but otherwise he’s pretty quiet. Rolan doesn’t want them to think about him as a refugee or an orphan

In his mind, he still thinks he needs to be powerful and significant in order to truly deserve Tav’s affection

If Rolan paid any attention, he’d realize that Cal and Lia talking up what a stubborn, protective big brother he’s always been is putting stars in Tav’s eyes

[Jealousy]

He’s so fucking jealous and it drives him crazy

Rolan likes controlling the narrative, keeping any vulnerability under control & well hidden from others, etc.

Falling in love with Tav creates a big complication in the way he usually operates

Once he’s master of Ramazith’s Tower, he has a certain amount of social obligations—hosting members of the wizarding community, professional gatherings, etc

And Tav is an integral part of his life now, so they'll always be involved to some extent

Midway through the evening, Rolan glances across the room and sees one of his colleagues talking much closer than he'd like to his beloved. As he watches, their hand actually reaches out to touch Tav’s elbow

Whatever he's doing or whoever he's conversing with is abandoned without ceremony

Rolan does that thing where he casually walks up to join the conversation and places a hand on the small of Tav's back, just resting there with a slight smile as he pretends to listen. But he’s staking his claim

In his head the gesture means step the fuck back, this person is with me. It’s honestly about as subtle as a sledgehammer

After they're finally alone again he'll probably want to fuck Tav on his desk or against one of the bookstacks in the Tower

Capturing them for himself and hearing them moan his name and making sure they know they’re his

Dammon

[Working up the courage to ask Tav out]

He’s been really glad their paths have converged here and there along the way, but nothing could make him prouder than when Tav comes to visit the Forge of Nine Hells in the city

Dammon is completely in his element in Baldur’s Gate

He’s pretty modest and down-to-earth, but he feels a swell of pride when Tav finally sees him running a proper forge. It’s how he always hoped they’d see him

And is it just his imagination, or does he see them…often? Almost every day they’re dropping by for one reason or the other, and they seem to linger to chat and watch him work

The hints that they’re interested are all Dammon needs to start working up his courage to make a move

He's alone and tied to his work most of the day, which gives his mind ample time to run through different options

Getting the timing right drives him a little crazy. So often Tav is in a hurry, or with their companions, or he's got a rush commission that he has to get finished

When he finally finds the moment, he’ll probably come right out with it & ask them out for a drink. He wants something simple where they can talk, plus smithing is thirsty work

When Tav agrees with a smile, Dammon drops everything, his leather apron snagging as he pulls it over his horns in his haste to get going

Gathers his courage and puts an arm around their shoulders as they walk

With anyone else Dammon would be self-conscious about how he smells like iron and smoke and sweat all the time. But if anyone can look past it it’s Tav, with everything they’ve been through

A feeling that's confirmed when they lean further into him with a laugh

[Being totally lovesick over Tav]

The definition of devoted

He would 100% be that type of boyfriend who likes to be always touching Tav when they’re close

Prefers to rest his hand on their hip while they’re side by side, maybe on the curve of their ass if he can get away with it. The contrast against the doting look in his eye is classic Dammon—sweet and hot

It's not a possessiveness thing, and he'd tone it down if Tav asked, he's just super into them & touching them feels natural

Just in general, he loves telling Tav yes and has a very hard time telling them no

At the end of the day, Dammon likes to pull Tav down to sit on his lap and talk about their days. He might stroke their hair or rub their back while he listens, just helping his love relax at the end of a long day

Dammon’s used to being a single bachelor and taking care of himself, but he discovers that he adores when Tav does little things to dote on him or pamper him

One night he comes home with the usual soot stains on his skin and ache in his shoulders to find that Tav has drawn him a warm, pleasant-smelling bath. Ignoring any mild protests, Tav insists on helping him peel off his sweaty layers and sink in, then loosens his knot of hair to gently lather and wash his locks. The feel of Tav’s fingers and nails massaging his scalp is the most loving, tender thing. Dammon feels like he could fall asleep right right there in the water under their hands

He calls Tav all kinds of pet names: darling, love, dearest, gorgeous, sometimes angel if he's feeling especially whipped

Dammon is one to say "I love you' freely and often, but hearing Tav say it back never fails to make him sigh with happiness

#mildly spicy #dammon x tav #rolan x tav #bg3 dammon #bg3 rolan #rolan bg3 #dammon bg3 #bg3 headcanons #bg3 spoilers #baldur's gate 3 spoilers

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ghostkennedy · 1 year

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Runaway Bride

~Leon Kennedy x fem! Reader~

Word count: 3165

Content warnings: arranged marriage, readers parents are mean, gender roles, patriarchy standards, arguments, super feminine wedding gown the whole 9 yards wedding stuff there, panic attack, kissing, leon driving (shits scary okay)

!!!!!!!!MINORS DNI! GHOSTKENNEDY IS STRICTLY 18+!!!!!!!!!

“Are you sure this is what you want? I genuinely just want you to be happy,” Leon said, eyes full of concern.

“I want to make my parents happy. He is a good guy and I think I could be happy with him,” you replied. It’s hard to believe your wedding day is tomorrow. You spent so many years disobeying your parents and doing everything in your power to drive them crazy. They want you to marry Todd so much; it’s practically all they’ve talked about for the past two years. Four months ago you finally accepted his proposal and now–now it’s almost midnight and you’re still up talking with your best friend, Leon.

“I don’t think you should marry someone just because it’ll make your parents happy. Do you love him? I think the only reason you should ever get married is because you love someone.” Leon has repeatedly said these same things since you told him about Todd. How does he not understand that backing out on your marriage to Todd would be the nail in the coffin on your relationship with your parents.

“You know the answer to that, Leon. I wish it were that simple. I wish I did love him, but I can work on that. I could love him. I need to make my parents happy. I don’t have a choice here, okay? I have to do this,” you said more angrily than you should have, but once Leon let out a chuckle and was shaking his head, you decided you weren’t nearly angry enough with him.

“You don’t have to do anything, Y/N. If your parents don’t want you to get married for the right reasons, then maybe you should stop trying so hard with them. Don’t you see that you don’t need them? You don’t need to marry him, you don’t need to do anything!” Leon exclaimed out his last ditch effort to get you to come to your senses. It’s not that you don’t know these things to be true, but your feelings are, well, they’re complicated.

“Maybe you should just go,” you say getting up from the couch you two were sitting on. How can he not see how difficult this is for you? How can he not just respect your decision? You turn to walk away, but Leon darts up and grabs your wrist stopping you.

“I can see it in your eyes, Y/N. You don’t want to marry him. Anytime you talk about him or anyone mentions him your eyes stay blank. I’ve seen you more happy to talk about a fucking pizza, Y/N,” before Leon can continue you interrupt him.

“Oh, I’m sorry, I didn’t realize you knew everything. I should’ve realized you know me better than I know myself right?”

“Maybe I do. If you believe this is actually what you want, then you are delusional. Your feelings show so strongly on your face and they always have. You don’t need me to tell you. You know how you feel, all you need to do is be honest with yourself,” Leon said, staring right into your eyes. The rage slowly crept up from the bottom of your spine, up into your shoulders, until all you could feel was anger.

“Just get the fuck out Leon,” you yelled at him but he just continued to stare at you. “Go!” you yelled louder than before and he just shook his head as he began to walk away.

“I won’t be attending your bullshit wedding, but I will be outside in the car. If you come to your senses before you make such a grave mistake, I’ll be waiting,” he turned to you once more.

You stomped to the door, opening it and pushing him out into the hallway of the hotel, before slamming the door behind him. You were shaking with anger as you stormed back to the couch. Your body vibrated with anger; it encompassed your whole being, you felt it deep in your soul.

Before you could stop them, the tears started rushing down your cheeks. Then something in you just fucking broke, shattered completely if you’re being honest, and the uncontrollable sobbing started. Everything is so hard all of the fucking time, why does he have to make things so much harder?

You look into the floor length mirror, staring at yourself in your wedding gown. You’ve never felt so emotionally drained before in your life. You hate this venue, you hate your dress, your veil, your makeup, your hair, your bouquet. Nothing is how you dreamed it would be. You picked everything your mother liked. It’s not like your father would pay for anything she didn’t like anyway. Maybe you hate your parents too. No, what are you saying? They’re your parents, you love them because they’re your parents.

You can’t stop itching your neck. You feel like you’re choking with this high neckline. You can feel the tulle of your dress all over your skin and you hate it. It feels like you can’t move in this stupid princess ball gown. How are you even going to fit out the door? You pull the blusher of your veil, which makes the veil so much worse, over your face. Do you even exist underneath all of this fabric? Have you ceased to be beneath it all?

You hear a knock on the door and you roll your eyes. All you want to do is be alone right now. Well, maybe not alone, but you know whoever is at that door isn’t the person you want it to be. What if it is though? Maybe those dirty blonde locks and pretty blue eyes will come through the door and make everything better. He’ll reassure you that everything is fine and that you got this. “Come in,” you say barely loud enough for the person on the other side to hear. You hold your breath hoping for him, yearning for him.

