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yellowbluemoonshine · 1 year

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Toga & Dabi Relationship;

Lets take a moment for Toga and Dabi’s relationship. Unlike the fanon idea, canon Toga-Dabi wasnt as good as now and they actually disliked each others a lot and this is why i find it interesting the later interaction they have.

At the start when they met Shigaraki, despite the fact that both of them had interest in Stain, it was completely opposite reasons. Toga for her own type, Dabi for his ideals. Toga who always honest to herself and Dabi who who always deny his feelings. You would think they are complete opposite but actually, they are similar in core. Because in the end, both of them was driven by personal feelings. Toga for idea of love and Dabi for revenge.

Shigaraki, Dabi, Toga. They had that ‘i will kill you’ moment when they met but at least, their relationship with Shigaraki changed, not much later. Every decision Shigaraki made, the fact that he made league, that he gave a speech about messed up society, and later actually become a leader, accept them, treat them with care and respect, even later to save them etc etc. With every move he made, Shigaraki eventually won their heart one by one or all together. He gained Dabi’s respect and Toga’s care.

But that wasnt the case between Toga and Dabi, really. Just because they are in same group doesnt mean that they are super close, after all. He constantly look down her and call her crazy. To him, she is just crazy and thats it. And Toga, of course, dislikes anyone who doesnt accept her.

Toga vs Dabi Smash Bonus;

-Before the match-

Toga: Dabi, you are not cute.

Dabi: Yeah, I agree.

-Toga wins-

Toga: I wanna go home. You’re annoying.

-Before the match-

Dabi: You’ve got a few screws loose, y’know.

Toga: Uh-huh, and that’s fine!

-Dabi wins-

Dabi: See? We don’t need you.

Source.

Of course, even their dynamic change since legaue is home for them. Toga tease him and worry about his wounds while Dabi seems to be a little softer to her than before. (He is smilling, unlike before). Like sibling dynamic.

I always thought that Toga and Dabi are the ‘selfish’ ones in the group when it comes to working together or doing things for the sake of group because they both always focus on doing their own things more than doing thigns for group. Compare this to other members;

Shigaraki is literally leader and despite the fact that he doesnt have to, he does his best to making their wishes come true. Twice is too who always live for the sake of group. Even Mr compress, he also has his own goal too but still, he become the caretaker of the bunch of children in a sense. Spinner isnt really much a caretaker of group but still, he follows his leader and after Twice’s death, he is the one who try to put the group together. I think, compared to them, Toga and Dabi didnt realize that how lucky they are to have their this weird family, until they loose it. After Shigaraki is gone (and Mr Compress too), and especially after Twice’s death.

I think thats when Toga and Dabi’s relationship truly changed because Dabi changed his perspective of her. The way she reacts to Twice’s death like that shows that she cared, that she is not just selfish crazy girl.

And later, Dabi most likely saw Toga’s home. How she was forgotten, abandonded, just like him. Maybe first time he ever really related to her and he reach out to her, comforting him by burning her house, giving Twice’s blood and telling her to smile. Thats also the first time he calls her with her name, i think. Look at Toga’s warm smile, how happy she is.

And we later see in official picture that Toga imitates Dabi’s frankeinstein move and Dabi softly smile. Note; Toga only imitate people she loves.

And later, they work together, to not let heroes forget about sad man’s parade. Of course MVP is Spinner and he did a lot but i love their character developments too. We also see Dabi’s first time saying ‘we’, not just ‘him’ because its not just about him anymore. Its about them and what society did to them.

Personally, i never thought their interaction and characters would improve this much, i am so proud of them. I might’ve made similar meta about their relationship before but anyway, i wanted to talk about them again because i feel like they grow up a lot since then.

#toga himiko #dabi #todoroki touya #mha meta #bnha analysis #bnha 375 #bnha 376 #character development

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aashi-heartfilia · 1 year

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The Ultimate Hero: Uravity

So, I guess the biggest plot point I have noticed for Ochako is to not let people go.

