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hannieehaee · 2 days

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18+ / mdi

content: loser!jeonghan, sub!jeonghan, virgin!jeonghan, afab reader, reader is a lil bit of a pervert (for jeonghan duh), smut, handjob, body worship, etc.

wc: 1573

a/n: i had never considered loser!jeonghan til anon mentioned him but lmk if u guys would like a pt. 2!!

masterlist

yoon jeonghan had to be the prettiest boy you had ever seen.

he had the cutest smile, the biggest doe eyes you'd ever seen, – hidden behind the nerdiest rims known to man, but still – the most adorable yet dorkish smile, and fuck, his hair was the most angelic shade of blonde and hung down to his shoulders.

it was a mystery to you how the boy didn't have all the girls swooning for him. okay, so maybe he was socially awkward and a bit of a loser, but who didn't love themselves a cute loser?

since the moment you'd spotted him in your physics course, you'd been wanting a chance to get him alone and do every depraved act known to man on the boy.

you knew be was a virgin (or at least that's what your mutual friend josh had told you), so getting the chance to rob him of his innocence was something you couldn't stop thinking about. and you also knew he liked you back (information also courtesy of joshua).

technically, you couldve already approached him and propositioned yourself to him, but you didn't want to scare him off. no, you wanted it to happen naturally. except that every passing day, you became more and more desperate for the boy, almost unable to pay attention in class in favor of staring at him.

then god finally smiled down on you and granted you the perfect chance to defile the boy.

it wad kind of embarrassing, really, the way in which you immediately ran to the other side of the classroom and pushed joshua out of his seat in favor of partnering with jeonghan for the final project. joshua simply chuckled, knowing this day was going to come eventually. jeonghan, on the other hand, seemed frozen in place, staring at you with wide eyes and a cute blush on his cheeks.

thank god for public decorum, because you would've taken him right then and there.

fast-forward to the end of the class and you had managed to make plans to meet at your dorm the following day. it had taken some effort to get conversation out of jeonghan, as he would refuse to make any form of eye contact and shyly stare down at his notebook instead. luckily for you, you were extroverted enough for the both of you.

that was how you ended up in your dorm room almost a whole day later, dressed down in your skimpiest loungewear and with a few snacks prepared on your coffee table (you had also stocked up on condoms just in case, but those were likely to be used later on).

opening the door, you welcomed the pretty boy, holding back a smile at the way his eyes widened at your lack of clothing. you decided not to be too forward and let him in, directing him to the couch and taking a seat by his side.

you only managed to do some work for less than an hour before you suggested a break.

"jeonghannie, don't you wanna take a quick break? i can make you a tea or something," you suggested.

"o-oh, no, that's fine. we can take a break, though, if, if you want," he stammered, wincing at himself due to how clearly nervous he was.

"sorry," he sighed, "i-i'm not usually this awkward, i swear. you can ask joshua."

"oh?", you tilted your head to the side, turning to face him on the couch, "what's making you feel awkward? is it me?", you asked.

"no! it's just," he adjusted his glasses, taking another breath, "y-yeah, you make me kind of nervous," he admitted.

you lightly laid your hand on his thigh, causing an intake of breath from him, "you don't have to be nervous," you leaned closer, "can i tell you a secret?", you whispered.

he leaned closer to you, turning so you could whisper into his ear, yet clearly shivering at the proximity.

"you make me a little nervous too."

turning back around, he opened and closed his mouth a few times, clearly not knowing what to say.

interrupting, you continued, "you're just so pretty ... been wanting to build up the courage to talk to you all semester," you pouted, lifting your hand to caress at his cheek, humming when he furrowed his eyebrows and instinctively pressed his cheek to your hand.

"hannie ... can i call you hannie?", you asked.

"yes, c-call me whatever you want," he stammered.

you got even closer, noses almost touching as you stared down at his lips, "can i kiss you, hannie?"

"y-yes, please. please kiss m-"

you cut him off with a soft kiss against his top lip, letting your tongue come out at the end and give it a teasing lick.

groaning far too deeply for a simple kiss, jeonghan's hands became fists on his lap, eyebrows still furrowed as if he were in pain.

he was just the cutest thing. and you needed to do something about how frustrated he was making you feel.

again, you pressed your lips to his own, this time going for a heavier kiss. both your hands went to hold his face in your hands, positioning him so you could kiss him how you liked. he was shy in copying your movements, forcing you to be a bit more aggressive in your kisses so he'd try and follow along.

eventually he came to obey your silent demands and open his mouth for you, allowing his tongue to play with your own in a timid way. unable to control yourself at how adorable you found his shyness, you came to scoot onto his lap, straddling him as he gasped into your mouth.

"hands on my hips, hannie," you mumbled against his lips, placing his lip hands on your hips.

his nimble fingers would dig into your skin any time you suckled on his tongue, causing you to do it over and over again.

you made out for a while, with him eventually being able to match the pace of your kisses and even letting his tongue dance with your own.

"hannie ..." you breathed out, "can i make you feel good? hmm?", you muttered, hands coming to unbutton his shirt, receiving no complaint from him.

"w-what are you gonna do to me?", he stuttered, letting you remove his shirt altogether.

your fingers faintly trailed up and down his chest, leaving goosebumps in their wake. he moaned and shivered when they made their way to his nipples, toying with them meanly.

"so fucking pretty ..." you muttered almost to yourself, "just wanna see you, bunny. wanna touch you and make you feel good. is that okay, pretty?"

the twisting and pulling of his nipples continued, making his eyebrows furrow and his mouth open with heady breaths, "yes ... do whatever you want, just- please."

thanking him with a kiss, you leaned closer to him, letting your hands slowly trail down to his pants, sneaking a hand past the belt you so-easily undid in the process. his cock was already hard, begging for you to pull it out from beneath his boxers and play with it.

stroking him with both hands while your mouth made its way to lick at his sensitive chest, you hummed in satisfaction at any and every moan and gasp of pleasure the pretty boy let out.

"do you like this, bunny? like my hand on your dick?"

"it's so good ... feels so fucking good, i- please dont stop," he whined, glasses foggy due to his heavy breath.

your mouth made its way back to his own, licking at his open lips and speeding up the movements of your hand. you knew he'd likely cum very soon, with this clearly being his first assisted orgasm. but it didn't matter. all you wanted was to see the pretty boy fall apart as a result of your touch.

"i'm gonna- fuck, i'm sorry, i'm gonna cum ... c-can i? please, need to- fuck, please," he pleaded pathetically, voice getting so high and breathy.

it made you lose your mind, the way he truly became the embodiment of a pretty angel feeling the touch of a woman for the first time. a sick part of your brain wanted to make sure you were the only person to ever touch him. you wanted him to come back to you again and again, needing your touch.

"cum, bunny. be a good boy and cum, okay? it's okay, just wanna make you feel good," you whispered encouragingly into his ear, smiling when you felt him immediately let go.

"t-thank you thank you thank you, oh, it's so- thank you, it's so good, so fucking- so fucking good," he cried as he trembled under you, head thrown back and eyes glassy.

you kissed his neck throughout his high, whispering encouraging words against his skin as he came down from it, thanking you consistently until the end.

"thank you, that was- that was amazing," he breathed shyly.

"yeah? you were so good, baby. glad it felt good," you smiled as you ran your fingers through his long hair.

"uh, i- what about you," he muttered, unable to make eye contact.

"that's okay, baby. i can show you how to make me feel good next time."

"next time?", he asked with wide eyes and the ghost of a smile.

"yeah, baby. thought that was it? no, pretty," you responded condescendingly, "i'm gonna keep you all to myself now."

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watermelonlovershigh · 2 days

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A Shift Occurs {part 4.} (housemate!harry series) (SMUT)

Friends Who Share Mutual Emotions {part 3.} (housemate!harry series)

AN: excited to be putting out a smutty fic since i haven't in a while. i hope you enjoy part 4. feel free to help put inspo into this series by sending me things you'd like to see happen in this story. remember to reblog and leave your feedback. enjoy!!!

This story contains: fluff, smut, handjob and male receiving oral, talks of using vibrator

{ housemate!harry - softrry - friend!harry - au harry - harry's occupation is a teacher }

word count- 2,373

Your friendship is progressing quicker than anticipated and when Harry wakes up with morning wood, you decide to help his situation out.

It's been three days since the mutual confessions of your feelings and to be completely honest, there has been little change as far as how the two of you interact. Apart from the absence of casual encounters, daily routines within the house remain unchanged from the time when you were merely housemates and just friends. But, you have noticed some subtle differences.

On Saturday night, you followed your usual routine. As the clock struck seven, you opted for Chinese take-out and settled on the couch to watch a movie. Eventually fatigue overcame you and you made the choice to call it a night. Although you had shared a bed earlier in the day during the morning nap, you believed that spending an entire night together would be rushing things, so you decided to go your separate ways.

However, following an hour of restlessness, Harry reached a point where he could no longer bear it. He rose from his bed and made his way across the hallway to your room. Being polite, he softly tapped on the door and upon hearing the invitation, "Come in," he cautiously entered. The room was dimly lit, but the moonlight filtering through the window provided just enough illumination for him to see your confused silhouette.

Curiously, you questioned, "Har... what are you doing?" while observing Harry confidently approaching your unoccupied side of the bed, dressed in only a pair of black boxer briefs. Without seeking consent, he smoothly pulled back the duvet and comfortably nestled himself beside you.

"Couldn't sleep." Harry answered before continuing, "Ever since this mornin' where we took that nap together and cuddled, I realized just how much I love sharing a bed and cuddlin' with someone. Hope this was alright."

Looking over at him as he got settled under the blankets, you replied, "Yeah, it's fine. Just thought you wanted to take this whole thing slow s'all."

"Y/n, when I said we should take our relationship slow, I meant sex. Sharing a bed and cuddlin' doesn't have to equal sex. It's purely platonic." At Harry's words, you had mixed emotions. Yes you agreed in wanting to take your progressive friendship at a slow pace but on the other hand, you also want to jump his bones every time you look into his grassy green eyes.

Since Harry was the one to take the brave step in coming into your bedroom, you made the brave step in sliding over until your body was right next to his. Quietly, you asked, "Big spoon or little spoon?"

Shyly giggling, Harry answered, "Little spoon."

"Okay, turn on your side for me." He did as told and you tightly wrapped your body around his back and hugged him to your chest. Just like Harry, you're a big cuddler too. Hence why most of the time you allowed your one-night stands to sleep over. Just to have a cuddle partner throughout the night.

The restlessness Harry had at the start of the night was now gone as you spooned him and sleep followed shortly after.

---------------------------

Every night since Saturday night you've shared a bed together. Either you sleep in Harry's bed or he sleeps in yours. It's become routine at this point and you both find comfort in sleeping together. Nothing more has happened in your developing relationship. Besides the accidently touch of your clothed boobs or the time your knee accidently grazed Harry's covered cock sometime throughout the night.

On the following Sunday morning though, a shift occurs. As you awaken, you find yourself nestled in Harry's bed, with his body curled around yours. The gentle exhalations of his warm breath brush against your neck, while his chest presses against your back. However, amidst this intimate embrace, you also become aware of another sensation. Something is prodding against your ass. You aren't oblivious to its nature, yet you find yourself uncertain about how to go about this situation.