Your heart sinks when your mom comes rushing in. “Honey, you look perfect! Straight out of a fairytale. Such a princess!” your mom beams at you.

“Thank you mom,” you say looking back into the mirror.

“Isn’t it everything you’ve ever dreamed of?” she says as she pulls your blusher back behind your head so she can get a good look at the work done to your face and hair. You try to force out a smile at her, but it feels impossible so you just slightly nod your head. Your mom’s face goes cold at your reaction. She grabs your cheeks and stares directly into your eyes. “Cheer up, Y/N. Don’t fuck it up,” she spat.

“I’m not gonna fuck it up, mom. I’m just nervous, that’s all,” you lie through your teeth. Nothing is fine and you’re going to completely fuck this up.

“It’s just a wedding dear. You go out there, put on a nice show for everyone and then you go home. That’s when the hard part actually starts, so get it together,” she said and released your cheeks from her grasp.

“Wait, what do you mean? About the hard part?” you asked confused.

“Marriage isn’t a walk in the park–but your father and I expect you to do a good job. Be a nice, polite wife. Be quiet and take care of your husband. Keep sweet and life will be easy. Todd will tell us if you cause any trouble for him, but you won’t. We trained you better than that,”

“Trained? Like a dog?” you asked, causing your mom to snicker.

“Well yeah. We taught you good manners and good homemaking skills. Like good wife training or however you’d like to refer to it,” she said waving you off.

“You raising me?” you asked, almost horrified.

“Yeah,” she said as she started to walk out of the room. “Your father will be here in about 10 minutes to walk you down the aisle. Be ready,” she closed the door and you had to physically stop yourself from running out of the room. Although, you’re not sure why you’re stopping yourself. How bad could it be to marry someone 10 years your senior, who expects you to take care of him and however many children he wants you to have and whatever wifely duties he deems necessary.

It could be really fucking bad. Terrible. Completely miserable. But if you can’t marry the person you actually love, then marrying into wealth while making your parents happy is the next best thing. Right? You look at yourself in the mirror again. How many people have to convince themselves to go through with their wedding on their wedding day? Surely it’s not just you.

You felt suffocated within these four walls of your bridal suite. Your heart rate was steadily increasing, sweat breaking out across your forehead. No, not a panic attack. Not right now. Focus on your breathing, 1 2 3 in, hold 1 2 3, and out. Nope, this is not at all helping. Where’s Leon when you so desperately need him? You can’t even fathom a point in your life when you could possibly need him more and he’s just not fucking here. How could he let you do this by yourself? He’s your best friend!

And there’s the deflecting. This is where your mother really shines through you. You always promised yourself you wouldn’t blindly deflect blame onto others for your own problems, your own mistakes. Yes, you understand that growth is being able to acknowledge this thought process and correct yourself, but why does your first instinct always have to be projecting onto someone else? Right, your mother has continuously done that since the day you were born. You guess it’s not hard to see where it came from when you’re not too busy deflecting.

Stop fucking deflecting! Maybe you could try allowing your body to go into autopilot. Put on your big girl game face and say your “I do’s” and become Todd’s trophy wife and do his bidding and completely lose your sense of self. You can’t do this. How are you supposed to do this? The only man who you could ever love isn’t here to help you, how can you ever get through this? You need the man you love here to help you get married to the man you don’t.

And then suddenly the panic stops and all of your jumbled up, foggy thoughts clear. The man you love. The man you would do literally anything for–the man you would give up your own life for any day of the week. You’ve spent years convincing yourself that your future wasn’t yours to decide, how could you ever hold it in your hands when your parents kept such a firm grip on it? Why fight for someone’s love who will never deem you worthy enough of it regardless of what you do?

Love should be freely given, given unconditionally with no strings attached. Love shouldn’t be held over someone’s head, to force them into obedience. But here you are, a grown ass woman still vying for it from people who would rather die than give it to you for free. The people who could put a price tag over anything, including a human emotion. Maybe you are delusional and have no idea what love actually is. You’d never given an absolute love and you weren’t sure that you had ever received it in your entire life.

Except you have, and you love him as absolutely as he loves you.

Fuck it. You bunch up your puffy dress and pull the tulle underskirt out from underneath it, immediately feeling a hundred pounds lighter. You unstrapped your high heels, pulling them off and throwing them to the side. Dropping your dress back down, you stare at yourself in the mirror again. Are you really going to do this? Whichever choice you make, there’ll be no going back. So what do you choose, your happiness or the approval of those whose approval isn’t really worth much regardless?

Well, isn’t it obvious?

You cracked open the door to your bridal suite, looking out into the hallway. One way led down to the grand hall where the ceremony would be taking place, the other way leading to a side door that’ll take you out to nearly the front of the building. You could hear the muffled music coming from the grand hall as everyone prepared for the ceremony. Not a soul was to be found in the hallway. It really is now or never.

With one finally deep breath, you were bunching up the front of your skirt to your knees so as to not trip over it. And then you were off, running for the side door as fast as your feet would carry you. Your fast heart rate was debilitating back in your suite, but now as you ran for the door that would lead you out into the hot, summer sun, the feeling of your heart racing in your chest was exhilarating. Fuck this wedding and fuck this dress. The second you’re able to, you’ll be ripping it off and tossing it to the wind.

You went crashing through the side door and your bare feet hit the hot pavement. You quickly glanced around in every direction. You didn’t see anyone out here, which was a relief, but was also worrisome because that also meant you didn’t see a certain someone as well.

Another deep breath and your bare feet were booking it through the grass, running directly for the road ahead. You came to a halt right before coming into contact with the pavement of the street looking all around for that car you’d ridden all around this town in. Your eyes wildly searched every piece of the street, eyeing every single car in the vicinity. Your hope started to dwindle when your eyes never landed on that shitty, little jeep.

Your heart sank as the possibility of Leon not bothering to show up at all sank in. And you couldn’t blame him, after the way you’d treated him last night, he truly owed you nothing. Maybe he decided you didn’t deserve an out after living mindlessly in a bubble for so long. Why would he want to sit outside and wait, wondering if you were really going to go through with this? Leaving him in the dust of what could’ve been. If you were in his position, you’re not sure you could’ve endured the pain of it either. But you’d always been a coward. And it seems being a coward could potentially have fucked up your entire life.

“No fucking way,” you were pulled from your thoughts as Leon stepped out of an alleyway just down the road. His voice was filled with shock, and it perfectly matched the look on his face. Your heart felt like it could burst from happiness at the sight of him standing on the tree lined sidewalk before you. The breath you didn’t know you were holding left your lips, leaving you beaming a huge smile at the man at the end of the sidewalk.

Once again, you bunched up the front of your dress and somehow managed to run faster than you had to get to this point toward him. A smile rose on his face, rising all the way up to his eyes as he watched you run for him. You reached up into your hair and pulled your veil off, letting it blow behind you in the wind. His arms opened up wide, ready to embrace you as you got closer and closer to him. No matter how small the distance between the two of you became, it was never enough. It wouldn’t be enough until you were engulfed in him.

And then you collided with him. His arms wrapped around you tightly, pulling you off your feet as he began to spin you around in a circle. Your arms wrapped around his neck and you raised your feet up further, pulling them into you as close as you could with the dress you were wearing. You two were staring into each other's eyes as giggles fell from both of your lips. You could see the sparkle in Leon’s eyes as he beamed at you. He was practically glowing, radiating happiness and relief.

He looked so kissable like this. So, you kissed him. You closed the measly few inches separating your lips. Your eyes flew shut and Leon’s soon followed. After so many years, never having kissed him, the feel of his lips sent shock waves through your entire body. Fuck, if you had kissed him sooner, you would’ve long been Mrs. Kennedy and never would’ve found yourself in such an unnecessary situation.

His lips parted from yours as he stared up at you. “You’re the most beautiful bride I’ve ever seen,” Leon said, causing you to have to fight the blush threatening to break through your cheeks.

“I think I was always supposed to be your bride. Should’ve been a long ass time ago,” you spoke to him softly. You aren’t sure how he managed to pull you closer, but he did as he pressed his lips to yours again. His kiss was so much more intense this time and you found yourself getting lost in the feeling of him. You know you couldn’t possibly deserve it, but you still hoped you could spend the rest of your life feeling just like this.

“Y/N? Where the fuck are you?” you heard your mothers voice in the distance, pulling you from your thoughts of Leon. He broke the kiss and set you back down on your feet.

“Well, sweetheart, I think it’s time to bail,” he said, grabbing your hand, lacing his fingers with yours.

You couldn’t help but laugh, “I think it was time to bail a long time ago, but now's as good a time as any.” And then you were both running together, him leading you down the alley to his beat up jeep. He quickly brought you to the passenger side, opening the door and helping you climb in. He had to stuff the big skirt of your dress in over you, but he somehow managed to get it all in before slamming the door.