On one hand, we have Deku:

The greatest asset for the heroes; all tattered and bruised running away from his own comfort and happiness to protect his loved ones because the hero society has brainwashed him into thinking that heroism is all about sacrifice and he is the only one who can offer that.

And then, we have Toga.

A cunning villain according to the heroes, a constant thorn on their side.

But in reality, Toga's not a monster that she's perceived to be. She was just an unlucky girl born with a cursed quirk that led her friends and even family boycotting her.

A teenage girl, whose feelings are all over the place. A girl who loves heroes and wants to be like them. A person whose biggest question is that her life matters or not?

And then, we have Ochako.

More under the cut_

Who has failed thrice in reaching out:

First, when she didn't go after Bakugo. She convinced everyone else too, to not go after Bakugo in the Hideout Raid arc because of her own passiveness.

And then she even regrets later and tries to fix things up. But well we know how it goes.

Then she failed to save Sir Nighteye. He was a hero, that died in her arms and there was nothing she could do but helplessly watch.

We see some character development as she rushed to save Deku from the Black whip but just mindlessly running into danger without a plan in mind is not the best solution to a problem Chako cheeks.

But, baby-steps.

We have Toga. It's because she failed to answer Toga's question properly during the war (not that I blame her for it, considering the situation) that Toga turned into the villain she is now.

And finally we have Deku. A product of the society who's brainwashed into thinking that it's his Destiny to suffer in silence because he's a hero.

And yes, there is reason Ochako is highlighted here.

Deku isn't just a random person. He is her best friend and a fellow hero who is willing to suffer in silence for the greater good.

But doesn't he deserves to rest?

This is the bigger questions of the story asked several times.

Who is a Hero?

How do you define a hero?

A figure who doesn't flatter in a situation no matter how dire?

Or someone willing to stand up against the injustice?

Or just a tool of violence to keep villains down?

And that is exactly why Deku is the first person that Ochako saves. Not his life, bit his heart.

It's noticable how much importance heart is given in MHA. A story about saving the hearts of people.

This is also the reason why Ochako succeeds where even Best Jeanist fails.

The No#03 hero, Best Jeanist, a fan favourite, failed to convince the angry and panicked mob because he said that Deku is their biggest asset in this war and that they need him to win. Because in their eyes, an asset is what he is.

A tool, a weapon.

And tools can be kept anywhere. They don't have feelings. Why UA?

Because he's also a human.

More precisely, he's a High-schooler.

He shouldn't even be fighting there.

He has plenty to learn himself.

And like how All Might gave him the right to be hero..

Ochako gave him the right to rest, as human.

For Toga:

We've seen that Ochako looking back to her fight with Toga at the mansion. She was regretting about her actions as a person, something she did not considered before.

And now, she's on the battlefield ready to save both heroes and villains because they're both people. They are powerful but they're just as helpless when it comes to them.

They have bad pasts and horrible things happening to them.

They make mistakes and they're put on pedestal, but

Their lives matter.

Their happiness matters.

Their smile matters.

So, Uraraka's arc is about humanizing both heroes and villains. How they both are the victims of this superhuman society and how they both deserve peace and quite.

Which is why I think Ochako will be the turning point of this manga, now that everything have possibly gone wrong in the worst way possible.

Toga is out with her sad man's parade and dabi is there too, along with AFO all because Spinner's voice reached Kurogiri.

Ochako's name means a 'bright and sunny day' and her power is literally making things weightless. So what if she makes this entire deals weightless by getting Toga on their side?

Principal Nezu already said in his speech that they're just one step away...from understanding each other. And taking that first step is always hard...and when someone takes that impossible step, it leads to the birth of a true hero.

And yes, URAVITY is that hero.

A symbol of hope.

The greatest hero that will surpass even All Might.

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haleigh-sloth · 1 year

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Toga, she doesn't love anymore :(

That title is bullshit, just as what Toga said in chapter 376 is also bullshit.

I mean, we all know Toga by now. Her entire character has been about love, and feelings toward other people, and relationships. And no, I don't mean reducing her down to her surface level crush on Deku, because it's far from that.