It's a dilemma whether to ignore Harry's morning boner or to assist his problem in order to potentially advance your relationship. You don't want to make him feel uncomfortable, but also ponder if his desire to take things slow is actually for your benefit. Perhaps Harry is being cautious for your sake, and he might be ready to take your friendship to the next level.

Allowing desire to take over your judgement, you slowly back your bum up against his hardened cock and subtly move your hips, hoping the feeling gives him some sort of relief. Approximately thirty seconds go by before you hear a deep grunt coming from behind you. Then suddenly you feel Harry's body jump back until you're no longer touching one another.

You decide to turn around so you're facing his direction and once you get a good look at him, you see his large hand covering his face in what you presume is embarrassment. "Um, sorry 'bout that." Harry mummers aloud. He has no control over getting an erection in his sleep and the fact it happened while spooning you, it's so embarrassing for you to witness.

"Hey," you coo softly, scooting closer to his body, "you don't need to be embarrassed. It happens and it's natural. You know, I don't mind helping you out if you want."

Harry finally takes his hand away from his face and turns his head to look at you. "Y/n, what about the takin' it slow thing?"

"Harry, you also shared the importance of things moving naturally and I'd say they are. If things naturally progress fast then we should allow it instead of ignoring it. I don't mind helping your problem out. Know you must be aching." Once you're finished speaking, you place your hand on his bare belly and teasingly drag your fingers lower and lower. "Only if you're comfortable with that idea."

His longing for your touch surpasses everything else and he nods, uttering, "Um, yeah. If you want, you can help." Now assured of his agreement, you gradually move your fingers downwards until they reach the edge of his boxers. Before proceeding further, you steal a quick glance at Harry's face, searching for any hesitation, but there are none. With certainty, you slip your fingers beneath the elastic band encircling his narrow hips.

Your fingers pass over the patch of trimmed hairs before finally bumping into the hardness you felt against your ass a couple minutes prior. Carefully and without seeing, you take ahold of his morning wood and began to tug gently at his foreskin. This isn't your first rodeo. You know what your doing. You just hope Harry's enjoying what you're doing. And by the looks of it, he is.

Harry's leaning against his pillow, head thrown back, and a quiet gasp escapes his throat. The feeling of your hand wrapped around his cock exceeds all the fantasies he had while pleasuring himself and imagining your touch.

As you skillfully stroke him with your dominant hand, an overwhelming surge of arousal consumes you, causing your clitoris to pulsate with need. Despite the almost unbearable sensation, you set aside your own desires, dedicating yourself entirely to Harry's pleasure.

The room begins to get hot and stuffy so Harry reaches down to toss the covers off his lap. This gives you a better view of your hand down his briefs. After a few minutes of stroking his dick in your hand, you start feeling some resistant and realize the dryness may be uncomfortable for Harry. You could retreat your hand and lick your palm before going back to the handjob. Or, you could do something even better.

In one swift motion, you pull your hand out of Harry's underwear and crawl between his spread thighs. Now on your knees in front of his lying figure, you lean over his lap and tug the fabric down until it's cradled under his enlarged balls. "What are you......" he goes to ask but you cut him off.

"Shhh." You crouch down and glide your tongue over a thick vein along his shaft. He's larger than you imagined. You had an inkling of his size from how thick and heavy he felt in your hands, but now, face to face with it, he's huge. And it's not just huge, it's also aesthetically pleasing. The prettiest penis you've ever laid eyes on, and you wouldn't normally consider penises to be remarkably beautiful. It's no wonder why so many men and women enjoyed their nights with him.

A deep groan escapes Harry's lips as he's consumed by an overwhelming wave of pleasure, leaving him feeling dizzy. He never imagined you would go all out with a blowjob this morning. While a handjob is pleasurable, a blowjob is an even more exhilarating experience. You expertly guide his pulsating head to your lips and playfully flick your tongue over his sensitive slit. This action causes Harry to instinctively pull away, unable to bear the intense sensitivity.

In order to maintain his stability, you position your hands on both sides of his hips and decide you've teased long him enough. Gradually, you lower your head onto his large cock. However, as you reach approximately halfway down his length, he reaches the back of your throat, causing you to gag. Momentarily, you withdraw and apologize. "Sorry, it has been a while since I've gave a blowjob."

Harry lifts his head from the pillow and gently cups the sides of your face. "Don't worry about it. Just take it easy. You don't have to go all the way down and potentially make yourself sick. Just take what you can and it will still feel good f'me." He speaks from experience, having gave blowjobs before and knowing the struggle of trying to push beyond your limits. It only results in a sore throat and a stomach ache from gagging too much.

With a nod, you lean forward and proceed to take Harry into your mouth once again. Except this time you halt just before his tip reaches the back of your throat. Shifting one of your hands from his hip to the base of his penis, you skillfully maneuver your mouth up and down, while simultaneously twisting and tugging his shaft with your hand.

Harry thinks he's in heaven. He must be. Because nothing has ever felt this good before. None of his previous one-night stands has ever gave him this good of a blowjob. Not even the ones who could skillfully deepthroat him. Nor has any of his few actual relationships gave such a good blowjob. It must be the connection and feelings he has for you that's making this experience so amazing. It means more coming from you.

You suck and tug repeatedly until Harry is close to reaching orgasm in your mouth. Uncertain if you want him to come in your mouth, he alerts you, "Y/n... M' gonna come." Rather than withdrawing as he anticipates, you descend a bit further. This time, you successfully manage to control your gag reflex and intensify your sucking until you feel Harry releasing his warm cum in your mouth.

Harry tightly clutches his sheets, his hips involuntarily thrust upwards as he reaches his climax. You softly gag once but quickly regain your composure. He tastes better then some of the guys you've tasted before. It's a bit salty but doesn't have that pungent taste some men tend to have. Must be Harry's healthy diet.

Gradually, his limbs grow weak, and as his orgasm subsides, his body begins relaxing on the bed. You remove his wet and slippery cock from your mouth, observing Harry lying there, breathing heavily with his eyes firmly closed. Reeling what just happened.

With a croaky voice, you shyly question, "Was that good?"

"Was that good? Was it GOOD??" Harry repeats dramatically, "Oh my God, Y/n, best fuckin' blowjob I've ever had."

You playfully swat at his thighs. "Be serious, Harry."

Sitting up and tucking his limp penis back into his briefs, Harry continues his praises. "M' bein' very serious, Y/n. No one has ever made me come that hard. Not a one-night stand or any of the relationships I was in. You're a pro for sure."

For a moment the air feels heavy until you annonce, "Welp, I'm gonna go take a shower. I'm meeting up with some friends for brunch at noon."

In response, Harry mustered up a somewhat awkward reply, "Um, alright. Enjoy your shower." Left alone on his bed, Harry found himself half naked and still catching his breath from the intense orgasm he experienced a few minutes prior. He had intended to ask if he could reciprocate the favor, but you had already left before he had the chance too. It crossed his mind that perhaps you weren't interested in having the favor returned.

Maybe you don't particularly enjoy oral sex performed on you. Uncertain about your preferences, Harry's confident that if given the opportunity to perform cunnilingus on you, you'd undoubtedly fall in love with his skillful tongue. Just like the all the previous women who's praised his mouths abilities.

The truth is, you had desired Harry to return the favor. However, due to just waking up, you were unsure if your pussy smelled okay, let alone tasted alright. To avoid any negative response from him like you've had in the past from guys, you left before he could catch a glimpse of your moist cunt.

Nevertheless, because you're still experiencing a slight throb in your underwear, you discreetly brought one of your silicone vibrators into the shower to quickly satisfy yourself. Although you're certain that Harry's oral skills would have been superior, you'll have to wait a bit longer to get to experience that.

Once out of the shower, you dried off and got dressed to head out for the brunch you had planned with some friends. It was going to be at a small cafe in downtown London. As for Harry, he didn't really have any plans for today. Besides catching up on grading some tests his students took the Friday before. He hopes you're available tonight because he wishes to be able to spend more time with you. He loves spending time with you. He loves y..... Nope too soon for that.

(PLEASE REBLOG BECAUSE WRITING IS NOT EASY AND IT'S FREE SO JUST DO IT)

(no more tags are allowed because i've hit my number limit. sorry : ( )

tag list: @one-sweet-gubler // @harryscherrysugar // @hsfanficsrecss // @lollypopsx // @harrycanyonmoonn // @allthelovehes // @damnasstyles // @mrsstylesharry // @softmullet // @meetmyblondemuffins // @thegirlnextdoorssister // @stanleystyles // @haarrrys // @michellekstyles // @skyangel57 // @the-gardener-31 // @lhharrylilpumpkin // @yousunshine-youtemptress // @clairestylessss // @kissmyaxe140 // @goldenmelonsugar-hi // @kaitieskidmore97 // @florencepughily // @alienorknight //@dancearoundthelivingroom // @swiftmendeshoran

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My Masterlist Masterpost

Friends Who Share Mutual Emotions {part 3.} (housemate!harry series)

#harry styles #harry styles fan fiction #harry styles fic rec #friend!harry #friendrry #housemate!harry #housematerry #softrry #soft!harry #harry x reader #harry styles angst #harry styles fluff #harry styles series #friends to lovers #harry styles one shot #harry styles blurb #teacher!harry

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aurae-rori · 22 hours

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DR RATIO ANALYSIS PT 3 BUT IT'S JUST GAY

Now, you might be saying - "Aurae, you've done part one, and part two, so why do we need a part three?" The answer is because of two things - one. I made a deal with the Tumblr Peoples that if one of my posts hit more than 50 likes I would do this analysis. Two. Mihoyo is making this shit canon. I CAN'T MAKE THIS UP. So, let's delve into my usual disclaimer, as we might have some new people joining us for the first time with my insanity.

I have been researching psychology personally for about six years, so although I am not a professional (crawling my way there through the education system. I will be one, one day.) I do have some experience with analyzing homosexuals. Psychology hours, my children. They don't call me "chronically cooking" for nothing. Maybe I should change my url to that...

NOW THAT MY LONG AHH DISCLAIMER IS OVER, LET'S GET INTO THIS! It's time to deconstruct these homosexuals like a modern airplane, because they might as well be taking off with how canon they are.

"It can't be canon," they say, but then Mihoyo DOES PAID SPONSORSHIPS WITH THESE FUCKERS BEING GAY. We've all seen the paid partnership edit. We've all seen the video where Aventurine has the audio of "nice rack" as he talks to Dr. Ratio. PAID SPONSORSHIPS. Now, if that piece of evidence isn't enough for you - let's dive into their actual relationship, which is just a HOMOSEXUAL MESS. I will be focusing more on how Dr. Ratio sees this guy as this is a Dr. Ratio analysis™, but hey, the crumbs.. we eat 'em all. Amen.

Let's start off (I say as I write this part three days later) about how people are like, 'Aven is Ratio's favourite idiot' WRONG. Ratio does NOT consider Aventurine to be an idiot and knows that he is smart and capable in his own right. While Ratio is book smart, Aven is extremely street smart and holds his own very well. Ratio does not consider Aventurine to be an idiot as he takes off his plaster head around him and actually indulges in his whims around him. This is a blatant showcase of fondness because although he is emotionally constipated and can't be affectionate through words without sounding semi-backhanded because he's never had true affection in his life, he showcases his love through actions rather than words. He's just bad at showing love, okay? But he does love Aven. Or like him, to some extent, if you don't want to see them as romantic, which is fine. However, no matter what you label their bond as, it's obvious that they care for one another.