He ran around the backside of the car before throwing himself into the driver's seat and starting up the engine. He switched the gear shift into drive before turning and looking at you, “You ready?”

With both of your hands, you reached out and brought his mouth back to yours in a scorching kiss. Without needing to say anything, this moment between the two of you said everything. You smiled up at him as your lips separated once again, “Get us the fuck out of here, loverboy!”

And then he was flooring it down the alleyway, away from the wedding venue, heading towards forever you hoped.

~masterlist~

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luvghostie · 2 years

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╰┈➤ 𝐂𝐀𝐋𝐋𝐈𝐍𝐆 𝐒𝐋𝐀𝐒𝐇𝐄𝐑𝐒

𝐃𝐀𝐃𝐃𝐘/𝐌𝐎𝐌𝐌𝐘༊*·˚

{𝘎𝘕 𝘳𝘦𝘢𝘥𝘦𝘳, 𝘴𝘦𝘮𝘪 𝘕𝘚𝘍𝘞, + 𝘓𝘢𝘯𝘨𝘶𝘢𝘨𝘦}

*ೃ༄ 𝐌𝐢𝐜𝐡𝐚𝐞𝐥 𝐌𝐲𝐞𝐫𝐬

When you called him daddy for the first time it took him aback...and he's a ruthless serial killer- he obviously didn't say anything but the name made him hard just hearing it. The feeling was quite unusual for Michael. The name sent a feeling of pure pleasure throughout his body.

Now you call him daddy any chance you can. No doubt you'll be fucked until you can't think straight anymore.

*ೃ༄ 𝐁𝐚𝐛𝐲 𝐅𝐢𝐫𝐞𝐟𝐥𝐲

Baby is a chaotic but fun person to be around. If she finds interest in you, gender and mental state won't affect her. Baby likes you for you, if you were innocent she'd love you even more. Yes, she kills people but she knows something good when she sees it. Even mother Firefly likes you!!

Baby seems like the dominant type as she likes power. So, when you called her mommy it only filled her ego more. She'll be all over you as the name is something that triggers sexual desires. She'll make you say it again finding enjoyment in your humiliation and will fuck you all night long. (Otis most definitely heard you and told you guys to shut the fuck up)

*ೃ༄ 𝐎𝐭𝐢𝐬 𝐃𝐫𝐢𝐟𝐭𝐰𝐨𝐨𝐝

Let's be honest, you've been calling Otis daddy since you two first got together. His manners and the way he carries himself just give off the vibe. The name ate away at you until you finally said it. Oh boy, the number of times you two fucked that night was unbelievable.

It's like a habit now. Sexual activity or not, it's a slip of the tongue and a nickname you call him 24/7. Baby thinks it's cute but she doesn't want to hear you guys fuck. The poor girl already has trauma from the brief things she's walked in on.

*ೃ༄ 𝐂𝐚𝐩𝐭𝐚𝐢𝐧 𝐒𝐩𝐚𝐮𝐥𝐝𝐢𝐧𝐠

Spaulding didn't expect you for the kinky type. The innocent-looking ones are always the kinkiest. But, he likes the name and even makes you call him daddy in embarrassing situations. Out in public? You know he'll make you call him it just for humor or to make others uncomfortable.

In the bedroom, the nickname is still a must. Spaulding loves it when he feels in control. Having you a moaning mess saying his favorite new analysis, it's absolutely perfect.

*ೃ༄ 𝐓𝐢𝐟𝐟𝐚𝐧𝐲 𝐕𝐚𝐥𝐞𝐧𝐭𝐢𝐧𝐞

Look at her, it's no surprise you call her mommy. When you use the nickname she finds it rather flattering. She's had many exes in the past, (Chucky being one of them) who love her dominant side. She knows what she wants and how to get it.

Like Otis, she'll fuck you harder than you possibly could imagine. Reminder, this girl is super freaky and will tease you to the point that you can't take it anymore. That bright pretty smile never leaves her face while you scream her name.

*ೃ༄ 𝐃𝐨𝐨𝐦𝐡𝐞𝐚𝐝

You guys were in the middle of having sex when you accidentally called him daddy. He stopped himself before asking you to repeat what you said. He's been called that name many times, coming from you though, it feels right.

He'll have you call him daddy whenever you need anything. The name makes him feel powerful over you and turns him on so much. I have a good feeling you guys fuck every night because of it.

*ೃ༄ 𝐃𝐨𝐥𝐥𝐟𝐚𝐜𝐞

Dollface is a very complicated person. She can be sweet then turn around and eat your heart out. When you guys did have sex, being called mommy was the last thing she expected.

Doll likes the name shockingly. She makes you say it now and then as it makes her happy. However, She won't push you to do anything you don't like. If you want round two or want to make love more often just let her know.

*ೃ༄ 𝐀𝐫𝐭 𝐭𝐡𝐞 𝐜𝐥𝐨𝐰𝐧

This man will either find it very funny or very sexy. There's no in-between. When you guys do have sex it's always full of new experiences. Once, Art blew an air horn in your ear while you were fixing to cum. You punched the shit out of him which he found absolutely funny.

*ೃ༄𝐁𝐢𝐥𝐥𝐲 𝐋𝐨𝐨𝐦𝐢𝐬

Billy actually asked if you could call him daddy. He'll admit it to you, the word coming from your mouth sounds like heaven. Gosh, say it all the time and he'll fold.

Billy loves seeing you beneath him and when you moan daddy- boy losses all self-respect. He isn't ashamed to ask you what his ‘name’ is. Every time you say anything besides daddy he'll just go faster.

*ೃ༄ 𝐒𝐭𝐮 𝐌𝐚𝐜𝐡𝐞𝐫

Daddy? He never expected you to call him daddy. No one's ever called Stu something like that before. The common, baby, babe, and a nickname they've given him have always been usual. This is a new leaf though and from now on that's the only name he wants you to call him.

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buff-muffin · 2 months

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List of Doflamgingo and Corazon headcanons cause doomed siblings

1. Both brothers have extremely expressive eyes, they got them from their father. You can always tell what their thinking by looking at their eyes. Dofi was aware of this from a young age realising he could never tell what his brother was thinking because his hair covered his eyes. So he started wearing sunglasses. This kept him from being readable and stuck with him all the way to adulthood. This however also impacted Rosi as the entire time he works under Dofi he wears glasses to not let his intentions be read and thoughts understood, but the second hes with Law alone after finding out hes a D he took them off and let himself be readable for Law if it made the boy feel safe.

2. Doflamingo was always rather strong for a child and that came from helping his younger brother out. There were countless times where Rosi wanted to hold his hand yet when he tripped he would drag Dofi down with him. So he got strong enough to be able to pull his brother back up and not be taken down with him

3. Rosi was super clingy when he was small. Before and after they suffered on the streets, physical touch was such a love language for him, Dofi while never fully comfortable with it, was always sure to hold him… Now Corazon hardly even leans on him. It makes an old wound of Dofi’s ache

4. When Corazon first reunited with Dofi and he had time to process the fact his brother had gone MUTE after what happened years ago. Dofi wasnt sure what to think. While he felt no guilt for what he did and put his brother through a part of him feels almost pity, thinking his crybaby of a brother managed to scavenge around on the streets and survive without uttering a word. He felt pity, maybe remorse yet pride. That his bumbling younger brother had grown strong

5. One thing Dofi found odd about Cora was why he didnt use sign language despite being mute. When asked Cora explained that he never found a reason to bother learning. After all its not like people are going to go out of their way to learn sign for a random hungry kid on the streets. Dofi made sure all the family knew basic and needed signs so his brother could communicate needs quicker. Things like ‘help’ ‘thank you’ and names.

6. The sign Dofi used to symbolise corazon wa s a fist over the heart that he would clench twice to mimic a heart beat. It always gave a twicted idea of squeezing a heart. Law on the other hand would knock on his chest slightly to the left as if to knock on his own heart, this was because on minion island it was getting hard for him to clench his fists and found that sign far easier. Cora loved it.

7. As much as Cora’s muteness made things more complicated. There was a power aspect of it that Doflamingo enjoyed. There was something about the fact he knew that that no matter how bad shit would get Cora wouldnt speak and he would not tell anyone of their life before hand made him feel powerful, in control. Cora could be kept on a close tight leash and that, in the end was the biggest reason he doubted Corazon to be the traitor. He truly though if his brother could not speak there was no way he could help the marines. Though the longer he was there and the realisation of his capability and strength slowly made him doubt that logic. Until he left and the marines stopped.

8. When they were children, Dofi was still a rather stuck up and serious kid, always waiting for the day he was an adult and could take charge. Rosi however was the only one who could make him laugh. It was this dark spell his brother always had in his back pocket. The faces he pulled, the little shows he put on all of it made Dofi laugh. Rosi pulled out all those same tricks to make Law laugh

9. It took Rosi a really long time to stop flinching at the sound of gun shots. While Sengoku was a reasonable parent and did not put Rosi though any kind of intense training until he was ready for it. Gunshots was one of the hardest things to help the boy overcome.