We talk a lot about Tomura's unreliable narrating, but not enough about Toga's. So I'm going to take it back to MVA when we got her backstory, and use everything up until current chapters to explain why THIS PANEL--

--is very negative development for our dear Toga. (No worries, she’ll be aight)

Sorry, in this instance, a young girl letting go of her obsessive, unrequited love is not quite the freedom it would usually be accompanied by.

Toga, the girl who just wants to become the people she loves. Totally normal, right? RIGHT?

Or is it?

Toga, the girl who is happy with everything as it is, as she is. Happy with who she is:

Or is she?

Yeah, so happy with herself.

I mean, idk why it's not touched on more. Toga defending her want and desire to literally drink the blood and turn into people she loves is not a good thing we as readers should be rooting for her to be able to do lol. Her traumatic past explains it away, but man we shouldn't have to debate on whether or not that's a life she really should be living.

She defends her actions, but even Toga herself knows that “blood” is not what she wants.

What exactly is Toga's issue? Much like the rest of the League, she's got this small issue of self-hatred that she can't really get rid of. She's been berated her entire life, told to be "normal", told to stop being...who she was born as. So what do her normal feelings toward people--normal feelings that everyone experiences (i.e. innocent crushes)--turn into?

Intense feelings of just wanting to disappear into the person she loves.

THIS is also negative. It's not great, and it's exactly what led to her needing someone to help her in the first place.

So why is it negative for her to say she’s “no longer a girl in love” in 376?

Well, as long as Toga was still seeking out love (connection, relationships, friendships), she was still seeking out an understanding, a listening ear:

What separates Toga's path of self-annihilation from say, Tomura's and Touya's, is that while she lies to herself even in her own head during MVA (when she's being forced to face her ugly truth unpreparedly), she shows us through her actions that she already knows her own truth--which is why throughout the manga we see her trying to get that understanding and acceptance from Ochacko and Deku, on quite a few occasions.

Toga knows what her "love" means. She knows that "love" is just an exaggeration of normal feelings everyone experiences. Which is why she was so resistant to Curious's confrontation:

We know Toga knows the truth. That was the entire point behind her confronting Ochacko during the first war:

She tells the truth here. It's hard for her to live the way she is. She shuts everything away and it just grows inside, the more people reject her and outcast her, the more intense her feelings grow because they are never reciprocated and she is never treated like a person with normal feelings. And it’s a vicious cycle of reaching out, rejection, snapping and hurting, rinse repeat.

But as long as she was trying to find “love” in the world around her, she was still reaching out, and trying to pull herself up and out of her own misery.

That’s why Toga’s shift in 376 is negative. Her “love” is not simply an unhealthy one-sided crush. Her “love” is just basic connections to other people, which she is denied over and over again.

Her development being preceded by becoming a “full fledged villain” and giving up on help and just annihilating all of the heroes is the most obvious, glaring signal that this is a downward spiral for her.

She isn’t liberating herself from an unhealthy unrequited love, she’s giving up on being happy. Toga’s end game is not a boyfriend. It’s love as in—acceptance and friendships she gains and maintains.

So, my point is that nah, this isn’t good. And it’s absolutely a farce. It’s the same “giving up” as Tomura during the dichotomy speech, only to find out 60 some odd chapters later that he hasn’t given up and that sliver of hope is keeping him from disappearing.

Ochacko being stubborn is exactly what Toga needs (and wants), and I’m so ready to see it.

#bnha #boku no hero academia #bnha 376 #toga himiko #bnha meta #uraraka ochacko

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darkcircles4lyfe · 1 year

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labor of love

Thinking back on the books and shows that have captivated me most over the years, I’ve noticed that a significant part of my enjoyment comes through glimpses of the creator themselves. The human, fallible, subjective, personal, and unique perspective that bleeds through. I'm forever trying to see things from the other way around instead of as the audience. As I become more familiar with a person’s work, I almost imagine myself as the close friend who can see bits and pieces of their loved one in everything the write.