Also, the fucking ZEST FEST that was 'keeping up with Star Rail'. He says, "wait a minute - MUTUAL?" which indicates that he has respect for Aventurine in the first place. He LITERALLY TOLD US that he respects Aventurine and he was commenting on Aventurine's playstyle & everything.. also, at the end, he was here because 'I appreciate this show's dedication to knowledge' - his TONE. Kudos to the VA because that was not convincing at all. Bro was NOT here for the knowledge, bro was here to be GAY!!! Also his little own bathtub couch. We all know Aven bought it for him. Trust, I am John Hoyoverse.

"The Charming Audacity" HUH? BRO? Okay this is hilarious to me because this is the first time that we ever really see them interact with one another, and we get absolutely bitchslapped in the fact that Dr. Ratio calls this guy's audacity 'charming'. That's GAY. That's HOMOSEXUAL.

Also, comparing him to a peacock.. a very beautiful bird.... Must I say more?

Now, the part that I really want to focus on is the part where he gives the Doctor's Note to Aventurine. This shit is important. And I agree with the people who are like - Acheron helped him. Because she did. She was a big part of it and she helped Aventurine get back on his feet in the void. Dr. Ratio is not his only reason to live, but the note, showing that someone will stay by his side? Showing that someone truly cares for him? Someone who's waiting for him when he get back? This bond that he has with Dr. Ratio isn't fake. He already has a starting point to get back to - an anchor to return to. Dr. Ratio is his anchor. Whenever he goes off to do crazy shit, Veritas Ratio will be there when he returns. Because Ratio is loyal. Ratio cares. He cared enough to almost jeopardize their plan to make sure that Aventurine was going to be okay. He cares so damn much about Aventurine that he decided that this man's emotional state after the fake betrayal was more important than all of fucking Penacony.

If you want an example of "I would let the world burn for you," it's Ratio. He's a romantic not in the traditional sense, but he cares and loves Aventurine so damn much it makes my heart hurt. "Do stay alive," he says, knowing that Aventurine struggles with living. Those three words mean the whole fucking world to someone who struggles with suicidal ideation and suicidal thoughts. Someone wants you to live. Someone wants you to stay. Someone wants you by their side.

Dr. Ratio cares. Let me say that again - he cares. He banters with Aventurine, tries to create an environment where Aventurine can feel a little bit more comfortable with the two of them, even in a place as dangerous as Penacony. He will put his own life on the line for Aventurine.

He cares. He cares so damn much. I hate gay people. They make me VIOLENTLY homophobic.

Dr. Ratio after expressing his care indirectly and complimenting Aventurine indirectly: Did I do it?

Aventurine, who has caught none of the hints:

Anyway, thank you for coming to my Ted Talk.

#aurae analyzes #hsr #aventio #honkai star rail #dr ratio #ratiorine #aventurine #veritas ratio #raturine #golden ratio #aventurine x dr ratio #analysis #character analysis #relationship analysis #these bitches gay #good for them

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thinkingotherwise · 2 days

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I’ve recently gotten into Wind Breaker myself! It’s hard to find blogs who are into it, so far, so I was excited to see you do!!♡

If you don’t mind, may I request Sugishita and Sakura (separately) coming to terms that they have a crush? And and, said crush is also a secret admirer of theirs. The mutual pining… how long would it take for them to spill the beans, or would reader have to take it into their own hands? All the fluff ˶ᵔᵕᵔ˶

Thank you so much!♡have a great day!

I'm very happy that Wind Breaker is becoming more and more popular, it's really good and I can't wait for next chapters and episodes to come.

The both of them are so awkward, that they would certainly need some help to make them realize someone has a crush on them.

Kyotaro Sugishita, Haruka Sakura x Secret Admirer! reader

Kyotaro Sugishita

Kyotaro got to know he had a secret admirer because of Tsubakino. It was they who saw the little snacks and notes appearing in the younger boy's locker. He didn't tell anyone about it because he honestly didn't know what to make of them and so Tsubakino had to help him realize that the gifts he received were given to him by someone who clearly had feelings for him. It was evident, especially by the sweet notes.

That got him thinking, about the possibility of someone liking him, and that made his feelings all confused because there was someone who already had a piece of his heart for themselves. Kyotaro liked you, and he came to that conclusion all by himself. You were usually helping out Kotoha in the afternoon, buying her stuff, and being a waitress whenever more clients appeared. He found you really adorable with the apron on and the small smiles you sent everyone.

He had the biggest problem of his teenage lifetime to solve, even worse than the fights, because he started liking you and now there was someone who was leaving him all these notes, meaning he had someone who liked him. Kyotaro didn't know what to do and how to resolve the "love triangle" he found himself in.

How his heart felt lighter when one day he saw you sneaking into the school and leaving the very familiar snacks and notes in his shoe locker. "Oh my, what is that, Kyo?" His hiding spot got exposed when Tsubakino stood behind him and noticed you near the locker. "(Y/n)!" You felt a shiver running through you as you quickly turned toward the familiar voice of your senpai.

They called after you and when your eyes met their and Kyotaro's you became alerted and flustered. You wanted to get away but you were frozen by the uneasy feeling and embarrassment of getting caught. It was then that he got to understand you were his secret admirer and it was you who got him all those snacks and notes, and that the "love triangle" situation was resolved like that.

Kyotaro let out a sigh clearly relaxing as his gaze was still stuck on you, then like a lightning bolt his cheeks became red. Your senpai cooed at that swinging from side to side with a wide smile on their face.

Cheering you on they pushed Kyotaro in your direction making him almost smash into you but he stopped just inches from you. "Do you... want to go... out?" He asked clearly confused about what exactly to do. You nodded your head quickly muttering 'yes' in agreement and Tsubakino cheered loudly saying they would immediately tell Umemiya about this. Hearing that Kyotaro became even more flushed and you lightly chuckled at his expression.

Haruka Sakura

You fell in love with him the moment you saw him protecting the townsfolk from some gangs. His fighting style was amazing and so eye-catching and his confidence was really doing something to you. After that, you saw him more and more often, with his friends on patrol, eating some food in a nearby cafe, or helping others and fighting. Then you started hearing things he and his friends were talking about, it's not like you were eavesdropping on them on purpose, it's just they were quite loud and you were nearby.

You heard that he wasn't eating well, so you took it upon yourself to leave him small fruit bentos or juices. You thought keeping him healthy would benefit not only you seeing him stronger but also others as he'd have more energy. Yes, that certainly was your reason too also start adding some notes whenever you saw him beating someone up, saying how cool he looked.

Suou and Nirei saw the gifts and after talking things through with Haruka, who blushed all the time and told them they were saying bullshit, they started seeking out a person who could leave them on his door handle.

After several days they noticed you always staying nearby and carefully watching Haruka with amazement in your eyes. His friends pointed you out making him flushed because you were pretty, like really pretty in his eyes and you admired him for his fighting style. He then experienced the same phenomenon as you did with him, Sakura started seeing you more frequently around town, sometimes trying to protect people and helping around. Even though he knew it was you who left him the healthy bentos, he was scared to confront you and tell you he also liked you.

Then one day he opened the doors because he heard something scratching at them, only to be face to face with you, who was hanging the small fruit bento on his handle. "Umm.." You took the gift back from the handle and looked startled at Haruka. He was as surprised as you not knowing what to do his gaze fell on you then on the bento and again on you. His face became more flushed with every second.

"You- the fruits- note." He stuttered out nervously but then turned away quickly composing himself before meeting your gaze. "You are the one to leave the fruits and notes, right?" He said and you decided that it was a "now or never" moment. "Yes, I'm (Y/n) and I really admire you and your fighting skills, and if you'd agree I want to go out with you. Please." You confessed in one breath pushing the fruit bento in your hands in front of him and bowing.

The silence was evident and you became worried. As you raised your head you saw Haruka bright red with his hand covering half his face as the other gripped the doors. He gulped loudly before he replied. "Actually, I wanted to ask you out to thank you for all the food." His voice was shaky from nerves as he took the bento from your hands. "Yes, of course!" You said loudly and then coughed and corrected yourself. "It would be my pleasure."

Tags: @misticbullet

#wind breaker (satoru nii)#wind breaker (satoru nii) x reader #wind breaker x reader #wind breaker #kyotaro sugishita x reader #haruka sakura x reader

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littlesparklight · 15 hours

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I got curious about how Menelaos gets chosen in various sources and made a little list*: -In the Catalogue of Women, Tyndareos chooses/Menelaos wins because he offers the most bride gifts. [The oath is Tyndareos' idea, as far as we can tell.] -In Stesichorus' Helen (so, the probable first version of his that treated Helen and the Trojan war, not either of his Palinodes), Tyndareos chooses after exacting the oath to keep order and the suitors from fighting each other. [No way to tell if Tyndareos came up with the oath himself or was given the idea, by Odysseus or anyone else.] -In Euripides' Iphigenia in Aulis, Tyndareos allows Helen to choose after exacting the oath as the suitors have begun threatening each other. [Tyndareos comes up with the idea of the oath himself.] -In the Bibliotheke, Tyndareos chooses. [Odysseus is the brain behind the oath.] -In Hyginus' Fabulae (#78), Helen gets to choose because Tyndareos is afraid of the discord that might arise and that Agamemnon might divorce Klytaimnestra. [Odysseus is again the brain behind the oath.] *Based on checking those sources I knew mentioned it plus Gantz's Early Greek Myth, since he's thorough in mentioning if later sources talk about something even if the focus is on earlier ones.

So what we've got is that most of the time in these sources, Tyndareos is the one to choose. In the Catalogue of Women the man chosen is also the one that, on the crassest level, is the most "worthy" by having given most for the woman. (Though it's also the source that notes if Achilles had been old enough, he would have won Helen.) Of course, if there are lost sources that touched on the suitors and Helen's marriage to Menelaos, we won't know that, or what they said about it, but this is what we've got to work with, I'm rather sure.

Tyndareos choosing is of course the most "neutral"/normative option, as that would be the regular course of things. Tyndareos being the one to choose also doesn't appear to have any correlation (as far as we can tell, anyway) whether Helen left or was kidnapped. As in, there's no correlation to whether Helen is portrayed as "guilty" or not when her father has chosen her husband.

Helen choosing comes into play for the first time in Iphigenia in Aulis, and the context of it paints a rather specific picture, I'd say.

"[...] old Tyndareus with no small cleverness had beguiled them by his shrewd device, he allowed his daughter to choose from among her suitors the one towards whom the sweet breezes of Aphrodite might carry her."

"[...] carried Helen off, in mutual desire, to his steading on Ida."

First of all, of course one could probably say much since this is all part of a speech of Agamemnon's. But, if we're allowing what's being said to stand on its own (and if there is an agenda, which undoubtedly there is, it might be Agamemnon's just as much as about how the play, meta-wise, is choosing to represent this), something becomes very clear. Tyndareos is put forth as basically tricking the suitors, and so it puts blame on him. Helen, in being allowed to choose, is made culpable since she then still desired someone not her husband and because of that desire let herself be carried off. The chorus a little later after this both uses "carried off" as well as "fled her home to marry a foreigner". It's thus not just Agamemnon who is framing it both in terms of "kidnapping" and Helen leaving because she desires Paris.