10. Rosi was always a quite kid. He was never particularly chatty or asked a lot of questions. Usually just making squeaks when he fell. But after what happened he was mute for a while with Sengoku. Afraid to speak up as his brother had found him weak for making noises crying. It took him a while and Sengoku was willing to work with him when he didnt speak, but Rosi found his voice and started speaking though still never often, When he ate the calm-calm fruit not much had changed in the talking regard

11. Rosi has used the calm bubble to scream and cry once in the privacy in his own room. Yes he knew what he signed up for as Doflamingo’s corazon. But that didnt mean his heart didn’t ache whenever he had to take lives or threatening innocence

12. Every time he had call check ins with Sengoku, Rosi’s voice would crack just a little, the lack of use taking its effect on his voice. Even Law heard it once or twice in the start of them travelling together.

13. Corazon originally had an identical feathered coat as Dofi, but between the fact it no longer made doflamingo look like the one on top, and Cora kept accidently burning the feathers. They switched him to black. Now no one can see the burn marks unless you really look

#been trying to find good fics that explore their dynamic IM STARVED #DOOMED SIBLINGS MY BELOVED #donquixote doflamingo #donquixote rosinante #donquixote brothers #rosinante corazon #trafalgar law #donquixote family #one piece #one piece head canons #I genuinely love exploring the concept Dofi did love his brother #yes I spell it Dofi with an I suck my dick #I call him corazon when he’s undercover Rosi when he’s himself just fyi #rambles

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valentine-writes · 8 months

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their "i love you"s and other drabbles...

「 tws + notes: no tws, HEAVILY unedited, a little angst in sum partz but f it we ball (THERE'S SUMN WRONG W/ ME I NEVER DO THIS MUCH?), fluff, tried to add a lil bit of everyone, little thoughtz abt the characters,,, 」

↳ ft. ben reilly/scarlet spider, gwen stacy, hobie brown/spider-punk, jessica drew, lyla, margo kess, miles morales (1610 and 42), miguel o'hara/spider-man 2099, pavitr prabhakar, peter b parker, spider-man noir, and the spot/johnathan ohnn

「 gn!reader, romantic relationships <3 」

author's note: not my usual content but thought it wud b fun to whip up a few drabbles,, (´。＿。｀) diff format than usual too! all separate and stuff, w/ the characterz at the bottom being the ones the drabble applies to the most (ALL CAPZ MEANS I THOUGHT IT FIT THEM SUPER WELL!!!!) thought it wud b fun,,, altered lyrics are italicized, itz jus a pronoun change 2 make it gender neutral (❁´◡`❁) edit: my tags. do not fit. so i had to redo them. reblogz r super appreciated ^_^ i jus wanna make sure all fans of these characterz are being fed content <33

[ please don't forget about me - pompey ]

"and if you see me everyday / will I lose my shine?"

↳ always terrified of not being exciting and new to you– like one day, their appeal will fade. not like they understand what drew you to them in the first place, but they never asked. maybe you're just hanging around for the hell of it. maybe one day, they'll watch you leave and they'll have nothing to convince you to stay

"how many bad jokes will it take? / or awkward quiet times?"

↳ they wonder if they're already losing you slowly. everytime they speak to you, it's like they're trying to compensate for something. begging you to look at them– but not too close,,, just in case you notice how brutally flawed they are, beyond just the quirks you find endearing. maybe one day you'll look too deep into their eyes and you won't like what you see

▸ JOHNATHAN OHNN/THE SPOT, peter b parker

[ soft sounds from another planet - japanese breakfast ]

"i'll show you the way to hurt me"

↳ loving again is the biggest risk anyone who's been hurt like them could take. you make it worth the danger– the possibility of the pain they've grown all too familiar with. maybe for today, caution can be set aside. when it comes to you, they wouldn't mind letting their guard down.

"in search of a soft sound from another planet / in search of a quiet place to lay this to rest."

↳ they have to admit their past has burdened them in ways they can't even begin to communicate. they know you can't fix everything that has been broken in their lives. still, the comfort you provide is never taken for granted. you are their safe space– the soft sound from another planet. their quiet place to finally lay it all to rest. and suddenly, the aching in their chest doesn't eat them up inside as much as it used to.

you make it easy to love again.

▸ GWEN STACY, MIGUEL O'HARA/SPIDER-MAN 2099

[ our lullabye - miracle musical ]

"i was made for you / you were made for me"

↳ it's hard to believe that you're more than just a distant fantasy sometimes. they can't deny how much they've yearned for a love like the one you two share. something so sweet, so real. it's nothing like the movies or the fairytales, but is anything ever? even when things are messy and complicated, it's undeniable how perfect it all feels. how everything about the two of you just fits. they're inclined to thank every shooting star they've ever wished on, every birthday candle they've ever held their deepest desires in as they blew the flame out for the day you two met. by any manner of higher power or forces unseen to the human eye, they're certain fate was on their side to give them such a blessing.

"i'll love you 'till you're gone / our song goes on and on"

↳ they're determined to hold on as long as possible. all good things cannot last– but they try not to dwell on that thought. they hold onto the hope that you're the one thing that will stay. your love feels divine. radiant, in the way it overtakes them fully. they almost feel undeserving. so, no matter how small or how grand the action, they try to remind you every day, "i love you"s woven into their every being whenever you're around.

▸ lyla, SPIDER-MAN NOIR, johnathan ohnn/the spot

[ i will - mitski ]

"everything you feel is good / if you would only let you"

↳ sometimes they feel you holding back. they can't help but notice the tension in the room as you suppress the things you want to say, silence the thoughts in your head. they know it's not easy to be earnest all the time. but they love you– they care for you. and all they've ever wanted is for you to be authentic. if it's pure, how could it ever be wrong? maybe in your own time, you'll be able to unravel in front of them. they're by your side every step of the way. to finally have you open up to them– to be real, to be honest– it would mean the world to them. they want to show you they love every single part of you. they love you when you're upset, when you're crying, when you're angry– because it's you.

"so stay with me / hold my hand / there's no need / to be brave"

↳ they offer every reassurance they can give you. you no longer have to fend for yourself. those days of being alone are over. you can crumble apart if you need– there's no need for constant bravery anymore. you did such a good job picking yourself up, time and time again. now, they outstretch a hand to you, a silent way of saying, "let me help you this time."

▸ ben reilly/scarlet spider, gwen stacy, HOBIE BROWN/SPIDER-PUNK, JESSICA DREW, lyla, MILES MORALES (1610), PAVITR PRABHAKAR, PETER B PARKER tbh all of them but shhh

[ right side of my neck - faye webster ]

"you looked back at me once / but i looked back two times"

↳ absolutely smitten with you. it doesn't matter how hard you fell. they. fell. harder. and maybe it's not obvious to you. but they've never had someone who made them care so much. some part of them feels immature for feeling so in love,, like a school kid with a puppy crush. they find it ridiculous, how absolutely lovesick and enamoured they are with everything about you. whatever you feel and express towards them, they feel towards you three times as much. they try everyday to show it.

"the right side of my neck / still smells like you"

↳ you just seem to leave a part of you with them always. they can't ignore it– can't seem to escape your presence, even when you're not physically there. it felt like spiralling to insanity at first. but they've learned to appreciate it– find comfort in it, even. the way the smell of your shampoo lingers on the pillow they leant you when you stayed over, the way that the mug of tea (made just the way you like it) is still on the kitchen table from the morning after– you left your t-shirt once and you had to ask them directly for it back. they like keeping pieces of you near. it reminds them of how loved they are.

▸ BEN REILLY/SCARLET SPIDER, gwen stacy, HOBIE BROWN/SPIDER-PUNK, MARGO KESS, miles morales (1610 and 42), pavitr prabhakar, the spot/johnathan ohnn

[ you love me - kimya dawson ]

"but when i met you, right away, i knew / you would never, ever, ever hurt me"

↳ you're used to pulling away. leave before they can leave you, before they even try to make you miss them– but the second you met them? they were insistent on proving that they were harmless. they could never dream of hurting you. and they see as you pull away, scared to get too close– and yet, every single time, they open their arms back to you.

"and the road's still long but you come along / and you hold my hand, and you understand"

↳ "when you're ready" has become second place in their favourite three word sentences. they remind you of these words constantly.

"when you're ready" means they don't mind that it's not now. ""when you're ready" means it doesn't matter how long they have to wait for you, they will. when you're ready" is another form of "i love you"

▸ MARGO KESS, MILES MORALES (1610), pavitr prabhakar, PETER B PARKER, spider-man noir

[ (you) on my arm - leith ross ]

"i wanna buy you pretty little things / and never ever lie to you"

↳ wants something simple with you. craves a form of sweet, normalcy. the mundane tasks and events of life seem far more appealing to them when you're in the picture. no, they never really imagined ever having a quiet life, yet the hope for one with you lingered. to buy you little gifts, to be the best they could possibly be to you, to drive around with you for the hell of it. they're certain anything could be heaven if you were there to accompany them.

a quiet life sounds nice.