When I deal with fandoms or read and listen to media criticism, I inevitably get slapped in the face by the absence of this habit in other people. Maybe it’s because of concepts like “entertainment” and “consumption” making art into a product we spend our money on, and therefore we feel it owes us something. Maybe it’s the trend of pretending arbitrary differences in taste are actually somehow a basis for objective criticism. Regardless, even though I see plenty of reminders all over fandom spaces encouraging people to just enjoy things without worrying about whether they have some sort of intellectual merit, I don't see much acknowledgement of the creator’s point of view here.

So let’s talk about creative work as what it is: somebody’s dream, which brewed in the dark and solitary chambers of their mind, real but invisible to the outside world. By some miracle of good fortune and incredibly hard work, that dream is made accessible to us, the audience. It’s difficult to express how surreal that really is. Not all media is like this, of course. But sometimes you can see when a story is made with love, that the creator is so in awe of this miracle that they bring all of themselves into it. When that happens, I too fall in love, and preference no longer seems to matter. It’s not, “I enjoy this thing because it’s so ME,” it’s more, “I enjoy it because it’s so THEM.”

I worry sometimes that I have rose-tinted glasses on, but here’s the thing. We seem to over-associate criticism with logic, and praise with delusion, when in reality they are both limited. What I’m talking about here is neither. Sorry if this sounds cheesy, but I think “to love,” means “to know.” It’s where flaws and strengths blend together into a whole that is understood as it is cherished.

All these various observations have been tumbling around in my head more and more since I’ve gotten into this funny little thing called Boku no Hero Academia. It’s so popular, so polarizing, it draws in such a wide range of opinions from so many different kinds of people. I find it fascinating to watch, but, like I just said, it also tends to slap me in the face. Not out of personal offense, mind you. More than anything I’m stunned by how disconnected a lot of people are from this human element, whether they are being negative or positive. Even if they know enough to invoke the name of Horikoshi, they treat him like more of a figure than a real person.

It’s true none of us can actually truly know him. However, I think that while the author/audience relationship is a somewhat parasocial one, it’s worth acknowledging the mutuality of it as well. Let me take you all on a little journey to bring “the creator” down to Earth.

First, a few plain facts: Before bnha, Horikoshi was able to get two other manga into serialization: Oumagadoki Zoo and Barrage. The former lasted 37 chapters from 2010 to 2011. Barrage lasted 16 chapters, in 2012. Juxtapose this with Boku no Hero Academia, which as of writing this, has been running for over 370 chapters spanning 8+ years since 2014. Horikoshi is currently 36 years old (born in 1986).

Now let’s go back even further. His first one-shot was published in 2007, when he was 21. It’s called Tenko, and you can read it in English here. Most obviously, we can see that this Tenko character was later adapted to the Tenko we know in bnha, with a similar power, backstory, and appearance. But I actually think there are a few other ways we can draw comparisons from this genesis of Horikoshi’s career, all the way to the present.

Here is the intro that prefaces the 2007 one-shot:

^I get chills looking at this, and it makes me grin, no joke. Please take a moment to read all the little tidbits. It sounds like the intentionally foreshadowing first scene of a famous person’s biopic, but no one had a clue back then. I just find that so hilarious and moving at the same time.

So think of the Tenko one-shot as a window into who Horikoshi was as an artist and a storyteller pre- pro industry, with the assumption that certain aspects of his work are probably simultaneously a bit more upfront but also underdeveloped. You know, like a kid. There’s both honesty and naivety there. I can also think back to being around 21 myself (only a few years ago lol), about the stories I was writing in school, the workshop classes I was in with other people my age, what they were writing, the things that were important to us that we discussed informing our work. It’s a formative time, right?

One of the primary things I notice about the Tenko one-shot is that it centers themes of power, heroism, and trauma, and has a resolution which involves bridging misunderstandings.

It’s all very ideological, but also full of raw emotion. I read somewhere (sorry can’t remember where) Horikoshi saying that in formulating his idea for the ending of bnha, he has kept asking himself, what does it truly mean to be a hero? It seems he started asking that question way back in 2007, through this little story about swords and their wielders. The Tenko one-shot acknowledges that people and power are morally complicated, as is the idolization of heroes. The ending is hopeful, and looks ahead to times changing for the better by the will of progressively-minded and determined people.