In Hyginus we have no moral flavouring of the same kind as above, since the Fabulae are so very pared down in their language. At most it's a far more neutral casting of Helen being allowed to choose than how Iphigenia in Aulis has it. (But it's probable Hyginus got "Helen got to choose" from that play, much like Euripides and Sophocles' Alexander plays are probable sources for his own account of how Paris comes back to Troy.)

The wider context in which Helen getting to choose her own husband and how it's being portrayed is actually rather important, then, being used as it is in conjunction with Helen being portrayed as desiring Paris. And I think it's kind of interesting how Tyndareos is apparently at first perfectly capable of coming up with the idea of the oath himself, but as soon as Odysseus in later sources worms his way into the narrative, him having come up with it is the version that dominates (especially in later awareness of the story)!

#helen of sparta #helen of troy #greek myth thoughts #tyndareus

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cottonlemonade · 1 day

Text

A Simpler Life [Part 2]

word count: 1621 || avg. reading time: 7 mins.

pairing: post-time skip Kita x chubby!Reader

genre: fluff, slice of life, mutual pining

warnings: spoilers

synopsis: In pursuit of a calmer, simpler life you flee the city to move to the countryside - only to fall in love with your neighbor.

[part 1]

____________________________________________

Kita‘s steps quickened when your house came into view, his eyes searching the veggie patch for your straw hat but nothing. His shoulders drooped but he was glad to see the tomatoes doing well.

Maybe he should just knock and ask if you could spend dinner again together but he decided against it. You were probably busy or had better things to do. A light went on in your house and through the window he saw you lean over a small table with a mirror, applying some lipstick. From the little he could make out you wore a pretty black dress that hugged your curves so beautifully, his thoughts were temporarily disconnected. He had to swallow. You were going out. Looking down at his own dirty work clothes and touching the sweaty towel around his neck he let out a deep breath. Just as well. And feeling like he was being intrusive with his stares he continued his way home. As he walked along the dusty road, he remembered a seemingly endless discussion the twins had with Suna back in school that he was close enough to overhear. They talked about leagues and how Suna clearly was not in the same one as a girl he fancied. Back then Kita didn‘t quite understand what they meant since their volleyball team was amongst the best. How much more successful was that girl‘s team that Suna shouldn‘t even talk to her? But now it started to make sense. Rounding the bend, he entered his courtyard and spotted his dog on the porch, eagerly sniffing a familiar looking bundle.

But he had dropped it off this morning, he was sure. With a frown he walked over and picked it up. A note was tucked underneath the knot. “Seems like I made too much again - oops! Could you take this off my hands, neighbor? Y/n“

The bundle smelled heavenly and feeling the disappointment subsiding ever so slightly, he carried it inside.

The next couple of days were the same. He would walk by your house, maybe catch a glimpse of you through a window, sometimes he could talk to you for a few minutes when you were in the garden but unfortunately, he couldn’t seem to bring himself to outright ask for your company and since you didn’t bring it up either he concluded that first time had just been a slip of your tongue.

But every evening without fail he came back to a new bundle of goodness, still warm, waiting for him on his porch under the watchful eyes and nose of his dog.

A new note accompanied each delivery and they already formed a small stack in his dresser drawer.

Every morning he would then drop off the cleaned box and bundle by your door, the same words as his first message written neatly on a sheet of simple, pretty paper.

“I tried a new dish with a recipe from one of the grandmothers in town. I hope you like it! - Also a quick question to a professional: I think my strawberries are dying. Their leaves are all crunchy and no matter how much I water them they seem to wilt. Thoughts? - Y/n”

He got up even earlier the next morning than usual and headed to his smaller greenhouse that kept some fruit and veggies he liked to have growing year round for his own personal use. After swiftly filling a basket with strawberries, he made his way to your home to drop them and the bundle off alongside a detailed note on what could be done about your plants before he headed to work.

“Kita-saaan!“

The young man stood up, looking around to see who called for him.

His stomach flipped when he saw your lovely figure standing on the road at the side of his field, waving. Today was another scorching hot day. You wore a light summer dress and your straw hat that he found so endearingly bewitching. He returned your wave and held his breath when he saw you pushing your bicycle along the trampled little dirt path between the neighboring field, obviously not bothered by dirtying your sandals a little. He waded out of the rice paddy to meet you.

“I ought to be mad at you.“, you said as a way of greeting him and he stopped short. Then you reached into the basket of your bicycle and took out a small bag.

“Those strawberries must be worth a fortune and there were so many of them, I can hardly finish those by myself.“

He relaxed and began to breathe again. You had cut some of the strawberries into bite-sized pieces while others topped freshly baked pastries. Lastly, you took out a glass bottle of milk, dyed slightly pink by the strawberry puree gathered at the bottom. “Do you think you have time for a little break?“

The pastries were, of course, delicious. He didn‘t expect anything else from whatever you prepared at this point. But as you two ate in the shade of a tree his mind was trying to figure out how to ask you about the other night. About you in that dress.

“Are you alright?“

He looked up from his cup of milk and met your eyes.

“What have ya been up to this week?“

“Hmm, nothing much.“, you said, spearing one of his strawberries on a skewer and pushing it between your lips. He could watch you enjoy his produce for hours, would happily spend the rest of his life feeding you just to see that blissful look in your eyes.

“I went to a friend’s birthday in the city. Let me tell you, even though I haven‘t been here long, I already missed the peace and quiet as soon as I got out of the taxi. It was the right decision to move. I‘m… so much happier here.“

He was pretty sure he had never been this relieved in his whole life. Looking at his cup of milk again he tried to hide a smile. “I‘m glad to hear that.“, he said.

Comfortable silence stretched between you like a cat in a sunbeam.

“I was wondering…“, you said eventually, “if you‘d like to come over for dinner again. Of course, if you‘d rather have the evening to yourself th-“

“Yes.“, he interrupted, then cleared his throat and continued, “That sounds great. I‘ll bring by the materials for that planter and set it up for ya.“

He was rewarded with another of your dazzlingly bright smiles.

The wheelbarrow gently wobbled over the many rocks and divots on the dirt road leading to your house. In it wooden planks as well as extra soil were stacked expertly and six little sugar snap pea starters were swaying back and forth on top.

When he arrived you were already waiting in your front yard, dressed for work, saluting when he halted. It took him a moment to collect his thoughts again.

“Alright, where do we start?“

“This‘ll only take 10 minutes.“, he waved you off.

“But if I help it might only take 9. Or… 30, depending on how much I slow you down.“

Kita laughed.

“Okay, but ya‘ll need gloves. The wood could splinter.“

“Oh. I don‘t have any.“

He reached into his back pocket and took out his pair, holding it out to you.

“What about you, though?“

“I‘ll be careful.“

It really didn‘t take long to connect the four pre-cut pieces with each other. Kita drove the long nails efficiently into the wood while you held the planks, trying not to get too distracted by the muscles in his shoulders and forearms. How could someone be this kind and generous? And handsome! And single!? Were the women in this town blind? But then again you did bring down the age average quite significantly…

“Y/n-san?“

His voice snapped you out of your thoughts. He held his hand out to you. For a confused moment you didn‘t know what to do and just took it. And Kita… he blushed.

“I asked for the other nail, please.“

“Oh my gosh, yes. Sorry. Uhm, here.“ You hastily pulled your hand away, your face burning bright red, and handed him the next nail.

Soon you were filling up the space with the soil he brought and planted the little starters. Using bamboo sticks and twine a makeshift trellis was quickly added and you stood up to admire your handiwork. You grinned and took off his gloves, holding up your hand for a high five.

When he raised his right you squinted and took it in yours.

“You did get a splinter!“, you scolded, “Man…! Come on.“

And you dragged him inside.

Kita thought he might explode at any second if you kept touching him. After carefully washing his hand and holding it under a steady stream of lukewarm water you pulled him over to your couch and asked him to keep his hand under the light of a small lamp on the side table. Rubbing down a pair of tweezers with some sake from your pantry you knelt in front of him, bringing his hand so close to your face he could feel your warm breath tickle his skin. It was quite maddening. Never had he felt such a strong desire for action. His whole body was tense like a taut bowstring. He held his breath while you worked, soft careful fingers rubbing and squeezing his calloused hand. He didn’t even notice the sting when you disinfected the spot after. But his skin burned when you applied a bandaid, gently smoothing out the corners.

“All done.”, you announced and got up to put the supplies away. He let out his breath, flexing his hand.

____________________________________________

art: coloring done by @keiko-chan

#kita x chubby reader #haikyuu x chubby reader #kita shinsuke x chubby reader #chubby reader #haikyuu fluff #kita shinsuke x y/n #kita shinsuke x you #kita shinsuke x reader #haikyuu kita #kita shinsuke #kita fluff #hq kita #kita x reader

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gogandmagog · 2 days

Text

Guys! Yesterday I had a book-shaped piece of mail, and inside of it was my copy of Children and Childhoods in L.M. Montgomery: Continuing Conversations being returned, from another very dear user here! I bring this up only because some-months-ago I promised to copy out a particular article from this book, for yet another user here, who was interested! Interested because it’s on the the subject of a Fan Favourite thing... fan fiction. And better still because some of our (basically famous) mutuals here are mentioned by name! If you’ve ever wondered if the Montgomery scholarship is reading your fan fiction... the answer is yes, they are! They totally are. More than that, they also have some thoughts to share… as well as recommendations of their faves too! This article even covers the F/F and M/M fan fiction presented by fans in LMM’s universe, and I’m personally super excited to be able to begin reading these works, as soon as I can find them all. I’ve done my best to link what I could immediately find, but some of the mentioned stories were unavailable... potentially due to changes in usernames? (That said... if anyone knows of the works indicated here, that I haven’t provided a link for, please do share!) This article, by the way, was written recently... in 2020! It’s very current, and it covers a few stories that were still being actively updated during the pandemic. The focus of this article is less so on canon (or really just the Anne/Gilbert pairing), though, and seems to prefer demonstrating the versatility of mixing relationships (Anne and Emily, for one!) and the wider more general universe-building aspects (the entanglements of future generations/Anne’s grandchildren) that fans have been expounding on for nothing less than decades.

Okay, here we go! xx

Continuing Stories: L.M. Montgomery and Fanfiction in the Digital Era by Balaka Basu

Fanfiction – the recreational (re)writing of texts – is a literary genre of rapidly growing significance. Abigail Derecho in her brief history of fanfiction identifies it as “a genre that has a long history of appealing to women and minorities, minorities, individuals on the cultural margins who used archontic writing as a means to express not only their narrative creativity, but their criticisms of social and political inequities as well.”

Insightfully defined by Francesca Coppa and Mary Ellen Curtin as “speculative fiction about character,” fanfiction can be even more precisely understood as fantasies about the diegetic positioning of characters in the context of various settings, communities, relationships both textual and paratextual, and eventually all manner of cultural mythologies.

Kristina Busse and Karen Hellekson describe the production of fanfiction as “part collaboration and part response to not only the source text, but also the cultural context within and outside the fannish community in which it is produced.”

They point out that the shift in the method of dissemination of fanfiction from newsletters and zines to internet archives means that “ever-younger fans who previously would not have had access to the fannish culture except through their parents can now enter the fan space effortlessly; financial resources have become less of a concern because access to a computer is the only prerequisite; and national boundaries and time zones have ceased to limit fannish interaction.”