"i'd be better armed if you agreed to take it"

↳ having you on their arm just makes them feel secure. keeping you close while showing you off to the world– showing you've got each other. they're a bit sappy for little things like this. everywhere you go, they never fail to extend an arm out to you. something about you makes them feel safer than ever.

▸ jessica drew, miles morales (1610), MILES MORALES (42), peter b parker, SPIDER-MAN NOIR

[ peach scone - hobo johnson ]

"so I fall to ground, collect myself and get ready to take over your heart / or at least your spare time"

↳ they try so incredibly hard to be the one for you. no matter what they try, they just seem to fumble and mess it up. they stumble over their words when they try to compliment you, they get weak in the knees when they try to make a move, and no matter how much they spend deliberating, and deliberating– they've got no clue how to win you over. hopefully you find their clumsy attempts endearing. they're making a fool of themself. and maybe, they haven't really said anything yet– but they're happy to at least hang around you in the meantime

▸ BEN REILLY/SCARLET SPIDER, gwen stacy, MILES MORALES (1610), spider-man noir, the spot/johnathan ohnn

[ dan the dancer - mitski ]

" he liked them more than life itself / i'm sure "

↳ he was quiet in the way he expressed his adoration. still, he did everything he could to ensure you would never go unloved. the way he looks into your eyes, taking you in like you are the loveliest thing on earth... it's only fitting. you're his world. maybe in the silent moments, when his fingers gently brush your cheek, admiring you– you'd begin to understand this.

▸ MILES MORALES (42), MIGUEL O'HARA/SPIDER-MAN 2099

[ lover // over the moon - alice phoebe lou ]

"i'm a lover / i feel it now / i'm a lover / just never knew how"

↳ they don't even try to hide how much they enjoy your company. you're special to them– why would they try to hide that? at this point, whenever you feel arms wrap around you from behind, you've learned to see their grinning face when you glance over your shoulder. maybe they've never been particularly shy about most things,, but now they're just twice as loud. it's inexplicable, the things you do to them. they hadn't anticipated being so utterly soft,,, not like they're complaining

▸ hobie brown/spider-punk, PAVITR PRABHAKAR

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portraitofadyke · 5 months

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I think the reason so many Izzy stans struggle to understand the Izzy callout posts is because in their mind, what we are trying to say is that Izzy is a super obvious abuser and Ed is an innocent little victim.

Their dynamic is obviously way more complicated than that. This show is full of immensely layered characters - something that makes it so unique. Ed and Izzy are complicated, too. It would have been easy to make Izzy a power hungry abuser and Ed the obeying, scared victim.

But it's their power dynamic that makes this so interesting and complicated. Ed is clearly the one in power to most people, and yes, he is Izzy's boss and Captain and he holds power over him, too. But Izzy holds the power right back. I saw the comparison of Izzy being a fame hungry manager of a celebrity, (@57flagsofdeath), somebody who just wrings them dry, ignorant of their suffering, and it stuck with me (pls tag the person if you know them). Ed is Blackbeard, history's greatest pirate, and Izzy's just his First mate, his second-in-command.

And Ed is clearly tired of that persona, Izzy sees that he's at the end of his rope, seeing death as his next adventure, and the moment he steps on the Revenge and sees that Stede does things differently, he is estatic.

Another person here did a very good post how both Izzy and Ed are victims of toxic masculinity, and on board of the Revenge, Ed starts shedding his. We know that Ed's been 'more crazy' for a while and Izzy is fed up with him. For Izzy, there is no Blackbeard and Ed, there is just Blackbeard. Happiness, giddines, being open and excited and soft or God forbid, falling in love for an even softer man is not masculine, and it's not worthy of Blackbeard.

Izzy knows Ed is happy with Stede, he admits so in his inner monologue in s6. That's what makes him want to kill Stede even more.

This episode is honestly, along with The Innkeeper, is the only proof I need to prove that the show intends to compare Izzy to Ed's father and Hornigold. Izzy is in clear parallel with Ed's father hurting his mom while Ed just hopelessly watches, just like when Izzy attempts to murder Stede despite Ed calling him off. And what does Ed do to his father? Murders him. That's once again parallel to Ed shooting Izzy in the leg in s2.

Izzy is manipulative and he plays into Ed's Blackbeard persona. He diminishes Ed's needs and happiness to wank off over Blackbeard and his competence and masculinity. I am not saying here that Ed never does anything wrong, or that he never hurts anyone. this relationship, this dynamic is bad for the both of them. But Ed clearly projects his daddy issues on this older pirate who probably showed him the ropes of what it means to be a pirate and then decided to manage his persona and control what's good for Blackbeard, not for Ed. If Ed weren't terrified of Izzy, or his disapproval, at least a little bit, why would he just watch as Izzy fights Stede, despite the tender moment in the bathtub? because Izzy reminds him of his own dad in so many ways he feels hopeless sometimes.

But the time in Stede's presence changed Ed. It showed him things can be done differenly, despite what Izzy and Hornigold and his dad showed him. He can be tender, and soft, and vulnerable and he can be loved for being Ed. When Stede leaves him on the dock, despite being heartbroken, Ed doesn't get violent. Quite the opposite, he sulks in a pillow fort, writes sad songs and sings. Worse, he shows his vulnerable side to the crew. He tells them to call him Ed. Izzy doesn't care for Ed. Ed can die, for all he cares.

Izzy knows how to push his buttons. Yes, Ed is Blackbeard, and all his planning and maiming and violence and smoke and mirrors, but Izzy is always there to whisper in his ear, to remind him that Ed means nothing to people unless he plays Blackbeard.

My point is, Izzy is clearly shown to be abusive, not in the way most people imagine. he doesn't beat Ed, instead he constantly undermines him, threatens him, does anything he can to deny him happiness. He's emotionally abusing Ed, making him feel like he's nothing without Blackbeard, going as far as killing his significant other and selling him out to the Navy.

I think where people get confused is they think Izzy genuinely cares for Ed in S1. He doesn't. It's not until s2, when Ed is at his lowest, so far retracted into the Blackbeard persona the only thing he can do is destroy himself that he realizes what he's done. Izzy has something of a clarity moment. He knows he fucked up. We all have different opinions about Izzy's small redemption, but even the goddamned character you all try to defend knows he fucked up. Izzy knows he's done Ed wrong for years. Izzy knows the power he holds over Ed.

Izzy and Ed are not your typical form of abuse, and Ed is not the perfect victim, and people serioulsy struggle with that to the point of coming up with fairy tales where Izzy is the only Good Guy in the show who didn't deserve to get shot, Ed is bound to be domestically violent and Stede should just die, really. And that's. That's the exact opposite of what the show is telling us, quite clearly. You don't even have to read in between the lines. S2 has been kind to Izzy, made him come to terms with his mistakes, and even grow a bit (even though it was a bit rushed, but again, budget cuts), the least you can do is be happy with his ending where he got to die surrounded by people who will all shed a tear for him and send him off, something s1 Izzy, who was about to be thrown overboard tied to an anchor, would never get. Maybe actually watch the show?

#ofmd meta #ofmd #the izcourse #I'm growing tired of this grandpa #it's not hard to understand that abuse is not always the same and comes in many complicated forms #if you don't get that go back to mcu movies or something

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factual-fantasy · 22 days

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18 Asks! Thank you!! :}} 🎪

@pink088

Guuuuurl does it look like I missed the boops? XDD

(I DID miss the super boops and revenge boops tho. I was trashed on the couch and stuck on mobile all day so I wasn't able to send any back to anyone💔💔)

Uhhhmm... oh jeez lemme try to remember-- I'm assuming you mean the order I got everyone in the game..?? Cuz other than the goofy little comics I've been drawing there isn't much of a story beyond that-

Uhhh so I started with Midori(Sprigatito) obviously, thennn... I think I caught Grim(Gastly).. then I caught Gloria(Ralts). Thenn..... arrhrhhgh I thiiiink I went looking for eevees, but I found Anastasia(Shiny Kricketot) in the process and kept her. Then I picked one of the eevees I caught at random and kept him. Then lastly I found a Mareep(Bonnie) by surprise and kept her.

My memory is very poor but I thiiink that's mostly accurate <XDD If I misunderstood your question don't be afraid to send another ask! 😅

@pbjfox37147878

Sorry, I don't take requests.. But hey! You already got a solid concept going and some artistic talent, you can always make it yourself for free! :0

Not really.. I've had a surprising number of uncomfortable experiences with the fandom recently so I've decided to take a step back from Octonauts for a while..

@psype

:DD Thank you! I'm glad you like them! :}}

And yeah that's how I pictured her XDD its becuase I use her the most out of all my Pokémon-

Now she's not bossy and doesn't have a leader or "I'm better that you guys" complex, none of that! She's just very intelligent and usually very level headed and calm. I can imagine that she's gotten the team safely through a lot of complicated situations and her plans/advice have rarely led the group astray.