This reminds me of the current arc of the bnha manga, and how the whole story might eventually end. Horikoshi has shown us that the villains are worthy of sympathy, that they are a product of society’s willful ignorance, that “heroes” have also done abhorrent things. But he has also embraced the pure optimism of youth. He seems eager to ask the big questions about right and wrong, and present us with both ambiguity AND certainty. The final fights are not at all a contest of strength, and there are no winners and losers. I’m very curious to see how far he takes this. I’m sure it will ruffle some feathers, and leave some people unsatisfied, but that’s probably a good thing.

The other major thing I notice in the one-shot is the character Hana. Now, as she shares her name with one of the main characters in Oumagadoki Zoo, and they are also similar in personality, that could be where the comparison ends. However, that’s nothing to say Horikoshi didn’t continue her themes elsewhere. The Hana in the Tenko one-shot is primarily preoccupied with her goal of becoming a warrior, and she was inspired some time ago by a warrior who saved her. This other warrior, conicidentally, turns out to be a brutal, a-moral, self-proclaimed demon, and he actually doesn’t take Hana seriously. In some ways, this reminds me of Hawks with his own idols, Endeavor and Lady Nagant, and more generally the idea in bnha that someone you look up to might not be all you imagine them to be. Like All Might and his hidden suffering. Or like Ochako looking up to Izuku up until his solo arc, after which she proclaimed, “special powers are one thing, but there’s no such thing as a special person.”

Speaking of Ochako. Hana’s primary source of angst in the story is that since she is a woman, her “masculine” ambition is laughed at and dismissed. Her dialogue with other characters is very direct about this, which I find pretty interesting.

You can really feel her frustration and see the blatant misogyny in how she’s treated. Even though things are stated kinda bluntly, it feels genuine, ya know? Note that she also wears men’s clothes, and nothing about her appearance is catered to the “male gaze.” I mention all this because to me it contextualizes Horikoshi’s more recent female characters. We can infer that he carried this perspective on, but in subtler and more nuanced ways that might not be immediately noticed. They may sometimes look like shonen stereotypes and be influenced by a misogynistic world, but this is likely an act of parody and/or criticism on Horikoshi’s part. For example Ochako’s fight in the sports festival illustrates a similar point to Hana’s struggle as Katsuki is the only one who takes Ochako seriously while other male classmates see her and other female opponents as inherently weak or potential love interests.

Hana remains ambitious, fostering her own motivation beyond her previous idol, and her ultimate goal is to help people. She reminds me so much of Ochako’s recent convictions. Ochako is fully herself now, and I’m confident her fight with Toga will show this even more, in a way that is much more direct. Since ch 374, I anticipate we may be getting confirmation of things pretty soon, so I wanted to restate that ASAP.

I’ve said this before, but it really does trouble me how a lot of people assume so much about bnha based on other shonen, disregarding the fact that Horikoshi is his own person. This either leads to undo criticisms or expectations that will likely not be delivered on. It makes me sad because I want people to enjoy this story for what it is. I hope this is a reminder that although it may seem on the surface like Horikoshi is rehashing the same old thing, his work really is a labor of love, of knowing. It is an homage, which both celebrates and deconstructs. Please remember that for the day when folks will be scrambling trying to figure out how we got here. Ironically, the signs were there all along, from the start of Horikoshi’s career, if you only care to look.

#Im back? kinda #please be advised that I am busy and tired etc etc #bnha 374 #bnha 375 #bnha 376 #bnha manga #bnha meta #media criticism #shonen #mha #boku no hero academia #my hero academia #uraraka ochako #toga himiko #bakugou kastuki #shimura tenko #lin speaks #long post

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transhawks · 1 year

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But Who Can Stand Before Jealousy?