The nature of fanfiction allows participants to cross-generational and socio-economic boundaries in an ongoing exchange of responses to a source text with which they share a fascination, developing new texts that in turn elicit their own responses. While the creation of fanfiction is evidence of an affective, loving, communal relationship with the source text, this genre of writing is still dismissed in many quarters as overly emotional, purely erotic, and even perverse, a type of amateur and immature engagement with popular texts that produces writing necessarily divorced from literary significance. Produced in staggeringly vast quantities by subcultures with complex vocabularies and traditions that can intimidate the casual reader, fanfiction is perceived by many to be more of a cultural practice than a literary genre, variously denigrated for its pornographic potential and its lack of originality. However, close examination reveals that fan writers are able to create a critical dialogue with the originating author in acts of communal storytelling that incorporate allusions and reference points to which other dedicated fan readers and writers may respond.

In this chapter, after examining how L.M. Montgomery and her writer heroine Emily themselves engage in practices now associated with fanfiction, I survey four forms of fanfiction that remove Montgomery’s novels from her seemingly idyllic and timeless island settings, contextualizing her characters and plots within history and other genres: the sequel set during the Second World War, the modern AU (alternate universe), the gap-filler, and the slash fic, all of which allow the young readers who grow up with her novels to engage in dialogue with the stories they love, a type of literary conversation that Montgomery herself models within her texts. Emily’s reading, which is active rather than passive, resembles twenty-first-century fans’ ownership of the texts they love, provoking creative responses. For instance, after reading works by Lord Tennyson, Elizabeth Barrett Browning, and Matthew Arnold, Emily writes, “Teddy lent me 3 books of poetry. One of them was Tennyson and I have learned The Bugle Song off by heart so I will always have it. One was Mrs. Browning. She is lovely. I would like to meet her. I suppose I will when I die but that may be a long time away. The other was just one poem called Sohrab and Rustum. After I went to bed I cried over it. Aunt Elizabeth said ‘what are you sniffling about?’ I wasn’t sniffling – I was weeping sore … I couldn’t go to sleep until I had thought out a different end for it – a happy one.”

The reactions Emily catalogues are those of the fan; they are viscerally felt in the body and attempt to dissolve the boundary between author and reader, producer and consumer. She inscribes Tennyson within her heart in order to possess the poem she loves; she creates a relationship between Barrett Browning and herself; and, most significantly, she interjects her own desired happy ending into Arnold’s tragic narrative, a corrective desire that is at the core of many works of fanfiction. Emily’s diaries and her story reflect Montgomery’s own experiences from childhood to adulthood as reader, writer, and reader-turned-writer discussed in the introduction to this volume. Depicting Emily as a voracious reader and a life-writer like herself, Montgomery places the child Emily’s voice in conversation with that of the narrator through Emily’s letters to her dead father in Emily of New Moon and through her diary entries in Emily Climbs and Emily’s Quest, creating a form of joint authorship that is referenced explicitly in “Salad Days,” the second chapter of Emily Climbs: “book is not going to be wholly, or even mainly, made up of extracts from Emily’s diary; but, by way of linking up matters unimportant enough for a chapter in themselves, and yet necessary for a proper understanding of her personality and environment, I am going to include some more of them. Besides, when one has material ready to hand, why not use it?”

The narrator’s willingness to use the “material” that is “ready to hand” reflects Montgomery’s and Emily’s practices, and also validates other writers’ use of the material Montgomery places at their disposal. As with many fans, Emily’s reading frequently makes itself felt within her writing.

Like Montgomery, Emily learns her trade through mimicry, from her first poem in blank verse inspired by James Thomson’s Seasons to her unwitting imitation of Kipling that is pointed out by her teacher, Mr Carpenter, in his review of her work. Like Sara Stanley of The Story Girl, whose compelling and fascinating stories are rarely if ever original, Emily is a fan of the oral traditions of her community, incorporating and building upon them in her own writing, transforming and recreating, for instance, the story of “The Woman Who Spanked the King” in Emily Climbs.

The retelling and versioning that Emily practises signal her immense admiration for the source texts she adapts, just as the creation of fanfiction does for Montgomery’s readership and fans. The possibilities inherent in versioning and adaptation are illustrated in Emily’s Quest. When Montgomery depicts Emily undertaking the reworking of someone else’s narrative, she is adapting an episode from her own experience while working for The Echo in Halifax, which she records in her journal. Montgomery, like Emily, was asked to create an ending for a serialized story, “A Royal Betrothal,” after compositors had misplaced the original text.

Like Emily, she claims that her “knowledge of royal love affairs [was] limited,” and that she was unaccustomed “to write with flippant levity of kings and queens.” Nevertheless, Montgomery manages to create a conclusion that passes muster, since “as yet nobody has guessed where the ‘seam’ comes in.” She is, however, curious about the original author’s reaction to her unauthorized adaptation, and while she never discovers this in real life, she does imagine it in her fiction when she introduces Mark Greaves, who is horrified by Emily’s new ending for the story but enchanted by its author. Neither Montgomery nor Emily engages in this sort of writing from a place of fandom; they have no previous attachment to “A Royal Betrothal,” and both are writing professionally. Nevertheless, the ability to solve the puzzle of the story and the weaving of their work into an already extant text are the very project of fanfiction: ludic narrative composition that recalls the way children play make-believe with the narratives they love, reworking and extending them. It is telling that Montgomery uses the metaphor of the “seam” to describe this particular craft. Jane Dawkins, writing about her fanfiction, which is inspired by Jane Austen, describes her fan novel Letters from Pemberley as “an old-fashioned patchwork quilt, where in place of the scraps of fabric reminding one of the favorite frocks or shirts whence they came, there is a line or a phrase or a sentence from one of [the original] books or letters stitched alongside the lesser scraps of my own manufacture.”

Montgomery’s final book, framed by the two world wars, is just such a patchwork sequel, albeit providing only brief glimpses of the characters that readers met as children and who have now grown older. When a version of the book was published in 1974 as The Road to Yesterday, these glimpses, lacking the interstitial materials, became even briefer, mirroring the more forced insertion of beloved characters that the two earlier collections, Chronicles of Avonlea and Further Chronicles of Avonlea, display. Only two of Anne’s grandchildren – Gilbert Ford and Walter Blythe – are obliquely referred to, in the story “A Commonplace Woman,” where an unpleasant young doctor reflects on both of them as potential rivals for the affection of a beautiful girl he himself hopes to pursue.

However, the full novel, The Blythes Are Quoted, published in 2009 and comprised of short stories about the people in Glen St Mary and over the harbour, is interspersed with poetry by both a young Walter and an adult Anne. The poems are cut with tiny slices of dialogue that suggest the continuing lives of fans’ favourite characters and how they might have developed. In “‘Dragged at Anne’s Chariot Wheels’: L.M. Montgomery and the Sequels to Anne of Green Gables,” Carole Gerson notes the mixture of feelings from pleasure to frustration that Montgomery records in her journals as she prepares to write her first sequel.

While Montgomery wrote the first installments of her various series out of inspiration, she was certainly aware of what her market desired from subsequent installments. She often regretted the necessity of marrying off her characters, but was aware that her fans demanded this conventional outcome for the characters they had come to love; these traditionally romantic endings, when not offered by Montgomery herself at the instigation of her publishers, are regularly deployed by contemporary fanfiction authors building on the source texts.

Indeed, long before the original structure of The Blythes Are Quoted was revealed to readers in Benjamin Lefebvre’s afterword, fanfiction writers were spinning off lengthy narratives that included a third generation of young Blythes, Fords, and Merediths dealing with the onslaught of the Second World War. While earlier installments in the Anne series – such as Anne of Green Gables and Anne’s House of Dreams – depict the deaths of Matthew, Anne and Gilbert’s first daughter (Joyce), and Captain Jim, Walter’s death in Rilla of Ingleside is somehow more striking. Unlike Matthew and Captain Jim, he has not yet had time to grow old; unlike Joyce, readers have had opportunities to get to know him as a child in Rainbow Valley and as he grows into young adulthood in Rilla of Ingleside. His death is unnatural and, therefore, all the more horrifying. These two aspects of Rilla of Ingleside – the evocation of history by a nostalgic fictional world that is still tied to real time and the use of high drama, tragedy, and romance – provide fanfiction authors with a model they can use to appeal to the emotions of those readers who are immersed in the next generation of Montgomery characters.

The Second World War, then, provides an entry point into the series for fanfiction authors, who can deploy real history coupled with beloved characters to create a tale that feels absolutely authentic. One example of this is a short story, “The Pen and the Sword,” written in 2007 by MarnaNightingale. Here, mimicking the style of Dorothy L. Sayers’s The Wimsey Papers (a series of Spectator articles published between 1939 and 1940, which interestingly also continue the story of First World War–era characters during the Second World War), MarnaNightingale employs epistolary excerpts and newspaper articles to tell the story of a family going through the horrors of war for a second time. Grounding her fragmented story – like The Blythes Are Quoted, a mixture of genres – in the accounts of novelist Mollie Panter-Downes (1939) and war correspondents Ernie Pyle (1940) and Ross Munro of the Canadian Press (1941), whose articles are attributed to Kenneth Ford, she offers a story that, like Rilla of Ingleside, is anchored to the historical moment, while also nostalgically focusing on the character development that comes from Gilbert Ford’s death, Rilla’s and Faith’s reactions to the war, and the lives of their children. Here war also serves as an opportunity for new experiences, particularly for women and children: Rilla takes a factory job as a machinist, liking it better than working in Carter Flagg’s store; one of Anne’s grandchildren, Susan, plans to be a doctor; and Faith, who worked as a Voluntary Aid Detachment nurse in the First World War, mentions how she can sympathize. As well, the daily tidbits that flavour the pages of Rilla of Ingleside are there: one article, attributed to Anne, includes the recipe for Susan Baker’s war bread, reminding readers of the problems of wartime rationing, even in the Americas. Real life events – like the Canadian forces trying (and failing) to make a beachhead at Dieppe – arouse the passions of the reader. Unlike Austen – who also famously wrote of three or four families in a country town, but kept the Napoleonic wars firmly in the shadows – Montgomery brings the passions and high drama of the world stage into the sleepy villages of Prince Edward Island, which inspire fanfiction spinoffs.

The long novel Cecilia of Red Apple Farm, by a fan author who posts under the pseudonym ruby gillis, also directly reworks passages and scenes from the whole range of Anne books, set in the late-nineteenth century, to The Blythes Are Quoted, set in the early years of the Second World War, to highlight the similarity between her new generation of characters and their ancestors. Cecilia is the daughter of Una Meredith and Shirley Blythe (characters often married off in fanfiction). Like MarnaNightingale, ruby gillis provides period flavouring in the styles of dresses and behaviour and in references to 1940s popular films and songs. Simultaneously, this setting offers new opportunities to her female character: Cecilia wants to be a doctor, and rather than staying in Canada, she joins up to be a nurse in England. She has a series of romances – one with Sid Gardiner (before he marries May Binnie), and one with her cousin Blythe Meredith, who is this generation’s poet – before finally ending up with Marshall Douglas (the son of Mary Vance). Just as Anne initially refuses Gilbert Blythe in favour of Roy Gardner’s resemblance to her ideal man in Anne of the Island, ruby gillis’s Cecilia is fooled by the allure of Sid and Blythe as Roy Gardner–like romantic heroes into believing that she does not truly love her fun, practical, “Gilbert-esque” friend. Published in 2004, Cecilia of Red Apple Farm further illustrates the opportunities presented by reusing and reworking a body of texts through its incorporation of Montgomery’s poem “I Wish You” as the work of Blythe Meredith. Montgomery includes this poem and attributes it to Anne in The Blythes Are Quoted, although ruby gillis could not have known this when writing. The repetition of names and circumstances might seem derivative, but for readers who have read and reread the original books so many times, the extension of the story world is prized, even if – perhaps even because of – its callbacks to the original text. Due to the tendency of fans to fixate on “the good bits” in a reread, these parts can be taken for the whole.