Plus since I use her so often, I like to think that she's one of the most powerful Pokémon on the team. If not the most powerful. So whenever the group was met with a great danger, Gloria was probably the one to rescue them <XD

So the whole group kind'a gravitates behind her and lets/wants her to take the lead most of the time. Especially when things get complicated or dangerous!

@nerdyskullcap (User in ask)

I took a peek at their blog, but I couldn't find any original art of the Conductor after quite a while of scrolling through that tag.. I only found reblogs of other peoples Conductor comics.. <:(

XD That description of Gloria is very fitting! I use her the most out of all my Pokémon and she rarely loses! XDD

This was a cool read, and hey! Some of my Pokémon have some of those attacks! :000 Gloria has draining kiss and Bonnie has discharge! :D

@cat7890

I'd like to think they've never fought before.. maybe some little bickering on a bad day, but never anything serious.

They have good communication and just generally get along really well and like a lot of the same things. So there's rarely conflict between them! :0

Thank you! I'm happy to hear that you like my artwork! :}}

As for your question.. I'm afraid I don't understand/cant explain it--

Lets say I wanna draw Mario. I imagine what the drawing might end up looking like in my head, what pose I'll draw him in and what colors I'll use.. And then I just.. draw it. It might not look exactly like what I pictured but its probably close enough.

If that doesn't answer your question, I'm afraid I either don't understand your question or this is just an art thing that I don't know how to explain. <:( Sorry, feel free to send another ask with more specifics if you have them!

@sleep-deprived-fr3ak

If Bill ever became a lawyer? All hope is lost XDD

@raven-bearden-the-interviewer42

I haven't really thought about the details of the crews travels and adventures.. but I'm sure that when Louis got cursed and became a crab monster? That was probably pretty memorable XD

Probably this one honestly <XD I cant think of anything more cursed off the top of my head-

@fawncr33k

I suppose that would be fine, but I wouldn't prefer it. As I've said many times,, just comments guys! Asks, reblogs, tags, how ever you type them. I just want comments.👍

@neo-metalscottic

No problem! Getting asks are usually a pick me up :}}

As for the Dry Bones thing, that's what I meant by "not sure how it fits into the AU yet" 😅 Who'd they fight? Why did they fight? When did this happen? No idea. Its all just a neat concept with no structure yet :// And beyond the awkward living situation with the Dry Bones today, I haven't really thought about how the Koopa culture has been changed by the war. That's just way too much thinking and I'm way too sick to bother trying to figure it out atm- 💀💔 But maybe someday I'll think it through!

Now Luigi, I had this idea that he had a bizarre encounter with a 1-UP and was later bitten by a Goomba. Over the span of say... 5 days or so..? Luigi slowly got weaker and weaker until eventually he became bedridden and actually died- He came back to life moments after but it still completely shook Mario and Luigi's worlds for a sec there-

I had intended to draw a comic about this, and I made a sketch about it in the past.. but around the time I thought of this idea my Mario phase was kind'a passing over so I didn't feel like making it- <XDD

As for a potential sequel, I would like to see Wario, Waluigi and Toadsworth. Not sure why Toadsworth wasn't in the first movie- he absolutely should have been. That deep voiced purple..? council..? toad guy?? Totally should have been Toadsworth :/

And my request for the Wario bros is that they are taken seriously. 😅🤣

@cherrycreamfairy

I'm doing okay so far today, thank you! :}

@littlelightfish

I haven't really figured out the details about how Tuna and Louis lost their limbs- 😅

But I'm considering that Louis lost his arm (I assume you meant his arm-) in some kind of work related accident a long time ago. It must have been a fishing accident somehow..

As for Tuna, either some kind of natural disaster/accident or.. someone "removed" them... O-O

I do not :/ I'm not even sure what homestuck is.. I thiiink its a webcomic-

@nemo-draco

Oooo! :00 It looks cool! :DD

And thank you, I'm hoping I get over this soon too 😅

#my response #cookie run #cookie run kingdom #cookie run ocs #my ocs #super mario bros #mario movie #pokemon scarlet and violet

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quirkwizard · 2 months

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So recently I have been on a huge tabletop RPG kick so I thought it would be fun to talk about Class 1-A playing their own tabletop game, both the characters they'd play and how they'd be as players. For the sake of this, I will be writing in the context of Dungeons and Dragons 5th Edition since that's the system myself and others would be the most familiar with.

Rikido Sato: Half Orc Life Cleric Doesn't really get the game too much. Tends to forget the rules a lot and his own abilities. Just kind of picked a class at random. Is the king of bringing snacks and the like, all of which are homemade.

Mashirao Ojiro: Wood Elf Open Hand Monk Pretty average in all respects as a player. Not too remarkable in all respects. Doesn't realized how bad the monk is until they started playing, but is too attached to the character and their concept.

Koji Koda: Firbolg Shepard Druid Is only really here to hang out with his friends. Too shy to really do any roleplay with the rest of the gang, mostly doing small moments with his animals friends. Accidently made an overpowered build.

Minoru Mineta: Dhampir Phantom Rogue Knows the rules, but is a power gamer. Uses the game more as a power fantasy to look as cool as possible at all times, even if it is dumb, though will quickly panic if anything goes slightly wrong.

Hanta Sero: Gith Horizon Walker Ranger Really interested in all the lore and history of whatever the dungeon master came up with. The kind that dungeon masters either love or dread. Is the one constantly asking question and cracking the odd joke about it.

Toru Hagakure: Changeling Arcane Trickster Rogue Super big into the roleplay of it all and is always excited. Mostly took Changeling so she'd have the excess to play as many roles as possible. Probably makes little masks to remind people who she currently is.

Yuga Aoyama: Aasimar Glory Paladin Is insanely devoted to the role of the noble paladin, much to the detriment of everyone else. Likely says the line "But it's what my character would do more then any other player. Constantly hints at a backstory that nobody is biting on.

Mezo Shoji: Hobgoblin Gloomstalker Ranger Not the biggest into roleplay, does fairly well with the actual gameplay. Plays the typically reserved ranged. Tried to tie his and Koda's backstory together to try and take some of the stress off of him in terms of roleplaying.

Kyoka Jiro: Half Elf Whispers Bard Wasn't really sure about all of this before play and went with a bard because she liked the idea of playing music. It was a rocky start, but quickly got into it and started having fun. Will make custom songs and playlists for the party, as well ambient tracks and battle music.

Denki Kaminari: Air Genesi Storm Sorcerer Wanted to try it out because it was popular. Went with something he thought was cool and did not expect it to be so complicated. Needs to be constantly handed the book and remined of the rules in order to make sure he gets it. The amount of math hurts his head. Eijiro Kirishima: Goliath Giant Barbarian Like Denki, wanted to get into because it was popular. Bakugou helped a lot with building the character. Has a lot of fun smashing stuff. Plays his role pretty well, even if his character doesn't go beyond the nice brute whose name is very close to Kirishima's own.

Mina Ashido: Satyr Glamour Bard One of the students the most into the roleplaying. Is very light hearted and goofy about the whole thing. Can play a lot in bard stereotypes because she thinks it's funny. Another instigator, though mostly from her getting too into character at the worst of times. Fumikage Tokoyami: Tiefling Fiend Warlock Has been playing the game the longest and super familiar with all of it. Always makes characters he thinks are "cool", which means are super gothic and depress, both in class and in race. Does occasionally have Dark Shadow dress up and roleplay as his patron. Ochako Uraraka: Fairy Zealot Barbarian Ochako just wants to smash stuff. She has a lot of fun rolling dice and doing cool stuff with her friends, both good and bad. Likes playing the typically pixie before going nuts. Can be an instigator, but tends to backtrack when she realizes just how badly it goes wrong. Tsuyu Asui: Halfling Moon Druid Like Koda, is mostly here to have fun with friends. Often plays mediator both in and out of character. Does a good job with roleplaying thanks to how much she had to play pretend with her simplies. Always causes a riot whenever she becomes a dinosaur. Shoto Todoroki: Hill Dwarf Fighter Champion One of the worst players both in game and in roleplay. Played a character Izuku basically made for him. Is somehow still one of the best because he is constantly getting amazing rolls at the most critical moments, much to the frustration of Bakugou.

Katsuki Bakugo: Custom Lineage Chronurgy Wizard Powergamer, no question. He knows the rules back and forth to make the most broken build possible. Acts like D&D is a game you can win, even when it comes to roleplaying. Not a full on murder hobo, but by far the biggest instigator in the group.

Tenya Iida: Warforged Devotion Paladin Very much devoted to the rules, both in and out of the game. Gets confused when people say that he's doing a good job at playing a robot. Collects a lot of dice. One of the best Dungeon Masters of any of the students, though can be rather controlling at times. Momo Yaoyorozu: High Elf Forge Cleric A really good player with the rules though can be pretty awkward with the roleplay with how much she tries to get into it. One of the best DMs in the class. Makes custom miniatures for everyone in the party. Puts a lot of money to make the ultimate game room. Izuku Midoriya: Variant Human Bladesinging Wizard The perfect player. Knows the roles, but focuses more on making characters. Takes the most notes, pay attention, and makes sure everyone is having fun and feels included. Likely gets roped into the role of dungeon master more then anyone else because of these reasons.