Dabi being jealous of Shouto getting Endeavor's attention (even being aware of the abuse and trauma he's faced) and Dabi acknowledging his father's abusive relationship and treatment of the entire family can coexist. Sometimes abuse survivors aren't perfectly rational and crave validation and acknowledgment from their abusers. Sometimes they get jealous of someone who had a very different type of abuse and trauma because they consider their neglect to be more painful, and yes, sometimes they compare traumas.

Abuse screws you up and I think we can discuss Dabi understanding the systemic/societal issues that lead to his father being unaccountable and knowing that he grew up in a very toxic and abusive household while acknowledging he has ugly feelings of jealousy towards Shouto and outright told him that he'll never amount to anything despite how lucky he is to be what Endeavor wanted. Do these sentiments seem to conflict? Yes!

But something called cognitive dissonance exists. Most people have it. Dabi, as a multi-faceted character, can show that a lot of his ideals don't actually work with his desires and feelings, which is very much how most people work, and people who are mentally ill and traumatized more so.

Additionally, the way the manga should solve this is not by allowing the rift and competition for Enji's attention to be validated by the narrative. I never liked the idea that Enji has to choose between his children because it perpetuates the issue and a golden child and scapegoat dynamic.

Enji choosing a child over the other will just solidify the idea that 1. Parental love needs to competed for 2. Dabi was right to feel jealous of Shouto and see him as an usurper 3. Also make Enji's prior abuse and pitting of his kids against each other kind of feel validated.

But we are then at a loss for how to make Dabi feel seen and wanted, when so much of his anger is at having been usurped as the apple of his father's eye.

Meanwhile, the manga has been building up another confrontation between Keigo and Touya. More on this from me later, but I think Hawks attacking Touya and vice versa provides a chance for Enji to still make that active choice of choosing Touya over his career/coworkers/hero cause, but not having to choose between his sons.

Because Touya needs to feel that sort of love from Enji in order to even heal, but you can't heal by opening other wounds. Shouto has never been a willing participant in this fight between Touya and Enji and it's unfair to build off him like this.

Hawks and Endeavor are shown to be close for coworkers (Enji definitely thinks of him favorably) even if Hawks's admiration or parasocial fixation on Endeavor are very different from what Endeavor likely sees (a very supportive coworker). Dabi's sense of reality is skewed enough that he might see the 'closeness' as more examples of his father choosing everyone over him, especially shiny prodigies good heroes like Keigo. I don't know what else Dabi could be referring to a precious thing in the battlefield if he's not able to give Shouto as a souvenir.

Please remember that Dabi doesn't believe his father gives a damn about him more than being horrified at what he's become. Enji has never stated it to him since the reveal that he loves him and wants him back. While Dabi is suicidal, it's a mistake to think he's referring to immolating himself.

Hawks in this scenario represents the hero society Dabi hates - a false golden idol filled with the same muck as the villains, and essentially everything his father would have wanted him to aspire to. The two attacking each other has a symbolic weight. Like I said, there's also a lot to be said about jealousy in the Touya-Keigo dynamic, but that's not what this post is about.

Simply put, Endeavor will not have to choose between Touya and Shouto. That doesn't solve the conflict. Horikoshi's setting up a way for Endeavor to start to make up for his emotional abuse and neglect of his son without throwing more of his family under the bus, and it'd only worsen the situation if the story makes Endeavor choose between his kids.

#bnha 376 #just something quick #dabi #shouto #todorokis #endeavor tw #meta

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originaldouble · 1 year

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i believe in Himiko Toga's character development supremacy

#bnha #mha #mva #lov #bnha 376 #himiko toga #toga himiko

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helga-grinduil · 1 year

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sorry, but i don't think it's unreasonable for endeavor to ask touya if shouto is alive. the last time he saw touya, touya was trying to kill shouto to get enji's attention, and now he appeared using shouto's technique (after they got the news that shouto 'won' against touya). earlier, he was worried about both of them.

but touya is here right now and he's clearly alive, while shouto is nowhere to be seen and endeavor has no idea is he's dead or alive. it's a logical thing to be worried about, and it's not like he doesn't think about touya at all - the last page is literally him thinking about keeping an eye on touya.