Austen fanfiction demonstrates this aptly. Indeed, Helen Fielding’s second Bridget Jones novel, Bridget Jones and the Edge of Reason (1999), illustrates just such a reading of Pride and Prejudice: she shows Bridget, a fan, watching the scene from the 1995 mini-series in which Darcy, dripping in a wet see-through shirt, exits the lake, and then rewinding and rewatching the scene multiple times. How many times might a similar fan reread Walter’s letter from Courcelette? This repeated reviewing of selected portions can replace the amplitude of the original novel. With this delimited focus, narrative is no longer seen as a progression, but as a single moment of pleasure, sustained as long as possible. Reading the Second World War as a repetitive sequel to the First World War further highlights this possibility.

Even Montgomery seems to do so, as demonstrated in The Blythes Are Quoted, with its new generation of characters confusingly named after the old: Walter, Jem, Rilla, Di, Anne, and Gilbert. A variation on Marah Gubar’s kinship model, this kind of continuation highlights the blurred boundaries between child and adult characters who are literally related to one another and whose adventures mimic one another.

In a third example of fanfiction set during the Second World War, Weeping May Tarry, a long novel by ElouiseBates, Meggie, the heroine, is Shirley’s daughter (and also, surprisingly, Paul Irving’s granddaughter). In this story, which like Cecilia of Red Apple Farm is an installment of a longer series, Meggie is sent off to a conservatory of music to study singing, aptly combining the traditions of the nostalgic boarding-school novel with “Girl’s Own” wartime fiction. Following the tradition of Magic for Marigold, which explicitly suggests in its second chapter that the Murrays of Blair Water and the Lesleys of Cloud of Spruce exist in the same universe, @e-louise-bates (like many other fanfiction authors, including ruby gillis) suggests that all of Montgomery’s characters exist in a single universe: Meggie partners briefly with the grandson of Sara Stanley (The Story Girl and The Golden Road) and is close friends with Jane Stuart (Jane of Lantern Hill).

Going even further, @e-louise-bates introduces the grandchildren of the What Katy Did series as friends for Meggie and includes Betsy from Dorothy Canfield Fisher’s Understood Betsy as Bruce Meredith’s wife, creating a world where all the characters of early-twentieth-century girls’ fiction seem to have truly lived, where their descendants must cope with victory gardens and dances with soldiers at the Exhibition Grounds, and where kisses are much more commonplace than they once were.

These particular continuers of Montgomery are also desirous of membership in the community of her fans, seeing their literary endeavours as productive of approval from a fellow readership. Likewise, the novels are notable for their sociality – they seem to offer the reader not only a fantasy friendship with the characters themselves but also the very real society of fellow readers of the works. Thus, these fan authors attempt to diversify their stories so that they represent contemporary beliefs regarding multiculturalism; ruby gillis, for instance, introduces into the family by way of marriage a French girl who has had to flee the Nazis due to being Jewish, a situation Montgomery and her contemporaries might have had some difficulty accepting, considering early-twentieth-century attitudes toward interreligious marriage and Montgomery’s othering of the German-Jewish peddler who sells Anne green hair dye.

The Second World War thus offers writers of Montgomery fanfiction the loom on which to weave new, more diverse stories, even as The Blythes Are Quoted, which also traces the characters’ reactions to this new war, demonstrates how these readers-turned-writers followed Montgomery’s own trajectory, not knowing that they were doing so. On the subject of fanfiction, young-adult author Patricia C. Wrede writes: “The thing that fascinates me about fanfiction, though, is the way that it models the decision tree that writers go through (whether consciously or unconsciously) to get to their final product. For those of us who do this part mostly unconsciously, it can be interesting and instructing to see the multitude of alternate paths that a story could have taken, all laid out more-or-less neatly in different authors’ fanfics [… taking a slightly different fork in the road] resulting in the plot veering in a completely new direction. Friends become enemies; enemies become friends; goals and objectives and results shift and change.” Within these pieces of fanfiction, then, fan writers are able to follow these decision trees with subsequent generations of characters as well.

Another avenue of access occurs when fan authors transpose historical narratives into the contemporary moment. Perhaps the best-known example of this modern alternate universe [AU] conversion is the television program Sherlock, which takes Arthur Conan Doyle’s Victorian detective into the twenty-first century. While new cultural contexts appear, the essence of character is meant to be retained. Just as Sherlock uses text messages and blogs to substitute for telegraphs and handwritten journals, fans of Montgomery reimagine the relationships between her characters as if they were taking place online.

For instance, “Work in Progress” (2012) by verity postulates a friendship between Montgomery’s most famous heroines, Anne and Emily. In this piece of fanfiction, Emily circumvents Aunt Elizabeth’s injunction against fiction during her time at Shrewsbury High by becoming a blogger who is restricted to the “truth.” The story’s online summary, a part of which reads “Anne rolls her eyes. ‘Is your aunt really going to know if you cheat on your nonfiction with some hot prose on the side?’” shows how the story preserves the character qualities that Montgomery laid out, complete with references to the Murray pride and Anne’s orphanhood. Mr Carpenter’s admonitions are spelled out at the beginning of the story:

“Emily Byrd Starr has a sticky note on her desktop. It reads:

ITALICS

CAPITALS

!!!!!

“just”

“really”

CTRL+F!

It is almost like having Mr Carpenter in the room with her.”

Verity creates humour through the juxtaposition of contemporary social media and allusions to Montgomery’s source text. Another story by verity detailing Rilla’s romance with Ken Ford and her friendship with Una Meredith, “Rilla of Toronto,” takes place mainly through instant messages. In this story, Rilla reflects on her life from eighteen to twenty-five, tracing a continuum from her child self to her new adulthood, underscored by verity’s translation of Montgomery’s work into contemporary millennial language.

A third type of fanfiction narrative, the gap-filler, focuses on and expands the implications of the source texts. Moira Walley-Beckett’s Netflix/CBC series Anne with an “E,” as Laura Robinson shows in chapter 12 of this volume, is somewhat fanfictional in and of itself: as Robinson points out, the show fills gaps by bringing to the fore the darker currents that have always been beneath the seemingly untroubled waters of Anne of Green Gables, including Anne’s potential post-traumatic stress disorder from the disturbing life she led before coming to Green Gables. This kind of versioning and adaptation tacitly permits fan authors to feel that their versions are just as valid as those produced by professionals. Gap-fillers frequently expand on romantic pairings and in fandom are often referred to by portmanteaux of characters’ names that perpetuate some inside joke or work as puns. “Shirbert” – a moniker for Anne and Gilbert – is the latter, and demonstrates how fans posting on sites like Archive of Our Own (Ao3), Fanfiction.net, and Wattpad (this last generally populated by younger fans) develop their own language to identify their stories within the community for which they write.

One such story, “You caught me staring, but I caught you staring back,” by Anuka, clearly inspired more by the television series than the novels, begins with an author’s note that reads, “I decided to write some fluff for these two, because I need more Shirbert moments, and season 2 is so far away. I added gifs to make it more vivid.” Here, the romance between Anne and Gilbert as depicted by Montgomery and Walley-Beckett is not sufficient for the reader-turned-writer. Anuka wants the gaps in the narrative to be more fully explored than they are on either page or screen and to be made more “vivid” by the inclusion of images that help make the story come alive.

Similarly, “Rilla Blythe’s Wedding: A Not Entirely Comprehensive Account” by Scylla also fills a gap: Rilla and Ken’s wedding day, a scene that Montgomery leaves to the reader’s imagination at the end of Rilla of Ingleside. Modelled upon other accounts of weddings within Montgomery’s fiction, the story also suggests that accounts of Walter’s death have been gravely exaggerated, as he makes a stunning appearance at his sister’s wedding. In order to align her work with Montgomery’s novel, Scylla ensures that Little Dog Monday’s awareness of Walter’s death remains, but makes it only a technicality, writing, “His heart had stopped for a full ten seconds – long enough for his Captain to feel for his empty pulse and for Dog Monday to be jolted with the fullness of his death. Little dogs, after all, can only have tender dogs’ hearts. Grief to Dog Monday was an all-consuming thing, and when Walter’s heart began to beat once more, he was deaf to its spark of joy.” After meeting with his eldest sister, Joyce, in heaven – which is, as he had always hoped, Rainbow Valley, Walter is returned to life so that he may write of peace as well as war (as he did when he was a boy), marry Una, and repair the broken hearts of readers who did not want to lose him.

While heterosexual pairings are the most prevalent in Montgomery fandom, there is room for queer imaginings as well.

This very popular genre of fanfiction, known as “slash,” is generally defined as stories that centre on samesex romances between characters, particularly between men. Montgomery slash fiction usually stars Walter Blythe.

One slash story, “but i don’t know who you are” by @freyafrida, imagines a bisexual Walter. Told in an enduringly popular sub-genre of fanfiction often referred to as Five Things Plus One (which involves a series of thematically linked but not necessarily chronological scenes), the story is summarized by @freyafrida as “Five people Walter thought he wanted, and one person he didn’t notice until it was too late.”

This last person is original to Montgomery’s text: Una, whose apparently unreturned attraction to Walter is woven through Rilla of Ingleside. The other five potential partners are all alluded to as Walter’s close friends, beginning in childhood with Alice Parker from Anne of Ingleside and Pat Brewster from The Blythes Are Quoted and then carrying on through adolescence and young adulthood with Faith Meredith, Ken Ford, and finally Paul Irving from Anne of Avonlea. While his feelings for Faith and Ken are clearly unrequited, Alice, Pat, and Paul all express their own desire for Walter. The inclusion of the famous poet and Walter’s “model” uncle, Paul Irving, in particular, particular, illustrates how traits of sensitivity and aesthetic appreciation that challenge traditional ideas about masculinity are frequently interpreted as queer by fan readers and writers.

In another slash fiction, cero_ate’s “The Moving Finger Writes, and Having Writ Moves On,” Walter discovers his homosexuality while fighting in Europe:

He wrote half truths and lies once more, when he wrote his Rilla that he could not form poems of the depths of the war. For who could write his sister of the phallic love he had found? He had found his reason in a tow-headed American boy. He meant so much more to Walter than mere friendship could explain. He wanted to write, as sweethearts write, of the tempest of joy in the darkest night. But how would they understand? How would they even try to understand he sought not the Dark Lady of Shakespeare but the youth, fair and Wilde? When he was presented with Una’s faithful heart, he spurned it. When his tow-headed darling presented his own, Walter took it, greedy for him. His grecian style love, the boy who’s [sic] eyes danced, even in the darkest of days. He would do anything to keep him safe. But he could not present him to his family, for their scorn or pity. War had broken him, but made him as well.