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achillesmonochrome · 10 months

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Peni Parker Headcanons

There are multiple snacks in her robot, in different compartments; she insists they are for her but in reality, she keeps so much variety for her friends.

Her sleep schedule is basically nonexistent; she would hyperfocus on a project for whatever hours her energy drink can keep her awake and then pass out for days. She spends so much time indoors on labs she normally has no concept of time.

Noir was the first spider she found when she crashed on Earth 1610 in ITSV; they helped each other navigate Miles' New York since both of their universes are different time periods and they were confused as heck. They ended up becoming close for that reason.

Noir sees Peni as an adoptive daughter and Peni sees him as a father figure, but neither of them had admitted that to each other. Noir doesn't want to come across as crass by suggesting being her father when she lost her biological one. Peni doesn't want to make things uncomfortable by forcing that role on him.

Uses she/they pronouns.

She is also bi, this was her awakening

Super embarrassed about it though, so she is planning to keep that to herself to her grave.

She needs to be in her suit at all times in the Spider Society. Mostly because of the different halls that need the spider to be upside down or at an awkward angles. However the first few days she refused to show her face because she continued to be flustered.

"Why all the spiders around my age are attractive!? Here I am being an awkward plain twig around runaway models."

"Oh don't say that, you are cute sugarplum."

"Noir you are making me sound like a little kid."

"Come to think wasn't that guy Gwen brought with her an ex-runaway model-"

"SEE!?"

"Thanks for that B."

(Since they have the same name, Noir calls Peter B well, B.)

Peni went to see Noir first after she got her watch, then shortly after went to see Ham with Noir. Noir and Ham aren't part of the organization (Noir said he didn't the like way Miguel was running things once he heard about it, and Ham didn't vibe with the idea either.) She visits them regularly though.

She likes to give Noir cute colourful key chains when she visits; Noir actually has them on a cork board on display.

Current events in Peni's timeline had made her try to lean more on the Spidey side of things, dropping less and less frequently on her own universe. Noir has tried to mitigate this, but Peni interprets it as him not wanting to be around her. Noir also doesn't have the details of what happened to Peni either.

She actually has her own room in Noir's universe. Is technically the guest room, but Noir has actually worked his best to make it homey for her and would rather give up his own bed that let people get in "her" room without her permission. Peni is unaware of that last bit.

She has a MASSIVE crush on Margo, it all started with her going to the help with the go-home machine and feeling the most comfortable with Margo since their time periods are similar enough.

Peni actually is very insecure about herself and her position as a spider person. Even if she was accepted into the Society, she feels kind of left out because everyone else can stick to walls, super healing, as well as other array of powers; while she only has her psychic link to the spider and a robot.

That's another reason why Margo and her connected so well; she understands not feeling special enough considering her Spidey persona is an avatar, while she is a regular human too.

She is fairly close to Gwen too, while neither of them likes to be too vulnerable, they both understand what losing people and having complicated feelings about your home dimension. They may or may not talk about their crushes, hard to say because both of them deny it.

Edit:

Indeed Gwen later would also insist a big part of the reason she did it was because of Peni.

That's it for all, I didn't think I had that many but that's how it always starts.

#atsv #across the spiderverse #peni parker #margo kess #SPdrByte #gwen stacy #noir spiderman #peter b parker #itsv #into the spiderverse #spider ham #peter porker #spider byte #sp//dr #spider woman #spider gwen

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coffeebeanwriting · 1 year

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How to Write Strong Character Goals 📑⭐

Here are some tips on how to write a strong motivation or goal for your protagonist. Typically, characters have multiple wants and needs throughout a story. However, every protagonist should have one, main goal that follows them throughout their journey that concludes at the end of the book.

Example: Frodo is tasked with destroying the ring at Mount Doom. This goal is established at the beginning of the story and concludes at the end.

⭐ Your character’s goal doesn’t have to be complicated. A simple goal is sometimes more powerful and relatable than an overly complex one.

In Star Wars, Luke Skywalker’s primary goal isn’t to defeat the evil Empire or even to save Princess Leia. While these gradually become things that he wants/needs to do... his initial goal, what he really wants deep down at the beginning, is to simply escape his lackluster life of being a farmer on a remote sand planet.

⭐ Your character needs to have both external goals and internal goals. These two types of goals add complexity and realism to your protagonist.

A character’s external goal is displayed for everyone to see and typically deals with the plot: a new witch wants to master her magic and obtain a powerful amulet.

An internal goal is your protagonist's hidden motive that other characters are unaware of (and sometimes even the reader): the witch wants to become the most powerful magic-wielder so that no one can hurt her ever again.

⭐ Show your readers as soon as possible what your protagonist's goal is. While a character’s goal doesn’t have to be super defined at the beginning of a story, it’s important that they have a reason behind their actions and a motivation that propels them forward in the story.

It’s clear from page one of The Hunger Games that Katniss strives to protect and provide for her sister Prim, which is then shown directly at the beginning of chapter two when she volunteers as Tribute for her. We understand Katniss’s goal from the very start and it makes us feel for her.

⭐ Your character’s goal can evolve and change. It does not have to remain the same. Katniss’s goal is always to protect Prim, but once she’s in the Hunger Games, her primary goals evolve into surviving against the other Tributes and the elements.

⭐ Make it hard for them to obtain their goal. Conflict is the heart of every story and if it was easy for your character to get what they want... there would be no story. Place obstacles in front of them, set them back, and watch them grow in the process.

⭐ Create mini-goals in each scene. Your characters and story should never feel stagnant or stuck in one place, and a great way to keep the story progressing is by giving your character smaller objectives that eventually get them to their main goal.

Katniss has a ton of mini-goals she must complete that eventually gets her to her end goal of winning The Games. She must be likable to the Sponsors and in her interview, impress the judges with her bow skills, and try to make alliances. Once in the arena, she must find water, warmth, a safe place to sleep, escape danger, help Peeta and Rue, etc.

Instagram: coffeebeanwriting

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comicaurora · 8 months

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If you still have Sailor Moon on the brain, did watching it at all give you any options you wish to share about other magical girl esk media you wish existed or your own take on how you would create a story in that media space?

If not, then maybe, if you're inclined to, recount some interesting findings about the connections that exist between shojo and shonen media?

(If neither then please disregard, sorry for imposing)

It was interesting! I was surprised at how much it had in common with shonen action anime. Half the boss battles get resolved with a beam clash and the only difference between Super Saiyan and Neo Queen Serenity is whether the hair or the outfit changes.

The one part I found myself sliding off of - due to personal writing preference - is how Usagi is the defacto center of the universe and everyone else is very explicitly playing support. That's part of why I liked the Outer Senshi so much - because they've all got their own ludicrously OP stuff going on, they feel more like equals to Usagi than glorified bodyguards. The inner planet senshi get their own character arcs, which is excellent, but after a while it's pretty clear that none of them can ever finish a fight without Sailor Moon. And that's fine, that's the pretense of the story - their jobs are very explicitly to protect the turbopowerful demigoddess moon princess while she gets her act together enough to remember she can win - but I prefer writing an ensemble cast where everyone feels like the hero of their own story, not the support in someone else's, and that's pretty much antithetical to the core premise of the show.

It also has a lot of the hallmarks of a soft magic system that I personally struggle with - the old "you win by believing in yourself" thing basically means "you win when the plot demands it would be most interesting for you to win" - but again, they can get away with a lot by letting the actual core premise of the universe's power system be stuff like "a pure heart gives you strength" and "the power of love will legitimately make you more powerful." And I respect that the show doesn't just give people powerups whenever - one of the parts I found most emotionally impactful was in the finale of season 3, when Sailor Saturn is going to fight the big bad all by herself and will 100% definitely die in the process, and because Sailor Moon has sacrificed the season's macguffin, she can no longer transform into her powered-up form to help - which doesn't stop her from screaming the transformation phrase over and over, because she is desperate to save Sailor Saturn even if she's been told it can't possibly work. When she gets her The Most Purest Heart Ever powerup at the last possible second, that feels excellent because it's a profoundly impactful character moment that's being supported by the plot with a tangible powerup. It's pretty telling that we don't even see the final bossfight; it's not about the spectacle or the beam clash, it's about the character arcs that surround them. I think that's a really interesting way to handle it and to add depth to an otherwise basic "whose number is bigger" style struggle.

I'm also deeply fond of paragons, and as the seasons go on I really like how Usagi's ultimately kind personality drives her to constantly help, no matter the personal cost or how aggressively people try to dissuade her - and I like that she gets angry and frustrated and even says or does harsh things sometimes, but will ultimately always do what she thinks is right. It makes her feel like a real human being, and the "weaknesses" and flaws in her character - aka the parts that make her something more complicated than a perfectly stoic problem-solving machine - are a lot of fun to watch.