#a little bit hypocritical? maybe. but definitely not unwarranted.#don't get me wrong - i will always dislike enji as a person. there might never be a moment when i don't. but c'mon. this is just weird.#bnha #bnha spoilers #bnha 376

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melistes · 1 year

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like father like son

#Afo #all for one #izuku #midoriya #izuku midoriya #midoriya izuku #dfo #dad for one #mha #bnha #bnha 376

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class1akids · 1 year

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We got so wrapped up yesterday in the debate about Enji asking about Shouto, that I forgot to mention - this is the first time Enji calls him “Touya” out loud to his face since the reveal.

Actually, it’s the very first thing he said to him since this:

“What have you done to your baby brother?” is pretty normal family conversation by comparison.

Baby steps.

#bnha 376 #bnha manga leaks #bnha manga spoilers #bnha 291

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lylylylyy · 1 year

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As a Touya stan I'm frustrated with the new chapter because Enji still mainly saw Touya as some kind of responsibility, not his kid wanting his attention from the very beginning.

When Enji faces Touya, the first thing we know about him is that he notices phosphor, which leads to the question of asking about Shouto's well-being.

Enji's question is rather reasonable since Touya made it clear that killing Shouto is his goal, and it's natural for Enji to be concerned about Shouto, the kid he showed to care the most in the series who could be dead. However, what annoys me is that he showed no concern about Touya's health-I mean, looking at Touya. The whole fandom and the characters in the manga are all wondering how he could be alive. He is basically on his last legs yet Enji here showed zero concern about this fact.

Contrary to Enji's concern for Touya in the previous chapter, he chose to ask the rather triggering question related to Touya's whole trauma of being thrown away by his parents for his younger brother, which is not beneficial for Touya's overall health state at all. Seeing this, I couldn't help but feel that some people in the fandom are way too optimistic about Enji's parenting skills. He is trying, yet his attempt is far from a good try, so I don't think the worries and frustrations are unsupported in the text.

Also, I noticed the final words, "父に課されたのは…" after the last panel. It's not Enji pov but still represents the author's attitude towards Enji's emotions.

父 means father, and 課された is not a very good word here. It means be imposed on, usually used to describe a burden or loan. Thus it gives me the feeling that the next chapter will not be the heart-to-heart conversation about Enji's love for Touya when he was young, just a talk about the responsibilities Enji had to take. No potential affection or caring parents vibes, only some obliged resignation.

I understand that Enji's reactions would absolutely make sense, since Enji was never a kind person in the past and he's not used to the thought of caring for Touya as a parent for 10 years. But as a person whose supposed redemption arc of becoming a decent father is receiving so many praises, Enji in this chapter feels pretty lame and upsets me because he failed to reach that bar again.

Horikoshi's been pretty busy, and I hope he could get the rest that he deserves. I understand that this chapter is short due to his alarming health condition and we will get the next chapter where meaningful things would probably happen between Touya and Enji. However, judging from the text, their upcoming interactions seem rather dim and uncertain to me.

We know that Enji thinks his mission(my translation of 使命, the word he used in the chapter) is to keep eyes on Touya, but keeping eyes on Touya now won't just magically remove the pain of being rejected for over a decade. I pessimistically think it would be just another battle shounen fighting scene, where Enji takes damages from Touya and fails to say anything that would be impactful enough to stop Touya from his self-destructive mental state. It might make a difference as Shouto and his Phosphor did, but it won't be strong enough to totally chill Touya. I just hope the next chapter will prove that I was wrong.

Considering the cultural background, the typical harsh East-Asian father Enji would not suddenly become a person that has no shame in acknowledging his affection and worries towards his son. Like the scene with Natsuo getting kidnapped, I strongly doubt that he would give the interactions western society considered the right things to do.

As for the Todoroki endgame, I can't help but think about Shouto, who genuinely desired to know his brother despite the sad fact they probably shared 0 good memories in the past. Touya 100% knows that his crimes would be a burden for his father, but as a person with very low self-worth, he won’t anticipate his family to want him back as a beloved member. I feel it pretty unrealistic if Enji turns out to be a loving A+ parent and solves Touya's issues all by himself, so I believe the narratives won't just go that far.