While male/male pairings are generally the most popular stories in fandoms, Montgomery’s novels, peopled as they are by communities of girls and women, require that readers who want to queer the text must explore what is called femslash (that is, slash fiction featuring two female characters).

Such relationships have been explored within the academic setting. For instance, Laura Robinson remarks in “Bosom Friends: Lesbian Desire and the Anne Books,” that the relationship between Anne and Diana uses “the language that readers associate with adult romantic love rather than girlhood affections,” even as it is expressed through the heterosexual paradigm of marriage.

One fanfiction author, ArcticLava21, makes it clear that such fan written stories are not speculation but instead address key issues of representation. The author’s note to ArcticLava21’s short Anne/Diana story, “Nature,” reads, “Hello everybody! Hope your [sic] having a wonderful day. Before anyone yells at me for ‘sexualizing platonic friendships’ please note that this is for all those queer kids who grew up pretending. Pretending that he ended up with him instead of her, or desperately wanted representation. Are we good? <3 Enjoy yourselves lovely people.” The intended audience of the story, “queer kids who grew up,” again establishes the transgenerational kinship between Montgomery’s child and adult fans.

All fan fiction, shared on the Internet, exist in dialogue not just with Montgomery’s fiction but with the author herself, and between the fans who read the novels as children and adolescents and the adults that these readers become.

Whether fan writers extend the narrative or fill gaps, transpose chronology or to queer the text, these pieces of fanfiction allow fans not only to insert themselves into the narrative, but also simultaneously to revivify the original novels, published a century ago. In performing interventions to the text, Montgomery’s young fans grow up to reply to the discussions that she began long ago in the pages of her journals and stories, ensuring that all three – author, reader, and text – are continually reborn into a conversation that will never end.

#any typos here are all mine 😑#apologies because i’m sure there’s so many… i’m just bleary-eyed from the screen time it took to type this guy up!#like #why didn’t i just get the kindle version #lucy maud montgomery #fan fiction #anne of green gables #emily of new moon #too many individually referenced characters to tag here really!

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dementedspeedster · 12 hours

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I realized I've never compiled all of my Twin Verse images into one place, so I'm doing that now. (The last one is a new addition.)

Twin Verse Summary:

Twin Verse: A universe in which Thad accepted Max’s offer to live with him, Helen, and Bart and learns to become a hero, though not without difficulties. Thad and Bart share the role of Kid Flash / Flash in this universe.

General History:

The history/events within this verse follow the events of Impulse and basically Bart’s life. Thad lives with Max and Bart in Manchester, Alabama during the events of Impulse. He begins to learn about becoming a hero under Max’s tutelage and very slowly develops a bond and rivalry with Bart. They’re not immediately brothers, but just learning how to live with each other and both of them want to make Max proud the best way they can though they still but heads with each other. When Max’s body is taken over by the Rival he moves in with Jay and Joan along with Bart. Max’s disappearance is what solidifies a bond between them. They’re the ones who are concerned and care about Max. Who refuse to let him be forgotten and for some time try to find him. Max is important to both of them and through their mutual love of Max as a parental-like figure they bond and stick together as each other’s most trusted person in their life because they know what the other is going through. When they grow older they both take up the role of Flash. (Which is quite helpful for their personal lives, but also keeping their identity hidden as they can use the other to keep the idea that the Flash and their civilian identity are separate. Ex: They’ve both been seen with the Flash on separate occasions, therefore neither of them could be the Flash!)

Additional Notes:

'Two Flashes?' I hear you ask? Yes, two Flashes working at the same time. Now as for why (other than the fact I think it's a fun idea)?

1. Because as I mentioned it's incredibly helpful in keeping up the illusion that neither Bart nor Thad is the Flash when it is initial assumed that there's only one Flash.

2. I like the idea of how it messes with villains outside of Keystone or Central City. I think the Rogues and local villains would definitely know/figure

3. I didn't want them to fight over the mantle. They both deserve the mantle in a scenario where they wanted to take on the mantle of Flash and give it their own spin rather than it being a contentious point between them and their growth.

4. It could keep up an even more solid illusion of the Flash can be everywhere at once.

I also think the local public would either know that there are two of them or have theories. When the Flash is out though you just don't know who you're getting. It makes for the potential for them to have different fighting styles, strategies, and how they deal with villains. But also the similarities between them. They might handle press different. Other heroes differently. Have different relations with other heroes and villains, etc.

Ex: Neither Bart nor Thad pulls their punches, but Thad is definitely softer on younger villains and tries to steer them toward reform/just steer them in a direction that doesn't lead them to a life he had in his youth.

#V: Twin Verse #Thad Thawne #Thaddeus Thawne #Inertia #Bart Allen #Barry Allen #Flashfam #my edits #my edit #also just made the last one so that one s new #DC let me write twin flashes this an idea I can get behind.#look i really liked the headcanon i put n my notes so i stuck it in here too.#long post

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scarletskiesinthepaths · 3 days

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Attack on Titan and Eren Yeager: Free Will, Determinism, and Compatibilism—A Question of Choice and Moral Responsibility

Compatibilism can be simply defined as the assertion that free will can be compatible with determinism—that is, they are not mutually exclusive and both can be true at once. It is a way to reconcile the problem of moral responsibility within typical deterministic arguments. Arthur Schopenhauer, a German philosopher, once said: "Man can do what he wills but he cannot will what he wills." Essentially, in a classical compatibilist argument, a person is free to act according to a particular motive, but the nature of that motive is determined. Attack on Titan represents the concept of choice under the framework of compatibilism.

Applying this framework to Eren—Eren could not help the way he was born; however, he was capable of exacting agency in his choices. He was born as someone with a monstrous will (as Levi described him as), someone desiring freedom at all costs; however, he was capable of weighing alternative choices and acting against that desire. He was also capable of understanding the moral rightness and consequences of both his desires and his choices, and he was also the ultimate source of his actions. Thus, Eren holds moral responsibility for those actions.

Levi Commenting on Eren's Nature During the "Female Titan" Arc:

Eren Telling Reiner He Thinks They Were Born as Who They Are:

Eren Telling Zeke He is Who He is Because He Was Born into the World:

In causal determinism, "everything that occurs is the inevitable result of the laws of nature and the state of the world in the distant past" (X). Essentially, every one of our actions in the present has a cause rooted in the past, detached from our own actions. It implies that we cannot do anything other than what we ultimately end up doing and that we are not the causal source of our own actions, since all our actions are rooted in factors beyond our control. As such, if none of us have the freedom to do otherwise, it begs the question: are any of us responsible for our actions, even those of great evil?

However, classical compatibilists hold that the truth of causal determinism does not preclude one from having the freedom to do otherwise. Compabilists believe that causal determinism has no impact on our moral responsibility. In classical compatibilism, free will is typically defined as the ability to select among alternative courses of action. The choices themselves and the context of the situation may be determined, but choice can still be carried out within that context. Classical compatibilism, in this sense, can be visualized via a common "fork in the road" image:

Our presence at that fork in the road was determined and guaranteed, but we have the ability to choose which path to go on. Given the possibility of alternative choices, more than one future is possible if classical compatibilism holds true.

The common Classical Incompatibilist argument of determinism is as follows (X):

If someone acts of her own free will, then she could have done otherwise. (A – C)

If determinism is true, no one can do otherwise than one actually does. (D – E)

Therefore, if determinism is true, no one acts of her own free will (F).

As such, according to the argument, if determinism is true, no one has access to alternatives. Given that, only one future is possible in this argument of determinism. Attack on Titan seemingly supports this incompatibilist argument of determinism on the surface due to the fact that Eren only ever sees one future.

Eren Saying the Future Does Not Change:

Eren did indeed have access to multiple alternatives, however. Eren only ever sees one future in Attack on Titan because his alternative choices are rooted in the past and in his manipulation of it:

Eren purposely diverts Dina's titan from Bertolt to eat his own mother instead. The alternative choice would have been to let Bertolt be eaten.

Eren purposely convinces and forces Grisha to kill the Reiss family and take the Founder, even after Grisha had lost his nerve in doing so. The alternative choice would have been to let the Reiss family live.

If no alternative choices were available, Eren would not have had the capability of manipulating the past in the first place.

But, for the sake of argument, let us say that Eren did not have alternative choices. If he did not have alternative choices available, would that then be an argument that he had no free will? Another common compatibilist definition of free will is the ability of an agent to act according to their wishes, free of impediments. Take this explanation:

"On this view, freedom involves two components, a positive and a negative one. The positive component (doing what one wills, desires, or inclines to do) consists in nothing more than what is involved in the power of agency. The negative component (finding “no stop”) consists in acting unencumbered or unimpeded. Typically, the classical compatibilists’ benchmark of impeded or encumbered action is compelled action. Compelled action arises when one is forced by some external source to act contrary to one’s will."

Eren never acted contrary to his will in Attack on Titan. He wanted to do the Rumbling, and he did it.

Eren Saying He Wanted to do the Rumbling:

No one was able to convince or compel him to do otherwise. In Paths, he is originally shackled, but his will overrides the shackles placed upon him:

Later, when the Alliance is traveling to stop Eren, they attempt to converse with him in Paths to convince him to go against his own wishes, but Eren persists; he "keeps moving forward" against all obstacles to his desires. He refuses to negotiate with the Alliance, telling them that he refuses to engage in a discussion and that the only way to stop him will be by ending his life:

In response to these compatibilistic arguments, the Incompatibilist Consequence Argument posits that, in order for one to have freedom, one must be the ultimate source of their choices. The classic argument for this is as follows (X):

No one has power over the facts of the past and the laws of nature.

No one has power over the fact that the facts of the past and the laws of nature entail every fact of the future (i.e., determinism is true).

Therefore, no one has power over the facts of the future.

Consider defining "ultimate source" by the following explanation (X):

"An agent is an ultimate source of her action only if, at the very least, something necessary for her action originates within the agent herself. It cannot be located in places and times prior to the agent’s freely willing her action. If an agent is not the ultimate source of her actions, then her actions do not originate in her, and if her actions are the outcomes of conditions guaranteeing them, how can she be said to control them? The conditions sufficient for their occurrence were already in place long before she even existed!"

Attack on Titan specifically rejects this view of determinism, as Eren has the power to alter events in his own past to influence the future. He is the ultimate source of his own actions.

See @p-ssypink's response in this post:

Once Eren got to Paths in the final arc of Attack on Titan, he willfully manipulated the information his past self had access to in order to guarantee a certain outcome. He was the determinator of his own future.

Furthermore, consider these words from Hajime Isayama, the mangaka for Attack on Titan:

Excerpts from Hajime Isayama's Blog in 2016, discussing Minoru Furuya's manga, Himeanole (X, X):

Excerpt 1: "The serial-killer Morita's desire in life is nothing but to strangle people to death. Why is he a psychopathic killer? The manga portrays it as simply his nature. In other words, that's just the way he was born.

It's completely different from the usual concept of, "he's actually a kind boy, but was bullied to the point of killing and that made him realize how much he enjoyed it". It's true that he was bullied and that was a contributing factor. But even before he was bullied, he clearly said there was something 'not normal' about him."