Personal preference, I'd like to see more magical girl stuff where the central pillar of the plot is not a constant will-they-won't-they het romance - but I also like how Sailor Moon as a series is legitimately aware that this is not actually the de facto most important relationship for everyone. Surprising multitude of gay characters aside, I recently caught a season 2 episode where Makoto donates blood to save a close friend, and explains to Usagi that she isn't in love with him, but they have an incredibly profound friendship that's more important to her than any boyfriend, a concept with startles and confuses Usagi. It seems to be a case where the heroine has a Foundational Romantic Subplot that defines the course of her life and the plot, but the rest of the characters get to have more complicated dynamics where their life goals aren't "omg boys", and I liked that a lot!

When comparing and contrasting it to shonen action anime, I think the magical girl genre manages to integrate the lower-stakes slice of life elements significantly more smoothly, and to great effect - the 90% of the show that's silly and ridiculous makes the 10% of it that's extremely serious and gutwrenching much more impactful. That's something that a lot of shonen series struggle with, where the tone goes from "moderately serious with the occasional goof" to "extremely serious with major character deaths." The magical girl genre going from "the dumbest episode premise you've ever heard" to "extremely serious with major character deaths" is a much more precipitous plunge into icy water, as it were.

When I think about how I would write a magical girl story, I basically just smack into the premise of Exalted. Its worldbuilding has exactly what I want - an interesting system of powerset-reincarnation into worthy hosts that allows for complex interpersonal dynamics through varying levels of memory preservation, several different flavors of magical transforming person including Evil Versions, and the one thing I prioritize in my own writing - a world that feels like it can have a lot of main characters and heroes of their own story. Everyone in Exalted has their own shit going on and their own past-life drama, including former friend groups/adventuring parties, soulmates (both regular and evil versions), and anyone who might've previously killed them. Most importantly for my preferences, there's no default main character of the universe. If I were to make an urban fantasy magical girl setting, I'd probably use an extremely similar premise because I find the ramifications of it unbelievably interesting in a way the system itself is not designed to explore.

#asks #not aurora #media recs #writing stuff

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reallyromealone · 4 months

Text

Title: kingslayer

Fandom: black clover

Pairing: Nozel x male reader

Chapter: one

Warnings: male reader

Notes: slow burn slow burn

🌑🌒🌓🌔🌕🌖🌗🌘🌑🌒🌓🌔🌕🌖🌗🌘🌑

"god, I forgot how comfortable beds are" Long journeys didn't make for the most comfortable sleeping arrangements, the bed much more comfortable than the trees he's slept in. He didn't know much about the clover kingdom, they had a king and a giant skull that (name) was happy he got to paint. The room was warm, with light beige walls with wood beams that matched the old floorboards and bed frame and furniture, small paintings on the walls to give it some light along with candles for later. A small fireplace in the corner a chair to the side and a desk.

It was more than what he was used to.

Knock knock.

(Name) sat up curiously before walking to the door, opening it to see a young woman "Hi! My dad owns the inn... I noticed you didn't have shoes and we had a nicer pair in the lost and found that weren't gross so I thought you would want them... I hope they fit" (name) smiled softly at her "that's very kind of you, here... I would like to pay you back" the wanderer stepped aside and let her walk into his room, a few of his paintings out "I'll make you a portrait..." He said softly and the young woman looked confused "You don't have to!"

"An act of genuine kindness sparks another besides with the cost of portraits these days, wouldn't it be nice?"

The girl had no reply as she looked at his tiny paintings, no bigger than her hand "Whoa..."

"That one is of the heart kingdom, it's very wild there," he said as they looked at the painting of a rare power "I paint things to remember them, one day I may forget these little things and I always want to remember them... Now! Sit with the sunlight facing you! We don't have much time!"

The woman, whom (name) fondly called 'sparrow' posed shyly as (name) painted her "you have excellent bone structure, you would have made a brilliant sculpture in another world" he commented as she looked confused and a bit flustered "you think?" She said barely above a whisper "I do, my former flame had a beautiful facial structure as well..." (Name) had a sad smile on his face as he thought about his former beloved, though he knows she used him... He still wishes he could have been there for his daughter.

"So what brings you to the clover kingdom?" Sparrow asked and (name) smiled "I'm just sight seeing, I haven't seen much of the clover kingdom so why not right?"

Well, he hadn't seen it... recently.

"You have anything here to recommend?" He asked as he painted and the girl thought "there's a restaurant around the corner that sells the best pasta!" She beamed and (name) chuckled at her dreamy expression at the thought of the dish "I'll have to check it out"

"So what kind of magic do you do? My magic is not strong but I can grow plants" the girl said happily, (name) listening before speaking "If you honed in you could probably grow rare roots... Would help make.potions and such"

"I could do that!"

(Name) helped her with making her magic feel more useful as he kept the topic of his magic out of her head but that didn't seem to work "So what's your magic?" She repeated and (name) knew she wouldn't stop so he answered honestly "It's complicated but to try and simplify it... It- it's strong" he couldn't put it into words without exposing himself "If it's powerful, you should join the magic knights!" (Name) looked confused and the other gasped "the magic knights protect and help the kingdom! They're super strong!"

"... there I think we're done" (name) presented the painting to her "It needs time to dry but I think I didn't do half bad" he just wanted this conversation to end, she was a sweet girl but overwhelming, to say the least, and her look of amazement at tge painting mad regime smile "I can keep this?" She whispered and looked at him in awe "Just keep being kind, yeah? And keep your wits about you"

After she left (name) walked to the window and looked at the clover kingdom curiously, perhaps after a nap he could check it out.

"How do we know he's real?" Charlotte asked and Vanessa sighed "Trust me if anyone can fix this mess... It's him" She remembered him fondly, the man from her childhood before she was locked away in the cage, the man who would teach her things about the outside world he was from, her mother spoke highly of him "he was more powerful than she has ever seen", Vanessa said distantly as the others looked curious at her "someone of his description entered the city today," William said looking over the description that was given to the guards "are you sure he still looks like that?"

"I'm sure"

Nozel and Fuegoleon were tasked to look for this man, and the two ended up at an inn, small and unassuming in the lower ends "Pardon me" Fuegeleon asked the innkeeper who gazed from his book, an older man he was with a slight bald spot and beer belly but friendly none the less "oh that guy? He gave my daughter a painting, why did he do something?"

"No, we just need his help"

"He's out right now but he'll probably be back tonight" the innkeeper was relieved the kind young man hadn't done anything, curious on why the two Royals needed him though but decided not to press "may I offer you two a drink while you wait?"

"Ah, no thank you" Fuegeleon always the gentleman said softly and the innkeeper looked slightly saddened as the redhead continued "would it be possible to see his room? To wait?" The innkeeper not wanting to be in the way of knight business let them have the key to the room and even lead the way, the two thanking him as Nozel looked disgruntled in the shabby room but did notice the drying paintings of the capital on the small desk "these are incredibly detailed" he noted to his cousin who hummed "from what Vanessa says this must be him, he was a painter"

The paintings almost looked real if it wasn't for the water color aspect, it was incredible really "How can we be sure he can help us?"

"Frankly I just want to know why two strange men are in my room" a voice broke them from their thoughts as (name) held a paper container of pasta, eating it slowly "Quite rude frankly, just barging into a room someone paid for"

"Are you (name)?" Nozel glares at the man in the ratty cloak with painted designs on it and the inside, little embroidery designs of flowers and what looks to be a family on it all in the style of a child's drawing.

"Ah, that would be me," he said casually as he plopped down in his chair, not even phased "who are you two?" He had a bored expression as he ate more pasta, the girl was not lying this shit was the bomb! "You don't know who we are?" Nozel seethed and (name) raised an eyebrow "Haven't been in the clover kingdom in years, I ain't gotta clue"

"We are the captains of the Silver Eagles and Crimson Lions respectively"

"That a sports team or something?"

"Spo-- we are magic knights!" Noel was about to tear this man's head off but thankfully Fuegeleon stepped in "We were told you could help us"

"And who said that?"

"Someone you may know... Are you aware of anyone named Vanessa?"

(Name) didn't even need to hear the rest as he packed his belongings, his cloak swishing as he put the paintings away "Well what are you doing? Lead the way!" (Name) urged them, a stark difference compared to how he was earlier as he slung his bag over his shoulder "let's go!"

(Name) didn't give a fuck about the palace, eyes looking around curious for one person and one person alone.

Then it felt like time stood still as he stared at him from across the room with people wearing matching caplets.

"'Nessa..." He said as he had finally found happiness, the knights were confused as the pink-haired woman felt tears well up in her eyes.

"Papa..."

#black clover x male reader #black clover x reader #nozel x male reader #nozel silva x male reader #nozel silva x reader #nozel x reader #anime x male reader #anime x reader #x reader #x male reader

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