Therefore, I assume the father-son fighting scene would end with Shouto interfering. However, another scene of stopping Touya with ice again would be pretty unnecessary. My guess is AFO would do something stupid and Toga would be convinced by Ochako to stop the parade and help her friends, and Shouto might come to help Touya take AFO.

PS: I am not a native English speaker so I might end up writing weird or offensive sentences while not knowing about them. Please tell me if I was wrong or being rude _(:з」∠)_

#mha 376 #bnha 376 #mha spoilers #endeavor #todoroki enji #dabi #todoroki touya #ly thoughts #mha manga spoilers #mha manga leaks #shoto todoroki #touya todoroki #enji todoroki

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is-bakugou-alive-yet · 1 year

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Is Bakugou alive yet?

12/21/2022

#bnha #mha #bnha 376 #mha 376 #bakudeku #bakugou katsuki #bkdk #deku #kacchan #decchan #dekubaku #bnha spoilers #mha spoilers #boku no hero academia #izuku midoriya #my hero academia #katsuizu #katsudeku

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aashi-heartfilia · 1 year

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She will go against the norms

So, what if this talk about Love is not what we think it is? We've already seen this parallel between Shouto and Chako that they both try to stop their foils, but what if Ochako will be the first person to actually save a villain?

We've already seen her thinking about Toga in the previous chapters and ever since this fight started, she just wanted to talk things out.

So what if these feelings Froppy was talking about aren't the feelings for Deku but rather about her thoughts on the hero society?

More under the cut.

How heroes are always put on pedestal and seen as the light in shining armour? Aren't heroes also humans?

If a hero is someone who suffers in silence, what do we call someone as dire as you?

And this line hits hard, not because Deku is someone close to Ochako but also because Deku is an image of Heroism for Ochako.

She liked Deku in the first place because she thought he was cool but she immediately figured out that it was wrong. She should be giving her all to achieve her dreams as well.

It's also noticable how it's always someone else (especially Mina) pointing out Ochako likes Deku. And Mina is someone who loves to gossip. She'll see two people taking a walk and say they're on a date.

And just because it's a shonen, we're also made to believe that Ochako is the heroine of the story and her only role is to end up with the Deku.

. Even she wasn't thinking about it until Mina makes it a point.

Ochako does not like Deku and the feelings she always felt were just a result of her own insecurity as a hero!

After the war arc, we see that her arc is not just about Deku anymore. She wants to save people, she wants to fight for their smile.

Over the cliff, she was thinking about Toga, how the villain was shedding tears.

She always saw Deku's struggle to be hero because he was always right infront of her.

Before a hero, he is a human and he deserves to be loved, he deserves to rest, he deserves to sit in peace and he deserves to smile, just like anyone and everyone around.

That's what Ochako's arc has always been about...

To humanize Heroes who are seen as nothing but a tool to shut down the so called evil and maintain this temporary peace which is honestly nothing but an illusion...

And to save villains who are victims to the society first.

Throughout the story we've seen Heroes trample people for the collective good of the society.

Hawks killing twice is an example.

Endeavour neglecting Touya is an example.

Aizawa deciding to shut down Kurogiri is an example.

Toga unleashing Sad Man's Parade is an example, of how shutting down people will only cause them to react even further.

And resorting to violence is not an option. Just like everyone, heroes are also people who can make mistakes.

But then Villains are also people. The individuals who were victims first. They reacted because the society failed them.

So, I think Ochako will be the first one to advocate for the villains.

She will be the first one to talk things through with Toga and put a stop to Sad Man's Parade that will be the trigger to the major events from now on.

It will also be iconic because Ochako and Tsuyu were the 2 main people who during the Bakugo retrieval arc stopped everyone from going after Bakugo saying that they will be no more than the villains themselves.

So for them to stand up and protect Toga? Hell yeah!

Thanks for reading!

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