Excerpt 2: "At first, he considered dying, because he felt he needed to erase the scum from the face of the earth. But before he died, there was one thing he wanted to do no matter what. It wasn't basketball or soccer or travelling to space. It was to receive sexual pleasure from strangling people to death. As many times as he could.

By coincidence, I am not a murderer. I think anyone who tries to understand others, even if you're not a murderer yourself, can still empathize to a degree.

'It's not like I chose to be born this way.'

It's about our nature from the moment we're born."

Excerpt from Isayama Hajime’s Bessatsu Shonen August 2017 Interview, discussing Attack on Titan's ending and Himeanole's influence on it (X):

Ultimately, I don't think the series passes judgment on what is "right" or "wrong." For example, when I read Furuya Minoru's "Himeanole," I knew society would consider the serial killer in the story unforgivable under social norms. But when I took into account his life and background I still wondered, "If this was his nature, then who is to blame...?" I even thought, "Is it merely coincidence that I wasn't born as a murderer?" We justify what we absolutely cannot accomplish as "a flaw due to lack of effort," and there is bitterness within that. On the other hand, for a perpetrator, having the mindset of "It's not because I lack effort that I became like this" is a form of solace. We cannot deny that under such circumstances, the victims' feelings are very important. But considering the root of the issue, rather than evaluating "what is right"...to be influenced by various other works and their philosophies, and to truthfully illustrate my exact feelings during those moments - I think that's what Shingeki no Kyojin's ending will resemble.

The above excerpts (and Eren's own words, as displayed earlier in this post) demonstrate that Eren could not control what he desired; he was born a monster. As such, free will is not entirely supported by the narrative of Attack on Titan. However, as has been demonstrated, neither is determinism. Compatibilism hence remains the best framework for interpreting Eren's character and his moral responsibility in Attack on Titan.

Eren was not a good person—he knew he was a bad person and that his actions in carrying out the Rumbling were wrong.

Eren Demonstrating His Knowledge That the Rumbling Would Be the "Greatest Act of Violence in History":

Eren Displaying His Guilt by Apologizing to Ramzi Because He Knew His Future Actions Were Wrong:

Although Eren could not control what he desired, he was responsible for the consequences that were generated, as he always had the capability of choosing otherwise and he was the ultimate source of all his actions. As such, his actions cannot be justified in any way to alleviate him of responsibility.

Note: This post was inspired by @cosmicjoke's last response in this chain and was created to elaborate on the points brought up in that response:

#attack on titan #shingeki no kyojin #eren yeager #eren jaeger #shingeki no kyoujin #aot #snk #attack on titan meta #aot meta #shingeki no kyojin meta #aot.meta #meta.eren #c: eren yeager #my thoughts #snk meta

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lovedianagrey · 1 day

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hello!!do you have skk fic recs?

Introduction

Yes, I do. I’m sorry it took so long to give you a reply, but I wanted to give you a comprehensive list and was busy preparing for my last day in high school, and then I got a job 12 hours later, and then I traveled to New York for a couple Broadway workshops. But now that today’s been dealt with, I have my wonderful notes.

So here’s the gist of it. I have three focused reviews on some of my favorite Soukoku fanfics ever, but I felt like copy pasting it would kill you a little, so I’m going to use a simplified format that echoes what I once did for two other ships years ago.

Canon Space

Here I compiled four fanfics that take place in main canon spaces (so not BEAST). While I encourage you to read, I also ask you to make sure to check the tags of the actual work for any possible triggers. Furthermore, the styles these characters are written in, and the way they are portrayed, vary from writer to writer. Some are more “canon” based than others, but they all carry the essence of this ship. And if they don’t in your eyes, then you’re just reading a great novel with Japanese names.

i'll bleed out for you by StarshipDancer

Synopsis: After getting impaled together, basically dying in each others arms in a joint mission with the Port Mafia and the ADA, and getting brought back by Yosano, this shattered Soukoku is asked to go into hiding. In this time, things seem to start healing. But the impending call asking them to return to their positions in their groups haunts them, and when it arrives, things fall apart all over again.

Tags: Caretaking, PTSD, A Singularly Important Rat Is Present, Canon-Divergence, Post-Port Mafia Days, Love Confession, Pet Co-Parenting, Angst

Word Count: 71,848

Notes: Rattata is the best character. You cannot negate AbsoluteNegation’s incredible skill. I remember reading this fanfic between the airport and my flight, and when chapter four ended, I had to board the plane, with my shaking hands and quiet sniffles. Please read this one.

If you kiss me (I might let it happen) by encsiimomo

Synopsis: Chuuya’s done watching this. Dazai’s literally dating a new girl every week. He dates based on who asks him first that Monday, he breaks up with them that Sunday, and it goes on again. And again. And again. It’s driving him insane. So he does the only thing he can think of to earn himself a break – He asks to date him for that week’s cycle. Dazai’s surprised. Chuuya’s exhausted. But once the sparks fly, they��re unable to be put out.

Tags: Canon Divergent & Kind of Canon Compliant, Dark Era, Smut, Mutual Pining, Light Angst, Silly

Word Count: 52,127

Notes: I loved this fic because it encapsulates a pretty carefree tone that isn’t associated with Dark Era. It’s pretty smutty, but it’s really lovely to read them. It’s not a reflection of what these characters canonically represent. And while it definitely stays as a loose interpretation of these characters, it keeps the essence that makes this ship so sharp and wonderful. I loved Oda’s appearances too, they made me laugh.

A Doll's House by Abyss_In_WonderLand_likes_sexy_cannibals

Summary: After coming to contact with an ability-powered artifact, Dazai and Chuuya are forced to work together to overcome the ability’s trials, and face the bubbling sentiments they keep trying so hard to ignore.

Tags: Teamwork, Ability Loss, Poisoning, Denial of Feelings, Confessions, Light Angst

Word Count: 45,288

Notes: While definitely not a character study, this fic goes and shows how wonderfully warm a Double Black fanfic can be. You’ll giggle in some moments, be entranced in others, and it’s just fun. This is for those that aren’t scouring for the angst. This was the first fic that sunk me into a skk fanfiction hunt all throughout the winter holidays.

On Deathless Feet by AbsoluteNegation

Synopsis: Chuuya always knows the monster can get out of control, but it doesn’t get any less surprising when Arahabaki powers through him. For a while though, it’d been comforting to know Dazai could always reign it in, make it go quiet. Because he did when they recently met, when they rose through the ranks, and at the brink of their end. But after years of disconnection, and the consistent waves of betrayal, is Chuuya capable of trusting him? And is Dazai capable of letting him?

Tags: Caretaking, Controlling Arahabaki, Port Mafia, Post-Port Mafia, Mistrust, Non-Linear Storytelling

Word Count: 71,848

Notes: This story is just breathtaking. The writing style is incredibly vast and detailed, which may seem scary when described, but it flows so easily when you read it. The story takes place in an event where Chuuya loses control of Arahabaki in a Post-Port Mafia Soukoku time. But because of its non-linear style, one gets to understand their past experiences with each other in a manner that contextualizes and weighs in the events of their reunion.

Fanon Spaces

Before I begin, I’d like to note that there are so many AUs in this fandom, that I had to really search for the canon ones in my list. So understand that if you want more of these, I DEFINITELY have more of these. Also, again, while I encourage you to read, I also ask you to make sure to check the tags of the actual work for any possible triggers.

I’ll crown your inner child with laurel by acuteguwu

Synopsis: Chuuya has worked in a Michelin Star restaurant. So he really has no place in losing this cooking competition. But a sudden newcomer, who seemingly has no previous experience in the field, seems to want to tell him his bechamel sauce isn’t ready. And really, who does he think he is?

Tags: Chef Competition AU, Character Study, Slow Burn, Chuuya Is A Blunt Perfectionist, Dazai Is A Culinary Genius

Words: 197,090

Notes: I read this in two days, and I finished by waking up at four in the morning to finish up before going to a drag queen brunch. So really, my experience was incredible. You get to really know these characters, who are very themselves, and it’s lovely. Please read, it’s so worth it.

music for our funeral by itotypes

Synopsis: Dazai has always been lost on what exactly he wants to be. Chuuya knows exactly what he wants. Working with such incredible differences proves to be a difficult challenge, ending in at least a little bit of violence multiple times, but they make it work. Because their music sounds beautiful. Because they’re better geniuses beside the other. And maybe because once it started, they can’t seem to process this journey can ever end.

Tags: No Smut, Angst, 70s, Musicians!AU, Drug Abuse, References to Child Neglect, Lowkey Pretty Violent, Emotional Cheating (w/ Main Ship)

Word Count: 67,723

Notes: Look, there’s a whole genre of Soukoku music AUs. And I could tell you to read the famous “still, still, still” by icedlightroast, or the even more famous “I Was Screaming Your Name Through The Radio” by ElectricSplatter. Which really, they’re both INCREDIBLE fics that I think you should read (IWSYNTTR literally inspired me to try and write music, which led me to do an album for a school project, so I’m not kidding when I say they’re life changing), but I also know that these are famous fanfics that you can find in almost any big skk reader thread. So disregarding the following recommendation, I try to give you fanfics I found through a long scrolling process.

Everything or Nothing by Wellthathappened (Cataclysmic_Calamity)

Synopsis: Chuuya has never been able to experience much. So when he meets Dazai on the night of orientation, he lets himself explore. And as lips sink into his, and he lets himself be free, Dazai lets him know how unimportant he is by walking away when kids walk in on them. Cut to a month later, they’re paired as roommates, Chuuya’s gotten what Dazai insists is a douchey boyfriend, and Dazai Osamu has to recognize it wasn’t true. It wasn’t a night’s fluke. He really, definitely isn’t straight.

Tags: College AU, Pinning, Chronic Illness, Creation & References Of Illegal Panini Rings, Confessions, Miscommunication, Past Sexual Abuse, Bad Parenting, Cute Dates, Dazai’s Really Rich

Word Count: 264,937

Notes: I recognize I just put in my notes that there’s no major point in recommending these big fanfics, but I just read this because the person that introduced me into the fandom in the first place really loves this one. And it’s incredible. Worth every moment. I laughed a lot, and cried a lot. It’s those pieces of work that resound with you that keep you engaged. This one builds off of that.

Inseparable by milwritescausewhynot

Synopsis: Dazai and Chuuya have been joined to the hip since day one. But they’re not best friends. Or enemies. Or, worst of all, lovers. They are, however, great at pranking each other. Until one goes close to dangerous, and things begin getting complicated afterwards.

Tags: High School AU, Pranks, Light Angst, Denial, Pining, Confessions, Implied/Referenced Self-Harm, Crazy Kouyou, Childhood Friends, No Smut

Word Count: 107,804

Notes: I hadn’t saved this one in my compilation, but I couldn’t not find it. This fic is so charming, and I most enjoy how the characters move through the story. Definitely recommend.

In Conclusion

Again, I’m sorry for such a late response. I’m literally falling asleep right now but I felt too guilty leaving this for tomorrow morning. If you have any questions, notes, or looking for something specific for your reading, we cna talk about it.

Anyways, thanks for asking! Hope you love them, and sorry for any mistakes

#soukoku fanfiction #skk #dazai osamu #nakahara chuuya #soukoku #bsd #bungou stray dogs #fanfic recommendations #skk fanfiction #double black #bsd chuuya #bsd dazai

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